Act 5 — Scene V.
Reading edition
Re-enter Prepasso, joins to Bilioso; then enter two Pages with lights, Ferrardo, Mendoza; at the other door, two Pages with lights, and the Captain leading in Maria; Mendoza meets Maria and closeth with her; the rest fall back.
Men. Madam, with gentle ear receive my suit; A kingdom’s safety should o’er-peise[2788] slight rites; Marriage is merely nature’s policy: Then, since unless our royal beds be join’d, Danger and civil tumults fright the state,5 Be wise as you are fair, give way to fate. Maria. What wouldst thou, thou affliction to our house? Thou ever-devil, ’t was thou that banished’st My truly noble lord! Men. I!10 Maria. Ay, by thy plots, by thy black stratagems. Twelve moons have suffer’d change since I beheld The loved presence of my dearest lord. O thou far worse than Death! he parts but soul From a weak body; but thou soul from soul15 Dissever’st, that which God’s own hand did knit; Thou scant of honour, full of devilish wit! Men. We’ll check your too-intemperate lavishness: I can and will. Maria. What canst?20 Men. Go to; in banishment thy husband dies. Maria. He ever is at home that’s ever wise. Men. You ’st ne’er meet more: reason should love control. Maria. Not meet!24 She that dear loves, her love ’s still in her soul. Men. You are but a woman, lady, you must yield. Maria. O, save me, thou innated bashfulness, Thou only ornament of woman’s modesty! Men. Modesty! death, I’ll torment thee.29 Maria. Do, urge all torments, all afflictions try; I’ll die my lord’s as long as I can die. Men. Thou obstinate, thou shall die.—Captain, that lady’s life Is forfeited to justice: we have examin’d her, And we do find she hath empoisoned34 The reverend hermit; therefore we command Severest custody.—Nay, if you’ll do ’s no good, You ’st do ’s no harm: a tyrant’s peace is blood. Maria. O, thou art merciful; O gracious devil, Rather by much let me condemned be39 For seeming murder than be damn’d for thee! I’ll mourn no more; come, girt my brows with flowers: Revel and dance, soul, now thy wish thou hast; Die like a bride, poor heart, thou shalt die chaste.
Enter Aurelia in mourning habit.
Aur. “Life is a frost of cold felicity,[2789] And death the thaw of all our vanity:”[2790]45 Was’t not an honest priest that wrote so? Men. Who let her in? Bil. Forbear! Pre. Forbear! Aur. Alas, calamity is everywhere:50 Sad misery, despite your double doors, Will enter even in court. Bil. Peace! Aur. I ha’ done. Bil.[2791] One word,—take heed!55 Aur. I ha’ done.
Enter Mercury with loud music.
Mer. Cyllenian Mercury, the god of ghosts, From gloomy shades that spread the lower coasts,[2792] Calls four high-famed Genoan dukes to come, And make this presence their Elysium,60 To pass away this high triumphal night With song and dances, court’s more soft delight.
Aur. Are you god of ghosts? I have a suit pending in hell betwixt me and my conscience; would fain have thee help me to an advocate.
Bil. Mercury shall be your lawyer, lady.66
Aur. Nay, faith. Mercury has too good a face to be a right lawyer.
Pre. Peace, forbear! Mercury presents the masque.
Cornets: the song to the cornets, which playing, the masque enters; Malevole, Pietro, Ferneze, and Celso, in white robes, with duke’s crowns upon laurel wreaths, pistolets and short swords under their robes.
Men. Celso, Celso, court Maria for our love.— Lady, be gracious, yet grace.71 Maria. With me, sir? Malevole takes Maria to dance. Mal. Yes, more loved than my breath; With you I’ll dance. Maria. Why, then, you dance with death. But, come, sir, I was ne’er more apt for mirth. Death gives eternity a glorious breath:75 O, to die honour’d, who would fear to die? Mal. They die in fear who live in villainy. Men. Yes, believe him, lady, and be rul’d by him. Pietro. Madam, with me. Pietro takes Aurelia to dance. Aur. Wouldst, then, be miserable?80 Pietro. I need not wish. Aur. O, yet forbear my hand! away! fly! fly! O, seek not her that only seeks to die! Pietro. Poor loved soul! Aur. What, wouldst court misery?85 Pietro. Yes. Aur. She’ll come too soon:—O my grieved heart! Pietro. Lady, ha’ done, ha’ done: Come, let us dance: be once from sorrow free. Aur. Art a sad man?90 Pietro. Yes, sweet. Aur. Then we’ll agree.
Ferneze takes Maquerelle and Celso, Bianca: then the cornets sound the measure, one change and rest.
Fer. (to Bianca.) Believe it, lady; shall I swear? Let me enjoy you in private, and I’ll marry you, by my soul.95
Bian. I had rather you would swear by your body: I think that would prove the more regarded oath with you.
Fer. I’ll swear by them both, to please you.
Bian. O, damn them not both to please100 me, for God’s sake!
Fer. Faith, sweet creature, let me enjoy you to-night, and I’ll marry you to-morrow fortnight, by my troth, la.
Maq. On his troth, la! believe him not;105 that kind of cony-catching[2793] is as stale as Sir Oliver Anchovy’s perfumed jerkin: promise of matrimony by a young gallant, to bring a virgin lady into a fool’s paradise; make her a great woman, and then cast her off;—’t is as common110 [and][2794] natural to a courtier, as jealousy to a citizen, gluttony to a puritan, wisdom to an alderman, pride to a tailor, or an empty hand-basket to one of these six-penny damnations: of his troth, la! believe him not; traps to115 catch pole-cats.
Mal. (to Maria.) Keep your face constant, let no sudden passion Speak in your eyes. Maria. O my Altofront! Pietro. (to Aurelia.) A tyrant’s jealousies Are very nimble: you receive it all?121 Aur. My heart, though not my knees, doth humbly fall Low as the earth, to thee. [Mal.][2795] Peace! next change; no words. Maria. Speech to such, ay, O, what will affords!125
Cornets sound the measure over again; which danced, they unmask.
Men. Malevole! They environ Mendoza, bending their pistols on him. Mal. No. Men. Altofront! Duke Pietro! Ferneze! ha! All. Duke Altofront! Duke Altofront! Cornets, a flourish.—They seize upon Mendoza. Men. Are we surpris’d? What strange delusions mock130 Our senses? Do I dream? or have I dreamt This two days’ space? Where am I? Mal. Where an arch-villain is. Men. O, lend me breath till I am fit to die! For peace with heaven, for your own souls’ sake, Vouchsafe me life!136 Pietro. Ignoble villain! whom neither heaven nor hell, Goodness of God or man, could once make good! Mal. Base, treacherous wretch! what grace canst thou expect, That hast grown impudent in gracelessness?140 Men. O, life! Mal. Slave, take thy life. Wert thou defenced, th(o)rough blood and wounds, The sternest horror of a civil fight,144 Would I achieve thee; but prostrate at my feet, I scorn to hurt thee: ’t is the heart of slaves That deigns to triumph over peasants’ graves; For such thou art, since birth doth ne’er enroll A man ’mong monarchs, but a glorious soul. [[2796] O, I have seen strange accidents of state!150 The flatterer, like the ivy, clip the oak, And waste it to the heart; lust so confirm’d, That the black act of sin itself not sham’d To be term’d courtship. O, they that are as great as be their sins,155 Let them remember that th’ inconstant people Love many princes merely for their faces And outward shows; and they do covet more To have a sight of these than of their virtues. Yet thus much let the great ones still conceive,[2797] When they observe not heaven’s impos’d conditions,161 They are no kings, but forfeit their commissions.
Maq. O good my lord. I have lived in the court this twenty year: they that have been old courtiers, and come to live in the city, they 165 are spited at, and thrust to the walls like apricocks, good my lord.
Bil. My lord, I did know your lordship in this disguise; you heard me ever say, if Altofront did return, I would stand for him: 170 besides, ’t was your lordship’s pleasure to call me wittol and cuckold: you must not think, but that I knew you, I would have put it up so patiently.]
Mal. You o’er-joy’d spirits, wipe your long-wet eyes. To Pietro and Aurelia. Hence with this man (kicks out Mendoza): an eagle takes not flies.176 You to your vows (to Pietro and Aurelia): and thou into the suburbs.[2798] To Maquerelle. You to my worst friend I would hardly give; Thou art a perfect old knave (to Bilioso): all-pleas’d live You two unto my breast (to Celso and the Captain): thou to my heart. (To Maria.) The rest of idle actors idly part:181 And as for me, I here assume my right. To which I hope all’s pleas’d: to all, goodnight.
Cornets, a flourish. Exeunt omnes.
AN IMPERFECT ODE, BEING BUT ONE STAFF
SPOKEN BY THE PROLOGUE.
To wrest each hurtless thought to private sense Is the foul use of ill-bred impudence: Immodest censure now grows wild, All over-running. Let innocence be ne’er so chaste,5 Yet to the last She is defil’d With too nice-brained cunning. O you of fairer soul, Control10 With an Herculean arm This harm; And once teach all old freedom of a pen, Which still must write of fools, whiles ’t writes of men!
EPILOGUS
Your modest silence, full of heedy stillness, Makes me thus speak: a voluntary illness Is merely[2799] senseless; but unwilling error, Such as proceeds from too rash youthful fervour, May well be call’d a fault, but not a sin:5 Rivers take names from founts where they begin. Then let not too severe an eye peruse The slighter brakes[2800] of our reformed Muse, Who could herself herself of faults detect, But that she knows ’t is easy to correct,10 Though some men’s labour: troth, to err is fit, As long as wisdom’s not profess’d, but wit. Then till another’s[2801] happier Muse appears, Till his Thalia feast your learned ears, To whose desertful lamps pleased Fates impart Art above nature, judgment above art,16 Receive this piece, which hope nor fear yet daunteth: He that knows most knows most how much he wanteth.