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Rules and Examples of Perspective proper for Painters and Architects, etc.

The Second Figure.

John James translation

Manner of delineating a Square in Perspective.

Illustration from Rules and Examples of Perspective proper for Painters and Architects, etc. In English and Latin: Containing a most easie and expeditious method to delineate in perspective all designs relating to architecture

Before the Square A, which is supposed to be drawn on a separate Paper, can be laid down in Perspective, two parallel Lines must be drawn; one of the Plan, the other of the Horizon, as is already intimated; noting in the Horizontal Line the Point of Sight O, and the Point of Distance E. Then, when the Length and Breadth of the Square A shall be transferr’d into the Line of the Plan, so that the Line CB be equal to the Breadth, and DC be equal to the Length, let the visual Lines BO, CO be drawn from the Points B and C to the Point of Sight O, and the right Line DE from the Point D to the Point of Distance. Lastly, where the Line DE cuts the Visual CO, make GF parallel to CB: and you have the Square Optically contracted, or fore-shorten’d in Perspective.

To spare Time and Pains, especially in Figures that abound in Lines, fold your Paper in the middle, and make use of it to transfer the Breadth and Length of the Square, into the Line of the Plan.

Illustration from Rules and Examples of Perspective proper for Painters and Architects, etc. In English and Latin: Containing a most easie and expeditious method to delineate in perspective all designs relating to architecture

FIG. III.

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