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The Works of William Shakespeare [Cambridge Edition] [Vol. 6 of 9]

Act 3 — Scene I. Troy. A room in Priam's palace.

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Enter Pandarus and a Servant.[1526]

Pan. Friend, you, pray you, a word: do you not follow[1527] the young Lord Paris? Serv. Ay, sir, when he goes before me.[1528] Pan. You depend upon him, I mean?[1529] Serv. Sir, I do depend upon the Lord. 5 Pan. You depend upon a noble gentleman; I must[1530] needs praise him. Serv. The Lord be praised! Pan. You know me, do you not? Serv. Faith, sir, superficially. 10 Pan. Friend, know me better; I am the Lord Pandarus. Serv. I hope I shall know your honour better. Pan. I do desire it. Serv. You are in the state of grace.[1531] Pan. Grace! not so, friend; honour and lordship are 15 my titles. [Music within.] What music is this?[1532] Serv. I do but partly know, sir: it is music in parts.[1533] Pan. Know you the musicians? Serv. Wholly, sir. Pan. Who play they to? 20 Serv. To the hearers, sir. Pan. At whose pleasure, friend? Serv. At mine, sir, and theirs that love music. Pan. Command, I mean, friend.[1534] Serv. Who shall I command, sir? 25 Pan. Friend, we understand not one another: I am too courtly, and thou art too cunning. At whose request[1535] do these men play? Serv. That's to't, indeed, sir: marry, sir, at the request of Paris my lord, who is there in person; with him, the[1536] 30 mortal Venus, the heart-blood of beauty, love's invisible[1537] soul.[1538] Pan. Who, my cousin Cressida? Serv. No, sir, Helen: could not you find out that by[1539] her attributes? 35 Pan. It should seem, fellow, that thou hast not seen[1540] the Lady Cressida. I come to speak with Paris from the[1541] Prince Troilus: I will make a complimental assault upon him, for my business seethes. Serv. Sodden business! there's a stewed phrase indeed![1542] 40

Enter Paris and Helen, attended.[1543]

Pan. Fair be to you, my lord, and to all this fair company! fair desires, in all fair measure, fairly guide them! especially to you, fair queen! fair thoughts be your fair pillow! Helen. Dear lord, you are full of fair words.[1544] 45 Pan. You speak your fair pleasure, sweet queen. Fair prince, here is good broken music. Par. You have broke it, cousin: and, by my life, you[1545] shall make it whole again; you shall piece it out with a piece of your performance. Nell, he is full of harmony.[1546] 50 Pan. Truly, lady, no. Helen. O, sir,— Pan. Rude, in sooth; in good sooth, very rude. Par. Well said, my lord! well, you say so in fits.[1547] Pan. I have business to my lord, dear queen. My 55 lord, will you vouchsafe me a word? Helen. Nay, this shall not hedge us out: we'll hear[1548] you sing, certainly. Pan. Well, sweet queen, you are pleasant with me. But, marry, thus, my lord: my dear lord, and most esteemed 60 friend, your brother Troilus— Helen. My Lord Pandarus; honey-sweet lord,— Pan. Go to, sweet queen, go to:—commends himself[1549] most affectionately to you—[1549] Helen. You shall not bob us out of our melody: if you[1550] 65 do, our melancholy upon your head![1550] Pan. Sweet queen, sweet queen; that's a sweet queen, i' faith.[1551] Helen. And to make a sweet lady sad is a sour offence.[1552] Pan. Nay, that shall not serve your turn; that shall it[1553] 70 not, in truth, la. Nay, I care not for such words; no, no.[1553] And, my lord, he desires you, that if the king call for him[1553] at supper, you will make his excuse.[1553][1554] Helen. My Lord Pandarus,— Pan. What says my sweet queen, my very very sweet[1555] 75 queen? Par. What exploit's in hand? where sups he to-night?[1556] Helen. Nay, but, my lord,— Pan. What says my sweet queen? My cousin will[1557][1558] fall out with you. You must not know where he sups.[1557][1558][1559] 80 Par. I'll lay my life, with my disposer Cressida.[1557][1560][1561] Pan. No, no, no such matter; you are wide: come, your disposer is sick.[1561] Par. Well, I'll make excuse.[1562] Pan. Ay, good my lord. Why should you say Cressida? 85 no, your poor disposer's sick.[1561][1563] Par. I spy.[1564] Pan. You spy! what do you spy? Come, give me an instrument. Now, sweet queen.[1565] Helen. Why, this is kindly done.[1566] 90 Pan. My niece is horribly in love with a thing you[1567] have, sweet queen. Helen. She shall have it, my lord, if it be not my lord Paris. Pan. He! no, she'll none of him; they two are twain.[1568] 95 Helen. Falling in, after falling out, may make them three. Pan. Come, come, I'll hear no more of this; I'll sing you a song now. Helen. Ay, ay, prithee now. By my troth, sweet lord,[1569] thou hast a fine forehead. 100 Pan. Ay, you may, you may.[1570] Helen. Let thy song be love: this love will undo us all. O Cupid, Cupid, Cupid! Pan. Love! ay, that it shall, i'faith. Par. Ay, good now, love, love, nothing but love. 105 Pan. In good troth, it begins so. [Sings.[1571] Love, love, nothing but love, still more![1572] For, O, love's bow[1573] Shoots buck and doe:[1573][1574] The shaft confounds,[1575][1576] 110 Not that it wounds,[1575] But tickles still the sore. These lovers cry Oh! oh! they die:[1577] Yet that which seems the wound to kill,[1578] Doth turn oh! oh! to ha! ha! he![1577][1579] 115 So dying love lives still: Oh! oh! a while, but ha! ha! ha![1577] Oh! oh! groans out for ha! ha! ha![1577] Heigh-ho![1580] Helen. In love, i'faith, to the very tip of the nose. 120 Par. He eats nothing but doves, love, and that breeds[1581] hot blood and hot blood begets hot thoughts and hot thoughts beget hot deeds and hot deeds is love.[1582] Pan. Is this the generation of love? hot blood, hot[1583] thoughts and hot deeds? Why, they are vipers: is love a[1583][1584] 125 generation of vipers? Sweet lord, who's afield to-day?[1583][1585] Par. Hector, Deiphobus, Helenus, Antenor, and all the gallantry of Troy: I would fain have armed to-day, but[1586] my Nell would not have it so. How chance my brother Troilus went not? 130 Helen. He hangs the lip at something: you know all, Lord Pandarus. Pan. Not I, honey-sweet queen. I long to hear how they sped to-day. You'll remember your brother's excuse? Par. To a hair. 135 Pan. Farewell, sweet queen. Helen. Commend me to your niece. Pan. I will, sweet queen. [Exit.

[A retreat sounded.[1587]

Par. They're come from field: let us to Priam's hall,[1588] To greet the warriors. Sweet Helen, I must woo you 140 To help unarm our Hector: his stubborn buckles, With these your white enchanting fingers touch'd,[1589] Shall more obey than to the edge of steel Or force of Greekish sinews; you shall do more Than all the island kings,—disarm great Hector. 145 Helen. 'Twill make us proud to be his servant, Paris;[1590] Yea, what he shall receive of us in duty Gives us more palm in beauty than we have, Yea, overshines ourself. Par. Sweet, above thought I love thee. [Exeunt.[1591] 150

Notes in this chapter

Note 1 · Act iii. Scene i.] Rowe. Troy.] Rowe. A room ...] Capell. Paris's Apartments in the Palace. Theobald. Enter ...] Ff. Enter Pandarus. Q.Note 2 · you not] Q. not you Ff.Note 3 · Serv.] Ser. Ff. Man. Q (and throughout the scene).Note 4 · I mean?] Ff. I meane. Q.Note 5 · noble] Ff. notable Q.Note 6 · You are] Are you Hanmer. grace.] Warburton. grace? Q Ff.Note 7 · titles] Q F3 F4. title F1 F2. [Music within.] Capell. Musicke sounds within. Ff (after Exeunt, at the end of the previous Act). Omitted in QNote 8 · but] om. Pope (ed. 2).Note 9 · friend] om. Q.Note 10 · too ... art too] Ff. to ... to Q.Note 11 · who is] Q. who's Ff.Note 12 · invisible] visible Hanmer. invincible Becket conj.Note 13 · soul.] soul,—Edd. (Globe Ed.)Note 14 · not you] Q. you not Ff.Note 15 · that] Ff. om. Q.Note 16 · Cressida] Ff. Cressid Q.Note 17 · there's] Ff. theirs Q.Note 18 · Enter Paris....] Theobald. Enter Paris and Hellen. Q. Enter ... Helena. Ff.Note 19 · lord] Q F4. L. F1 F2 F3.Note 20 · broke] Q F1. broken F2 F3 F4.Note 21 · Nell, he] Nel, (in italics) he F1 F4. Nel. (in italics) he Q F2 F3. Hel. He Anon. conj.Note 22 · in fits] in jest Heath conj. it fits Nares conj.Note 23 · hear] heare Ff. here Q.Note 24 · Go to ... you] As prose first by Capell. Two lines in Q Ff.Note 25 · You shall ... head] As prose first by Hanmer. Two lines in Q Ff.Note 26 · i' faith.] I faith— Q Ff.Note 27 · And ... offence] Continued to Pandarus by Hanmer. Given to Paris by Capell.Note 28 · Pan. Nay ... excuse.] Q Ff. Nay ... no, no— Pan. And ... excuse. Rowe. Hel. Nay ... no, no. Paris. And ... excuse. Capell.Note 29 · supper, you] super. You Q. his] Q F1 F4. this F2 F3.Note 30 · queen, my] Queenem, y Q.Note 31 · Par.] Pan. Steevens (1778). where] were F2.Note 32 · Pan. What ... Cressida.] Pan. What ... queen? Par. [To Helen.] My ... you. Pan. [To Paris.] You ... sups. Helen. I'll ... deposer Cressida. Note 33 · My ... you.] Transposed by Capell to follow twain, line 95. My ... sups.] Par. My ... you. Pan. You ... sups. Thirlby conj.Note 34 · You ... sups.] Continued to Pandarus by Hanmer. Given to Helen in Q Ff. Hel. You must know ... sups. Johnson (1771).Note 35 · Par.] Q F1 F3 F4. Pan. F2. Helen Rann (Steevens conj.) I'll lay my life] Q. Omitted in Ff. my disposer] his disposer Pye conj.Note 36 · disposer] dispouser Warburton. deposer Rann (Steevens conj.) despiser Malone conj. dispraiser Collier (Collier MS.)Note 37 · make] Ff. makes Q. make's Capell conj.Note 38 · poor disposer's] Ff. disposers Q.Note 39 · spy.] spie. Ff. spie? Q. spy— Rowe.Note 40 · instrument. Now] Johnson. instrument, now Q. instrument now F1 F2 F3. instrument now, F4.Note 41 · done.] F3 F4. done? Q F1 F2.Note 42 · horribly] Q. horrible Ff.Note 43 · twain.] tawine. Q. twain.—My cousin will fall out with you. Capell.Note 44 · now. By] now: by Ff. now by Q. lord] Ff. lad Q.Note 45 · may.] Q Ff. may— Rowe.Note 46 · In good ... so] Ff. Omitted in Q. [Sings.] Song. Capell. om. Q Ff.Note 47 · Love ... more!] As prose by Johnson. As part of the Song in Q Ff. still more] Ff. still love, still more Q (followed by Johnson).Note 48 · For, O, ... doe] Two lines in Ff. One in Q.Note 49 · buck] bucke Q F1. both bucke F2 F3 F4.Note 50 · The ... wounds] As in Pope. One line in Q Ff.Note 51 · shaft confounds,] Johnson. shafts confound Q. shaft confounds Ff.Note 52 · Oh! oh!] Oh ho Q Ff.Note 53 · Yet ... kill] But that which seems to kill Johnson conj. the wound] Q F1. they wound F2 F3 F4. a wound Collier MS.Note 54 · turn] turn, Pope.Note 55 · Heigh-ho!] As prose first by Rann. As part of the song in Q Ff.Note 56 · doves, love] doves' liver Anon. conj.Note 57 · is] are Rowe.Note 58 · Pan. Is ... to-day?] Hel. Is ... vipers? Pan. Sweet ... to-day? Ritson conj.Note 59 · deeds?] Rowe. deedes, Q Ff. deeds,— Capell.Note 60 · who's afield] Rowe. who's a field F4. whose a field Q F1 F2 F3.Note 61 · to-day] to-night Reed (1803, 1813, 1821).Note 62 · [Exit.] Rowe. om. Q Ff. [A retreat sounded.] Capell. Sound a retreat. Q Ff.Note 63 · They're] Ff. Their Q. field] Ff. the field Q.Note 64 · these] Ff. this Q.Note 65 · his] Q F1. your F2 F3 F4.Note 66 · Par.] Q. Omitted in Ff. Sweet, above ... thee.] Pope. Sweete, above ... thee. Ff. Sweet above ... her? Q. Sweet, above thought, I love thee.
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