Motion pictures, 1912-1939, O (continued 2) — Read Online

Credits: Producer, Lee Marcus; director, Leslie Goodwins; story, Leslie Goodwins, Monty Collins; film editor, Edward Mann.

ONE LOVELY NIGHT. Okeh. 1919. 1 reel.

Credits: Director, Al Santell; story, Karl R. Coolidge.

ONE MAD KISS. 1930. 5,766 ft., sd. Based on a play by Adolph Paul.

Credits: Director, James Tinling; adaptation and dialogue, Dudley Nichols; editor, Louis Loeffler.

THE ONE MAN DOG. 1929. 6 reels.

Credits: Director, Leon D'Usseau; story and continuity, Frank Howard Clark.

A ONE MAN GAME. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Ernst Laemmle; story and scenario, William Lester.

ONE MAN IN A MILLION. 1921. 6 reels.

Credits: Written and directed by George Beban; scenario, Dorothy Yost.

ONE MAN JUSTICE. 1937. 6 reels, sd.

Credits: Producer, Peter B. Kyne; director, Leon Barsha; story, William Colt MacDonald; screenplay, Paul Perez; film editor, William Lyon.

ONE MAN LAW. 1932. 6 reels, sd.

Credits: Written and directed by Lambert Hillyer.

THE ONE MAN QUARTETTE. SEE Eddie Miller in the One Man Quartette.

THE ONE-MAN REUNION. 1929. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

A ONE MAN SHOW. Bluebird. 1927. 1 reel.

Credits: Director, Richard Smith.

THE ONE MAN TRAIL. 1921. 5 reels.

Credits: Director, Bernard J. Durning; story, Jack Strumwasser, C. C. Westover; scenario, William H. Howard.

ONE MAN'S EVIL. Bison. 1915. 2 reels.

Credits: Producer, Joseph De Grasse; scenario, Ida May Parke.

ONE MAN'S JOURNEY. 1933. 8 reels, sd. From the story "Failure" by Katharine Haviland-Taylor.

Credits: Producer, Pandro S. Berman; director, John Robertson; screenplay, Lester Cohen, Sam Ornitz; editor, Arthur Roberts; music director, Max Steiner.

ONE MILE FROM HEAVEN. 1937. 7 reels, sd. Based on the original stories by Judge Ben B. Lindsey, Robin Harris, Alfred Golden.

Credits: Director, Allan Dwan; screenplay, Lou Breslow, John Patrick; music, Samuel Kaylin.

ONE MILLION DOLLARS. Presented by Rolfe Photoplays, Inc. 1915. 5 reels.

ONE MINUTE TO PLAY. 1926. 8 reels.

Credits: Director, Sam Wood; story and continuity, Byron Morgan.

ONE MOMENT, PLEASE. 1921. 2 reels.

Credits: Director, Slim Summerville.

ONE MORE AMERICAN. 1918. Based on the play "The Land of the Free" by William C. De Mille.

Credits: Director, William C. De Mille; scenario, Olga Printzlau.

ONE MORE CHANCE. 1931. 20 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster.

ONE MORE CHANCE. (A Mack Sennett Talking Picture) Presented by E. W. Hammons. 1934. 1,868 ft., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster; film editor, William Hornback.

ONE MORE RIVER. 1934. 9 reels. From the story by John Galsworthy.

Credits: Director, James Whale; screenplay, R. C. Sherriff.

ONE MORE SPRING. 1935. 7,860 ft., sd. From the novel by Robert Nathan.

Credits: Director, Henry King; screenplay and dialogue, Edwin Burke; music, Arthur Lange.

ONE MOTHER'S FAMILY. (An M.G.M. Cartoon) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Producer, Rudolf Ising.

ONE NEW YORK NIGHT. 1935. 7 reels, sd., b&w. From the play "Order Please" by Edward Childs Carpenter, which was based on a play by Walter Hackett.

Credits: Producer, Bernard H. Hyman; director, Jack Conway; screenplay, Frank Davis; film editor, Tom Held.

ONE NIGHT. Imp. 1915. 1 reel.

ONE NIGHT. 1918. 15 min.

Credits: Arranged and directed by Arthur D. Hotaling.

ONE NIGHT AT SUSIE'S. 1930. 8 reels, sd.

Credits: Producer, John Francis Dillon; story, Frederick Hazlitt Brennan; screen version and dialogue, Forrest Halsey, Kathryn Scola.

ONE NIGHT AT SUSIE'S. Trailer. First National. 1930. 1 reel.

ONE NIGHT IN ROME. 1924. 7 reels.

Credits: Story, J. Hartley Manners.

ONE NIGHT OF LOVE. 1934. 9 reels, sd.

Credits: Director, Victor Schertzinger; story, Dorothy Speare, Charles Beahan; screenplay, S. K. Lauren, James Gow, Edmund North; music, Louis Silvers; music director, Pietro Cimini.

Credits: Written and directed by Charles Parrott.

A ONE NIGHT STAND. 1915. 1 reel.

Credits: Producer, Mack Sennett.

ONE NUTTY NIGHT. (Checker Comedies) 1930. 2 reels, sd.

Credits: Producer, John C. Flinn; director, Wallace Fox; story, Bobby Carney, Si Wills; screenplay, Wallace Fox; film editor, Charles Craft; music director, Josiah Zuro.

ONE OF MANY. 1917. Presented by Arthur James. 5 reels.

Credits: Written and produced by William Christy Cabanne.

615© Dyreda Art Film Corp. (J. Searle Dawley, author); title & descr., 20Feb15; 28 prints, 7Nov14; LU4499.

ONE OF THE BRAVEST. Gotham. 1925. 6 reels.

Credits: Director, Frank O'Connor; story, James J. Tynan; continuity, Henry McCarty; film editor, Irene Morra.

ONE OF THE FINEST. Presented by Samuel Goldwyn. 1919. 5 reels.

Credits: Director, Harry Beaumont; story, J. Clarkson Miller.

ONE OF THE PACK. 1916. 2 reels.

Credits: Producer, Leon D. Kent.

ONE OF THE SMITHS. Presented by Hal Roach. 1931. 3 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

ONE OF THREE. (Further Exploits of Yorke Norroy, no. 2) 1923. 2 reels.

ONE OF US. SEE The Love Burglar.

ONE ON HENRY. Metro-Drew. 1916. 1 reel.

Credits: Charlotte W. Ayers; producer, Sidney Drew.

ONE ON HIM. 1917. Split reel.

ONE ON MOTHER. Rex. 1915. 1 reel.

Credits: Producer, H. C. Matthews.

ONE ON THE AISLE. 1930. 1 reel, sd.

ONE ON THE HOUSE. 1938. 20 min., sd.

Credits: Director, Lloyd French; story, Eddie Forman.

ONE PERFORMANCE ONLY. 1915. 3 reels.

Credits: Producer, Eugene Mullin.

ONE PLUS ONE EQUALS ONE. 1915. 1 reel.

Credits: Director, Tefft Johnson.

1 PLUS 1 EQUALS 2. SEE A Perfect Match.

ONE PUNCH O'TOOLE. 1931. 2 reels, sd.

Credits: Director, Sig Neufeld; story, Scott Darling; continuity and dialogue, Scott Darling, Sig Neufeld.

ONE QUIET NIGHT. (Cameo Comedies) 1931. 1 reel.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley, Harrison Jacobs.

ONE RAINY AFTERNOON. Released through United Artists. 1936. 80 min., sd. From the story "Monsieur Sans Gene" by Pressburger and Rene Pujal.

Credits: Director, Rowland V. Lee screenplay and dialogue, Stephen Morehouse Avery; additional dialogue, Maurice Hanline; film editor, Margaret Clancy; music, Ralph Irwin; music directors, Al Newman, Merritt Gerstad.

A ONE-REEL FEATURE. 1915.

ONE ROMANTIC NIGHT. United Artists. 1930. 8 reels, sd. Adapted from the play "The Swan" by Ferenc Molnár.

Credits: Supervising producer, John W. Considine, Jr.; director, Paul L. Stein; adaptation, Melville Baker; editor, James Smith; music arrangement, Hugo Riesenfeld.

ONE ROUND HOGAN. 1927. 7 reels.

Credits: George Godfrey; director, Howard Bretherton; story, F. L. Giffen; adaptation, Charles Condon.

ONE RUN ELMER. (An Educational Star Comedy Special) Presented by E. W. Hammons. 1935. 1,753 ft., sd.

Credits: Director, Charles Lamont; story, Glen Lambert.

Credits: Screenplay, George Hennessy.

ONE SHOT RANGER. 1925. 5 reels.

ONE SPLENDID HOUR. Presented by Samuel Zierler. 1929. 6 reels. Suggested by a story by Adeline Leitzbach.

Credits: Director, Burton King; adaptation, Isadore Bernstein; screenplay, Sylvia Bernstein, Jacques Jaccard; editor, Betty Davis.

ONE STEP AHEAD OF MY SHADOW. (Merrie Melodies, no. 6) 1933. 1 reel.

Credits: Associate producer, Leon Schlesinger; drawn by Isadore Frel and Max Maxwell; musical score, Frank Marsales.

ONE STOLEN NIGHT. 1923. 5 reels. Adapted from the story "The Arab" by D. D. Calhoun.

Credits: Director, Robert Ensminger; scenario, Bradley J. Smollen.

ONE STOLEN NIGHT. 1929. 6 reels.

Credits: Director, Scott R. Dunlap; story, D. D. Calhoun; adaptation, Edward T. Lowe, Jr.

ONE STOLEN NIGHT. Trailer. 1929. 1 reel, sd.

ONE STORMY ORPHAN. (Mirthquake, no. 7) 1922. 2 reels.

Credits: Director, Eugene De Rue; scenario, Ralph Ceder.

ONE SUNDAY AFTERNOON. 1933. 8 reels. From the stage play by James Hagan.

Credits: Producer, Louis D. Lighton; director, Stephen Roberts; screenplay, Grover Jones, William Slavens McNutt.

ONE SUNDAY MORNING. (Hamilton Comedies) 1926. 2 reels.

Credits: Written and directed by William Goodrich.

ONE-THING-AT-A-TIME-O'DAY. 1919. 5 reels. Based on the Saturday Evening Post story by William Dudley Pelley.

Credits: Supervision, Maxwell Karger; director, John Ince; scenario, George D. Baker.

... ONE THIRD OF A NATION.... A Dudley Murphy production. Presented by Harold Orlob. 1939. 8 reels, sd. From the play by Arthur Arent.

Credits: Producer, Harold Orlob; direction and adaptation, Dudley Murphy; screenplay, Oliver H. P. Garrett.

ONE THOUSAND DOLLARS. 1918. 5 reels. Adapted from a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Kenneth Webb; adaptation, Stanley Olmsted.

$1,000 A MINUTE. 1935. 7 reels, sd. From the story by Everett Freeman.

Credits: Producer, Nat Levine; supervision, Colbert Clark; director, Aubrey Scotto; screenplay, Joseph Fields; adaptation, Jack Natteford, Claire Church; film editor, Ray Curtiss.

$1,000 A TOUCHDOWN. 1939. 8 reels, sd.

Credits: Director, James Hogan; original screenplay, Delmer Daves; film editor, Chandler House.

ONE THOUSAND MILES AN HOUR. Nestor. 1916. 1 reel.

Credits: Bess Meredyth; director, Louis William Chaudet.

ONE TOO MANY. 1934. 2 reels, sd.

Credits: Director, Robert McGowan; story and screenplay, Harry McCoy; film editor, James Sweeney.

ONE TOUCH OF NATURE. 1914. 1 reel.

Credits: Courtenay Ryley Cooper.

616© Thomas A. Edison, Inc.; 18Jul14; LP3059.

ONE TOUCH OF NATURE. 1917. 5 reels.

Credits: Director, Edward H. Griffith; story, Peter B. Kyne.

ONE TOUCH OF SIN. 1917. For Fox Film Corporation. 5 reels.

Credits: Story, L. Genez; scenario, Richard J. Stanton.

ONE TRACK MINDS. (A Pitts-Todd Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

ONE TRAVELER RETURNS. Released through General Film Co. 1914. 1 reel.

Credits: Director, J. Le Saint.

ONE-TWO-THREE-KICK. (A Sunkist Comedy) Released by Bray Studios. 1927. 2 reels.

Credits: Written and directed by Victor Potel.

ONE WAY OUT. 1931. 1 reel.

ONE WAY OUT. (Minute Mysteries) 1934. 1 reel, sd. From the story "The Stolen Pearls" by H. A. Ripley.

Credits: Director, Lambert Hillyer; screenplay, Harold Shumate; film editor, Gene Havlick.

ONE WAY PASSAGE. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 7 reels.

Credits: Director, Tay Garnett; story, Robert Lord; screenplay, Wilson Mizner, Joseph Jackson.

ONE WAY STREET. 1925. 6 reels.

Credits: Director, John Francis Dillon; adaptation and supervision, Earl Hudson; story, Beale Davis; scenario, Arthur Statter, Mary Alice Scully.

ONE WAY TICKET. 1935. 7 reels, sd.

Credits: Producer, B. P. Schulberg; director, Herbert Biberman; story, Ethel Turner; screenplay, Vincent Lawrence, Joseph Anthony; adaptation, Oliver H. P. Garrett, Grover Jones; film editor, John Rawlins.

ONE WAY TO ADVERTISE. 1915. Split reel.

Credits: H. D. Phillips.

Credits: Story and picturization by Charles Mortimer Peck.

THE ONE WAY TRAIL. 1931. 6 reels, sd.

Credits: Director, Ray Taylor; story, Claude Rister; dialogue and continuity, George Plympton; film editor, Otto Meyer.

ONE WEEK. 1920. 2 reels.

Credits: Producer, Joseph M. Schenck; written and directed by Buster Keaton and Eddie Cline.

ONE WEEK OF LIFE. Presented by Samuel Goldwyn. 1919. 5 reels.

Credits: Director, Hobart Henley; story, Cosmo Hamilton; arranged for the screen by Willard Mack.

ONE WEEK OF LOVE. Presented by Lewis J. Selznick. 1922. 7 reels.

Credits: Producer, Myron Selznick; director, George Archainbaud; story, Edward J. Montagne, George Archainbaud.

ONE WET NIGHT. 1924. 1 reel.

Credits: Written and directed by William H. Watson.

THE ONE WHO HAD TO PAY. SEE The Father Must Suffer for His Son's Sin.

THE ONE WHO LOVED HIM BEST. 1914. 2 reels.

Credits: Richard Ridgely.

ONE WHO PASSED BY. Rex. 1916. 1 reel.

Credits: M. B. Havey; producer, Ben Wilson.

THE ONE WHO WAS CLEVER. SEE Young Eagles.

ONE WILD DAY. 1923. 2 reels.

ONE WILD NIGHT. Bison. 1917. 2 reels.

Credits: W. B. Pearson; director, Henry McRae.

ONE WILD NIGHT. Bluebird. 1925. 1 reel.

Credits: Director, Richard Wallace.

ONE WILD NIGHT. 1938. 6,433 ft., sd.

Credits: Edwin Dial-Torgerson; director, Eugene Forde; screenplay, Charles Belden, Jerry Cady; music director, Samuel Kaylin.

ONE WILD TIME. Mustang. 1926. 2 reels. From the story by W. C. Tuttle.

Credits: Director, Vin Moore; adaptation, Robert McKenzie.

ONE WILD WEEK. 1921. 5 reels.

Credits: Percy Heath; director, Maurice Campbell.

THE ONE WOMAN. Bison. 1916. 3 reels.

Credits: Producer, Henry Otto; story, Thomas Delmar; scenario, Harvey Gates.

THE ONE WOMAN. 1918. 6 reels. From the novel by Thomas Dixon.

Credits: Director, Reginald Barker.

ONE WOMAN IDEA. 1929. 7 reels.

Credits: Director, Berthold Viertel; story, Alan Williams; scenario, Marion Orth.

ONE WOMAN TO ANOTHER. 1927. 4,022 ft. From the play by Frances Nordstrom.

Credits: Director, Frank Tuttle; screenplay, James L. Campbell.

ONE WONDERFUL NIGHT. 1922. 5 reels.

Credits: Director, Stuart Paton; story, Louis Tracy; scenario, George C. Hull.

ONE YARD TO GO. (Educational's Comedies) (Mack Sennett Comedy) 1931. 2 reels, sd.

Credits: Director, William Beaudine; story and dialogue, John A. Waldron, Earle Rodney, Walter Weems, Jack Jevne.

ONE YEAR LATER. 1933. 8 reels.

Credits: Director, E. Mason Hopper; story, F. Hugh Herbert, Paul Perez; screenplay, F. Hugh Herbert; additional dialogue, Will Ahern.

ONE YEAR TO LIVE. 1925. 7 reels.

Credits: John Hunter; screenplay, J. G. Hawks.

O'NEIL AND VERMONT. 1927. 1 reel.

THE ONION HERO. Joker. 1917. 1 reel.

Credits: Director, W. W. Beaudine; story, William Franey; scenario, C. B. Hoadley.

THE ONION PATCH. 1915. 1 reel.

Credits: Producer, Norval MacGregor; story, Maibelle Heikes Justice.

ONLY A BILL COLLECTOR. 1924. 2 reels.

Credits: Producer, Eddie Lyons.

ONLY A FARMER'S DAUGHTER. 1915. 1 reel.

Credits: Producer, Nick Cogley.

ONLY A JANITOR. Nestor. 1919. 1 reel.

ONLY A JEW. SEE Humanity.

ONLY A MESSENGER BOY. 1923. 2 reels.

ONLY A ROSE. 1916. 2 reels.

Credits: Director, Burton L. King.

ONLY A SHOP GIRL. 1922. 6,400 ft. Adapted from the play by Charles E. Blaney.

Credits: Direction and scenario, Edward J. LeSaint.

ONLY A SISTER. 1914. 1 reel.

Credits: Director, Ulysses Davis.

ONLY ANGELS HAVE WINGS. 1939. 12 reels, sd.

617Credits: Story, production, and direction, Howard Hawks; screenplay, Jules Furthman; film editor, Viola Lawrence; music director, M. W. Stoloff.

Credits: Producer, William Duncan.

THE ONLY CHILD. 1915. 1 reel.

Credits: King Baggott; producer, George A. Lessey.

ONLY HER HUSBAND. (Educational-Ideal Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

ONLY ME. (Lupino Lane Comedies) 1929. 2 reels.

Credits: Director, Henry W. George.

ONLY MEN WANTED. 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Ralph Ceder; story, Beatrice Van; film editor, Walter Thompson.

THE ONLY ROAD. 1918. 5 reels.

Credits: Director, Frank Reicher; story, Albert Shelby Le Vino; adaptation, Albert Shelby Le Vino, George D. Baker.

ONLY SAPS WORK. 1930. 6,644 ft., sd. From a play by Owen Davis.

Credits: Directors, Cyril Gardner, Edwin H. Knopf; adaptation and screenplay, Sam Mintz, Percy Heath, Joseph L. Mankiewicz.

Credits: Picturized by Cecil B. De Mille.

ONLY THE BRAVE. 1930. 6,024 ft., sd.

Credits: Director, Frank Tuttle; story, Keene Thompson; screenplay, Edward E. Paramore, Jr.

ONLY THE BRAVE. (An Educational Star Personality Comedy) Educational Films Corp.; of America. Presented by E. W. Hammons. Distributed by Fox Film Corp. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story, Charlie Williams, Marcy Klauber.

ONLY THE MAID. 1915. 1 reel.

Credits: Ashley Miller.

THE ONLY THING. 1925. 6 reels, b&w, tinted sequences.

Credits: Production, story, and scenario by Elinor Glyn; director, Jack Conway; film editor, Aubrey Scotto.

ONLY THIRTY EIGHT. Paramount. Presented by Adolph Zukor. 1923. 7 reels. From the play by A. E. Thomas.

Credits: Producer and director, William De Mille; scenario, Clara Beranger.

ONLY TWO OF US LEFT. SEE High Speed Lee.

THE ONLY WAY. Released by United Artists Corp. 1926. 7 reels. Adapted from the stage play by Freeman Wills and Frederick Langbridge, which was based on the novel "A Tale of Two Cities" by Charles Dickens.

Credits: Scenario and direction, Herbert Wilcox.

THE ONLY WAY OUT. 1915. 3,000 ft.

THE ONLY WOMAN. First National. 1924. 7 reels.

Credits: Director, Sidney Olcott; story, C. Gardner Sullivan.

ONLY YESTERDAY. 1933. 11 reels. Based on the novel by Frederick Lewis Allen.

Credits: Director, John M. Stahl; screenplay, William Hurlbut, Arthur Richman, George O'Neill.

OOH LA-LA! 1930. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin, James Mulhauser.

OOM PAH PAH. (Aesop Sound Fable) Presented by the Van Beuren Corp. 1930. 1 reel, sd.

Credits: John Foster, Harry Bailey.

'OP O' ME THUMB. SEE Suds.

AN OPAL RING. 1915. 2 reels. Adapted from Smart Set magazine.

Credits: Justus Miles Forman.

OPEN ALL NIGHT. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels. Suggested by the stories of Paul Morand.

Credits: Willis Goldbeck; director, Paul Bern.

THE OPEN BOOK. Calumet Refining Co. 1938. Sd.

Credits: Director, Dallas M. Fitzgerald; story, Garfield Thompson.

THE OPEN DOOR. SEE

Is Life Worth Living?

Is Matrimony a Failure?

OPEN HOUSE. (Tuxedo Comedies) 1926. 2 reels.

Credits: Director, Charles Lamont; story, Donna Barrell.

OPEN HOUSE. (Campus Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; direction and story, Harry Fraser; film editor, Fred Maguire; musical direction, Francis Gromon.

AN OPEN LETTER TO THE PROSPECT. 1928. 1 reel.

THE OPEN PLACES. 1917. 65 min.

Credits: Written and directed by W. S. Van Dyke.

OPEN RANGE. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels.

Credits: Director, Clifford S. Smith; story, Zane Grey; screenplay, J. Walter Ruben, John Stone.

OPEN SESAME. Presented by Carl Laemmle. 1933. 2 reels, sd.

Credits: Producer, Warren Doane; director, James W. Horne; story, Albert Austin, W. P. Hackney; editor, Walter Waddell.

OPEN SESAME. SEE Alias Mike Moran.

OPEN SPACES. (Juvenile Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

OPEN THE BARS, SQUIRREL FOOD, and A LEAF FROM NATURE'S BOOK. 1920. 2 reels.

Credits: Producer, Ward Lascelle; directors, M. Moranti, J. Parrott.

OPEN TRAILS. (A SPORT PICTORIAL) 1922. 1 reel.

Credits: Producer, Jack Eaton; editor, Grantland Rice.

THE OPEN WIRE. 1922. 2 reels.

Credits: Producer, Edward Kull; story and scenario, George Morgan, George H. Plympton.

OPEN YOUR EYES. 1919. 7 reels.

Credits: Director, Gilbert P. Hamilton; story, S. L. Warner, C. B. Mintz.

OPENED BY MISTAKE. (Hal Roach Comedy) (Todd-Kelly Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, James Parrott; film editor, Louis McManus.

618© Metro-Goldwyn-Mayer Corp.; 16Oct34; LP5041.

THE OPENED SHUTTERS. 1921. 5 reels.

Credits: Director, William Worthington; story, Clara Louise Burnham; scenario, Doris Schroeder.

OPENING DAY. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Roy Rowland.

OPENING DAY CEREMONIES and THE QUEEN AND HER COURT. (A Century of Progress) 1933. 100 ft.

THE OPENING NIGHT. Big U. 1915. 2 reels.

Credits: F. McGrew Willis; producer, Burton King.

THE OPENING NIGHT. 1927. 6 reels.

Credits: Producer, Harry Cohn; adaptation and direction, Edward H. Griffith; story, Albert Payson Terhune.

OPENING NIGHT. 1931. 1 reel.

OPENING NIGHT. (Aesop's Sound Fables) The Van Beuren Corp. 1933. 681 ft.

OPERA NIGHT. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1935. 548 ft., sd.

Credits: Frank Moser, Paul Terry; music, Philip A. Scheib.

THE OPERA SLINGER'S ROMANCE. Joker. 1915. 1 reel.

Credits: James Dayton; producer, Allen Curtis.

OPERATING ON CUPID. Nestor. 1915. 1 reel.

Credits: Al. E. Christie; producer, Horace Davey.

THE OPERATION. SEE Edgar Bergen in The Operation....

OPERATOR 13. Cosmopolitan. 1934. 9 reels, sd., b&w. From the stories by Robert W. Chambers.

Credits: Producer, Lucien Hubbard; director, Richard Boleslavsky; screenplay, Harvey Thew, Zelda Sears, Eve Greene; film editor, Frank Sullivan.

THE OPERATOR'S OPERA. 1933. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Cyrus Wood.

OPPORTUNITIES OF A GREAT BUSINESS. 1931. Filmstrip.

OPPORTUNITY. 1918. 5 reels.

Credits: Supervision, Maxwell Karger; direction and adaptation, John H. Collins; story, Edgar Franklyn.

OPPORTUNITY. 1930. Filmstrip, 102 frames.

OPPORTUNITY. 1931. Filmstrip, 91 frames.

OPREY HOUSE TONIGHT. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

THE OPRY HOUSE. 1929. 1 reel.

THE OPRY HOUSE. (Mickey Mouse Cartoon) Presented by Columbia Pictures Corp. 1929. 1 reel, sd.

Credits: U. B. Iwerks.

OPTICAL ILLUSIONS. 1937. 1 reel.

Credits: Drawings, Helen Smith Zwart.

OPTICAL INSTRUMENTS. 1931. 1,016 ft.

AN OPTICAL POEM; Second Hungarian Rhapsody by Franz Liszt. Presented by Metro-Goldwyn-Mayer. 1938. 650 ft., sd., color.

Credits: Producer, Oskar Fischinger; orchestration, Paul Marquardt; musical adaptation, David Snell.

THE OPTIMIST. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

THE ORANG-OUTANG. 1915. 1 reel.

Credits: Producer, L. W. Chaudet; scenario, Emma Bell.

ORANGE BLOSSOMS. SEE Borrowed Clothes.

ORANGE CULTIVATION IN CALIFORNIA. SEE Olive Growing in the United States.

ORANGES AND OLIVES. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

ORCHIDS AND ERMINE. Presented by John McCormick. 1927. 7 reels.

Credits: Director, Alfred Santell; story and scenario, Carey Wilson.

ORCHIDS TO YOU. 1935. 6,640 ft., sd.

Credits: Director, William A. Seiter; original story, Gordon Rigby, Robert Dillon; screenplay, William Hurlbut, Bartlett Cormack; adaptation, Howard Easterbrook; additional dialogue, Glenn Tryon; music, Arthur Lange.

THE ORDEAL. 1914. 5 reels.

THE ORDEAL. 1914. 1 reel.

Credits: Producer, Thomas Santschi.

THE ORDEAL. 1922. 5 reels.

Credits: Director, Paul Powell; story, Somerset Maugham; adaptation, Beulah Marie Dix.

ORDEAL. SEE The Ship from Shanghai.

THE ORDEAL OF ELIZABETH. 1916. 5 reels.

Credits: Director, Wilfrid North; dramatization by George C. Hazelton.

THE ORDEAL OF ROSETTA. 1918. 5 reels.

Credits: Edmund Goulding; scenario, Paul West.

AN ORDER OF FISH. (Sport Pictorial, no. 20) Town and Country Films, Inc. 1921. 1 reel.

Credits: Editor, Grantland Rice.

ORDER PLEASE. SEE One New York Night.

ORDERS. 1915. 1 reel.

Credits: Producer, Thomas Santschi; story, Arthur P. Hankins.

ORDERS IS ORDERS. Victor. 1916 2 reels.

Credits: Written and produced by Francis Ford.

THE ORE RAIDERS. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story and continuity, William Lester.

619© Universal Pictures Corp.; 3May27; LP23929.

AN OREGON CAMERA HUNT. (Bray's Naturgraphs) 1932. 9 min.

THE OREGON COUNTRY. 1930. 1 reel.

THE OREGON TRAIL. Universal Special. 1923. 2 reels each, except no. 1 which is 3 reels. © Universal Pictures Corp.

Credits: Director, Edward Laemmle; story, Robert Dillon; scenario, Anthony Coldewey, Douglas Bronston, Jefferson Moffitt.

1. Westward Ho. © 18Jan23; LP18593.

2. White Treachery. © 27Jan23; LP18631.

3. Across the Continent. © 9Feb23; LP18664.

4. The Message of Death. © 15Feb23; LP18690.

5. The Wagon of Doom. © 24Feb23; LP18726.

6. Secret Foes. © 28Feb23; LP18744.

7. A Man of God. © 6Mar23; LP18759.

8. Seeds of Civilization. © 13Mar23; LP18775.

9. Justice. © 16Mar23; LP18785.

10. The New Era. © 31Mar23; LP18841.

11. A Game of Nations. © 5Apr23; LP18863.

12. To Save an Empire. © 13Apr23; LP18878.

13. The Trail of Death. © 20Apr23; LP18891.

14. On to Washington. © 25Apr23; LP18918.

15. Santa Fe. © 3May23; LP18930.

16. The Fate of a Nation. © 10May23; LP18946.

17. For High Stakes. © 15May23; LP18967.

18. Victory. © 25May23; LP19001.

THE OREGON TRAIL. 1936. 6 reels, sd.

Credits: Producer, Paul Malvern; director, Scott Pembroke; story and screenplay, Jack Natteford, Lindsley Parsons, Robert Emmett; editor, Carl Pierson.

THE OREGON TRAIL. 1939. 2 reels each, sd. © Universal Pictures Co., Inc.

Credits: Directors, Ford Beebe, Saul A. Goodkind; screenplay, George Plympton, Basil Dickey, Edmund Kelso, W. W. Watson; dialogue, Dorothy Cormack.

1. The Renegade's Revenge. © 3May39; LP8818.

2. The Flaming Forest. © 5May39; LP8819.

3. The Brink of Disaster. © 10May39; LP8829.

4. Thundering Doom. © 16May39; LP8847.

5. The Stampede. © 16May39; LP8848.

6. Indian Vengeance. © 18May39; LP8851.

7. Trail of Treachery. © 5Jun39; LP8892.

8. Redskin Revenge. © 5Jun39; LP8893.

9. The Avalanche of Doom. © 5Jun39; LP8894.

10. The Plunge of Peril. © 23Jun39; LP8921.

11. Trapped in the Flames. © 23Jun39; LP8922.

12. The Baited Trap. © 23Jun39; LP8923.

13. Crashing Timbers. © 6Jul39; LP8947.

14. Death in the Night. © 6Jul39; LP8948.

15. Trail's End. © 6Jul39; LP8949.

THE OREGON TRAIL FROM THE COVERED WAGON TO THE AUTOMOBILE. 1929. Filmstrip, 100 frames, color, 35 min.

Credits: Compiler, Harris Anderson.

O'REILLY OF NOTRE DAME. SEE Rose Bowl.

THE ORGAN GRINDER. (Merrie Melodies, no. 8) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawings, Rollin Hamilton, Thomas McKimson; music score, Frank Marsales.

ORGAN GRINDER'S SWING. 1937. 1 reel, sd.

Credits: Director, David Fleischer; animation, David Tendlar, William Sturm.

ORGANIZATION OF SERVICE. 1920. For Lord and Taylor. 3 reels.

ORGANIZED PROSPECTING. 1931. Filmstrip.

THE ORGY. 1915. 1 reel.

Credits: Producer, Joseph Kaufman.

ORIENT EXPRESS. 1934. 6,600 ft., sd. From the novel by Graham Greene.

Credits: Director, Paul Martin; screenplay, Paul Martin, Carl Hovey, Oscar Levant; dialogue, William Conselman.

AN ORIENTAL COCKTAIL. 1932. 1 reel.

Credits: Editor, Bert Frank.

ORIENTAL HUGS. (Paramount-Christie Comedy) 1928. 2 reels, sd.

Credits: Director, Arvid Gillstrom; story, Hal Conklin.

ORIENTAL MOTORING. (Ufa Oddity) 1929. 1 reel, b&w.

ORIENTAL PARADISE. (A FitzPatrick TravelTalk) 1937. 1 reel, sd., color.

Credits: Photographer, Wilfrid M. Cline; music score, Maria Grever; music director, Rosario Bourdon.

AN ORIENTAL ROMEO. Presented by Rainbow Comedies. 1919. 2 reels.

Credits: Written and directed by Jess Robbins.

THE ORIENTAL RUBY. 1915. 1 reel.

1. The Debt. © title, descr. & 62 prints, 28Nov19; LU14479.

2. The Expiation. © title, descr. & 89 prints, 28Nov19; LU14480.

3. The Tragedy at Moonlight. © title, descr. & 67 prints, 28Nov19; LU14481.

ORIENTAL WIGGLES. 1920. 1 reel.

THE ORIGIN OF COAL. 1924. 1 reel.

THE ORIGINAL HILLBILLIES WITH AL HOPKINS. 1929. 1 reel, sd.

THE ORIGINAL SIX BROWN BROTHERS, SAXOPHONE ORCHESTRA HEADED BY TOM BROWN, OFFERING: A. IN A LITTLE SPANISH TOWN [and others]. 1927. 1 reel.

Credits: Art designs, Reed Williams.

ORNAMENTAL SWIMMING. Treasure Chest. Presented by E. W. Hammons. 1937. 903 ft., sd.

Credits: Producer, B. E. Norrish; director, Gordon Sparling; text, Margot Blaisdell; narrator, Corey Thomson.

THE ORPHAN. 1913. 1 reel.

THE ORPHAN. 1920. 6 reels. From the story by Clarence Mulford.

Credits: Director, J. Gordon Edwards; scenario, Roy Somerville.

THE ORPHAN. 1924. 2 reels.

Credits: Director, George Summerville.

THE ORPHAN. SEE L'Orpheline.

ORPHAN JOYCE. 1916. 2 reels.

Credits: H. Tipton Steck.

ORPHAN OF THE SAGE. 1928. 6 reels.

Credits: Director, Louis King; story and continuity, Oliver Drake.

ORPHAN OF THE WAGON TRAILS. (Pioneer Kid Series) 1929. 2 reels.

Credits: Director, Jack Nelson.

THE ORPHANS. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Story and direction, Robert B. Wilcox.

ORPHANS' BENEFIT. (Walt Disney's Mickey Mouse) 1934. 1 reel.

ORPHANS OF THE STORM. 1921. 12 reels. Adapted from the Palmer-Jackson version of the play "The Two Orphans" by D'Ennery and Cormon.

ORPHANS OF THE STREET. 1938. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, John H. Auer; original story, Earl Felton; screenplay, Eric Taylor, Jack Townley, Olive Cooper; film editor, Ernest Nims; music director, Cy Feuer.

ORPHAN'S PICNIC. 1936. 1 reel.

620© Société des Etablissements Gaumont; title, descr. & 1144 prints, 18Mar22; LU17657.

ORPHEUS, OVERTURE BY OFFENBACH. PLAYED BY VITAPHONE SYMPHONY ORCHESTRA. HERMAN HELLER CONDUCTING. 1927. 1 reel, sd.

ORRIN TUCKER AND HIS ORCHESTRA. Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Director, Leslie Roush.

O'SHAUGHNESSY'S BOY. 1935. 9 reels, sd., b&w.

Credits: Producer, Philip Goldstone; director, Richard Boleslawski; story, Harvey Gates, Malcolm Stuart Boylan; screenplay, Leonard Praskins, Wanda Tuchock, Otis Garrett; film editor, Frank Sullivan.

THE OSTEOGRAM. 1928. 1 reel.

Credits: Described & demonstrated by Perrin T. Wilson; screen adaptation, Ralph W. Rice; photographer, Wallace P. Muir.

Credits: Developed, described, and demonstrated by George V. Webster; photographer, Ralph W. Rice.

Credits: Developed and applied by George V. Webster; photographed by Ralph W. Rice.

Credits: Developed, described, and demonstrated by H. H. Fryette; direction and screen adaptation, Ralph W. Rice.

OSTEOPLASTIC CRANIOTOMY. (Ford Educational Library, Technical Surgery) Ford Motion Picture Laboratories. 1923. 1 reel.

OSTRICH FARMING, SOUTH AFRICA. 1914. 1 reel.

OSTRICH FARMING, SOUTH AFRICA. 1917. 1 reel.

OSTRICH FEATHERS. (Meany, Miny, Moe) Snappy. 1937. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod; artists, Ray Abrams, Ted Dubois, Ralph Somerville.

THE OSTRICH'S PLUMES. 1926. 1 reel.

Credits: Written and directed by Walter Lantz.

OTHELLO IN JONESVILLE. 1913. 1 reel.

Credits: Herbert Prior.

OTHELLO, THE MOOR OF VENICE. SEE The Moor.

THE OTHER FELLOW AND YOU. Brewery version. Presented by Interboro Mutual Indemnity Insurance Co. 1937. Filmstrip, 138 frames, sd.

THE OTHER FELLOW AND YOU. Milk version. Presented by Interboro Mutual Indemnity Insurance Co. 1937. Filmstrip, sd.

THE OTHER GIRL. 1915. 1 reel.

THE OTHER HALF. Gold Seal. 1916. 2 reels.

Credits: Jacques Jaccard.

THE OTHER MAN. 1916. 2 reels. A reissue.

Credits: Maibelle Heikes Justice.

THE OTHER MAN. 1916. 2 reels.

THE OTHER MAN. 1918. 5 reels.

Credits: Rex Taylor, Irma Whelpley Taylor; director, Paul Scardon; picturized by Fred Buckley.

THE OTHER MAN'S WIFE. 1915. 1 reel.

Credits: Director, Ulysses Davis.

THE OTHER MAN'S WIFE. 1919. 6 reels.

Credits: Director, Carl Harbough; scenario, Mary Murillo.

OTHER MEN'S DAUGHTERS. 1918. 5 reels.

Credits: Director, Carl Harbaugh; story, E. Lloyd Sheldon.

OTHER MEN'S DAUGHTERS. 1923. 6 reels.

Credits: Producer, Ben Wilson; story, Evelyn Campbell; scenario, Frank Sullivan.

Credits: Director, Edgar Lewis.

OTHER MEN'S WIVES. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Victor L. Schertzinger; story and continuity, C. Gardner Sullivan.

OTHER MEN'S WIVES. SEE Sweethearts and Wives.

OTHER PEOPLE'S BUSINESS. 1914. 1 reel.

Credits: Producer, Mack Sennett.

THE OTHER SIDE OF THE DOOR. 1916. 5 reels.

Credits: Director, Thomas Ricketts.

THE OTHER SISTER. 1915. 1 reel.

Credits: Producer, Joseph W. Smiley.

THE OTHER SISTER. SEE The Scarlet Oath.

THE OTHER STOCKING. Nestor. 1917. 1 reel.

Credits: Director, Roy S. Clements; story, Arthur F. Statter.

OTHER TIMES. SEE Children of Jazz.

THE OTHER TOMORROW. 1930. 7 reels, sd. Based on the novel by Octavus Roy Cohen.

Credits: Director, Lloyd Bacon; screen version, Fred Myton.

THE OTHER TOMORROW. Trailer. 1930. 1 reel, sd.

THE OTHER WOMAN. 1913. 1 reel.

Credits: Director, Van Dyke Brooke.

Credits: Director, Albert Parker; scenario, Philip Bartholomae.

THE OTHER WOMAN. SEE Fools of Fashion.

THE OTHER WOMAN'S PICTURE. 1915. 1 reel.

Credits: Mrs. John Van Vorst.

OTHER WOMEN'S CLOTHES. Hodkinson. 1922. 6 reels. From the story "The Luxury Tax" by Ethel Donoher.

Credits: Producer and director, Hugo Ballin.

OTHER WOMEN'S HUSBANDS. 1926. 7 reels.

Credits: Director, Erle C. Kenton; story, Edward T. Lowe, Jr.; adaptation, E. T. Lowe, Jr., Jack Wagner.

OTHERS STARTED BUT SOPHIE FINISHED. 1915. 1 reel.

OTHERWISE BILL HARRISON. 1915. 2 reels.

621© Essanay Film Mfg. Co.; 11May15; LP5274.

OTTO THE ARTIST. 1916. 1 reel.

Credits: Adapted and directed by Edwin McKim; story, Burk Symon.

OTTO, THE BELL BOY. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

OTTO, THE COBBLER. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

OTTO THE GARDENER. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

OTTO, THE HERO. 1916. 1 reel.

Credits: Written and produced by Edwin McKim.

OTTO, THE REPORTER. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

OTTO, THE SALESMAN. 1916. 1 reel.

Credits: Mark Jonak; adapted and directed by Edwin McKim.

OTTO THE SLEUTH. 1916. 1 reel.

Credits: Marie Foster; adapted and directed by Edwin McKim.

OTTO THE SOLDIER. 1916. 1 reel.

Credits: Director, Edwin McKim.

OTTO, THE TRAFFIC COP. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

OTTO'S LEGACY. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

OTTO'S VACATION. 1916. 1 reel.

Credits: V. L. Wormell; adapted and directed by Edwin McKim.

OUI! OUI! HEIDELBERG. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

THE OUIJA BOARD HOUND. SEE Prince of Daffydill.

AN OUNCE OF INVENTION. 1936. 1 reel, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

OUR ALLEY. (Mirthquake, no. 14) 1923. 2 reels.

Credits: Director, Eugene DeRue.

OUR ANT GANG. 1927. 1 reel.

Credits: Director, George Fitzmaurice; story and scenario, Ouida Bergere.

OUR BETTERS. 1933. 9 reels, sd. From the play by W. Somerset Maugham.

Credits: Executive producer, David O. Selznick; director, George Cukor; screenplay, Jane Murfin, Harry Wagstaff Gribble; film editor, J. Kitchin; music director, M. Steiner.

OUR BIRD CITIZENS. (Bray's Naturgraphs) 1932. 9 min.

OUR BLUSHING BRIDES. 1930. 11 reels.

Credits: Dialogue and continuity, Bess Meredyth, John Howard Lawson; film editor, George Hively.

OUR BOYS. Black Cat. 1917. 25 min.

Credits: Director, Arthur Berthelet; story, Charles M. Peck.

OUR COMMON BIRDS. (Ford Educational Library, Nature Study) Ford Motion Picture Laboratories. 1925. 1 reel.

OUR DAILY BREAD. Released through United Artists. 1934. 8 reels, sd.

Credits: Story and direction, King Vidor; scenario, Elizabeth Hill; dialogue, Joseph Mankiewicz; film editor, Lloyd Nossler.

OUR DANCING DAUGHTERS. Cosmopolitan. 1928. 9 reels, sd., b&w.

Credits: Director, Harry Beaumont; story and scenario, Josephine Lovett; film editor, William Hamilton.

OUR DARE DEVIL CHIEF. 1915.

Credits: Producer, Mack Sennett.

OUR DARE DEVIL CHIEF. 1923. 2 reels.

Credits: Producer, John L. Hawkinson.

OUR EARTH. 1938. 1 reel.

OUR FAIRY PLAY. 1914. 2 reels.

Credits: Director, Lee Beggs.

Credits: Scenario, William A. Howell.

OUR GANG FOLLIES OF 1936. (Hal Roach Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Bert Jordan.

OUR GANG FOLLIES OF 1938. 1937. 2 reels, sd., b&w.

Credits: Producer, Hal Roach; director, Gordon Douglas; film editor, William Ziegler; music director, Marvin Hatley.

Credits: Editor, S. Dana Hubbard.

OUR GREATEST MENACE, VENEREAL DISEASES. Presented by Public Welfare Pictures Corporation. 1927. 1 reel.

Credits: Editor, S. Dana Hubbard.

OUR HOME-MADE ARMY. 1914. 1 reel.

OUR HOSPITALITY. 1923. 7 reels.

Credits: Directors, Buster Keaton, Jack Blystone; story, Jean Havez, Joseph Mitchell, Clyde Bruckman.

OUR LEADING CITIZEN. 1922. 7 reels.

Credits: Directed, written, and adapted by George Ade.

OUR LEADING CITIZEN. 1939. 9 reels, sd.

Credits; Producer, George Arthur; director, Alfred Santell; story, Irvin S. Cobb; screenplay, John C. Moffit; film editor, Hugh Bennett.

622© Paramount Pictures, Inc.; 11Aug39; LP9041.

OUR LITTLE GIRL. 1935. 5,994 ft., sd. From the story "Heaven's Gate" by Florence Leighton Pfalzgraf.

Credits; Director, John Robertson; screenplay, Stephen Avery, Allen Rivkin; adaptation, Stephen Avery; additional dialogue, Arthur J. Beckhard, Jack Yellen; music director, Oscar Bradley.

OUR LITTLE NELL. Released by General Film Co. 1918. 1 reel.

OUR LITTLE NELL. 1928. 1 reel.

Credits: Paul Terry, Frank Moser.

OUR LITTLE WIFE. 1918. 6 reels.

Credits: Director, Edward Dillon; story, Avery Hopwood; scenario, Roy Somerville.

OUR MEXICAN NEIGHBORS. 1922. 5 reels.

Credits: Producers, Arthur P. Church, Margaret G. Church.

OUR MODERN MAIDENS. 1929. 8 reels, sd.

Credits: Produced and directed by Jock Conway; story and continuity, Josephine Lovett; film editor, Sam S. Zimbalist; music, William Art.

OUR MUTUAL FRIEND. 1921. 8 reels. From the story by Charles Dickens.

OUR NAGGING WIVES. (Gayety Talking Comedies) 1930. 20 min., sd.

Credits: Producer, Al Christie; director, Arvid E. Gillstrom; story and dialogue, Harry McCoy, Jimmy Starr.

OUR NEIGHBORS, THE CARTERS. 1939. 9 reels, sd.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; story, Renaud Hoffman; screenplay, S. K. Lauren; film editor, William Shea.

OUR NOBLE ANCESTORS. (Bray's Naturgraphs) 1932. 9 min.

OUR OLD SCHOOL DAYS. (Organlogue, no. 19) 1931. 1 reel, sd.

Credits: Narration, Jack Arthur.

OUR OTHER LIVES. 1916. 3 reels.

Credits: Agnes C. Johnston; picturized and directed by Eugene Mullin.

OUR PEOPLE. 1916. 3 reels.

Credits: Charles J. McGuirk.

OUR PET. Presented by Century Comedies. 1923. 2 reels.

Credits: Written and directed by Herman C. Raymaker.

OUR PLAYGROUND IN THE PACIFIC. (Paramount-Burlingham Adventure Pictures) 1919. 1 reel.

OUR RELATIONS. (Hal Roach Feature Comedy) 1936. 8 reels, sd., b&w. Suggested by the story "The Money Box" by W. W. Jacobs.

Credits: Producer, Stan Laurel; director, Harry Lachman; screenstory, Richard Connell, Felix Adler; adaptation, Charles Rogers, Jack Jevne; film editor, Berg Jordan; music, LeRoy Shields.

OUR UNDISCIPLINED DAUGHTERS. SEE School for Girls.

OUR WIFE. 1931. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

OUR WIVES. 1913. 2 reels.

Credits: Director, James Lackaye.

OUT AGAIN, IN AGAIN. Joker. 1917. 1 reel.

Credits: Director, William Beaudine; scenario, Tom Gibson.

OUT AG'IN, IN AG'IN. 1916. 1 reel.

Credits: Director, Lawrence Semon.

OUT AG'IN, IN AG'IN. 1920. 1 reel.

Credits: George McManus; director, Lawrence Semon.

OUT ALL NIGHT. Jewel. 1927. 6 reels.

Credits: Director, William A. Seiter; story, Gladys Lehman; adaptation, Marel Perez, Charles Diltz; continuity, Harry Thew.

OUT ALL NIGHT. 1933. 7 reels, sd.

Credits: Director, Sam Taylor; story, Tim Whelan; screenplay, William Anthony McGuire.

OUT AND IN. National Film Corp. of America. 1920. 2 reels.

Credits: Director, Harry Edward; story, L. V. Jefferson.

OUT AT HOME. (A Buster Brown Comedy) 1928. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Samuel Newfield; story, Page Wright, William Weber.

OUT FOR A STROLL. 1915. 1,000 ft.

OUT FOR THE DOUGH. Joker. 1917. 1 reel.

Credits: Director, William W. Beaudine; story and scenario by Jack Cunningham.

OUT IN HAPPY HOLLOW. 1914. 1 reel.

OUT-NUMBERED. 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

OUT OF BOUNDS. 1931. 2 reels, sd.

Credits: Director, Aubrey Scotto; story, Billy House.

Credits: Hector Turnbull.

OUT OF GAS. 1933. 2 reels.

Credits: Director, James W. Horne.

OUT OF LUCK. 1921. 2 reels.

Credits: Producer, Ed (Hoot) Gibson; story and scenario, George Morgan.

OUT OF LUCK. 1923. 6 reels.

Credits: Written and directed by Edward Sedgwick.

OUT OF ORDER. 1923. 1 reel.

OUT OF ORDER. 1935. 2 reels, sd.

Credits: Director, Lloyd French; story, Royal King Cole, Jack Henley.

OUT OF PETTICOAT LANE. 1914. 2,000 ft.

Credits: Producer, F. J. Grandon.

OUT OF PLACE. 1922. 2 reels.

Credits: Director, Al St. John.

Credits: Screenplay, D. Henderson.

OUT OF THE CHORUS. 1921. 5 reels.

Credits: Director, Herbert Blache; story, Harry Chandlee, William D. Laub; scenario, Coolidge W. Streeter.

OUT OF THE DEEP WOODS OF DIXIE. 1928. 1 reel, sd.

Credits: Producer, C. W. Barrell.

Credits: Written and directed by John P. McCarthy.

OUT OF THE ETHER. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Ben Harrison, Manny Gould; animation, Harry Love, Al Rose; musical score, Joe de Nat.

OUT OF THE FLAMES. Big U. 1915. 2 reels.

Credits: Producer, Burton King; scenario, F. McGrew Willis.

OUT OF THE FLOTSAM. 1916. 2 reels.

Credits: Producer and director, Wilbert Melville.

OUT OF THE FOG. Presented by Richard A. Rowland and Maxwell Karger. 1919. 7 reels. From the drama "Ception Shoals" by H. Austin Adams.

Credits: Supervision, Maxwell Karger; director, Albert Capellani; scenario, June Mathis, Albert Capellani.

OUT OF THE INKWELL. (A Betty Boop Cartoon) 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Otto Feuer.

OUT OF THE MIST. 1916. 3 reels.

OUT OF THE NIGHT. SEE Hell Harbor.

OUT OF THE PAST. 1914. 2 reels.

Credits: Director, Lionel Belmore.

OUT OF THE PAST. 1932. 1 reel, sd.

Credits: Compiled by Bert Frank; dialogue, Burnet Hershey.

OUT OF THE QUAGMIRE. 1916. 3 reels.

Credits: Director, Theodore Marston.

OUT OF THE RUINS. 1915. 3,000 ft. Adapted from the story "Miss 318 and Mr. 37" by Rupert Hughes.

Credits: Director, Ashley Miller.

OUT OF THE RUINS. Presented by Richard A. Rowland. 1928. 7 reels. From the story by Sir Philip Gibbs.

Credits: Producers, John Francis Dillon, Henry Hobard; continuity, Gerald C. Duffy.

OUT OF THE SHADOW. Paramount. Presented by Adolph Zukor. 1918. 5 reels. Founded on "The Shadow of the Rope" by Ernest William Hornung.

Credits: Director, Emile Chautard; scenario, Eve Unsell.

OUT OF THE SHADOWS. 1916. 2 reels.

Credits: Director, Burton L. King.

OUT OF THE SILENT NORTH. 1922. 5 reels.

Credits: Director, William Worthington; story, Harry Sinclair Drago, Joseph Noel; scenario, Wallace Clifton, George Hull.

OUT OF THE SNOWS. Presented by Lewis J. Selznick. 1920. 5 reels.

Credits: Producer, Ralph Ince; story, E. Lord Corbett.

OUT OF THE STORM. 1915. 1,000 ft.

Credits: Screenplay, Mulloy Finnegan; adaptation, Norbert Lusk.

OUT OF THE STORM. 1920. 6 reels. Based on the novel "Tower of Ivory" by Gertrude Atherton.

Credits: Director, William Parke; scenario, J. E. Nash.

OUT OF THE STORM. 1926. 6 reels. From the play "The Travis Coup" by Arthur Stringer.

Credits: Director, L. J. Gasnier; scenario, Lois Hutchinson, Leete Renick Brown; film editor, James C. McKay.

OUT OF THE WEST. 1926. 5 reels.

Credits: Director, Robert de Lacy; story, Frederic Arthur Mindlin; continuity, Wyndham Gittens.

OUT OF THE WRECK. 1917. 5 reels.

Credits: Director, William D. Taylor; story, Maude Erve Corsan; scenario, Gardner Hunting.

Credits: Written and directed by Charles Parrott.

OUT OF TUNE. 1932. 1 reel, sd.

Credits: Director, Ray Cozine; story, Harry W. Conn.

OUT-STEPPING. 1931. 2 reels.

Credits: Director, Charles Lamont; story, Francis J. Martin, James Mulhauser.

OUT WEST. Paramount-Arbuckle. Presented by Joseph M. Schenck. 1918. 2 reels.

Credits: Director, Fatty Arbuckle.

OUT WEST WITH THE HARDYS. Presented by Metro-Goldwyn-Mayer. 1938. 9 reels, sd., b&w. Based on the characters created by Aurania Rouverol.

Credits: Director, George B. Seitz; screenplay, Kay Van Riper, Agnes Christine Johnston, William Ludwig; film editor, Ben Lewis; music score, David Snell.

OUT WHERE THE STARS BEGIN. 1938. 2 reels, sd.

Credits: Director, Bobby Connolly; original screenplay. Crane Wilbur.

OUT YONDER. 1919. 5 reels. Based on the play "The Girl From Out Yonder" by Pauline Phelps and Marion Short.

Credits: Director, Ralph Ince; scenario, Edward J. Montague.

OUTBOARD STUNTING. (Sportlight) The Van Beuren Corp. 1931. 1 reel.

OUTCAST. 1917. 6 reels.

Credits: Producer and director, Del Henderson; story, Hubert Henry Davies; scenario, Anthony P. Kelly.

OUTCAST. 1922. 7 reels. From the play by Hubert Henry Davies.

Credits: Director, Chester Withey; scenario, Josephine Lovett.

OUTCAST. Presented by Richard A. Rowland. 1928. 8 reels.

Credits: Director, William A. Seiter.

OUTCAST. Presented by Adolph Zukor. 1937. 8 reels, sd.

Credits: Producer, Emanuel Cohen; director, Robert Florey; story, Frank R. Adams; screenplay, Doris Malloy, Dore Schary; film editor, Ray Curtis.

OUTCAST LADY. 1934. 8 reels, sd., b&w. From a book by Michael Arlen.

Credits: Producer and director, Robert Z. Leonard; screenplay, Zoe Akins; film editor, William Le Vanway;

OUTCAST SOULS. 1927. 6 reels.

Credits: Supervision, Joe Rock; director, Louis Chaudet; story, John Peter Toohey; story and adaptation by Norman Houston.

THE OUTCASTS OF POKER FLAT. 1919. 6 reels. From the sketch by Bret Harte.

Credits: Director, Jack Ford; scenario, H. Tipton Steck.

THE OUTCASTS OF POKER FLAT. 1937. 8 reels, sd. Based on the story by Bret Harte.

Credits: Producer, Robert Sisk; director, Christy Cabanne; screenplay, John Twist, Harry Segall; editor, Ted Cheesman; musical supervision, Roy Webb.

OUTDOING THE DAREDEVILS. (Adventures of the Newsreel Cameraman) 1934. 1 reel, sd.

OUTDOOR INDORE. SEE Felix the Cat in Outdoor Indore.

OUTDOOR SPORTS. (Sid Saylor Comedy) 1929. 2 reels.

Credits: Director, Gus Meins; story, T. Page Wright, Bill Weber.

THE OUTER EDGE. 1915. 1 reel.

Credits: Henry Oyen; director, E. H. Calvert.

THE OUTER GATE. 1937. 7 reels, sd. From the novel by Octavus Roy Cohen.

Credits: Producer, I. E. Chadwick; director, Ray Cannon; scenario, Laurie Brazee.

Credits: Producer, John L. Hawkinson.

OUTLANDISH MANNERS. (U. F. A. Oddity) 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

THE OUTLAW. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

Credits: Scenario, David S. Beyer.

THE OUTLAW. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, George Morgan.

THE OUTLAW. Mustang. 1925. 2 reels.

Credits: Director, Edward Laemmle; story and scenario, George Morgan.

THE OUTLAW AND THE LADY. Bison. 1917. 2 reels.

Credits: Harry Carey; director, Fred A. Kelsey.

THE OUTLAW AND THE LADY. 1923. 2 reels.

THE OUTLAW DEPUTY. 1935. 6 reels, sd. Adapted from the magazine story "King of Cactusville" by Johnston McCulley.

Credits: Producer, Nat Ross; director, Otto Brower; screenplay, Del Andrews; continuity, Thomas H. Ince; film editor, Robert Johns.

THE OUTLAW DOG. (Ranger, no. 4) 1927. 5 reels.

Credits: Director, J. P. McGowan; story, Ewart Adamson; continuity, F. A. E. Pine.

OUTLAW EXPRESS. 1938. 6 reels, sd.

Credits: Producer, Trem Carr; director, George Waggner; original story and screenplay, Norton S. Parker; music, Frank Sanucci; film editor, Charles Craft.

THE OUTLAW IN-LAW. 1929. 1 reel.

Credits: Murray Roth, Edmund Joseph.

OUTLAW LOVE. Mustang. 1926. 2 reels.

Credits: Director, John O'Brien; story and scenario, William Lester.

THE OUTLAW TAMER. (The Phantom Rider Series) H. & H. Released by Kinematrade. 1935. 6 reels, sd.

Credits: J. Wesley Patterson; supervision, Fred S. Hirsch; director, J. P. McGowan; adaptation, Kaye Northrop; editor, Charles Henkel.

OUTLAWED. 1929. 7 reels.

Credits: Director, Eugene Forde; story and continuity, George W. Pyper; film editor, Henry Webber.

OUTLAWED GUNS. Buck Jones Productions. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Director, Ray Taylor; original story, Cliff Farrell; screenplay, Jack Neville; film editor, Bernard Loftus.

THE OUTLAW'S AWAKENING. 1915. 1 reel.

THE OUTLAW'S BRIDE. 1915. 1 reel.

Credits: Director, Tom Mix.

THE OUTLAW'S DAUGHTER. (Blue Streak Western) 1925. 5 reels.

Credits: Director, John B. O'Brien; story and continuity, Harold Shumate.

OUTLAWS OF PALOUSE. SEE End of the Trail.

OUTLAWS OF RED RIVER. 1927. 6 reels.

Credits: Director, Lewis Seiler; story, Gerald Beaumont; scenario, Harold Shumate.

OUTLAWS OF SONORA. 1938. 6 reels, sd. Based on characters created by William Colt MacDonald.

Credits: Director, George Sherman; original story, Betty Burbridge; screenplay, Betty Burbridge, Edmond Kelso; film editor, Tony Martinelli; music director, Alberto Colombo.

Credits: Wilson Mizner; director, J. Gordon Cooper.

OUTLAWS OF THE ORIENT. 1937. 7 reels, sd.

Credits: Director, Ernest B. Schoedsack; story, Ralph Graves; screenplay, Charles Francis Royal, Paul Franklin; film editor, Dwight Caldwell.

OUTLAWS OF THE PRAIRIE. 1937. 6 reels.

Credits: Director, Sam Nelson; story, Harry F. Olmsted; screenplay, Ed Earl Repp; film editor, William Lyon.

OUTPOST OF THE MOUNTIES. 1939. 7 reels, sd.

Credits: Director, C. C. Coleman, Jr.; original screenplay, Charles Francis Royal.

OUTPOSTS OF THE FOREIGN LEGION. (Romantic Journeys) Educational Film Exchanges, Inc. 1931. 9 min.

Credits: Producers, Howard C. Brown, Curtis F. Nagel.

OUTSIDE OF PARADISE. 1938. 8 reels, sd.

Credits: Director, John H. Auer; original screenplay, Harry Sauber; supervising editor, Murray Seldeen; film editor, Ernest Nims; music director, Alberto Colombo.

OUTSIDE THE LAW. Jewel. 1921. 8 reels.

Credits: Story and production, Tod Browning; scenario. Tod Browning, Lucien Hubbard.

OUTSIDE THE LAW. 1930. 9 reels, sd. & si.

Credits: Associate producer, E. M Asher; director. Tod Browning; story. Tod Browning, Garrett Fort; film editor, Milton Carruth.

OUTSIDE THESE WALLS. 1939. 6 reels, sd.

Credits: Associate producer, Ralph Cohn; director, Raymond B. McCarey; story, Ferdinand Reyher; screenplay, Harold Buchman; film editor, James Sweeney.

THE OUTSIDE WOMAN. 1921. 5 reels. Adapted from "All Night Long" by Paul B. Sipe and Philip Bartholomae.

Credits: Scenario, Douglas Bronston.

THE OUTSIDER. Presented by B. A. Rolfe. 1917. 6 reels. From the novel "Nobody" by Louis Joseph Vance.

Credits: Director, William C Dowlan; adaptation, Charles A. Taylor.

THE OUTSIDER. 1926. 6 reels, tinted.

Credits: Director, Rowland V. Lee; story, Dorothy Brandon; adaptation, Robert N. Lee.

THE OUTSIDER. Presented by Eric Hakim. 1933. 8 reels, sd., b&w. From the play by Dorothy Brandon.

Credits: Adapted and directed by Harry Lachman.

OUTSTANDING HEAVYWEIGHT ATTRACTION OF THE CENTURY, BETWEEN MAX BAER FORMER HEAVYWEIGHT CHAMPION AND JOE LOUIS, DETROIT'S SENSATIONAL BROWN BOMBER. Presented by Twentieth Century Sporting Club, Inc. © 1935.

Credits: Supervision, Jack Rieger.

OUTWARD BOUND. 1930. 10 reels, sd. From the play by Sutton Vane.

Credits: Director, Robert Milton; adaptation, J. Grubb Alexander.

OUTWITTED. 1917. 6 reels.

Credits: Supervision, Maxwell Karger; director, George D. Baker; original story, Charles A. Logue; adaptation, Mary Murillo.

OUTWITTED. Presented by Jesse J. Goldburg. 1925. 55 min.

Credits: Produced, written, and directed by J. P. McGowan.

OUTWITTING THE PROFESSOR. 1912. 1 reel.

Credits: C. R. Cox.

Credits: Producer, John L. Hawkinson.

Credits: Director, Edgar A. Gove.

OVER NIGHT. 1934. 8 reels, sd.

Credits: Director, Rowland V. Lee; scenario and dialogue, Arthur Wimperis, Dorothy Greenhill.

OVER THE BACK FENCE. 1913. 1 reel.

Credits: Marion Carr.

OVER THE BORDER. 1922. 7 reels. From the story "She of the Triple Chevron" by Sir Gilbert Parker.

Credits: Director, Penrhyn Stanlaws; adaptation, Albert Shelby Le Vino.

OVER THE BORDER. SEE

Not Exactly Gentlemen.

Three Bad Men.

OVER THE BOUNDING BLUE WITH WILL ROGERS. 1928. 1 reel.

Credits: Will Rogers; producer, Carl Stearns Clancy.

OVER THE COUNTER. (A Colortone Musical) 1932. 2 reels, sd.

Credits: Director, Jack Cummings; story, Stanley Rauh, Edward Dowling.

OVER THE FENCE. (Christy Walsh All-America Sport Series, no. 5, Babe Ruth Short) 1932. 1 reel.

Credits: Story and direction, Lou Breslow.

OVER THE GARDEN WALL. 1919. 5 reels.

Credits: Director, David Smith; story, Millicent Evison; scenario, Sam Taylor.

OVER THE GOAL. First National. 1937. 6 reels, sd.

Credits: Director, Noel M. Smith; original story, William Jacobs; screenplay, William Jacobs, Anthony Coldeway.

OVER THE GREAT DIVIDE IN COLORADO, the Crest of the Rocky Mountains. 1913. 1 reel.

OVER THE HILL. 1920. 11 reels. From the poems "Over the Hill to the Poorhouse" and "Over the Hill from the Poorhouse" by Will Carleton.

Credits: Director, Harry Millarde; adaptation, Paul H. Sloane.

OVER THE HILL. 1921. 8,025 ft., sd. Based on the poems by Will Carleton.

Credits: Director, Henry King; screenplay and dialogue, Tom Barry, Jules Furthman; editor, Frank Hull.

OVER THE HILL FROM THE POORHOUSE. SEE Over the Hill.

OVER THE HILL TO THE POORHOUSE. 1920. 11 reels. Adapted from the poems "Over the Hill to the Poorhouse" and "Over the Hill From the Poorhouse" by Will Carleton.

Credits: Director, Harry Millarde; adaptation, Paul H. Sloane.

OVER THE HILL TO THE POORHOUSE. SEE Over the Hill.

OVER THE JUMPS. (Sports-Eye-View, no. 6) 1933. 1 reel, sd.

Credits: Director, Jack Eaton.

OVER THE OCEAN WAVES. 1920. 2 reels.

Credits: Written and directed by Jesse Robbins.

OVER THE RADIO. (A Capital Comedy) Presented by E. B. Derr. 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; story and direction, Fred Guiol; film editor, John Link; music director, Francis Gromon.

OVER THE RHINE WITH CHARLIE. 1918. 1 reel.

OVER THE SEAS TO BORNEO. (A Fitzpatrick M. G. M. Traveltalk) 1932. 1 reel.

Credits: Compiler, James A. Fitzpatrick; photographer, B. S. Dawley.

OVER THE TOP. 1918. 9 reels. From the story by Arthur Guy Empey.

Credits: Director, Wilfrid North; scenario, Robert Gordon Anderson.

OVER THE TRANSOM. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

OVER THE WALL. 1937. 8 reels.

Credits: Lewis E. Lawes; director, Frank McDonald; original screenplay, Crane Wilbur, George Bricker.

OVER THE WIRE. 1921. 6 reels.

Credits: Producer and director, Wesley Ruggles; original story, Arthur Somers Roche; adaptation, Edward T. Lowe, Jr.

OVER THERE. 1917. 6 reels. From the play by Charles Richman.

Credits: Director, Charles Kirkwood; scenario, Eve Unsell.

OVER THERE; or, THROUGH HELL AND BACK AGAIN WITH THE ALLIES. 1934. 8 reels.

Credits: Adapted and arranged by Sidney B. Lust.

OVER THERE TODAY. 1929. 1 reel, sd.

Credits: Director, Paul Jones; editor, Ray L. Hall.

OVERCOMING LIMITATIONS TO LEARNING. 1936. 2 reels, sd.

THE OVERLAND EXPRESS. 1938. 6 reels, sd.

Credits: Producer, L. G. Leonard; director, Drew Eberson; original screenplay, Monroe Shaff; film editor, Gene Milford; music supervisor, Edward Kilenyi.

THE OVERLAND LIMITED. Gotham. 1925. 6 reels.

Credits: Director, Frank O'Neil; story, James J. Tynan.

OVERLAND MAIL. 1939. 6 reels, sd.

Credits: Producer, Robert Tansey; director, Robert Hill; screenplay, Robert Emmett.

OVERLAND RED. 1920. 5 reels.

Credits: Direction and scenario, Lynn F. Reynolds; story, Harry Herbert Knibbs.

THE OVERLAND STAGE. Presented by Charles R. Rogers. 1926. 7 reels.

Credits: Director, Albert Rogell; story, Marion Jackson.

OVERLAND STAGE RAIDERS. 1938. 6 reels, sd. Based on characters created by William Colt MacDonald.

Credits: Associate Producer, William Berke; director, George Sherman; original story, Bernard McConville, Edmond Kelso; screenplay, Luci Ward; film editor, Tony Martinelli.

THE OVERLAND TELEGRAPH. 1929. 6 reels.

Credits: Director, John Waters; story, Ward Wing; adaptation, Edward Meagher; continuity, George C. Hull; film editor, William LeVanway.

OVERLAND TO CALIFORNIA. 1920. 952 ft., 16 mm.

Credits: Producer, Jack Fier; director, Sam Nelson, Norman Deming; original screenplay, Joseph F. Poland, Morgan B. Cox, Ned Dandy; film editors, Richard Fantl, Jerry Thoms.

OVERTONES WITH URSULA FAUCIT. 1928. 1 reel.

Credits: Alice Gerstenberg; director, Bryan Foy.

OVERTURE 1812. SEE Impressions of Tschaikowsky's Overture 1812.

OVERTURE TANNHÄUSER, BY RICHARD WAGNER, PLAYED BY THE NEW YORK PHILHARMONIC ORCHESTRA. 1927. 1 reel, sd.

OVERTURE, WILLIAM TELL, BY ROSSINI; PLAYED BY THE NEW YORK PHILHARMONIC ORCHESTRA, HENRY HADLEY, CONDUCTING. 1927. 1 reel, sd.

OVERWHELMED BY THE WORLD. SEE Blanchette.

OWD BOB. SEE To the Victor.

THE OWL AND THE PUSSYCAT. (Paul Terrytoons) Educational Pictures. Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE OWL AND THE PUSSY CAT. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd., color.

Credits: Director, Eddie Donnelly; story, John Foster; music, Philip A. Scheib.

OWN A HOME. 1923. 1 reel.

OWN A LOT. Presented by Century Comedies. 1923. 2 reels.

Credits: Written and directed by Noel Smith.

OXIDATION AND REDUCTION. 1932. 1 reel.

Credits: Narrative, Hermann I. Schlesinger, Harvey B. Lemon.

OYSTER AND SHRIMP FISHING. (Ford Educational Library, Industrial Geography) Ford Motion Picture Laboratories. 1922. 1 reel.

THE OYSTER DREDGER. Victor. 1915. 2 reels.

Credits: Scenario and production by Lon Chaney.

OYSTER FARMING AT WILLAPA BAY, WASHINGTON. 1929. 1 reel.

OYSTERS. 1932. 980 ft.

OZZIE OF THE CIRCUS. (Walter Lantz Cartoon) 1929. 1 reel.

OZZIE OF THE MOUNTED. (An Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Walter Disney.

OZZIE OSTRICH COMES TO TOWN. (Terrytoons) Presented by E. W. Hammons. 1937. 1 reel, sd.

Credits: Paul Terry, Mannie Davis, George Gordon; scored and conducted by Philip A. Scheib.