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Rules and Examples of Perspective proper for Painters and Architects, etc.

Twenty-sixth Figure.

John James translation

The Tuscan Entablature in Perspective.

Illustration from Rules and Examples of Perspective proper for Painters and Architects, etc. In English and Latin: Containing a most easie and expeditious method to delineate in perspective all designs relating to architecture

After Capitals we proceed to Entablatures, which because they are square, are less difficult than the former. And of all Entablatures, that of the Tuscan Order is the most simple and easie to be put in execution. From the Geometrical Upright is drawn, as usual, the Geometrical Plan; from the Plan put in Perspective is describ’d the Optick Elevation of the Length; and from both the latter is wrought the clean Entablature requir’d. You may observe, here are two Lines that terminate the Breadth of the Perspective on one side and the other. The Line which proceeds from the higher Corner of the Visual, gives the Height of the most advanc’d Part; that from the lower determines the Height of the Back-part. And so for the future.

Illustration from Rules and Examples of Perspective proper for Painters and Architects, etc. In English and Latin: Containing a most easie and expeditious method to delineate in perspective all designs relating to architecture

Fig. xxvii.

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