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The chief Elizabethan dramatists, excluding Shakespeare

Act 3 — [Scene XIIa.][837]

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[Scene XIIa.][837]

[838][Enter Jaques and Pedro.

Jaq. I wonder, Pedro, why our master thus At midnight sends us with our torches light, When man, and bird, and beast, are all at rest, Save those that watch for rape and bloody murder. Ped. O Jaques, know thou that our matter’s mind5 Is much distraught, since his Horatio died, And—now his aged years should sleep in rest, His heart in quiet—like a desperate man, Grows lunatic and childish for his son. Sometimes, as he doth at his table sit,10 He speaks as if Horatio stood by him; Then starting in a rage, falls on the earth, Cries out, “Horatio, where is my Horatio?” So that with extreme grief and cutting sorrow There is not left in him one inch of man:15 See, where he comes.

Enter Hieronimo.

Hier. I pry through every crevice of each wall, Look on each tree, and search through every brake, Beat at the bushes, stamp our grandam earth, Dive in the water, and stare up to heaven,20 Yet cannot I behold my son Horatio— How now, who’s there? Spirits, spirits? Ped. We are your servants that attend you, sir. Hier. What make you with your torches in the dark? Ped. You bid us light them, and attend you here. Hier. No, no, you are deceiv’d! not I;—you are deceiv’d!25 Was I so mad to bid you light your torches now? Light me your torches at the mid of noon, When-as the sun-god rides in all his glory; Light me your torches then. Ped. Then we burn[839] daylight. Hier. Let it be burnt; Night is a murderous slut,31 That would not have her treasons to be seen; And yonder pale-fac’d Hecate there, the moon, Doth give consent to that is done in darkness; And all those stars that gaze upon her face,35 Are aglets[840] on her sleeve, pins on her train; And those that should be powerful and divine, Do sleep in darkness when they most should shine. Ped. Provoke them not, fair sir, with tempting words: The heav’ns are gracious, and your miseries40 And sorrow makes you speak you know not what. Hier. Villain, thou liest! and thou dost nought But tell me I am mad. Thou liest, I am not mad! I know thee to be Pedro, and he Jaques.44 I’ll prove it to thee: and were I mad, how could I? Where was she that same night when my Horatio Was murd’red? She should have shone: search thou the book. Had the moon shone, in my boy’s face there was a kind of grace, That I know—nay, I do know—had the murderer seen him,49 His weapon would have fall’n and cut the earth, Had he been fram’d of naught but blood and death. Alack! when mischief doth it knows not what, What shall we say to mischief?

Enter Isabella.

Isab. Dear Hieronimo, come in a-doors; O, seek not means so to increase thy sorrow.55 Hier. Indeed, Isabella, we do nothing here; I do not cry: ask Pedro, and ask Jaques; Not I indeed; we are very merry, very merry. Isab. How? be merry here, be merry here? Is not this the place, and this the very tree,60 Where my Horatio died, where he was murdered? Hier. Was—do not say what: let her weep it out. This was the tree: I set it of a kernel: And when our hot Spain could not let it grow, But that the infant and the human sap65 Began to wither, duly twice a morning Would I be sprinkling it with fountain-water. At last it grew and grew, and bore and bore, Till at the length It grew a gallows, and did bear our son;70 It bore thy fruit and mine—O wicked, wicked plant! One knocks within at the door. See, who knocks there. Ped. It is a painter, sir. Hier. Bid him come in, and paint some comfort, For surely there’s none lives but painted comfort. Let him come in!—One knows not what may chance:75 God’s will that I should set this tree!—but even so Masters ungrateful servants rear from nought, And then they hate them that did bring them up.

Enter the Painter.

Paint. God bless you, sir.79 Hier. Wherefore? Why, thou scornful villain? How, where, or by what means should I be bless’d? Isab. What wouldst thou have, good fellow? Paint. Justice, madam. Hier. O ambitious beggar! Wouldst thou have that that lives not in the world? Why, all the undelved mines cannot buy85 An ounce of justice! ’T is a jewel so inestimable. I tell thee, God hath engross’d all justice in his hands, And there is none but what comes from him. Paint. O, then I see That God must right me for my murd’red son.90 Hier. How, was thy son murdered? Paint. Ay, sir; no man did hold a son so dear. Hier. What, not as thine? That’s a lie, As massy as the earth. I had a son Whose least unvalued hair did weigh95 A thousand of thy sons: and he was murdered. Paint. Alas, sir. I had no more but he. Hier. Nor I, nor I: but this same one of mine Was worth a legion. But all is one. Pedro, Jaques, go in a-doors; Isabella, go,100 And this good fellow here and I Will range this hideous orchard up and down, Like to two lions reaved of their young. Go in a-doors, I say. [Exeunt. The painter and he sits down. Come, let’s talk wisely now. Was thy son murdered? Paint. Ay, sir. Hier. So was mine,105 How dost take it? Art thou not sometimes mad? Is there no tricks[841] that comes before thine eyes?

Paint. O Lord, yes, sir.

Hier. Art a painter? Canst paint me a tear, or a wound, a groan, or a sigh? Canst paint me such 110 a tree[842] as this?

Paint. Sir, I am sure you have heard of my painting: my name’s Bazardo.

Hier. Bazardo! Afore God, an excellent fellow. Look you, sir, do you see? I’d have you paint me 115 [for] my gallery, in your oil-colours matted,[843] and draw me five years younger than I am—do ye see, sir, let five years go: let them go like the marshal of Spain—my wife Isabella standing by me, with a speaking look to my son Horatio, which should 120 intend to this or some such-like purpose: “God bless thee, my sweet son,” and my hand leaning upon his head, thus, sir: do you see? May it be done?

Paint. Very well, sir.

Hier. Nay, I pray, mark me, sir. Then, sir, 125 would I have you paint me this tree, this very tree. Canst paint a doleful cry?

Paint. Seemingly, sir.

Hier. Nay, it should cry; but all is one. Well, sir, paint me a youth run through and through 130 with villains’ swords, hanging upon this tree. Canst thou draw a murderer?

Paint. I’ll warrant you, sir: I have the pattern of the most notorious villains that ever lived in all Spain. 135

Hier. O, let them be worse, worse: stretch thine art, and let their beards be of Judas his own colour: and let their eye-brows jutty over: in any case observe that. Then, sir, after some violent noise, bring me forth in my shirt, and my gown under 140 mine arm, with my torch in my hand, and my sword reared up, thus:—and with these words:

“What noise is this? Who calls Hieronimo?”

May it be done?

Paint. Yea, sir. 145

Hier. Well, sir; then bring me forth, bring me through alley and alley, still with a distracted countenance going along, and let my hair heave up my night-cap. Let the clouds scowl, make the moon dark, the stars extinct, the winds blowing, the bells 150 tolling, the owls shrieking, the toads croaking, the minutes jarring,[844] and the clock striking twelve. And then at last, sir, starting, behold a man hanging, and tottering and tottering, as you know the wind will wave a man, and I with a trice to cut him 155 down. And looking upon him by the advantage of my torch, find it to be my son Horatio. There you may [show] a passion, there you may show a passion! Draw me like old Priam of Troy, crying, “The house is a-fire, the house is a-fire, as 160 the torch over my[845] head!” Make me curse, make me rave, make me cry, make me mad, make me well again, make me curse hell, invocate heaven, and in the end leave me in a trance—and so forth.

Paint. And is this the end? 165

Hier. O no, there is no end; the end is death and madness! As I am never better than when I am mad: then methinks I am a brave fellow, then I do wonders; but reason abuseth me, and there’s the torment, there’s the hell. At the last, sir, bring me to 170 one of the murderers: were he as strong as Hector, thus would I tear and drag him up and down.

He beats the painter in, then comes out again, with a book in his hand.]

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