Motion pictures, 1912-1939, B — Read Online

B. SEE The Rail Rider.

BABBITT. 1924. 8 reels. From the novel by Sinclair Lewis.

Credits: Director, Harry Beaumont; adaptation, Dorothy Farnum.

BABBITT. First National Productions Corp. 1934. 8 reels, sd. Based on the novel by Sinclair Lewis.

Credits: Director, William Keighley; screenplay, Mary McCall, Jr; adaptation, Tom Reed, Niven Busch; additional dialogue, Ben Markson; film editor, Jack Killifer.

BABBLING BOOK. 1932. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, George N. Burns.

BABBLING TONGUES. Big U. 1915. 1 reel.

Credits: Producer, Murdock MacQuarrie; scenario, George E. Hall.

BABE COMES HOME. 1927. 6 reels. From the story "Said with Soap" by Gerald Beaumont.

Credits: Producer, Wid Gunning; director, Ted Wilde; scenario, Louis Stevens.

BABE O'MINE. 1932. 1 reel.

Credits: Director, Bert Frank.

BABES AND BOOBS. 1918. 1 reel.

Credits: Written and directed by Lawrence Semon.

BABES AT SEA. (Color Rhapsody) Presented by Columbia Pictures Corp. 1934. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

BABES IN ARMS. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., b&w. Based on the play by Richard Rodgers and Lorenz Hart.

Credits: Producer, Arthur Freed; director, Busby Berkeley; screenplay, Jack McGowan, Kay Van Riper; film editor, Frank Sullivan; music director, George Stoll; musical adaptation, Roger Edens; orchestral arrangements, Leo Arnaud, George Bassman.

BABES IN HOLLYWOOD. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Producer, George M. Arthur; written and directed by Robert McGowan.

BABES IN THE GOODS. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

BABES IN THE JUNGLE. 1926. 2 reels.

Credits: Director, Jess Robbins.

BABES IN THE SAWDUST. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

THE BABES IN THE WOODS. 1917. 6 reels.

Credits: Directors, C M. and S. A. Franklin; adaptation, Bernard McConville.

BABES IN THE WOODS. (Silly Symphony, no. U. A. 6) 1932. 1 reel.

BABES IN TOYLAND. Presented by Hal Roach. 1934. 9 reels, sd., b&w. From the operetta composed by Victor Herbert with book and lyrics by Glen MacDonough.

Credits: Directors, Gus Melns, Charles Rogers; screenplay, Frank Butler, Nick Grinde; film editors, William Terhune, Bert Jordan; music director, Harry Jackson.

BABE'S SCHOOL DAYS. 1915. Split reel.

Credits: Written and produced by Will Louis.

BABETTE. 1917. 5 reels.

Credits: F. Berkeley Smith; director, Charles Brabin; scenario, A. Van Buren Powell.

BABIES IS BABIES. Okeh. 1919. 1 reel.

Credits: Director, Al Santell; story, Ben Cohen.

BABIES OF WILD ANIMALS. (Ford Educational Library, Nature Study) Ford Motion Picture Laboratories. 1923. 1 reel.

BABOONA; an Aerial Epic Over Africa. 1935. 6,663 ft., sd.

Credits: Producers, Mr. and Mrs. Martin Johnson; supervision, Truman Talley; editors, Lew Lehr, Russell Sheilds.

BAB'S BURGLAR. 1917. 5 reels. Based on a story by Mary Roberts Rinehart.

Credits: Director, J. Searle Dawley.

BAB'S CANDIDATE. 1920. 5 reels.

Credits: Director, Edward Griffith; story, Forrest Crissey; scenario, Lucien Hubbard.

BAB'S DIARY. 1917. 5 reels. Based on the stories by Mary Roberts Rinehart.

Credits: Director, J. Searle Dawley.

39© Famous Players Film Co.; 17Sep17; LP11407.

BAB'S MATINEE IDOL. 1917. 5 reels. Based on a story by Mary Roberts Rinehart.

Credits: Director, J. Searle Dawley; scenario, Margaret Turnbull.

BABY. Victor. 1915. 2 reels.

Credits: Director, Harry C. Myers; scenario, S. Griener.

THE BABY. 1921. 2 reels.

Credits: Director, Harry Williams.

THE BABY AND THE LEOPARD. 1915. 1 reel.

Credits: Producer, Thomas Santschi; story, S. A. Van Patten.

THE BABY BANDIT. 1930. 1 reel.

BABY BE GOOD. (Juvenile Comedies) 1925. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

BABY BE GOOD. (A Betty Boop Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Edward Nolan.

BABY BEAVERS. 1930. 452 ft., 16 mm.

BABY BLUES. (Juvenile Comedies) Educational. 1925. 2 reels.

Credits: Director, Jules White.

BABY BLUES. 1934. 1 reel, sd.

Credits: Director, Robert F. McGowan.

THE BABY CYCLONE. 1928. 7 reels, b&w. From the play by George M. Cohan.

Credits: Producer and director, Edward Sutherland; adaptation and continuity, F. Hugh Herbert; film editor, Carl L. Pierson.

BABY DAZE. (Kennedy, no. 5) 1939. 15 min. sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Charles Roberts, George Jeske; film editor, Les Millbrook.

A BABY DOLL BANDIT. Universal-Jewel. 1919. 2 reels.

Credits: Written and directed by Fred C. Fishback.

THE BABY ELEPHANT. 1913. 1 reel. On same reel with Mr. Pickwick.

BABY FACE. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1933. 8 reels.

Credits: Director, Alfred E. Green; story, Mark Canfield; screenplay, Gene Markey, Kathryn Scola.

BABY FACE HARRINGTON. 1935. 7 reels, sd., b&w. From a play by Edgar Selwyn and William Le Baron.

Credits: Director, Raoul Walsh; screenplay, Nunnally Johnson, Edwin H. Knopf; additional dialogue, Charles Lederer; film editor, William S. Gray.

BABY FEUD. (Krazy Kat Cartoon) 1928. 1 reel. From the cartoons of George Herriman.

Credits: Story, Ben Harrison, Manny Gould.

BABY FOLLIES. (M. G. M. Colortone Revue) 1930. 2 reels, sd., color.

Credits: Staged by Gus Edwards; dialogue, Robert Hopkins; music, Gus Edwards.

BABY IN THE ICE-BOX. SEE She Made Her Bed.

BABY KITTENS. (A Walter Lantz Cartune) 1938. 1 reel, sd.

Credits: Director, Alex Lovy; story, Victor McLeod; animation, Hicks Lokey, Merle Gilson.

Credits: Producer, Leon T. Osborne; director, William Bertram.

BABY MINE. 1917. 6 parts. Based on the play by Margaret Mayo.

Credits: Directors, John S. Robertson, Hugo Ballin.

BABY MINE. 1928. 6 reels, sd., b&w. Based on the play by Margaret Mayo.

Credits: Producer and director, Robert Z. Leonard; adaptation, Sylvia Thalberg; continuity, F. Hugh Herbert, Lew Lipton; titles, Ralph Spence; film editor, Sam S. Zimbalist.

BABY RABBIT IN I WANTED RED WINGS. 1939. 1 reel, sd.

BABY ROSE MARIE, THE CHILD WONDER. 1929. 1 reel, sd.

THE BABY SHOW. 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

Credits: Producer, Lillian Delger Phillips; titles, H. I. Phillips.

THE BABY SPY. 1914. 2 reels.

Credits: Producer, Edward J. LeSaint.

BABY TAKE A BOW. 1934. 6,600 ft., sd. Based on a play by James P. Judge.

Credits: Director, Harry Lachman; screenplay, Philip Klein, E. E. Paramore, Jr.; music director, Samuel Kaylin.

BABY TALKS. (Sunny Jim Talkie) 1929. 2 reels, sd.

Credits: Director, Harold Beaudine.

BABYLON TO JERUSALEM. 1930. 2 reels.

A BABY'S DAY AT FORTY-EIGHT WEEKS. (Yale Films of Child Development) 1935. 1 reel.

A BABY'S DAY AT TWELVE WEEKS. (Yale Films of Child Development) 1935. 1 reel.

THE BABY'S FAULT. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, Clyde C. Campbell.

A BABY'S SHOE. 1912. 1 reel.

Credits: Robert E. Coffey.

BABY'S TOOFS. Victor. 1916. 2 reels.

Credits: Directed and written by Harry C. Myers.

LA BACCARAT. SEE His Daughter Pays.

THE BACHELOR. SEE The Virtuous Vamp.

BACHELOR APARTMENT. 1931. 8 reels, sd.

Credits: Associate producer, Henry Hobart; director, Lowell Sherman; story, John Howard Lawson; adaptation and dialogue, J. Walter Ruben.

40© RKO Radio Pictures, Inc.; 30Mar31; LP2096.

BACHELOR BAIT. 1934. 8 reels, sd.

Credits: Associate producer, Lou Brock; director, George Stevens; story, Edward and Victor Halperin; screenplay, Glenn Tryon; editor, James B. Morley; music director, Max Steiner.

BACHELOR BRIDES. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1926. 6 reels. From the play by Charles Horace Malcolm.

Credits: Producer and director, William K. Howard; adaptation, Garrett Fort.

THE BACHELOR DADDY. Paramount. 1922. 7 reels.

Credits: Director, Alfred E. Green; story, Edward Peple; adaptation, Olga Printzlau.

THE BACHELOR FATHER. 1931. 10 reels, sd., b&w. From the play by Edward Childs Carpenter.

Credits: Producers, Robert Z. Leonard, Marion Davies; screenplay, Laurence E. Johnson; film editor, Harry Reynolds.

THE BACHELOR GIRL. 1929. 7 reels, sd., si.

Credits: Producer, Harry Cohn; director, Richard Thorpe; screenplay, Jack Townley.

BACHELOR MOTHER. 1939. 82 min., sd.

Credits: Producer, B. G. De Sylva; director, Garson Kanin; story, Felix Jackson; screenplay, Norman Krasna; editors, Henry Berman, Robert Wise; music score, Roy Webb.

BACHELOR OF ARTS. 1934. 6,820 ft., sd. From the novel by John Erskine.

Credits: Director, Louis King; screenplay, Lamar Trotti; music director, Samuel Kaylin.

BACHELOR'S AFFAIRS. 1932. 5,800 ft., sd. Based on the play "Precious" by James Forbes.

Credits: Director, Alfred Werker; screenplay, Barry Conners, Philip Klein; editor, Al De Gaetano.

BACHELORS' BABIES. (Juvenile comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

THE BACHELOR'S BABY. 1915. 1 reel.

THE BACHELOR'S BABY. 1927. 6 reels.

Credits: Director, Frank R. Strayer; story, Garrett Elsden Fort; screenplay, Julien Sands.

THE BACHELOR'S BURGLAR. 1915. 1 reel.

A BACHELOR'S CHILDREN. 1918. 5 reels.

Credits: Director, Paul Scardon; story and scenario, William Addison Lathrop.

A BACHELOR'S CHRISTMAS. Rex. 1915. 3 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

BACHELOR'S FOLLY. 1932. 69 min., sd. From the play "The Calendar" by Edgar Wallace.

Credits: Director, T. Hayes Hunter; scenario, Angus McPhail, Robert Stevenson.

BACHELOR'S PARADISE. 1928. 7 reels.

Credits: Director, George Archainbaud; story, Curtis Benton; continuity, Frances Guihan, Vera Clark; editor, Robert J. Kern.

A BACHELOR'S WIFE. 1919. 2 reels.

Credits: Director, Emmett J. Flynn; story, Joseph Franklin Poland.

BACK DOOR TO HEAVEN. Presented by Bernard Steele. 1939. 9 reels, sd.

Credits: Story, production, and direction, William K. Howard; screenplay, John Bright, Robert Tasker; film editor, Jack Murray.

BACKFIRE. 1926. 2 reels.

BACK FROM ABROAD. SEE McKay and Ardine, Back from Abroad.

BACK FROM THE DEAD. SEE Back to Life.

BACK HOME AND BROKE. 1922. 6 reels.

Credits: Director, Alfred E. Green; story and adaptation, George Ade.

BACK IN CIRCULATION. First National. 1937. 9 reels, sd. From a story by Adela Rogers St. Johns.

Credits: Director, Ray Enright; screenplay, Warren Duff.

BACK IN CIRCULATION. SEE Bulldog Edition.

Credits: Scenario, Robert W. Daly.

THE BACK PAGE. (Mermaid Comedies) 1931. 20 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

BACK PAGE. 1933. 7 reels.

Credits: Director, Anton Lorenze; original story, Harry E. Chandlee, Douglas W. Churchill; continuity and dialogue, F. McGrew Willis; editor, Fred Bain.

BACK PAY. 1922. 7 reels.

Credits: Director, Frank Borzage; story, Fannie Hurst.

BACK PAY. First National and Vitaphone. 1930. 7 reels. Based on the story by Fannie Hurst.

Credits: Producers, Walter Morosco, William Seiter.

BACK PAY. Trailer. 1930. 1 reel.

BACK STAGE. 1919. 2 reels.

Credits: Written and directed by Fatty Arbuckle.

BACK STAGE. (Star Comedy) 1921. 1 reel.

Credits: Producer, William Watson; scenario, W. Scott Darling.

BACK STREET. 1932. 10 reels. From the novel by Fannie Hurst.

Credits: Director, John M. Stahl; screenplay, Gladys Lehman.

BACK TO BROADWAY. 1914. 2 reels.

Credits: Director, Ralph Ince.

BACK TO EARTH. Century. 1923. 2 reels.

Credits: Written and directed by Al Herman.

BACK TO EDEN. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

BACK TO GOD'S COUNTRY. 1919. 6 reels. Adapted from the story "Wapi, the Walrus" by James Oliver Curwood.

41© Canadian Photoplays (Canadian Photoplays, Ltd., author); 13Oct19; LP14284.

BACK TO GOD'S COUNTRY. Jewel. 1927. 6 reels. Based on an original story by James Curwood.

Credits: Director, Irvin Willat.

BACK TO LIBERTY. Presented by Samuel Zierler. 1927. 7 reels.

Credits: Director, Bernard McEveety; story and continuity, Arthur Hoerl.

BACK TO LIFE. Presented by Associated Exhibitors, Inc. 1925. 6 reels. Founded on the novel "Back from the Dead" by Andrew Soutar.

Credits: Producer, Whitman Bennett; scenario, Harry Chandlee.

BACK TO MOTHER. Presented by William Fox. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Harry Sweet; story, Mabel Herbert Urner; adaptation, Murray Roth.

BACK TO NATURE. Bluebird. 1925. 1 reel.

Credits: Director, George Summerville.

BACK TO NATURE. Snappy. 1928. 1 reel.

Credits: Director, Ansel Friedberger; story and continuity, George H. Plympton.

BACK TO NATURE. 1936. 5,160 ft., sd. Based on characters created by Katharine Kavanaugh.

Credits: Director, James Tinling; original screenplay, Robert Ellis, Helen Logan; music, Samuel Kaylin.

BACK TO NATURE GIRLS. 1919. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, J. G. Blystone.

BACK TO THE FARM. 1915. 1 reel.

BACK TO THE KITCHEN. Joker. 1917. 1 reel.

Credits: Producer, Allen Curtis; story, Warren Schoene; scenario, Tom Gibson.

BACK TO THE KITCHEN. Paramount-Mack Sennett. 1919. 2 reels.

Credits: Director, Reggie Morris.

BACK TO THE PRIMITIVE. 1915. 1 reel.

Credits: Director, Sidney Drew.

BACK TO THE RIGHT TRAIL. SEE Thieves' Gold.

BACK TO THE SIMPLE LIFE. 1914. 1 reel.

Credits: Jean Chamblin; director, Ashlay Miller.

BACK TO THE SOIL. (Fable, no. 404) 1929. 1 reel.

Credits: Paul Terry.

BACK TO THE SOIL. 1934. 2 reels, sd.

Credits: Director, Jules White; story and screenplay, Ewart Adamson.

BACK TO THE SUN. SEE The Nudists.

BACK TO THE WOODS. 1918. 5 reels.

Credits: J. Clarkson Miller; director, George Irving.

BACK TO THE WOODS. 1937. 2 reels.

Credits: Director, Preston Black; story, Searle Kramer; screenplay, Andrew Bennison.

BACK TO YELLOW JACKET. 1922. 6 reels.

Credits: Director, Ben Wilson; story, Peter B. Kyne; adaptation, J. Grubb Alexander.

THE BACK TRAIL. 1924. 5 reels.

Credits: Director, Clifford S. Smith; story, Walter J. Coburn; adaptation and continuity, Isadore Bernstein.

BACKBONE. 1923. 7 reels. Adapted from the Saturday Evening Post story by Clarence Budington Kelland.

Credits: Director, Edward Sloman; adaptation, Chas. E. Whittaker.

BACKFIELD. SEE The Band Plays On.

BACKFIELD ACES. (Rockne Football, reel 6) 1930. 1 reel.

Credits: Terry Ramsaye.

BACKFIELD PLAY. Snappy. 1931. 1 reel.

Credits: Director, Albert Kelley; story, Knute Rockne.

BACKFIELD STRATEGY. (Football Thrills Series) 1932. 1 reel.

Credits: Producer, Clyde E. Elliott; editor, Leonard Mitchell.

BACKS TO NATURE. (Hal Roach-Thelma Todd and Patsy Kelly Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

THE BACKSLIDER. 1914. 1 reel.

BACKSTAGE. Tiffany Gem. 1927. 6 reels.

Credits: Director, Phil Stone; story, Sarah Y. Mason; continuity, John F. Natteford; film editor, Leroy O. Lodwig.

BACKSTAGE. 1936. 8 reels, sd.

Credits: Producer and director, Herbert Wilcox; story, Laura Whetter; music, Harry Woods; music director, Geraldo.

A BACKWARD CIVILIZATION. 1937. 2 reels, sd.

BACKWARD GEORGE. (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Gus Meins.

BACKWARD SONS AND FORWARD DAUGHTERS. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Phil Dunham.

THE BACKYARD. 1920. 2 reels.

Credits: Author and director, Jess Robbins.

THE BACKYARD BROADCAST. (Broadway Brevity) 1936. 21 min., sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

BACKYARD FOLLIES. 1931. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, J. P. Murray, Barry Trivers, Ben Oakland; staged by Max E. Hayes.

BACON GRABBERS. (A Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Lewis R. Foster; story, Leo McCarey; editor, Richard Currier.

BACTERIA. 1930. 1 reel.

THE BAD, BAD WOMAN. SEE Dora Maughan, The Bad, Bad Woman.

BAD BOY. Presented by Fox Film Corp. 1935. 5,030 ft., sd. From the story by Vina Delmar.

Credits: Director, John Blystone; screenplay, Allen Rivkin; music director, Arthur Lange.

A BAD BOY FROM A GOOD FAMILY. SEE Phil Baker, A Bad Boy from a Good Family.

BAD BREAKS. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Nate Watt.

BAD BUCK OF SANTA YNEZ. 1924. 2 reels.

42© Tri-Stone Pictures, Inc.; 16Jan24; LP19839.

BAD COMPANY. 1931. 8 reels, sd., b&w. Suggested by the story by Jack Lait.

Credits: Producer, Charles R. Rogers; director, Tay Garnett; screenplay and dialogue, Tom Buckingham, Tay Garnett; film editor, Claude Berkeley; musical director, Arthur Lange.

THE BAD GENIUS. (Scrappy) Presented by Columbia Pictures Corp. 1932. 1 reel, sd.

Credits: Producer, Charles Mintz; animation, Sid Marcus, Art Davis; music score, Joe De Nat.

BAD GIRL. 1931. 8,046 ft., sd. From the play by Vina Delmar and Brian Marlowe, based upon the novel by Vina Delmar.

Credits: Director, Frank Borzage; continuity and dialogue, Edwin Burke; editor, Margaret Clancy.

BAD GUY. 1937. 8 reels, sd., b&w.

Credits: Producer, Tom Reed; director, Edward Cahn; story, J. Robert Bren, Kathleen Shepherd, Hal Long; screenplay. Earl Felton, Harry Ruskin; film editor, Ben Lewis; music score, Edward Ward.

BAD HOUSEKEEPING. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Leslie Goodwins, Monty Collins; film editor, Edward Mann.

THE BAD LANDS. Released by Producers Distributing Corp. 1925. 6 reels.

Credits: Director, Dell Henderson; story, Kate Corbaley; adaptation, Harvey Gates.

BAD LANDS. 1939. 70 min., sd.

Credits: Producer, Robert Sisk; director, Lew Landers; story and screenplay, Clarence Upson Young; editor, George Hively; music, Roy Webb.

BAD LITTLE ANGEL. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. Based on a book by Margaret Turnbull.

Credits: Producer, Albert E. Levoy; director, William Thiele; screenplay, Dorothy Yost; film editor, Frank Sullivan; music, Edward Ward.

A BAD LITTLE GOOD MAN. Nestor. 1917. 1 reel.

Credits: Director, William W. Beaudine; story, King Vidor.

THE BAD MAN. First National. 1923. 7 reels. Based on the play by Porter Emerson Browne.

Credits: Producer and director, Edwin Carewe.

THE BAD MAN. 1930. 9 reels. Based on the play by Porter Emerson Browne.

Credits: Director, Clarence Badger.

THE BAD MAN. Trailer. First National. 1930. 1 reel.

BAD MAN BOBBS. 1915. 1 reel.

Credits: Producer, Tom Mix; story, Edwin Ray Coffin.

THE BAD MAN OF BRIMSTONE. 1937. 9 reels, sd., sepia.

Credits: Producer, Harry Rapf; director, J. Walter Ruben; original story, J. Walter Ruben, Maurice Rapf; screenplay, Cyril Hume, Richard Maibaum; film editor, Frank Sullivan; music, William Axt.

THE BAD MAN OF CHEYENNE. Bison. 1916. 2 reels.

Credits: Scenario and direction, Fred A. Kelsey; story, Harry Carey.

BAD MEDICINE. (Headliner, no. 5) 1936. 15 min., sd.

Credits: Producer, Lee Marcus; director, Jean Yarbrough; story, Ewart Adamson, Jean Yarbrough; film editor, John Lockert.

BAD MONEY. 1915. 1 reel.

BAD NEWS. (Star Comedy) 1918. 1 reel.

Credits: Lyons, Moran; director, Harry Edwards; story, Fred Palmer, Harry Edwards.

THE BAD ONE. United Artists Picture. 1930. 8 reels, sd.

Credits: Producer and director, George Fitzmaurice; supervision, John W. Considine, Jr.; original story, John Farrow; screen adaptation and dialogue, Carey Wilson, Howard Emmett Rogers; editor, Don Hays; music arrangement, Hugo Riesenfeld.

BAD SISTER. 1931. 7 reels.

Credits: Director, Hobart Henley; story, Booth Tarkington.

THE BADGE OF BRAVERY. 1930. 2 reels.

Credits: Director, Josef Levigard; story and continuity, William Lester.

BADGE OF HONOR. 1934. 7 reels, sd.

Credits: Producer, Lester F. Scott, Jr.; director, Spencer Gordon Bennet; story, Robert Emmett; continuity and dialogue, George Morgan; editor, Fred Bain.

THE BADGE OF POLICEMAN O'ROON. SEE Doctor Rhythm.

Credits: Director, Edwin August.

BADGERED. 1916. 1 reel.

Credits: Producer, T. N. Heffron; story, Wm. M. Henry.

BADGES. SEE The Ghost Talks.

BADLY BROKE. Bluebird. 1926. 1 reel.

Credits: Director, George (Slim) Summerville.

BAG AND BAGGAGE. 1923. 6 reels.

Credits: Director, Finis Fox; story, Finis Fox, Lois Zellner.

A BAG OF GOLD. 1915. 1 reel.

BAGS OF GOLD. 1915. 3,000 ft.

THE BAHAMA ISLANDS, NASSAU TO KINGSTON. (Ford Educational Library, Regional Geography, v. 6) Ford Motion Picture Laboratories. 1921. 1 reel.

BAILEY AND BARNUM IN THE GLOBE TROTTERS. 1928. 1 reel, sd.

BAILEY AND BARNUM IN THE GLOBE TROTTERS. (A Laemmle Novelty) Snappy. 1928. 1 reel, sd.

BAILEY AND BARNUM IN TWO WHITE ELEPHANTS. 1928. 1 reel, sd.

BAILEY AND BARNUM IN WITHOUT A BAND. 1928. 1 reel, sd.

THE BAIT. 1920. 5 reels.

Credits: Director, Maurice Tourneur; story, Sidney Toler; scenario, John Gilbert.

43© Hope Hampton Productions, Inc.; 1Sep20; LP15636.

THE BAKERY. 1921. 2 reels.

Credits: Story and direction, Larry Semon, Norman Taurog.

BALANCE. (Sports-Eye-View) 1933. 1 reel, sd.

BALANCED BRAKES FOR FLEET PROFITS. 1935. For U. S. Asbestos Co., Fleet Div. 1 reel, sd.

BALANCED SELLING. 1935. For the U. S. Rubber Co. 1 reel.

BALAOO. SEE The Wizard.

BALI. (Vagabond Adventure Series, no. 5) 1933. 1 reel, sd.

Credits: Text, Russel Spaulding; narrator, Alois Havrilla.

BALI—THE ISLAND PARADISE. (James A. FitzPatrick's Traveltalks, no. 2) 1932. 1 reel.

Credits: Photographer, B. S. Dawley.

Credits: Producer, John L. Hawkinson.

THE BALL GAME. 1932. 508 ft.

Credits: John Foster, Geo. Rufle.

THE BALL PARK. (Aesop Fable, 415) 1929. 1 reel.

Credits: Paul Terry.

BALL TOSSERS. (The Grantland Rice Sportlight) 1937. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE BALLAD OF PADUCAH JAIL. (Hal Roach Comedy) (Irvin S. Cobb Comedy) 1934. 2 reels, sd., b&w.

BALLADS AND BOLOGNA. 1917. 1 reel.

Credits: Producer, Harry Jackson; story, Jerome N. Wilson.

BALLERINA. 1938. 10 reels, sd. From the novel "La Mort du Cygne" by Paul Morand.

Credits: Director, Jean Benoit-Levy; adaptation, Jean Benoit-Levy, Marie Epstein.

THE BALLET CLASS. 1930. 1 reel, sd.

Credits: Agnes De Mille; director, Frank Cambria.

BALLOON TIRED. (A Life Cartoon Comedy) 1926. 1 reel.

THE BALLOONATIC. 1923. 2 reels.

Credits: Written and directed by Buster Keaton and Eddie Cline.

BALLOONATICS. 1917. 2 reels.

Credits: Director, J. G. Blystone.

THE BALLYHOO BUSTER. 1928. 5 reels.

Credits: Director, Richard Thorpe; story, Robert Walker; continuity, Frank L. Inghram.

THE BALLYHOO'S STORY. 1913. 1 reel.

Credits: E. A. Brinistool; director, Rollin S. Sturgeon.

BALTIMORE AND THE OYSTER INDUSTRY. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1921. 1 reel.

BALTO'S RACE TO NOME. (Educational Special) 1925. 2 reels.

Credits: Producer, Sol Lesser.

THE BANANA. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

BANANA GROWING IN THE FIJI ISLANDS. 1924. 1 reel.

BANCO. SEE Lost—A Wife.

THE BAND BEAUTIFUL. SEE The Ingénues. The Band Beautiful.

THE BAND CONCERT. 1935. 1 reel.

THE BAND LEADER. 1914. 1 reel.

Credits: Director, Edmond F. Stratton.

THE BAND PLAYS ON. 1934. 9 reels, sd., b&w. Based on the story "Backfield" by Byron Morgan and J. Robert Bren and on the story "The Gravy Game" by Harry Stuhldreher and W. Thornton Martin.

Credits: Producer, Ned Marin; director, Russel Mack; screenplay, Bernard Schubert, Ralph Spence, Harvey Gates; film editor, William Le Vanway; music score, Oscar Radin.

THE BANDIT AND THE BABY. 1915. 1 reel.

BANDITS AND BALLADS. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Frederick Hollander; story, Forman Brown; film editor, Edward Mann; music director, Roy Webb.

THE BANDIT'S BABY. Released by F. B. O. 1925. 5 reels.

Credits: Director, James P. Hogan; story, Leete Renick Brown; scenario, Marion Jackson.

BANDITS BEWARE. 1921. 2 reels.

Credits: Director, Lee Kohlmar; scenario, George Morgan.

THE BANDIT'S SON. 1928. 5 reels.

Credits: Director, Wallace W. Fox; story and continuity, Frank Howard Clark.

THE BANDIT'S WAGER. Big U. 1916. 1 reel.

Credits: Written and produced by Grace Cunard and Francis Ford.

THE BANDMASTER. Winkler. 1930. 1 reel, sd. Adapted from the cartoon character created by George Herriman.

Credits: Animation, Ben Harrison; Manny Gould; musical score, Joe DeNat.

THE BAND MASTER. (Oswald Comedy) Snappy. 1931. 1 reel.

THE BANDOLERO. Presented by Louis B. Mayer. 1924. 8 reels, tinted. Adapted from the story by Paul Gwynne [pseud. of Ernest Slater].

Credits: Production and scenario, Tom Terriss; story, Paul Gwynne; editors, Winchell Smith, Don Bartlett.

BANFF NATIONAL PARK. 1917. 1 reel.

44BANJO ON MY KNEE. 1936. 8,587 ft., sd. Based on the novel by Harry Hamilton.

Credits: Director, John Cromwell; screenplay, Nunnally Johnson; music director, Arthur Lange.

BANJOLAND. SEE Eddie Peabody Assisted by Jimmy Maisel in Banjoland.

BANJOMANIA. SEE Eddie Peabody in Banjomania....

THE BANK. 1915. 2 reels.

BANK ALARM. Condor. Presented by L. Alperson. 1937. 6 reels, sd.

Credits: Producer, George A. Hirliman; supervision, Sam Diege; director, Louis J. Gasnier; original story, Cynthia and Laurence Meade; screenplay, Griffin Jay, David S. Levy; film editor, Dan Milner; music supervision, Abe Meyer.

BANK HOLIDAY. SEE Three on a Week-End.

BANK NOTES. Mentone. 1939. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

A BANK SWINDLE. (William J. Burns Detective Mysteries) 1931. 1 reel.

Credits: Story, adaptation and dialogue, Russell Matson.

THE BANKER AND THE THIEF. 1915. 1 reel.

THE BANKER'S DAUGHTER. 1914. 5 reels. Adapted from the play by Bronson Howard.

THE BANKER'S DAUGHTER. (An Oswald the Lucky Rabbit Cartoon) 1927. 1 reel.

Credits: Walt Disney.

THE BANKER'S DAUGHTER. (Paul Terry-Toons) Presented by E. W. Hammons. 1933. 1 reel, sd.

Credits: Music, Philip A. Scheib.

THE BANKER'S DOUBLE. 1914. 1 reel. Adapted from the Felix Boyd Series "Below the Dead Line" by Scott Campbell [pseud. of Frederick William Davis].

A BANKRUPT HONEYMOON. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Louis Seiler; story, Murray Roth.

THE BANKRUPTCY OF BOGGS AND SCHULTZ. 1916. 1 reel.

THE BANTAM COWBOY. 1928. 6 reels.

Credits: Director, Louis King; original story, Robert North Bradbury; adaptation, Frank Howard Clark.

THE BAR-C MYSTERY. 1926. 2 reels each. © Pathe Exchange, Inc.

Credits: William Sherwood.

1. A Heritage of Danger. © 26Apr26; LP22643.

2. Perilous Paths. © 27Apr26; LP22644.

3. The Midnight Raid. © 28Apr26; LP22645.

4. Wheels of Doom. © 12May26; LP22747.

5. Thundering Hoofs. © 15May26; LP22748.

6. Against Desperate Odds. © 18May26; LP22749.

7. Back from the Missing. © 24May26; LP22804.

8. The Fight for a Fortune. © 29May26; LP22805.

9. The Wolf's Cunning. © 4Jun26; LP22806.

10. A Six-Gun Wedding. © 25Jun26; LP22842.

BAR MITZVAH. 1935. 8 reels, sd.

Credits: Screenplay and direction, Henry Lynn; story, Bores Thomashefsky.

BAR NOTHIN'. 1921. 5 reels, b&w.

Credits: Director, Edward Sedgwick; story, Jack Strumwasser, Clyde C. Westover.

THE BAR SINISTER. SEE Almost Human.

BAR 20 JUSTICE. Presented by Adolph Zukor. 1938. 7 reels, sd.

Credits: Producer, Harry Sherman; director, Lesley Selander; original story, Clarence E. Mulford; screenplay and dialogue, Arnold Belgard; additional dialogue and sequences, Harrison Jacobs; film editor, Robert Warwick.

BAR 20 RIDES AGAIN. Presented by Adolph Zukor. 1935. 7 reels, sd. From the novel by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Howard Bretherton; screenplay, Doris Schroeder, Gerald Geraghty; adaptation, Doris Schroeder.

BAR 20 THREE. SEE Three on the Trail.

BAR-Z BAD MEN. 1937. 6 reels.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, James P. Olsen; adaptation and screenplay, George H. Plympton.

BARBADOS & TRINIDAD; Gardens of the Caribbean. (A FitzPatrick M. G. M. Traveltalk) 1932. 1 reel.

Credits: Photographer, Frank A. Goodliffe.

BARBARA FRIETCHIE. 1915. 5 reels. Based on the poem by John Greenleaf Whittier and the play by Clyde Fitch.

BARBARA FRIETCHIE. Presented by Regal Pictures, Inc. Released thru Producers Distributing Corp. 1924. 8 reels. From play by Clyde Fitch.

Credits: Director, Lambert Hillyer.

Credits: Screen version, E. P. Heath.

THE BARBARIAN. 1933. 9 reels, sd., b&w.

Credits: Producer, Sam Wood; story, Edgar Selwyn; screenplay and dialogue, Anita Loos, Elmer Harris; film editor, Tom Held; music, Herbert Stothart.

BARBARY COAST. 1935. 10 reels, sd.

Credits: Director, Howard Hawkes; screenplay, Charles MacArthur, Ben Hecht; film editor, Edward Curtis; music director, Alfred Newman.

BARBARY SHEEP. 1917. 6 reels. From the novel by Robert Hichens.

Credits: Director, Maurice Tourneur; adaptation, Charles Maigne.

BARBED WIRE. 1927. 6,951 ft. Based on the novel "The Woman of Knockaloe" by Hall Caine.

Credits: Producer, Erich Pommer; direction and adaptation, Rowland V. Lee; screenplay, Jules Furthman.

45© Biograph Co. (Robert A. Donaldson, author); title, descr. & 39 prints, 30Oct13; LU1500.

THE BARBER SHOP. 1933. 2 reels, sd.

Credits: Director, Arthur Ripley; story, W. C. Fields.

BARBER SHOP BLUES. 1933. 1 reel, sd.

Credits: Director, Joseph Henabery.

THE BARBER SHOP CHORD. 1929. 1 reel, sd.

BARBEROUS PLOTS. 1918. 2 reels.

Credits: Director, Jim Davis.

BARBERS' COLLEGE. (George Le Maire Comedies) 1929. 2 reels, sd.

Credits: Producer and director, George Le Maire; story, George Le Maire, Leo Donnelly, Dolph Singer; film editor, E. Pfitzenmeier.

THE BARBER'S DAUGHTER. (Educational-Mack Sennett Talking Comedy) 1929. 20 min., sd.

Credits: Director, Mack Sennett.

BARDELYS THE MAGNIFICENT. 1926. 9 reels. Based on the novel by Rafael Sabatini.

Credits: Director, King Vidor; scenario, Dorothy Farnum.

THE BARE COED. (A Whirlwind Comedy) 1927. 2 reels.

Credits: Director, Craig Hutchinson.

BARE FISTS. 1919. 6 reels.

Credits: Director, Jack Ford; story, Bernard McConville; scenario, Eugene Lewis.

BARE FISTS. (Western Featurette) 1927. 2 reels.

Credits: Director, Josef Levigard; story and continuity, George Morgan.

BARE KNEES. Gotham. Presented by Sam Sax. 1928. 6 reels.

Credits: Adaptation and supervision, Harold Shumate; production manager, Carrol Sax; director, Erle C. Kenton; story, Adele Buffington; editor, Donn Hayes.

BARE KNEES. (A Capital Comedy) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Harry Fraser; story, David Silverstein; film editor, Joseph Kane; music director, Francis Gromon.

BARE KNUCKLES. 1921. 5 reels.

Credits: Story, A. Channing Edington.

A BARE LIVING. Victor. 1917. 1 reel.

Credits: W. Warren Schoene; director, Allen Curtis.

BAREE, SON OF KAZAN. 1918. 5 reels. From the story by James Oliver Curwood.

Credits: Director, David Smith.

BAREE, SON OF KAZAN. 1925. 7 reels.

Credits: James Oliver Curwood; director, David Smith.

THE BAREFOOT BOY. Presented by Mission Film Corp. 1924. 6 reels. Suggested by the poem by John Greenleaf Whittier.

Credits: Adapted and directed by David Kirkland; story, Wallace Clifton.

BAREFOOT BOY. 1938. 7 reels, sd. Suggested by the poem by John Greenleaf Whittier.

Credits: Producer, E. B. Derr; director, Karl Brown; original story and screenplay, John T. Neville; film editor, Finn Ullback.

BARELY REASONABLE. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

THE BARFLY. Nestor. 1916. 1 reel.

Credits: Producer, Louis William Chaudet; scenario, Virginia Kirtley.

THE BARGAIN. 1914.

Credits: Producer, Thomas H. Ince.

THE BARGAIN. 1923. 5 reels.

Credits: Director, Reginald Barker.

THE BARGAIN. 1931. 70 min., sd. Adapted from "You and I" by Phillip Barry.

Credits: Director, Robert Milton; screen adaptation, Robert Presnell.

BARGAIN DAY. (Our Gang Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

THE BARGAIN HUNT. Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, John Waldron; director, Phil Whitman.

BARGAIN MATINEE. Mentone. 1937. 1 reel, sd.

Credits: Director, Milton Schwarzwald.

THE BARGAIN OF THE CENTURY. (A Pitts-Todd Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Charley Chase; film editor, Jack Ogilvie.

A BARGAIN TABLE CLOTH. 1914. 600 ft.

A BARGAIN WITH SATAN. SEE The Student of Prague.

THE BARKER. 1917. 5 reels.

Credits: Charles K. Harris; director, J. A. Richmond.

THE BARKER. Presented by Richard A. Rowland. 1928. 8 reels. From the stage play by John Kenyon Nicholson.

Credits: Producer and director, George Fitzmaurice; screenplay, Benjamin Glazer.

THE BARKER. SEE Hoop-la.

BARKING DOGS. (Aesop's Sound Fables) 1933. 9 min.

Credits: Mannie Davis.

THE BARN DANCE. (Mickey Mouse Cartoon) Presented by Columbia Pictures Corp. 1929. 1 reel, sd.

Credits: U. B. Iwerks.

BARN YARNS. SEE Felix the Cat in Barn Yarns.

BARNABETTA. SEE Erstwhile Susan.

Credits: Producer, Thomas Bentley.

BARNABY RUDGE. SEE Dolly Varden.

BARNACLE BILL. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer.

BARNEY GOOGLE. SEE Patch Mah Britches.

BARNEY GOOGLE AND SPARK PLUG. SEE Horsefeathers.

BARNEY RAPP & HIS NEW ENGLANDERS. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery.

BARNEY ROSS OF CHICAGO, IN DEFENSE OF HIS WORLD'S CHAMPIONSHIP WELTERWEIGHT TITLE AGAINST HENRY ARMSTRONG, OF CALIFORNIA, FEATHERWEIGHT CHAMPION, HELD AT THE MADISON SQUARE GARDEN BOWL, LONG ISLAND CITY, NEW YORK. © 1938.

Credits: Supervised and edited by Jack Reiger.

THE BARNSTORMER. Charles Ray Productions, Inc. Presented by Arthur S. Kane. 1922. 6 reels.

Credits: Richard Andrés; director, Charles Ray.

46** © Charles E. Ray, Jr.; 20Feb22; LP17558.

THE BARNSTORMER. 1922. 2 reels.

Credits: Director, Slim Summerville.

BARNUM AND RINGLING, INC. (Our Gang Comedies) Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; titles, H. M. Walker; editor, Richard Currier.

BARNUM WAS RIGHT. (A Life Cartoon Comedy) 1926. 1 reel.

BARNUM WAS RIGHT. 1929. 5 reels.

Credits: Director, Del Lord; story, Philip Bartholomoe.

BARNUM WAS WRONG. 1930. 2 reels, sd.

Credits: Director, Mark Sandrich; story and dialogue, Mark Sandrich, Rube Welch.

THE BARNYARD. 1923. 2 reels.

Credits: Written and directed by Larry Semon.

BARNYARD AMATEURS. (Paul Terry-Toons) Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Frank Moser and Paul Terry; scored and conducted by Philip A. Scheib.

BARNYARD ARTISTS. 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

BARNYARD BABIES. (Happy Harmonies) 1935. 1 reel, sd., color.

Credits: Hugh Harman, Rudolf Ising.

BARNYARD BATTLE. (Mickey Mouse Cartoon) 1929. 1 reel.

Credits: U. B. Iwerks.

BARNYARD BOSS. (Terry Toons) Presented by E. W. Hammons. 1937. 606 ft., sd.

Credits: Paul Terry, Connie Rasinski; music, Philip A. Scheib.

BARNYARD BRAT. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Anthony Pabian.

THE BARNYARD BROADCAST. (Mickey Mouse, no. 18) 1931. 1 reel.

BARNYARD BUNK. (Tom and Jerry) 1932. 6 min.

Credits: John Foster, George Rufle.

THE BARNYARD CONCERT. (Mickey Mouse Cartoon) Presented by Columbia Pictures Corp. 1930. 1 reel, sd.

BARNYARD EGG-CITEMENT. (A Terry-Toon) 1939. 1 reel, sd.

Credits: Director, Connie Rasinski; story, John Foster; music, Philip A. Scheib.

THE BARNYARD FIVE. (An Oswald Cartoon) 1936. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod.

THE BARNYARD HAMLET. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, W. E. Stark.

BARN YARD LODGE NO. 1. 1928. 1 reel.

Credits: Paul Terry, Frank Moser.

THE BARNYARD MELODY. (Aesop Sound Fable) Presented by The Van Beuren Corp. 1929. 1 reel, sd.

Credits: John Foster.

A BARNYARD MIX-UP. 1915. 400 ft. On same reel with "A New Way to Win."

Credits: Drawn by Vincent Whitman.

A BARNYARD NIGHTMARE. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan.

BARNYARD OLYMPICS. (Mickey Mouse, no. 25) 1932. 1 reel.

BARN YARD POLITICS. (Fables, no. 393) 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

BARNYARD RIVALS. (A Whirlwind Comedy) 1928. 2 reels. From the cartoons by Walter Lantz.

Credits: Director, Stan Delay.

A BARNYARD ROMANCE. Rainbow. 1919. 2 reels.

Credits: Director, Jess Robbins.

BARNYARD ROMEO. (Oswald the Rabbit) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele; animation, LaVerne Harding, George Dane.

THE BARONESS AND THE BUTLER. 1938. 7,201 ft., sd. Based on a play by Ladislaus Bus-Fekete.

Credits: Director, Walter Lang; screenplay, Sam Hellman, Lamar Trotti, Kathryn Scola; music director, Louis Silvers.

BAR-RACS NIGHT OUT. (A Pete Smith Specialty) 1937. 1 reel, sd.

Credits: Director, Earl Frank.

BARRED FROM THE BAR. Joker. 1917. 1 reel.

Credits: Director, William Beaudine; story and scenario, Karl Coolidge.

THE BARREL ORGAN. 1914. 1 reel.

Credits: Director, Edmond F. Stratton.

BARRETTS OF WIMPOLE STREET. 1934. 11 reels, sd., b&w. From the play by Rudolf Besier.

Credits: Director, Sidney Franklin; screenplay, Ernest Vajda, Claudine West, Donald Ogden Stewart; film editor, Margaret Booth; music score, Herbert Stothart.

THE BARRICADE. 1917. 5 reels.

Credits: Hamilton Smith; director, Edwin Carewe; scenario, June Mathis.

THE BARRICADE. 1921. 6 reels.

Credits: Director, William Christy Cabanne; story, Daniel Carson Goodman.

THE BARRIER. 1926. 7 reels. From the novel by Rex Beach.

Credits: Director, George Hill; scenario, Harvey Gates.

THE BARRIER. Presented by Adolph Zukor. 1937. 10 reels, sd. From the novel by Rex Beach.

Credits; Producer, Harry Sherman; director, Lesley Selander; screenplay, Bernard Schubert; additional dialogue, Harrison Jacobs, Mordaunt Shairp.

THE BARRIER BETWEEN. 1914. 1 reel.

Credits: Producer, John L. Hawkinson.

THE BARRIER OF FAITH. 1915. 1 reel.

Credit: Director, Van Dyke Brooks.

BARRIERS OF PREJUDICE. 1915. 2 reels.

Credits; Director, Ulysses Davis.

47© The Vitagraph Co. of America (Doris Schroeder, author); 16Sep15; LP6397.

BARRIERS OF SOCIETY. Red Feather. 1916. 5 reels.

Credits: Director, Lloyd B. Carleton; story, Clarke Irvine; scenario, Fred Myton.

BARRY AND WHITLEDGE IN JEST FOR A WHILE. 1930. 1 reel, sd.

BARRYMORE TOMMY. Mustang. 1927. 2 reels.

Credits: Director, Ray Taylor; story. Rose Kurland.

BARRY'S BREAKING IN. 1913. 1 reel.

Credits: James Oppenheim.

BARS AND STRIPES. (A Krazy Kat Cartoon) 1931. 1 reel, sd. Adapted from the cartoon character created by George Herriman.

Credits: Manny Gould; producer, Charles Mintz; animation, Al Rose; musical score, Joe De Nat.

BARS AND STRIPES. (A Tabloid Musical) 1937. 1 reel, sd., b&w.

Credits: Director, Joseph Sherman; screenplay, Jean Plannette, Mauri Grashin; music score, David Snell.

BARS AND STRIPES FOREVER. (Merrie Melodies) 1939. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, J. B. Hardaway, Cal Dalton; story, Jack Miller; animation, Rod Scribner; music director, Carl W. Stalling.

BARS OF HATE. Presented by Sam Katzman. 1936. 6 reels, sd. Adapted from the story "Vengeance of the Lord" by Peter B. Kyne.

Credits: Supervision, Sam Katzman; director, Al Herman; screenplay, Al Martin; film editor, Dan Milner.

BARS OF IRON. 1921. 6 reels. From the novel by Ethel M. Dell.

Credits: Adaptation, F. Martin Thornton.

BARTCH-A-KALLOOP. SEE Steve Freda and Johnny Palace.

BARTERED LIVES. 1915. 4 reels.

BARTERED YOUTH. Laemmle. 1917. 1 reel.

Credits: Written and directed by William V. Mong.

BARTRAM AND SAXTON IN THE LAND OF HARMONY. 1927. 1 reel, sd.

BASEBALL AND BLOOMERS. (Facts and Follies Series) 1919. 1 reel.

Credits: Director, B. MacFadden.

BASEBALL AND TROUBLE. 1914. 1,000 ft.

BASEBALL BATTER. (Models in Motion) 1931. 243 ft.

BASEBALL BILL. Laemmle. 1916. 1 reel each. © Universal Film Mfg. Co.

Credits: Al Russell; produced, directed, and written by Billy Mason.

1. © 22Jun16; LP8558.

2. Flirting with Marriage. © 6Jul16; LP8646.

BASEBALL MADNESS. Victor. 1917. 1 reel.

Credits: Billy Mason, Al Russell; director, Billy Mason.

BASEBALL PITCHER. (Models in Motion) 1931. 250 ft.

BASHFUL BALLERINA. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Producer, Al Christie; story, Marcy Klauber, Art Jarrett.

BASHFUL BILLIE. 1915. 1 reel.

Credits: Producer, Earl Metcalfe.

THE BASHFUL BUCKAROO. Presented by E. W. Hammons. 1937. 1,753 ft., sd.

Credits: Director, William Watson; story, Tim Ryan; music, Patt Paterson.

BASHFUL BUDDIES. (An Educational Mirthquake Comedy) Presented by E. W. Hammons. 1936. 1,550 ft., sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy Klauber.

BASHFUL CHARLIE'S PROPOSAL. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

BASHFUL GLEN. Imp. 1915. 1 reel.

Credits: Written and produced by John Adolfi.

THE BASHFUL SUITOR. 1921. 2 reels. Suggested by the painting by Jozef Israëls.

Credits: Director, Herbert Blache; story, Arthur Maude.

THE BASHFUL WHIRLWIND. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Pierre Loucks; continuity, Carl Krusada.

THE BASKET HABIT. 1914. 1 reel.

Credits: Mark Swan; director, C. Jay Williams.

BASKETBALL TACTICS AND PLAYS. (Basketball, no. 3) 1931. 1 reel.

Credits: Director, Albert Kelley; story, Samuel Freedman.

BASKETBALL TECHNIQUE. (A Sports Parade Subject) 1935. 1 reel, sd., b&w.

Credits: Director, Ray McCarey; explanatory remarks, Pete Smith.

BASQUERIE. SEE Their Mad Moment.

THE BAT. 1926. 9 reels. From the play by Mary Roberts Rinehart and Avery Hopwood, as produced by Wagenhals and Avery.

Credits: Production, adaptation and direction, Roland West; continuity, Julien Josephson.

THE BAT. SEE The Bat Whispers.

THE BAT WHISPERS. Presented by Joseph M. Schenck. 1930. 10 reels, sd. Based on the play "The Bat" by Mary Roberts Rinehart and Avery Hopwood.

Credits: Adapted, directed and dialogued by Roland West; film editor, James Smith.

LA BATAILLE. SEE

The Battle.

Thunder in the East.

LA BATAILLE DES DAMES. SEE Devil May Care.

THE BATH BETWEEN. 1928. 2 reels, b&w.

Credits: Director, Ben Stoloff; story and adaptation, Sidney Lanfield.

BATH DAY. Century. 1922. 2 reels.

Credits: Story and direction, Fred Hibbard.

THE BATH HOUSE SCANDAL. Nestor. 1918. 1 reel.

Credits: Harry Wulze; director, Wallace Beery.

48© Universal Film Mfg. Co., Inc.; 9May18; LP12395.

A BATH-HOUSE TANGLE. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Harry Edwards.

A BATH HOUSE TRAGEDY. L-Ko. 1915. 2 reels.

BATH TIME. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

BATHING BEAUTY BABIES. (A McDougall Alley) Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Robert B. Wilcox.

BATHING PROHIBITED. 1920. 1 reel.

THE BATHING SUITOR. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; directors, Gene Forde, Zion Myers; story, Murray Roth.

A BATH TUB MYSTERY. 1916. 1,000 ft.

Credits: Written and produced by Edwin McKim.

BATH TUB PERILS. 1917. 2 reels.

THE BATTAK OF SUMATRA. 1929. 1 reel.

Credits: Edited by Harvard University, Dept. of Anthropology.

BATTER UP. (Mermaid Comedies) 1927. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

BATTER UP. 1936. 1 reel.

A BATTERY OF SONGS. SEE Waite Hoyt with J. Fred Coots in A Battery of Songs.

BATTERY POWER. Presented by Willard. 1938. 1 reel, sd.

THE BATTLE. Presented by Léon Garganoff. 1934. 9 reels, sd. From the novel "La Bataille" by Claude Farrère.

Credits: Producer, Léon Garganoff; director, Nicholas Farkas; scenario, Nicholas Farkas, Bernard Zimmer; dialogue, Robert Stevenson; music, Andre Gailhard.

THE BATTLE. SEE

The Danger Line.

The Money Master.

THE BATTLE AT ELDERBUSH GULCH. 1913.

THE BATTLE CRY. SEE Her Man.

THE BATTLE CRY OF PEACE. 1915. 9 reels. Adapted from the book "Defenceless America" by Hudson Maxim.

Credits: Compiled and arranged by J. Stuart Blackton.

THE BATTLE FOR CHILE CON CARNE. Nester. 1916. 1 reel.

Credits: Director, L. W. Chaudet; story, Eddie Lyons, Lee Moran; scenario, Charles J. Wilson, Jr.

THE BATTLE HYMN OF THE REPUBLIC. Vitagraph Company of America. 1917. 1 reel.

Credits: Beta Breuil; director, Lawrence Trimble.

BATTLE OF BROADWAY. 1938. 7,600 ft., sd.

Credits: Director, George Marshall; original story, Norman Houston; screenplay, Lou Breslow, John Patrick; music director, Samuel Kaylin.

THE BATTLE OF FRENCHMAN'S RUN. 1915. 1 reel.

Credits: Director, Theodore Marston.

A BATTLE OF HEARTS. 1916. For Fox Film Corp. 5 reels. Adapted from "The Iron Man" by Francis Marion.

Credits: Produced and adapted by Oscar C. Apfel.

THE BATTLE OF LET'S GO. 1917. 2 reels.

Credits: Director, Craig Hutchinson.

THE BATTLE OF LIFE. 1916. For Fox Film Corp. 5 reels.

Credits: Director, James Vincent; story, James R. Garey; scenario, Adrian Johnson.

THE BATTLE OF PARIS. 1929. 8 reels, sd.

Credits: Director, Robert Florey; story and dialogue, Gene Markey; music and lyrics, Cole Porter.

THE BATTLE OF RUNNING BULL. Sterling. 1915. 2 reels.

BATTLE OF THE BARN. (A Scrappy Cartoon) 1932. 1 reel.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis.

THE BATTLE OF THE CENTURIES. (Battle for Life) 1932. 9 min.

Credits: Narration, Gayne Whitman.

THE BATTLE OF THE CENTURY. Presented by Hal Roach. 1928. 2 reels.

Credits: Supervision, Leo McCarey; director, Clyde Bruckman; story and production, Hal Roach; editor, Richard Currier.

THE BATTLE OF THE SEXES. United Artists. Presented by D. W. Griffith. 1928. 10 reels, sd.

Credits: Director, D. W. Griffith; story, Daniel Carson Goodman; adaptation, Gerrit J. Lloyd.

THE BATTLE OF THE WEAK. 1914. 1 reel.

Credits: Director, Theodore Marsten.

THE BATTLE OF TRUTH. 1916. 3 reels.

A BATTLE OF WITS. Big U. 1917. 2 reels.

A BATTLE OF WITS. 1921. 2 reels.

49Credits: Producer, Edward Kull; story and scenario, George Morgan, George H. Plympton.

A BATTLE OF WITS. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story and continuity, George Morgan.

THE BATTLE ROYAL. 1918. 2 reels.

Credits: Director, Richard Jones.

BATTLE ROYAL. 1932. 2 reels, sd., b&w. From the "Rufftown Stories" by Arthur (Bugs) Baer.

Credits: Supervision, Lew Lipton; director, Harry Sweet; screenplay, Ralph Ceder; film editor, Fred Maguire.

BATTLE ROYAL. (Oswald) Snappy. 1936. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod; artists, Ed Benedict, Fred Kopletz.

THE BATTLER. 1916. 1 reel.

Credits: Director, Lawrence Semon.

Credits: Director, Frank Reicher; story, Forrest Halsey; scenario, Harry O. Hoyt.

THE BATTLER VS. THE BOTTLER. (Herbert Kaufman's Weekly) 1920. 1 reel.

Credits: Scenario, Tom Bret; picturization, Albert K. Dawson.

BATTLING BATES. 1923. 5 reels.

Credits: Director, Webster Cullison; story and scenario, Daniel F. Whitcomb.

BATTLING BEAUTIES. 1920. 1 reel.

THE BATTLING BELLBOY. Joker. 1917. 1 reel.

Credits: Jack Cunningham; director, W. W. Beaudine.

THE BATTLING BUCKAROO. (Western Featurette) 1927. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Basil Dickey.

Credits: Director, Richard Thorpe; story, Elizabeth Burbridge.

BATTLING BUTLER. 1926. 7 reels. From a book by Stanley Brightman and Austin Melford.

Credits: Director, Buster Keaton; screen adaptation, Paul Gerard Smith, Albert Boasberg, Charles Smith, Lex Neal.

THE BATTLING DUET. 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

THE BATTLING FOOL. Presented by Perfection Pictures. 1924. 5 reels.

Credits: Director, W. S. Van Dyke.

BATTLING JANE. Paramount. Presented by The New Art Film Co. 1918. 5 reels.

Credits: Director, Elmer Clifton; story, Arnold Bernot.

BATTLING JUSTICE. (Western Featurette) 1928. 2 reels.

Credits: Director, Walter Fabian; story and continuity, George W. Pyper.

BATTLING KANGAROO. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Jules White; story, Hewlett Benjamin, Edward Marshall.

THE BATTLING KID. (Western Featurette) 1930. 2 reels.

Credits: Director, Jack Nelson.

Credits: Directors, Ted Wilde, Fred Guiol.

BATTLING SILVER KINGS. (A Grantland Rice Sportlight) 1931. 1 reel.

BATTLING SISTERS. (Educational-Lupino Lane Comedy) 1929. 2 reels.

Credits: Director, Henry W. George.

BATTLING WITH BUFFALO BILL. 1931. 2 reels each. Suggested by "The Great West That Was" by William F. Cody (Buffalo Bill). © Universal Pictures Corp.

Credits: Director, Ray Taylor; story, Henry McRae; dialogue, Ella O'Neill; continuity, George Plympton.

BAVU. Jewel. 1923. 8 reels.

Credits: Director, Stuart Paton; story, Edward Carrol; scenario, Raymond L. Schrock, Albert Kenyon.

BAWLED OUT. 1918. 2 reels.

Credits: Director, James Davis.

THE BAY OF SEVEN ISLES. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; scenario, James Dayton.

BAZAARS OF CAIRO. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

BE A LITTLE SPORT. 1919. 5 reels.

Credits: Director, Scott Dunlap; story, Hale Merriman; scenario, Joseph A. Roach.

BE BRAVE! 1924. 2 reels.

Credits: Producer, Eddie Lyons.

BE CAREFUL. (Jimmie Adams Comedies) Educational Film Exchanges, Inc. 1925. 2 reels.

Credits: Producer, Christie; director, Harold Beaudine.

BE CAREFUL DEARIE. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Zion Myers.

BE HUMAN. (Betty Boop Cartoon) 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Lillian Friedman.

BE KIND TO AMINALS. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer.

BE LIKE ME. 1933. 1 reel, sd.

Credits: Written and directed by Aubrey Scotto.

BE MY BEST MAN. Black Cat. 1917. 30 min.

Credits: Director, Fred E. Wright; story, H. Tipton Steck.

BE MY GUEST. 1923. 1 reel.

BE MY KING. 1928. 2 reels.

Credits: Director, Henry W. George.

BE MY WIFE. 1921. 5 reels.

Credits: Written and directed by Max Linder.

BE MY WIFE. (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Francis Corby; story, William Anthony.

BE REASONABLE. 1921. 2 reels.

Credits: Supervision, Mack Sennett; director, Roy Del Ruth.

BE REASONABLE. 1921. 2 reels.

Credits: Director, Roy Del Ruth.

BE UP TO DATE. (A Betty Boop Cartoon) 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Harold Walker.

Credits: Supervision, F. Richard Jones; director, Leo McCarey; titles, H. M. Walker; editor, Richard Currier.

BE YOURSELF. (Broadway Comedy, no. 15) 1923. 2 reels.

BE YOURSELF. 1924. 2 reels.

Credits: Written and directed by Al St. John, Ben Stoloff.

BE YOURSELF. United Artists. 1930. 9 reels. Adapted from "The Champ" by Joseph Jackson.

Credits: Director, Thornton Freeland; adaptation, Max Marcin, Thornton Freeland; music arrangement, Hugo Riesenfeld; editor, Robert J. Kern.

BEACH AND SEA ANIMALS. 1931. 1 reel, sd.

Credits: Narrative, Clyde Fisher.

BEACH BABIES. (Variety Comedy) 1929. 2 reels.

Credits: Producer, Gordon Bostock; director, Bradley Barker; story, Joe Hayman, Gordon Bostock; film editor, E. Pfitzenmeier.

THE BEACH CLUB. 1928. 2 reels.

Credits: Director, Harry Edwards; story, Jefferson Moffitt, Harry McCoy.

BEACH MASTERS. (The Struggle to Live Series, no. 3) Presented by RKO Radio Pictures. 1935. 1 reel, sd.

Credits: Associate producers, Stacey Woodard, Howard Woodard; narrator, Gayne Whitman.

A BEACH NUT. Nestor. 1919. 1 reel.

Credits: Story, scenario, and direction, Wallace Beery.

THE BEACH NUT. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Harry W. Conn; staged by Max E. Hayes.

BEACH NUTS. 1917. 2 reels.

Credits: Director General, J. G. Blystone; director, Noel Smith.

BEACH PAJAMAS. (Traveling Man Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, story and adaptation, William Goodrich; film editor, Walter Thompson.

THE BEACH PARTY. (Mickey Mouse, no. 19) 1931. 1 reel.

BEACH PICNIC. (A Walt Disney Donald Duck) 1939. 1 reel, sd.

BEACH SPORTS. (Bill Corum, no. 11) 1937. 1 reel.

BEACH VAMPS. 1920. 1 reel.

THE BEACHCOMBER. 1916. 2 reels.

Credits: Charles J. McGuirk; director, L. C. Windom.

THE BEACHCOMBER. Mayflower. 1939. 9 reels, sd. Based on the story "Vessel of Wrath" by W. Somerset Maugham.

Credits: Producer and director, Erich Pommer; screenplay, Bartlett Cormack; film editor, Robert Hamer.

BEACH COMBERS. (An Oswald Cartoon) 1936. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod; artists, Manuel Moreno, Lester Kline.

BEACHES AND PEACHES. 1918. 2 reels.

Credits: Director, Archie Mayo.

BEACHES AND SCREAM. (Krazy Cat Cartoon) 1928. 1 reel.

Credits: Story and animation, Ben Harrison, Manny Gould.

Credits: Producer, E. A. Martin.

BEANED BY A BEANSHOOTER. 1916. 1 reel.

Credits: Director, Theodore Marston.

BEANS! 1918. 5 reels.

Credits: Director, Jack Dillon; story, Rex Taylor; scenario, John B. Clymer.

BEANS AND BULLETS. Joker. 1916. 1 reel.

Credits: Producer, W. W. Beaudine; story, Barney Fury; scenario, Harry Wulze.

BEANSTALK JACK. (Paul Terry-Toons) Educational. 1933. 6 min., sd.

Credits: Frank Moser, Paul Terry.

A BEAR, A BOY, AND A DOG. 1921. 2 reels.

Credits: Director, Bert Van Tuyle; story, Nell Shipman.

A BEAR AFFAIR. 1915.

Credits: Producer, Mack Sennett.

THE BEAR-CAT. 1922. 5 reels.

Credits: Director, Edward Sedgwick; story, F. R. Buckley; scenario, George Hively.

BEAR CATS. (Juvenile Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

THE BEAR FACTS. 1914. 1 reel.

Credits: Director, Tefft Johnson.

BEAR FACTS. 1917. 2 reels. From the play by Charles Hoyt.

Credits: Director, J. A. Richmond.

BEAR FACTS. (Hal Roach Comedy) Presented by Hal Roach. 1938. 1 reel, sd.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

BEAR FACTS. SEE Judge Rummy in Bear Facts.

BEAR KNEES. Presented by William Fox. 1928. 2 reels, b&w.

Credits: Director, Mark Sandrich; story, Fred Spencer.

A BEAR OF A STORY. 1916. 1 reel.

Credits: Produced and written by Tom Mix.

BEAR SKINNED BEAUTIES. Century. 1920. 2 reels.

Credits: Written and directed by F. C. Windemere.

THE BEAR TAMER'S DAUGHTER. SEE Revenge.

THE BEAR THAT COULDN'T SLEEP. Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Producer, Rudolph Ising.

THE BEAR TRAP. SEE Excuse My Dust.

THE BEARDED LADY. 1930. 2 reels, sd.

Credits: Director, William Watson; story, Addison Burkhart.

BEARS. 1933. 1 reel.

BEARS AND BAD MEN. 1918. 2 reels.

Credits: Written and directed by Lawrence Semon.

THE BEARS AND BEES. (Silly Symphony, no. U. A. 1) (A Mickey Mouse Cartoon) 1932. 1 reel.

THE BEARS AND BEES. (A Walt Disney Silly Symphony Cartoon, no. U. A. 1) 1932. 1 reel.

BEARS AND BULLETS. 1916. 1 reel.

BEASLEY'S CHRISTMAS PARTY. SEE Sophia's Imaginary Visitors.

THE BEAST. 1915. 2,000 ft.

THE BEAST. 1916. For Fox Film Corp. 5 reels.

Credits: Directed by Richard Stanton.

THE BEAST. SEE

The Awakening.

Irene Rich & Company.

THE BEAST OF BORNEO. 1934. 7 reels.

Credits: Director, Harry Garson; story, Alfred Hustwick, Frank J. Murray; screenplay, Alfred Hustwick.

A BEAST OF SOCIETY. Big U. 1916. 3 reels.

Credits: Harvey Gates; producer, Travers Vale.

THE BEAST OF THE CITY. 1932. 10 reels.

Credits: Director, Charles Brabin; story, W. R. Burnett; dialogue continuity, John L. Mahin.

Credits: Director, William Craft; story and scenario, Val Cleveland.

Credits: Scenario editor, Lloyd Lonergan.

BEATING CHEATERS. Paramount. 1920. 2 reels.

Credits: Director, Charles Parrott; story, Keene Thompson; scenario, Bob McGowan.

Credits: Scenario, Scotty Beall.

BEATING HEARTS AND CARPETS. 1915.

Credits: Producer, Mack Sennett.

BEATING THE BURGLAR. 1914. 400 ft.

BEATING THE GAME. Goldwyn Studios. 1921. 6 reels.

Credits: Directed and supervised by Victor Schertzinger; story and continuity, Charles Kenyon.

BEATING THE GAME. 1921. 2 reels.

Credits: Producer, Lee Kohlmar; story, Evelyn McKinney; scenario, Robert Dillon.

BEATING THE LIMITED. 1918. 2 reels.

Credits: Story, George Marshall; scenario, Tom Gibson.

BEATING THE ODDS. 1919. 5 reels.

Credits: Director, Paul Scardon; story, Irving R. Allen; scenario, Edward Montagne.

Credits: Scenario, Basil Dickey.

BEATRICE LILLIE AND HER BOY FRIENDS. 1930. 1 reel, sd.

BEATRICE LILLIE, MUSICAL COMEDY STAR OF SHE'S MY BABY, IN HER CHARACTERIZATION OF THE ROSES HAVE MADE ME REMEMBER. 1928. 1 reel.

Credits: Director, Marcel G. Silver.

BEAU AND ARROWS. (An Oswald Comedy) Snappy. 1932. 1 reel.

Credits: Walter Lantz, Bill Nolan.

BEAU BANDIT. 1930. 8 reels, sd.

Credits: Producer, William Le Baron; director, Lambert Hillyer; screenplay, Wallace Smith; editor, Archie F. Marshek.

BEAU BASHFUL. 1934. 2 reels.

Credits: Director, James W. Horne; story, Albert Austin, James W. Horne.

BEAU BEST. (Oswald Cartoon) Snappy. 1933. 1 reel.

Credits: Direction and animation, Walter Lantz, William Nolan.

BEAU BOSKO. (Looney Tunes, no. 3) 1933. 1 reel, sd.

52Credits: Drawn by Rollin Hamilton, Norm Blackburn.

BEAU BROADWAY. 1928. 7 reels, b&w.

Credits: Story, production and direction, Malcolm St. Clair; adaptation, F. Hugh Herbert; continuity, George O'Hara; film editor, Harry Reynolds.

BEAU BRUMMEL. 1924. 10 reels. From the play by Clyde Fitch.

Credits: Director, Harry Beaumont; adaptation, Dorothy Farnum.

BEAU CRUMMEL AND HIS BRIDE. 1913. 1 reel.

Credits: Mark Swan.

BEAU GESTE. 1927. 10,000 ft. From the novel by Percival Wren.

Credits: Director, Herbert Brenon; adaptation, John Russell; scenario, Paul Schofield.

BEAU GESTE. 1939. 12 reels, sd. Based on the novel by Percival Christopher Wren.

Credits: Producer and director, William A. Wellman; screenplay, Robert Carson; film editor, Thomas Scott.

BEAU HUNKS. (A Hal Roach Comedy) 1931. 4 reels, sd.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

BEAU IDEAL. 1930. 9 reels. Based on the novel by Percival C. Wren.

Credits: Director, Herbert Brenon; screenplay, Paul Schofield; adaptation, Elizabeth Meehan.

BEAU NIGHT. SEE El Brendell and Flo Bert in Beau Night.

BEAU REVEL. 1921. 6 reels.

Credits: Director, John Griffith Wray; story, Louis Joseph Vance.

BEAU SABREUR. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 6,704 ft. From the story by Percival Christopher Wren.

Credits: Director, John Waters; adaptation, Tom J. Geraghty.

THE BEAUTIES. (Rainbow Comedies) 1930. 2 reels, sd.

Credits: Hugh Cummings; producer, John C. Flinn; director, Frank T. Davis; film editor, Fred Maguire; music director, Josiah Zuro.

BEAUTIES BEWARE. (Ideal Comedies) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

BEAUTIES IN DISTRESS. 1920.

THE BEAUTIFUL ADVENTURE. Presented by Charles Frohman. 1917. 6 reels. Based on the play "La Belle Aventure" by R. De Flers and A. De Caillavet.

Credits: Director, Dell Henderson; scenario, Joseph F. Poland.

THE BEAUTIFUL AND DAMNED. 1922. 7 reels. From the story by F. Scott Fitzgerald.

Credits: Director, William A. Seiter; scenario and adaptation, Olga Printzlau.

BEAUTIFUL AND DUMB. (A Van Beuren Miniature) RKO-Van Beuren Corp. Presented by Radio Pictures. 1932. 1 reel, sd. A short story from Liberty Magazine by Walter Marquiss.

Credits: Associate producer, Nat Ross; adaptation and direction, Emmett Flynn; screenplay, Ruth Todd, Dick Smith; editor, Vera Wade.

BEAUTIFUL BANFF AND LAKE LOUISE. (A FitzPatrick Traveltalk) 1935. 1 reel, sd., color.

Credits: Director, Benjamin D. Sharpe; compiler, J. A. FitzPatrick; photography, W. C. Hoch.

BEAUTIFUL BELINDA. 1915. 1 reel.

Credits: Producer, E. A. Martin.

BEAUTIFUL BERMUDA. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

BEAUTIFUL BUDAPEST. (A FitzPatrick Traveltalk) 1938. 791 ft., sd., color.

Credits: Photographer, Winton C. Hoch; music score, Jack Shilkret.

THE BEAUTIFUL BULLET. SEE Danger Street.

BEAUTIFUL BUT DUMB. 1928. 7 reels.

Credits: Director, Elmer Clifton; story and continuity, John Francis Natteford; editor, Desmond O'Brien.

BEAUTIFUL, BUT DUMMIES. 1938. 1,536 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

BEAUTIFUL CALIFORNIA, 1914. 1 reel.

THE BEAUTIFUL CAVERNS OF LURAY, A WORLD OF ROCK-RIBBED DARKNESS. 1938. 30 min., sd., b&w., color sequences, 16 mm.

THE BEAUTIFUL CHEAT. Jewel. 1926. 7 reels.

Credits: Director, Edward Sloman; story, Nina Wilcox Putnam; scenario, A. P. Younger, Olga Printzlau.

THE BEAUTIFUL CITY. First National. 1925. 7 reels.

Credits: Director, Kenneth Webb; screenplay, Edmund Goulding.

THE BEAUTIFUL GAMBLER. Universal Special. 1921. 5 reels.

Credits: Producer, William Worthington; story, Peter B. Kyne; scenario, Hope Loring.

THE BEAUTIFUL IMPOSTOR. (Star Featurette) 1917. 2 reels.

Credits: Catherine Carr; director, Lucius Henderson.

THE BEAUTIFUL LADY. 1915. 1 reel.

THE BEAUTIFUL LIAR. Nestor. 1918. 1 reel.

Credits: Director, Ben Wilson; story, Rex Taylor.

THE BEAUTIFUL LIAR. First National. Presented by B. P. Schulberg. 1921. 5 reels.

Credits: George Marion, Jr.; director, Wallace Worsley.

THE BEAUTIFUL LIE. Rolfe Photoplays, Inc. 1917. 5 reels. From the poem "Reveries of a Station House" by Ella Wheeler Wilcox.

Credits: Director, John W. Noble; adaptation, June Mathis.

Credits: Director, Arthur Ashley; story, Samuel M. Weller.

THE BEAUTIFUL SINNER. Presented by Perfection Pictures. 1924. 5 reels.

Credits: Director, W. S. Van Dyke; story, Wilfred Lucas.

BEAUTIFUL SWITZERLAND. (A Columbia Tour, series 3, no. 1) 1939. 1 reel, sd.

Credits: Producer, André De La Varre; narrator, Len Sterling.

THE BEAUTIFUL TEMPLES OF CEYLON. (Dr. Dorsey's Travel Pictures) Powers. 1916. 1 reel.

BEAUTIFUL THOUGHTS. 1915. 1 reel.

Credits: Director, Sidney Drew.

BEAUTIFULLY TRIMMED. 1920. 5 reels.

Credits: Producer, Marcel DeLano; story, Marguerite C. Storrs; scenario, Douglas Doty, Marcel DeLano.

BEAUTY. SEE

Beauty for Sale.

The Bondage of Fear.

53BEAUTY A LA MUD. (Jimmie Adams Comedies) Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, Harold Beaudine.

BEAUTY AND BOOTY. 1918. 2 reels.

Credits: Written and directed by J. A. Howe.

BEAUTY AND BULLETS. 1928. 5 reels.

Credits: Director, Ray Taylor.

BEAUTY AND THE BAD MAN. Released by Producers Distributing Corp. 1925. 6 reels. Adapted from the story "Cornflower Cassie's Concert" by Peter B. Kyne.

Credits: Producer, Frank E. Woods; director, William Worthington; adaptation, E. Richard Schayer.

BEAUTY AND THE BANDIT. 1921. 2 reels.

Credits: Producer, Edward Kull; story, Harry McArthur, George H. Plympton.

BEAUTY AND THE BANDIT. Mustang. 1925. 2 reels.

Credits: Director, Edward Kull; story, Henry McArthur, Geo. H. Plympton.

BEAUTY AND THE BEAST. (Merrie Melodies) 1934. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; animation, Jack King, Rollin Hamilton; music, Bert Kalmar, Harry Ruby; musical score, Norman Spencer.

BEAUTY AND THE BOOB. 1919. 2 reels.

BEAUTY AND THE BOSS. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 7 reels. Based on the play "Church Mouse" by Ladislaus Fodor.

Credits: Director, Roy Del Ruth; adaptation, Joseph Jackson.

BEAUTY AND THE BUMP. (A Skylark Comedy) 1927. 2 reels.

Credits: Written and directed by Craig Hutchinson.

BEAUTY AND THE BUS. (Hal Roach Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, William Terhune.

THE BEAUTY BUNGLERS. 1915.

Credits: Producer, Mack Sennett.

THE BEAUTY DOCTOR. Victor. 1917. 1 reel.

Credits: Director, John Steppling; scenario, James Dayton.

BEAUTY FOR SALE. 1933. 9 reels, sd. From the novel "Beauty" by Faith Baldwin.

Credits: Associate producer, Lucien Hubbard; director, Richard Boleslavsky; screenplay, Zelda Sears, Eve Greene; film editor, Blanche Sewell.

BEAUTY FOR THE ASKING. 1939. 68 min., sd.

Credits: Grace Norton, Adele Buffington; producer, B. P. Fineman; director, Glenn Tryon; story, Edmund L. Hartmann; screenplay, Doris Anderson, Paul Jarrico; editor, George Crone; music director, Roy Webb.

THE BEAUTY HUNTERS. 1916. 1 reel.

Credits: Producer, William Robert Daly.

BEAUTY IN CHAINS. Special Feature. 1918. 5 reels. Based on the book "Doña Perfecta" by B. Pérez Galdós.

Credits: Director, Elsie Jane Wilson; scenario, Elliott J. Clawson.

THE BEAUTY MARKET. First National. Presented by The Katherine MacDonald Pictures Corp. 1919. 6 reels. Adapted from "The Bleeders" by Margery Land May.

Credits: Director, Colin Campbell.

BEAUTY ON BROADWAY. Rowland-Brice. 1933. 2 reels.

Credits: Director, Monte Brice; story, Sig Herzig, H. O. Kusell.

THE BEAUTY PARADE. 1930. 2 reels.

Credits: Director, Samuel Newfield.

THE BEAUTY PARLOR. 1926. 2 reels. Suggested by the Cosmopolitan Magazine stories by H. C. Witwer.

Credits: Directors, Arvid E. Gillstrom, Reggie Morris; adaptation, Tom McNamara; continuity, Jean Dupont.

A BEAUTY PARLOR. 1926. 2 reels.

THE BEAUTY PRIZE. 1924. 6 reels.

Credits: Director, Lloyd Ingraham; story, Nina Wilcox Putnam; continuity, Winifred Dunn.

BEAUTY-PROOF. 1919. 5 reels.

Credits: Director, Paul Scardon; story, James Oliver Curwood; scenario, Edward J. Montagne.

BEAUTY SECRETS FROM HOLLYWOOD. 1931. 1 reel, sd.