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German composition

Section 185. REBECCA DESCRIBES THE SIEGE OF TORQUILSTONE TO THE WOUNDED IVANHOE. III.

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“Who is down?” cried Ivanhoe; “for⁠[1] our dear Lady’s sake, tell me who has fallen?”

“The Black Knight,” answered Rebecca faintly⁠[2]; then instantly again shouted with joyful eagerness⁠[3]: “But⁠[4] no—but no!—the name of the Lord of hosts be blessed⁠[5]!—he is on foot⁠[6] again, and fights as if there were twenty men’s strength in his single arm⁠[7].—His sword is broken—he snatches⁠[8] an axe from a yeoman—he presses⁠[9] Front-de-Bœuf with blow on blow.—The giant stoops and totters like an oak under the steel of the woodman⁠[10]—he falls—he falls!”

“Front-de-Bœuf?” exclaimed Ivanhoe.

“Front-de-Bœuf!” answered the Jewess; “his men⁠[11] rush to the rescue⁠[12], headed (S. 102, N. 3) by (von) the haughty Templar⁠[13]—their united force compels the champion⁠[14] to pause.—They drag Front-de-Bœuf within the walls⁠[15].”

“The assailants have won⁠[16] the barriers, have they not?” said Ivanhoe.

“They have—they have⁠[17]!” exclaimed Rebecca—“and they press⁠[18] the besieged hard upon the outer wall; some plant ladders⁠[19], some swarm like bees (S. 3, N. 2) and endeavour to ascend upon the shoulders of each other⁠[20]—down go⁠[21] stones, beams, and trunks of trees upon their heads, and as fast as they bear the wounded to the rear⁠[22], fresh men⁠[23] supply their places in the assault.—Great God, hast thou given men thine own image⁠[24], that (S. 183, N. 6) it should be thus cruelly defaced⁠[25] by⁠[26] the hands of their brethren?”

Notes in this chapter

Note 2 · Use the gen. of the def. art. The definite article is always required before nouns representing the whole of a given class, and before abstrNote 3 · The Past (Perfect) Participle is often used elliptically to denote an existing state or condition; as—Note 6 · that — archers = that (= in order that, damit) the archers may not notice thee.Note 1 · = for the sake of (um ... willen) the holy Virgin.Note 2 · mit schwacher Stimme.Note 3 · then — eagerness = but cried immediately (gleich darauf) with joyful surprise.Note 4 · [1] = for the sake of (um ... willen) the holy Virgin. [2] mit schwacher Stimme. [3] then — eagerness = but cried immediately (gleich daraufNote 5 · gepriesen.Note 6 · to be on foot, auf den Beinen sein.Note 7 · as — arm = as if (als ob) his arm possessed (Impf. Subj. App. § 33) the strength of 20 men.Note 8 · to snatch a thing from a person, einem etwas entrei´ßen, insep. comp. str. v. tr.; a yeoman, ein Freisasse, m. Comp. App. § 5; ‘axe’, here =Note 9 · ‘to press’, here weiter zurück´drängen, sep. comp. w. v. tr.; with blow on blow, mit jedem Schlage.Note 10 · = wood-cutter.Note 11 · Leute.Note 12 · He rushed to my rescue, er eilte mir zu Hülfe.Note 13 · Der Tempelherr war Brian de Bois-Guilbert. Comp. S. 183, N. 1.Note 14 · = hero; to pause = to stop fighting, mit dem Fechten in´nezuhalten.Note 15 · ‘within the walls’ may be briefly rendered by hinein.Note 16 · = taken, ein´nehmen, sep. comp. irreg. v. tr.; turn ‘barriers’ by Verschanzungen; have they not? nicht wahr?Note 17 · Ja—ja!Note 18 · here bedrängen; hard, heftig; upon, auf, with Dat.Note 19 · to plant ladders, Leitern an die Mauer stellen.Note 20 · = of the others.Note 21 · down go, es werden ... herniedergeworfen. Comp. S. 104, N. 19.Note 22 · and — rear = and as soon as (so wie) the wounded are carried away (hinweg´tragen). Comp. S. 2, N. 1.Note 23 · = other combatants (Streiter). He supplied my place in the assault of the castle, er nahm meine Stelle bei der Erstürmung des Schlosses wiedNote 24 · Say ‘hast thou created men (S. 134, N. 9) after thy own image (Bild, n.)’.Note 25 · entstellen, insep. comp. w. v.; Use the Pres. Subj. of the Passive voice, and comp. App. §§ 29 and 35.Note 26 · by = through, durch; the hands = the hand.
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