Motion pictures, 1912-1939, T (continued 2) — Read Online

THEIR FIRST TINTYPE. Century. 1920. 2 reels.

Credits: Written and directed by Bud Jamison.

THEIR FIRST VACATION. Released by Film Booking Offices of America. 1922. 2 reels.

Credits: Director, Malcolm St. Clair; story, Carter DeHaven; scenario, Beatrice Van.

THEIR FRIEND, THE BURGLAR. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

THEIR GODSON. 1918. 1 reel.

Credits: Kenneth Webb; director, Graham Baker.

THEIR GOLDEN WEDDING. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; story, John Fleming Wilson.

THEIR HAPPY HONEYMOON. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

THEIR HAPPY LITTLE HOME. 1915. Split reel.

Credits: Mark Swan.

THEIR HOUR. 1928. 6 reels.

Credits: Director, Alfred Raboch; story, Albert Shelby LeVino; editor, Martin G. Kohn.

THEIR INTEREST IN COMMON. 1913. 1 reel.

Credits: Director, Rollin S. Sturgeon.

THEIR LAST BEAN. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd.

Credits: Director, Eddie Donnelly; story, John Foster; music, Philip A. Scheib.

THEIR LITTLE DRUDGE. 1914. 1 reel.

THEIR MAD MOMENT. 1931. 5,161 ft., sd. From the novel "Basquerie" by Eleanor Mercein.

Credits: Associate producer, A. L. Rockett; continuity and dialogue, Leon Gordon; editor, Alex Troffey.

THEIR MOTHER. 1916. 2 reels.

Credits: Director, Leon D. Kent.

THEIR MUTUAL CHILD. 1920. 6 reels. From the story by Pelham Grenville Wodehouse.

Credits: Director, George L. Cox; scenario, Daniel F. Whitcomb.

THEIR MUTUAL FRIEND. 1913. 1 reel.

Credits: Director, Frederick Thomson.

THEIR MUTUAL MOTOR. 1918. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

THEIR NIGHT OUT. 1915. 1 reel.

Credits: Director, Sidney Drew.

THEIR ONLY SON. Nestor. 1916. 1 reel.

THEIR OWN DESIRE. 1930. 7 reels, sd., b&w. From the novel by Sarita Fuller, pseud.

Credits: Director, E. Mason Hopper; screenplay, Frances Marion; dialogue, adaptation, and stage direction, James Forbes; film editor, Harry Reynolds.

THEIR OWN WAYS. 1915. 1,000 ft.

Credits: Elizabeth Miller; director, Charles M. Seay.

Credits: Producer, George L. Tucker.

THEIR PURPLE MOMENT. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

852Credits: Supervising director, Leo McCarey; director, James Parrott; titles, H. M. Walker; editor, Richard Currier.

THEIR QUIET HONEYMOON. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

THEIR QUIET LITTLE HONEYMOON. Metro-Drew. 1916. 1 reel.

Credits: C. Doty Hobart.

THEIR SECRET. Big U. 1915. 2 reels.

Credits: Producer, William C. Dowlan; scenario, Leonora Dowlan.

THEIR SINFUL INFLUENCE. 1915. 3 reels.

Credits: Director, Lloyd B. Carleton.

THEIR SOCIAL SMASH. Powers. 1916. 1 reel.

Credits: Written and produced by Harry Wulze.

THEIR SOCIAL SPLASH. 1915.

Credits: Producer, Mack Sennett.

THEIR SOLDIER BOY. 1914. 1 reel.

THEIR SPORTING BLOOD. Nestor. 1918. 1 reel.

Credits: Producer, R. A. Dillon; scenario, Harry Wulze.

THEIR STEADY JOB. 1922. 1 reel.

Credits: Producer, E. A. Martin.

THEIR VILLAGE FRIEND. 1915. 1 reel.

Credits: James O. Walsh, Rex A. Taylor, Joseph A. Richmond.

THEIR WIVES' VACATION. (Mermaid Talking Comedies) 1930. 21 min., sd.

Credits: Written and directed by Stephen Roberts; continuity and adaptation, John Lockert, George Coogan.

THELMA. 1922. 6 reels. From the story by Marie Corelli.

Credits: Producer and director, Chester Bennett; adaptation, Thomas Dixon, Jr.

THEM EYES. Nestor. 1919. 1 reel.

Credits: Director, Ben Wilson; story, Frank R. Adams; scenario, Fred Myton, Waldemar Young.

THEM THAR HILLS. (Hal Roach Comedy) (Laurel and Hardy Comedy) 1934. 2 reels, sd.

Credits: Director, Charles Rogers; film editor, Bert Jordan.

THEM WAS THE GOOD OLD DAYS. 1915. 1 reel.

Credits: Director, C. J. Williams.

THEM WERE THE HAPPY DAYS. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, Otz Messmer.

THEME SONGS OF YESTERDAY. (Organlogue, no. 8) 1931. 1 reel, sd.

Credits: Announcements, Norman Brokenshire.

Credits: Producer, John L. Hawkinson.

THEN AND NOW. SEE Billy and Elsa Newell in Then and Now.

THEN CAME THE PAWN. 1930. 1 reel, sd.

Credits: Written and directed by Eddie Buzzell.

THEN CAME THE WOMAN. Released through Moeller Theatre Service, Inc. 1926. 7 reels.

Credits: Written and directed by David Hartford.

THEN CAME THE YAWN. 1932. 2 reels.

Credits: Director, Joseph Henabery; story, Glen Lambert, Jack Henley.

THEN CAME THE YAWN. Educational. Treasure Chest. Presented by E. W. Hammons. 1934. 694 ft., sd.

Credits: Directors, Ben Blake, Max Hayes.

THEN HELL BROKE LOOSE. SEE Shanghaied Love.

Credits: Director, George Irving.

THEODORA. 1921. 10 reels. From the drama by Victorien Sardou.

Credits: Director, Cavaliere Leopold Carlucci.

THEODORA GOES WILD. 1936. 10 reels, sd.

Credits: Director, Richard Boleslawski; original story, Mary McCarthy; screenplay, Sidney Buchman; film editor, Otto Meyer; music director, Morris Stoloff.

THEODORE ROOSEVELT, FRIEND OF THE BIRDS. (The Roosevelt Series of History and Biography) 1928. 1 reel.

THEODORE ROOSEVELT, GREAT SCOUT. 1925. 2 reels.

THERE AIN'T NO JUSTICE. Presented by Carl Laemmle. 1934. 2 reels.

Credits: Producer, Warren Doane; director, James W. Horne; story, Albert Austin, James W. Horne; editor, Harry Marker.

THERE AND BACK. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

THERE AND BACK. Nestor. 1918. 1 reel.

THERE ARE NO VILLAINS. 1922. 5 reels.

Credits: Producer and director, Bayard Veiller; story, Frank R. Adams; scenario, Mary O'Hara.

THERE GOES MY GIRL. 1937. 8 reels, sd.

Credits: Producer, William Sistrom; director, Ben Holmes; story, George Beck; screenplay, Harry Segall; editor, Desmond Marquette.

THERE GOES MY HEART. Released through United Artists. Presented by Hal Roach. 1938. 9 reels, sd.

Credits: Producer, Milton H. Bren; director, Norman Z. McLeod; original story, Ed Sullivan; screenplay, Eddie Moran, Jack Jevne; film editor, William Terhune; music director, Marvin Hatley.

THERE GOES RUSTY. (News World of Sports) 1939. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by Don Seymour; editor, Harry Foster.

THERE GOES THE BRIDE. (Star Comedy) 1918. 1 reel.

Credits: Lyons, Moran, King W. Vidor; director, Roy S. Clements.

THERE GOES THE BRIDE. 1938. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, Jack Henley.

THERE GOES THE GROOM. 1937. 7 reels, sd.

853Credits: Producer, Albert Lewis; director, Joseph Santley; story, David Garth; screenplay, S. K. Lauren, Dorothy Yost, Harold Kusell; editor, Jack Hively.

THERE IS A REASON FOR RICHFIELD. 1936. For Richfield Oil Corporation of New York. 1 reel, sd.

THERE IT IS. (Educational-Bowers Comedy) 1928. 2 reels.

Credits: Director, H. L. Muller.

THERE SHE GOES. (Stern Brothers Comedy) Century. 1926. 2 reels.

Credits: Director, Jess Robbins; story, Page Wright.

THERE YOU ARE. 1926. 6 reels. Based on the novel by F. Hugh Herbert.

Credits: Producer and director, Edward Sedgwick; adaptation and continuity, F. Hugh Herbert; film editor, Arthur Johns.

THERE'S A WILL. (Stern Brothers Comedy) (Mike and Ike) 1927. 2 reels. From the cartoons by Rube Goldberg.

Credits: Director, Francis Corby.

THERE'S ALWAYS A WOMAN. 1938. 8 reels, sd.

Credits: Producer, William Perlberg; director, Alexander Hall; story, Wilson Collison; screenplay, Gladys Lehman, film editor, Viola Lawrence; music director, Morris Stoloff.

THERE'S ALWAYS TOMORROW. 1934. 9 reels, sd.

Credits: Director, Edward Sloman; story, Ursula Parrott.

THERE'S MANY A FOOL. 1917. For Fox Film Corp. 3 reels.

Credits: Written and directed by Charles Parrott.

THERE'S MANY A SLIP. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Ben Cohn.

THERE'S MILLIONS IN IT. Released by Film Booking Offices. 1924. 6 reels. Adapted from the story "Men of Affairs" by Roland Pertwee.

Credits: Scenario and direction, Dennison Clift.

THERE'S MONEY IN WHIPPET AND WILLYS-6 TRUCKS. 1930. 1 reel.

THERE'S NO PLACE LIKE HOME. Rex. 1916. 1 reel.

Credits: Written and produced by Lois Weber.

THERE'S RHYTHM IN THE RIVER. SEE Rhythm in the River.

THERE'S SOMETHING ABOUT A SOLDIER. (Betty Boop Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks Lokey.

THERE'S THAT WOMAN AGAIN. 1938. 8 reels, sd. Based on a work by Wilson Collison.

Credits: Associate producer, B. B. Kahane; director, Alexander Hall; story, Gladys Lehman; screenplay, Philip G. Epstein, James Edward Grant, Ken Englund; film editor, Viola Lawrence; music director, M. W. Stoloff.

Credits: E. V. Juhlström;, director, Victor Sjöström.

THERMODYNAMICS. 1938. 1 reel, sd.

THERMOID MEANS BUSINESS. 1936. For Thermoid Rubber Co. 1 reel, sd.

THESE DRY DAYS. SEE Fred Ardath in These Dry Days.

THESE GLAMOUR GIRLS. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. From the Cosmopolitan Magazine story by Jane Hall.

Credits: Producer, Sam Zimbalist; director, S. Sylvan Simon; screenplay, Jane Hall, Marion Parsonnet; film editor, Harold Kress; music score, Edward Ward, David Snell.

THESE THREE. 1936. 90 min., sd. Based on a play by Lillian Hellman.

Credits: Director, William Wyler; screenplay, Lillian Hellman; film editor, Daniel Mandell; music director, Alfred Newman.

THEY ALL COME OUT. Presented by Metro-Goldwyn-Mayer. 1939. 7 reels, sd., b&w.

Credits: Producer, Jack Chertok; director, Jacques Tourneur; original story and screenplay, John C. Higgins; film editor, Ralph E. Goldstein.

THEY ALL FALL. 1925. 2 reels.

Credits: Written and directed by Ralph Ceder.

THEY ALWAYS OPEN THE DOOR FIRST. Presented by Fisher Body Division. 1937. For L. C. Chase Co. Filmstrip, 91 frames, sd.

THEY ASKED FOR IT. 1939. 7 reels, sd.

Credits: Associate producer, Max Golden; director, Frank McDonald; original story, Lester Fuller; screenplay, Arthur T. Horman; film editor, Phil Cahn.

THEY CALL IT LOVE. Bluebird. 1927. 1 reel.

THEY CALL IT SIN. 1932. 7 reels. Based on the novel by Alberta Stedman Eagan.

Credits: Director, Thornton Freeland; screenplay, Lillie Hayward, Howard J. Green.

THEY CALLED IT BABY. 1914. 1 reel.

THEY CAN'T HANG ME. SEE The Witness Vanishes.

THEY GAVE HIM A GUN. 1937. 10 reels, sd, b&w. From the novel by William Joyce Cowen.

Credits: Producer, Harry Rapf; director, W. S. Van Dyke, II; screenplay, Cyril Hume, Richard Maibaum, Maurice Rapf; film editor, Ben Lewis.

THEY GO BOOM. (A Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, James Parrott; story, Leo McCarey; film editor, Richard Currier; story editor, H. M. Walker.

THEY HAD TO SEE PARIS. 1929. 8,620 ft.

Credits: Director, Frank Borzage; editor, Margaret Clancy.

THEY JUST HAD TO GET MARRIED. 1932. 7 reels. From a play by Cyril Harcourt.

Credits: Director, Edward Ludwig; screenplay, Gladys Lehman, H. M. Walker.

THEY KNOW THEIR GROCERIES. SEE Miller and Lyles in They Know Their Groceries.

THEY LEARNED ABOUT WOMEN. 1930. 11 reels, sd.

Credits: Directors, Jack Conway, Sam Wood; story, A. P. Younger; scenario, Sarah Y. Mason; dialogue, Arthur "Bugs" Baer; words and music, Jack Yellen, Milton Ager; film editor, James McKay.

THEY LIKE 'EM ROUGH. 1922. 5 reels.

Credits: Producer, Harry Beaumont; story and scenario by Rex and Irma Whepley Taylor.

THEY LIVE AGAIN. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Director, Fred Zinnemann; screenplay, Herman Boxer; research compilations, Ryland R. Madison; narrator, John Nesbitt; music score, David Snell.

THEY LOOKED ALIKE. 1914. Split reel.

854© Lubin Mfg. Co. (Epes W. Sargent, author); 24Dec14; LP4025.

THEY LOVED HIM SO. 1915. 1 reel.

Credits: Director, C. J. Williams.

THEY MADE HER A SPY. 1939. 69 min., sd.

Credits: Producer, Robert Sisk; director, Jack Hively; story, George Bricker; screenplay, Michael Kanin, Jo Pagano; editor, Harry Marker; music director, Roy Webb.

THEY MADE ME A CRIMINAL. 1939. 11 reels, sd. From a novel by Bertram Millhauser and Beulah Marie Dix.

Credits: Director, Busby Berkeley; screenplay, Sig Herzig; music, Max Steiner.

THEY MET IN A TAXI. 1936. 7 reels, sd.

Credits: Production and screenplay, Howard J. Green; director, Alfred E. Green; story, Octavus Roy Cohen; music director, Morris Stoloff; film editor, Gene Milford.

THEY SHALL HAVE MUSIC. Released through United Artists. 1939. 10 reels, sd.

Credits: Producer, Samuel Goldwyn; director, Archie Mayo; screenplay, Irmgard von Cube, John Howard Lawson; film editor, Sherman Todd; music director, Alfred Newman.

THEY SHALL NOT PASS OUT. 1929. 2 reels.

Credits: Director, Ralph Ceder; story, E. V. Durling, Hal Davitt.

THEY WANTED TO MARRY. 1937. 6 reels, sd.

Credits: Associate producer, Zion Myers; director, Lew Landers; story, Larry Bachmann, Darwin L. Teilhet; screenplay, Paul Yawitz, Ethel Borden; editor, Desmond Marquette.

THEY WERE COLLEGE BOYS. 1914. 1 reel.

THEY WERE FOUR. Victor. 1917. 1 reel.

Credits: Story and direction, George Marshall; scenario, Karl R. Coolidge.

THEY WERE HEROES. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

Credits: Producer, Charles France.

THEY WERE ON THEIR HONEYMOON. Nestor. 1915. 1 reel.

Credits: Producer, Eddie Lyons; scenario, A. E. Christie.

THEY WON'T FORGET. 1937. 10 reels, sd. From the novel "Death in the Deep South" by Ward Greene.

Credits: Producer, Mervyn LeRoy; screenplay, Robert Rossen, Aben Kandel; film editor, Thomas Richards; music director, Leo F. Forbstein.

THEY WOULDN'T TAKE HIM SERIOUSLY. Gold Seal. 1916. 2 reels.

Credits: Ben Conn; producer, William Worthington.

THEY'RE ALWAYS CAUGHT. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; original story and screenplay, John C. Higgins.

THEY'RE COMING TO GET ME. SEE Charles (Chic) Sale in They're Coming to Get Me.

THEY'RE OFF. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

THEY'RE OFF. SEE The Speed Classic.

THICKER THAN WATER. (Hal Roach Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, James W. Horne; film editor, Ray Snyder.

THE THIEF. 1914. 5 reels. Adapted from the play by Henri Bernstein.

Credits: Direction and adaptation, Edgar Lewis.

THE THIEF. 1920. 6 reels. From the play by Henri Bernstein.

Credits: Director, Charles Giblyn; scenario, Max Marcin, Paul H. Sloane.

A THIEF IN PARADISE. First National. 1924. 8 reels. From the novel "The Worldlings" by Leonard Merrick.

Credits: Producer, George Fitzmaurice; adaptation, Frances Marion.

A THIEF IN THE DARK. 1928. 6 reels, b&w, lavender sequences.

Credits: Director, Albert Ray; story, Andrew Bennison, Albert Ray; scenario, Graham Baker.

THE THIEF IN THE NIGHT. 1915. 1,000 ft.

THIEF IN THE NIGHT. 1915. 2,000 ft. From the story by Albert Payson Terhune.

Credits: Adapted and produced by George Terwilliger.

THE THIEF MAKER. Imp. 1917. 2 reels.

Credits: Director, George Cochrane; story, George Surprenant; scenario, Harvey Gates.

THE THIEF OF BAGDAD. 1924. 14 reels.

Credits: Story, Elton Thomas.

THE THIEF OF PROFITS. 1930. 1 reel.

THE THIEF OF THE DESERT. Laemmle. 1916. 1 reel.

Credits: Written and produced by Lynn Reynolds.

THIEVES. 1913. 1 reel.

Credits: Director, W. J. Bauman.

THIEVES. 1919. 5 reels.

Credits: Director, Frank Beal; story, Will C. Beale; scenario, Douglas Bronston.

THIEVES' CLOTHES. 1920. 2 reels.

Credits: Director, Mack V. Wright; story, Arthur Henry Gooden; scenario, Hope Loring.

THIEVES' GOLD. Special Feature. 1918. 5 reels. Based on the story "Back to the Right Trail" by Frederick R. Bechdolt.

Credits: Director, Jack Ford; scenario, George Hively.

THIMBLE, THIMBLE. 1920. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Edward H. Griffith; scenario, Paul M. Bryan.

THIN ICE. 1919. 5 reels.

Credits: Director, Thomas R. Mills; story, Shannon Fife; scenario, G. Marion Burton.

THIN ICE. 1937. 7,041 ft., sd. From the play "Der Komet" by Attila Orbok.

Credits: Director, Sidney Lanfield; screenplay, Boris Ingster, Milton Sperling; music director, Samuel Kaylin.

THE THIN MAN. 1934. 10 reels, sd., b&w. From the novel by Dashiell Hammett.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke; screenplay, Albert Hackett, Frances Goodrich; film editor, Robert J. Kern; music score, William Axt.

THIN TWINS. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, James W. Horne; story, Leo McCarey; editor, Richard Currier.

THE THINGS IN THE BOTTOM DRAWER. Laemmle. 1915. 1 reel.

Credits: Producer, Alan Forest; scenario, James Dayton.

855THE THING'S THE PLAY. 1918. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, George Ridgwell; adaptation, Charles Risse.

THINGS TO COME. Released through United Artists. 1936. 10 reels, sd. Based on the book by H. G. Wells.

Credits: Producer, Alexander Korda; director, William Cameron Menzies; music, Arthur Bliss.

THE THINGS WE LOVE. 1918. 5 reels.

Credits: Director, Lou Tellegen; story, H. B. and M. G. Daniel; scenario, Harvey Thew.

THINGS WIVES TELL. 1926. 7 reels.

Credits: Director, Hugh Dierker; adaptation, Lewis Allen Browne.

THINK FAST, MR. MOTO. 1937. 5,961 ft., sd. Based on the story by J. P. Marquand.

Credits: Director, Norman Foster; screenplay, Howard Ellis Smith, Norman Foster; music director, Samuel Kaylin.

THINK FIRST. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1939. 1,893 ft., sd., b&w.

Credits: Director, Roy Rowland; original story and screenplay, Douglas Foster, Alan Friedman; film editor, Harry Komer.

THINK IT OVER. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Jacques Tourneur; original story and screenplay, Winston Miller.

THINK MOTHERS. 1915. 1 reel.

Credits: Producer, Joseph Kaufman.

THINK OF THE MONEY. 1915. 1 reel.

Credits: Producer, Arthur D. Hotaling.

THE THINKING COCKATOOS. 1915. 1/2 reel.

THE THIRD ACT. 1915. 2 reels.

THE THIRD ALARM. Released thru Film Booking Offices of America. 1922. 6 reels.

Credits: Producer and director, Emory Johnson; story, Emilie Johnson.

THE THIRD ALARM. 1930. 7 reels, sd.

Credits: Director, Emory Johnson; story, Emilie Johnson; continuity and dialogue, Frances Hyland, John Francis Natteford.

THIRD CLASS MALE. Century. 1921. 2 reels.

Credits: Written and directed by William H. Watson.

THE THIRD DEGREE. 1919. 7 reels. From the play by Charles Klein.

Credits: Director, Tom Terriss; scenario, Phil Lang.

THE THIRD DEGREE. 1926. 8 reels. From the play by Charles Klein.

Credits: Director, Michael Curtiz; adaptation, Graham Baker.

Credits: Director, Horne; story, H. H. Van Loan.

1. The Poisoned Dagger. © title, descr. & 60 prints, 3Jun20; LU15183.

2. The Pendulum of Death. © title, descr. & 40 prints, 3Jun20; LU15184.

3. In Destruction's Path. © title, descr. & 40 prints, 3Jun20; LU15185.

4. Daggers of Death. © title, descr. & 40 prints, 3Jun20; LU15186.

5. The Black Hand Bag. © title, descr. & 49 prints, 3Jun20; LU15187.

6. The Death Spark. © title, descr. & 40 prints, 3Jun20; LU15188.

7. Crook's Ranch. © title, descr. & 40 prints, 3Jun20; LU15189.

8. Trails of Danger. © title, descr. & 40 prints, 3Jun20; LU15190.

9. The Race for Life. © title, descr. & 40 prints, 3Jun20; LU15191.

10. The House of Terrors. © title, descr. & 40 prints, 3Jun20; LU15192.

11. The Long Arm of Vengeance. © title, descr. & 40 prints, 3Jun20; LU15193.

12. Man Against Man. © title, descr. & 40 prints, 3Jun20; LU15194.

13. The Blind Trails of Justice. © title, descr. & 40 prints, 3Jun20; LU15195.

14. At Bay. © title, descr. & 40 prints, 3Jun20; LU15196.

15. The Triumph of Justice. © title, descr. & 40 prints, 3Jun20; LU15197.

THIRD HAND HIGH. 1915. 2 reels.

THE THIRD INGREDIENT. 1917. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Helmer Walton Bergman.

THE THIRD KISS. 1919. 5 reels.

Credits: Director, Robert G. Vignolo; story, Heliodore Tenno; scenario, Edith Kennedy.

THE THIRD PARTNER. Powers. 1915. 1 reel.

Credits: Harvey Gates; producer, Lynn Reynolds.

THE THIRD PARTY. 1915. 1 reel.

Credits: Director, Theodore Marston.

THE THIRD ROUND. SEE Bulldog Drummond's Peril.

THE THIRD THANKSGIVING. 1912. 1 reel.

Credits: James Oppenheim.

THIRST. 1924. 2 reels.

Credits: Director, Fred Fishback.

THIRST AID. (Broadway Brevity) 1937. 19 min., sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

THIRTEEN DOWN. 1915. 2 reels.

13 HOURS BY AIR. Presented by Adolph Zukor. 1936. 8 reels, sd.

Credits: Producer, E. Lloyd Sheldon; director, Mitchell Leisen; story, Bogart Rogers, Frank Mitchell Dazey; screenplay, Bogart Rogers; adaptation, Kenyon Nicholson; film editor, Doane Harrison.

13 WASHINGTON SQUARE. Universal Jewel. 1928. 6 reels.

Credits: Director, Melville Brown; story, Leroy Scott; adaptation and continuity, Harry O. Hoyt.

THIRTEEN WOMEN. Presented by Radio Pictures. 1932. 7 reels, sd. From the novel by Tiffany Thayer.

Credits: Executive producer, David O. Selznick; director, George Archainbaud; screenplay, Bartlett Cormack, Samuel Ornitz; film editor, Charles L. Kimball.

THE 13th ALARM. (Chester Conklin Comedy, no. 6) 1931. 2 reels, sd.

Credits: Supervision, Phil L. Ryan; director, Del Lord; story, Clarence Hennecke; film editor, Earl Neville.

Credits: Adapted and directed by Leonce Perret.

THE THIRTEENTH CHAIR. 1929. 8 reels, sd., b&w. From the play by Bayard Veiller.

Credits: Producer and director, Tod Browning; dialogue continuity, Elliott Clawson; film editor, Harry Reynolds.

THE THIRTEENTH CHAIR. 1937. 7 reels, sd., b&w. From the play by Bayard Veiller.

Credits: Director, George B. Seitz; screenplay, Marion Parsonnet; film editor, W. Donn Hayes; music score, David Snell.

THE THIRTEENTH COMMANDMENT. Paramount-Artcraft. 1919. 5 reels. Based on the novel by Rupert Hughes.

Credits: Director, Robert G. Vignola; scenario, Alice Eyton.

THE THIRTEENTH GIRL. 1915. 3 reels.

856Credits: Director, Theodore Marston.

THE THIRTEENTH GUEST. 1932. 7 reels.

Credits: Producer, M. H. Hoffman; director, Albert Ray; story, Armitage Trail; scenario, Francis Hyland, Arthur Hoerl.

THE THIRTEENTH HOUR. 1927. 6 reels.

Credits: Director, Chester M. Franklin; story and screenplay, Douglas Furber, Chester M. Franklin; continuity, Edward T. Lowe, Jr.; film editor, Dan Sharits.

THE THIRTEENTH JUROR. Universal Jewel. 1927. 6 reels.

Credits: Director, Edward Laemmle; story, Henry Irving Dodge; screenplay, Charles A. Logue.

THE THIRTEENTH MAN. (Bulls Eye Comedy) Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

THE 13th MAN. 1937. 8 reels, sd.

Credits: Producer, Lon Young; director, William Nigh; original screenplay, John Krafft; film editor, Russ Schoengarth.

THE THIRTIETH PIECE OF SILVER. 1920. 6 reels. From the story by Albert Payson Terhune.

Credits: Director, George L. Cox.

THIRTY. 1915. 2 reels.

Credits: Victor Eubank.

THIRTY A WEEK. 1918. 5 reels. Based on the play by Thompson Buchanan.

Credits: Director, Harry Beaumont.

30 BELOW ZERO. 1926. 5 reels, b&w, tinted sequences.

Credits: Directors, Robert P. Kerr, Lambert Hillyer; story and scenario, John Stone.

THIRTY DAY PRINCESS. 1934. 8 reels. From a novel by Clarence Budington Kelland.

Credits: Producer, B. P. Schulberg; director, Marion Gering; screenplay, Preston Sturges, Frank Partos; adaptation, Sam Hellman, Edwin Justus Mayer.

THIRTY DAYS. 1922. 5 reels. From the play by A. E. Thomas and Clayton Hamilton.

Credits: Director, James Cruze; adaptation, Walter Woods.

THIRTY DAYS. SEE The Silver Lining.

39 EAST. 1920. 5 reels. From the play by Rachel Crothers.

Credits: Director, John S. Robertson; scenario, Kathryne Stuart.

THE THIRTY-NINE STEPS. 1935. 8 reels, sd. Adapted from the novel by John Buchan.

Credits: Director, Alfred Hitchcock; adaptation, Charles Bennett; dialogue, Ian Hay; continuity, Alma Reville; editor, D. N. Twist; music director, Louis Levy.

36 HOURS TO KILL. 1936. 5,700 ft., sd.

Credits: Director, Eugene Forde; original story, W. R. Burnett; screenplay, Lou Breslow, John Patrick; music, Samuel Kaylin.

A THIRTY-SIX WEEKS BEHAVIOR DAY. (Yale Films of Child Development) 1935. 1 reel.

33 RUNS WILD. SEE A Tragedy of the Rails.

Credits: Scenario, continuity, and direction, Oscar Micheaux.

THIS AND THAT FROM HERE AND THERE. 1933. 626 ft., sd.

THIS BAND AGE. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Sam White; story, Ewart Adamson, Jack Cluett; film editor, Edward Mann.

THIS DAY AND AGE. 1933. 9 reels.

Credits: Director, Cecil B. De Mille; story, Bartlett Cormack.

THIS FREEDOM. 1923. 7 reels, b&w, tinted sequences.

Credits: Director, Denison Clift; story, A. S. M. Hutchinson.

THIS HERO STUFF. 1919. 5 reels.

Credits: Director, Henry King; story, Stephen Fox.

Credits: Producer, Frederic Ullman, Jr.; editor, Gilbert Seldes.

THIS IS HEAVEN. 1929. 8 reels.

Credits: Arthur Mantell; produced and directed by Alfred Santell; screenplay, Hope Loring.

THIS IS MY AFFAIR. 1937. 8,800 ft., sd.

Credits: Director, William A. Seiter; story and screenplay, Allen Rivkin, Lamar Trotti; music director, Arthur Lange.

THIS IS NEW YORK. SEE Two Kinds of Women.

THIS IS THE LIFE. 1917. For Fox Film Corp. 5 reels.

Credits: Director, Raoul Walsh; story and scenario, Ralph Spence, George Walsh.

THIS IS THE LIFE. Presented by Fox Film Corp. 1935. 5,985 ft., sd.

Credits: Director, Marshall Neilan; story, Gene Towne, Graham Baker; screenplay, Lamar Trotti, Arthur Horman; music director, David Buttolf.

THIS IS THE NIGHT. 1932. 9 reels, sd. From a play by Avery Hopwood based upon "Pouche" by Rene Peter and Henri Falk.

Credits: Director, Frank Tuttle; screenplay and lyrics, George Marion, Jr., Benjamin Glazer; music, Ralph Rainger.

THIS ISN'T THE LIFE. 1915. 1 reel.

Credits: Producer, Edwin McKim.

THIS LITTLE PIGGIE WENT TO MARKET. 1934. 1 reel.

Credits: Director, Dave Fleischer; animation, Hicks Lokey, Paul Fennell.

THIS MAD WORLD. 1930. 8 reels, sd., b&w. Adapted from the French play "Terre Inhumaine" by François de Curel.

Credits: Producer, William De Mille; screenplay, Clara Beranger; dialogue, Clara Beranger, Arthur Caesar; film editor, Anne Bauchens.

THIS MAN IS MINE. 1934. 8 reels, sd. From the play "Love Flies in the Window" by Anne Morrison Chapin.

Credits: Producer, Pandro S. Berman; director, John Cromwell; screenplay, Jane Murfin; music director, Max Steiner; editor, William Morgan.

THIS MAN IS NEWS. Presented by Pinebrook, Ltd. 1939. 8 reels, sd.

Credits: Producer, Anthony Havelock-Allan; director, David MacDonald; original story, Roger MacDougall, Allan MacKinnon; screenplay, Roger MacDougall, Allan MacKinnon, Basil Dearden; film editor, Reginald Beck; music director, Percival Mackey.

THIS MARRIAGE BUSINESS. 1938. 7 reels, sd.

Credits: Producer, Cliff Reid; director, Christy Cabanne; story, Mel Riddle, Alex Ruben; screenplay, Gladys Atwater, J. Robert Bren; editor, Harry Marker.

THIS MODERN AGE. 1931. 8 reels, sd., b&w.

Credits: Director, Nicholas Grindé; story, Mildred Cram; dialogue continuity, Sylvia Thalberg, Frank Butler; additional dialogue, John Meehan; film editor, William Le Vanway.

857© Metro-Goldwyn-Mayer Distributing Corp.; 7Sep31; LP2450.

THIS RECKLESS AGE. 1932. 8 reels, sd. From a play by Lewis Beach.

Credits: Adaptation and direction, Frank Tuttle; screenplay, Joseph L. Mankiewicz.

THIS SIDE OF HEAVEN. 1934. 8 reels, sd., b&w. From the novel by Marjorie Bartholomew Paradis.

Credits: Producer, John W. Considine, Jr.; director, William K. Howard; adaptation, Zelda Sears, Eve Greene; screenplay, Edgar Allan Woolf, Florence Ryerson; film editor, Frank Hull; music score, William Axt.

THIS SPORTING AGE. 1932. 7 reels, sd.

Credits: Directors, A. F. Erickson, Andrew W. Bennison; story, James Kevin McGuinness; screenplay, adaptation and dialogue, Dudley Nichols; film editor, Maurice Wright.

THIS THING CALLED LOVE. 1929. 8 reels, sd. From the play by Edwin Burke.

Credits: Associate producer, Ralph Block; director, Paul L. Stein; adaptation and dialogue, Horace Jackson.

THIS WAY OUT. (Mirthquake) 1923. 2 reels.

Credits: Director, Eugene DeRue; story, Edward I. Luddy.

THIS WAY PLEASE. (Mike and Ike Comedy) 1929. 2 reels. From the cartoons by Rube Goldberg.

Credits: Director, Samuel Newfield.

THIS WAY PLEASE. Presented by Adolph Zukor. 1937. 8 reels, sd.

Credits: Producer, Mel Shauer; director, Robert Florey; story, Maxwell Shane, Bill Thomas; screenplay, Grant Garrett, Seena Owen, Howard J. Green.

THIS WIFE BUSINESS. (American Home Life Series, no. 1) 1923. 2 reels. Suggested by the story "What Is Your Value, Madame?" by Alice Ames Winter.

Credits: Director, Arthur J. Zelner.

THIS WOMAN. 1924. 7 reels. From the novel by Howard Rockey.

Credits: Director, Phil Rosen; story, Howard Rockey; screenplay, Hope Loring, Louis Durea Leighton.

THIS WOMAN IS MINE. 1935. 8 reels.

Credits: Director, Monty Banks; story, Gregory Ratoff; screenplay, Fred Thompson, Tom J. Geraghty, Ossip Dymow.

THIS WOMAN—THIS MAN. SEE Guilty of Love.

THIS'LL MAKE YOU WHISTLE. 1938. 8 reels, sd. From the book by Guy Bolton and Fred Thompson.

Credits: Producer and director, Herbert Wilcox; editors, Frederick Wilson, Richard Watton; music director, George Windeatt.

THOM, THE UNKNOWN. (Vagabond Adventure Series, no. 24) The Van Beuren Corp. 1931. 1 reel.

A THORN AMONG ROSES. 1915.

Credits: William Herbert.

THE THORN AND THE ROSE. 1916. 3 reels.

Credits: Producer, Ralph W. Ince.

THORNS AND ORANGE BLOSSOMS. Presented by B. P. Schulberg. 1922. 82 min. From the novel by Bertha M. Clay [pseud.]

Credits: Producer and director, Louis J. Gasnier; adaptation, Hope Loring; editor, Eve Unsell.

THE THOROUGHBRED. 1916. 5 reels.

Credits: Director, Reginald Barker; supervision, Thomas H. Ince.

THE THOROUGHBRED. 1930. 7 reels, sd.

Credits: Director, Richard Thorp; screenplay, John Francis Natteford; editor, Clarence Kolster.

THOROUGHBREDS. SEE The Million Dollar Handicap.

THOROUGHBREDS DON'T CRY. 1937. 8 reels, sd.

Credits: Producer, Harry Rapf; director, Alfred E. Green; original story, Eleanore Griffin, J. Walter Ruben; screenplay, Lawrence Hazard; film editor, Elmo Vernon; music director, William Axt; music and lyrics, Nacio Herb Brown, Arthur Freed.

THOSE ATHLETIC GIRLS. (Paramount-Mack Sennett Comedy) 1918. 2 reels.

Credits: Director, Edward Cline; story, Mack Sennett.

THOSE BEAUTIFUL DAMES. (Merrie Melodies) Vitaphone, 1935. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Paul Smith, Charles Jones; music score, Bernard Brown.

THOSE BITTER SWEETS. 1915.

Credits: Producer, Mack Sennett.

THOSE BLUES, FEATURING VINCENT LOPEZ AND HIS ORCHESTRA. 1932. 1 reel.

THOSE COLLEGE GIRLS. 1915.

Credits: Producer, Mack Sennett.

THOSE COLLEGE GIRLS. 1923. 2 reels.

THOSE DISTANT COUSINS. Paramount-Briggs. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Doty Hobart; director, John William Kellette.

THOSE DOG-GONE KIDS. (Star Comedy) 1921. 1 reel.

Credits: Director, Allen Curtis; story and scenario, Victor Gibson.

THOSE FEMALE HATERS. Joker. 1915. 1 reel.

Credits: Written and produced by Allen Curtis.

THOSE HIGH GREY WALLS. 1939. 7 reels, sd.

Credits: Producer, B. B. Kahane; director, Charles Vidor; story, William A. Ullman, Jr.; screenplay, Lewis Meltzer, Gladys Lehman; film editor, Gene Milford; music director, M. W. Stoloff.

THOSE KIDS AND CUPID. Nestor. 1915. 1 reel.

Credits: Story, Thomas Delmar; scenario, Al. E. Christie.

THOSE PULLMAN PORTERS, FEATURING THE KINGS OF HARMONY. 1927. 1 reel.

Credits: Director, Bryan Foy.

THOSE THREE FRENCH GIRLS. Cosmopolitan. 1930. 8 reels, sd., b&w.

Credits: Director, Harry Beaumont; original story, Dale Van Every, Arthur Freed; adaptation and continuity, Sylvia Thalberg, Frank Butler; dialogue, P. G. Wodehouse; film editor, George Hively; music, Joseph Meyer.

THOSE TROUBLESOME TRESSES. 1913.

Credits: Director, George D. Baker.

THOSE TWO BOYS. (Educational-Mermaid Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

THOSE WE LOVE. 1932. 8 reels. From the play by S. K. Lauren and George Abbott.

Credits: Producers, John Golden, Philip Dunning; director, Robert Florey.

THOSE WERE THE DAYS. 1929. 1 reel, sd.

THOSE WERE THE DAYS. 1934. 1 reel, sd.

Credits: Director, Roy Mack.

THOSE WERE WONDERFUL DAYS. (Merrie Melodies) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; animation, Paul Smith, Don Williams; musical score, Norman Spencer.

THOSE WHO DANCE. 1924. 8 reels.

Credits: Director, Lambert Hillyer; story, George Kibbe Turner; adaptation, Lambert Hillyer, Arthur Statler.

858© Thomas H. Ince; 21May24; LP20228.

THOSE WHO DANCE. 1930. 9 reels.

Credits: George Kibbe Turner; director, William Beaudine; adaptation and dialogue, Joseph Jackson.

THOSE WHO DANCE. Trailer. 1930. 1 reel.

THOSE WHO JUDGE. 1924. 6 reels. From the novel by Margery Land May.

Credits: Director, Burton King; adaptation, Harry Chandlee.

THOSE WHO TOIL. 1916. 5 reels.

Credits: Director, Edgar Lewis.

THOSE WITHOUT SIN. 1917. 5 reels.

Credits: Producer, Marshall Neilan; director general, Cecil B. De Mille; story, Harvey F. Thew; adaptation, George DuBois Proctor, Tom J. Geraghty.

THOU ART THE MAN. 1915. 6 reels.

Credits: Director, S. Rankin Drew.

THOU ART THE MAN. 1920. 5 reels. From the story "Miles Calthrope" by F. E. Mills Young.

Credits: Director, Thomas N. Heffron; scenario, Margaret Turnbull.

THOU SHALT NOT. 1919. 6 reels.

Credits: Story, scenario, and direction, C. J. Brabin.

THOU SHALT NOT. 1931. 2 reels, sd.

Credits: Director, Howard Bretherton; story, Billy House; dialogue staged by Max E. Hayes.

THOU SHALT NOT COVET. 1916. 5 reels.

Credits: Director, Colin Campbell.

THOU SHALT NOT LIE. Imp. 1915. 2 reels.

Credits: Dwight Cleveland; producer, C. Easton.

THOU SHALT NOT STEAL. 1917. For Fox Film Corp. 6 reels. Adapted from the story "File no. 113" by Emil Gaboriau.

Credits: Director, William Nigh; scenario, Adrian Johnson.

Credits: Story, Eric Ergenbright; adaptation, Philip Hubbard.

A THOUGHT FOR YOU. Presented by Willard. 1938. 1 reel, sd.

A THOUGHT OF EQUITY. (Rothapfel Unit Programme, reel 2) 1919. Split reel.

THOUGHTS WHILE FISHING. (Outdoor Sketches) Presented by E. W. Hammons. 1928. 1 reel, sd.

Credits: Robert C. Bruce.

A THOUSAND A WEEK. (Star Comedy) 1921. 1 reel.

THE THOUSAND DOLLAR BILL. SEE Small Town Boy.

A THOUSAND DOLLAR DROP. Victor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

THE THOUSAND DOLLAR HUSBAND. Released by Paramount Pictures Corp. 1916. 5 reels. From the story by Margaret Turnbull.

Credits: James Young.

A THOUSAND TO ONE. 1920. 7 reels. From the novel "Fate's Honeymoon" by Max Brand [pseud. of Frederick Faust].

Credits: Director, Rowland V. Lee; adaptation, Joseph Franklin Poland.

THE THRALL OF LEIF THE LUCKY. SEE The Viking.

THE THREAD OF LIFE. Special Imp. 1916. 2 reels.

Credits: Joseph Gollomb; director, Ben Wilson.

Credits: Producer, Joseph W. Smiley.

THREADS OF FATE. 1917. 5 reels. From the story by Richard Barry.

Credits: Director, Eugene Nowland; scenario, June Mathis.

THREE ACES. (Grantland Rice Sportlight) 1929. 1 reel.

Credits: John Eaton.

THREE AGES. 1923. 6 reels.

Credits: Directors, Buster Keaton, Eddie Cline; story, Clyde Bruckman, Joseph Mitchell, Jean Havez.

THREE BAD MEN. 1926. 9 reels, b&w, tinted sequences. Suggested by the novel "Over the Border" by Herman Whittaker.

Credits: Director, John Ford; adaptation and scenario, John Stone.

THE THREE BEARS. (Dinkey Doodle Cartoons, no. 11) Bray. 1925. 1 reel.

THE THREE BEARS. (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons. 1934. 513 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE THREE BEARS. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd., color.

Credits: Director, Mannie Davis; story, John Foster; music, Philip A. Scheib.

THE THREE BEARS. SEE Three Men and a Girl.

THREE BLIND MICE. 1938. 6,736 ft., sd. Based on the play by Stephen Powys.

Credits: Director, William A. Seiter; screenplay, Brown Holmes, Lynn Starling; music director, Arthur Lange.

THREE BLIND MOUSEKETEERS. (Walt Disney Silly Symphony) 1936. 1 reel.

THE THREE BRAVE HUNTERS. Big U. 1916. 1 reel.

THE THREE BROX SISTERS. (A Laemmle Novelty) Snappy. 1928. 1 reel, sd.

THE THREE BROX SISTERS IN DOWN SOUTH. 1928. 1 reel, sd.

THE THREE BROX SISTERS IN GLORIFYING THE AMERICAN SONG. 1928. 1 reel, sd.

THREE BROX SISTERS IN HEADIN' SOUTH. 1929. 1 reel.

THREE CHEERS FOR LOVE. (A Young Romance Comedy) Presented by E. W. Hammons. 1934. 1,667 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, William Watson; music and lyrics, James Hanley, Benny Davis, Betty Laidlaw, Bob Lively.

THREE CHEERS FOR LOVE. Presented by Adolph Zukor. 1936. 7 reels, sd.

859Credits: Director, Ray McCarey; original story, George Marion, Jr.; screenplay, Barry Trivers; music, Ralph Rainger, Leo Robin.

THREE CHUMPS AHEAD. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

THE THREE COLONIAL GIRLS. 1927. 1 reel, sd.

Credits: Director, Bryan Foy.

THREE COMRADES. Presented by Metro-Goldwyn-Mayer. 1938. 10 reels, sd., b&w. From the book by Erich Maria Remarque.

Credits: Producer, Joseph L. Mankiewicz; director, Frank Borzage; screenplay, F. Scott Fitzgerald, Edward E. Paramore; film editor, Frank Sullivan; music, Franz Waxman.

THE THREE CORNERED KINGDOM. SEE If I Were Queen.

THREE CORNERED MOON. 1933. 8 reels. From the play by Gertrude Tonkonogy.

Credits: Producer, B. P. Schulberg; director, Elliott Nugent; screenplay, S. K. Lauren, Ray Harris.

THE THREE DIAMONDS. 1929. 2 reels.

Credits: Edgar Allen Woolf; director, Ben Holmes.

3 DUMB CLUCKS. 1937. 2 reels, sd.

Credits: Director, Del Lord; screenplay, Clyde Bruckman.

THREE FACES EAST. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1925. 7 reels. From the play by Anthony Paul Kelly.

Credits: Producer and director, Rupert Julian; adaptation, C. Gardner Sullivan, Monte Katterjohn.

THREE FACES EAST. Warner Brothers Vitaphone. 1930. 9 reels. Based on the stage play by Anthony Paul Kelly.

Credits: Director, Roy Del Ruth; screenplay and dialogue, Oliver H. P. Garrett, Arthur Caesar.

THREE FLIGHTS UP. SEE Dancing Sweeties.

THREE GAME GUYS. 1929. 1 reel.

Credits: John Foster.

THREE GIRLS LOST. 1931. 6,438 ft., sd.

Credits: Director, Sidney Lanfield; story, Robert D. Andrews; screenplay and dialogue, Bradley King; editor, Ralph Dietrich.

THREE GLAD MEN. 1927. 2 reels.

Credits: Director, Gil Pratt.

THE THREE GODFATHERS. 1916. 6 reels. From the story by Peter B. Kyne.

Credits: Scenario, Edward J. LeSaint, Harvey Gates.

THREE GODFATHERS. 1936. 8 reels, sd., b&w. From the novel by Peter B. Kyne.

Credits: Producer, Joseph L. Mankiewicz; director, Richard Boleslawski; screenplay, Edward E. Paramore, Jr., Manuel Seff; film editor, Frank Sullivan; music director, William Axt.

THREE GODFATHERS. SEE

Hell's Heroes.

Marked Men.

THREE GOLD COINS. 1920. 5 reels.

Credits: Story, H. H. Van Loan.

THREE GOOD PALS. 1921. 2 reels.

Credits: Director, Nate Watt; story, Lou Seiler.

Credits: Director, Dell Henderson; adaptation, Wallace C. Clifton.

THE THREE GUN MAN. 1923. 2 reels.

Credits: Director, Erie Kenton.

THREE HATS. 1915. 2 reels.

THREE HOLLYWOOD GIRLS. (Educational's Comedies) (Ideal Comedies) 1931. 21 min., sd.

Credits: Director, William Goodrich; story, Katharine Scola, Sherman L. Lowe; continuity and dialogue, James Gleason, Ernest Pagano, Jack Townley.

THREE HOURS. Presented by Asher, Small and Rogers. 1927. 7 reels. From the story "Purple and Fine Linen" by May Edginton.

Credits; Producer, E. M. Asher; director, James Flood; screenplay, Paul Bern.

365 DAYS IN HOLLYWOOD. 1934. 6,871 ft., sd.

Credits: Director, George Marshall; story, James Starr; screenplay, William Conselman, Henry Johnson; music director, Samuel Kaylin.

THREE IN A CLOSET. (Star Comedy) 1919. 1 reel.

Credits: Directors, Lyons, Moran; story, C. A. Bruckman.

THREE IN EXILE. 1925. 5 reels.

Credits: Director, Fred Windemere; story, George Hively.

THREE JACKS AND A QUEEN. SEE Die Drei von der Tankstelle.

THE THREE JEANETTES. 1915. 1/2 reel.

THE THREE JOHNS. 1916. 1 reel.

Credits: Director, Dave Smith.

THREE JUMPS AHEAD. 1923. 5 reels.

Credits: Written and directed by Jack Ford.

THREE JUNGLE GIANTS. 1933. 1 reel.

THREE KEYS. 1924. 6 reels. From the novel by Frederic V. R. Dey.

Credits: Producer, Ben Verschleiser; director, Edward J. LeSaint.

THREE KIDS AND A QUEEN. Presented by Carl Laemmle. 1935. 10 reels, sd.

Credits: Associate producer, Ben Verschleiser; director, Edward Ludwig; story suggested by Harry H. Poppe, Chester Beecroft, Mary Marlind; screenplay, Barry Trivers, Samuel Ornitz; film editor, Byron Robinson.

THREE KINGS AND A QUEEN. 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

THREE KNAVES AND A HEATHEN CHINEE. 1914. 1 reel.

Credits: Henry Warwick.

THREE KNAVES AND A QUEEN. (Ely Culbertson in My Bridge Experiences) 1933. 2 reels, sd.

Credits: Supervision, Lou Brock; director, Sam White; film editor, Edward Mann.

THREE LAZY MICE. (Cartune Classics) Snappy. 1935. 1 reel, sd., color.

Credits: Story and lyrics, Walter Lantz, Victor McLeod.

THREE LITTLE BEERS. 1935. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Clyde Bruckman.

THE THREE LITTLE PIGS. (Silly Symphony, no. U. A. 10) 1933. 1 reel.

THREE LITTLE PIGSKINS. 1934. 2 reels, sd.

Credits: Director, Raymond McCarey; story and screenplay, Felix Adler, Griffin Jay; film editor, James Sweeney.

THREE LITTLE SEW AND SEWS. 1938. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Ewart Adamson.

3 LITTLE SWIGS. 1933. 2 reels, sd.

860Credits: Producer and director, Arvid E. Gillstrom; story, Dean Ward, Vernon Pent; film editor, Jack English.

THREE LITTLE WOLVES. (Silly Symphony) 1936. 1 reel.

THREE LIVE GHOSTS. 1922. 6 reels. From the novel by Frederic S. Isham.

Credits: Scenario, Ouida Bergere.

THREE LIVE GHOSTS. United Artists. Presented by Joseph M. Schenck. 1929. 9 reels, sd. Based on the play by Frederic S. Isham and Max Marcin.

Credits: Production, adaptation, and dialogue, Max Marcin; director, Thornton Freeland; scenario, Helen Hallett.

THREE LIVE GHOSTS. 1936. 7 reels, sd., b&w. From the play by Frederic S. Isham and Max Marcin which was based on the novel by Frederic S. Isham.

Credits; Producer, John W. Considine, Jr.; director, H. Bruce Humberstone; screenplay, C. Gardner Sullivan; film editor, Tom Held; music score, William Axt.

THREE LOVES HAS NANCY. Presented by Metro-Goldwyn-Mayer. 1938. 7 reels, sd., b&w.

Credits: Producer, Norman Krasna; director, Richard Thorpe; story, Lee Loeb, Mort Braus; screenplay, Bella and Samuel Spewack, George Oppenheimer, David Hertz; film editor, Frederick Y. Smith; music score, William Axt.

THREE MARRIED MEN. Presented by Adolph Zukor. 1936. 6 reels.

Credits: Producer, Arthur Hornblow, Jr.; director, Edward Buzzell; story, Owen Davis, Sr.; screenplay, Dorothy Parker, Alan Campbell.

THE THREE MAXIMS. SEE The Show Goes On.

THREE MEN AND A GIRL. Paramount. Presented by Adolph Zukor. 1919. 5 reels. Adapted from the play "The Three Bears" by Edward Childs Carpenter.

Credits: Director, Marshall Neilan; scenario, Eve Unsell.

THREE MEN IN A TUB. (A Hal Roach Our Gang Comedy) 1938. 1 reel, sd., b&w.

Credits: Director, Nate Watt; film editor, William Ziegler.

THREE MEN ON A HORSE. First National. 1936. 9 reels, sd. From the play by John Cecil Holm and George Abbott.

Credits: Producer, Mervyn Leroy; screenplay, Laird Doyle.

THE THREE MESQUITEERS. 1936. 6 reels. Based on the book by William Colt MacDonald.

Credits: Producer, Nat Levine; supervision, Mack V. Wright; director, Ray Taylor; original story, Charles Condon; screenplay, Jack Natteford.

THE THREE MESQUITEERS. SEE The Trigger Trio.

THREE MILES UP. (Thrill Feature) 1927. 5 reels.

Credits: Director, Bruce Mitchell; story and continuity, Carl Krusada.

THREE MINUTE FUSE. (Your True Adventures) 1939. 11 min., sd.

Credits: Director, Joseph Henabery; screenplay, Burnet Hershey.

THREE MINUTES TO GO. SEE The Kick Off.

THREE MISSING LINKS. (A Standard Fat Man Comedy) Released by F. B. O. Pictures Corp. 1927. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

THREE MISSING LINKS. 1938. 2 reels.

Credits: Director, Jules White; story and screenplay, Searle Kramer.

Credits: Scenario, Vera Maxwell, Wallace McCutcheon.

THREE MOUNTED MEN. 1918. 6 reels.

Credits: E. B. Lewis; producer, Jack Ford.

THE THREE MUSKETEERS. 1921. 11,700 ft. Adapted from the novel by Alexandre Dumas.

Credits: Director, Fred Niblo; adaptation, Edward Knoblock.

THE THREE MUSKETEERS. Presented by Nat Levine. 1933. 2 reels each, except no. 1 which is 3 reels, sd. Based on the novel by Alexandre Dumas.

Credits: Directors, Armand Schaeffer, Colbert Clark; story, Norman Hall, Colbert Clark, Wyndham Gittens, Ben Conn; dialogue, Ella Arnold.

1. The Fiery Circle.

2. One for All and All for One.

3. The Master Spy.

4. Pirates of the Desert.

5. Rebels' Rifles.

6. Death's Marathon.

7. Naked Steel.

8. The Master Strikes.

9. The Fatal Cave.

10. Trapped.

11. The Measure of a Man.

12. The Glory of Comrades.

THE THREE MUSKETEERS. 1935. 11 reels, sd. From the novel by Alexandre Dumas.

Credits: Associate producer, Cliff Reid; director, Rowland V. Lee; screenplay, Dudley Nichols, Rowland V. Lee; editor, George Hively; music, Max Steiner.

THE THREE MUSKETEERS. 1939. 6,519 ft., sd. Based on the novel by Alexandre Dumas.

Credits: Director, Allan Dwan; screenplay, M. M. Musselman, William A. Drake, Sam Hellman; music director, David Buttolph.

THE THREE MUSKETEERS. SEE

D'Artagnan.

The Iron Mask.

THE THREE MUST-GET-THERES. Presented by Allied Producers and Distributors Corp. 1922. 5 reels.

Credits: Written and directed by Max Linder.

THREE O'CLOCK IN THE MORNING. 1923. 2 reels.

Credits: Director, Richard Thorpe.

THREE O'CLOCK IN THE MORNING. 1923. 7 reels.

Credits: Director, Kenneth Webb; story, Gerald C. Duffy, Mann Page.

THREE O'CLOCK IN THE MORNING. SEE George Broadhurst & Co. in Three O'Clock in the Morning.

THREE OF A KIND. 1926. 2 reels.

Credits: Director, Harry Sweet.

THREE OF A KIND. 1936. 8 reels, sd.

Credits: Director, Phil Rosen; story and screenplay, Arthur T. Horman.

THREE ON A HONEYMOON (VOYAGE DE NOCES). 1933. 10 reels, sd.

Credits: Supervision, Joe May, E. Schmidt; director, Pierre O'Connell; dialogue, Jean Boyer; music, Walter Jurman, E. Kaper.

THREE ON A HONEYMOON. 1934. 5,850 ft., sd. From the novel "Promenade Deck" by Ishbel Ross.

Credits: Director, James Tinling; screenplay, Edward T. Lowe, Raymond van Sickle; adaptation, Douglas Doty; music director, Samuel Kaylin.

THREE ON A LIMB. (An Educational Star Comedy) Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Director, Charles Lamont; story, Vernon Smith.

THREE ON A MATCH. 1932. 7 reels.

Credits: Director, Mervyn LeRoy; story, Kubec Glasmon, John Bright; screenplay, Lucien Hubbard.

THREE ON A MIKE. SEE Every Night at Eight.

THREE ON A ROPE. (A Pete Smith Specialty) 1938. 1 reel, sd., b&w.

Credits: Written and directed by Willard Vander Veer.

861© Metro-Goldwyn-Mayer Corp.; 8Feb38; LP7805.

THREE ON A WEEK-END. 1938. 8 reels, sd. Released in England under the title "Bank Holiday."

Credits: Director, Carol Reed; original story, Hans Wilhelm, Rodney Ackland; scenario, Rodney Ackland, Roger Burford; editor, R. E. Dearing; music director, Louis Levy.

THREE ON THE TRAIL. Presented by Adolph Zukor. 1936. 7 reels, sd. Based on "Bar 20 Three" by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Howard Bretherton; adaptation, Doris Schroeder; screenplay, Doris Schroeder, Vernon Smith.

THREE ORPHAN KITTENS. (Silly Symphony) 1935. 1 reel.

THREE PAIR OF SHOES. SEE The Price of Happiness.

THREE PAIRS OF STOCKINGS. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Allen Curtis.

THREE PALS. 1926. 5 reels.

THE THREE PASSIONS. Presented by Alastair Mackintosh. 1929. 8 reels. From the novel by Cosmo Hamilton.

Credits: Produced, adapted to the screen, and directed by Rex Ingram.

THREE-RING MARRIAGE. 1928. 6 reels. From the story "Help Yourself to Hay" by Dixie Willson.

Credits: Producer, Henry Hobart; adaptation and continuity, Harvey Thew; film editor, Stewart Heisler.

THREE RUSSIAN GYPSIES. SEE Renée Tumanova and Company.

THREE SAPPY PEOPLE. 1939. 1,583 ft.

Credits: Assistant producer and director, Jules White; original screenplay, Clyde Bruckman.

THE THREE SCRATCH CLUE. 1916. 2 reels. Reissue.

THREE SEVENS. 1921. 5 reels.

Credits: Director, Chester Bennett; story, Perley Poore Sheehan; scenario, E. Magnus Ingleton.

THREE SINNERS. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 8 reels. From the play "The Second Life" by Bernauer and Osterreicher.

Credits: Producer and director, Rowland V. Lee; screenplay, Jean de Limur; adaptation, Doris Anderson.

3 SISTERS. 1930. 5,721 ft., sd.

Credits: Director, Paul Sloane; story, Marion Orth, George Brooks; screenplay, James Kevin McGuinness, George Brooks.

THREE SMART BOYS. (Hal Roach Our Gang Comedy) 1937. 965 ft., sd., b&w.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

THREE SMART GIRLS. 1936. 9 reels, sd.

Credits: Associate producer, Joseph Pasternak; director, Henry Koster; original story and screenplay, Adele Comandini; film editor, Ted Kent; music director, Charles Previn.

THREE SMART GIRLS GROW UP. 1939. 10 reels, sd.

Credits: Producer, Joe Pasternak; director, Henry Koster; original screenplay, Bruce Manning, Felix Jackson; film editor, Bernard Burton; music director, Charles Previn.

THREE SONS. 1939. 72 min., sd. From the novel "Sweepings" by Lester Cohen.

Credits: Producer, Robert Sisk; director, Jack Hively; screenplay, John Twist; editor, Theron Warth; music, Roy Webb.

THREE TEXAS STEERS. 1939. 6 reels, sd. Based on characters created by William Colt MacDonald.

Credits: Associate producer, William Berke; director, George Sherman; original screenplay, Betty Burbridge, Stanley Roberts; film editor, Tony Martinelli; music score, William Lava.

THE THREE THIEVES. 1933. 2 reels.

THE THREE THINGS. SEE The Unbeliever.

THREE TOUGH ONIONS. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

THREE WAYS OUT. Black Cat. 1917. 2 reels.

Credits: Edward T. Lowe, Jr.; director, Richard Foster Baker.

THREE WEEK-ENDS. 1928. 6 reels.

Credits: Director, Clarence Badger.

Credits: Director and adapter, Perry N. Vekroff.

THREE WEEKS. 1924. 8 reels. From the novel by Elinor Glyn.

Credits: Director, Alan Crosland; scenario, Elinor Glyn; continuity, Carey Wilson; editorial director, June Mathis.

THREE WEEKS IN PARIS. 1925. 6 reels.

Credits: Director, Roy Del Ruth; story, Gregory Rogers; scenario, Darryl Francis Zanuck.

THREE WEEKS OFF. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Alfred T. Goulding.

THREE WHO LOVED. 1931. 7 reels, sd.

Credits: Associate producer, Bertram Millhauser; director, George Archainbaud; story, Martin Flavin; adaptation and dialogue, Beulah Marie Dix.

THREE WHO PAID. 1923. 5 reels.

Credits: Director, Colin Campbell; story, George Owen Baxter; scenario, Joseph Franklin Poland.

THREE WISE CLUCKS. (Rainbow Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Wallace Fox; story, L. V. Jefferson; film editor, Charles Craft; music director, Francis Gromon.

THREE WISE CROOKS. Released by F. B. O. 1925. 6 reels.

Credits: Director, Harmon Weight; story, John Brownell, Fred Kennedy Myton.

THREE WISE FOOLS. 1923. 7 reels. From the play by Austin Strong and Winchell Smith.

Credits: Adaptation and direction, King Vidor.

THREE WISE GIRLS. 1931. 7 reels, sd. Adapted from the story "Blonde Baby" by Wilson Collison.

Credits: Director, William Beaudine; adaptation, Agnes Christine Johnston; dialogue, Robert Riskin; film editor, Jack Dennis.

THREE WISE GOOFS. 1925. 2 reels.

THE THREE WISE GUYS. 1936. 8 reels, sd., b&w. From the story by Damon Runyon.

Credits: Producer, Harry Rapf; director, George B. Seitz; screenplay, Elmer Harris; film editor, Frank E. Hull; music score, William Axt.

THE THREE WISE MEN. 1916. 3 reels.

Credits: Director, Colin Campbell.

THE THREE WISHES. Victor. 1916. 1 reel.

Credits: Samuel Greiner; producer, Lucius Henderson.

THREE WOMEN. 1924. 8 reels.

Credits: Producer and director, Ernst Lubitsch.

THREE WOMEN OF FRANCE. Rex. 1917. 2 reels.

Credits: Director, Ruth Ann Baldwin; story and scenario, Bess Meredyth.

THREE WORD BRAND. 1921. 7 reels.

Credits: Screenplay and direction, Lambert Hillyer; story, Will Reynolds.

THREE'S A CROWD. Harry Langdon Corp. 1927. 6 reels.

Credits: Director, Harry Langdon; story, Arthur Ripley; adaptation, James Langdon, Robert Eddy.

THREE'S A CROWD. 1933. 1 reel, sd.

Credits: Drawn by Rollin Hamilton, Larry Martin.

THRIFT CANVASS. 1931. Filmstrip.

THE THRIFTY JANITOR. 1913. 1 reel.

Credits: Milton Nobles.

THE THRILL CHASER. 1923. 6 reels.

Credits: Director, Edward Sedgwick; story, Edward Sedgwick, Raymond Schrock.

THRILL FLASHES. 1934. 1 reel.

A THRILL FOR THELMA. (Crime Does Not Pay Series, no. 4) 1936. 2 reels, sd., b&w.

Credits: Director, Edward Cahn; story, Marty Brooks; screenplay, Richard Goldstone.

THE THRILL HUNTER. 1926. 6 reels.

Credits: Director, Eugene DeRue; story, Douglas Bronston; adaptation, Janet Crothers.

THE THRILL HUNTER. 1929. 2 reels.

Credits: Director, Walter Fabian; story and continuity, Basil Dickey.

THE THRILL HUNTER. 1933. 6 reels.

Credits: Director, George B. Seitz; screenplay, Harry O. Hoyt.

THE THRILL OF A LIFETIME. Presented by Goodrich. 1938. 1 reel, sd.

THRILL OF A LIFETIME. Presented by Adolph Zukor. 1938. 8 reels, sd.

Credits: Producer, Fanchon; director, George Archainbaud; story, Seena Owen, Grant Garrett; screenplay, Seena Owen, Grant Garrett, Paul Gerard Smith; music director, Boris Morros.

THE THRILL OF YOUTH. 1932. 7 reels.

Credits: Director, Richard Thorpe; story and dialogue, Edward T. Lowe.

THRILLING MOMENTS. (News World of Sports) 1938. 903 ft., sd.

Credits: Narrator, Jack Kofoed; described by Ford Bond.

A THRILLING RESCUE BY UNCLE MUN. 1912. 1,000 ft.

A THRILLING ROMANCE. Century. 1926. 2 reels.

Credits: Director, Jess Robbins; story, Page Wright.

THRILLS AND CHILLS. SEE Pudgy in Thrills and Chills.

THRILLS OF THE SEA. (Our World Today) 1928. 1 reel.

THRILLS WITH DAREDEVILS. 1936. 869 ft., sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

THRO' LIFE'S WINDOW. 1914. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillard.

THROBS AND THRILLS. 1919. 2 reels.

Credits: Director, Gilbert Pratt; story, Montgomery, Rock.

THE THRONE OF THE GODS. 1933. 6 reels, sd.

Credits: Editor, Nathan Cy Braunstein; narrator, Lowell Thomas.

THROTTLE PUSHERS. (A Sports Champion Picture) 1933. 819 ft.

Credits: Director, Jules White; explanatory remarks by Pete Smith.

THROUGH A GLASS WINDOW. 1922. 5 reels.

Credits: Director, Maurice Campbell; story and adaptation, Olga Printzlau.

Credits: Producer, Hardee Kirkland.

THROUGH BABY'S VOICE. Laemmle. 1916. 2 reels.

Credits: Producer, George Cochrane; scenario, Calder Johnstone.

THROUGH CANADA FROM COAST TO COAST. 1917. 1 reel.

Credits: Screenplay, Dell Henderson.

Credits: Producer, L. B. Carleton.

THROUGH FLAMES TO LOVE. Imp. 1916. 2 reels.

Credits: Raymond L. Schrock; producer, Harry McRae Webster.

THROUGH HELL AND BACK AGAIN WITH THE ALLIES. SEE Over There.

THROUGH LIFE'S WINDOWS; the Tale of a Ray of Light. 1919.

THROUGH NORMANDY TO MONT ST. MICHEL. Released by Harold Auten. 1936. 1 reel, sd.

Credits: Music arranged and played by Lew White.

Credits: Producer, Carl Stearns Clancy.

THROUGH THE BACK DOOR. 1921. 7 reels.

Credits: Directors, Jack Pickford, Alfred E. Green; scenario, Marion Fairfax.

THROUGH THE BREAKERS. Gotham. Presented by Sam Sax. 1928. 6 reels. Based on the stage play by Owen Davis.

Credits: Supervision and screenplay, Harold Shumate; director, Joseph C. Boyle.

863THROUGH THE DARK. Goldwyn-Cosmopolitan. 1924. 8 reels, tinted. Based on the story "The Daughter of Mother McGinn" by Jack Boyle.

Credits: Director, George Hill; scenario, Frances Marion.

THROUGH THE KEYHOLE. 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Roy Del Ruth.

THROUGH THE PYRENEES TO LOURDES. Released by Compagnie Générale Transatlantique. 1937. 1 reel, sd.

Credits: Script collaborator, Paul P. Devlin.

THROUGH THE SOLID WALL. Imp. 1916. 2 reels.

Credits: Director, Walter Morton; story, Farleton Winchester; scenario, E. J. Clawson.

Credits: Director, Harry O. Hoyt.

Credits: R. Abreau.

THROUGH THE VALLEY OF SHADOWS. 1914. 4 reels.

THROUGH THE WALL. 1916. 6 reels. Based on the story by Cleveland Moffett.

Credits: Producer, Roland S. Sturgeon.

THROUGH THE WRONG DOOR. Presented by Samuel Goldwyn. 1919. 5 reels. Based on the novel "The Wrong Door" by Jesse Lynch Williams.

Credits: Director, Clarence G. Badger.

THROUGH THE YANGTZE GORGES. (Around the World with Burton Holmes) 1930. 1 reel, sd., color, b&w.

THROUGH THICK AND THIN. Presented by Camera Pictures, Inc. 1926. 5 reels.

Credits: Production manager, Glenn Belt; director, Reeves "Breezy" Eason; story and continuity, Edward J. Meagher; film editor, Fred Burnworth.

THROUGH TROUBLED WATERS. 1915. 3 reels.

Credits: Director, Ulysses Davis.

THROUGH TURBULENT WATERS. 1915. 4,000 ft.

Credits: Gertrude Lyon; director, Duncan McRae.

THE THROWBACK. Buck Jones Productions. Presented by Carl Laemmle. 1935. 6 reels, sd.

Credits: Director, Ray Taylor; original story, Cherry Wilson; screenplay, Frances Guihan; film editor, Bernard Loftus.

Credits: H. E. Hancock.

THROWING THE BULL. (World of Sports) 1933. 1 reel, sd.

THROWN OFF THE THRONE. 1914. Split reel.

THROWN OUT OF JOINT. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; directors, Harry Sweet, Leslie Goodwins; story, Harry Sweet, Hugh Cummings; film editor, John Lockert.

THROWN TO THE LIONS. Red Feather. 1916. 5 reels. From a story by Wallace Irwin.

Credits: Adapted by Norbert Lusk.

THRU DIFFERENT EYES. Presented by William Fox. 1929. 6 reels.

Credits: Produced and directed by John Blystone; story, Milton E. Gropper, Edna Sherry; scenario, Toy Barry, Milton E. Gropper.

THRU THE AGES. (Vagabond Adventure Series) The Van Beuren Corp. 1931. 1 reel.

Credits: Supervision, Elmer Clifton.

THRU THE KEYHOLE. (Star Comedy) 1920. 1 reel.

Credits: Director, Horace Davey; story and scenario, Ben Cohen.

THRU THE MIRROR. (Walt Disney Mickey Mouse) 1936. 1 reel, sd.

THRU THIN AND THICKET; or, WHO'S ZOO IN AFRICA. Masquers. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Mark Sandrich; story, Ben Holmes, Walter Weems; film editor, Sam White.

THRUSHES AND RELATIVES. 1938. 1 reel, sd.

THUGS WITH DIRTY MUGS. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Jack Miller; animation, Sid Sutherland; music director, Carl W. Stalling.

THUMB PRINTS AND DIAMONDS. 1914. 1,000 ft.

THUMBS DOWN. Presented by Banner Productions, Inc. 1927. 5 reels.

Credits: Director, Philip Rosen; story, Gladys E. Johnson; continuity, Frances Guihan.

THUNDER. 1929. 9 reels, sd.

Credits: Produced and directed by William Nigh; story, Byron Morgan; continuity, Byron Morgan, Ann Price; film editor, Ben Lewis; music score, William Axt.

THUNDER AFLOAT. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., b&w.

Credits: Producer, J. Walter Ruben; director, George B. Seitz; story, Ralph Wheelwright, Harvey Haislip; screenplay, Wells Root, Harvey Haislip; film editor, Frank E. Hull; music, Edward Ward, David Snell.

THUNDER BELOW. 1932. 7 reels, sd. From the novel by Thomas Rourke [pseud. of Daniel Joseph Clinton].

Credits: Director, Richard Wallace; screenplay, Josephine Lovett, Sidney Buchman.

THUNDER IN THE CITY. Atlantic Film. 1937. 9 reels.

Credits: Producer, Alexander Esway; director, Marion Gering; screenplay, Robert E. Sherwood, Aben Kandel, Akos Tolnay; editor, Arthur Hilton.

THUNDER IN THE DESERT. 1938. 6 reels, sd.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story and screenplay, George H. Plympton; film editor, S. Roy Luby.

THUNDER IN THE EAST. 1935. 9 reels, sd. Adapted from "La Bataille" by Claude Farrère.

Credits: Director, Nicolas Farkas; scenario, Nicolas Farkas, Bernard Zimmer; dialogue, Robert Stevenson.

864THUNDER IN THE NIGHT. 1935. 6,092 ft., sd. Based on the play "A Woman Lies" by Ladislaus Fodor.

Credits: Director, George Archainbaud; screenplay, Frances Hyland, Eugene Solow; music, Samuel Kaylin.

THUNDER ISLAND. 1921. 5 reels.

Credits: Written and produced by Norman Dawn; scenario, Wallace Clifton.

THUNDER MOUNTAIN. 1925. 8 reels, tinted. From the play "Howdy Folks" by Pearl Franklin.

Credits: Director, Victor Schertzinger; scenario, Eve Unsell.

THUNDER MOUNTAIN. 1935. 7 reels, sd. From the novel by Zane Grey.

Credits: Producer, Sol Lessor; director, David Howard; screenplay, Dan Jarrett, Don Swift.

THUNDER OVER MEXICO. 1933. 8 reels, sd.

Credits: Director, Sergei M. Eisenstein; scenario, G. Alexandrov.

THUNDER RIDERS. 1927. 5 reels.

Credits: Director, William Wyler; story and continuity, Basil Dickey, Karl Krusada.

THUNDER TRAIL. Presented by Adolph Zukor. 1937. 6 reels, sd. Based on the novel "Arizona Ames" by Zane Grey.

Credits: Director, Charles Barton; screenplay, Robert Yost, Stuart Anthony.

THE THUNDERBOLT. First National. 1919. 5 reels.

THUNDERBOLT. 1929. 8 reels.

Credits: Director, Josef von Sternberg; story and screenplay, Jules Furthman, Charles Furthmann; dialogue, Herman J. Mankiewicz; film editor, Helen Lewis.

Credits: Director, Murdock MacQuarrie.

THUNDERCLAP. Fox Film Corp. 1921. 7 reels.

Credits: Director, Richard Stanton; story, Paul H. Sloane.

THUNDERGATE. 1923. 6,565 ft.

Credits: Director, Joseph De Grasse; story, Sydney Herschel Small; scenario, Perry N. Vehroff.

THUNDERING DAWN. All Star Universal-Jewel. 1923. 7 reels.

Credits: Director, Harry Garson; story, Leonore Coffee, John Goodrich.

THE THUNDERING HERD. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels. Based on the novel by Zane Grey.

Credits: Director, William Howard; screenplay, Lucien Hubbard.

THE THUNDERING HERD. 1933. 6 reels. From the novel by Zane Grey.

Credits: Producer, Harold Hurley; director, Henry Hathaway; screenplay, Jack Cunningham; continuity, Mary Flannery.

THUNDERING HOOFS. Released by F. B. O. 1924. 5 reels.

Credits: Director, Albert Rogell; story and continuity, Marion Jackson.

Credits: Director, Richard Thorpe; story, Ned Nye.

THUNDERING TAXIS. (A Hal Roach Taxi Boys Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Del Lord; editor, Louis McManus.

THUNDERING TENORS. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

THUNDERING TOUPEES. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Story, Leo McCarey; editor, Richard Currier.

THE THUNDERING WEST. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Bennett R. Cohen; film editor, William Lyon; music and lyrics, Bob Nolan; music director, M. W. Stoloff.

THY NAME IS WOMAN. 1924. 9 reels. Based on T. Glazer's American version of the play by Karl Schoenherr.

Credits: Director, Fred Niblo; scenario, Bess Meredyth.

TIBET, LAND OF ISOLATION. (A FitzPatrick Traveltalk) 1934. 1 reel, sd.

Credits: Compiler, James A. FitzPatrick.

THE TICK TICK MAN. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons, Moran.

THE TICKET-OF-LEAVE MAN. 1914. Based on the melodrama by Tom Taylor.

TICKET OR LEAVE IT. Presented by Radio Pictures. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, Stanley Rauh; film editor, Roy Webb; music director, Edward Mann.

A TICKET TO HAPPINESS. 1914. 1 reel.

Credits: Producer, Marshall Farnum.

TICKET TO PARADISE. 1936. 7 reels.

Credits: Producer, Nat Levine; supervision, Victor Zobel; director, Aubrey Scotto; original story, David Silverstein; screenplay, Jack Natteford, Nathanael West.

TICKETS, PLEASE. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

TICKLE BILL, TRAINED FLY. 1927. 1 reel.

TICKLISH BUSINESS. (Mermaid Talking Comedies) 1929. 20 min, sd.

Credits: Supervision, Jack White; director, Stephen Roberts.

TICONIUM TECHNIC. 1937. 2 reels.

TID-BITS. (A Warren Doane Brevity) 1934. 2 reels, sd.

Credits: Director, Warren Doane.

THE TIDAL WAVE. 1921. 5 reels. From the novel by Ethel M. Dell.

Credits: Adaptation and production, Sinclair Hill.

TIDDLY-WINKS. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

TIDE OF EMPIRE. 1929. 8 reels, sd., b&w. Based on the novel by Peter B. Kyne.

Credits: Director, Allan Dwan; continuity, Waldemar Young; film editor, Blanche Sewell.

THE TIDE RISES. 1930. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

THE TIDES OF BARNEGAT. 1917. 5 reels. From the story by F. Hopkinson Smith.

Credits: Producer, Marshall Neilan; scenario, Eve Unsell.

Credits: Director, Marshall Farnum.

TIDES OF PASSION. 1925. 7 reels. Adapted from "In the Garden of Charity" by Basil King.

Credits: Director, J. Stuart Blackton; adaptation, Marian Constance.

THE TIDES OF RETRIBUTION. 1915. 3 reels.

Credits: Director, J. Farrell MacDonald.

THE TIDES OF SORROW. 1914. 1 reel.

TIDES THAT MEET. 1915. 3 reels.

Credits: Clinton Dangerfield.

TIDY TOREADOR. SEE Galloping Fury.

Credits: Producer, Lem B. Parker.

THE TIE THAT BINDS. 1915. 1 reel.

THE TIE THAT BINDS. SEE

Flaming Frontiers.

Heroes of the West.

TIE THAT BULL. Educational Film Exchanges, Inc. 1927. 2 reels.

Credits: Director, Robert Kerr; story, Sig Herzig.

TIE UP—AND CASH IN. Presented by the American Gas Assn. 1936. Filmstrip, sd., color.

TIED FOR LIFE. (Mermaid Comedies) 1933. 18 min., sd.

Credits: Producer and director, Arvid E. Gillstrom; story, Dean Ward, Vernon Dent.

TIED UP. Mustang. 1927. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

THE TIGER. 1913. 1 reel.

Credits: Director, Frederick Thomson.

TIGER. SEE Tiger True.

TIGER BAIT. 1915. 1 reel.

Credits: Producer, L. W. Chaudet; story, Wallace C. Clifton.

THE TIGER CUB. 1915. 1 reel.

Credits: Producer, L. W. Chaudet; story, Emma Bell.

TIGER ISLAND. SEE East of Java.

TIGER LAND. 1920. 1 reel.

Credits: Written and directed by Jack Allen.

THE TIGER-LILY. 1919. 5 reels.

Credits: Director, George L. Cox; story, Joseph Franklin Poland.

TIGER LOVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels. From "El Gato Montes" by Manuel Penella.

Credits: Director, George Melford; screenplay, Howard Hawks; adaptation, Julie Herne.

THE TIGER MAN. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Director, William S. Hart; supervision, Thomas H. Ince; story, J. G. Hawks.

TIGER ROSE. 1923. 8 reels.

Credits: Producer and director, Sidney Franklin; story, Willard Mack, David Belasco; adaptation, Edmund Goulding.

TIGER ROSE. Vitaphone. 1929. 6 reels. From the play by Willard Mack.

Credits: Director, George Fitzmaurice; screenplay, titles, and dialogue, Harvey Thew, Gordon Rigby.

TIGER ROSE. Trailer. 1929. 1 reel, sd.

TIGER SHARK. First National and Vitaphone. 1932. 8 reels. Based on the story "Tuna" by Houston Branch.

Credits: Director, Howard Hawks; screenplay, Wells Root.

THE TIGER SLAYER. 1915. 1 reel.

Credits: Producer, William Robert Daly; scenario, Emma Bell.

TIGER THOMPSON. 1924. 6 reels.

Credits: Supervision, Hunt Stromberg; director, E. Reeves Eason; story, Buckleigh Fritz Oxford; editor, Harry Marker.

TIGER TRUE. 1921. 5 reels. From the novel "Tiger" by Max Brand [pseud. of Frederick Faust].

Credits: Producer, J. P. McGowan; adaptation, George C. Hull; editors, Frank Lawrence, Ed. Schroeder.

TIGER VALLEY. SEE The Girl from Mandalay.

THE TIGER WOMAN. 1917. For Fox Film Corp. 6 reels.

Credits: Director, J. Gordon Edwards; story, James W. Adams; scenario, Adrian Johnson.

THE TIGER'S CLAW. Paramount. Presented by Jesse L. Lasky. 1923. 6 reels.