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German composition

Section 106. THE DRAMA OF THE FRENCH REVOLUTION OF 1848. VI.

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Everybody is escaping at⁠[1] the same moment. There is the King’s eldest son, pale and half-naked, throwing⁠[2] aside his tinsel and putting on fustian, looking⁠[3] less than a man in his fear, trembling with⁠[4] emotion, and finally running⁠[5] like a madman for⁠[6] his life. There are your⁠[7] ministers, of⁠[8] European reputation and wisdom unapproachable, bounding⁠[9] like antelopes, northwards⁠[10], southwards, “anywhere, anywhere⁠[11] out of the city”, which they and all the rest give up⁠[12] to indiscriminate riot. And⁠[13] now the crowning point of our first “tableau” is near. The (S. 107, N. 13) mob, masters⁠[14] of Paris, are sacking the Tuileries. The choicest moveables⁠[15] are broken to atoms; a group⁠[16] takes⁠[17] the places which Royalty filled a moment ago at the breakfast table; others are in the wine cellar drinking⁠[18] themselves ten times drunk; others, again⁠[19], are in the Queen’s apartments, defiling⁠[20] that⁠[21] domestic sanctuary. Outside the palace and on the top⁠[22] of it a flag is waved⁠[23] by⁠[24] a dozen men, whose⁠[25] shouts and shrieks invite hundreds, whom⁠[26] you see crawling up with no earthly object but immediately to (S. 19, N. 7) slide down again.

Notes in this chapter

Note 7 · The Supine is used to express purpose, and must be employed whenever the English ‘to’ is used in the meaning of ‘in order to’, or ‘for the pNote 14 · [23] hin und her schwenken.Note 1 · at — moment = with them.Note 2 · ‘throwing — life’. The rendering of this passage according to the rule of S. 16, N. 4 would be inelegant, since there are a number of PresenNote 3 · to look less than a man, kaum einem Manne ähnlich sehen.Note 4 · vor; emotion = excitement.Note 5 · davon´laufen.Note 6 · um sein Leben zu retten.Note 7 · your = the.Note 8 · of — unapproachable = incomparable in (an) European fame and wisdom.Note 9 · Since a relative clause follows immediately, it would be bad taste to render this clause, beginning with a Present Participle, in the same fNote 10 · nach Nord und Süd.Note 11 · The second ‘anywhere’ is best turned by nur hinweg.Note 12 · dem allgemeinen Aufruhr preisgeben.Note 13 · And — near = And now we approach (sich nähern, with Dat.) the end (Schluß, m.) of our first tableau. The French ‘tableau’ is used with FrencNote 14 · [13] the — way = how the mob forces its way (sich einen Weg bahnen). In German the verb agrees in the Singular with a collective substantiveNote 15 · masters of Paris = which rules in Paris; to rule, beherrschen (v. tr.).Note 16 · moveables = objects; atoms = pieces.Note 17 · Insert the noun ‘men’.Note 18 · ein´nehmen; Royalty = the Royal family; filled = occupied (inne haben, treated like a comp. sep. v.). The adverbial clause ‘at the breakfastNote 19 · drinking themselves drunk = and drink themselves drunk (sich betrinken).Note 20 · wiederum andere.Note 21 · and defile (besudeln).Note 22 · diese geheiligte Stätte der Häuslichkeit.Note 23 · top = roof; of it = of the same.Note 24 · The preposition ‘by’ in connection with the passive voice and establishing a relation with the noun or pronoun that denotes the doer of the Note 25 · To avoid a succession of relative clauses, which should always be avoided, begin again a new period here and say: The shouts and shrieks of Note 26 · whom — but = who seem only to climb up (erklettern) the roof. The adv. ‘immediately’ comes after the conjunction ‘to’.
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