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The Kathá Sarit Ságara

Volume 2 / Book 1 — Chapter I.

C. H. (Charles Henry) Tawney translation

May the dark neck of Śiva, which the god of love has, so to speak, surrounded with nooses in the form of the alluring looks of Párvatí reclining on his bosom, assign to you prosperity.

The first book in my collection is called Kathápíṭha, then comes Kathámukha, then the third book named Lávánaka, then follows Naraváhanadattajanana, and then the book called Chaturdáriká, and then Madanamanchuká, then the seventh book named Ratnaprabhá, and then the eighth book named Súryaprabhá, then Alankáravatí, then Śaktiyaśas, and then the eleventh book called Velá, then comes Śaśánkavatí, and then Madirávatí, then comes the book called Pancha followed by Mahábhisheka, and then Suratamanjarí, then Padmávatí, and then will follow the eighteenth book Vishamaśíla.

This book is precisely on the model of that from which it is taken, there is not even the slightest deviation, only such language is selected as tends to abridge the prolixity of the work; the observance of propriety and natural connexion, and the joining together of the portions of the poem so as not to interfere with the spirit of the stories, are as far as possible kept in view: I have not made this attempt through desire of a reputation for ingenuity, but in order to facilitate the recollection of a multitude of various tales.

Then Śiva wishing to flatter her, began by telling her a very short story, referring to her own divine power.

“Then that god Náráyaṇa craved a boon of me, saying—Oh revered one, may I become devoted to thy service! Then he became incarnate, and was born as mine in thy form; for thou art the same as Náráyaṇa, the power of me all-powerful.

“Moreover thou wast my wife in a former birth.” When Śiva had thus spoken, Párvatí asked, “How can I have been thy wife in a former birth?” Then Śiva answered her. “Long ago to the Prajápati Daksha were born many daughters, and amongst them thou, O goddess! He gave thee in marriage to me, and the others to Dharma and the rest of the gods. Once on a time he invited all his sons-in-law to a sacrifice. But I alone was not included in the invitation; thereupon thou didst ask him to tell thee why thy husband was not invited. Then he uttered a speech which pierced thy ears like a poisoned needle; ‘Thy husband wears a necklace of skulls; how can he be invited to a sacrifice?’

“And then thou, my beloved, didst in anger abandon thy body, exclaiming,—‘This father of mine is a villain; what profit have I then in this carcase sprung from him?’

Notes in this chapter

Note 1 · Dr. Brockhaus explains this of Gaṇeśa, he is probably associated with Śiva in the dance. So the poet invokes two gods, Śiva and Gaṇeśa, and Note 2 · Śítkára a sound made by drawing in the breath, expressive of pleasure.Note 3 · There is a double meaning: padártha also means words and their meanings.Note 4 · Possibly the meaning is that the mountain covers many thousand yojanas.Note 5 · This mountain served the gods and Asuras as a churning stick at the churning of the ocean for the recovery of the Amṛita and fourteen other Note 6 · Śiva himself wears a moon’s crescent.Note 7 · The Sanskrit word Asti meaning “thus it is” is a common introduction to a tale.Note 8 · The linga or phallus is a favourite emblem of Śiva. Flame is one of his eight tanus or forms.Note 9 · He was burnt up by the fire of Śiva’s eye.Note 10 · Compare Kumára Sambhava Sarga V, line 86.Note 11 · Reading tatsanchayáya as one word. Dr. Brockhaus omits the line. Professor E. B. Cowell would read priyam for priye.Note 12 · One of Śiva’s favourite attendants.Note 13 · Attendants of Śiva, presided over by Gaṇeśa.Note 14 · For the ativiníta of Dr. Brockhaus’s text I read aviníta.Note 15 · Pramatha, an attendant on Śiva.Note 16 · Kauśámbí succeeded Hastinápur as the capital of the emperors of India. Its precise site has not been ascertained, but it was probably somewhNote 17 · A tree of Indra’s Paradise that grants all desires.Note 18 · May that victor of obstacles,1 who after sweeping away the stars with his trunk in the delirious joy of the evening dance, seems to create oNote 19 · After worshipping the goddess of Speech, the lamp that illuminates countless objects,3 I compose this collection which contains the pith of Note 20 · There is a mountain celebrated under the name of Himavat, haunted by Kinnaras, Gandharvas, and Vidyádharas, a very monarch of mighty hills, Note 21 · “Once on a time7 Brahmá and Náráyaṇa roaming through the world in order to behold me, came to the foot of Himavat. Then they beheld there inNote 22 · “And thereupon in wrath I destroyed that sacrifice of Daksha. Then thou wast born as the daughter of the mount of snow, as the moon’s digit Note 23 · “The gods are supremely blessed, men are ever miserable, the actions of demigods are exceedingly charming, therefore I now proceed to relateNote 24 · Having heard this, the goddess exceedingly enraged caused Pushpadanta to be summoned, and cursed him, as he stood trembling before her, sayiNote 25 · Then Pushpadanta wandering on the earth in the form of a man, was known by the name of Vararuchi and Kátyáyana. Having attained perfection iNote 26 · “Long ago when all things had been destroyed at the end of a Kalpa, the universe became water: I then cleft my thigh and let fall a drop of
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