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The Works of William Shakespeare [Cambridge Edition] [Vol. 7 of 9]

Act 2 — Scene IV. A street.[567]

Reading edition

Scene IV. A street.[567]

Enter Benvolio and Mercutio.

Mer. Where the devil should this Romeo be? Came[568][569] he not home to-night?[569] Ben. Not to his father's; I spoke with his man.[569] Mer. Ah, that same pale hard-hearted wench, that Rosaline,[570][571] Torments him so that he will sure run mad.[571] 5 Ben. Tybalt, the kinsman to old Capulet,[572][573] Hath sent a letter to his father's house.[572] Mer. A challenge, on my life. Ben. Romeo will answer it. Mer. Any man that can write may answer a letter. 10 Ben. Nay, he will answer the letter's master, how he dares, being dared. Mer. Alas, poor Romeo, he is already dead! stabbed with a white wench's black eye; shot thorough the ear with[574] a love-song; the very pin of his heart cleft with the blind 15 bow-boy's butt-shaft: and is he a man to encounter Tybalt? Ben. Why, what is Tybalt?[575][576] Mer. More than prince of cats, I can tell you. O, he's[576][577] the courageous captain of compliments. He fights as you sing prick-song, keeps time, distance and proportion;[578] 20 rests me his minim rest, one, two, and the third in your[579] bosom: the very butcher of a silk button, a duellist, a duellist;[580] a gentleman of the very first house, of the first and second cause: ah, the immortal passado! the punto reverso! the hai![581] 25 Ben. The what? Mer. The pox of such antic, lisping, affecting fantasticoes;[582][583] these new tuners of accents! 'By Jesu, a very good[583][584] blade! a very tall man! a very good whore!' Why, is not this a lamentable thing, grandsire, that we should be 30 thus afflicted with these strange flies, these fashion-mongers, these perdona-mi's, who stand so much on the new form[585] that they cannot sit at ease on the old bench? O, their[586] bones, their bones![587]

Enter Romeo.

Ben. Here comes Romeo, here comes Romeo.[588] 35 Mer. Without his roe, like a dried herring: O flesh, flesh, how art thou fishified! Now is he for the numbers that Petrarch flowed in: Laura to his lady was but a kitchen-wench;[589] marry, she had a better love to be-rhyme her; Dido, a dowdy; Cleopatra, a gipsy; Helen and Hero, hildings and[590] 40 harlots; Thisbe, a grey eye or so, but not to the purpose.[591] Signior Romeo, bon jour! there's a French salutation to your[592] French slop. You gave us the counterfeit fairly last night.[593] Rom. Good morrow to you both. What counterfeit[594] did I give you?[594] 45 Mer. The slip, sir, the slip; can you not conceive?[594] Rom. Pardon, good Mercutio, my business was great;[594][595] and in such a case as mine a man may strain courtesy.[594][596] Mer. That's as much as to say, Such a case as yours[594] constrains a man to bow in the hams.[594] 50 Rom. Meaning, to court'sy.[594][597] Mer. Thou hast most kindly hit it.[594] Rom. A most courteous exposition.[594][598] Mer. Nay, I am the very pink of courtesy.[594] Rom. Pink for flower.[594] 55 Mer. Right.[594] Rom. Why, then is my pump well flowered.[594] Mer. Well said: follow me this jest now, till thou hast[594][599] worn out thy pump, that, when the single sole of it is worn,[594] the jest may remain, after the wearing, solely singular.[594][600] 60 Rom. O single-soled jest, solely singular for the[594][601] singleness![594][601] Mer. Come between us, good Benvolio; my wits faint.[594][602] Rom. Switch and spurs, switch and spurs; or I'll cry a[594][603][604] match.[594][603] 65 Mer. Nay, if thy wits run the wild-goose chase, I have[594][605][606] done; for thou hast more of the wild-goose in one of thy[594][606] wits than, I am sure, I have in my whole five: was I with[594] you there for the goose?[594] Rom. Thou wast never with me for any thing when[594][607] 70 thou wast not there for the goose.[594] Mer. I will bite thee by the ear for that jest.[594] Rom. Nay, good goose, bite not.[594] Mer. Thy wit is a very bitter sweeting; it is a most[594][608][609] sharp sauce.[594][608] 75 Rom. And is it not well served in to a sweet goose?[594][610] Mer. O, here's a wit of cheveril, that stretches from an[594] inch narrow to an ell broad![594] Rom. I stretch it out for that word 'broad;' which added[594] to the goose, proves thee far and wide a broad goose.[594][611] 80 Mer. Why, is not this better now than groaning for[594][612] love? now art thou sociable, now art thou Romeo; now art[594][613] thou what thou art, by art as well as by nature: for this[594] drivelling love is like a great natural, that runs lolling up[594] and down to hide his bauble in a hole.[594][614] 85 Ben. Stop there, stop there.[594] Mer. Thou desirest me to stop in my tale against the[594] hair.[594] Ben. Thou wouldst else have made thy tale large.[594] Mer. O, thou art deceived; I would have made it[594] 90 short: for I was come to the whole depth of my tale, and[594][615] meant indeed to occupy the argument no longer.[594] Rom. Here's goodly gear![616]

Enter Nurse and Peter.

Mer. A sail, a sail![617] Ben. Two, two; a shirt and a smock.[618] 95 Nurse. Peter! Peter. Anon? Nurse. My fan, Peter. Mer. Good Peter, to hide her face; for her fan's the[619][620] fairer of the two.[620][621] 100 Nurse. God ye good morrow, gentlemen. Mer. God ye good den, fair gentlewoman.[622] Nurse. Is it good den?[623] Mer. 'Tis no less, I tell you; for the bawdy hand of[624] the dial is now upon the prick of noon. 105 Nurse. Out upon you! what a man are you! Rom. One, gentlewoman, that God hath made himself[625] to mar. Nurse. By my troth, it is well said; 'for himself to[626] mar,' quoth a'? Gentlemen, can any of you tell me where[627] 110 I may find the young Romeo?[628] Rom. I can tell you; but young Romeo will be older when you have found him than he was when you sought him: I am the youngest of that name, for fault of a worse. Nurse. You say well. 115 Mer. Yea, is the worst well? very well took, i' faith; wisely, wisely. Nurse. If you be he, sir, I desire some confidence with[629] you. Ben. She will indite him to some supper.[630] 120 Mer. A bawd, a bawd, a bawd! So ho! Rom. What hast thou found?[631] Mer. No hare, sir; unless a hare, sir, in a lenten pie,[631] that is something stale and hoar ere it be spent.[631][632] [Sings. An old hare hoar,[631][633] 125 And an old hare hoar,[631][633] Is very good meat in lent:[631][633] But a hare that is hoar,[631][633] Is too much for a score,[631][633] When it hoars ere it be spent.[631][633] 130 Romeo, will you come to your father's? we'll to dinner thither. Rom. I will follow you. Mer. Farewell, ancient lady; farewell, [singing] 'lady,[634] lady, lady.' [Exeunt Mercutio and Benvolio.[635] 135 Nurse. Marry, farewell! I pray you, sir, what saucy[636] merchant was this, that was so full of his ropery?[637] Rom. A gentleman, nurse, that loves to hear himself[638] talk, and will speak more in a minute than he will stand to in a month.[639] 140 Nurse. An a' speak any thing against me, I'll take[640] him down, an a' were lustier than he is, and twenty such[641] Jacks; and if I cannot, I'll find those that shall. Scurvy knave! I am none of his flirt-gills; I am none of his skains-mates.[642] [Turning to Peter] And thou must stand by too,[643] 145 and suffer every knave to use me at his pleasure? Peter. I saw no man use you at his pleasure; if I had, my weapon should quickly have been out, I warrant you: I dare draw as soon as another man, if I see occasion in a good quarrel and the law on my side. 150 Nurse. Now, afore God, I am so vexed that every part about me quivers. Scurvy knave! Pray you, sir, a word: and as I told you, my young lady bade me inquire[644] you out; what she bade me say, I will keep to myself: but[644] first let me tell ye, if ye should lead her into a fool's paradise,[645]155 as they say, it were a very gross kind of behaviour, as they say: for the gentlewoman is young, and therefore, if[646] you should deal double with her, truly it were an ill thing to be offered to any gentlewoman, and very weak[647] dealing. 160 Rom. Nurse, commend me to thy lady and mistress.[648] I protest unto thee—[649] Nurse. Good heart, and, i' faith, I will tell her as much: Lord, Lord, she will be a joyful woman. Rom. What wilt thou tell her, nurse? thou dost not 165 mark me.[650] Nurse. I will tell her, sir, that you do protest; which, as I take it, is a gentlemanlike offer.[651] Rom. Bid her devise[652] Some means to come to shrift this afternoon;[652] 170 And there she shall at Friar Laurence' cell[653] Be shrived and married. Here is for thy pains. Nurse. No, truly, sir; not a penny. Rom. Go to; I say you shall. Nurse. This afternoon, sir? well, she shall be there. 175 Rom. And stay, good nurse, behind the abbey-wall:[654] Within this hour my man shall be with thee, And bring thee cords made like a tackled stair;[655] Which to the high top-gallant of my joy Must be my convoy in the secret night. 180 Farewell; be trusty, and I'll quit thy pains:[656] Farewell; commend me to thy mistress.[657] Nurse. Now God in heaven bless thee! Hark you, sir. Rom. What say'st thou, my dear nurse?[658] Nurse. Is your man secret? Did you ne'er hear say,[659][660]185 Two may keep counsel, putting one away?[659][661] Rom. I warrant thee, my man's as true as steel.[662] Nurse. Well, sir; my mistress is the sweetest lady—Lord,[663] Lord! when 'twas a little prating thing—O, there is[663] a nobleman in town, one Paris, that would fain lay knife[663] 190 aboard; but she, good soul, had as lief see a toad, a very[663][664] toad, as see him. I anger her sometimes, and tell her that[663][665] Paris is the properer man; but, I'll warrant you, when I[663] say so, she looks as pale as any clout in the versal world.[663][666] Doth not rosemary and Romeo begin both with a letter?[663] 195 Rom. Ay, nurse; what of that? both with an R.[663] Nurse. Ah, mocker! that's the dog's name; R is for[663][667][668] the—No; I know it begins with some other letter—and[663][668][669] she hath the prettiest sententious of it, of you and rosemary,[663] that it would do you good to hear it.[663][670] 200 Rom. Commend me to thy lady.[663][671] Nurse. Ay, a thousand times. [Exit Romeo.] Peter![663][672] Pet. Anon![663][673] Nurse. Peter, take my fan, and go before, and apace.[663][674]

[Exeunt.

Notes in this chapter

Note 1 · Scene IV.] Hanmer. Scene V. Rowe. Act iii. Scene I. Capell. A street.] Capell. The street. Rowe.Note 2 · Where] Why, where Capell, reading as verse, and ending the lines be?... father's; ... man. devil] F3 F4. deule Q2. deu'le Q3 Q4. deu le F1. Note 3 · Prose in Qq Ff. Verse in Steevens.Note 4 · Ah] (Q1) Malone. Why Qq Ff. Ay Capell.Note 5 · Ah ... mad] Verse in (Q1) Qq. Prose in Ff.Note 6 · Tybalt ... house] Verse in (Q1) Theobald. Prose in Qq Ff.Note 7 · kinsman] kisman Q2. to] of (Q1) Capell.Note 8 · shot] (Q1) Capell. runne or run Qq Ff. thorough] (Q1) Capell. through Qq Ff.Note 9 · Ben.] (Q1) Ff. Ro. or Rom. Qq.Note 10 · Why ... you. O] Capell, from (Q1). Why ... Tybalt? Mer. More ... cats. Oh Qq Ff. Why ... Tybalt? Mer. More ... cats? Oh Theobald. Why ... TyNote 11 · prince] the prince Johnson (1771). he's] he is (Q1) Capell.Note 12 · prick-song] pricksongs F4. prick'd songs Johnson.Note 13 · rests ... rest] Malone, from (Q1). he rests, his minum rests Q2. he rests his minum rests Q3 Q4 Q5. he rests his minum Ff. rests his minum RNote 14 · very] wery F2. duellist] F4. dualist The rest.Note 15 · the hai!] the Hay. Qq Ff. the, hay!— Theobald. the—hay! Capell.Note 16 · affecting] affected Pope.Note 17 · fantasticoes] (Q1) Capell. phantacies Q2 Q3 Q4 F1 F2. phantasies Q5 F3 F4.Note 18 · tuners] turners Rowe. accents] (Q1) Q5. accent Q2 Q3 Q4 Ff. By Jesu] (Q1) Qq. Jesu Ff. om. Johnson.Note 19 · perdona-mi's] Edd. (Globe ed.). pardona' mees Q4 Q5. pardonmees (Q1). pardons mees Q2. pardon mees Q3. pardon-mee's F1 F2. pardon-me's F3 F4Note 20 · they] the F2.Note 21 · bones, their bones] Qq Ff. bon's, their bon's Theobald. buon's, their buon's Anon. conj. Enter Romeo.] Qq Ff. Transferred by Dyce to follow Note 22 · Here comes Romeo] Once only in (Q1) Pope.Note 23 · Petrarch] Petrach Q2. was but] (Q1) Pope. was Qq Ff.Note 24 · hildings] hildinsgs F1 F2.Note 25 · so, but not] so: but now Hanmer (Warburton).Note 26 · bon jour] Bonieur Q2 Q4. Bonieur Q3.Note 27 · slop] stop Pope. You gave ... night] Put in the margin by Pope.Note 28 · What counterfeit ... no longer] Put in the margin by Pope.Note 29 · good] Qq. om. Ff.Note 30 · courtesy] coursie F2 F3.Note 31 · court'sy] courtesie F2 F3 F4. cursie Qq F1.Note 32 · courteous] curtuous Q2.Note 33 · Well said:] Capell, from (Q1). Sure wit Q2. Sure wit, The rest. Sure wit— Rowe. Sir wit, Anon. conj. Sheer wit! Malone conj.Note 34 · solely] solie (Q1). soly Qq. sole— Ff. sole Dyce (ed. 1).Note 35 · O ... singleness] One line in Qq. Two in Ff.Note 36 · wits faint] Q5. wits faints Q2 Q3 Q4 F1. wit faints F2 F3 F4. wits fail (Q1) Steevens.Note 37 · Switch ... match] One line in Qq. Two in Ff.Note 38 · Switch ... switch] Pope. Swits ... swits Qq Ff. Switches ... switches Anon. conj. or I'll] or—I'll Johnson. for I Capell.Note 39 · thy wits] (Q1) Capell. our wits Qq Ff. I have] (Q1) Capell. I am Qq Ff.Note 40 · wild-goose] wild goats Grey conj.Note 41 · Thou wast] Qq F1. Thou wert (Q1). Thou was F2 F3 F4.Note 42 · Thy ... sauce] One line in Qq. Two in Ff.Note 43 · bitter sweeting] Qq. bitter-sweeting Ff.Note 44 · well] then well Q2. in to] (Q1) Qq. into Ff.Note 45 · thee] the F2 F3 F4. a broad] (Q1) Qq. abroad Ff. broad Rowe (ed. 2). abroad, Farmer conj. abroad— Collier.Note 46 · now] om. Rowe (ed. 2).Note 47 · art thou sociable] thou art sociable Rowe (ed. 2).Note 48 · hide] hid F1. bauble] F4. bable The rest.Note 49 · for] (Q1) Qq F4. or F1 F2 F3.Note 50 · Enter ...] Enter Nurse and her man. Qq Ff (after longer, line 92).Note 51 · Mer. A sail, a sail!] Mer. A sail, a sail, a sail! (Q1) Capell. A sayle, a sayle. Qq Ff (continued to Romeo).Note 52 · Ben.] (Q1) Capell. Mer. Qq Ff.Note 53 · Good] Do good Pope, from (Q1).Note 54 · Good ... face.] One line in Qq. Two in Ff, and elsewhere.Note 55 · fairer of the two] (Q1) Pope. fairer face Qq Ff.Note 56 · gentlewoman] gentlewomen F2 F3.Note 57 · Is it] It is F2. Is is Rowe (ed. 1).Note 58 · you] yee Q2.Note 59 · himself] for himself (Q1) Collier.Note 60 · well said] (Q1) Qq. said F1 F2 F3. sad F4.Note 61 · quoth a'] quath a Q3 Q4. quatha F1. quotha F2 F3 F4. Gentlemen] Gentleman F2 F3.Note 62 · the] om. (Q1) Pope.Note 63 · If you] If thou Q4 Q5.Note 64 · indite] endite Qq F1. invite (Q1) F3 F4. envite F2. some] om. (Q1) Capell.Note 65 · Rom. What ... spent] Put in the margin by Pope.Note 66 · [Sings.] Singing. Capell. om. Qq Ff. He walkes by them, and sings. (Q1).Note 67 · An old ... spent.] As in Capell. Two lines in Qq Ff. Four in (Q1) Collier.Note 68 · [singing] Dyce (Farmer conj.).Note 69 · [Exeunt ...] Exeunt. Qq. Exit. Mercutio, Benvolio. Ff.Note 70 · Marry, farewell!] (Q1) Malone. om. Qq Ff.Note 71 · ropery] roguery F4. roperipe (Q1).Note 72 · hear] here F2.Note 73 · to] too Q2.Note 74 · An] Pope. And Qq Ff.Note 75 · an] Pope. & F1. and The rest.Note 76 · his] her Q5. flirt-gills] flurt-gills (Q1). flurt gills Q2. flurt gils Q3. flurt-gils Ff. gil-flurts Q4 Q5. skains-mates] F4. skaines mates Note 77 · [Turning to Peter.] Edd. She turnes to Peter her man. (Q1). om. Qq Ff. To her man. Rowe.Note 78 · bade ... bade] bad ... bad (Q1) Capell. bid ... bid Qq Ff.Note 79 · into a] (Q1) Theobald. in a Qq Ff. into Rowe (ed. 2).Note 80 · gentlewoman] gentlewomen F2.Note 81 · weak] wicked Collier (Collier MS.).Note 82 · Rom.] Nur. F1. Nurse,] om. Rowe.Note 83 · thee—] F2 F3 F4. thee. Qq F1. unto] onto F2.Note 84 · me.] mee. Q5. me? or mee? The rest.Note 85 · a] om. Q4.Note 86 · Bid ... afternoon;] Edd. One line in Q2 Q3 Ff. Prose in Q4 Q5. Capell ends the first line at shrift, reading as verse.Note 87 · Laurence'] Lawrence Qq Ff. Lawrence's Rowe.Note 88 · stay] Qq. stay thou Ff. nurse, behind ... wall:] nurse: behind ... wall Anon. conj.Note 89 · thee] the F2 F3. tackled] tackling Q5.Note 90 · quit] Q2. quite The rest.Note 91 · Farewell ... mistress.] Omitted by Pope, Theobald, Hanmer, Warburton, and Johnson. mistress] mistress, nurse Martley conj.Note 92 · say'st] sayest Pope.Note 93 · Is ... away?] Verse by Rowe. Prose in Qq Ff.Note 94 · hear] F3 F4. here Qq. heare F1 F2.Note 95 · away?] Q5 F4. away. The rest.Note 96 · I warrant] F2 F3 F4. Warrant Qq Ff. man's] Rowe. mans Qq. man Ff.Note 97 · As verse by Capell.Note 98 · lief] leeve Q2 Q3 Q4 F1 F2 F3. liefe Q5. live F4. see a] a see F1.Note 99 · I anger] I do anger Capell. anger her] angerer Q4.Note 100 · versal] varsal Hanmer.Note 101 · Ah,] Rowe. A Qq Ff. dog's name;] dog, name Q2. dog's; or dog's letter, Farmer conj.Note 102 · R is for the—No;] Edd. (Ritson conj.). R. is for the no, Q2 Q3 Q4 Ff. R. is for the no. Q5. R. is for thee? No; Theobald (Warburton). R. is Note 103 · some] no Rowe.Note 104 · that it would] 'Twould Capell.Note 105 · lady.] lady— Pope.Note 106 · Ay] I Qq Ff. om. Rowe. times. [Exit Romeo] Peter!] Dyce. times Peter. Q2. times· Peter? Q3. times Peter? Q4. times. Peter? Ff. times. Peter.Note 107 · Anon!] Anon. Qq Ff. Anon? Theobald.Note 108 · Peter ... apace.] Edd. Peter, take my fan, and go before. (Q1) Steevens. Before and apace. Qq Ff (Before, F4). Take my fan, and go before. P
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