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The Works of William Shakespeare [Cambridge Edition] [Vol. 8 of 9]

Act 3 — Scene I. Before the castle.

Reading edition

Enter Cassio and some Musicians.[5749]

Cas. Masters, play here; I will content your pains;[5750] Something that's brief; and bid 'Good morrow, general.' [Music.

Enter Clown.[5751]

Clo. Why, masters, have your instruments been in[5752] Naples, that they speak i' the nose thus?[5753] First Mus. How, sir, how![5754] 5 Clo. Are these, I pray you, wind-instruments?[5755] First Mus. Ay, marry, are they, sir.[5754] Clo. O, thereby hangs a tail.[5756] First Mus. Whereby hangs a tale, sir?[5757] Clo. Marry, sir, by many a wind-instrument that I know. 10 But, masters, here's money for you: and the general so[5758] likes your music, that he desires you, for love's sake, to[5759] make no more noise with it.[5760] First Mus. Well, sir, we will not. Clo. If you have any music that may not be heard, 15 to 't again: but, as they say, to hear music the general does not greatly care. First Mus. We have none such, sir.[5761] Clo. Then put up your pipes in your bag, for I'll away:[5762] go; vanish into air; away! [Exeunt Musicians.[5763] 20 Cas. Dost thou hear, my honest friend?[5764] Clo. No, I hear not your honest friend; I hear you.[5765] Cas. Prithee, keep up thy quillets. There's a poor piece of gold for thee: if the gentlewoman that attends the general's wife be stirring, tell her there's one Cassio entreats[5766] 25 her a little favour of speech: wilt thou do this?[5767] Clo. She is stirring, sir: if she will stir hither, I shall seem to notify unto her.[5768] Cas. Do, good my friend. [Exit Clown.[5769]

Enter Iago.[5770]

In happy time, Iago. Iago. You have not been a-bed, then?[5771][5772] 30 Cas. Why, no; the day had broke[5773] Before we parted. I have made bold, Iago,[5772][5773][5774] To send in to your wife: my suit to her[5773][5775] Is, that she will to virtuous Desdemona[5773][5776] Procure me some access. Iago. I'll send her to you presently;[5777] 35 And I'll devise a mean to draw the Moor Out of the way, that your converse and business May be more free. Cas. I humbly thank you for't. [Exit Iago.] I never knew[5778][5779] A Florentine more kind and honest.[5779][5780] 40

Enter Emilia.

Emil. Good morrow, good lieutenant: I am sorry For your displeasure; but all will sure be well.[5781] The general and his wife are talking of it, And she speaks for you stoutly: the Moor replies, That he you hurt is of great fame in Cyprus 45 And great affinity, and that in wholesome wisdom[5782] He might not but refuse you; but he protests he loves you,[5783] And needs no other suitor but his likings[5784] To take the safest occasion by the front[5785] To bring you in again. Cas. Yet, I beseech you, 50 If you think fit, or that it may be done, Give me advantage of some brief discourse With Desdemona alone. Emil. Pray you, come in:[5786] I will bestow you where you shall have time To speak your bosom freely. Cas. I am much bound to you. [Exeunt.[5787]55

Notes in this chapter

Note 1 · Act iii. Scene i.] Actus Tertius. Scena Prima. Ff. Actus 3. Scæna 1. Q2 Q3. om. Q1. Before the castle.] Capell. Othello's Palace. Rowe. BefoNote 2 · Masters] Master Q3.Note 3 · morrow, general] morrow to the general Collier MS. [Music. Enter Clown.] They play, and enter the Clowne. Q2 Q3. Omitted in the rest. MusickNote 4 · have] Ff. ha Qq. been in] F4. bin in F1 F2 F3. bin at Qq.Note 5 · speak] play Capell (corrected in Errata). squeak Collier (Collier MS.)Note 6 · First Mus.] 1. M. Capell. Mus. Ff. Boy Qq.Note 7 · pray you,] Ff. pray, cald Q1 Q2. pray you, cald Q3.Note 8 · tail] tayle Qq. tale Ff.Note 9 · tale] Ff. tayle Qq.Note 10 · here's] hee's F1. her's Q3.Note 11 · for love's sake] of all loves Q1.Note 12 · more] om. F2 Q3 F3 F4.Note 13 · have Ff. ha Qq.Note 14 · up] Ff. om. Qq. for I'll away] and hye away Hanmer. fly away Ritson conj.Note 15 · into air] om. Q1. [Exeunt....] Theobald. Exit Mu. F1. Exit Mus. F2 F3. Exit Musi. F4. om. Qq.Note 16 · hear, my] heare my Qq. heare me, mine Ff (hear F3 F4). hear, mine Theobald (Warburton and Bentley conj.)Note 17 · I hear you] In a separate line in Ff.Note 18 · general's wife] Generals wife Q2 Q3. Cenerals wife Q1. Generall F1 F2 F3. General F4.Note 19 · her] of her Rowe.Note 20 · seem to] soon so Singer (Singer MS.) seem so to Collier (Collier MS.)Note 21 · Cas. Do ... friend.] Omitted in Ff. good my] my good Rowe. [Exit Clown.] Exit Clo. Ff Q2. Exit Col. Q3. om Q1.Note 22 · Enter Iago.] As in Rowe. After her, line 28, in Qq Ff.Note 23 · have] Ff. ha Qq.Note 24 · a-bed] Ff. a bed Qq.Note 25 · Why ... Desdemona] Arranged as in Capell. Three lines, ending parted ... her, ... Desdemona, in Qq. Three, ending parted ... wife; ... DesdeNote 26 · Iago] om. Pope.Note 27 · to her] om. Pope.Note 28 · virtuous] om. Pope, ending the lines as Ff.Note 29 · to you] om. PopeNote 30 · humbly] om. Lettsom conj. for't] for it Q1. [Exit Iago.] Capell. Exit. Qq Ff, after line 38.Note 31 · I never knew A] I ne'er knew S. Walker conj., reading I humbly ... Florentine or I ne'er ... honest as one line.Note 32 · A Florentine] A man Capell, reading 38-40 as two lines, the first ending for't.Note 33 · sure] Ff. soone Qq.Note 34 · that] om. Seymour conj. wholesome] om. Pope.Note 35 · refuse you] refuse Q2 Q3. he protests] om. Hanmer.Note 36 · likings] liking S. Walker conj.Note 37 · To ... front] Omitted in Ff. safest] first Johnson. saf'st Capell.Note 38 · Desdemona] Qq. Desdemon Ff. you] om. F2 F3 F4.Note 39 · Cas. I ... you.] Omitted in Q1. I am] I'm Pope. [Exeunt.] om. F1 F2.
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