Motion pictures, 1912-1939, W — Read Online

THE W PLAN. Burlington. 1930. 10 reels, sd. From the novel by Graham Seton [pseud. of Graham Seton Hutchison].

Credits: Supervision, Graham Seton; director, Victor Saville.

THE WACKY FAMILY. (An Educational Mirthquake Comedy) Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Director, William Watson; story, David Freedman.

WADE BRENT PAYS. Released through General Film Co. 1914. 1 reel.

Credits: Director, F. J. Grandon.

WADING BIRDS. 1931. 1 reel.

THE WAFFLE IRON. SEE Are All Men Alike?

THE WAG LADY. SEE The Girl from Outside.

THE WAGER. 1916. For Metro program. 5 reels.

Credits: Written and directed by George D. Baker.

WAGES FOR WIVES. 1925. 7 reels, tinted. From the play by Guy Bolton.

Credits: Director, Frank Borzage; scenario, Kenneth B. Clarke.

WAGES NO OBJECT. Metro-Drew. 1917. 1 reel.

Credits: Written and directed by Mr. and Mrs. Sidney Drew.

THE WAGES OF SIN. 1914.

THE WAGES OF SIN. 1938. 8 reels, sd.

Credits: Producer, William Kent; director, Herman E. Webber; editor, Robert Jahns.

WAGES OF VIRTUE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels. From the novel by Percival Wren.

Credits: Producer and director, Allan Dwan; adaptation, Forrest Halsey.

A WAGGIN' TALE. Released by Film Booking Offices of America. 1923. 2 reels.

Credits: Director, Carter De Haven; story, Monty Brice; scenario, Walter MacNamara.

THE WAGON MASTER. Jewel. 1929. 6 reels.

Credits: Director, Harry J. Brown; story, Marion Jackson.

THE WAGON SHOW. Presented by Charles R. Rogers. 1927. 7 reels.

Credits: Producer, Charles R. Rogers; director, Harry J. Brown; screen story, Ford I. Beebe; film editor, Fred Allen.

WAGON TRACKS. 1919. 5 reels.

Credits: Director, Lambert Hillyer; story, C. Gardner Sullivan.

WAGON WHEELS. Presented by Adolph Zukor. 1934. 6 reels, sd. From the story "Fighting Caravans" by Zane Grey.

Credits: Director, Charles Barton; screenplay, Jack Cunningham; adaptation, Charles Logue, Carl A. Buss.

WAIF OF THE WILDERNESS. (Bobbie Nelson Featurette) 1929. 2 reels.

Credits; Director, Jack Nelson.

Credits: Scenario, J. G. Hawks, Thos. H. Ince.

THE WAIFS. 1916. 5 reels.

Credits: Director, Albert Parker; story, Grace Sartwell Mason; scenario, Frank Leon Smith.

WAIFS OF THE SEA. 1915. 1,000 ft.

Credits: William Addison Lathrop; director, Frank McGlynn.

A WAIF'S WELCOME. (Rainbow Parade Cartoon, no. 9) 1936. 1 reel.

Credits: Director, Tom Palmer.

WAIKIKI WEDDING. Presented by Adolph Zukor. 1937. 10 reels, sd.

Credits: Producer, Arthur Hornblow; director, Frank Tuttle; story, Frank Butler, Don Hartman; screenplay, Frank Butler, Don Hartman, Walter DeLeon, Francis Martin; film editor, Paul Weatherwax.

WAIT A BIT. (Stern Bros. Comedy) Century. 1926. 2 reels.

Credits: Director, Francis Corby; story, Tad Ross.

Credits: Director, William Bertram.

Credits: Director, James Horne; adaptation and scenario, H. Tipton Steck.

WAIT TILL THE SUN SHINES, NELLIE. 1932. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

WAITE HOYT WITH J. FRED COOTS IN A BATTERY OF SONGS. 1930. 1 reel, sd.

A WAITER'S WASTED LIFE. (Sunshine Comedy) 1918. 2 reels.

Credits: Henry Lehman; directors, Jack White, William H. Watson.

WAITING. (A Hamilton Comedy) Educational Pictures. 1925. 2 reels.

Credits: Director, Stephen Roberts.

WAITING AROUND. 1938. 2 reels, sd.

Credits: Director, Lloyd French; story, Eddie Forman, Willi Weil.

WAITING AT THE CHURCH. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons-Moran.

A WAITING GAME. 1916. 18 min.

A WAITING MAID. (Star Comedy) 1921. 1 reel.

Credits: Director, James Clemens; story, Frank Roland Conklin; scenario, W. Scott Darling.

THE WAITING SOUL. 1917. For Metro. 5 reels. Based on the story by Marion Short.

Credits: Supervision, Aaron Hoffman; director, Burton L. King; scenario, Wallace C. Clifton.

920© Popular Plays and Players, Inc.; 31Mar17; LP10483.

WAJAN—SON OF THE WITCH. 1937. 6 reels.

Credits: Story, Friedrich Dalshein.

WAKE UP. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Albert Ray.

WAKE UP. Ford Motion Picture Laboratories. 1928. 3 reels.

WAKE UP AND DREAM. Presented by Carl Laemmle, 1934. 8 reels, sd.

Credits: Producer, B. F. Zeidman; director, Kurt Neumann; original story and screenplay, John Meehan, Jr.; film editor, Danny Mandell; music, Bernie Grossman, Jack Stern, Grace Hamilton.

WAKE UP AND LIVE. 1937. 10 reels, sd. Based on the book by Dorothea Brande.

Credits: Director, Sidney Lanfield; original story, Curtis Kenyon; screenplay, Harry Tugend, Jack Yellen; music director, Louis Silvers.

WAKE UP THE GYPSY IN ME. (Merrie Melodies, no. 9) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawings, Isadore Freleng, Larry Silverman; music score, Frank Marsales.

WAKING UP THE TOWN. 1925. 6 reels.

Credits: Story, James Cruze, Frank Condon.

THE WALK-OFFS. Screen Classics, Inc. 1920. 7 reels. From the play by Frederic and Fanny Hatton.

Credits: Supervision, Maxwell Karger; director, Herbert Blache; adaptation, June Mathis, A. P. Younger.

WALKING BACK. De Mille Studio. 1928. 6 reels. From the story "A Ride in the Country" by George Kibbe Turner.

Credits: Director, Rupert Julian; screenplay, Monte Katterjohn; film editor, Claude Berkeley.

WALKING BACK HOME. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, George Stevens, Fred Guiol; film editor, John Lockert.

THE WALKING DEAD. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 7 reels, sd.

Credits: Director, Michael Curtiz; story, Ewart Adamson, Joseph Fields; screenplay, Ewart Adamson, Peter Milne, Robert Andrews, Lillie Hayward.

WALKING DOWN BROADWAY. 1938. 6,224 ft., sd.

Credits: Director, Norman Foster; screenplay, Robert Chapin, Karen de Wolf; music director, Samuel Kaylin.

WALKING FISH. (Our World Today) 1929. 1 reel.

WALKING ON AIR. 1936. 8 reels, sd.

Credits: Producer, Edward Kaufman; director, Joseph Santley; story, Francis M. Cockrell; screenplay, Bert Kalmar, Harry Ruby, Viola Brothers Shore, Rian James; editor, George Hively; music director, Nathaniel Shilkret.

WALKING THE BABY. 1933. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, George N. Burns.

WALKING THE DOG. (As a Dog Thinks Series) Educational Pictures. 1933. 9 min.

Credits: Producer, Robert C. Bruce.

THE WALL BETWEEN. 1915. 1,000 ft.

Credits: Written and produced by Paul Powell.

THE WALL BETWEEN. 1916. 5 reels.

THE WALL NUT. (Star Comedy) 1922. 1 reel.

THE WALL OF FLAME. Special Imp. 1916. 1 reel.

THE WALL OF MONEY. Rex. 1916. 1 reel.

WALL STREET. 1930. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Roy William Heill; story, Paul Gangelin, Jack Kirkland; continuity and dialogue, Norman Houston; film editor, Roy Snyder.

WALL STREET COWBOY. 1939. 7 reels, sd.

Credits: Associate producer and director, Joseph Kane; original story, Doris Schroeder; screenplay, Gerald Geraghty, Norman Hall; film editor, Lester Orlebeck; music director, Cy Feuer.

Credits: Director, Tom Collins; story, Pierce Kingsley.

THE WALL STREET WHIZ. Released by F. B. O. 1925. 5 reels.

Credits: Producer, Richard Talmadge; director, Jack Nelson; story and continuity, James Bell Smith.

WALLABY JIM OF THE ISLANDS. Presented by Edward L. Alperson. 1937. 7 reels, sd.

Credits: Producer, Bud Barsky; director, Charles Lamont; story, Albert Richard Wetjen; screenplay, Bennett Cohen, Houston Branch; film editor, Guy Thayer; music director, Arthur Kaye.

WALLACE FORD IN ABSENT-MINDED. 1930. 1 reel.

WALLACE FORD IN FORE. 1930. 1 reel.

THE WALLFLOWER. 1922. 6 reels.

Credits: Written and directed by Rupert Hughes.

WALLFLOWERS. 1928. 7 reels. From the novel by Temple Bailey.

Credits: Director, Leo Meehan; adaptation, Dorothy Yost.

THE WALLOP. 1921. 5 reels.

Credits: Producer, Jack Ford; story, Eugene Manlove Rhodes; scenario, George C. Hull.

A WALLOPING TIME. Victor. 1917. 1 reel.

Credits: Story and direction, Ruth Stonehouse; scenario, Fred Myton.

Credits: Director, Richard Thorpe.

Credits: Producer, John L. Hawkinson.

WALLS AND WALLOPS. 1916. 1 reel.

Credits: Director, Lawrence Semon.

WALLS OF GOLD. 1933. 6,657 ft., sd. From the novel by Kathleen Norris.

Credits: Director, Kenneth MacKenna; screenplay, Lester Cole; adaptation, Wallace Sullivan, Edmond Seward; music, Samuel Kaylin.

THE WALLS OF JERICHO. 1914. 5 reels. Adapted from the play by Alfred Sutro.

Credits: Picturized by Lloyd Carlton.

WALLS TELL TALES. 1928. 2 reels.

Credits: Irvin S. Cobb; director, Edmund Lawrence; scenario, Adeline Leitzbach.

WALPURGIS NIGHT. (Kendall-de Vally Operalogue) Released by Educational Film Exchanges, Inc. 1932. 20 min., sd. Suggested by "Faust" by Johann Wolfgang von Goethe.

Credits: Arranged and supervised by Antoine de Vally; director, Howard Higgin.

WALT KUHN'S ADVENTURES IN ART—LEARNING TO SEE. 1939. 1 reel.

Credits: Conceived and directed by Walt Kuhn.

921© Walt Kuhn; 9Sep39; MP9639.

WALT ROESNER [IN] SONGS: ANGELA MIA AND HOTTEST MAN IN THE BAND. (Movietone Act) 1928. 1 reel.

WALTER C. KELLY—THE VIRGINIA JUDGE. (Metro Movietone Act) 1929. 1 reel, sd.

WALTER DONALDSON. 1933. 1 reel, sd.

Credits: Director. Roy Mack.

WALTER FUTTER'S CURIOSITIES SERIES. SEE Curiosities, the Movie Sideshow.

WALTER WANGER'S VOGUES OF 1938. 1937. 12 reels, sd., color.

Credits: Producer, Walter Wanger; director, Irving Cummings; original screenplay, Samuel and Bella Spewack; film editors, Otho Lovering, Dorothy Spencer; music director, Boris Morros.

WALTER WEEMS & CO. IN THE AUTHOR. 1928. 1 reel, sd.

A WALTZ DREAM. U. F. A. 1926. 8 reels. From the operetta by Oscar Straus.

Credits: Director, Ludwig Berger; scenario, Robert Liebman, Norbert Falk; titles, Marian Ainslee, Ruth Cummings; film editor, Ben Lewis.

THE WALTZ DREAM. SEE The Smiling Lieutenant.

WALTZ IN A FLAT MAJOR. (Musical Moods) 1934. 1 reel, sd. Based on the musical score by Johannes Brahms.

WALTZ TIME IN VIENNA (WALZERKRIEG). 1933. 10 reels, sd. Based on the life of Johann Strauss.

Credits: Producer, Guenther Stapenhorst; director, Ludwig Berger; music, Johann Strauss, Joseph Lanner; music director, Aloys Melichar.

WALTZING AROUND. 1929. 4 reels, sd., b&w.

Credits: Director, Harry Sweet; story and scenario, Paul Gerard Smith.

WALZERKRIEG. SEE Waltz Time in Vienna.

Credits: Producer, Colin Campbell.

THE WANDERER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 8,173 ft. From the play by Maurice V. Samuels.

Credits: Producer and director, Raoul Walsh; screenplay, James T. O'Donohoe.

WANDERER OF THE WASTELAND. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 5,755 ft., color. From the story by Zane Grey.

Credits: Director, Irvin Willat; screenplay, George C. Hull, Victor Irvin.

THE WANDERER OF THE WASTELAND. Presented by Adolph Zukor. 1935. 7 reels, sd. From the novel by Zane Grey.

Credits: Producer, Harold Hurley; director, Otho Lovering; screenplay, Stuart Anthony; film editor, Everett Douglass.

THE WANDERERS. 1915. 3 reels.

Credits: Director, William Wolbert.

WANDERERS OF THE ARABIAN DESERTS. 1929. 1 reel.

Credits: Edited by Dept. of Anthropology, Harvard University.

WANDERERS OF THE WAISTLINE. (A Standard Fat Man Comedy) Released by F. B. O. Pictures Corp. 1927. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

THE WANDERER'S PLEDGE. 1915. 1 reel.

WANDERING BILL. 1915.

WANDERING DAUGHTERS. First National. 1923. 6 reels. Adapted from the story by Dana Burnet.

Credits: Production, scenario, and direction, James Young.

WANDERING FIRES. 1925. 6 reels.

Credits: Producer and director, Maurice Campbell; story, Warner Fabian.

WANDERING FOOTSTEPS. 1925. 6 reels. From the novel "A Wise Son" by Charles Sherman.

Credits: Director, Phil Rosen; continuity, Hope Loring, Louis Duryea Leighton.

WANDERING GIRLS. 1927. 6 reels.

Credits: Director, Ralph Ince; story, Dorothy Howell.

THE WANDERING HORDE. 1916. 3 reels.

Credits: James Oliver Curwood; producer, Eugene Mullin; picturized by Joseph F. Poland.

WANDERING HUSBANDS. 1924. 6 reels.

Credits: C. Gardner Sullivan; director, William Beaudine.

THE WANDERING JEW. SEE

Morok.

The Standard Bearer of the Jewish People.

THE WANDERING MINSTREL. 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

THE WANDERLUST. 1930. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Kay Richard Cameron.

WANDERLUST. 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

THE WANING SEX. 1926. 7 reels. From the play by Frederic and Fanny Hatton.

Credits: Director, Robert Z. Leonard; adaptation and continuity, F. Hugh Herbert; titles, Joe Franham; film editor, William Le Vanway.

WANNA BE A MODEL? Presented by E. W. Hammons. 1938. 1,455 ft., sd.

Credits: Producer, Al Christie; story, Jefferson Machamer.

WANTA MAKE A DOLLAR? Joker. 1917. 1 reel.

Credits: Director, W. W. Beaudine; story, Jack Cunningham.

WANTED A BLEMISH. SEE An Amateur Devil.

WANTED A BRIDE. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

WANTED, A BURGLAR. 1913. 1 reel.

Credits: William H. Kitchell.

WANTED—A CHAPERONE. Nestor. 1915. 2 reels.

WANTED—A COWARD. Presented by Banner Productions, Inc. 1927. 6 reels.

Credits: Director, Roy Clements; story, Vincent Starrett.

WANTED—A HOME. 1916. 5 reels.

Credits: Producers, The Smalleys; story, Lois Weber.

WANTED A HOUSE. 1914. 1 reel.

Credits: Director, Lee Beggs.

WANTED—A HUSBAND. Nestor. 1916. 1 reel.

Credits: Al. E. Christie; producer, Horace Davey.

WANTED—A HUSBAND. 1919. 5 reels. Based on the story "Enter Darcy" by Samuel Hopkins Adams.

922Credits: Director, Lawrence Windom; scenario, Clara S. Beranger.

WANTED—A LEADING LADY. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

WANTED A MAN. SEE Daphne Pollard, the English Comedienne, in Wanted a Man.

WANTED A MASTER. (A Pete Smith Specialty) 1936. 1 reel, sd., b&w.

Credits: Directors, Gunther von Fritsch, Arthur Ornitz.

Credits: Director, Harley Knoles; story, Julia Burnham; scenario, Virginia Tyler Hudson.

WANTED, A NURSE. 1914. 1 reel.

Credits: Director, Sidney Drew.

WANTED A PIANO TUNER. Joker. 1916. 1 reel.

WANTED AT HEADQUARTERS. 5 reels. 1920.

Credits: Director, Stuart Paton; story, Edgar Wallace; scenario, Wallace Clifton.

WANTED BY THE POLICE. 1938. 6 reels, sd.

Credits: Supervision, Lindsley Parsons; director, Howard Bretherton; story, Donn O'Mullaly, Sally Sandlin; screenplay, Wellyn Totman.

WANTED FOR MURDER. Presented by Harry Rapf. 1918. 6 reels.

Credits: Director, Frank H. Crane; story, S. Jay Kaufman; scenario, Coolidge Streeter.

WANTED! JANE TURNER. 1936. 7 reels, sd.

Credits: Julius Klein; associate producer, Cliff Reid; director, Edward Killy; story, John Twist, Edmund L. Hartmann; screenplay, John Twist; film editor, Ted Chessman.

WANTED: NO MASTER. (An M. G. M. Cartoon) Presented by Metro-Goldwyn-Mayer. 1939. 736 ft., sd., sepia.

Credits: Milt Gross; music, Elbert C. Lewis.

THE WANTERS. 1923. 7 reels. From the story by Leila Burton Wells.

Credits: Producer and director, John M. Stahl; scenario, J. G. Hawks, Paul Bern.

WAPI, THE WALRUS. SEE Back to God's Country.

WAR. 1915. 2 reels.

Credits: Director, George Baker.

WAR BABIES. (Baby Burlesks) 1932. 11 min., sd.

Credits: Producer, Jack Hays; director, Charles Lamont.

A WAR BABY. 1914. 2 reels.

A WAR BRIDE. (Aesop) 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

THE WAR BRIDE OF PLUMVILLE. 1916. 3 reels.

Credits: Charles Michelson; director, Fred E. Wright.

THE WAR BRIDEGROOM. Nestor. 1917. 1 reel.

Credits: Director, Roy Clements; story and scenario, Frederick A. Palmer.

WAR BRIDES. 1916. For Selznick-Pictures. 8 reels.

Credits: Marion Craig Wentworth; producer and director, Herbert Brenon.

THE WAR BRIDE'S SECRET. 1916. For Fox Film Corp. 6 reels.

Credits: Director, Kenean Buel; scenario, Mary Murillo.

WAR CORRESPONDENT. 1932. 8 reels, sd.

Credits: Director, Paul Sloane; story, Keene Thompson; adaptation, Jo Swerling.

THE WAR HORSE. 1927. 5 reels.

Credits: Story, Buck Jones; scenario and direction, Lambert Hillyer.

WAR IN CHINA. Presented by Educational Pictures. 1932. 2 reels.

Credits: Producers, Leon Britton, Charles Hugo; narrator, John G. Young; editor, Forrest Izard.

WAR IN MEXICO. Rex. 1916. 1 reel.

WAR IN THE DARK. SEE The Mysterious Lady.

WAR MAMAS. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, Marshall Neilan; editor, Richard Currier.

WAR NURSE. 1930. 9 reels, sd., b&w.

Credits: Director, Edgar Selwyn; continuity Becky Gardiner; dialogue, Becky Gardiner and Joe Farnham; film editor, William Le Vanway.

THE WAR O' DREAMS. 1915. 3 reels.

Credits: Director, E. A. Martin.

WAR OF THE AMERICAN REVOLUTION. 1920. 1 reel.

THE WAR OF THE TONGS. Red Feather. 1917. 5 reels. Story by a Chinese dramatist, directed by a Chinese producer under supervision of Universal's director-general.

THE WAR OF THE WILD. Bison. 1915. 2 reels.

Credits: Written and produced by Henry McRae.

Credits: Paul M. Potter.

THE WAR OF WEALTH. 1914. 3 reels.

THE WAR OF WEALTH. 1916. 3 reels.

WAR PAINT. 1926. 6 reels.

Credits: Director, W. S. Van Dyke; story, Peter B. Kyne; continuity, Charles Maigne; titles, Joe Farnham.

Credits: Producer, Glen R. Carrier.

WAR-RIDDEN MEXICO. Rex Special. 1916. 1 reel.

THE WAR WAIF. 1917. 2 reels.

Credits: Director, Allen J. Holubar; story, Grace Helen Bailey; scenario, Maie Havey.

923© Mullin & Fisher; title & 27 prints, 1Jun14; descr., 8Jun14; LU2838.

THE WARD OF THE MISSION. 1915. 1 reel.

WARDROBE GIRL. (Broadway Brevity) 1939. 20 min., sd.

Credits: Cyrus D. Wood, Eddie Forman; director, Roy Mack.

THE WARDROBE WOMAN. 1915. 1 reel.

Credits: Director, Theodore Marston.

WARD'S CLAIM. 1914. 1 reel.

Credits: Director, Ulysses Davis.

THE WARE CASE. 1928. 7 reels.

Credits: Director, Manning Haynes; story, George Pleydell Bancroft; screenplay, Lydia Hayward.

WARFARE IN THE SKIES. 1914. 2 reels.

Credits: Director, Frederick A. Thomson.

WARING'S PENNSYLVANIANS, FRED WARING, DIRECTOR, SINGING I LOVE THE COLLEGE GIRLS [and others]. 1927. 1 reel, sd.

WARING'S PENNSYLVANIANS, FRED WARING, DIRECTOR, SOLO SINGING, ENSEMBLE SINGING, AND COMEDY BITS: SLEEP [and others]. 1927. 1 reel, sd.

THE WARMAKERS. 1913. 2 reels.

Credits: Directors, Maurice Costello, Robert Gaillord.

WARMING UP. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 8 reels.

Credits: Producer and director, Fred Newmeyer; story, Sam Mintz; adaptation and screenplay, Ray Harris.

THE WARNING. 1915. 5 reels.

THE WARNING. 1927. 6 reels.

Credits: Producer, Harry Cohn; direction, adaptation, and continuity, George B. Seitz; story, Lilian Ducey, H. Milner Kitchin.

A WARNING FROM THE PAST. 1914. 2 reels.

Credits: Bannister Merwin.

WARREN DOANE'S BREVITIES. 1933. 2 reels, sd.

Credits: Direction and story, James W. Horne.

Credits: Director, Cecil B. De Mille.

THE WARRENS OF VIRGINIA. 1924. 7 reels.

Credits: Director, Elmer Clifton; story, William De Mille.

THE WARRIOR'S BRIDE. Big U. 1917. 1 reel.

THE WARRIOR'S HUSBAND. 1933. 6,703 ft., sd. Based on the play by Julian Thompson.

Credits: Director, Walter Lang; adaptation and dialogue, Ralph Spence; editor, Ralph Dietrich.

WARRIORS OF THE AIR. Powers. 1916. 1/2 reel.

WAR'S WOMEN. 1915. 5 reels.

THE WART ON THE WIRE. Joker. 1917. 1 reel.

Credits: Tom Gibson, C. B. Hoadley; director, Allen Curtis.

WAS HIS DECISION RIGHT. 1914. 2 reels.

Credits: Director, Charles Hutchison; story, Forrest Sheldon; scenario, John Francis Natteford.

WAS IT HER DUTY? 1915. 1,000 ft.

Credits: Margaret Turner; director, James W. Castle.

WAS SHE A VAMPIRE? Powers. 1915. 1 reel.

Credits: Producer, Al. Hale; story, George E. Hall; scenario, H. G. Stafford.

WASHDAY. (Aesop's Film Fables) 1929. Presented by the Van Beuren Corp. 1 reel.

Credits: Paul Terry, Mannie Davis.

A WASH LINE ROMANCE. (A Laemmle Novelty) Snappy. 1928. 1 reel.

Credits: Director, Jacques Rollens.

WASH YOUR STEP. (Broadway Brevities) 1936. 21 min., sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, George Bennett.

WASHEE IRONEE. (Hal Roach Comedy) (Our Gang Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, James Parrott; film editor, Louis McManus.

THE WASHERWOMAN'S WAR. 1919. 2 reels.

Credits: Director, Otto Lederer; story, Alfred Henry Lewis.

WASHINGTON AND HIS COLLEAGUES. SEE Alexander Hamilton.

WASHINGTON AND HIS COMRADES AT ARMS. SEE Yorktown.

WASHINGTON, D. C., THE CAPITAL CITY. (Ford Educational Library, Regional Geography) Ford Motion Picture Laboratories. 1922. 1 reel.

WASHINGTON IN VIRGINIA. (World on Parade Series, no. 2) 1936. 1 reel, sd.

Credits: Text, Harold McCracken; narration, Alois Havrilla.

THE WASHINGTON MASQUERADE. 1932. 9 reels, sd., b&w. Based on "The Claw" by Henry Bernstein.

Credits: Director, Charles Brabin; continuity and dialogue, John Meehan; film editor, Ben Lewis; music, William Axt.

WASHINGTON MERRY-GO-ROUND. 1932. 8 reels, sd.

Credits: Director, James Cruze; story, Maxwell Anderson; screenplay, Joe Swerling; film editor, Richard Cahoon.

THE WASHINGTON PARADE. 1938. 1 reel, sd.

Credits: Story, Harry Newman; described by Dan Seymour.

WASHINGTON—THE CAPITAL CITY. 1930. 985 ft.

WASHINGTON, THE NATION'S CAPITAL. 1935. Issues 1-2. 1 reel each.

THE WASP. (Selig Blue Flame Detective Drama) 1914. 1 reel.

Credits: Producer, Edw. J. Le Saint.

Credits: Director, Lionel Belmore; story, Willard Mack.

924© World Film Corp. (Willard Mack, author); title, descr. & 185 prints, 19Feb18; LU12073.

WASTED LIVES. 1915. 3 reels.

Credits: Director, Theodore Marston.

WASTED LIVES. Mission Film Corp. 1923. 5 reels.

Credits: Director, Clarence H. Geldert.

WASTED LIVES. 1925. 6 reels.

Credits: Director, John Gorman; scenario, Van A. James; adaptation, Maude P. Kelso.

THE WASTER. SEE Youth.

WATCH, GEORGE! (Let George Do It Series) (Stern Brothers Comedy) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

WATCH MY SMOKE. 1929. 2 reels.

Credits: Director, Harry Edwards; scenario, Clarence Hennecke, Milton Carruth.

WATCH OUT! 1925. 2 reels.

Credits: Director, Mark Goldaine.

WATCH OUT. (Bobbie Vernon Comedies) Educational. 1925. 2 reels.

Credits: Director, William Watson.

WATCH THE BIRDIE. (A Buster Brown Comedy) 1928. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Samuel Newfield; story, Page Wright, William Weber.

WATCH THE BIRDIE. 1935. 2 reels, sd.

Credits: Director, Lloyd French; story, Dolph Singer, Jack Henley.

WATCH YOUR FRIENDS. 1929. 2 reels, sd.

Credits: Director, Dick Smith.

WATCH YOUR HUSBAND. 1920. 2 reels.

Credits: Director, Reggie Morris.

WATCH YOUR PEP. (Cameo Comedy) 1924. 1 reel.

WATCH YOUR STEP. 1922. 5 reels.

Credits: Director, William Beaudine; story and scenario, Julien Josephson.

WATCH YOUR STEP! (The Grantland Rice Sportlight) 1939. 1 reel, sd.

Credits: Producer, Jack Eaton.

Credits: Director, Albert Kelley; music director, Samuel Benavie.

WATCH YOUR WALLET. (Star Comedy) 1922. 1 reel.

Credits: Director, Craig Hutchinson; story and scenario, Hal Conklin.

WATCH YOUR WATCH, Nestor. 1918. 1 reel.

Credits: Charles J. Wilson, Jr.

WATCH YOUR WIFE. Universal-Jewel. 1926. 7 reels. From the novel by Gösta Segercranz.

Credits: Director, Svend Gade; scenario, Chas. E. Whittaker, Svend Gade.

THE WATCH DOG. 1931. 1 reel, sd.

THE WATCHDOG. SEE Dizzy Dames.

WATCHING THE WAYANGS. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

WATER. (General Science) 1937. Filmstrip.

Credits: Arranged and produced by Gerrit C. Zwart; drawings by Helen S. Zwart.

WATER BABIES. (Silly Symphony) 1935. 1 reel, sd.

WATER BUGS. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Hal Conklin.

WATER BUGS. (A Grantland Rice Sportlight) The Van Beuren Corp. 1931. 1 reel.

THE WATER CLUE. Laemmle. 1915. 1 reel.

Credits: Producer, Rupert Julian; scenario, Anthony Coldeway.

THE WATER CURE. 1929. 1 reel.

Credits: Paul Terry.

THE WATER CYCLE. 1928. 1 reel.

THE WATER HOLE. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 6,319 ft., sd., color. From the story by Zane Grey.

Credits: Producer and director, F. Richard Jones.

THE WATER JAMBOREE. (Grantland Rice's Sports-Eye-View, no. 2) 1932. 1 reel.

Credits: Director, Jack Eaton.

THE WATER LURE. (Grantland Rice Sportlight) 1933. 1 reel, sd.

WATER ON THE BRAIN. Nestor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

WATER POWER. 1928. 1 reel.

WATER POWER. 1937. 1 reel, sd.

WATER POWERS OF EASTERN CANADA. 1918. 1 reel.

WATER POWERS OF WESTERN CANADA. 1917. 1 reel.

WATER RODEO. (Sportlight) 1934. 1 reel, sd.

Credits: Narrator, Ted Husing.

WATER RUSTLERS. Presented by Grand National Pictures, Inc. 1939. 6 reels, sd.

Credits: Producer, Don Lieberman; director, Samuel Diege; original story, Lawrence Meade, Don Laurie; screenplay, Arthur Hoerl; editor, Guy V. Thayer, Jr.; music score, Ross Dimaggio; music supervision, Lee Zahler.

WATER SPORTS. (A Sports Parade Subject) 1935. 1 reel, sd., b&w.

Credits: Director, Ray McCarey; explanatory remarks, Pete Smith.

Credits: Producer, John L. Hawkinson.

THE WATER SUPPLY OF A GREAT CITY. (Ford Educational Library, Sanitation and Health) Ford Motion Picture Laboratories. 1923. 1 reel.

WATER THRILLS. (News World of Sports) 1935. 1 reel, sd.

Credits: Narrative, Jack Kofoed; described by Ford Bond.

WATER, WATER, EVERYWHERE. 1919. 5 reels. Founded on the novel "Billy Fortune" by William R. and Louis D. Lighton.

Credits: Director, Clarence G. Badger; scenario, Robert F. Hill.

925© Goldwyn Pictures Corp.; 31Dec19; LP14676.

WATER, WATER, EVERYWHERE. (The Grantland Rice Sportlight) 1937. 1 reel, sd.

Credits: Narrator, Ted Husing.

WATER WONDERS. (Grantland Rice Sportlight) Presented by the Van Beuren Corporation. 1929. 1 reel.

Credits: Jack Eaton.

WATERFRONT. 1928. 7 reels.

Credits: Producer, William A. Seiter; story. Will Chappell, Gertrude Orr; continuity, Tom Geraghty.

WATERFRONT. 1939. 6 reels, sd. From the play by Kenyon Nicholson.

Credits: Director, Terry Morse; screenplay, Lee Katz, Arthur Ripley.

WATERFRONT LADY. Presented by Nat Levine. 1935. 7 reels, sd.

Credits: Supervision, Colbert Clark; director, Joseph Santley; story and screenplay, Wellyn Totman; additional dialogue, Joseph Fields; film editor, Ray Curtiss.

WATERLOO BRIDGE. 1931. 9 reels. From the stage play by Robert E. Sherwood.

Credits: Director, James Whale; screenplay, Tom Reed; adaptation and added dialogue, Benn Levy.

THE WATERS OF LETHE. 1916. 3 reels.

Credits: Producer, William Wolbert.

WATER-TIGHT UNIT MASONRY. 1935. For the National Lime Association. 1 reel, sd.

WATERY GRAVEY. (Krazy Kat) 1926. 1 reel.

Credits: Bill Nolan.

WATTS AND GILBERT. 1927. 1 reel.

WAVE MOTION. 1931. 3 reels.

Credits: Producer, Frank Lisintzki.

THE WAX FIGURES. (A Laemmle Novelty) Snappy. 1928. 1 reel.

Credits: Director, Jacques Rollens; story, Sam B. Jacobson.

THE WAX MODEL. 1917. 5 reels.

Credits: G. Vere Tyler; director, E. Mason Hopper.

WAX WORKS. (An Oswald Cartoon) 1934. 1 reel.

THE WAY. SEE When Strangers Meet.

THE WAY BACK. 1914. 1 reel.

THE WAY BACK. 1915. 4,000 ft.

Credits: Mary Rider; director, Carlton King.

WAY BACK HOME. 1931. 9 reels, sd.

Credits: Director, William Seiter; story and screenplay, Jane Murfin.

'WAY DOWN EAST. 1920. 13 reels. From the novel by Lottie Blair Parker and the play by William A. Brady.

Credits: Producer, D. W. Griffith; scenario, Anthony P. Kelly; elaborated by Joseph R. Grismer.

'WAY DOWN EAST. Presented by Fox Film. 1935. 7,661 ft., sd. From the play by Lottie Blair Parker.

Credits: Director, Henry King; screenplay, Howard Estabrook, William Hurlbut; music director, Oscar Bradley.

WAY DOWN NORTH. 1920. 1 reel.

Credits: Director, Vin Moore.

WAY DOWN SOUTH. Presented by RKO Radio Pictures, Inc. 1939. 63 min. sd.

Credits: Producer, Sol Lesser; director, Bernard Vorhaus; original story and screenplay, Clarence Muse, Langston Hughes; film editor, Arthur Hilton; music director, Victor Young.

WAY DOWN SOUTH. SEE Mary Lewis in Way Down South.

WAY DOWN YONDER. Presented by E. W. Hammons. 1934. 1 reel, sd.

Credits: Producer, Al Christie; director, William Watson; story, Marcy Klauber, Charlie Williams.

WAY FOR A SAILOR. 1930. 9 reels, sd., b&w. From the book by Albert Richard Wetjen.

Credits: Producer, Sam Wood; scenario and dialogue, Laurence Stallings, W. L. River; additional dialogue, Charles MacArthur; film editor, Frank Sullivan.

THE WAY HE WON THE WIDOW. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

THE WAY HOME. 1914. 1 reel.

THE WAY OF A GIRL. Presented by Louis B. Mayer. 1925. 6 reels.

Credits: Producer and director, Robert G. Vignola; story, Katherine Newlin Burt; adaptation, Albert Shelby Le Vino.

THE WAY OF A MAID. 1921. 5 reels.

Credits: Director, William P. S. Earle; story, Rex Taylor; scenario, Lewis Allen Browne.

1. Into the Unknown. © title, descr. & 52 prints, 31Oct23; LU19554.

2. Redskin and White. © title, descr. & 40 prints, 14Dec23; LU19719.

3. In the Toils of the Torrent. © title, descr. & 34 prints, 14Dec23; LU19720.

4. Lost in the Wilds. © title, descr. & 38 prints, 14Dec23; LU19721.

5. White Medicine. © title, descr. & 39 prints, 14Dec23; LU19722.

6. The Firing Squad. © title, descr. & 40 prints, 20Feb24; LU19923.

7. Gold! Gold! © title, descr. & 40 prints, 20Feb24; LU19924.

8. The Fugitive. © title, descr. & 38 prints, 20Feb24; LU19925.

9. California. © title, descr. & 40 prints, 20Feb24; LU19926.

10. Trail's End. © title, descr. & 40 prints, 20Feb24; LU19927.

THE WAY OF A MAN WITH A MAID. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels. Based on The Saturday Evening Post story by Ida M. Evans.

Credits: Director, Donald Crisp; scenario, Edith M. Kennedy.

THE WAY OF A WOMAN. Select Pictures. Presented by Joseph M. Schenck. 1919. 5 reels. Adapted from the play "Nancy Lee" by Eugene Walter.

Credits: Director, Robert J. Leonard.

THE WAY OF A WOMAN'S HEART. 1915. 2 reels.

Credits: Director, Fred Beal.

THE WAY OF ALL FISH. (A Skylark Comedy) 1927. 2 reels.

Credits: Director, Craig Hutchinson.

THE WAY OF ALL FISH. 1931. 2 reels, sd.

Credits: Producer, Lou Brock; director, Mark Sandrich; story, Ned Sparks; adaptation and dialogue, Scott Darling, Mauri Grashin, Mark Sandrich; film editor, Ted Cheesman.

THE WAY OF ALL FLESH. 1927. 8,486 ft.

Credits: Director, Victor Fleming; story, Lajos Biro, Jules Furthman; continuity, Jules Furthman.

THE WAY OF ALL FRESHMEN. 1933. 2 reels, sd.

Credits: Director, Joseph Henabery; story. Jack Henley, Cliff Hess.

THE WAY OF ALL MEN. 1930. From the story "Sin Flood" by Henning Berger.

Credits: Producer, Frank Lloyd; screen version and dialogue, Bradley King.

THE WAY OF ALL MEN. Trailer. First National. 1930. 1 reel.

THE WAY OF ALL PANTS. Presented by Hal Roach. 1927. 2 reels.

Credits: Supervision, Leo McCarey; director, James Parrott; editor, Richard Currier.

926© Metro-Goldwyn-Mayer Distributing Corp.; 17Oct27; LP24507.

Credits: Producer, Hardee Kirkland.

THE WAY OF PATIENCE. 1916. 3 reels.

Credits: Charles J. McGuirk; director, L. C. Windom.

THE WAY OF THE REDMAN. 1914. 1,000 ft.

Credits: Written and produced by Tom Mix.

THE WAY OF THE STRONG. 1919. 5 reels. From the novel by Ridgewell Cullum.

Credits: Director-general, Maxwell Karger; director, Edwin Carewe; scenario, June Mathis, Finis Fox.

THE WAY OF THE STRONG. A Frank Capra production. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, Frank Capra; screenplay, William Counselman; continuity, Peter Milne.

THE WAY OF THE STRONG. SEE The Strong Way.

THE WAY OF THE TRANSGRESSOR. 1915. 3 reels.

Credits: Director, William Humphrey.

THE WAY OF THE WEST. 1924. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein; continuity, Carl Krusada.

THE WAY OF THE WORLD. Red Feather. 1916. 5 reels. From the play by Clyde Fitch.

Credits: Producer, L. B. Carleton; scenario, F. McGrew Willis.

THE WAY OUT. 1915. 1 reel.

Credits: Director, George Kelson; story, Jack O'Mara.

WAY OUT WEST. 1930. 8 reels, sd., b&w.

Credits: Director, Fred Niblo; story and continuity, Byron Morgan, Alfred Block; dialogue, Joe Farnham; film editor, William S. Gray.

WAY OUT WEST. Presented by E. W. Hammons. 1935. 944 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Marcy Klauber, Charles Williams.

WAY OUT WEST. (Hal Roach Feature Comedy) Presented by Hal Roach Studios. 1937. 7 reels, sd., b&w.

Credits: Producer, Stan Laurel; director, James W. Horne; original story, Jack Jevne, Charles Rogers; screenplay, Charles Rogers, Felix Adler, James Parrott; film editor, Bert Jordon; music director, Marvin Hatley.

THE WAY TO HEAVEN. 1914. 1 reel.

Credits: Director, Ulysses Davis.

THE WAY TO LOVE. 1933. 9 reels.

Credits: Director, Norman Taurog; original screenplay, Gene Fowler, Benjamin Glazer; additional dialogue, Claude Binyon, Frank Butler.

WAY UP NORTH. 1924. 1 reel.

Credits: Director, Wm. H. Watson.

WAY UP THAR. (A Young Romance Comedy) Presented by E. W. Hammons. 1935. 1,645 ft., sd.

Credits: Producer and director, Mack Sennett; story, Oliver Hatch; adaptation, Hugh Cummings, Joseph Montague, Jr.

Credits: Scenario and direction, Marcel Perez.

THE WAYVILLE SLUMBER PARTY. 1915. Split reel.

WAYWARD. 1932. 8 reels. Based on the novel "Wild Beauty" by Mateel Howe Farnham.

Credits: Director, Edward Sloman; screenplay, Gladys Unger, Lillian Day.

THE WAYWARD CANARY. (Mickey Mouse, no. U. A. 4) 1932. 1 reel.

A WAYWARD DAUGHTER. 1914. 2 reels.

THE WAYWARD PUPS. 1937. 775 ft., sd., color.

Credits: Hugh Harman, Rudolf Ising.

WE AIM TO PLEASE. (A Popeye Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David Tendlar.

WE AMERICANS. Jewel. 1928. 9 reels. From the stage play by Milton Herbert Gropper and Max Siegel.

Credits: Director, Edward Sloman; adaptation and continuity, Alfred A. Cohn.

WE ARE FRENCH. SEE The Bugler of Algiers.

WE ARE NOT ALONE. 1939. 12 reels, sd. From the novel by James Hilton.

Credits: Director, Edmund Goulding; screenplay, James Hilton, Milton Krims; music, Max Steiner.

WE CAN'T BE AS BAD AS ALL THAT. SEE A Society Exile.

WE CAN'T HAVE EVERYTHING. 1918. 6 reels. Based on the novel by Rupert Hughes.

Credits: Produced and directed by Cecil B. De Mille; scenario, William C. De Mille.

WE DID IT. 1936. 1 reel.

WE DO OUR PART. 1935. 1 reel, sd.

WE EAT TO LIVE. (E. M. Newman's Our Own United States) 1936. 1 reel, sd.

Credits: Dialogue, Ira Genet; editor, Bert Frank.

WE FAW DOWN. 1928. 2 reels, b&w.

Credits: Director, Leo McCarey; editor, Richard Currier.

WE HAVE OUR MOMENTS. 1937. 7 reels.

Credits: Associate producer, Edmund Grainger; director, Alfred L. Werker; original story, Charles F. Belden, Frederick Stephani; screenplay, Bruce Manning, Charles Grayson.

WE KNOW YOUR WORTH—DO YOU? 1928. 1 reel.

WE LEARNED ABOUT BRAKES FROM THEM. 1936. For United States Asbestos Division. Filmstrip, sd.

WE LIVE AGAIN. Released through United Artists. 1934. 9 reels, sd. Based on the novel "Resurrection" by Leo Tolstoy.

Credits: Producer and director, Rouben Mamoulian; adaptation, Maxwell Anderson, Leonard Praskins, Preston Sturges; film editor, Otho Lovering; music director, Alfred Newman.

WE LIVE IN TWO WORLDS. Treasure Chest. Educational Films Corp. of America. Presented by E. W. Hammons. 1938. 968 ft., sd.

Credits: Narration, J. B. Priestley.

WE MODERNS. Presented by John McCormick. 1925. 7 reels. Adapted from the stage play by Israel Zangwill.

Credits: Director, John Francis Dillon; screenplay, June Mathis.

WE SHOULD WORRY. 1918. 5 reels.

Credits: Direction, story and scenario, Kenean Buel.

WE SHOULD WORRY FOR AUNTY. Victor. 1915. 1 reel.

927Credits: J. Nelson; producer, Harry C. Myers.

WE, THE O'LEARY'S. SEE In Old Chicago.

WE WANT A TOUCHDOWN. (World of Sports) Bray Pictures Corp. 1933. 1 reel, sd.

Credits: Narrator, Ford Bond.

WE WANT OUR MUMMY. 1938. 2 reels, sd.

Credits: Director, Del Lord; original screenplay, Elwood Ullman, Searle Kramer.

WE! WE! MARIE! (Slim Summerville, no. 2) 1930. 2 reels.

Credits: Producer, Stanley Bergerman; director, Albert Ray; story, Ralph Ceder, James Mulhauser.

WE WENT TO COLLEGE. 1936. 7 reels, sd., b&w.

Credits: Producer, Harry Rapf; director, Joseph Santley; story, George Oppenheimer, Finley Peter Dunne, Jr.; screenplay, Richard Maibaum, Maurice Rapf; film editor, James E. Newcom; musical score, William Axt.

WE WHO ARE ABOUT TO DIE. 1936. 9 reels, sd. From the novel by David Lamson.

Credits: Producer, Edward Small; director, Christy Cabanne; screenplay, John Twist; editor, Arthur Roberts.

WEAK BUT WILLING. (Walter Hiers Comedies) Educational. 1926. 2 reels.

Credits: Frank Roland Conklin; director, Archie Mayo.

WEAK BUT WILLING. 1929. 2 reels, sd.

Credits: Director, William Watson; story, Will King.

THE WEAK-END PARTY. 1922. 2 reels.

WEAK HEARTS AND WILD LIONS. 1919. 2 reels.

Credits: Written and directed by Fred C. Fishback.

WEAK KNEES. (Cameo Comedy) 1925. 1 reel.

WEAK KNEES. (Fistical Culture, no. 10) 1927. 2 reels.

Credits: Written and directed by Glen Lambert.

WEAK SISTERS. SEE Dumb-Bells in Ermine.

THE WEAKER VESSEL. 1919. 6 reels.

Credits: Director, Paul Powell; story, Elmer Elsworth.

THE WEAKLING. 1924. 2 reels.

Credits: Director, Noel Smith.

Credits: Collated and directed by A. Lincoln Miller.

Credits: Director, Barry O'Neill; story, E. Lloyd Sheldon.

THE WEAKNESS OF STRENGTH. 1916. 5 reels.

Credits: Director, Harry Revier; story, Aaron Hoffman; scenario, Wallace C. Clifton.

WEALTH. 1921. 5 reels.

Credits: Director, William D. Taylor; story, Cosmo Hamilton; scenario, Julia Crawford Ivers.

THE WEALTH OF THE POOR. 1915. 1 reel.

WEAPONS OF LOVE. Big U. 1916. 1 reel.

Credits: Producer, C. S. Elfelt; story, Hapsburg Liebe; scenario, Olga Printzlau.

WEARY RIVER. Presented by Richard A. Rowland. 1929. 8 reels.

Credits: Director, Frank Lloyd; story, Courtney Ryley Cooper; screen version, Bradley King.

WEARY RIVER. SEE Announcement of Richard Barthelmess in Weary River.

WEARY WILLIES. (Oswald Cartoon) Winkler. 1929. 1 reel.

Credits: Animation, Isadore Freleng.

WEARY WILLIE'S BIRTHDAY. 1916. 1 reel.

Credits: Producer, Frank Currier.

WEARY WILLIE'S RAGS. 1914. Split reel.

WEATHER FORECASTING. 1931. 973 ft.

WEATHER WIZARDS. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Fred Zinnemann; screenplay, Robert Lees, Fred Rinaldo.

Credits: Producer, John L. Hawkinson.

WEAVER OF CLAYBANK. 1915. 2 reels.

A WEAVER OF DREAMS. Presented by B. A. Rolfe. 1918. 5 reels. Based on the book by Myrtle Reed.

Credits: Director, John H. Collins; scenario, John H. Collins, William Parker.

THE WEB. (Star Featurette) 1917. 2 reels.

Credits: Director, George Cochrane; story, Katherine Kingsbury; scenario, Harvey Gates.

WEB FEET. Winkler Pictures. Inc. 1927. 2 reels. Adapted from George Herriman's cartoons "Krazy Kat."

THE WEB OF CHANCE. 1919. 5 reels.

Credits: Director, Alfred Green; story, Edgar Franklin; scenario, Douglas Bronston.

THE WEB OF CRIME. 1915. 2 reels.

Credits: Director, Edwin Carewe; story, Finis Fox.

Credits: Director, Emile Chautard; story, E. Lloyd Sheldon.

THE WEB OF HATE. 1915. 2 reels.

Credits: Producer, Leon D. Kent.

WEDDED BLISTERS. (Tuxedo Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Jules White.

WEDDING BELLES. SEE Lorraine Howard and Florence Newton in Wedding Belles.

WEDDING BELLS. First National. 1921. 72 min. From the play by Salisbury Field.

Credits: Producer, Chet Withey; adaptation, Zelda Crosby.

WEDDING BELLS. 1924. 2 reels.

Credits: Director, Harry Edwards.

WEDDING BELLS. (Krazy Kat) Presented by Columbia Pictures Corp. 1933. 1 reel, sd. Adapted from George Herriman's cartoon character.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz; animation, Al Eugster, Preston Blair; music score, Joe De Nat.

928© Piedmont Pictures Corp. (David Horsley, author); title & descr., 17Dec17; 37 prints, 7Jan18; LU11898.

WEDDING BELLS OUT OF TUNE. 1921. 2 reels.

Credits: Director, Mal St. Clair.

WEDDING BELLS SHALL RING. Joker. 1915. Split reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

WEDDING BILLS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5,869 ft.

Credits: Director, Erle Kenton; screenplay, Grover Jones, Keene Thompson, Lloyd Corrigan.

WEDDING BILLS. 1931. 1 reel. Title changed from "Stocks and Bonds."

WEDDING DAZE. 1926. 2 reels.

THE WEDDING DEAL. (The Court of Human Relations) 1937. 1 reel, sd.

Credits: Director, B. K. Blake; editor, Florence Bricker; music, Milton Schwarzwald.

THE WEDDING GUEST. Bison. 1916. 2 reels.

Credits: Producer, Jacques Jaccard; story, Lucia Chamberlain.

THE WEDDING MARCH. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 10,400 ft.

Credits: Producer, Erich Von Stroheim; story, Erich Von Stroheim, Harry Carr.

THE WEDDING NIGHT. 1935. 9 reels, sd.

Credits: Director, King Vidor; original story, Edwin Knopf; screenplay, Edith Fitzgerald.

THE WEDDING OF PALO. Presented by J. H. Hoffberg. 1935. 84 min., sd.

Credits: Production and scenario, Knud Rasmussen; directors, Friedrich Dalsheim, Knud Rasmussen; original music, Emil Reesen.

WEDDING PRESENT. Presented by Adolph Zukor. 1936. 9 reels, sd.

Credits: Producer, B. P. Schulberg; director, Richard Wallace; story, Paul Gallico; screenplay, Joseph Anthony; editor, Robert Bischoff.

WEDDING PUMPS. Century. 1922. 2 reels.

Credits: Written and directed by Fred Hibbard.

WEDDING RINGS. 1930. 7 reels, sd. Adapted from "The Dark Swan" by Ernest Pascal.

Credits: Director, William Beaudine.

WEDDING RINGS. Trailer. 1930. 1 reel, sd.

WEDDING SLIPS. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

THE WEDDING SONG. Presented by Cecil B. De Mille. 1925. 7 reels. Adapted from the play by Ethel Watts Mumford.

Credits: Producer and director, Alan Hale; adaptation, Charles Whittaker, Douglas Doty.

WEDDING WOWS. 1927. 2 reels.

Credits: Director, Arvid Gillstrom; story, Frank Conklin.

WEDDING YELLS. (Educational-Tuxedo Comedy) 1927. 2 reels.

Credits: Director, Charles Lamont.

WEDDING YELLS. 1938. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

WEDNESDAY AT THE RITZ. (Variety Comedy) 1930. 2 reels, sd.

Credits: Director, Philip Tannura; story and production, Gordon Bostock; film editor, E. Pfitzenmeier.

WEDNESDAY'S CHILD. 1934. 8 reels, sd. From the play by Leopold L. Atlas.

Credits: Associate producer, Kenneth MacGowan; director, John Robertson; screenplay, Willis Goldbeck; editor, George Hively; music director, Max Steiner.

A WEDTIME STORY. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Leslie Goodwins; story, Al Boasberg; screenplay, Leslie Goodwins, Charles Roberts; film editor, Edward Mann.

A WEE BIT O' SCOTCH. 1930. 1 reel.

Credits: Director, Robert C Bruce; story, Richard Cameron.

WEE' MEN. 1936. 1 reel, sd.

Credits: Director, Joseph Henabery.

THE WEE SCOTCH PIPER. 1928. 1 reel. From the story by Mary Gibsone Whitlock.

Credits: Producer and director, Madeline Brandeis.

WEE WEE MONSIEUR. 1938. 2 reels.

Credits: Director, Del Lord; story and screenplay, Searle Kramer.

WEE WILLIE WINKIE. 1937. 9,615 ft., sd. Based on the story by Rudyard Kipling.

Credits: Director, John Ford; screenplay, Ernest Pascal, Julien Josephson; music director, Alfred Newman.

THE WEEK-END. 1920. 6 reels.

Credits: Story, Cosmo Hamilton; adaptation, George L. Cox, Arthur J. Zellner.

A WEEK-END AT HAPPYHURST. 1914. 1 reel.

Credits: Charles M. Seay.

WEEK-END MARRIAGE. 1932. 8 reels, sd. From the novel by Faith Baldwin.

Credits: Director, Thornton Freeland; screenplay, Sheridan Gibney.

WEEK END MILLIONAIRE. 1936. 6 reels, sd.

Credits: Director, Arthur Woods; scenario and dialogue, Jack Davies, Jr., Geoffrey Kerr, Max Kester; film editor, George Black, Jr.

WEEK END WIVES. British International Pictures. 1929. 7 reels.

Credits: Victor Kendall, Rex Taylor; director, Harry Lachman.

WEEK ENDS ONLY. 1932. 6,245 ft., sd. From the novel by Warner Fabian [pseud.]

Credits: Director, Alan Crosland; screenplay, William Conselman; editor, Louis Loeffler.

A WEEK OFF. Presented by Century Comedies. 1921. 2 reels.

Credits: Written and directed by Fred Fishback.

WEENIE ROAST. (A Krazy Kat Cartoon) Winkler. 1931. 1 reel, sd. Adapted from the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

Credits: Adaptation, Bettina Brown.

WEIGHT EVENTS. 1938. 1 reel.

Credits: Producer, Harry C. Myers.

A WEIGHTY MATTER FOR A DETECTIVE. 1915. Split reel.

Credits: Written and directed by Charles M. Seay.

THE WEIRD NEMESIS. Victor. 1915. 2 reels.

Credits: Story, G. E. Jenks; scenario and production by Jacques Jaccard.

WELCHE LIEBEN, WENN SIE STERBEN. SEE Those Who Die When They Love.

WELCOME DANGER. (Cameo Comedy) Educational. 1925. 1 reel.

Credits: Director, Albert Ray.

WELCOME DANGER. 1929. 12 reels.

929Credits: Director, Clyde Bruckman; story, Felix Adler, Lex Neal, Clyde Bruckman; dialogue, Paul Gerard Smith.

WELCOME DANGER. 1929. 12 reels.

Credits: Director, Clyde Bruckman; story, Felix Adler, Lex Neal, Clyde Bruckman; dialogue, Paul Gerard Smith.

WELCOME HOME. Nestor. 1917. 1 reel.

Credits: Henry McRae; director, Roy S. Clements; scenario, Frederick A. Palmer.

WELCOME HOME. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 5,909 ft. From a play by Edna Ferber and George S. Kaufman.

Credits: Producer, James Cruze; screenplay, Walter Woods.

WELCOME HOME. 1935. 6,569 ft., sd.

Credits: Director, James Tinling; original story, Arthur T. Horman; screenplay, Marion Orth, Arthur T. Horman; additional dialogue, Paul Gerard Smith; music director, Oscar Bradley.

WELCOME, LITTLE STRANGER. 1919. 2 reels.

Credits: Director, Earl Metcalfe; story, James Montgomery Flagg.

WELCOME STRANGER. 1924. 6 reels. From the play by Aaron Hoffman.

Credits: Director, James Young.

WELCOME TO BOHEMIA. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

WELCOME UNCLE. 1923. 2 reels.

Credits: Story, Edward I. Luddy.

Credits: Producer, Lem B. Parker.

WELL, BY GEORGE! Mentone. 1934. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

WELL CURED HAM. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; story and direction, Al Boasberg; film editors, John Lockert, Edward Mann.

WELL I'LL BE ——. 1919. 2 reels.

Credits: Story and direction, Lawrence Semon.

THE WELL OF FORTALEZA. (Vagabond Adventure Series, no. 22) 1931. 1 reel, sd.

Credits: Elmer Clifton, Alfred Mannon.

THE WELL SICK MAN. 1913. 1 reel.

Credits: Charles Menges.

WELLESLEY'S YOUNG AMAZONS. (Sport Pictorial, no. 16) 1921. 1 reel.

WELLS FARGO. Presented by Adolph Zukor. 1937. 12 reel, sd.

Credits: Producer and director, Frank Lloyd; story, Stuart N. Lake; screenplay, Paul Schofield, Gerald Geraghty, Frederick Jackson; film editor, Hugh Bennett.

WENN DIE MASKE FÄLLT. SEE When the Mask Falls.

WE'RE ALL GAMBLERS. 1927. 7 reels. Adapted from the play "Lucky Sam McCarver" by Sydney Howard.

Credits: Producer and director, James Cruze; screenplay, Hope Loring.

WE'RE GOING TO BE RICH. 1938. 8 reels, sd.

Credits: Director, Monty Banks; story, James Edward Grant; screenplay, Sam Hellman, Rohama Siegel.

WE'RE IN THE LEGION NOW. Presented by Edward L. Alperson. 1937. 8 reels, sd., color.

Credits: Producer, George A. Hirliman; direction and additional dialogue, Crane Wilbur; original story, J. D. Newsom; screenplay, Roger Whately.

WE'RE IN THE MONEY. (Merrie Melodies, no. 13) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawn by Isadore Freleng, Larry Martin; musical score, Frank Marsales.

WE'RE IN THE MONEY. Warner Brothers Productions Corp. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels.

Credits: Director, Ray Enright; story, George R. Dilson; screenplay, F. Hugh Herbert, Brown Holmes; adaptation, Erwin Gelsey.

WE'RE IN THE NAVY NOW. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels.

Credits: Director, Edward Sutherland; story, Monte Brice; screenplay, John McDermott.

WE'RE NOT DRESSING. 1934. 8 reels, sd.

Credits: Production and story, Benjamin Glazer; director, Norman Taurog; screenplay, Horace Jackson, Francis Martin, George Marion, Jr.; music, Harry Revel, Mack Gordon.

WE'RE ON THE JURY. 1937. 8 reels, sd. From the play "Ladies of the Jury" by John Frederick Ballard.

Credits: Producer, Lee Marcus; director, Ben Holmes; screenplay, Franklin Coen; editor, Ted Cheesman.

WE'RE ONLY HUMAN. 1935. 7 reels, sd. From the story "Husk" by Thomas Walsh.

Credits: Associate producer, Edward Kaufman; director, James Flood; screenplay, Rian James; editor, Archie F. Marshek; music director, Roy Webb.

WE'RE RICH AGAIN. 1934. 7 reels, sd. From a play by Alden Nash.

Credits: Associate producer, Glendon Allvine; director, William A. Seiter; screenplay, Ray Harris; editor, George Crone; music director, Max Steiner.

WEREWOLF OF LONDON. Presented by Carl Laemmle. 1935. 2 reels, sd.

Credits: Director, Stuart Walker; original story, Robert Harris; screenplay, John Colton; adaptation, Harvey Gates, Robert Harris; film editor, Milton Carruth.

THE WEST-BOUND LIMITED. Released by Film Booking Offices of America. 1923. 7 reels.

Credits: Director, Emory Johnson; story and scenario, Emilie Johnson.

WEST BOUND LIMITED. 1937. 7 reels, sd.

Credits: Associate producers, Henry McRae, Ben Koenig; direction and original story, Ford Beebe; screenplay, Maurice Geraghty; film editor, Phil Cahn.

WESTBOUND MAIL. 1937. 6 reels, sd.

Credits: Director, Folmer Blangsted; story, James P. Hogan; screenplay, Frances Guihan; film editor, Richard Fantl.

WEST INDIES CRUISE. (Along the Road to Romance on the Magic Carpet of Movietone) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr; described by Ed Thorgersen.

WEST IS BEST. 1920. 2 reels.

Credits: Director, Philip E. Rosen; story, Gwendolyn Logan; scenario, Philip Hubbard.

WEST IS WEST. 1920. 5 reels.

Credits: Director, Val Paul; story, Eugene Manlove Rhodes; scenario, George C. Hull.

WEST IS WEST. 1922. 2 reels.

Credits: Director, George E. Marshall.

WEST IS WEST. 1925. 2 reels.

Credits: Written and directed by Jess Robbins.

WEST OF ARIZONA. 1925. 5 reels.

Credits: Director, Tom Gibson; story, Barr Cross; adaptation, Victor Roberts.

WEST OF BROADWAY. Released by Producers Distributing Corp. Presented by John C. Flinn. 1926. 6 reels. From the story "New York West" by Wallace Smith.

Credits: Director, Robert Thornby; adaptation, Harold Shumate; editor, Jack Cunningham.

WEST OF BROADWAY. 1931. 7 reels, sd., b&w.

Credits: Director, Harry Beaumont; story, Ralph Graves, Bess Meredyth; adaptation and dialogue, Gene Markey; additional dialogue, J. K. McGuinness; film editor, George Hively.

WEST OF CARSON CITY. 1939. 6 reels, sd.

Credits: Director, Ray Taylor; original story, Milton Raison; screenplay, Milton Raison, Sherman Lowe, Jack Bernhard.

WEST OF CHEYENNE. 1938. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Ed Earl Repp; film editor, William Lyon; music director, Morris Stoloff.

WEST OF CHICAGO. 1922. 5 reels, b&w, blue sequences.

Credits: Directors, Scott Dunlap, C. R. Wallace; story, George Scarborough; scenario, Paul Schofield.

WEST OF HOT DOG. 1924. 2 reels.

Credits: Producer, Joe Rock; director, Percy Pembroke.

WEST OF RAINBOW'S END. Concord Productions, Inc. 1938. 6 reels, sd.

Credits: Supervision, Maurice Cohn; director, Alan James; original story, Robert Emmett; screenplay, Stanley Roberts, Gennard Rea; music, Connie Lee.

WEST OF SHANGHAI. First National. 1937. 7 reels, sd. From a play by Porter Emerson Browne.

Credits: Director, John Farrow; screenplay, Crane Wilbur.

WEST OF SINGAPORE. 1933. 7 reels, sd.

Credits: Producer, M. H. Hoffman; supervision, Trem Carr; director, Albert Ray; story, Houston Branch; continuity and dialogue, Adele Buffington.

WEST OF THE DIVIDE. Presented by Lone Star Productions. 1934. 6 reels, sd.

Credits: Producer, Paul Malvern; story, screenplay, and direction, Robert N. Bradbury.

Credits: Direction, story, and screen adaptation, Neal Hart.

WEST OF THE PECOS. 1935. 7 reels, sd. From the novel by Zane Grey.

Credits: Associate producer, Cliff Reid; director, Phil Rosen; screenplay, Milton Krims, John Twist; editor, Archie Marshek; music director, Roy Webb.

WEST OF THE SANTA FE. 1938. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Bennett R. Cohen; film editor, William Lyon; music director, Morris Stoloff.

WEST OF THE WATER TOWER. Paramount. Presented by Adolph Zukor. 1924. 8 reels. From the novel by Homer Croy.

Credits: Director, Rollin S. Sturgeon; scenario, Doris Schroeder; adaptation, Lucien Hubbard.

WEST OF ZANZIBAR. 1928. 7 reels, b&w.

Credits: Director, Tod Browning; story, Chester De Vonde, Kilbourn Gordon; scenario, Elliott Clawson; titles, Joe Farnham; film editor, Harry Reynolds.

WEST POINT. 1928. Produced by permission of the War Dept. with cooperation of U. S. Military Academy. 9 reels, sd., b&w.

Credits: Producer and director, Edward Sedgwick; technical supervision, Raymond G. Moses; story and continuity, Raymond L. Schrock; titles, Joe Farnham; film editor, Frank Sullivan.

WEST POINT OF THE AIR. 1935. 9 reels, sd., b&w.

Credits: Producer, Monta Bell; director, Richard Rosson; original story, James K. McGuinness, John Monk Saunders; screenplay, Frank Wead, Arthur J. Beckhard; film editor, Frank Sullivan.

WEST POINT OF THE SOUTH. (A Miniature) 1936. 687 ft., sd.

Credits: Director, Richard Rosson; commentator, Pete Smith.

WEST SIDE MIRACLE. SEE Secrets of a Nurse.

WEST WIND. 1915. 3 reels.

Credits: Director, Lionel Belmore.

WESTERN BLOOD. 1918. 5 reels.

Credits: Direction and adaptation, Lynn F. Reynolds; story, Tom Mix.

Credits: Scenario, Frank E. Montgomery.

WESTERN CARAVANS. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Bennett R. Cohen; film editor, William Lyon; music director, M. W. Stoloff; music and lyrics, Bob Nolan.

THE WESTERN CODE. 1932. 6 reels, sd.

Credits: Director, J. P. McCarthy; story, William Colt MacDonald; screenplay, Milton Krims; film editor, Otto Meyer.

WESTERN COURAGE. 1935. 6 reels, sd.

Credits: Director, Spencer Gordon Bennett; story, Charles Francis Royal; screenplay, Nate Gatzert; film editor, Dwight Caldwell.

A WESTERN ENGAGEMENT. 1925. 5 reels.

Credits: Director, Paul Hurst.

WESTERN FATE. 1924. 5 reels.

Credits: Director, George Holt; story and scenario, George H. Plympton.

WESTERN FEUDS. 1923. 5 reels.

Credits: Director, Francis Ford; story and scenario, Isabel Blodgett, Ashton Dearholt.

WESTERN FRONTIER. 1935. 6 reels, sd.

Credits: Director, Albert Herman; story, Ken Maynard; screenplay, Nate Gatzert; film editor, Dwight Caldwell.

WESTERN GOLD. 1937. 6 reels, sd. Adapted from the novel "Helen of the Old House" by Harold Bell Wright.

Credits: Producer, Sol Lesser; director, Howard Bretherton; screenplay, Earle Snell, Forrest Barnes; film editors, Arthur Hilton, Carl Pierson.

A WESTERN GOVERNOR'S HUMANITY. 1915. 3,000 ft.

Credits: Written and produced by Romaine Fielding.

WESTERN GRANDEUR. (Along the Road to Romance on the Magic Carpet of Movietone) 1937. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; narrator, Ed Thorgersen.

WESTERN GRIT. 1924. 5 reels.

Credits: Written and directed by Ad Cook.

WESTERN HEARTS. Presented by Cliff Smith Productions. 1921. 5 reels.

Credits: Director, Cliff Smith; story and continuity, Cliff Smith, Alvin J. Neitz.

WESTERN JAMBOREE. 1938. 6 reels, sd.

Credits: Associate producer, Harry Grey; director, Ralph Staub; original story, Pat Harper; screenplay, Gerald Geraghty; film editor, Lester Orlebeck; music supervision, Raoul Kraushaar.

WESTERN JUSTICE. 1922. 5 reels.

Credits: Written and directed by Fred Caldwell.

WESTERN KNIGHTS. (Educational-Mermaid Talking Comedies) 1930. 18 min., sd.

Credits: Production and supervision, Jack White; director, Stephen Roberts.

WESTERN LUCK. 1924. 5 reels, b&w, tinted sequences.

Credits: Director, George Andre Beranger; story and scenario, Robert N. Lee.

A WESTERN MASQUERADE. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

Credits: Written and directed by Aubrey M. Kennedy.

WESTERN PLUCK. (Blue Streak Western) 1925. 5 reels.

Credits: Director, Travers Vale; story, W. C. Tuttle.

Credits: Producer, Lem B. Parker.

THE WESTERN ROVER. (Blue Streak Western) 1927. 5 reels.

Credits: Director, Albert Rogell; story and scenario, George Hively.

WESTERN SKETCHES. 1936. 1 reel, color.

WESTERN SKIES. 1923. 2 reels.

Credits: Director, Nat Ross; story and scenario, Karl Coolidge.

WESTERN SPEED. 1922. 5 reels.

Credits: Directors, Scott Dunlap, C. R. Wallace; story, William Patterson White; scenario, Scott Dunlap.

THE WESTERN TRAIL. (Paul Terry Toons) Presented by E. W. Hammons. 1936. 1 reel.

Credits: Paul Terry, Mannie Davis, George Gordon; scored and conducted by Philip A. Scheib.

WESTERN TRAILS. 1938. 6 reels, sd.

Credits: Associate producer, Paul Malvern; director, George Waggner; original story and screenplay, Norton S. Parker; film editor, Charles Craft.

THE WESTERN WALLOP. 1924. 5 reels. Adapted from the story "On Parole" by Adolph Bennauer.

Credits: Director, Clifford S. Smith.

THE WESTERN WAY. 1915. 1 reel.

A WESTERN WELCOME. 1938. 19 min., sd., color.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Charles Roberts, Leslie Goodwins; film editor, John Lockert.

THE WESTERN WHIRLWIND. (Blue Streak Western) 1926. 5 reels.

Credits: Written and directed by Albert Rogell.

WESTERN WHOOPEE. (An Aesop Sound Fable) 1930. 1 reel, sd.

Credits: John Foster, Harry Bailey.

A WESTERN WOOING. 1919. 2 reels.

Credits: Director, George Holt; story, Harvey Gates; scenario, Anthony W. Coldeway.

WESTERN YESTERDAYS. 1924. 5 reels.

Credits: Producer, Ashton Dearholt; adapted and directed by Francis Ford; story, E. R. Hickson, Ashton Dearholt.

THE WESTERNER. 1934. 6 reels, sd.

Credits: Director, David Selman; story, Walt Coburn; screenplay, Harold Shumate; film editor, Ray Snyder.

WESTINGHOUSE 8-1/2 INCH CROSS-COMPOUND AIR COMPRESSOR ON LOCOMOTIVES, BOTH IN REPOSE AND IN OPERATION, INCLUDING DIAGRAMMATIC DRAWINGS AND COMPLETE DETAILED EXPLANATIONS. 1928. 3 reels.

WESTINGHOUSE NO. 6 E-T BRAKING EQUIPMENT, INCLUDING OPERATING VALVES IN CAB AND VALVES UNDER THE RUNNING BOARD OF LOCOMOTIVE, BOTH IN REPOSE AND IN OPERATION, INCLUDING DIAGRAMMATIC DRAWINGS AND COMPLETE DETAILED EXPLANATIONS. 1928. 4 reels.

WESTINGHOUSE PLAIN TRIPLE VALVES OF THE BRAKING APPARATUS ON LOCOMOTIVE'S TENDER, TOGETHER WITH WESTINGHOUSE STANDARD QUICK ACTION TRIPLE VALVES AND WESTINGHOUSE TYPE "K" VALVES ON CARS, BOTH IN REPOSE AND IN OPERATION, INCLUDING DIAGRAMMATIC DRAWINGS AND COMPLETE DETAILED EXPLANATIONS. 1928. 3 reels.

THE WESTLAND CASE. Crime Club. 1937. 7 reels, sd. From the novel "Headed for a Hearse" by Jonathan Latimer.

Credits: Producers, Larry Fox, Irving Starr; director, Christy Cabanne; screenplay, Robertson White.

WESTWARD BOUND. (E. M. Newman's See America First Series, no. 9) 1935. 1 reel, sd.

Credits: Narrative, John B. Kennedy; editor, Bert Frank.

WESTWARD HO! Bluebird. 1925. 1 reel.

Credits: Director, Richard Smith.

WESTWARD HO. 1935. 7 reels, sd.

Credits: Producer, Paul Malvern; director, R. N. Bradbury; story and screenplay, Robert Emmett, Lindsley Parsons; continuity, Harry Friedman; editor, Carl Pierson.

WESTWARD PASSAGE. Presented by RKO Pathe. 1932. 8 reels, sd. From the novel by Margaret Ayer Barnes.

Credits: Producer, David O. Selznick; director, Robert Milton; adaptation, Bradley King; dialogue, Humphrey Pearson; film editor, Charles Craft; music director, Max Steiner.

WESTWARD WHOA. (Star Comedy) 1921. 1 reel.

Credits: Producer, Craig Hutchinson; story and scenario, W. Scott Darling.

WESTWARD WHOA. 1924. 2 reels.

Credits: Director, Lewis Seiler.

WESTWARD WHOA. (Looney Tunes) 1936. 1 reel.

Credits: Producer, Leon Schlesinger; animation, Paul Smith, Ben Clopton; music, Norman Spencer.

WET AND WARMER. 1921. 2 reels.

Credits: Director, Henry Lehrman.

WET AND WEARY. 1923. 2 reels.

Credits: Edited and titled by Ralph Spence.

WET GOLD. 1921. 6 reels.

Credits: Producer, J. Ernest Williamson; director, Ralph Ince.

A WET KNIGHT. (An Oswald Comedy) Snappy. 1932. 1 reel.

WET PAINT. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels.

Credits: Director, Arthur Rosson; original story, Reginald Morris; scenario, Lloyd Corrigan.

THE WET PARADE. 1932. 13 reels, sd. From the novel by Upton Sinclair.

Credits: Producer, Victor Fleming; adaptation, John L. Mahin; film editor, Anne Bauchens.

WHACKS MUSEUM. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Harry Love, Al Eugster; animation, Allen Rose, Preston Blair; musical score, Joe de Nat.

WHALE! HO! 1937. 1 reel, sd.

A WHALE OF A YARN. Presented by Vitaphone. 1933. 1 reel, sd.

Credits: Editor, Bert Frank.

THE WHALERS. 1938. 1 reel, sd.

WHALING IN THE FAR NORTH OFF THE COAST OF ALASKA IN THE TREACHEROUS BERING SEA. 1912. 1 reel.

THE WHARF ANGEL. 1934. 7 reels, sd.

Credits: Producer, Albert Lewis; director, William Cameron Menzies, George Somnes; story, Frederick Schlick; screenplay, Samuel Hoffenstein, Frank Partos; dialogue, Stephen Morehouse Avery; music, Ralph Rainger.

WHAT A BLIND MAN SAW. Laemmle. 1915. 2 reels.

Credits: Producer, Sydney Ayres; scenario, M. R. MacKinstry.

WHAT A BOZO. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

WHAT A BUSINESS! 1934. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Melvin Aaronson.

WHAT A CINCH. 1915. Split reel.

WHAT A CLUE WILL DO. Nestor. 1917. 1 reel.

Credits: C. B. Hoadley, Frederick A. Palmer; director, Louis William Chaudet.

WHAT A DAY. (Educational-Mermaid Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

WHAT A DAY! (George LeMaire Comedies) Sound Studios, Inc. 1929. 2 reels, sd.

Credits: Director, George LeMaire; story, George LeMaire, Walter DeLeon; editor, E. Pfitzenmeier.

WHAT A GIRL CAN DO. 1924. 7 reels.

Credits: Scenario and production, Edward Stuart.

WHAT A HEAD! (Tuxedo Comedies) 1931. 20 min., sd.

Credits: Producer, Al Christie; director, Robert Hall; story and dialogue, Frank R. Conklin.

WHAT A KNIGHT. (Krazy Kat Cartoon) 1932. 1 reel. Adapted from the cartoon character by Geo. Herriman.

Credits: Manny Gould; producer, Charles Mintz; animation, Harry Love; musical score, Joe de Nat.

WHAT A LIFE. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jules White.

WHAT A LIFE. 1930. 1 reel, sd.

WHAT A LIFE. (Flip the Frog Cartoon) 1932. 1 reel.

WHAT A LIFE. 1939. 8 reels, sd. Based on the play by Clifford Goldsmith.

Credits: Producer and director, Jay Theodore Reed; screenplay, Charles Brackett, Billy Wilder; film editor, William Shea.

WHAT A LION! (A Captain and the Kids Cartoon) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia. Based upon the United Features comic "The Captain and the Kids."

Credits: Supervision, William Hanna.

WHAT A MAN. 1930. 9 reels, sd. Adapted from the novel "His Dark Chapter."

Credits: Director, George J. Crone.

WHAT A NIGHT. (Mermaid Comedies) Educational. 1924. 2 reels.

Credits: Written and directed by Norman Taurog.

WHAT A NIGHT! 1928. 6 reels.

Credits: Director, A. Edward Sutherland; story, Lloyd Corrigan, Grover Jones; screenplay, Louise Long.

WHAT A NIGHT. (Paul Terry Toons) Educational. Presented by E. W. Hammons. 1935. 549 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

WHAT A PARTY! (Mike and Ike Series) (Stern Brothers Comedies) 1927. 2 reels. From the cartoons of Rube Goldberg.

Credits: Director, Francis Corby.

WHAT A PILL. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Francis J. Martin.

WHAT A SALESPERSON SHOULD KNOW ABOUT KNIT UNDERWEAR. 1921. 1 reel.

WHAT A SALESPERSON SHOULD KNOW ABOUT WOOLEN FABRICS, WOOLEN TEXTILES. 1921. 1 reel.

WHAT A TIME. (Manhattan Comedies) Presented by E. B. Derr. 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Arch B. Heath; story, Mauri Grashin; screenplay, Arch B. Heath, Harry Fraser; film editor, John Link; music director, Francis Gromon.

WHAT A TRIP. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Francis J. Martin.

WHAT A WIDOW. 1930. 10 reels, sd.

Credits: Producer, Allan Dawn; story, Josephine Lovett; dialogue, James Gleason, James Seymour; music director, Josiah Zuro.

WHAT A WIFE. (Toots and Casper Series, no. 2) 1928. 2 reels.

Credits: Director, St. Elmo Boyce; story, E. V. Durling, Hal Davitt.

WHAT A WIFE LEARNED. First National Pictures, Inc. 1923. 7 reels.

Credits: Bradley King; supervision, Thomas H. Ince; director, John Griffith Wray.

WHAT ABOUT CHRISTMAS. 1936. Filmstrip, sd.

WHAT ADVERTISING DID TO HELP ONE POOR SOUL. SEE The Rejuvenation of Sally Diddet.

WHAT AM I BID? 1919. 6 reels.

Credits: Director, Robert Z. Leonard; scenario, Harvey Thew.

WHAT AN EXCUSE. (The Excuse Maker Series) (Stern Brothers Comedy) 1927. 2 reels.

Credits: Director, Samuel Newfield; story, William Anthony.

WHAT AN EYE. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

WHAT BECAME OF JANE? 1914. 1,000 ft.

Credits: Producer, Edward J. LeSaint.

WHAT CHILDREN WILL DO. SEE Ashamed of Parents.

933WHAT COULD BE SWEETER. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Written and directed by Carter De Haven.

WHAT COULD SHE DO? 1914. 3 reels.

Credits: Gertrude Lyon; director, John H. Collins.

WHAT COULD THE POOR GIRL DO? Nestor. 1916. 2 reels.

Credits: Producer, Eddie Lyons.

WHAT DARWIN MISSED. Victor. 1916. 1 reel.

Credits: Producer, Beverly Griffith; scenario, Frank Wiltermood.

WHAT DID HE WHISPER? 1915. 1 reel.

Credits: Director, Ulysses Davis.

WHAT DO I CARE. 1929. 1 reel, sd.

Credits: Director, Monte Brice.

WHAT DO MEN WANT? 1921. 7 reels.

Credits: Written and directed by Lois Weber.

Credits: Directors, Felix E. Feist, Jacques Tourneur; screenplay, Carl Dudley, Jack Woodford; narration, Carey Wilson.

WHAT DO YOU WANT? A TALK WITH THE JOHN HANCOCK AGENT. 1930. Filmstrip, 57 frames.

WHAT DOES 1934 HOLD? Treasure Chest. Educational Pictures. Presented by E. W. Hammons. 1934. 954 ft., sd.

Credits: Director, William Watson; editor, Leonard Weiss.

WHAT DOES THE PROSPECT WANT? 1930. Filmstrip, 52 frames.

WHAT EVERY BOY SHOULD KNOW. (Lew Lehr's Kindergarten) 1938. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Russell Sheilds.

WHAT EVERY GIRL SHOULD KNOW. 1927. 7 reels.

Credits: Director, Charles F. Reisner; story, John Wagner; screenplay, Lois Jackson.

WHAT EVERY GIRL SHOULD KNOW. (Lew Lehr's Kindergarten) 1938. 1 reel, sd.

Credits: Producer, Truman Talley; research, Jack Gordon; editor, Russell Shields.

WHAT EVERY ICEMAN KNOWS. 1927. 2 reels, b&w, tinted sequences.

Credits: Supervision, Leo McCarey; director, Hal Yates; titles, H. M. Walker; editor, Richard Currier.

WHAT EVERY INVENTOR SHOULD KNOW. (Lew Lehr's Kindergarten) 1938. 1 reel, sd.

Credits: Producer, Truman Talley; research by Jack Gordon; editor, Russell Sheilds.

WHAT EVERY WOMAN KNOWS. 1921. 7 reels. Based on the play by Sir James M. Barrie.