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The Works of William Shakespeare [Cambridge Edition] [Vol. 8 of 9]

Act 3 — Scene II. A hall in the castle.

Reading edition

Enter Hamlet and Players.[1127]

Ham. Speak the speech, I pray you, as I pronounced[1128] it to you, trippingly on the tongue: but if you mouth it, as[1129] many of your players do, I had as lief the town-crier spoke[1130] my lines. Nor do not saw the air too much with your[1131] hand, thus; but use all gently: for in the very torrent, tempest, 5 and, as I may say, whirlwind of your passion, you[1132] must acquire and beget a temperance that may give it smoothness. O, it offends me to the soul to hear a robustious[1133] periwig-pated fellow tear a passion to tatters, to very[1134] rags, to split the ears of the groundlings, who, for the most[1135] 10 part, are capable of nothing but inexplicable dumb-shows and noise: I would have such a fellow whipped for o'er-doing[1136] Termagant; it out-herods Herod: pray you, avoid it. First Play. I warrant your honour.[1137] Ham. Be not too tame neither, but let your own discretion 15 be your tutor: suit the action to the word, the word[1138] to the action; with this special observance, that you o'er-step[1139] not the modesty of nature: for any thing so overdone[1140] is from the purpose of playing, whose end, both at the first[1141] and now, was and is, to hold, as 'twere, the mirror up to 20 nature; to show virtue her own feature, scorn her own[1142] image, and the very age and body of the time his form and[1143] pressure. Now this overdone or come tardy off, though[1144][1145] it make the unskilful laugh, cannot but make the judicious[1145] grieve; the censure of the which one must in your allowance[1146] 25 o'erweigh a whole theatre of others. O, there be[1147] players that I have seen play, and heard others praise, and[1148] that highly, not to speak it profanely, that neither having[1149] the accent of Christians nor the gait of Christian, pagan,[1150] nor man, have so strutted and bellowed, that I have thought[1150][1151] 30 some of nature's journeymen had made men, and not made[1152] them well, they imitated humanity so abominably. First Play. I hope we have reformed that indifferently[1137] with us, sir.[1153] Ham. O, reform it altogether. And let those that play 35 your clowns speak no more than is set down for them: for there be of them that will themselves laugh, to set on some[1154] quantity of barren spectators to laugh too, though in the[1155] mean time some necessary question of the play be then to be considered: that's villanous, and shows a most pitiful ambition 40 in the fool that uses it. Go, make you ready.

[Exeunt Players.

Enter Polonius, Rosencrantz, and Guildenstern.[1156]

How now, my lord! will the king hear this piece of work?[1157] Pol. And the queen too, and that presently.[1158] Ham. Bid the players make haste. [Exit Polonius.][1159] Will you two help to hasten them? 45 Ros. Guil. We will, my lord.

[Exeunt Rosencrantz and Guildenstern.[1160]

Ham. What ho! Horatio!

Enter Horatio.[1161]

Hor. Here, sweet lord, at your service.[1162] Ham. Horatio, thou art e'en as just a man As e'er my conversation coped withal.[1163] 50 Hor. O, my dear lord,—[1164] Ham. Nay, do not think I flatter; For what advancement may I hope from thee, That no revenue hast but thy good spirits,[1165] To feed and clothe thee? Why should the poor be flatter'd?[1166] No, let the candied tongue lick absurd pomp,[1167] 55 And crook the pregnant hinges of the knee[1168] Where thrift may follow fawning. Dost thou hear?[1169] Since my dear soul was mistress of her choice,[1170] And could of men distinguish, her election[1171] Hath seal'd thee for herself: for thou hast been[1171] 60 As one, in suffering all, that suffers nothing; A man that fortune's buffets and rewards[1172] Hast ta'en with equal thanks: and blest are those[1173] Whose blood and judgement are so well commingled[1174] That they are not a pipe for fortune's finger 65 To sound what stop she please. Give me that man[1175] That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart,[1176] As I do thee. Something too much of this. There is a play to-night before the king; 70 One scene of it comes near the circumstance Which I have told thee of my father's death:[1177] I prithee, when thou seest that act a-foot,[1178] Even with the very comment of thy soul[1179] Observe my uncle: if his occulted guilt[1180] 75 Do not itself unkennel in one speech,[1181] It is a damned ghost that we have seen, And my imaginations are as foul As Vulcan's stithy. Give him heedful note;[1182] For I mine eyes will rivet to his face,[1183] 80 And after we will both our judgements join[1184] In censure of his seeming.[1185] Hor. Well, my lord: If he steal aught the whilst this play is playing,[1186] And 'scape detecting, I will pay the theft.[1187] Ham. They are coming to the play: I must be idle:[1188] 85 Get you a place.

Danish march. A flourish. Enter King, Queen, Polonius, Ophelia, Rosencrantz, Guildenstern, and other Lords attendant, with the Guard carrying torches.[1189]

King. How fares our cousin Hamlet?[1190] Ham. Excellent, i' faith; of the chameleon's dish: I eat[1191][1192] the air, promise-crammed: you cannot feed capons so.[1191] King. I have nothing with this answer, Hamlet; these[1191] 90 words are not mine.[1191] Ham. No, nor mine now. [To Polonius] My lord, you[1191][1193] played once i' the university, you say?[1191][1194] Pol. That did I, my lord, and was accounted a good[1195] actor. 95 Ham. What did you enact?[1196] Pol. I did enact Julius Cæsar: I was killed i' the Capitol;[1197] Brutus killed me. Ham. It was a brute part of him to kill so capital a calf there. Be the players ready? 100 Ros. Ay, my lord; they stay upon your patience.[1198] Queen. Come hither, my dear Hamlet, sit by me.[1199] Ham. No, good mother, here's metal more attractive.[1200] Pol. [To the King] O, ho! do you mark that?[1201] Ham. Lady, shall I lie in your lap?[1202] 105

[Lying down at Ophelia's feet.

Oph. No, my lord. Ham. I mean, my head upon your lap?[1203][1204] Oph. Ay, my lord.[1203] Ham. Do you think I meant country matters?[1205] Oph. I think nothing, my lord. 110 Ham. That's a fair thought to lie between maids' legs.[1206] Oph. What is, my lord? Ham. Nothing. Oph. You are merry, my lord.[1207] Ham. Who, I? 115 Oph. Ay, my lord. Ham. O God, your only jig-maker. What should a[1208] man do but be merry? for, look you, how cheerfully my mother looks, and my father died within 's two hours.[1209] Oph. Nay, 'tis twice two months, my lord.[1210] 120 Ham. So long? Nay, then, let the devil wear black, for[1211][1212] I'll have a suit of sables. O heavens! die two months ago,[1212][1213] and not forgotten yet? Then there's hope a great man's memory may outlive his life half a year: but, by'r lady, he[1214][1215] must build churches then; or else shall he suffer not thinking[1215] 125 on, with the hobby-horse, whose epitaph is, 'For, O, for, O, the hobby-horse is forgot.'[1216]

Hautboys play. The dumb-show enters.

Enter a King and a Queen very lovingly; the Queen embracing him, and he her. She kneels, and makes show of protestation unto him. He takes her up, and declines his head upon her neck: lays him down upon a bank of flowers: she, seeing him asleep, leaves him. Anon comes in a fellow, takes off his crown, kisses it, and pours poison in the King's ears, and exit. The Queen returns; finds the King dead, and makes passionate action. The Poisoner, with some two or three Mutes, comes in again, seeming to lament with her. The dead body is carried away. The Poisoner wooes the Queen with gifts: she seems loath and unwilling awhile, but in the end accepts his love.[1217]

[Exeunt.

Oph. What means this, my lord?[1218] Ham. Marry, this is miching mallecho; it means mischief. 130 Oph. Belike this show imports the argument of the play.

Enter Prologue.[1219]

Ham. We shall know by this fellow: the players cannot[1220] keep counsel; they'll tell all.[1221] Oph. Will he tell us what this show meant?[1222] Ham. Ay, or any show that you'll show him: be not you[1223] 135 ashamed to show, he'll not shame to tell you what it means. Oph. You are naught, you are naught: I'll mark the[1224] play. Pro. For us, and for our tragedy, Here stooping to your clemency, 140 We beg your hearing patiently. Ham. Is this a prologue, or the posy of a ring?[1225] Oph. 'Tis brief, my lord. Ham. As woman's love.

Enter two Players, King and Queen.[1226]

P. King. Full thirty times hath Phœbus' cart gone round[1227][1228][1229] 145 Neptune's salt wash and Tellus' orbed ground,[1228][1230] And thirty dozen moons with borrowed sheen[1231] About the world have times twelve thirties been,[1232] Since love our hearts and Hymen did our hands Unite commutual in most sacred bands.[1233] 150 P. Queen. So many journeys may the sun and moon[1234] Make us again count o'er ere love be done! But, woe is me, you are so sick of late, So far from cheer and from your former state,[1235] That I distrust you. Yet, though I distrust, 155 Discomfort you, my lord, it nothing must:[1236] For women's fear and love holds quantity,[1236][1237] In neither aught, or in extremity.[1238] Now, what my love is, proof hath made you know,[1239] And as my love is sized, my fear is so:[1240] 160 Where love is great, the littlest doubts are fear,[1241][1242] Where little fears grow great, great love grows there.[1241] P. King. Faith, I must leave thee, love, and shortly too; My operant powers their functions leave to do:[1243] And thou shalt live in this fair world behind,[1244] 165 Honour'd, beloved; and haply one as kind[1245] For husband shalt thou—[1246] P. Queen. O, confound the rest! Such love must needs be treason in my breast: In second husband let me be accurst! None wed the second but who kill'd the first.[1247] 170 Ham. [Aside] Wormwood, wormwood.[1248] P. Queen. The instances that second marriage move[1249] Are base respects of thrift, but none of love:[1250] A second time I kill my husband dead,[1251] When second husband kisses me in bed. 175 P. King. I do believe you think what now you speak,[1252] But what we do determine oft we break. Purpose is but the slave to memory, Of violent birth but poor validity:[1253] Which now, like fruit unripe, sticks on the tree,[1254] 180 But fall unshaken when they mellow be. Most necessary 'tis that we forget To pay ourselves what to ourselves is debt: What to ourselves in passion we propose, The passion ending, doth the purpose lose. 185 The violence of either grief or joy[1255] Their own enactures with themselves destroy:[1256] Where joy most revels, grief doth most lament; Grief joys, joy grieves, on slender accident.[1257] This world is not for aye, nor 'tis not strange[1258] 190 That even our loves should with our fortunes change, For 'tis a question left us yet to prove, Whether love lead fortune or else fortune love.[1259] The great man down, you mark his favourite flies;[1260] The poor advanced makes friends of enemies: 195 And hitherto doth love on fortune tend;[1261] For who not needs shall never lack a friend,[1262] And who in want a hollow friend doth try Directly seasons him his enemy.[1263] But, orderly to end where I begun, 200 Our wills and fates do so contrary run, That our devices still are overthrown, Our thoughts are ours, their ends none of our own: So think thou wilt no second husband wed,[1264] But die thy thoughts when thy first lord is dead.[1265] 205 P. Queen. Nor earth to me give food nor heaven light![1266] Sport and repose lock from me day and night! To desperation turn my trust and hope![1267] An anchor's cheer in prison be my scope![1267][1268] Each opposite, that blanks the face of joy, 210 Meet what I would have well and it destroy! Both here and hence pursue me lasting strife, If, once a widow, ever I be wife![1269] Ham. If she should break it now![1270] P. King. 'Tis deeply sworn. Sweet, leave me here awhile;[1271] 215 My spirits grow dull, and fain I would beguile The tedious day with sleep. [Sleeps.[1272] P. Queen. Sleep rock thy brain; And never come mischance between us twain! [Exit.[1273] Ham. Madam, how like you this play?[1274] Queen. The lady doth protest too much, methinks.[1275] 220 Ham. O, but she'll keep her word. King. Have you heard the argument? Is there no offence in't? Ham. No, no, they do but jest, poison in jest; no offence i' the world.[1276] 225 King. What do you call the play? Ham. The Mouse-trap. Marry, how? Tropically.[1277] This play is the image of a murder done in Vienna: Gonzago[1278] is the duke's name; his wife, Baptista: you shall see[1279] anon; 'tis a knavish piece of work: but what o' that? your[1280] 230 majesty, and we that have free souls, it touches us not: let[1281] the galled jade wince, our withers are unwrung.[1282]

Enter Lucianus.[1283]

This is one Lucianus, nephew to the king.[1284] Oph. You are as good as a chorus, my lord.[1285] Ham. I could interpret between you and your love, if 235 I could see the puppets dallying. Oph. You are keen, my lord, you are keen. Ham. It would cost you a groaning to take off my edge.[1286] Oph. Still better, and worse.[1287] Ham. So you must take your husbands. Begin, murderer;[1288][1289] 240 pox, leave thy damnable faces, and begin. Come:[1289][1290] the croaking raven doth bellow for revenge.[1291] Luc. Thoughts black, hands apt, drugs fit, and time agreeing;[1292] Confederate season, else no creature seeing;[1293] Thou mixture rank, of midnight weeds collected, 245 With Hecate's ban thrice blasted, thrice infected,[1294] Thy natural magic and dire property,[1295] On wholesome life usurp immediately.

[Pours the poison into the sleeper's ear.[1296]

Ham. He poisons him i' the garden for his estate. His[1297] name's Gonzago: the story is extant, and written in very[1298] 250 choice Italian: you shall see anon how the murderer gets the love of Gonzago's wife. Oph. The king rises. Ham. What, frighted with false fire![1299] Queen. How fares my lord? 255 Pol. Give o'er the play. King. Give me some light. Away! Pol. Lights, lights, lights!

[Exeunt all but Hamlet and Horatio.[1300]

Ham. Why, let the stricken deer go weep,[1301] The hart ungalled play;[1302] 260 For some must watch, while some must sleep:[1303] Thus runs the world away.[1304] Would not this, sir, and a forest of feathers—if the rest of my fortunes turn Turk with me—with two Provincial roses[1305] on my razed shoes, get me a fellowship in a cry of players,[1306] 265 sir?[1307] Hor. Half a share. Ham. A whole one, I.[1308] For thou dost know, O Damon dear, This realm dismantled was[1309] 270 Of Jove himself; and now reigns here[1309] A very, very—pajock.[1310] Hor. You might have rhymed. Ham. O good Horatio, I'll take the ghost's word for a thousand pound. Didst perceive?[1311] 275 Hor. Very well, my lord. Ham. Upon the talk of the poisoning?[1312] Hor. I did very well note him.[1313] Ham. Ah, ha! Come, some music! come, the recorders! 280 For if the king like not the comedy,[1314] Why then, belike, he likes it not, perdy. Come, some music!

Re-enter Rosencrantz and Guildenstern.[1315]

Guil. Good my lord, vouchsafe me a word with you.[1316] Ham. Sir, a whole history. 285 Guil. The king, sir,—[1317] Ham. Ay, sir, what of him?[1318] Guil. Is in his retirement marvellous distempered. Ham. With drink, sir? Guil. No, my lord, rather with choler.[1319] 290 Ham. Your wisdom should show itself more richer to[1320] signify this to the doctor; for, for me to put him to his purgation[1321] would perhaps plunge him into far more choler.[1322] Guil. Good my lord, put your discourse into some[1323] frame, and start not so wildly from my affair.[1323][1324] 295 Ham. I am tame, sir: pronounce. Guil. The queen, your mother, in most great affliction of spirit, hath sent me to you. Ham. You are welcome.[1325] Guil. Nay, good my lord, this courtesy is not of the 300 right breed. If it shall please you to make me a wholesome answer, I will do your mother's commandment: if not, your pardon and my return shall be the end of my business.[1326] Ham. Sir, I cannot. Guil. What, my lord?[1327] 305 Ham. Make you a wholesome answer; my wit's diseased:[1328] but, sir, such answer as I can make, you shall command;[1329] or rather, as you say, my mother: therefore no[1330] more, but to the matter: my mother, you say,—[1331] Ros. Then thus she says; your behaviour hath struck[1332] 310 her into amazement and admiration. Ham. O wonderful son, that can so astonish a mother![1333] But is there no sequel at the heels of this mother's admiration?[1334] Impart.[1335] Ros. She desires to speak with you in her closet, ere 315 you go to bed. Ham. We shall obey, were she ten times our mother. Have you any further trade with us? Ros. My lord, you once did love me. Ham. So I do still, by these pickers and stealers.[1336] 320 Ros. Good my lord, what is your cause of distemper? you do surely bar the door upon your own liberty, if you[1337] deny your griefs to your friend. Ham. Sir, I lack advancement. Ros. How can that be, when you have the voice of the 325 king himself for your succession in Denmark? Ham. Ay, sir, but 'while the grass grows,'—the proverb[1338] is something musty.

Re-enter Players with recorders.[1339]

O, the recorders! let me see one. To withdraw with you:—[1340] why do you go about to recover the wind of me, as if you 330 would drive me into a toil? Guil. O, my lord, if my duty be too bold, my love is[1341] too unmannerly.[1341] Ham. I do not well understand that. Will you play upon this pipe? 335 Guil. My lord, I cannot.[1342] Ham. I pray you. Guil. Believe me, I cannot. Ham. I do beseech you.[1343] Guil. I know no touch of it, my lord.[1344] 340 Ham. It is as easy as lying: govern these ventages[1345] with your fingers and thumb, give it breath with your[1346] mouth, and it will discourse most eloquent music. Look[1347] you, these are the stops. Guil. But these cannot I command to any utterance 345 of harmony; I have not the skill. Ham. Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem[1348] to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note to the[1349] 350 top of my compass: and there is much music, excellent[1349] voice, in this little organ; yet cannot you make it speak.[1350] 'Sblood, do you think I am easier to be played on than a[1351] pipe? Call me what instrument you will, though you can[1352] fret me, yet you cannot play upon me.[1352][1353] 355

Enter Polonius.[1354]

God bless you, sir![1355] Pol. My lord, the queen would speak with you, and presently. Ham. Do you see yonder cloud that's almost in shape[1356][1357] of a camel?[1357][1358][1359] 360 Pol. By the mass, and 'tis like a camel, indeed.[1360][1359] Ham. Methinks it is like a weasel.[1361] Pol. It is backed like a weasel.[1361][1362] Ham. Or like a whale?[1363] Pol. Very like a whale. 365 Ham. Then I will come to my mother by and by.[1364] They fool me to the top of my bent. I will come by and[1365][1366] by.[1366] Pol. I will say so. [Exit Polonius.[1366][1367] Ham. 'By and by' is easily said. Leave me, friends.[1366] 370

[Exeunt all but Hamlet.[1368]

'Tis now the very witching time of night, When churchyards yawn, and hell itself breathes out[1369] Contagion to this world: now could I drink hot blood,[1370] And do such bitter business as the day[1371] Would quake to look on. Soft! now to my mother.[1372] 375 O heart, lose not thy nature; let not ever[1373] The soul of Nero enter this firm bosom: Let me be cruel, not unnatural:[1374] I will speak daggers to her, but use none;[1375] My tongue and soul in this be hypocrites; 380 How in my words soever she be shent,[1376][1377] To give them seals never, my soul, consent! [Exit.[1376][1378]

Notes in this chapter

Note 1 · Scene ii.] Capell. Scene iv. Pope. om. Ff. A hall....] A Hall, in the same, fitted as for a Play. Capell. and Players.] and the Players. (Q1Note 2 · pronounced] pronoun'd Q2 Q3.Note 3 · trippingly on] smoothly from Q (1676).Note 4 · your players] (Q1) Ff. our players Qq. lief] Steevens (1793). live Q2 Q3 Q4 Q5 F1 F2. lieve Q6 F3 F4. spoke] Qq. had spoke Ff.Note 5 · Nor] And Pope. much with your] Qq. much your Ff. much, your Caldecott.Note 6 · whirlwind of your passion] Qq. the whirle-winde of passion Ff. whirlwind of passion Collier. the whirlwind of your passion Staunton.Note 7 · hear] Qq. see Ff. robustious] robustous Q (1676) F4.Note 8 · periwig-pated] Q (1676). perwig-pated Qq. Pery-wig-pated F1. Pery-wig-parted F2. Perriwig-parted F3 F4. to tatters] Ff. to totters Qq. om. QNote 9 · split] Ff. spleet Qq.Note 10 · would] (Q1) Qq. could Ff.Note 11 · First Play.] 1. P. Capell. Player. or Play. Qq Ff.Note 12 · suit] Hanmer. sute Qq F1 F3 F4. sure F2.Note 13 · o'erstep] ore-steppe Q2 Q3 Q4. ore-step Q5 Q6. ore-stop Ff. ore-top Long MS.Note 14 · overdone] ore-doone Q2 Q3 Q4. ore-done Q5 Q6.Note 15 · at the first] at first Q5 Q6.Note 16 · her own feature] her feature Qq. scorn] sin Bailey conj.Note 17 · the very] every Mason conj. age] face or page Johnson conj. eye Taylor conj. MS. the very age] the visage Bailey conj.Note 18 · tardy] trady Q4. off] of Q6, and Mason conj. pressure] posture Bailey conj.Note 19 · though it make] though it makes Qq.Note 20 · the censure] in the censure Long MS. the which one] Ff. which one Qq. one of which Hanmer.Note 21 · o'erweigh] ore-weigh Qq. o're-way F1. ore-sway F2 F3 F4.Note 22 · praise] Ff Q6. praysd Q2 Q3 Q4. praisd Q5.Note 23 · neither ... nor man,] Put within brackets, as an interpolation, by Warburton.Note 24 · accent of Christians] accent of Christian Pope. nor the] or the Rowe.Note 25 · nor man] Qq. Nor Turke (Q1). or Norman Ff. nor Mussulman Farmer conj. or man Pope. or Turk Grant White.Note 26 · men] them Rann (Theobald conj. withdrawn). the men Farmer conj.Note 27 · sir] Ff. om. Qq.Note 28 · themselves] of themselves F3 F4.Note 29 · too] to Q2 Q3 Q4 Q5.Note 30 · [Exeunt Players.] F2 F3 F4. Exit Players. F1. Omitted in Qq. Enter ... Rosencrantz, and Guildenstern.] As in Ff. Enter ... Guyldensterne, & Note 31 · Scene iv.] Warburton.Note 32 · too] Ff Q6. to The rest.Note 33 · [Exit Polonius.] Ff. om. Qq.Note 34 · Ros. Guil.] Both. Ff. Ros. Qq. We will] Ff. I Qq. [Exeunt....] Exeunt they two. Q2 Q3. Exeunt those two. Q4 Q5 Q6. Exeunt. Ff.Note 35 · Scene v. Pope. What ho!] What hoe, Q6. What hoa, F1 F2 F3. What ho, F4. What howe, Q2 Q3. What how, Q4 Q5. Enter Horatio.] As in Q2 Q3 Q4 Q5Note 36 · sweet lord] my lord Q (1676).Note 37 · coped] copt Q2 Q3 Q4 Q5. cop't Q6. coap'd Ff. met Q (1676).Note 38 · lord,—] lord— Rowe. lord. Qq Ff.Note 39 · no revenue hast] hast no revenue Q (1676).Note 40 · thee?] Q6. thee, Q2 Q3 Q4 Q5. thee. Ff. Why] om. Pope.Note 41 · lick] Q4 Q5. licke Q2 Q3 Q6. like Ff. absurd] obsurd Q4 Q5.Note 42 · pregnant] begging Collier MS. (in pencil). See note (II).Note 43 · fawning.] fawning: Q6. fauning; Q2 Q3. fauning, Q4. fawning, Q5. faining. F1 F2 F3. feigning. F4. hear?] heare? Q6. heare, or hear, The restNote 44 · dear] clear Johnson conj. her] Qq. my Ff.Note 45 · distinguish, ... Hath] Ff. distinguish her election, S'hath Qq (Shath Q4 Q5. Sh'ath Q6).Note 46 · fortune's] fortune F3 F4.Note 47 · Hast] Qq. Hath Ff.Note 48 · commingled] co-mingled Ff. comedled Qq. commedled Q (1676, 1683, 1695). commended Q (1703). comêl'd Capell conj.Note 49 · stop] stops Q (1676).Note 50 · of heart] of hearts Q (1676).Note 51 · thee of] Qq. thee, of Ff.Note 52 · a-foot] on foot Q6.Note 53 · very] om. F2 F3 F4. thy] Qq. my Ff.Note 54 · my] Qq. mine Ff. his occulted] then his hidden Q (1676). his occult Rowe (ed. 2).Note 55 · unkennel] discover Q (1676).Note 56 · stithy] Qq. stythe F1. styth F2 F3 F4. smithy Theobald. heedful] Q(1676) F4. heedfull Qq. needfull F1 F2 F3.Note 57 · face,] face? F2.Note 58 · judgements] judgement F2.Note 59 · In] Qq. To Ff.Note 60 · he] Ff. a Qq.Note 61 · detecting] Ff. detected Q2 Q3 Q4 Q5. detection Q6.Note 62 · Scene vi. Pope. Scene v. Warburton. They are] They're Pope.Note 63 · Danish march. A flourish. Enter ... the Guard ... torches.] Capell, substantially. Enter ... his Guard ... torches. Danish March. Sound a FlNote 64 · our] my F3 F4.Note 65 · Excellent ... say?] Prose in Ff. Irregular lines in Qq.Note 66 · dish: I] dish I Q (1676).Note 67 · mine now. My lord,] Johnson. mine now my lord. Qq. mine. Now my lord, Ff. [To Polonius] Rowe.Note 68 · i' the] in the Q6.Note 69 · did I] Qq. I did Ff.Note 70 · What] Qq. And what Ff.Note 71 · Capitol] F1 F4. Capitall Q2 Q3 Q4 Q5. Capitoll F2 Q6 F3.Note 72 · stay] wait Q (1676). patience] pleasure Johnson conj. patents Becket conj.Note 73 · dear] deere Q2 Q3. deare Q4 Q5 Q6. good Ff.Note 74 · metal] metall Q6. mettle The rest.Note 75 · [To the King] Capell. O, ho!] Oh, oh, Q4 Q5. that?] Ff Q6. that. Q2 Q3 Q4 Q5.Note 76 · [Lying....] Rowe. Seating himself at Ophelia's feet. Capell (after line 103).Note 77 · Ham. I mean ... lord.] Omitted in Qq.Note 78 · upon] in Capell.Note 79 · country] contrary (Q1). contray Singer (ed. 1), a misprint. matters] manners Johnson conj.Note 80 · maids'] maydes or maids Qq Ff. a maid's Rowe.Note 81 · lord.] Qq. lord? Ff.Note 82 · O God,] om. Q (1676). Oh! Johnson.Note 83 · within 's] Qq Ff. within these Pope.Note 84 · twice] om. Hanmer. quite Ingleby conj.Note 85 · devil] deule Q2 Q3.Note 86 · for ... sables] (Q1) Qq Ff. for ... ermyn Hanmer. 'fore ... sable Warburton. for ... sabell Anon. conj. (The Critic, 1854, p. 317).Note 87 · have] not have Keightley. leave Lloyd conj. leave him Anon. conj. have ne'er Anon. conj. a suit] no suit Becket conj.Note 88 · by'r lady] by'r-lady F4. byr-lady F1. ber Lady Q2 Q3 Q4 Q6. ber Ladie Q5. berlady F2 F3. om. Q (1676).Note 89 · he ... he] Ff. a ... a Qq.Note 90 · Hautboys ... love.] Ff, substantially. The Trumpets sounds. Dumbe show followes. Enter a King and a Queene, the Queene embracing him, and heNote 91 · Scene vii. Pope. Scene vi. Warburton.Note 92 · Marry] om. Q(1676). this is] Ff. this Q2 Q3. tis Q4. it is Q5 Q6. miching mallecho] Malone. myching Mallico (Q1). munching Mallico Qq. michiNote 93 · Belike] Be like F2. play.] Qq. play? Ff. Enter Prologue.] As in Theobald. After fellow, line 132, in Qq. After play, line 138, in Ff.Note 94 · this fellow] Qq. these fellowes Ff.Note 95 · counsel] Omitted in Qq.Note 96 · he] Pope, a Qq. they Ff. tell us] shew us Q (1676).Note 97 · you'll] you will Qq. not you] not Q (1676).Note 98 · mark] make F2 F3 F4.Note 99 · posy] posie Qq F4. poesie F1 F2 F3.Note 100 · Enter ...] Enter King and Queen, Players. Pope. Enter King and Queene. Qq. Enter King and his Queene. F1 F2. Enter King, and Queen. F3 F4. ENote 101 · P. King.] Steevens (1778). King. Qq Ff.Note 102 · Phœbus' ... Tellus'] Apostrophes inserted by Pope.Note 103 · cart] carr Q (1676). car Rowe.Note 104 · orbed] Ff. orb'd the Qq.Note 105 · borrowed] Qq Ff. borrow'd Q (1676) and Capell.Note 106 · times twelve thirties] Q2 Q3 Q4 Q5 F1. time, twelve thirties F2 F3 F4. twelve times thirty Q6. times twelve thirty Hanmer.Note 107 · commutual in most] infolding them in Q (1676).Note 108 · P. Queen.] Steevens (1778). Quee. or Que. Qq F2 F3. Queen. F4. Bap. or Bapt. F1.Note 109 · from cheer and] different Q (1676). your] our Q2 Q3. former] forme F1.Note 110 · must: For] Ff. must. For women feare too much, even as they love, And Qq. See note (XVII).Note 111 · holds] Ff. hold Qq.Note 112 · In neither aught] In neither ought Ff. Eyther none, in neither ought Qq. 'Tis either none Pope. In neither: aught Hunter conj. Either in nouNote 113 · love] Lord Q2 Q3. is, proof hath made] has been, proof makes Q (1676).Note 114 · sized] ciz'd Q2 Q3 Q6. ciz'st Q4 Q5. siz'd F1. siz F2. fixt F3 F4. great Q (1676).Note 115 · Where love ... there.] Qq. Omitted in Ff.Note 116 · littlest] Q6. litlest Q2 Q3 Q4 Q5. smallest Q (1676).Note 117 · operant] working Q (1676). their functions] Qq. my functions Ff.Note 118 · fair] fare Q4.Note 119 · kind] Q6. kind, Q2 Q3 Q4_ Q5. kinde. F1. kind. F2 F3 F4. a kind Rowe (ed. 2).Note 120 · thou—] Ff. thou. Qq.Note 121 · kill'd] kill Theobald.Note 122 · [Aside] Capell. Wormwood, wormwood.] Ff. O wormewood, wormewood! (Q1). That's wormwood. Qq (in the margin).Note 123 · P. Queen.] Bapt. Ff. om. Qq.Note 124 · thrift] Trift F2.Note 125 · husband dead] lord that's dead (Q1) Staunton.Note 126 · you think] Pointed as in Qq. you. Think Ff.Note 127 · but] and Q (1676).Note 128 · like] Ff. the Qq. fruit] fruits Q (1676) and Pope.Note 129 · either] Q5 Q6. eyther, Q2 Q3. either, Q4. other Ff.Note 130 · enactures] Q6. ennactures Q2 Q3 Q4 Q5. ennactors F1. enactors F2 F3 F4.Note 131 · joys] F4. joyes F1 F2 F3. joy Qq. grieves F3 F4. greeves F1 F2. griefes Qq.Note 132 · nor] and Pope. 'tis not] is it Q (1676).Note 133 · lead fortune] fortune lead Pope. leads fortune Theobald. else] om. Pope.Note 134 · favourite] favourites F1.Note 135 · hitherto] hither to F2.Note 136 · friend,] Qq. friend: F1. friend? F2 F3 F4.Note 137 · seasons him] sees in him Anon. conj.Note 138 · So think] Think still Q (1676).Note 139 · die thy thoughts] thy thoughts dye Q (1676).Note 140 · to me give] Qq. to give me Ff. oh! give me Hanmer. do give me Seymour conj. Nor ... give] Let earth not give me Anon. conj. (Misc. Obs. on HNote 141 · To desperation ... scope!] Qq. Omitted in Ff.Note 142 · An anchor's] Theobald. And anchors Qq. And anchors' Jennens. An anchoret's Anon, apud Rann conj. cheer] chair Steevens conj.Note 143 · once ... wife] (Q1) Ff. once I be a widdow, ever I be a wife Q2 Q3 Q4 Q6 (bee Q4. widow Q6). once I be a widdow, ever I be wife Q5. once I wNote 144 · Ham. If ... now!] Ham. If ... now. Qq (in the margin) Ff. Ham. If ... now— Pope. Ham. [to Oph.] If ... now,— Capell. it now] her vow Elze (CNote 145 · 'Tis ... awhile;] One line in Qq. Two in Ff. here] heare Q4 Q5 F2.Note 146 · [Sleeps.] Ff (after brain). om. Qq. Lays him down. Capell.Note 147 · betw 'en] betwixt Q4 Q5. [Exit.] Ff. Exeunt. Qq. Exit Lady. (Q1). Exit Dutchess. Duke sleeps. Capell.Note 148 · this] the F2 F3 F4.Note 149 · doth protest] Qq. protests Ff.Note 150 · i' the world] om. Q (1676).Note 151 · how?] Ff Q6. how Q2Q3Q4Q5.Note 152 · Gonzago] Gonzaga Johnson.Note 153 · wife] wife's Theobald.Note 154 · o'] Ff. a (Q1). of Qq.Note 155 · that have] shall have Q4 Q5 Q6. us not] not us Q (1676).Note 156 · wince] (Q1) Steevens. winch Qq Ff. unwrung] Q4 Q5 Q6 F3 F4 unwrong Q2 Q3. unrung F1F2.Note 157 · Enter Lucianus.] Ff. After king, line 233, in Qq.Note 158 · king] duke Pope, ed. 2 (Theobald).Note 159 · as good as a] (Q1) Qq. a good Ff.Note 160 · my] Ff. mine Qq.Note 161 · better,] worse Q (1676 and Rowe).Note 162 · must take your husbands.] Pope. must take your husband (Q1). mistake your husbands Qq. mistake husbands Ff. most of you take husbands HanmerNote 163 · murderer] murther Ff.Note 164 · pox,] Ff. om. Qq. a poxe (Q1.)Note 165 · the ... revenge.] Printed as a quotation in two half lines, the first ending raven, by Steevens (1793).Note 166 · Thoughts ... agreeing;] One line in Qq. Two in Ff.Note 167 · Confederate](Q1) Ff. Considerat Q2 Q3 Q4. Considerate Q5 Q6. else] and Q (1676) and Theobald.Note 168 · ban] bane (Q1) Q6 F4. infected] invected Q2 Q3.Note 169 · Thy] The F4. Thou Pope.Note 170 · usurp] F3 F4. usurpe F1 F2. usurps (Q1) Qq. [Pours ... ear.] Capell, substantially. Powres the poyson in his eares. Ff. Omitted in Qq.Note 171 · He] (Q1) Ff. A Qq. for his] (Q1) Qq. for's F1 F3 F4. fors F2Note 172 · name's] F1 Q6. names The rest. written in very] Qq. writ in Ff.Note 173 · Ham. What, ... fire] Ff. Ham. Frighted ... fires (Q1). Omitted in Qq.Note 174 · Pol.] Qq. All. Ff. [Exeunt ...] Exeunt all but Ham. & Horatio. Qq. Exeunt. Manet Hamlet & Horatio. Ff (Manent F4).Note 175 · Scene viii. Pope. Scene vii. Warburton. stricken] (Q1) Hanmer. strooken Q2 Q3. stroken Q4 Q5. strucken Ff Q6.Note 176 · hart] heart F2 F3.Note 177 · while] whilst Q4 Q5. whilest Q6. sleep:] sleepe? F2 F3 F4.Note 178 · Thus] (Q1) Qq. So Ff.Note 179 · two] Ff. om. Qq. Provincial] Provencial Capell (Warton conj.) Provençal Warton conj.Note 180 · razed] raz'd Qq. rac'd Ff. rack'd Rowe (ed. 2). rayed Pope. rais'd Jennens (Theobald conj.) cry] city Q4 Q5 Q6. players] player Q5.Note 181 · sir] Ff. om. Qq.Note 182 · A whole one, I.] Ay, a whole one. Hanmer. A whole one;—ay— Malone conj. A whole one, ay, Grant White.Note 183 · This ... himself] Arranged as in Qq. One line in Ff.Note 184 · pajock] F3 F4. paiock Q2 Q3 Q4 Q5. paiocke F1 Q6. pajocke F2. paicock Q (1676). pecock Q (1695). peacock Pope. paddock Theobald. puttock or Note 185 · pound] pounds Rowe (ed. 2).Note 186 · poisoning?] poysoning? Ff. poysning. Q2 Q3. poysoning. Q4. poisoning. Q5 Q6.Note 187 · Ah, ha!] Ah ha, Qq. Oh, ha? F1 F2 F3. Oh ha! F4.Note 188 · like] likes Q6.Note 189 · Re-enter....] Dyce. Enter.... Qq. Enter.... Ff. (after line 278).Note 190 · vouchsafe] Ff Q6. voutsafe Q2 Q3 Q4 Q5.Note 191 · sir,—] sir— Rowe. sir. Qq Ff.Note 192 · him?] Qq F1. him. F2 F3 F4.Note 193 · rather] Ff. om. Qq.Note 194 · more richer] Qq F1. more rich F2 F3 F4. richer Q (1676).Note 195 · the doctor] Qq. his doctor F1. F2 F3. this doctor F4. for, for] Q2 Q3 Q4 Q5. for for F1 Q6 for F2 F3 F4.Note 196 · far] F4. farre F1 F2 F3. om. Qq.Note 197 · Good ... affair.] Prose in Ff. Two lines, the first ending frame, in Qq.Note 198 · start] Ff. stare Qq. from] upon Q6. my] the Collier MS. affair] business Q (1676).Note 199 · [with great ceremony. Capell.Note 200 · of my] Ff. of Q2 Q3 Q4 Q5. of the Q6.Note 201 · Guil.] Guild. Ff. Ros. Qq. lord?] Ff Q6. lord. The rest.Note 202 · wit's] Q6 F4. wits The rest.Note 203 · answer] Q5 Q6. answere Q2 Q3 Q4. answers Ff.Note 204 · as you] Qq. you Ff.Note 205 · say,—] say— Rowe. say. Qq Ff.Note 206 · struck] F4. strooke Qq. stroke F1 F2 F3.Note 207 · so] thus Q (1676). astonish] Ff Q6. stonish Q2 Q3 Q4 Q5. 'stonish Capell.Note 208 · mother's admiration] mother admiration F3. mother-admiration F4. admiration?] admiration, Q2 Q3.Note 209 · Impart.] Qq. om. Ff.Note 210 · So I] Ff. And Qq.Note 211 · surely ... upon] Qq. freely of Ff. surely ... of Grant White. bar] but bar Reed (1803).Note 212 · sir] Qq. om. Ff. grows,—] grows— Pope. growes, Q2 Q3 Q4 F1 F2 F3. grows, Q5 F4. growes; Q6.Note 213 · Re-enter....] Dyce. Enter the Players with Recorders. Qq (after line 326). Enter one with a Recorder. Ff.Note 214 · recorders] Qq. recorder Ff. see one. To] Pope. see one, to Qq. see, to F1 F2. see to F3 F4. set one. To Rowe. See note (XVIII). To ... you:]Note 215 · love is too unmannerly.] love is not unmannerly. Tyrwhitt conj. love too unmannerly.... Keightley.Note 216 · Guil.] Ros. Nicholson conj.Note 217 · do] om. Q4 Q5 Q6.Note 218 · Guil.] Ros. Staunton conj.Note 219 · It is] Qq. 'Tis Ff. ventages] Qq. ventiges Ff.Note 220 · with ... thumb] and the umbo with your fingers Becket conj. fingers] Qq. finger Ff. and thumb,] F4. and thumbe F1 F2 F3. & the vmber, Q2 Q3.Note 221 · eloquent] Qq. excellent Ff.Note 222 · make] would make Johnson.Note 223 · the top of] Ff. om. Qq.Note 224 · speak] om. Ff.Note 225 · 'Sblood] s'bloud Q2 Q3 Q6. s'blood Q4 Q5. Why Ff. om. Q (1676). I] Qq. that I Ff.Note 226 · can fret me] (Q1) Ff. fret me not Qq.Note 227 · yet] (Q1) Edd. (Globe ed.) om. Qq Ff.Note 228 · Enter Polonius.] As in Capell. After sir!, line 356, in Qq Ff.Note 229 · you] your F2.Note 230 · yonder] Qq. that Ff.Note 231 · cloud ... camel?] Pointed as in Qq. cloud?... camell. F1 F2. cloud, ... camell. F3. cloud, ... camel? F4.Note 232 · of] Qq. like Ff.Note 233 · camel ... camel] weasel ... weasel Capell.Note 234 · By the mass] By'th masse Qq. By th' mass F4. By 'th' misse F1 F2. By th' misse F3. 'tis like] Q4 Q5 Q6. tis, like Q2 Q3. it's like Ff (its FNote 235 · a weasel ... a weasel] an ouzle ... an ouzle Pope, reading black in line 363. a camel ... a camel Capell.Note 236 · backed] back'd Ff. back't (Q1). backt Q2 Q3. black Q4 Q5. blacke Q6. beck'd Tollet conj.Note 237 · whale?] Ff. whale. Qq.Note 238 · I will] Qq. will I Ff.Note 239 · They fool me] They fool me [to Hor. Capell. They ... bent.] A separate line in Ff.Note 240 · See note (XIX).Note 241 · [Exit Polonius.] Exit. Ff. om. Qq. After said, line 370, in Dyce.Note 242 · [Exeunt....] Exeunt Ros. and Gui. Horatio, and the Players, withdraw. Capell. Exe. Rowe. om. Qq Ff.Note 243 · breathes] Q6 F3 F4. breaths F1 F2. breakes Q2 Q3 Q4. breaks Q5.Note 244 · this] the Q6.Note 245 · bitter ... day] Ff. busines as the bitter day Qq. business as day it self Q (1676). business as the better day Warburton. business as the biNote 246 · Soft! now] soft, now Qq. Soft now, Ff.Note 247 · lose] Q6. loose The rest.Note 248 · not] but not Johnson.Note 249 · daggers] Ff Q6. dagger Q2 Q3 Q4 Q5.Note 250 · How ... consent!] Omitted by Pope.Note 251 · soever] Q6. somever The rest.Note 252 · never, my soul, consent] Pointed as by Capell. never my soule consent Qq Ff. [Exit.] Q2 Q3 Q4. om. Q5 Ff Q6.
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