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The nightless city

Shōgi no nedan ai-jirushi. (The signs and cyphers showing the fees of courtesans.)

Reading edition

According to the “Kyokutei-Zakki” (曲享雜記) written by the well-known novelist Bakin, the tayū were all represented by the mark ⧗ in the saiken30 (guide-books) during the Kyōhō era (1716–1735). * * * * At that time the price was 60 momme (10 Yen). A class of courtesans called kyō no tayū came into existence at the time, but dropped out of fashion without receiving much attention from the public. The various classes of women were represented by the following marks from the era of Kyōhō (1716–1735) to the Hōreki era (1751–1763):—

⧗ Tayū: ⌗ Kōshi-jōro: Ni-nin Kaburo: Yobi-dashi: Tsuki-dashi: Zashiki-mochi: Kōkin: Bunkin: ◓ Chū-ya: ㊁ Ni-shu: ╳ Uchi-komi: Yama-sancha: Umecha: ㊄ Go-sun Tsubone: ⬤ Nami-Tsubone and Ha-age-ya: ⬛ Chaya. By the 6th year of Gembun (1741) the fees of courtesans were stated in Saiken for the first time as follows:—

Two overlapping inverted V’s with horizontal line below
Two overlapping inverted V’s with horizontal line below
Inverted V containing horizontal line above unfilled oval
Inverted V containing horizontal line above unfilled oval
Filled up pointing triangle with horizontal line below
Filled up pointing triangle with horizontal line below
Two overlapping inverted V’s
Two overlapping inverted V’s
Two overlapping inverted V’s with filled dot below
Two overlapping inverted V’s with filled dot below
Two overlapping inverted V’s with filled up pointing triangle below
Two overlapping inverted V’s with filled up pointing triangle below

⧗ Tayū, 80 momme (Yen 13.33) ⌗ Kōshi, 60 momme, (10 Yen); ヨ Yobidashi, 45 momme (Yen 7.50); ▲ Sancha (for day and night) 3 Bu (Yen 7.50); ⬤ Bun, 1 Bu (Yen 2.50); ╳ 12 momme (2 Yen); ㊃ Shi-sun: ㊀ Nami-Tsuboné; ∴ six tea-houses attached to the ageya. Since then matters have undergone various changes, but the following are the present (1890) cyphers used in the Saiken-ki:—

Yen. Sen.

(Iriyamagata hitotsu-boshi) fee is 1 .20

Two overlapping inverted V’s with filled dot below
Two overlapping inverted V’s with filled dot below

(Iri-yamagata) “ .90

Two overlapping inverted V’s
Two overlapping inverted V’s

(Mitsu-yamagata hitotsu-boshi) “ .60

Three stacked inverted V’s with filled dot below
Three stacked inverted V’s with filled dot below

(Mitsu-yamagata) “ .50

Three stacked inverted V’s
Three stacked inverted V’s

(Futatsu-yamagata hitotsu-boshi) “ .40

Two stacked inverted V’s with filled dot below
Two stacked inverted V’s with filled dot below

(Shiro-yamagata) “ .35

Inverted V displayed in outline form (i.e. unfilled)
Inverted V displayed in outline form (i.e. unfilled)

(Yamagata hitotsu-boshi) “ .30

Inverted V with filled dot below
Inverted V with filled dot below

(Yamagata) “ .25

Inverted V
Inverted V

(Tsuji) ╳ “ .20

Notes in this chapter

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