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German composition

Section 129. GOETHE’S DAILY LIFE AT WEIMAR. I.

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Passing through an ante-chamber, where, in cupboards, stand his mineralogical collections, we enter (App. § 14) the study, a low-roofed, narrow room (Gemach, n.), somewhat dark (S. 128, N. 11), for it is (S. 2, N. 1) lighted only through two tiny windows, and⁠[1] furnished with a simplicity quite touching to behold.

In the centre⁠[2] stands a plain oval table of unpolished oak⁠[3]. No arm-chair is to be seen, no sofa, nothing which (S. 3, N. 7) speaks⁠[4] of comfort. A plain hard chair has⁠[5] beside it the basket in which he used⁠[6] to place his handkerchief. Against⁠[7] the wall, on the right, is a⁠[8] long pear-tree table, with book-shelves, on which stand lexicons and manuals. Here hangs a pincushion, venerable in⁠[9] dust, with the visiting-cards, and other trifles which⁠[10] death had made sacred. Here⁠[11] also a medallion of Napoleon, with this⁠[12] circumscription: “Scilicet⁠[13] immenso superest ex nomine multum.” On the side-wall again, a book-case, with some works of poets. On the wall to the left is a long desk of soft wood, at⁠[14] which he was wont⁠[6] to write. A sheet of paper with notes of⁠[15] contemporary history is fastened near⁠[16] the door, and behind⁠[17] this door tables⁠[18] of music and geology.

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