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German composition

Section 101. THE DRAMA OF THE FRENCH⁠[1] REVOLUTION OF 1848. I.

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Section 101. THE DRAMA OF THE FRENCH⁠[1] REVOLUTION OF 1848. I.

Our first scene is a palace; the period⁠[2] winter; the time⁠[3] morning, and the weather cold and miserable⁠[4]. It is ten o’clock, and the King of France with his wife⁠[5] and family are⁠[6] discovered at the breakfast table. A splendid beginning! Calmness⁠[7] is the prevailing expression of every countenance save one—the king’s daughter-in-law⁠[8], who looks anxious and disturbed. Light⁠[9] domestic talk, such as⁠[10] becomes princes and the gilded roof that⁠[11] overhangs them, occupies⁠[12] the moments. Hush⁠[13]! Whilst the lacqueys, dressed (S. 7, N. 3, A) in gold and scarlet, move⁠[14] noiselessly about the room, a noise is heard without⁠[15]. It⁠[16] becomes more⁠[17] audible by degrees. Suddenly the door flies open, and two⁠[18] men enter, pale as ghosts. They⁠[19] are Ministers of State (S. 76, N. 22, A). They have news to communicate. Discontent prevails in the city; the⁠[20] populace are out; the dragoons have surrendered their sabres, the soldiers their arms, within⁠[21] sight of the apartment in which the king had just now enjoyed his meal, and his daughter-in-law had looked⁠[22] so sad.

Notes in this chapter

Note 3 · A. Whilst the English Perfect Participle (commonly called Past Participle) is placed both before and after the noun it qualifies, the GermanNote 22 · To render ‘antelope’s horn’ form a compound noun of the pl. of the noun ‘antelope’ and the singl. of the noun ‘horn’. Comp. S. 36, N. 7, A, Note 1 · National adjectives require a small initial in German.Note 2 · period = season.Note 3 · time = day-time (S. 76, N. 22, B). Connect the two nouns by means of the genitive inflection es.Note 4 · [1] National adjectives require a small initial in German. [2] period = season. [3] time = day-time (S. 76, N. 22, B). Connect the two nounsNote 5 · wife, consort, Gemahlin, which term generally applies to the wife of a king, or to that of persons of the upper ranks of society.—The possesNote 6 · Since the subject begins the sentence, the verb must be placed immediately after it. Say ‘The king of France sits, etc.’, and transl. the woNote 7 · Calmness — disturbed. This period is best construed thus: With the exception of the king’s daughter-in-law (i.e. the daughter-in-law of the Note 8 · Die Schwiegertochter des Königs war Helene, Herzogin von Orléans, verwitwete Gemahlin des im Jahre 1842 infolge eines Sprunges aus dem WagenNote 9 · Supply the indef. art. before the adj. ‘light’; ‘domestic’, here = confidential; talk = conversation.Note 10 · such as, wie, after which supply the pron. sie to agree with ‘conversation’. It becomes princes, es paßt sich für Fürsten.Note 11 · ‘that — them’, may be briefly turned by ‘over them’.Note 12 · occupies — moments, läßt die Zeit schnell dahingehen.Note 13 · Horch!Note 14 · to move, sich bewegen; about the room = in the room.Note 15 · without = outside.Note 16 · Use here a demonstrative pronoun to agree with ‘noise’.Note 17 · more — degrees = louder and louder.Note 18 · two men pale as ghosts, zwei geisterbleiche Gestalten.Note 19 · They are, Es sind.Note 20 · Der Pöbel ist auf den Beinen.Note 21 · within — meal = and this almost (fast) immediately in front of (vor) the windows of the room in which the king had just now breakfasted.—UseNote 22 · ‘to look sad’, here trübe einher´blicken, which use likewise in the Imperfect.—The German Imperfect is chiefly used as a historical tense an
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