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Section 182. SIR JOSEPH PAXTON⁠[1].

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Section 182. SIR JOSEPH PAXTON⁠[1].

Sir Joseph Paxton was acting as gardener to⁠[2] the Duke of Devonshire when the Committee of the Exhibition of 1851 advertised for plans of a building. The architects and engineers seem to have been very much at fault⁠[3] when Paxton submitted his design, and its novelty and remarkable suitability for the purposes intended, at once secured its adoption⁠[4]. The first sketch was made upon a piece of blotting-paper in the rooms of the Midland Railway Company⁠[5] at Derby; and the first rough⁠[6] sketch indicated⁠[7] the principal features of the building as accurately as the most finished drawings which were afterwards prepared. The great⁠[8] idea of the Crystal Palace was as palpable⁠[9] on the blotting-paper as if it had been set forth in all the glory of water-colour and gold-framing⁠[10].

Was it a sudden idea,—an inspiration of genius⁠[11],—flashing upon the mind of one⁠[12] who, though no architect, must at least⁠[13] have been something like a poet?—Not at all⁠[14]. The architect of the Crystal Palace was simply a man who cultivated opportunities⁠[15],—a laborious, painstaking⁠[16] man, whose life had been a life of labour, of diligent self-improvement, of assiduous cultivation of knowledge⁠[17]. As⁠[18] Sir Joseph Paxton himself has shown, in a lecture before the Society of Arts, the idea was slowly and patiently elaborated by experiments extending over many years⁠[19]. The Exhibition of 1851 merely afforded him the opportunity of putting forward his idea⁠[20]—the right thing at the right time—and the result was what we have seen.—S. Smiles, “Self-help.”

Notes in this chapter

Note 1 · Joseph Paxton, geb. den 3. Aug. 1803, gest. den 8. Juni 1865, wurde zunächst Kunstgärtner beim Herzog von Devonshire, zeichnete sich jedoch Note 2 · to act as gardener to a person, bei einem als Kunstgärtner angestellt sein; advertised — building, öffentlich zur Einsendung von Plänen für Note 3 · to be very much at fault, in großer Verlegenheit sein; to submit a design (of a building), einen Entwurf ein´reichen.Note 4 · and — adoption = and as the same (agreeing with Entwurf) was quite new and remarkably suitable to its purpose (zweckentsprechend), it was atNote 5 · in — company = in the waiting-rooms of the railway station.Note 6 · = hasty, flüchtig.Note 7 · an´deuten.Note 8 · = grand, großartig.Note 9 · klar dargestellt, p. p.Note 10 · as — framing = as if one had embellished (aus´schmücken) it with beautiful water-colours and gold framing.Note 11 · an — genius = the inspiration of a genius (Genie, n., pronounced as in French).Note 12 · flashing — one = which suddenly (auf einmal) filled the mind of a man.Note 13 · Insert the adv. doch before ‘at least’ (mindestens); something like = more or less.Note 14 · Ganz und gar nicht!Note 15 · to cultivate opportunities, Gelegenheiten zu benutzen wissen.Note 16 · strebsam; of = full of, voller.Note 17 · of — knowledge, und unverdrossenen Strebens nach Kenntnissen.Note 18 · = Like, wie; has shown = declared; in — Arts, in einem vor dem Kunstvereine gehaltenen Vortrage, which place immediately after the subject.Note 19 · ‘by — years’ may be briefly rendered by durch langjährige Versuche or Experimente, which place after ‘idea’; slowly = gradually; patiently, Note 20 · of — idea = to bring his idea before (vor) the public (Öffentlichkeit, f.); the right thing, das Rechte; at, zu, contracted with the def. ar
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