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The Works of William Shakespeare [Cambridge Edition] [Vol. 8 of 9]

Act 2 — Scene III. A hall in the castle.

Reading edition

Enter Othello, Desdemona, Cassio, and Attendants.[5532]

Oth. Good Michael, look you to the guard to-night: Let's teach ourselves that honourable stop,[5533] Not to outsport discretion. Cas. Iago hath direction what to do;[5534] But notwithstanding with my personal eye 5 Will I look to't.[5535] Oth. Iago is most honest. Michael, good night: to-morrow with your earliest[5536] Let me have speech with you. Come, my dear love,[5537] The purchase made, the fruits are to ensue; That profit's yet to come 'tween me and you.[5538] 10 Good night. [Exeunt Othello, Desdemona, and Attendants.[5539]

Enter Iago.

Cas. Welcome, Iago; we must to the watch. Iago. Not this hour, lieutenant; 'tis not yet ten o' the[5540] clock. Our general cast us thus early for the love of his[5540] Desdemona; who let us not therefore blame: he hath not yet[5541] 15 made wanton the night with her, and she is sport for Jove. Cas. She's a most exquisite lady.[5542] Iago. And, I'll warrant her, full of game. Cas. Indeed she's a most fresh and delicate creature.[5543] Iago. What an eye she has! methinks it sounds a parley[5544][5545] 20 to provocation.[5544][5546] Cas. An inviting eye; and yet methinks right modest.[5547] Iago. And when she speaks, is it not an alarum to love?[5547][5548] Cas. She is indeed perfection. Iago. Well, happiness to their sheets! Come, lieutenant, 25 I have a stoup of wine; and here without are a brace of[5549] Cyprus gallants that would fain have a measure to the[5550] health of black Othello.[5551] Cas. Not to-night, good Iago: I have very poor and unhappy brains for drinking: I could well wish courtesy 30 would invent some other custom of entertainment. Iago. O, they are our friends; but one cup: I'll drink for you. Cas. I have drunk but one cup to-night, and that was[5552] craftily qualified too, and behold what innovation it makes[5553] 35 here: I am unfortunate in the infirmity and dare not task[5554] my weakness with any more. Iago. What, man! 'tis a night of revels: the gallants desire it. Cas. Where are they? 40 Iago. Here at the door; I pray you, call them in. Cas. I'll do't; but it dislikes me. [Exit. Iago. If I can fasten but one cup upon him, With that which he hath drunk to-night already, He'll be as full of quarrel and offence 45 As my young mistress' dog. Now my sick fool Roderigo,[5555] Whom love hath turn'd almost the wrong side out,[5556] To Desdemona hath to-night caroused Potations pottle-deep; and he's to watch: Three lads of Cyprus, noble swelling spirits,[5557] 50 That hold their honours in a wary distance,[5558] The very elements of this warlike isle, Have I to-night fluster'd with flowing cups, And they watch too. Now, 'mongst this flock of drunkards,[5559] Am I to put our Cassio in some action[5560] 55 That may offend the isle. But here they come:[5561] If consequence do but approve my dream,[5562] My boat sails freely, both with wind and stream.

Re-enter Cassio; with him Montano and Gentlemen; Servants following with wine.[5563]

Cas. 'Fore God, they have given me a rouse already.[5564] Mon. Good faith, a little one; not past a pint, as I am[5565] 60 a soldier.[5565] Iago. Some wine, ho! [Sings] And let me the canakin clink, clink;[5566][5567][5568] And let me the canakin clink:[5567][5569] A soldier's a man;[5567][5570] 65 A life's but a span;[5567][5570][5571] Why then let a soldier drink.[5567] Some wine, boys![5572] Cas. 'Fore God, an excellent song.[5573] Iago. I learned it in England, where indeed they are 70 most potent in potting: your Dane, your German, and your swag-bellied Hollander,—Drink, ho!—are nothing to your English.[5574] Cas. Is your Englishman so expert in his drinking?[5575] Iago. Why, he drinks you with facility your Dane dead 75 drunk; he sweats not to overthrow your Almain; he gives[5576] your Hollander a vomit ere the next pottle can be filled. Cas. To the health of our general! Mon. I am for it, lieutenant, and I'll do you justice.[5577] Iago. O sweet England! 80 [Sings] King Stephen was a worthy peer,[5578] His breeches cost him but a crown;[5567] He held them sixpence all too dear,[5567][5579] With that he call'd the tailor lown.[5567] He was a wight of high renown,[5567] 85 And thou art but of low degree:[5567] 'Tis pride that pulls the country down;[5567] Then take thine auld cloak about thee.[5567][5580] Some wine, ho! Cas. Why, this is a more exquisite song than the other.[5581] 90 Iago. Will you hear't again? Cas. No; for I hold him to be unworthy of his place[5582] that does those things. Well: God's above all; and[5583] there be souls must be saved, and there be souls must[5584][5585] not be saved.[5585] 95 Iago. It's true, good lieutenant.[5586] Cas. For mine own part—no offence to the general, nor any man of quality—I hope to be saved. Iago. And so do I too, lieutenant.[5587] Cas. Ay, but, by your leave, not before me; the lieutenant 100 is to be saved before the ancient. Let's have no[5588] more of this; let's to our affairs. God forgive us our sins![5589] Gentlemen, let's look to our business. Do not think, gentlemen, I am drunk: this is my ancient: this is my right hand, and this is my left. I am not drunk now; I can[5590] 105 stand well enough, and speak well enough.[5591] All. Excellent well.[5592] Cas. Why, very well then; you must not think then[5593] that I am drunk. [Exit.[5594] Mon. To the platform, masters; come, let's set the watch.[5595] 110 Iago. You see this fellow that is gone before; He is a soldier fit to stand by Cæsar[5596] And give direction: and do but see his vice; 'Tis to his virtue a just equinox,[5597] The one as long as the other: 'tis pity of him. 115 I fear the trust Othello puts him in[5598] On some odd time of his infirmity Will shake this island.[5599] Mon. But is he often thus? Iago. 'Tis evermore the prologue to his sleep:[5600] He'll watch the horologe a double set,[5601] 120 If drink rock not his cradle. Mon. It were well[5602] The general were put in mind of it.[5603] Perhaps he sees it not, or his good nature Prizes the virtue that appears in Cassio[5604] And looks not on his evils: is not this true? 125

Enter Roderigo.[5605]

Iago. [Aside to him] How now, Roderigo![5606] I pray you, after the lieutenant; go. [Exit Roderigo.[5607] Mon. And 'tis great pity that the noble Moor Should hazard such a place as his own second With one of an ingraft infirmity:[5608] 130 It were an honest action to say[5609] So to the Moor.[5609][5610] Iago. Not I, for this fair island: I do love Cassio well, and would do much To cure him of this evil:—But, hark! what noise?

[A cry within: 'Help! help!'

Re-enter Cassio, driving in Roderigo.[5611]

Cas. 'Zounds! you rogue! you rascal![5612] 135 Mon. What's the matter, lieutenant? Cas. A knave teach me my duty! But I'll beat the[5613][5614] knave into a wicker bottle.[5613][5615] Rod. Beat me![5613][5616] Cas. Dost thou prate, rogue? [Striking Roderigo.[5613][5617]140 Mon. Nay, good lieutenant; I pray you, sir, hold[5613][5618] your hand.[5613] Cas. Let me go, sir, or I'll knock you o'er the mazzard.[5613][5619] Mon. Come, come, you're drunk.[5613][5620] 145 Cas. Drunk! [They fight.[5621] Iago. [Aside to Roderigo] Away, I say; go out, and cry a mutiny. [Exit Roderigo.[5622] Nay, good lieutenant! God's will, gentlemen![5623] Help, ho!—Lieutenant,—sir,—Montano—sir;—[5624] Help, masters!—Here's a goodly watch indeed![5625] 150

[A bell rings.

Who's that that rings the bell?—Diablo, ho![5626] The town will rise: God's will, lieutenant, hold;[5627] You will be shamed for ever.

Re-enter Othello and Attendants.

Oth. What is the matter here?[5628] Mon. 'Zounds, I bleed still; I am hurt to the death

[Faints.[5629]

Oth. Hold, for your lives! 155 Iago. Hold, ho! Lieutenant,—sir,—Montano,—gentlemen,—[5630] Have you forgot all sense of place and duty?[5631] Hold! the general speaks to you; hold, hold, for shame![5632] Oth. Why, how now, ho! from whence ariseth this?[5633] Are we turn'd Turks, and to ourselves do that 160 Which heaven hath forbid the Ottomites?[5634] For Christian shame, put by this barbarous brawl: He that stirs next to carve for his own rage[5635] Holds his soul light; he dies upon his motion. Silence that dreadful bell! it frights the isle 165 From her propriety. What is the matter, masters?[5636] Honest Iago, that look'st dead with grieving,[5637] Speak, who began this? on thy love, I charge thee.[5638] Iago. I do not know: friends all but now, even now,[5639] In quarter, and in terms like bride and groom 170 Devesting them for bed; and then, but now,[5640] As if some planet had unwitted men,[5641] Swords out, and tilting one at other's breast,[5642] In opposition bloody. I cannot speak[5643] Any beginning to this peevish odds; 175 And would in action glorious I had lost Those legs that brought me to a part of it![5644] Oth. How comes it, Michael, you are thus forgot?[5645] Cas. I pray you, pardon me; I cannot speak. Oth. Worthy Montano, you were wont be civil;[5646][5647] 180 The gravity and stillness of your youth The world hath noted, and your name is great In mouths of wisest censure: what's the matter,[5648] That you unlace your reputation thus,[5649] And spend your rich opinion for the name 185 Of a night-brawler? give me answer to it.[5650] Mon. Worthy Othello, I am hurt to danger: Your officer, Iago, can inform you— While I spare speech, which something now offends me—[5651] Of all that I do know: nor know I aught 190 By me that's said or done amiss this night;[5652] Unless self-charity be sometimes a vice,[5653] And to defend ourselves it be a sin When violence assails us. Oth. Now, by heaven, My blood begins my safer guides to rule, 195 And passion, having my best judgement collied,[5654] Assays to lead the way: if I once stir,[5655] Or do but lift this arm, the best of you Shall sink in my rebuke. Give me to know How this foul rout began, who set it on, 200 And he that is approved in this offence,[5656] Though he had twinn'd with me, both at a birth, Shall lose me. What! in a town of war,[5657] Yet wild, the people's hearts brimful of fear, To manage private and domestic quarrel,[5658] 205 In night, and on the court and guard of safety![5659] 'Tis monstrous. Iago, who began't?[5660] Mon. If partially affined, or leagued in office,[5661] Thou dost deliver more or less than truth, Thou art no soldier.[5662] Iago. Touch me not so near: 210 I had rather have this tongue cut from my mouth[5663] Than it should do offence to Michael Cassio; Yet, I persuade myself, to speak the truth[5664] Shall nothing wrong him. Thus it is, general.[5665] Montano and myself being in speech, 215 There comes a fellow crying out for help, And Cassio following him with determined sword,[5666] To execute upon him. Sir, this gentleman Steps in to Cassio and entreats his pause:[5667] Myself the crying fellow did pursue, 220 Lest by his clamour—as it so fell out— The town might fall in fright: he, swift of foot, Outran my purpose; and I return'd the rather[5668] For that I heard the clink and fall of swords, And Cassio high in oath; which till to-night[5669] 225 I ne'er might say before. When I came back—[5670] For this was brief—I found them close together, At blow and thrust; even as again they were When you yourself did part them. More of this matter cannot I report:[5671] 230 But men are men; the best sometimes forget: Though Cassio did some little wrong to him, As men in rage strike those that wish them best,[5672] Yet surely Cassio, I believe, received From him that fled some strange indignity, 235 Which patience could not pass. Oth. I know, Iago, Thy honesty and love doth mince this matter, Making it light to Cassio. Cassio, I love thee; But never more be officer of mine.

Re-enter Desdemona, attended.[5673]

Look, if my gentle love be not raised up! 240 I'll make thee an example. Des. What's the matter?[5674] Oth. All's well now, sweeting; come away to bed.[5675][5676] Sir, for your hurts, myself will be your surgeon:[5675] Lead him off. [To Montano, who is led off.[5675][5677] Iago, look with care about the town, 245 And silence those whom this vile brawl distracted.[5678] Come, Desdemona: 'tis the soldiers' life To have their balmy slumbers waked with strife.

[Exeunt all but Iago and Cassio.[5679]

Iago. What, are you hurt, lieutenant?[5680] Cas. Ay, past all surgery.[5681] 250 Iago. Marry, heaven forbid![5682] Cas. Reputation, reputation, reputation! O, I have lost[5683][5684][5685] my reputation! I have lost the immortal part of myself, and[5683][5685][5686] what remains is bestial. My reputation, Iago, my[5683] reputation![5683] 255 Iago. As I am an honest man, I thought you had received[5687] some bodily wound; there is more sense in that than in reputation.[5688] Reputation is an idle and most false imposition; oft got without merit and lost without deserving: you have lost no reputation at all, unless you repute yourself such a 260 loser. What, man! there are ways to recover the general[5689] again: you are but now cast in his mood, a punishment more in policy than in malice; even so as one would beat his offenceless dog to affright an imperious lion: sue to him[5690] again, and he's yours. 265 Cas. I will rather sue to be despised than to deceive so good a commander with so slight, so drunken, and so indiscreet[5691] an officer. Drunk? and speak parrot? and squabble?[5692][5693] swagger? swear? and discourse fustian with one's own shadow?[5692] O thou invisible spirit of wine, if thou hast no name[5692][5694] 270 to be known by, let us call thee devil! Iago. What was he that you followed with your sword? What had he done to you? Cas. I know not. Iago. Is't possible? 275 Cas. I remember a mass of things, but nothing distinctly, a quarrel, but nothing wherefore. O God, that men should[5695] put an enemy in their mouths to steal away their brains! that we should, with joy, pleasance, revel and applause,[5696] transform ourselves into beasts! 280 Iago. Why, but you are now well enough: how came you thus recovered? Cas. It hath pleased the devil drunkenness to give place to the devil wrath: one unperfectness shows me another, to make me frankly despise myself. 285 Iago. Come, you are too severe a moraler: as the time, the place, and the condition of this country stands, I could[5697] heartily wish this had not befallen; but since it is as it is,[5698] mend it for your own good. Cas. I will ask him for my place again; he shall tell me 290 I am a drunkard! Had I as many mouths as Hydra, such an answer would stop them all. To be now a sensible man,[5699] by and by a fool, and presently a beast! O strange! Every[5700] inordinate cup is unblest, and the ingredient is a devil.[5701] Iago. Come, come, good wine is a good familiar creature,[5702] 295 if it be well used: exclaim no more against it. And, good lieutenant, I think you think I love you. Cas. I have well approved it, sir. I drunk! Iago. You or any man living may be drunk at some time,[5703] man. I'll tell you what you shall do. Our general's wife[5704] 300 is now the general. I may say so in this respect, for that he hath devoted and given up himself to the contemplation,[5705] mark and denotement of her parts and graces: confess[5706] yourself freely to her; importune her help to put you in[5707] your place again: she is of so free, so kind, so apt, so blessed[5708] 305 a disposition, she holds it a vice in her goodness not to do[5709] more than she is requested: this broken joint between you[5710] and her husband entreat her to splinter; and, my fortunes against any lay worth naming, this crack of your love shall grow stronger than it was before.[5711] 310 Cas. You advise me well. Iago. I protest, in the sincerity of love and honest[5712] kindness. Cas. I think it freely; and betimes in the morning I[5713] will beseech the virtuous Desdemona to undertake for me:[5713] 315 I am desperate of my fortunes if they check me here.[5714] Iago. You are in the right. Good night, lieutenant; I[5715] must to the watch.[5715] Cas. Good night, honest Iago. [Exit.[5716] Iago. And what's he then that says I play the villain?[5717] 320 When this advice is free I give and honest, Probal to thinking, and indeed the course[5718] To win the Moor again? For 'tis most easy[5719] The inclining Desdemona to subdue[5720] In any honest suit. She's framed as fruitful[5720] 325 As the free elements. And then for her To win the Moor, were't to renounce his baptism,[5721] All seals and symbols of redeemed sin, His soul is so enfetter'd to her love, That she may make, unmake, do what she list, 330 Even as her appetite shall play the god With his weak function. How am I then a villain[5722] To counsel Cassio to this parallel course,[5723] Directly to his good? Divinity of hell![5723][5724] When devils will the blackest sins put on,[5725] 335 They do suggest at first with heavenly shows, As I do now: for whiles this honest fool[5726] Plies Desdemona to repair his fortunes,[5727] And she for him pleads strongly to the Moor, I'll pour this pestilence into his ear, 340 That she repeals him for her body's lust;[5728] And by how much she strives to do him good, She shall undo her credit with the Moor. So will I turn her virtue into pitch; And out of her own goodness make the net 345 That shall enmesh them all.

Enter Roderigo.[5729]

How now, Roderigo! Rod. I do follow here in the chase, not like a hound that[5730] hunts, but one that fills up the cry. My money is almost spent; I have been to-night exceedingly well cudgelled;[5731] and I think the issue will be, I shall have so much experience[5732] 350 for my pains; and so, with no money at all and a[5733] little more wit, return again to Venice.[5733] Iago. How poor are they that have not patience! What wound did ever heal but by degrees? Thou know'st we work by wit and not by witchcraft,[5734] 355 And wit depends on dilatory time. Does't not go well? Cassio hath beaten thee,[5735] And thou by that small hurt hast cashier'd Cassio:[5736] Though other things grow fair against the sun,[5737] Yet fruits that blossom first will first be ripe:[5738] 360 Content thyself awhile. By the mass, 'tis morning;[5739] Pleasure and action make the hours seem short.[5740] Retire thee; go where thou art billeted: Away, I say; thou shalt know more hereafter: Nay, get thee gone. [Exit Rod.] Two things are to be done:[5741] 365 My wife must move for Cassio to her mistress; I'll set her on;[5742][5743][5744][5745] Myself the while to draw the Moor apart,[5743][5745][5746] And bring him jump when he may Cassio find[5747] Soliciting his wife: ay, that's the way; 370 Dull not device by coldness and delay. [Exit.[5748]

FOOTNOTES:

Notes in this chapter

Note 1 · Scene iii.] Capell. Scene continued in Qq Ff, and Pope. Scene x. Hanmer. A hall ...] The same. Hall of the Castle. Capell. The Castle. HanmeNote 2 · that] the Q1.Note 3 · direction] directed Q1.Note 4 · to't] Ff. to it Qq.Note 5 · your] our Malone.Note 6 · [To Desd. Johnson.Note 7 · That] The Q1. profit's] Ff. profits Qq. 'tween] F3 F4. 'tweene F1. tweene F2. twixt Qq.Note 8 · Good night.] Cas. Good night. Anon. conj. [Exeunt ...] Capell. Exit Othello and Desdemona. Qq. Exit. Ff.Note 9 · o' the clock] aclock Qq.Note 10 · who] Qq F1. whom F2 F3 F4.Note 11 · She's] Ff. She is Qq.Note 12 · she's] she is Qq.Note 13 · What ... provocation.] Prose in Pope. Two lines, the first ending has? in Qq Ff.Note 14 · has!] ha's? F1 F2. has? The rest.Note 15 · to] Ff. of Qq.Note 16 · An ... love?] Two lines in Qq. Four in Ff.Note 17 · is it not ... love?] Ff. tis an alarme to love. Qq.Note 18 · stoup] stope Qq Ff. stoop Rowe.Note 19 · Cyprus] Cyprus' Capell.Note 20 · of] Ff. of the Qq.Note 21 · have] Ff. ha Qq.Note 22 · too] to Q1 Q2. om. Johnson.Note 23 · unfortunate] Qq. infortunate Ff.Note 24 · As ... Roderigo,] One line in Qq. Two in Ff. mistress'] mistris Qq F1 F2. mistris's F3. mistriss's F4. Now, my sick fool] My fool Seymour coNote 25 · hath] Ff. has Qq. out] Ff. outward Qq.Note 26 · lads] Qq. else Ff. elks Jackson conj. elves Collier MS.Note 27 · honours] Ff. honour, Qq.Note 28 · And ... drunkards,] One line in Qq. Two in Ff. they] Ff. the Qq. 'mongst] amongst Q3.Note 29 · Am I] F1 F2. I am Qq. And I F3 F4. in some] on some Capell conj.Note 30 · That ... come:] One line in Ff. Two in Qq.Note 31 · dream] deem Theobald. scheme Johnson conj.Note 32 · Re-enter ... wine.] Dyce, substantially. Enter Montanio, Cassio, and others. Qq (opposite line 56). Enter Cassio, Montano, and Gentlemen. FfNote 33 · Scene x. Pope. Scene xi. Hanmer. 'Fore] Ff. Fore Qq. God] Q1. heaven Ff Q2 Q3.Note 34 · Good faith ... soldier.] Prose in Ff. Two lines, the first ending pint, in Qq.Note 35 · [Sings] Rowe. om. Qq Ff.Note 36 · Printed in italics in Qq Ff.Note 37 · clink, clink] clink, clink, clink Hanmer.Note 38 · clink] clinke, clinke Qq.Note 39 · A ... span;] Two lines in Capell. One in Qq Ff.Note 40 · A life's] Qq. Oh, mans life's Ff.Note 41 · Some wine] Come, wine Jennens. [Wine brought in. Capell.Note 42 · God] Q1. heaven Ff Q2 Q3.Note 43 · English] Englishman Collier (Collier MS.) [drinks, and puts it about. Capell.Note 44 · Englishman] Englishmen F1. expert] Q1. exquisite Ff Q2 Q3.Note 45 · sweats] Q1 Q3. sweates F1 Q. sweares F2 F3. swears F4.Note 46 · I'll] I will Qq.Note 47 · King ... peer,] Printed as if not part of the song in Q1. In italics in the rest. a] Q1. and-a Ff. and a Q2 Q3.Note 48 · them] Ff. 'em Qq. too] Q1 F3 F4. to The rest.Note 49 · Then] Qq. And Ff. thine] Qq. thy Ff. auld] Q2 Q3. owd Q1. awl'd Ff. old Pope.Note 50 · Why] Fore God Q1.Note 51 · to be] om. Qq.Note 52 · things. Well:] Ff. things: Well, Q1. things well, Q2 Q3. God's] Q1. heav'ns F1 F2. heaven's The rest.Note 53 · must be] Ff. that must be Qq.Note 54 · and ... not be saved.] Omitted in Qq.Note 55 · It's] It is Qq.Note 56 · too] om. Qq.Note 57 · have] Ff. ha Qq.Note 58 · God] Q1. om. Ff Q2 Q3. us] om. F3 F4.Note 59 · and this is] and this Q3. left] Ff. left hand Qq.Note 60 · and] Qq. and I Ff.Note 61 · All] Qq. Gent. Ff.Note 62 · Why] om. Q1. think then] think Q1.Note 63 · [Exit.] om. Rowe.Note 64 · Scene xi. Manent Jago and Montano. Pope. Scene xii. Hanmer. platform] F4. platforme F1 F2 F3. plotforme Q1 Q2. pletforme Q3. set] see Rowe.Note 65 · He is] He's F1.Note 66 · virtue] virtues F3 F4.Note 67 · puts] Ff. put Qq. him in] in him Capell.Note 68 · island] isle Seymour conj.Note 69 · the] Qq. his Ff.Note 70 · horologe] F1 Q3. horolodge Q1 Q2. horologue F2 F3 F4.Note 71 · It were] Ff. Twere Qq (T'were Q2 Q3), reading Twere ... of it as one line.Note 72 · were] wete Q1.Note 73 · Prizes] Ff. Praises Qq. virtue] vertues Q1.Note 74 · looks] looke Q1. is not this] is't not Seymour conj. Enter Roderigo.] Roderigo shows himself. Capell.Note 75 · [Aside to him] First marked by Capell.Note 76 · [Exit Roderigo.] Exit Rod. Qq. om. Ff. [pushing him out. Capell.Note 77 · of an] om. F2 F3 F4.Note 78 · It ... Moor.] As in Malone. One line in Qq. Two, the first ending so, in Ff.Note 79 · to] Unto Pope, ending the previous line so. Moor.] Moor, Iago. Anon. conj., dividing as Ff. Not I] Q1. (Dev.) Ff Q2 Q3. Nor I Q1. (Cap. and Note 80 · But] om. Pope. [A cry ... help!'] Placed as in Theobald. Helpe, helpe, within. Qq, in italics, opposite line 133. Omitted in Ff. Re-enter] PNote 81 · 'Zounds!] Zouns Q1. Omitted in the rest.Note 82 · A ... you're drunk.] Prose in Qq. Nine irregular lines in Ff. Five lines, ending duty!... bottle ... lieutenant; ... sir, ... drunk, in CapeNote 83 · knave teach] Ff. knave, teach Qq. But] Qq. om. Ff.Note 84 · wicker bottle] Qq. Twiggen-Bottle F1. Twiggen Bottle F2 F3 F4.Note 85 · me!] me? Qq F1. me. The rest, me— Rowe.Note 86 · [Striking Roderigo.] Beats Roderigo. Capell. om. Qq Ff.Note 87 · Nay] om. Qq. lieutenant] lieutenant, hold Seymour conj., reading as verse. [Staying him. Rowe. I pray you, sir] pray sir Qq.Note 88 · knock] know F2 F3 F4. o'er] on Q3.Note 89 · you're] Ff. you are Qq.Note 90 · [They fight.] Qq. om. Ff. Draws upon Mon. and they fight. Capell.Note 91 · [Aside ...] First marked by Capell. [Exit Roderigo.] Exit Rod. Q2 Q3. om. Q1 Ff.Note 92 · God's will] godswill Q1. God's-will Q2 Q3. Alas Ff.Note 93 · sir,—Montano,—sir;—] Capell. Sir Montanio, sir, Q1. Sir, Montanio, sir, Q2 Q3. Sir Montano: Ff.Note 94 · masters] master Q3. [A bell rings.] Q2 Q3. A bell rung: Q1, opposite line 147. Omitted in Ff. Bell rings. Rowe, after line 151.Note 95 · that that] Qq. that which Ff. that who Pope.Note 96 · God's will] godswill Q1. Fie, fie Ff Q2 Q3. hold] Qq. om. Ff.Note 97 · You will be shamed] You will be sham'd Qq. You'le be asham'd F1. You'l be sham'd F2. You'll be asham'd F3 F4. [taking him off. Capell. Re-enNote 98 · 'Zounds] Zouns Q1. om. Ff Q2 Q3. hurt to] hurt, but not to F2 F3 F4. death. [Faints.] death. he faints (in italics) Q2 Q3. death. He dies (iNote 99 · Hold, ho!] Hold, hold Q1 Q2. Holp, hold Q3. sir,—Montano,—] sir—Montano— Rowe. Sir Montano Ff. sir Montanio Qq.Note 100 · sense of place] Hanmer. place of sense Qq Ff (sence Qq).Note 101 · Hold!] om. Pope. Hold, hold! Capell and Grant White. Hold! I say, Seymour conj., ending lines 155-158 at sir, ... forgot ... say, ... shame!Note 102 · ariseth] Ff. arises Qq.Note 103 · hath] Ff. has Qq.Note 104 · for] forth Q1.Note 105 · What is] Ff. what's Qq. masters] om. Pope.Note 106 · look'st] Hanmer. lookes Qq F1 F2. looks F3 F4.Note 107 · this?] Ff. this, Qq.Note 108 · not] not not F2.Note 109 · Devesting] Qq Ff. Digesting Q (1695). Divesting Rowe (ed. 2). for bed] Ff. to bed Qq. then] om. Q3.Note 110 · men] them Collier MS.Note 111 · Swords] Sword F3 F4. breast] Qq (brest Q3). breasts Ff (breastes F1).Note 112 · cannot] can't Pope.Note 113 · Those] These Q1.Note 114 · comes ... are] Ff. came ... were Qq.Note 115 · Montano] Ff. Montanio Qq.Note 116 · be] Qq. to be Ff.Note 117 · In mouths] In men Q1. With men Seymour conj.Note 118 · unlace] unbrace Becket conj.Note 119 · to it] Ff. to't Qq.Note 120 · me] om. Q2.Note 121 · By me] By me, Qq F1. By me; F2 F3 F4. said] sed Q1.Note 122 · sometimes] Ff. sometime Qq.Note 123 · collied] Ff. coold Qq. choler'd Rowe. quell'd Capell. coil'd Becket conj. quelled Collier (Collier MS.) cullied Bailey conj.Note 124 · if I once] Ff. Zouns, if I Q1. If once I Q2 Q3.Note 125 · this] his Rowe (ed. 2).Note 126 · Shall] Should Q3. lose] Rowe (ed. 2). loose Qq Ff. loosen Capell. me] me ever Lettsom conj. What! in] Capell. What, in Qq. What in Ff. What,Note 127 · quarrel,] quarrell? F1 F2 F3. quarrels? F4. quarrels, Q1. quarrells Q2 Q3.Note 128 · and guard of] of guard and Theobald.Note 129 · Iago] Say Jago Pope. began't] Ff. began Q1 Q2. degan Q3. began it Malone.Note 130 · partially] Ff. partiality Qq. leagued] leagu'd Pope, league Qq Ff.Note 131 · no] mo Q3.Note 132 · I had] I'd Pope. have] Ff. ha Q1 ha' Q2 Q3. cut from my] Ff. out from my Q1. out of my Q2. out of his Q3.Note 133 · the truth] so the truth F2 F3 F4.Note 134 · him] om. Long MS. Thus] Qq. This Ff. it is] 'tis Pope.Note 135 · him] om. Pope.Note 136 · in to] into Q2 F2 Q3.Note 137 · and] om. Pope. the] then F1.Note 138 · oath] oaths Q1.Note 139 · say] see Q1.Note 140 · cannot I] Ff. can I not Qq.Note 141 · those] them Q3.Note 142 · Re-enter....] Dyce. Enter ... Ff. Enter Desdemona, with others. Q1. After line 240 in Q2 Q3.Note 143 · What's] Q2 Q3. What is Q1 Ff. matter?] Qq. matter (Deere?) F1 F2. matter (Dear?) F3 F4.Note 144 · All's ... off] Arranged as by Pope. Three lines, ending sweeting: ... hurts, ... off, in Qq Ff.Note 145 · All's] All is Pope. well now, sweeting] well now sweeting Qq. well, Sweeting Ff. well. Here, sweeting Johnson. come away] Come, away Rowe. CNote 146 · Lead him off.] A stage direction. Malone conj. [To Montano....] Steevens (1778). To Montano. Johnson. Exeunt some with Montano. Capell. om. Note 147 · vile] vil’d F1. brawl] brawl's Anon. conj.Note 148 · [Exeunt....] Exit Moore, Desdemona, and attendants. Qq (after line 249). Exit. Ff.Note 149 · Scene xiii. Pope. Scene xiv. Hanmer.Note 150 · Ay,] om. Pope.Note 151 · Marry, heaven] Mary God Q1.Note 152 · Reputation ... reputation!] Prose in Ff. Four lines in Qq.Note 153 · Reputation] Thrice in Ff. Twice in Qq. O] om. Q1. O, I have] ho I Q (1695).Note 154 · have ... have] Ff. ha ... ha Qq.Note 155 · part of] Ff. part sir of Qq. myself] my salfe Q3.Note 156 · thought] Qq. had thought Ff.Note 157 · sense] sence Ff. offence Qq. of sense Anon. conj.Note 158 · are] Qq. are more Ff.Note 159 · affright] appease Staunton conj. imperious] impious Hanmer (ed. 2).Note 160 · slight] Ff. light Qq. and so] Ff. and Qq.Note 161 · Drunk ... shadow?] Omitted in Q1.Note 162 · speak parrot?] speake parrat? F1 Q2 F2 Q3. speak parrat? F3. speak, parrot? F4. speak? parrot, Theobald. speak? parrot? Hanmer.Note 163 · if thou] thou Q3.Note 164 · nothing] not the Anon. conj. O God] Q1. O Q2 Q3. Oh Ff.Note 165 · pleasance, revel] revell, pleasure Qq.Note 166 · and] om. Qq.Note 167 · not] not so Q1 Q2.Note 168 · them] Ff. em Qq.Note 169 · fool] foule Q3. O strange!] om. Qq.Note 170 · inordinate] unordinate Q1. ingredient] Ff. ingredience Qq.Note 171 · familiar] famillar F1.Note 172 · some time] Qq. a time Ff. one time Grant White conj.Note 173 · man] om. Q1. I'll] I'le Q1. Ile Q2 Q3. I Ff.Note 174 · hath] Ff. has Qq.Note 175 · mark] Q3. marke. Q1 Q2. marke: Ff (mark: F4). denotement] Theobald. deuotement Q1 F1 Q2. devotement F2 Q3 F3 F4.Note 176 · her help] her, shee'll helpe to Qq.Note 177 · of so free] so free Qq.Note 178 · she] Ff. that she Qq.Note 179 · broken joint] braule Q1.Note 180 · stronger] stonger F1 F2. it was] Ff. twas Q1. t'was Q2 Q3.Note 181 · honest] om. Q3.Note 182 · I will] Ff. will I Qq.Note 183 · here] om. Ff.Note 184 · You ... watch.] Prose in Ff. Two lines, the first ending right, in Qq.Note 185 · [Exit.] Qq. Exit Cassio. Ff.Note 186 · Scene xiv. Pope. Scene xv. Hanmer. And ... villain?] One line in Qq. Two in Ff.Note 187 · Probal] Probable Rowe. Likely Pope.Note 188 · To win ... easy] One line in Qq. Two in Ff.Note 189 · subdue ... suit. She's] Pointed as in Ff. subdue, In ... suite, she's Q1. subdue, In ... suite she's Q2 Q3. subdue; In ... suit she's Q (169Note 190 · were't] Q3. wer't Q1 Q2. were Ff.Note 191 · How am] Am Pope.Note 192 · course, Directly] course Directly S. Walker conj.Note 193 · Divinity of hell!] 'Tis hell's divinity: Pope. hell!] hell, Qq Ff.Note 194 · the] F1 F2 F3. their Qq F4.Note 195 · whiles] Ff. while Q1. whilst Q2 Q3.Note 196 · fortunes] Qq. fortune Ff.Note 197 · for] from Johnson.Note 198 · That ... Roderigo!] One line in Pope. Two in Qq. Ff. enmesh] Q1 Q2. en-mash F1 F2. enmash F3 F4. enemesh Q3. them] em Q1. Enter....] Qq. EntNote 199 · Scene xv. Pope. Scene xvi. Hanmer. do] om. Pope.Note 200 · have] Ff. ha Qq.Note 201 · and] om. Qq.Note 202 · pains ... Venice.] paines, as that comes to, and no money at all, and with that wit returne to Venice. Q1. paines, and no mony at all, and aNote 203 · know'st] Ff. knowest Qq.Note 204 · Does't] Do'st Q1. Dos't F1 Q2 F2 Q3. Dost F3 F4. hath] Ff. has Qq.Note 205 · hast] hath F1 Q (1695).Note 206 · grow] grew Q3.Note 207 · Yet] But Q1. will ... ripe] will fire be ripe Q3. are not first ripe Hanmer.Note 208 · By the mass] Introth F1 F2 F3. In troth F4.Note 209 · hours] time Jennens.Note 210 · Nay ... done:] One line in Qq. Two in Ff. [Exit Rod.] Exit Rodorigo. Ff. om. Qq. Two] Ff. Some Qq.Note 211 · I'll ... on;] om. Seymour conj.Note 212 · I'll ... apart,] Divided as in Qq. One line in Ff.Note 213 · on;] on:— Theobald. on. Qq. on Ff.Note 214 · on ... draw] on to draw Pope. on; so draw Theobald.Note 215 · the while] Theobald. awhile Q1. a while Ff Q2 Q3. to draw] will draw Johnson.Note 216 · when] where Collier MS.Note 217 · device] Ff. devise Qq. [Exit.] Ff. Exeunt. Qq.
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