Motion pictures, 1912-1939, C (continued 3) — Read Online

THE CITY OF FAILING LIGHT. 1916. 4,000 ft.

Credits: Producer, George Terwilliger.

Credits: Written and directed by Ivan Abramson.

THE CITY OF LITTLE MEN. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Music director, Edward Ward.

THE CITY OF MASKS. Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels. From the story by George Barr McCutcheon.

Credits: Director, Thomas N. Heffron; scenario, Walter Woods.

CITY OF MEXICO. (Ford Educational Library. Foreign Countries) 1925. 1 reel.

THE CITY OF SAN FRANCISCO. 1913. 1 reel.

THE CITY OF SILENT MEN. 1921. 6 reels. From the novel "The Quarry" by John A. Moroso.

Credits: Director, Tom Forman; scenario, Frank Condon.

CITY OF SONG. SEE Farewell to Love.

THE CITY OF TEARS. 1918. 5 reels.

Credits: Director, Elsie Jane Wilson; story, Olga Printzlau.

CITY OF TERRIBLE NIGHT. Imp. 1915. 2 reels.

Credits: Mrs. George E. Hall; producer, George A. Lessey.

CITY OF THE GOLDEN GATE. (Magic Carpet of Movietone) 1934. 1 reel, sd.

CITY OF THE GOLDEN GATE. (Around the World) 1937. 868 ft., sd., color.

Credits: Producer, Robert B. Coleman; dialogue, Dolores Lamarr; narrative by Robert Sherwood.

THE CITY OF WASHINGTON. 1929.

CITY OF WAX. Educational Pictures. Presented by E. W. Hammons. 1934. 789 ft., sd.

Credits: Producer, Stacy Woodard, Horace Woodard; narrator, Gayne Whitman.

CITY PARK. 1934. 7 reels.

138Credits: Director, Richard Thorpe; story and continuity, Karl Brown.

THE CITY RUBE. 1915. 1 reel.

Credits: Director, Ulysses Davis.

THE CITY SLICKER. (Scrappy) Presented by Columbia Pictures Corp. 1938. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love, Louie Lilly; music, Joe de Nat.

CITY SLICKERS. 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

A CITY SPARROW. Paramount. Presented by Jesse L. Lasky. 1920. 5 reels.

Credits: Director, Sam Wood; story, Kate Jordan; scenario, Clara Genevieve Kennedy.

CITY STREETS. 1931. 9 reels, sd.

Credits: Director, Reuben Mamoulian; story, Dashiell Hammett; screenplay, Oliver H. P. Garrett; adaptation, Max Marcin.

CITY STREETS. 1938. 7 reels, sd.

Credits: Director, Albert S. Rogell; story, I. Bernstein; screenplay, Fred Niblo, Jr., Lou Breslow; film editor, Viola Lawrence; music director, Morris Stoloff.

THE CITY THAT NEVER SLEEPS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,097 ft. Adapted from "Mother O'Day" by Leroy Scott.

Credits: Producer, James Cruze; screenplay, Walter Woods, Anthony Coldewey.

THE CITY TIGRESS. 1915. 3 reels.

Credits: Director, Lorrimer Johnston.

THE CITY'S SLICKER. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

CIVIC PARADE REPRESENTING ALL DEPARTMENTS OF NEW YORK CITY. 1913.

CIVIL WAR PERIOD. (Ford Educational Library, History, v. 2) Ford Motion Picture Laboratories. 1921. 1 reel.

CIVILIAN CLOTHES. Paramount. Presented by Jesse L. Lasky. 1920. 6 reels. From the play by Thompson Buchanan.

Credits: Director, Hugh Ford; scenario, Clara S. Beranger.

CIVILIZATION. 1916. 1 reel.

CIVILIZATION IN THE FAR EAST AS SEEN BY DR. DORSEY. 1916. 1/2 reel.

CIVILIZATION'S CHILD. 1916. 5 reels.

THE CLAIM. Presented by B. A. Rolfe. 1918. 5 reels. Based on the play by Charles Kenyon and Frank Dare.

Credits: Director, Frank Reicher; adaptation, June Mathis, Leighton Osmun.

THE CLAIM JUMPERS. 1928. 2 reels.

Credits: Director, Josef Levigard; story and continuity, George W. Pyper.

THE CLAIM OF HONOR. 1915. 1 reel.

CLAIR OMAR MUSSER, ASSISTED BY THE VITAPHONE ORCHESTRA. 1928. 1 reel, sd.

THE CLAIRVOYANT. 1935. 7 reels, sd. Based on the novel by Ernst Lothar.

Credits: Charles Bennett; director, Maurice Elvey; screenplay, Charles Bennett, Brian Edgar Wallace; editor, Paul Capon; music director, Louis Levy; music, Arthur Benjamin.

THE CLAM-SHELL SUFFRAGETTES. 1915. 1 reel.

Credits: Director, Norval MacGregor.

CLANCY AT THE BAT. 1929. 22 min., sd.

Credits: Supervision, Mack Sennett; director, Earle Rodney.

CLANCY OF THE MOUNTED. 1933. 2 reels each. Suggested by Robert W. Service's poem. © Universal Pictures Corp.

Credits: Director, Ray Taylor; screenplay, Ella O'Neill, Basil Dickey, Harry Hoyt.

1. Toll of the Rapids. © 19Jan33; LP3594.

2. Brother Against Brother. © 24Jan33; LP3596.

3. Ambuscade. © 24Jan33; LP3597.

4. The Storm. © 2Mar33; LP3697.

5. A Desperate Chance. © 8Mar33; LP3706.

6. The Wolf's Fangs. © 15Mar33; LP3723.

7. The Night Attack. © 24Mar33; LP3752.

8. Crashing Timbers. © 28Mar33; LP3768.

9. Fingerprints. © 6Apr33; LP3784.

10. The Breed Strikes. © 14Apr33; LP3804.

11. The Crimson Jacket. © 19Apr33; LP3823.

12. Journey's End. © 26Apr33; LP3839.

CLANCY'S KOSHER WEDDING. 1927. 6 reels.

Credits: Al Boasberg; director, Arvid E. Gillstrom; screenplay, J. G. Hawks.

THE CLANSMAN. SEE The Birth of a Nation.

CLARENCE. 1922. 7 reels. From the play by Booth Tarkington.

Credits: Director, William De Mille; adaptation, Clara Beranger.

CLARENCE. Presented by Adolph Zukor. 1937. 7 reels, sd. Based on the play by Booth Tarkington.

Credits: Director, George Archainbaud; screenplay, Seena Owen, Grant Garrett; film editor, Arthur Schmidt.

CLARENCE AND PERCY'S SAILING PARTY. 1914. 1 reel.

Credits: Mark Swan.

CLARENCE TISDALE, SOUTHLAND'S SPIRITUAL TENOR. 1929. 1 reel, sd.

Credits: Director, James Durkin.

THE CLARION CALL. 1918. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Ashley Miller; adaptation, John B. Clymer.

CLARISSA AND THE POST ROAD. SEE Man Crazy.

CLARK AND MCCULLOUGH IN THE HONOR SYSTEM. 1928. 1 reel, sd.

Credits: Director, George W. Lane.

CLARK AND MCCULLOUGH IN THE INTERVIEW. (Movietone Number) 1928. 1 reel, sd.

CLARK'S FIELD. SEE Dangerous Money.

THE CLASH OF STEEL. (The Perils of the Secret Service, no. 2) Imp. 1917. 2 reels. Founded on the Yorke Norroy stories by George Bronson Howard.

Credits: Director, George Bronson Howard.

CLASH OF THE WOLVES. 1925. 7 reels.

Credits: Charles A. Logue; director, Noel Mason Smith.

CLASS. SEE You Never Can Tell.

CLASS PROPHECY. SEE When Love Is Young.

CLASSIFIED. First National. 1925. 7 reels. From the story by Edna Ferber.

139Credits: Director, Alfred A. Santell.

CLASSMATES. 1914.

CLASSMATES. First National. 1924. 7 reels, tinted.

Credits: William C. De Mille, Margaret Turnbull; producer, John S. Robertson; scenario, Josephine Lovett; editor, William Hamilton.

CLAUDE GILLINGWATER [in] VITAPHONE TRAILER ANNOUNCEMENT, WOMEN THEY TALK ABOUT. 1928. 1 reel, sd.

CLAUDIA. Imp. 1916. 1 reel.

Credits: Written and produced by Robert F. Hill.

CLAUDIA COLEMAN. 1927. 1 reel.

THE CLAUSE IN THE CONSTITUTION. 1915. 3 reels.

Credits: Director, Edward J. Le Saint.

THE CLAW. 1918. 5 reels. From the novel by Cynthia Stockley.

Credits: Director, Robert G. Vignola; scenario, Charles E. Whittaker.

THE CLAW. Universal-Jewel. 1927. 6 reels. From the novel by Cynthia Stockley.

Credits: Director, Sidney Olcott.

THE CLAW. SEE The Washington Masquerade.

THE CLAWS OF THE HUN. 1918. 5 reels.

Credits: R. Cecil Smith; supervision, Thomas H. Ince; director, Victor Schertzinger.

CLAY DOLLARS. 1921. 5 reels.

Credits: Lewis Allen Browne; director, George Archainbaud.

THE CLEAN GUN. Falcon Features. 1917. 4 reels. Based on a story by Barr Moses.

Credits: Supervision, H. M. and E. D. Horkheimer; director, Harry Harvey; scenario, Leslie T. Peacocke.

THE CLEAN HEART. 1924. 8 reels. Based on the novel by A. S. M. Hutchinson.

Credits: Director, J. Stuart Blackton.

CLEAN HOMES WITH PAYNE HEAT. 1938. 1 reel, sd.

CLEAN ODORLESS AIR. 1938. 1 reel, sd.

CLEAN PASTURES. (Merrie Melodies) 1937. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Paul Smith, Phil Monroe; musical score, Carl W. Stalling.

A CLEAN SHAVEN MAN. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel and Roland Crandall.

A CLEAN SKIN STAYS YOUNG. 1927.

A CLEAN SLATE. 1914. 1 reel.

Credits: Screenplay, Norbert Lusk.

A CLEAN SWEEP. 1915. 1 reel.

Credits: Elizabeth Miller.

A CLEAN SWEEP. 1918. 2 reels.

A CLEAN SWEEP. 1928. 2 reels.

Credits: Director, Walter Fabian; story, Dave Garber.

A CLEAN SWEEP. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Charles Roberts, Jack Townley; film editor, John Lockert.

THE CLEAN-UP. 1917. 5 reels.

Credits: Director, William Worthington; story and scenario, Waldemar Young.

THE CLEAN UP. Century. 1921. 2 reels.

Credits: Written and directed by William Watson.

THE CLEAN UP. 1923. 5 reels.

Credits: Director, William Parke; story, H. H. Van Loan; scenario, Eugene B. Lewis, Harvey Gates.

THE CLEAN-UP. Presented by Samuel Zierler. 1929. 5,660 ft.

Credits: Supervision, Burton King; director, Bernard F. McEveety; story, Isadore Bernstein; screenplay, Carmelita Sweeney; editor, Betty Davis.

CLEAN-UP CANVASS. 1931. Filmstrip.

THE CLEAN-UP FUND. (Educational Film Service, v. 6) 1930. Filmstrip.

THE CLEAN UP MAN. 1927. 5 reels.

Credits: Director, Ray Taylor; story and continuity, George Morgan, Lola Moore.

A CLEAN-UP ON THE CURB. 1931. 2 reels.

Credits: Director, Lloyd French; story and dialogue, Mauri Grashin, Harold Schwartz, Lloyd French.

CLEANING HOUSE. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia. Based on the United Features comic "The Captain and the Kids."

Credits: Supervision, Robert Allen.

CLEANING TIME. 1915. 600 ft.

CLEANING UP. 1920. 2 reels.

Credits: Written and directed by Al St. John.

CLEANING UP. (Tuxedo Comedies) 1926. 2 reels.

Credits: Written and directed by William Goodrich.

CLEANING UP. Snappy. 1928. 1 reel.

Credits: Director, Doran Cox; story and continuity, George H. Plympton.

CLEANING UP. 1930. 2 reels, sd.

Credits: Supervision, Phil L. Ryan; production manager, Ray Heinz; director, Harry Edwards; story, Fred Palmer, George Cleethorpe; film editor, Arthur Huffsmith.

CLEANING UP. (Broadway Brevity) 1938. 20 min., sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood, Jack Henley.

CLEANLINESS—BATHING. (Eastman Classroom Films, Health Series. Hygiene) 1931. 532 ft.

CLEANLINESS—CLEAN CLOTHES. (Eastman Classroom Films, Health Series. Hygiene) 1931. 574 ft.

CLEANLINESS—CLEAN FACE AND HANDS. (Eastman Classroom Films, Health Series. Hygiene) 1931. 450 ft.

CLEANLINESS—KEEPING THE HAIR CLEAN. (Eastman Classroom Films, Health Series. Hygiene) 1931. 531 ft.

CLEAR ALL WIRES. 1933. 8 reels, sd., b&w. From the play by Bella and Samuel Spewack.

Credits: Producer, George Hill; adaptation and dialogue, Bella Spewack, Samuel Spewack; continuity, Delmer Daves; film editor, Hugh Wynn.

140© Metro Goldywn Mayer Distributing Corp.; 13Mar33; LP3712.

CLEAR THE DECKS. Universal-Denny-Jewel. 1929. 6 reels. From the story "When the Devil Was Sick" by E. J. Rath [pseud.]

Credits: Director, Joseph E. Henabery; adaptation and continuity, Earl Snell, Gladys Lehman.

CLEAR THE WAY. Century. 1924. 2 reels.

Credits: Written and directed by Charles Lamont.

CLEAR TO THE BOTTOM. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. Released by Fitzpatrick & McElroy. 1921. 1 reel.

CLEARING THE TRAIL. (Western Featurette) 1927. 2 reels.

Credits: Director, Lew Collins; story and continuity, L. V. Jefferson.

CLEARING THE TRAIL. Jewel. 1928. 6 reels.

Credits: Director, Reaves Eason; story, Charles Maigne; continuity, Jack Natteford.

Credits: Producer, Herbert Brenon.

THE CLEMENCEAU CASE. 1915. For Fox Film Corp. 6 reels. Adapted from the novel by Alexandre Dumas.

Credits: Adapted and picturized by Herbert Brenon.

CLEO TO CLEOPATRA. SEE Daphne Pollard in Cleo to Cleopatra.

CLEOPATRA. 1917. For Fox Film Corp. 11 reels.

Credits: Director, J. Gordon Edwards; adapted by Adrian Johnson.

CLEOPATRA. Presented by Herbert T. Kalmus. 1928. 2 reels, sd., color.

Credits: Producer, Herbert T. Kalmus; director, R. William Neill; story, Natalie Kalmus; scenario, Leon Abrams; film editor, Aubrey Scotto.

CLEOPATRA. Presented by Adolph Zukor. 1934. 11 reels, sd.

Credits: Director, Cecil B. De Mille; screenplay, Waldemar Young, Vincent Lawrence; adaptation, Bartlett Cormack; music, Rudolph Kopp.

CLEOPATRA. SEE Helen Gardner in Cleopatra.

CLEO'S EASY MARK. (Broadway Comedy) 1921. 2 reels.

Credits: Producer, Morris R. Schlank; director, Ward Hayes.

CLEVER CRITTERS. Treasure Chest. Presented by E. W. Hammons. 1935. 743 ft., sd.

Credits: Narration, A. L. Alexander.

Credits: Producer, John L. Hawkinson.

THE CLEVER MRS. CARFAX. 1917. 5 reels.

Credits: Director, Donald Crisp; original story, Hector Turnbull, Gardner Hunting; scenario, Gardner Hunting.

THE CLEVER MRS. CARTER. Imp. 1916. 1 reel.

Credits: Catherine Carr; producer, George Ridgwell.

CLICK OF TRIANGLE T. SEE The Phantom Bullet.

THE CLIENTS OF AARON GREEN. 1918. 2 reels.

Credits: Director, George L. Sargent; story, Alfred Henry Lewis; adaptation, George H. Plympton.

CLIFF NAZARRO AND THE TWO MARJORIES. 1927. 1 reel.

Credits: Director, Bryan Foy.

CLIFFORD AND MARION IN JUST DUMB. 1929. 1 reel, sd.

CLIMATE CHASERS. 1931. 1 reel, sd.

Credits: Director, Robert C. Bruce.

THE CLIMAX. 1930. 6 reels. From the play by Edward Locke.

Credits: Director, Renaud Hoffman.

THE CLIMBER. Falcon Feature. 1917. 4 reels.

Credits: Supervision, H. M. and E. D. Horkheimer; director, Henry King; story, George Foxhall.

THE CLIMBERS. 1915. 5 reels.

Credits: Clyde Fitch; scenario, Clay M. Greene.

THE CLIMBERS. 1919. 6 reels. Based on the play by Clyde Fitch.

THE CLIMBERS. 1927. 7 reels. From the play by Clyde Fitch.

Credits: Director, Paul L. Stein; screenplay, Tom Gibson.

CLIMBING MT. WASHINGTON. 1917. 565 ft.

CLIMBING THE GOLDEN STAIRS. (Gus Edwards' Colortone Revue) (Movietone Act) 1929. 1 reel.

CLINCHING A SALE. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, J. P. Murray, Barry Trivers, Ben Oakland; dialogue staged by Max E. Hayes.

THE CLINGING VINE. De Mille Pictures Corp. Released by Producers Distributing Corp. 1926. 7 reels. From the play by Zelda Sears.

Credits: Supervision, C. Gardner Sullivan; director, Paul Sloane; screenplay, Jack Jevne; adaptation, Rex Taylor.

CLIPPED WINGS. SEE Hello Sister.

CLIVE OF INDIA. Presented by Joseph M. Schenck. Released through United Artists. 1935. 11 reels, sd. Based on the play by W. P. Lipscomb and R. J. Minney.

Credits: Producer, Darryl F. Zanuck; director, Richard Boleslawski; film editor, Barbara McLean; music score, Alfred Newman.

THE CLOCK. 1917. 5 reels.

Credits: Director, William Worthington; story, Aaron Hoffman; scenario, Maie B. Havey.

CLOCK CLEANERS. (A Walt Disney Mickey Mouse) 1937. 1 reel.

THE CLOCK GOES ROUND AND ROUND. (Scrappy) 1937. 607 ft., sd.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

THE CLOCK SHOP. 1930. 2 reels, sd., color.

Credits: Director, Marty Brooks; music, Louis Alter, Howard Johnson; music arrangements, Charles Maxwell; orchestra director, Arthur Lange.

THE CLOCK STRUCK ONE. Black Cat. 1917. 27 min.

Credits: Director, L. C. Windom; story, Edward T. Lowe, Jr.

THE CLOCK WENT WRONG. 1914. 1 reel.

Credits: Written and produced by Harry Jackson.

CLOCK WISE. 1939. 16 min., sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Charles Roberts, George Jeske; film editor, John Lockert.

CLOISTERED. 1936. 7 reels, sd. Based on "Realization" by Robert Alexandre.

Credits: English adaptation, I. E. Lopert; narration, Matthew Kelly.

141© Best Film Co., Inc. (Pathe Cinema, author); 21May36; LP7096.

A CLOSE CALL. 1914. 1 reel.

Credits: Director, Wilfrid North.

A CLOSE CALL. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

A CLOSE CALL. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story and continuity, George Morgan.

A CLOSE CALL. (Aesop Sound Fable) Presented by The Van Beuren Corp. 1929. 1 reel, sd.

Credits: John Foster, Harry Bailey.

A CLOSE CALL. (Western Featurette) (Tenderfoot Thriller Series) 1929. 2 reels.

Credits: Director, Walter Fabian.

A CLOSE CALL. SEE The Yellow Pawn.

CLOSE 'EM IN THE CLOSING ROOM. 1929. 1 reel.

CLOSE FARM-ONY. 1932. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, J. P. Murray, Barry Trivers, Ben Oakland.

CLOSE FIGURING. (A Grantland Rice Sportlight) Presented by Amédée J. Van Beuren. 1929. 1 reel.

Credits: Story, John Eaton.

CLOSE HARMONY. 1929. 6,271 ft.

Credits: Director, John Cromwell, A. Edward Sutherland; story, Elsie Janis, Gene Markey.

CLOSE RELATIONS. 1933. 2 reels, sd.

Credits: Director, Ray McCarey; story, Glen Lambert, Jack Henley.

A CLOSE RESEMBLANCE. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

A CLOSE SHAVE. Presented by William Fox. 1929. 1 reel.

Credits: Director, Marcel Silver; story and scenario, Paul Gerard Smith; film editor, Ralph Dietrich.

A CLOSE SHAVE. (Handy Andy Series, no. 6) Mack Sennett, Inc. 1929. 2 reels.

Credits: Supervision, John A. Waldron; director, Harry Edwards; story, Harry Edwards, Curtis Benton; film editor, William Hornbeck.

A CLOSE SHAVE. (Terry Toons) Presented by E. W. Hammons. 1937. 593 ft., sd.

Credits: Paul Terry, Mannie Davis; scored and conducted by Philip A. Scheib.

A CLOSE SHAVE. SEE

Dreamy Dud in Lost in the Jungle.

Happy Hooligan in A Close Shave.

CLOSE SHAVES. (Tuxedo Comedies) 1926. 2 reels.

Credits: Director, Charles Lamont.

CLOSE SHAVES. (Let George Do It Series) (Stern Bros. Comedy) 1929. 2 reels. From the cartoons of George McManus.

Credits: Director, Francis Corby.

CLOSE UP VIEWS OF PRESIDENT WILSON. Universal Special. 1916. Split reel.

CLOSED DOORS. 1921. 5 reels.

Credits: Director, G. V. Seyffertitz; story, Harry Dittmar.

CLOSED GATES. 1927. 6 reels.

Credits: Director, Philip Rosen; story, Manfred B. Lee; adaptation, Frances Guiban.

Credits: Directed, written and produced by Maurice Tourneur.

CLOSING BEGINS AT THE START. 1936. 1 reel.

THE CLOSING CHAPTER. Big U. 1915. 3 reels.

Credits: Producer, Murdock MacQuarrie; story, Clifford Howard; scenario, H. G. Stafford.

THE CLOSING OF THE CIRCUIT. 1915. 2 reels.

Credits: Director, Harry Davenport.

CLOSING TACTICS. (Educational Film Service, v. 14) 1930. 1 reel.

THE CLOSING WEB. 1914. 2 reels.

CLOTHES. 1920. 5 reels. From the play by Avery Hopwood and Channing Pollock.

Credits: Supervision, Maxwell Karger; director, Fred Sittenham; adaptation, Arthur J. Zellner.

CLOTHES AND OIL. 1923. 2 reels.

Credits: Director, Erie Kenton.

CLOTHES AND THE GAME. (Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

CLOTHES AND THE GIRL. 1920. 1 reel.

CLOTHES COUNT. 1915. 600 ft.

CLOTHES MAKE THE MAN. 1915. 1,000 ft.

Credits: Edwin Ray Coffin; director, Will Louis.

CLOTHES MAKE THE PIRATE. First National Pictures, Inc. 1925. 9 reels. From the novel by Holman Day.

Credits: Director, Maurice Tourneur; adapted and supervised by Marion Fairfax.

CLOTHES MAKE THE PIRATE. First National. 1925. 9 reels.

Credits: Director, Maurice Tourneur; adapted and supervised by Marion Fairfax.

CLOTHES MAKE THE WOMAN. 1928. 6 reels.

Credits: Director, Tom Terriss; editor, Desmond O'Brien; titles, Lesley Mason.

CLOTHES THAT MEN LIKE. 1936. 1 reel, sd.

Credits: Director, Gray O'Reilly; continuity, Jack Jamison; narrator, Kelvin Keech.

CLOTHING. 1937. 1 reel.

THE CLOUD. (Post Nature Pictures) 1920. 1 reel.

THE CLOUD DODGER. 1927. 5 reels.

Credits: Director, Bruce Mitchell; story and continuity, William Lester.

THE CLOUD DODGER. 1928. 5 reels.

Credits: Director, Bruce Mitchell; story and continuity, William Lester.

THE CLOUD PATROL. (Russ Farrell, Aviator Series) 1929. 2 reels.

Credits: Thomson Burtis; producers, Charles R. Rogers and Harry J. Brown; director, Harry J. Brown.

THE CLOUD PUNCHER. 1917. For Fox Film Corporation. 2 reels.

142Credits: Written and directed by Charles Parrott.

THE CLOUD RIDER. Released by F. B. O. 1925. 5 reels.

Credits: Producer, Van Pelt Wilson; director, Bruce Mitchell; story, Al Wilson; adaptation, L. V. Jefferson.

Credits: Director, Caryl S. Fleming; story, L. Case Russell.

THE CLOUDHOPPER. (Larry Semon Comedies) Educational. 1925. 2 reels.

Credits: Written and directed by Larry Semon.

CLOUDS OVER EUROPE. 1939. 9 reels, sd.

Credits: Director, Tim Whelan; original story, Brock Williams, Jack Whittingham, Arthur Wimperis; scenario, Ian Dalrymple; film editor, Hugh Stewart; music director, Muir Mathieson.

A CLOUDY ROMANCE. 1925. 2 reels.

Credits: Director, Lew Seller.

Credits: Director, Cheslar Sabinsky; story, A. M. Pushkin.

CLOVER'S REBELLION. 1917. 5 reels.

Credits: James Oliver Curwood; director, Wilfrid North; picturized by Garfield Thompson.

CLOVER'S REBELLION. 1920. 5 reels.

Credits: Director, Wilfrid North; story, James Oliver Curwood; scenario, Garfield Thompson; editors, Mr. and Mrs. George Randolph Chester.

THE CLOWN. Released by Paramount Pictures Corp. 1916. 5 reels.

Credits: Marian Fairfax.

THE CLOWN. 1927. 6 reels.

Credits: Director, William J. Craft; story, Dorothy Howell; continuity, Harry O. Hoyt.

THE CLOWN. Snappy. 1931. 1 reel.

THE CLOWN AND THE PRIMADONNA. 1913. 1 reel.

Credits: Directors, Maurice Costello, Wilfrid North.

THE CLOWN DIES. (Minute Mysteries) 1933. 1 reel, sd.

Credits: H. A. Ripley; director, Louis DeRochemont; adaptation, Russ Callaway.

CLOWN PRINCES. (Our Gang Comedy) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, George Sidney; screenplay, Hal Law, Robert McGowan; film editor, Roy Brickner.

CLOWNING. (Paul Terry Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

CLOWNING THE GAME. (Sportlight) 1929. 1 reel, sd.

Credits: Director, Jack Eaton.

CLUB CONTINENTAL. Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

THE CLUB PEST. 1915. Split reel.

CLUB SANDWICH. (Paul Terry Toons) 1931. 1 reel.

Credits: Frank Moser, Paul Terry.

CLUB-HOUSE PARTY. 1935. 2 reels.

Credits: Director, Milton Schwarzwald.

THE CLUBMAN. 1915. 1,000 ft.

CLUNKED ON THE CORNER. (Handy Andy Series, no. 3) 1928. 2 reels.

Credits: Supervision, John A. Waldon; director, Harry Edwards; story, Harry Edwards, Curtis Benton.

THE CLUTCH OF CIRCUMSTANCE. 1915. 2 reels.

THE CLUTCH OF CIRCUMSTANCE. 1918. 5 reels.

Credits: Leighton Graves Osmun; director, Henry Houry.

THE CLUTCH OF THE EMPEROR. Rex. 1915. 1 reel.

Credits: Scenario, Joseph Gollamb.

CLYDE COOK IN LUCKY IN LOVE. 1928. 1 reel.

Credits: Hugh Herbert, Murray Roth; director, Bryan Foy.

CLYDE DOERR AND HIS SAXOPHONE ENSEMBLE. (Metro Movietone Act) 1929. 1 reel, sd.

CLYDE LUCAS AND HIS ORCHESTRA. 1936. 1 reel, sd.

Credits: Director, Joseph Henabery.

CLYDE LUCAS AND HIS ORCHESTRA. (Melody Master) 1939. 10 min., sd.

Credits: Director, Lloyd French.

CLYDE LUCAS AND ORCHESTRA. 1938. 1 reel, sd.

Credits: Director, Joseph Henabery.

CLYDE MCCOY AND HIS SUGAR BLUES ORCHESTRA. 1936. 1 reel, sd.

Credits: Director, Joseph Henabery.

THE CLYDE MYSTERY. 1931. 2 reels, sd.

Credits: S. S. Van Dine; director, Arthur Hurley; adaptation and dialogue, Burnet Hershey.

THE COAL BIN OF AMERICA. 1936. 2 reels.

Credits: Director and editor, William O. Hurst; narration, Basil Ruysdael; music, Milton Schwarzwald.

THE COAL DUST TWINS. 1923. 1 reel.

COALS FOR THE FIRE. 1918. 1 reel.

Credits: Edward Earle; director, Graham Baker.

143© The Vitagraph Co. of America; 6Feb18; LP12039.

COASTGUARD. 1939. 7 reels, sd.

Credits: Director, Edward Ludwig; original screenplay, Richard Maibaum, Albert Duffy, Harry Segall; film editor, Gene Davidson; music director, M. W. Stoloff.

THE COAST OF CATALONIA. (Magic Carpet of Movietone) 1934. 1 reel, sd.

Credits: Producer, Oscar Eagle.

COAST OF FOLLY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels. From the novel by Coningsby Dawson.

Credits: Producer, Allan Dwan; screenplay, Forest Halsey; adaptation, James Creelman.

COAST TO COAST. 1928. 1 reel.

Credits: Paul Terry, Frank Moser.

A COAT TALE. 1915. 1 reel.

COAT TALES. (Radio Flash, no. 2) 1939. 18 min., sd.

Credits: Producer, Bert Gilroy; direction and story, Harry D'Arcy; film editor, John Lockert.

Credits: Director, Gilbert Hamilton; adaptation, Philip Lonergan, Will C. Murphey.

COBB GOES FISHING. 1930. 1 reel, sd.

Credits: Jack Eaton.

Credits: Director, Victor Sjöström.

COBRA. Presented by Ritz Carlton Pictures, Inc. Released by Paramount. 1925. 6,895 ft. From the play by Martin Brown.

Credits: Producer L. Lawrence Weber; director, Joseph Henabery; screenplay, Anthony Coldewey.

THE COBWEB HOTEL. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

A COCK AND BULL FIGHT IN MEXICO. 1929. 2 reels.

COCK O' THE WALK. 1930. 7 reels. From the story "Happiness Insurance" by Arturo S. Mom.

Credits: Production and supervision, James Cruze; director, R. William Neill; continuity, Nagene Searle, Frances Guihan; dialogue, Brian Marlow, Ralph Bell.

COCK O' THE WALK. (Silly Symphony) 1935. 1 reel.

COCK OF THE AIR. 1932. 8 reels.

Credits: Director, Tom Buckingham; story, Robert E. Sherwood, Charles Lederer; dialogue, Charles Lederer.

COCKEYED CAVALIERS. 1934. 8 reels, sd.

Credits: Edward Kaufman, Ben Holmes; associate producer, Lou Brock; director, Mark Sandrich; additional dialogue, Grant Garrett, Ralph Spence; editor, Jack Kitchen; music director, Roy Webb.

THE COCK-EYED NEWS. 1930. 1 reel, sd.

THE COCK-EYED WORLD. 1929. 12 reels.

Credits: Director, Raoul Walsh; story, Laurence Stallings, Maxwell Anderson; dialogue, William K. Wells.

COCKSURE JONES, DETECTIVE. 1915. 1 reel.

Credits: Producer, Burton L. King; story, B. L. Williams.

COCKTAIL HOUR. 1933. 8 reels, sd. From the story "Pearls and Emeralds" by James K. McGuinness.

Credits: Director, Victor Schertzinger; screenplay, Gertrude Purcell, Richard Schayer; additional dialogue, Richard Schayer; film editor, Jack Dennis.

COCKTAIL PARTY. Mentone. 1937. 1 reel.

Credits: Director, Milton Schwarzwald.

COCKY COCK ROACH. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1932. 6 min., sd.

Credits: Frank Moser, Paul Terry.

COCOANUT GROVE. Presented by Adolph Zukor. 1938. 9 reels, sd.

Credits: Producer, George Arthur; director, Alfred Santell; original story and screenplay, Sy Bartlett, Olive Cooper; film editor, Hugh Bennet.

THE COCOANUTS. 1929. 8,613 ft., sd.

Credits: Directors, Joseph Santley, Robert Florey; book, George S. Kaufman; adaptation, Morrie Ryskind; words and music, Irving Berlin.

THE CODE OF HIS ANCESTORS. Rex. 1916. 1 reel.

Credits: Catherine Carr, Harry Dittmar; producer, Raymond L. Schrock.

THE CODE OF MARCIA GRAY. 1916. 5 reels.

THE CODE OF THE HILLS. 1916. 3 reels.

Credits: Supervision, Wilbert Melville; director, Melvin Mayo.

THE CODE OF THE MOUNTAINS. SEE A Woman's Power.

THE CODE OF THE MOUNTED. Gold Seal. 1916. 3 reels.

Credits: Directed and written by Jacques Jaccard.

THE CODE OF THE MOUNTED. 1923. 2 reels.

CODE OF THE MOUNTED. (Western Featurette) 1928. 2 reels.

Credits: Director, Josef Levigard; story and continuity, William Lester.

CODE OF THE MOUNTED. 1935. 6 reels, sd. From the story "Wheels of Fate" by James Oliver Curwood.

Credits: Producers, Sig Neufeld, Maurice Conn; director, Sam Newfield; adaptation, George Sayre; film editor, Jack English.

CODE OF THE RANGE. 1938. 6 reels, sd.

Credits: Production and story, Peter B. Kyne; director, C. C. Coleman, Jr.; screenplay, Ford Beebe; film editor, William Lyon.

CODE OF THE RANGERS. 1938. 6 reels, sd.

Credits: Supervision, Maurice Conn; director, Sam Newfield; original story and screenplay, Stanley Roberts; music and lyrics, Connie Lee.

CODE OF THE SCARLET. Presented by Charles R. Rogers. 1928. 6 reels.

Credits: Director, Harry J. Brown; screen story, Bennett Cohen.

144THE CODE OF THE SEA. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels.

Credits: Director, Victor Fleming; story, Byron Morgan; screenplay, Bertram Millhauser.

CODE OF THE SECRET SERVICE. First National. 1939. 6 reels, sd. Based on material compiled by W. H. Moran.

Credits: Director, Noel Smith; original screenplay, Lee Katz, Dean Franklin.

CODE OF THE STREETS. 1939. 8 reels, sd.

Credits: Director, Harold Young; original screenplay, Arthur T. Horman; film editor, Maurice Wright.

THE CODE OF THE WEST. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,777 ft. From the novel by Zane Grey.

Credits: Director, William K. Howard; screenplay, Lucien Hubbard.

CODE OF THE WEST. SEE Home on the Range.

THE CODE OF THE WILDERNESS. 1924. 7 reels.

Credits: Director, David Smith; story, Charles A. Seltzer; scenario, Jay Pilcher.

CODE OF THE YUKON. 1918. 6 reels.

Credits: Director, Betram Bracken; story, Anthony Paul Kelly.

THE CODE OF VICTOR JALLOT. SEE The Love Mart.

CODEE AND ORTH IN STRANDED IN PARIS. 1929. 1 reel, sd.

CODFISH BALLS. (Paul Terry-Toons) 1930. 1 reel.

Credits: Frank Moser, Paul Terry.

COFFEE. 1931. 957 ft.

COFFEE AND ASPIRIN. 1932. 1 reel, sd.

Credits: Director, Casey Robinson; story, Edward C. Davis; dialogue, Max E. Hayes.

COFFEE—FROM BRAZIL TO YOU. 1938. 2 reels.

Credits: Producer, William B. Larsen; narration, John S. Martin.

COFFEE FROM THE CLOUDS. 1934. 2 reels. Presented by the National Federation of Coffee Growers of Colombia.

Credits: Adaptation, Leon Poirier.

COHEN ON THE TELEPHONE. Snappy. 1929. 1 reel.

Credits: Director, Robert Ross.

THE COHENS AND KELLYS. Universal-Jewel. 1926. 8 reels. From the play "Two Blocks Away" by Aaron Hoffman.

Credits: Director, Harry Pollard.

THE COHENS AND KELLYS IN AFRICA. 1930. 8 reels.

Credits: Director, Vin Moore; story, Edward Luddy, Lew Lipton; screenplay and dialogue, William K. Wells.

THE COHENS AND KELLYS IN ATLANTIC CITY. Jewel. 1929. 11 reels.

Credits: Director, William James Craft; story, Jack Townley; adaptation and continuity, Earle Snell.

THE COHENS AND KELLYS IN HOLLYWOOD. 1932. 8 reels.

Credits: Director, John Francis Dillon; original screenplay, Howard J. Green.

COHENS AND KELLYS IN TROUBLE. 1933. 7 reels, sd.

Credits: Director, George Stevens; story, Homer Croy, Vernon Smith; screenplay, Albert Austin, Fred Guiol, Jack Jungmeyer.

THE COHENS AND THE KELLYS IN PARIS. Universal Super-Jewel. 1928. 8 reels.

Credits: Director, William Beaudine; adaptation and continuity, Alfred A. Cohn.

THE COHENS AND THE KELLYS IN SCOTLAND. 1930. 8 reels, sd.

Credits: Director, William James Craft; story, John McDermott; adaptation and dialogue, Albert DeMond.

COHEN'S LUCK. 1915. 4,000 ft. An adaptation of the play.

Credits: Lee Arthur; director, John H. Collins.

COINCIDENCE. 1915. 2 reels.

COINCIDENCE. 1921. 5 reels.

Credits: Director, Chet Withey; story, Howard E. Morton; scenario, Brian Hooker.

COLD ALONE IS NOT ENOUGH. 1936. 1 reel.

THE COLD DECK. 1917. 5 reels.

COLD FACTS. 1934. Filmstrip.

COLD FEET. (An Oswald Cartoon) Snappy. 1930. 1 reel.

THE COLD FEET GETAWAY. (Itsky, the Inventor, no. 4) 1915. 1 reel.

Credits: Director, C. Jay Williams.

COLD HEARTS AND HOT FLAMES. 1916. 2 reels.

COLD SHIVERS. (Educational-Jack White Talking Comedy) 1929. 2 reels.

Credits: Director, Stephen Roberts.

COLD STEEL. 1921. 6 reels. From the novel "In the Shadow of the Hills" by George C. Shedd.

COLD STEEL. (Fable, no. 422) 1929. 1 reel.

Credits: Paul Terry.

COLD TURKEY. (A Walter Lantz Cartoon) 1929. 1 reel.

COLD TURKEY. 1933. 2 reels, sd.

Credits: Producer, Phil L. Ryan; director, Del Lord; story, Mauri Grashin, Lloyd A. French; adaptation, Scott E. Cleethorpe; film editor, Francis Lyon.

COLETTA RYAN AND DUKE YELLMAN IN SONGOLOGY. 1929. 1 reel.

COLLAPSE OF NIAGARA'S HISTORIC BRIDGE. 1938. 1 reel, color, 8 mm.

COLLEEN. Presented by William Fox. 1927. 6 reels.

Credits: Director, Frank O'Connor; story and scenario, Randall H. Faye.

COLLEEN. Presented by Warner Bros. Pictures, Inc. and the Vitaphone Corp. 1936. 10 reels, sd.

Credits: Director, Alfred E. Green; story, Robert Lord; screenplay, Peter Milne, F. Hugh Herbert, Sig Herzig.

145© Warner Bros. Pictures, Inc.; 26Mar36; LP6236.

COLLEEN OF THE PINES. 1922. 5 reels.

Credits: Director, Chester Bennett; story and scenario, J. Grubb Alexander.

COLLEGE. 1927. 6 reels.

Credits: Director, James W. Horne; story, Carl Harbaugh, Bryan Foy; film editor, J. S. Kell.

COLLEGE. (Oswald Comedy) 1931. 1 reel.

THE COLLEGE BOOB. Released by F. B. O. 1926. 6 reels.

Credits: Director, Harry Garson; story, Jack Casey; screen adaptation, Gerald C. Duffy.

A COLLEGE BOOMERANG. Imp. 1916. 1 reel.

Credits: Catherine Carr; producer, Winthrop Kelley.

COLLEGE CAPERS. 1930. 1 reel, sd.

COLLEGE CAPERS. (Organlogue, no. 21) 1931. 1 reel, sd.

Credits: Narration, Norman Brokenshire.

COLLEGE CAPERS. (Aesop's Fable) Van Beuren Corp. 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

COLLEGE CAPERS. Presented by E. W. Hammons. 1935. 996 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Marcy Klauber, Charles Williams.

COLLEGE COACH. 1933. 8 reels, sd.

Credits: Director, William A. Wellman; screenplay, Niven Busch, Manuel Seff.

THE COLLEGE COQUETTE. 1929. 6 reels, sd.

Credits: Producer, Harry Cohn; director, George Archainbaud; story, Ralph Graves; screenplay and dialogue, Norman Houston.

THE COLLEGE COWBOY. 1924. 2 reels.

Credits: Director, William Craft; story and continuity, Carl Krusada.

THE COLLEGE CUCKOO. (A Skylark Comedy) Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Craig Hutchinson.

COLLEGE CUTIES. (Vanity Comedies) 1931. 19 min., sd.

Credits: Producer, Al Christie; director, Nat Ross; story, Dick Smith, Neal Burns.

COLLEGE DADS. 1936. 2 reels, sd.

Credits: Roy Mack; story, Cyrus D. Wood, A. Dorian Otvos.

COLLEGE DAYS. 1926. 8 reels.

Credits: Story and supervision, A. P. Younger; director, Richard Thorpe; film editor, James C. McKay.

COLLEGE GIGOLOS. 1933. 2 reels.

Credits: Director, Lester Neilson; story, E. Lambert, H. Sauber; editor, Arthur Hilton.

COLLEGE GRAPPLERS. (A Grantland Rice Sportlight) The Van Beuren Corp. 1932. 1 reel.

THE COLLEGE HERO. 1927. 6 reels.

Credits: Supervised and produced by Harry Cohn; director, Walter Lang; story, Henry R. Symonds; continuity, Dorothy Howell; film editor, Arthur Roberts.

COLLEGE HOLIDAY. Presented by Adolph Zukor. 1936. 9 reels, sd.

Credits: Producer, Harlan Thompson; director, Frank Tuttle; screenplay, J. P. McEvoy, Harlan Ware, Henry Myers, Jay Gorney; music director, Borros Morros.

COLLEGE HOUNDS. 1930. 1,492 ft., sd.

Credits: Directors, Jules White, Zion Myers.

COLLEGE HUMOR. 1933. 9 reels, sd.

Credits: Director, Wesley Ruggles; story, Dean Fales; screenplay, Claude Binyon, Frank Butler; music and lyrics, Sam Coslow, Arthur Johnston.

COLLEGE LOVE. Jewel. 1929. 8 reels.

Credits: Director, Nat Ross; story, Leonard Fields; continuity, John B. Clymer, Pierre Couderc.

COLLEGE LOVERS. 1930. 6 reels, sd.

Credits: Director, John G. Adolfi; story, Earl Baldwin.

COLLEGE LOVERS. Trailer. 1930. 1 reel.

THE COLLEGE ORPHAN. Broadway Universal. 1915. 6 reels.

Credits: Producer, William Dowlan; scenario, Louis V. Jefferson.

A COLLEGE RACKET. (Vanity Comedies) 1931. 20 min., sd.

Credits: Producer, Al Christie; director, Harold Beaudine; story, Bill Weber; dialogue, Jack Townley, Ernest S. Pagano.

COLLEGE RHYTHM. Presented by Adolph Zukor. 1934. 9 reels, sd.

Credits: Producer, Louis D. Lighton; director, Norman Taurog; original story, George Marion, Jr.; screenplay, Walter DeLeon, John McDermott, Francis Martin; lyrics and music, Mack Gordon, Harry Revel.

COLLEGE ROMEOS. SEE The Biltmore Trio in College Romeos.

COLLEGE SCANDAL. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Producer, Albert Lewis; director, Elliott Nugent; original story, Beulah Marie Dix, Bertram Millhauser; screenplay, Frank Partos, Charles Brackett, Marguerite Roberts; film editor, William Shea; music, Sam Coslow.

COLLEGE SPIRIT. (Paul Terry-Toons) 1932. 6 min., sd.

Credits: Frank Moser, Paul Terry.

COLLEGE SWING. Presented by Adolph Zukor. 1938. 9 reels, sd.

Credits: Ted Lesser; producer, Lewis Gensler; director, Raoul Walsh; adaptation, Frederick Hazlitt Brennan; screenplay, Walter DeLeon, Francis Martin; film editor, Leroy Stone.

THE COLLEGE VAMP. (Educational's Comedies) (Mack Sennett Comedies) 1931. 22 min., sd.

Credits: Director, William Beaudine; story and dialogue, John A. Waldron, Earl Rodney, Walter Weems, Harry McCoy.

THE COLLEGE WIDOW. 1915. 5 reels. Adapted from the play by George Ade.

Credits: Producer, Barry O'Neil; adaptation, Clay M. Greene.

THE COLLEGE WIDOW. 1927. 7 reels. From the play by George Ade.

Credits: Director, Archie Mayo; adaptation, Paul Schofield, Peter Milne.

THE COLLEGIANS. Junior Jewel. 2 reels each. © Universal Pictures Corp.

Credits: Directors, Harry Edwards, Robert F. Hill, Wesley Ruggles, Nat Ross, Harry Fraser, Ben Holmes; story and production, Carl Laemmle, Jr.; continuity, George E. Plympton, Harry Fraser, Pierre Couderc, Phil Dunham. 1926/27.

1. Benson at Calford. © 30Sep26; LP23168.

2. Fighting To Win. © 12Oct26; LP23220.

3. Making Good. © 19Oct26; LP23264.

4. The Last Lap. © 8Nov26; LP23313.

5. Around the Bases. © 21Dec26; LP23457.

6. Fighting Spirit. © 22Dec26; LP23458.

7. The Relay. © 22Dec26; LP23459.

8. Cinder Path. © 31Jan27; LP23626.

9. Flashing Oars. © 10Feb27; LP23663.

10. Breaking Records. © 28Feb27; LP23707.

11. Crimson Colors. © 2May27; LP23922.

12. Winning Five. © 5Jul27; LP24169.

13. The Dazzling Coeds. © 12Jul27; LP24177.

14. A Fighting Finish. © 12Jul27; LP24178.

15. Samson at Calford. © 14Oct27; LP24519.

14616. The Winning Punch. © 14Oct27; LP24516. 1926/27

17. Running Wild. © 18Oct27; LP24541.

18. Splashing Through. © 18Oct27; LP24542.

9. The Winning Goal. © 24Oct27; LP24583.

10. Sliding Home. © 24Oct27; LP24584.

1928.

1. The Junior Year. © 25Jul28; LP25487.

2. Calford v. Redskins. © 31Jul28; LP25506.

3. Kicking Through. © 22Aug28; LP25555.

4. Calford in the Movies. © 7Sep28; LP25616.

5. Paddling Co-eds. © 20Sep28; LP25639.

6. Fighting for Victory. © 11Oct28; LP25706.

7. Dear Old Calford. © 24Oct28; LP25767.

8. Calford on Horseback. © 14Nov28; LP25834.

9. The Bookworm Hero. © 24Nov28; LP25874.

10. Speeding Youth. © 19Dec28; LP25948.

11. The Winning Point. © 19Dec28; LP25949.

12. Farewell. © 19Dec28; LP25950.

1929.

1. King of the Campus. © 23Mar29; LP249.

2. The Rivals. © 5Apr29; LP293.

3. On Guard. © 19Apr29; LP324.

4. Junior Luck. © 20May29; LP405.

5. The Cross Country Run. © 7Jun29; LP462.

6. Sporting Courage. © 13Jun29; LP485.

7. The Varsity Drag. © 27Jun29; LP497.

8. Flying High. © 6Jul29; LP515.

9. On the Side Lines. © 25Jul29; LP541.

10. Use Your Feet. © 5Aug29; LP581.

11. Splash Mates. © 19Aug29; LP632.

12. Graduation Daze. © 5Sep29; LP670.

COLLEGIATE. Released by F. B. O. 1926. 5 reels.

Credits: Director, Del Andrews; story, Jean Dupont; adaptation, James Gruen.

COLLEGIATE. Presented by Adolph Zukor. 1936. 9 reels, sd.

Credits: Producer, Louis D. Lighton; director, Ralph Murphy; story, Alice Duer Miller; screenplay, Walter DeLeon, Francis Martin; editor, Doane Harrison; music and lyrics, Mack Gordon, Harry Revel.

THE COLLEGIATE FOUR IN CAMPUS CAPERS. 1928. 1 reel, sd.

THE COLLEGIATE MODEL, RAH, RAH, ROSLYN. 1930. 2 reels, sd.

THE COLLIE. 1936. Presented by Adolph Zukor. 1 reel, sd.

Credits: Director, Adele Nathan.

THE COLLIE MARKET. (Paula Blackton's Country Life Stories) 1917. 2 reels.

Credits: Director, J. Stuart Blackton.

COLLOIDS. Erpi Picture Consultants, Inc. 1938. 1 reel, sd.

COLLUSION. SEE Midnight Lovers.

COLOMBA. 1915. 2 reels.

COLOMBIA. (Paramount Color Cruises) 1939. 1 reel, sd., color.

Credits: Produced and photographed by Palmer Miller, Curtis F. Nagel; narrator, Gene Hamilton.

Credits: Scenario and direction, Howell Hansel.

COL. HEEZA LIAR AND THE GHOST. 1923. 1 reel.

COL. HEEZA LIAR, DETECTIVE. 1923. 1 reel.

COLONEL HEEZA LIAR IN THE AFRICAN JUNGLES. 1923. 1 reel.

Credits: Director, Vernon Stallings.

COLONEL HEEZA LIAR WINS THE PENNANT. 1916. 1 reel.

Credits: J. R. Bray.

COL. HEEZA LIAR'S BURGLAR. 1923. 1 reel.

Credits: Director, Vernon Stallings.

COL. HEEZA LIAR'S TREASURE ISLAND. 1922. 1 reel.

Credits: Written and directed by Vernon Stallings.

COLONEL HEEZA LIAR'S VACATION. 1923. 1 reel.

Credits: Director, Vernon Stallings.

THE COLONEL OF THE RED HUZZARS. 1914. 3 reels. Based on the novel by John Reed Scott.

Credits: Director, Richard Ridgely.

COLONEL PEPPER'S MOBILIZED FARM. Powers. 1917. 1/2 reel.

COLONEL STEELE, MASTER GAMBLER. Big U. 1915. 1 reel.

Credits: Walter Woods; producer, Murdock McQuarrie.

COLONIAL WILLIAMSBURG. Released by Harold Auten. 1936. 1 reel.

COLOR SCALES. (A Fisherman's Paradise Picture) 1932. 753 ft.

Credits: Director, Zion Myers; explanatory remarks by Pete Smith.

COLORADO. Broadway Universal. 1915. 5 reels. From the play by Augustus Thomas.

Credits: Producer, Norval MacGregor; scenario, Harvey Gates.

COLORADO. 1921. 5 reels. From the play by Augustus Thomas.

Credits: Producer, Reaves Eason; scenario, Wallace Clifton, Eleanor Fried.

THE COLORADO KID. 1937. 6 reels, sd.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, Harry F. Olmsted; screen adaptation, Charles Francis Royal; film editor, S. Roy Luby.

COLORADO PLATEAU, THE GRAND CANYON OF THE COLORADO RIVER. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1920. 1 reel.

COLORADO PLUCK. 1921. 5 reels. From the novel by George Goodchild.

Credits: Adaptation and direction, Jules Furthman.

COLORADO SUNSET. 1939. 7 reels, sd.

Credits: Associate producer, William Berke; director, George Sherman; original story, Luci Ward, Jack Natteford; screenplay, Betty Burbridge, Stanley Roberts; film editor, Lester Orlebeck; music supervision, Raoul Kraushaar.

THE COLORADO TRAIL. 1938. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Charles Francis Royal; film editor, William Lyon.

A COLORED GIRL'S LOVE. 1914. 1 reel.

Credits: Producer, Mack Sennett.

COLORED VILLAINY. 1915.

Credits: Producer, Mack Sennett.

COLORFUL BOMBAY. (FitzPatrick M.G. M. Traveltalk) 1937. 1 reel, sd., color.

Credits: Compiled by James A. FitzPatrick; photography, Winton C. Hoch.

COLORFUL CURACAO. (A Fitzpatrick Traveltalk) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Music score, Nathaniel Finston, Constantin Bakaleinikoff.

COLORFUL GUATEMALA. (A FitzPatrick Traveltalk) 1935. 1 reel, sd., color.

Credits: Photography, Wilfrid E. Cline.

147© Metro-Goldwyn-Mayer Corp.; 14Apr35; MP5915.

COLORFUL ISLANDS—MADAGASCAR AND SEYCHELLES. (A FitzPatrick TravelTalk) 1936. 1 reel, sd., color.

Credits: Photographer, Winton Hoch; music, Jack Shilkret.

COLORFUL JAIPUR. (James A. FitzPatrick's Traveltalks) 1932. 1 reel.

Credits: Photographer, B. S. Dawley.

COLOR-FUL OCCUPATIONS. 1936. 1 reel, color.

Credits: E. M. Newman; editor, Bert Frank; narrator, Paul Douglas; dialogue, Ira Genet.

COLORFUL PORTS OF CALL. (FitzPatrick Traveltalk) 1934. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick.

A COLORFUL SERMON. SEE Bert Swor in A Colorful Sermon.

THE COLOSSEUM AT ROME. 1913. 1 reel.

COLOURFUL CAIRO. 1936. Released by Harold Auten. 1 reel, sd.

Credits: Music arranged and played by Lew White.

COLUMBUS. (The Chronicles of America, no. 1) 1923. 5 reels. Adapted from "The Spanish Conquerors" by Irving B. Richman.

Credits: Adaptation, Arthur E. Krows.

COLUMBUS AND ISABELLA. (Hysterical History Comedies) 1924. 1 reel.

Credits: Director, Bryan Foy.

THE COMBAT. 1916. 6 reels.

Credits: Producer, Ralph Ince.

THE COMBAT. 1919. 5 reels.

Credits: Director, Ralph Ince; story, Edward J. Montagne, Ralph Ince.

THE COMBAT. Jewel. 1926. 7 reels.

Credits: Director, Lynn Reynolds; story, J. G. Hawks, Edward Montagne; scenario, J. G. Hawks.

THE COMBINATION. 1915. 1 reel.

Credits: Director, Sidney Drew.

COME ACROSS. Jewel. 1929. 6 reels. From the story "The Stolen Lady" by William Dudley Pelley.

Credits: Director, Ray Taylor; adaptation and continuity, Peter Milne.

COME ACROSS. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; story and screenplay, John C. Higgins.

COME AND GET IT. 1929. 6 reels.

Credits: Director, Wallace W. Fox; story and continuity, Frank Howard Clark.

COME AND GET IT! Released through United Artists. 1936. 11 reels, sd. Based on the novel by Edna Ferber.

Credits: Directors, Howard Hawks, William Wyler; screenplay, Jules Furthman, Jane Murfin; film editor, Edward Curtiss; music director, Alfred Newman.

THE COME-BACK. 1916. 5 reels.

Credits: Written and directed by Fred J. Balshofer.

THE COMEBACK. Bison. 1917. 2 reels.

Credits: Director, George Marshall; story, Charles E. Van Loan; scenario, Charles J. Wilson, Jr.

THE COME-BACK. SEE

The Knockout.

No Defense.

THE COME-BACK OF PERCY. (Chronicles of Bloom Center) 1915. 2 reels.

Credits: Written, produced and directed by Marshal Neilan.

COME BACK TO AARON. SEE The Matinee Idol.

COME BACK TO ERIN. (A FitzPatrick M. G. M. Traveltalk) 1932. 1 reel.

Credits: Compiler, James A. Fitzpatrick.

COME CLEAN. 1922. 2 reels.

Credits: Director, Robert North Bradbury; story and scenario, Harvey Gates.

COME CLEAN. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

COME CLOSER, FOLKS. 1936. 7 reels, sd.

Credits: Director, D. Ross Lederman; story, Aben Kandel; screenplay, Lee Loeb, Harold Buchman; film editor, Byron Robinson.

COME EASY, GO SLOW. (Krazy Kat Cartoon) 1928. 1 reel.

Credits: Ben Harrison, Manny Gould.

COME MEAL. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Pinto Colvig, H. A. Woodmansee; editor, Earl Neville.

THE COME ON. Nestor. 1916. 1 reel.

Credits: John C. Brownell; producer, Matt Moore.

COME ON COWBOYS! 1924. 5 reels.

Credits: Director, Ward Hayes; story and continuity, Dick Hatton, Ward Hayes.

COME ON COWBOYS. 1937. 6 reels, sd. Based on characters created by William Colt MacDonald.

Credits: Associate producer, Sol C. Siegel; director, Joseph Kane; original screenplay, Betty Burbridge.

COME ON DANGER. Presented by Radio Pictures. 1932. 6 reels, sd.

Credits: Director, Robert Hill; story, Bennett Cohen; screenplay, David Lewis, Lester Ilfeld.

Credits: Story and direction, Edward I. Luddy.

COME ON IN. Paramount. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Written and produced by John Emerson and Anita Loos; director, John Emerson.

COME ON LEATHERNECKS. 1938. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, James Cruze; original story, Sidney Salkow; screenplay, Sidney Salkow, Dorrell and Stuart McGowan; film editor, Edward Mann.

COME ON MARINES! 1934. 7 reels, sd.

Credits: Producer, Albert Lewis; director, Henry Hathaway; story, Philip Wylie; adaptation and screenplay, Byron Morgan, Joel Sayre; music, Ralph Rainger.

COME ON OVER. 1922. 6 reels.

Credits: Director, Alfred E. Green; written and adapted by Rupert Hughes.

COME ON RANGERS. 1938. 6 reels, sd.

Credits: Associate producer, Charles E. Ford; director, Joe Kane; original screenplay, Gerald Geraghty, Jack Natteford; film editor, Edward Mann; music director, Cy Feuer.

COME ON TARZAN. 1932. 64 min.

Credits: Direction, story, and continuity, Alan James.

COME OUT OF THE KITCHEN. Paramount. Presented by Adolph Zukor. 1919. 5 reels. From the story by Alice Duer Miller.

Credits: Director, John S. Robertson; dramatization, A. E. Thomas; scenario, Clara Beranger.

148© Campbell Soup Co. (Jam Handy Picture Service, author); title & descr., 8May39; 220 prints, 12May39; MU9384.

COME OUT OF THE KITCHEN. SEE Honey.

COME 'ROUND AND TAKE THAT ELEPHANT AWAY. 1915. 1 reel.

Credits: Director, Norval MacGregor.

COME TAKE A TRIP IN MY AIRSHIP. 1930. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

COME THROUGH. 1917. 7 reels.

Credits: Director, Jack Conway; story, George Bronson Howard; scenario, Fred Myton.

COME TO DINNER. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Eddie Moran.

COME TO MY HOUSE. 1927. 6 reels. Based on the story by Arthur Somers Roche.

Credits: Director, Alfred E. Green; scenario, Marion Orth; adaptation, Philip Klein.

COME TO PAPA. (Big Boy-Juvenile Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

COME TO PAPA. (Educational's Comedies) (Gayety Comedies) 1931. 20 min., sd.

Credits: Producer, Al Christie; director, William Watson; story, George Bentley; dialogue, Leon Berry.

COME WATCH WITH ME THE PASSING NIGHT. (Paramount-Post Nature Pictures) Post Pictures Corp. 1919. 1 reel.

THE COMEDIAN'S DOWNFALL. 1913. 1 reel.

Credits: Maurice Lewis.

THE COMEDIENNE'S STRATEGY. 1914. 1 reel.

Credits: Producer, Harry C. Myers.

COMEDY AND TRAGEDY. 1914. 2 reels.

Credits: Director, Walter Edwin.

COMET OVER BROADWAY. First National. 1938. 7 reels, sd. From the story by Faith Baldwin.

Credits: Director, Busby Berkeley; screenplay, Mark Hellinger, Robert Buckner.

COMFORT FOR YOUR HOME. 1938. 1 reel, sd.

COMIC ARTIST'S HOME LIFE. Presented by E. W. Hammons. 1937. 1,626 ft., sd.

Credits: Producer, Al Christie; story, Jefferson Machamer.

COMIN' ROUND THE MOUNTAIN. 1936. 6 reels, sd.

Credits: Producer, Nat Levine; supervision, Armand Schaefer; director, Mack Wright; original story, Oliver Drake; screenplay, Oliver Drake, Dorrell McGowan, Stuart McGowan; film editor, Lester Orlebeck; music supervision, Harry Grey.

COMING BACK. Mustang. 1926. 2 reels.

Credits: Director, William A. Crinley; story and scenario, George Hively.

THE COMING OF AMOS. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1925. 6 reels. From the novel by William J. Locke.

Credits: Director, Paul Sloane; adaptation, James Creelman, Garrett Fort.

COMING OF FARO NELL. 1918. 2 reels.

Credits: Director, Allen Watt; story, Alfred Henry Lewis; adaptation, George H. Plympton.

THE COMING OF THE LAW. Fox Film Corp. 1919. 5 reels. From the story by Charles Alden Seltzer.

Credits: Scenario, Denison Clift.

THE COMING-OUT OF MAGGIE. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice; adaptation, Will Courtney.

COMING OUT PARTY. 1934. 7,224 ft., sd.

Credits: Director, John Blystone; story, Becky Gardiner, Gladys Unger; screenplay, Gladys Unger, Jesse Lasky, Jr.; music, Louis de Francesco; editor, Dorothy Spencer.

COMING THROUGH. Paramount. 1925. 7 reels. From the novel "Bed Rock" by Jack Bethea.

Credits: Director, Edward Sutherland; screenplay, Paul Schofield.

THE COMMA BUTTERFLY. (Bray Nature) Presented by the Bray Studios. 1926. 1 reel.

Credits: Edited and titled by Don Carlos Ellis.

THE COMMAND PERFORMANCE. Released by Tiffany. 1931. 8 reels, sd. From the play by C. Stafford Dickens.

Credits: Producers, James Cruze, Samuel Zierler; director, Walter Lang; adaptation and dialogue, Maude Fulton, Gordon Rigby.

THE COMMITTEE ON CREDENTIALS. Bison. 1916. 3 reels.

Credits: Producer, Harry Carey; story, Peter B. Kyne; scenario, Harvey Gates.

THE COMMITTEE ON CREDENTIALS. 1922. 2 reels.

Credits: Director, George E. Marshall; story, Peter B. Kyne.

COMMON BEASTS OF AFRICA. 1914.

THE COMMON CAUSE. Presented by Albert E. Smith. Released by Vitagraph. 1918. 7 reels.

Credits: Director, J. Stuart Blackton; story, J. Hartley Manners, Ian Hay Beith; scenario, Anthony P. Kelly.

COMMON CLAY. Presented by William Fox. 1930. 9 reels, sd. From the play by Cleves Kinkead.

Credits: Producer and director, Victor Fleming; screenplay, Jules Furthman; film editor, Irene Morra.

COMMON GROUND. Released by Paramount Pictures Corp. 1916. 5 reels.

Credits: Marion Fairfax; director, William C. De Mille.

THE COMMON LAW. 1916. 7 reels. Based on the novel by Robert William Chambers.

THE COMMON LAW. 1923. 8 reels. From the novel by Robert W. Chambers.

Credits: Adaptation, Edward J. Montagne.

THE COMMON LAW. 1931. 8 reels, sd., b&w. Adapted from the novel by Robert W. Chambers.

149Credits: Producer, Charles R. Rogers; director, Paul L. Stein; screen story, John Farrow; dialogue, Horace Jackson; film editor, Charles Craft; music director, Arthur Lange.

THE COMMON LAW. 1931. 8 reels, sd., b&w. Adapted from the novel by Robert W. Chambers.

Credits: Producer, Charles R. Rogers; director, Paul L. Stein; screen story, John Farrow; dialogue, Horace Jackson; film editor, Charles Craft; music director, Arthur Lange.

COMMON PROPERTY. 1919. 6 reels.

Credits: Director, Paul Powell; story, Elliot J. Clawson.

COMMON SALT. 1930. 1 reel.

COMMON SENSE. 1920. 5 reels.

Credits: Story, Leota Statten Morgan; scenario and direction, Louis William Chaudet.

THE COMMON SIN. Gold Seal. 1917. 3 reels.

Credits: Written and directed by Charles L. Gaskill.

COMMUNITY SING. 1937-39. 1 reel each, sd.

Credits: Directors, Charles Lamont, Del Lord, Sam Nelson; film editor, Arthur Seid.

[Series 1], 1937.

Series 2, 1937/38.

Series 3, 1938/39.

THE COMMUTERS. 1915. 5 reels. Founded on the stage play by James Forbes.

COMMUTING. 1917. 1 reel.

Credits: Producer, Harry Jackson; story, Rex Taylor.

THE COMPANIONATE MARRIAGE. Presented by the C. M. Corp. 1928. 7 reels. Adapted from stories and theme of the book by Judge Ben Lindsey and Wainwright Evans.

Credits: Supervision, Harold Shumate; director. Earl C. Kenton; adaptation, Beatrice Van.

COMPANIONATE MARRIAGE. Presented by the C. M. Co. 1928. 7 reels. From the story by Judge Ben B. Lindsey and Wainwright Evans.

Credits: Director, Erle C. Kenton.

A COMPANIONATE MIRAGE. (Krazy Kat) 1928. 1 reel.

Credits: Ben Harrison, Manny Gould; producer, Charles B. Mintz.

COMPANIONATE SERVICE. (Dorothy Devore Comedies) 1928. 2 reels.

Credits: Director, Charles Lamont.

COMPANY. Paramount-Briggs. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Director, John Joseph Harvey; story, Ruth Owen.

COMPETITION. SEE Stranger in Town.

COMPLETE DENTURE RESTORATION. 1933. 3,000 ft.

THE COMPLETE LIFE. 1926. 2 reels. A jazz version of the story by O. Henry [pseud. of William Sydney Porter].

Credits: Supervision, George E. Marshall; director, Robert P. Kerr; adaptation, Andrew Bennison.

A COMPLETE LIFE INSURANCE ESTATE. 1932. Filmstrip.

COMPLETING THE SALE. 1932. Filmstrip.

COMPLIMENTS OF THE SEASON. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Ashley Miller; adaptation, Stanley Olmstead.

COMPRESSED AIR. 1928. 1 reel.

COMPROMISE. 1925. 7 reels. From the novel by Jay Gelzer.

Credits: Screen story, Edward T. Lowe, Jr.

COMPROMISED. 1931. 7 reels, sd. From the play by Edith Fitzgerald.

Credits: Director, John G. Adolfi; adaptation, Florence Ryerson.

COMRADE KITTY. 1914. 2 reels.

COMRADES. SEE Bolshevism on Trial.

Credits: Director, Henry Otto.

COMRADESHIP. SEE Kameradschaft.

THE CON IN ECONOMY. (Paramount-Flagg Comedy) Town and Country Films, Inc. 1919. 2 reels.

Credits: James Montgomery Flagg.

Credits: Written and produced by Ivan Abramson.

CONCEIT. Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Director, Burton George; story, Michael J. Phillips; scenario, Edward J. Montagne.

CONCENTRATE. 1929. 1 reel.

Credits: Paul Terry.

THE CONCENTRATIN' KID. 1930. 6 reels.

Credits: Harold Tarshis, Charles Saxton; producer, Hoot Gibson; director, Arthur Rosson; scenario and dialogue, Harold Tarshis.

THE CONCERT. Goldwyn Studios. 1921. 6 reels. From the story by Hermann Bahr.

Credits: Director, Victor L. Schertzinger; scenario, J. E. Nash.

THE CONCERT. SEE Fashions in Love.

THE CONCERT KID. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe De Nat.

A CONCERTO FOR VIOLIN. 1913. 1 reel.

Credits: Anne Story Allen.

CONCHITA. SEE Love Comes Along.

CONCRETE BISCUITS. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons and Lee Moran.

THE CONDEMNATION. 1916. 2 reels.

Credit: Ed. T. Lowe, Jr.

CONDEMNED. 1924. 6 reels.

Credits: Producer, Ben Wilson; director, Arthur Rosson; story, Jules Furthman.

CONDEMNED. United Artists. 1929. 10 reels, sd. Based on the book "Condemned to Devil's Island" by Blair Niles.

Credits: Director, Wesley Ruggles; screenplay, Sidney Howard.

CONDEMNED TO DEATH. A First Division release. Presented by Julius Hagen. 1932. 8 reels. From the play "Jack O' Lantern" by George Goodchild.

Credits: Director, Walter Forde; screen adaptation, H. Fowler Mear, Bernard Merrivale; film editor, Jack Harris.

CONDEMNED TO DEATH. SEE The Black Hand.

CONDEMNED TO DEVIL'S ISLAND. SEE Condemned.

CONDEMNED TO LIVE. 1935. 7 reels, sd.

Credits: Director, Frank R. Strayer; story, Karen DeWolf.

CONDEMNED WOMEN. 1938. 8 reels, sd.

Credits: Producer, Robert Sisk; director, Lew Landers; story and screenplay, Lionel Houser; editor, Desmond Marquette; music director, Roy Webb.

THE CONDEMNING CIRCUMSTANCE. 1915. 1 reel.

CONDITIONING. (Grantland Rice Sportlight) Presented by the Van Beuren Corporation. 1929. 1 reel.

Credits: Jack Eaton.

CONDUCTOR 1492. 1923. 7 reels.

Credits: Johnny Hines; directors, Charles Hines, Frank Griffen.

CONDUCTOR KATE. 1916. 1 reel.

Credits: Producer, Edmond Stratton.

CONEY ISLAND. 1917. 2 reels.

CONEY ISLAND. 1928. 7 reels.

Credits: Director, Ralph Ince; story, Joseph Jefferson O'Neil, Adele Buffington, Maxine Alton; screenplay, Enid Hibbard.

A CONEY ISLAND NIGHTMARE. 1914. 2 reels.

Credits: Director, Lee Beggs.

A CONEY ISLAND PRINCESS. Released by Paramount Pictures Corp. 1916. 5 reels. Based upon "The Princess Zim-Zim" by Edward Sheldon.

Credits: Director, Dell Henderson.

THE CONFESSION. 1915. 2 reels.

CONFESSION. 1918. 5 reels.

Credits: Direction, story, and scenario, S. A. Franklin.

CONFESSION. 1929. 2 reels, sd., b&w.

Credits: Kenyon Nicholson; director, Lionel Barrymore.

CONFESSION. First National. 1937. 10 reels, sd.

Credits: Director, Joe May; original screenplay, Hans Rameau; English adaptation, Julius J. Epstein, Margaret LeVino.

CONFESSION. SEE

The Whirl of Life.

The Wife Trap.

The Woman on Trial.

THE CONFESSION OF MADAME BARASTOFF. 1915. 3 reels.

Credits: Director, Charles L. Gaskill.

CONFESSIONS OF A CO-ED. 1931. 6,770 ft. Based on the diary of an anonymous college girl.

Credits: Directors, David Burton, Dudley Murphy.

CONFESSIONS OF A NAZI SPY. First National. 1939. 11 reels, sd. Based on the articles of Leon G. Turrou.

Credits: Director, Anatole Litvak; screenplay, Milton Krims, John Wexley.

CONFESSIONS OF A QUEEN. 1925. 7 reels. From the novel "Kings in Exile" by Alphonse Daudet.

Credits: Adaptation, Agnes Christine Johnston.

CONFESSIONS OF A WIFE. Presented by Samuel Zierler. 1928. 6,047 ft. From the play by Owen Davis.

Credits: Supervision, Burton King; director, Albert Kelley.

CONFIDENCE. 1913. 1 reel.

Credits: Bannister Merwin.

CONFIDENCE. 1922. 5 reels.

Credits: Story, Bernard Hyman; scenario and direction, Raymond Schrock.

CONFIDENCE. 1930. Filmstrip, 62 frames.

CONFIDENCE. (An Oswald Comedy) Snappy. 1933. 1 reel.

THE CONFIDENCE MAN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 8 reels. From the novel by Laurie York Erskine.

Credits: Director, Victor Heerman; story, Laurie York Erskine, Robert H. Davies; screenplay, Paul Sloane.

CONFIDENTIAL. Presented by Nat Levine. 1935. 7 reels, sd.

Credits: Supervision, Victor Zobel; director, Edward L. Cahn; story, John Rathwell, Scott Darling; screenplay, Wellyn Totman; dialogue, Olive Cooper; film editor, Ray Curtis.

THE CONFLICT. 1915. 2 reels.

Credits: Joseph A. Roach.

THE CONFLICT. 1916. 3 reels.

Credits: Director, William Robert Daly.

THE CONFLICT. 1916. 5 reels.

Credits: Producer, Ralph W. Ince.

THE CONFLICT. Universal-Jewel. 1921. 7 reels. From the story by Clarence Budington Kelland.

Credits: Producer, Stuart Paton; scenario, George Hull.

CONFLICT. 1936. 6 reels, sd. Taken from "The Abysmal Brute" by Jack London.

Credits; Producer, Trem Carr; supervision, Paul Malvern; director, David Howard; adaptation, Charles Logue, Walter Weems; film editor, Jack Ogilvie; music director, Herman Heller.

A CONFLICTING CONSCIENCE. Victor. 1916. 1 reel.

Credits: Producer, C. D. Bennett; story, G. E. Jenks; scenario, F. McGrew Willis.

CONFOUNDED INTEREST. 1930. 1 reel, sd.

Credits: Director, Mort Blumenstock.

CONGORILLA. 1932. 7 reels, sd.

Credits: Producers, Mr. and Mrs. Martin Johnson; editorial supervision, Truman Talley; photography, Martin Johnson, Richard Maedler.

CONGRESS DANCES. 1932. 9 reels.

Credits: Director, Eric Charell; story, Norbert Falk, Robert Liebmann.

CONJUROR'S HOUSE. SEE The Call of the North.

CONLIN AND GLASS IN SHARPS AND FLATS. 1928. 1 reel, sd.

A CONNECTICUT YANKEE. 1931. 8,700 ft., sd.

151Credits: Director, David Butler; adaptation and dialogue, William Conselman; editor, Irene Morra.

THE CONNECTICUT YANKEE AT KING ARTHUR'S COURT. 1920. 8 reels. From the novel by Mark Twain [pseud. of Samuel Langhorne Clemens].

Credits: Director, Emmett J. Flynn; adaptation, Bernard McConville.

THE CONNECTING LINK. Bison. 1915. 2 reels.

Credits: Producer, Joseph Franz; story, Burton Wilson; scenario, Harvey Gates.

CONOHAN. SEE The Silent Lie.

THE CONQUERING HORDE. 1931. 6,596 ft., sd. From a story by Emerson Hough.

Credits: Director, Edward Sloman; screenplay, Grover Jones, William Slavens McNutt.

THE CONQUERING POWER. 1921. 7 reels. Adapted from the story "Eugenie Grandet" by Balzac.

Credits: Producer and director, Rex Ingram; adaptation, June Mathis.

CONQUERING THE JUNGLE. Educational Division of the Universal Film Mfg. Co., Inc. 1920. 1 reel.

Credits: Producer, King Vidor.

THE CONQUEROR. 1916. 5 reels.

THE CONQUEROR. 1917. For Fox Film Corp. 8 reels. Based on the life of Sam Houston.

Credits: Scenario and direction, R. A. Walsh; story, Henry Christeen Warnack.

THE CONQUERORS. 1932. 9 reels.

Credits: Director, William A. Wellman; story, Howard Estabrook; screenplay, Robert Lord.

CONQUEST. Trailer announcement, 1928. 1 reel, sd.

Credits: Musical director, Louis Silvers.

CONQUEST. 1928. 8 reels. From the novel by Mary Imlay Taylor.

Credits: Director, Roy del Ruth; screenplay, C. Graham Baker; adaptation, Eve Unsell.

CONQUEST. A Clarence Brown production. 1937. 6 reels, sd., b&w. Based on a book by Waclaw Gasiorowski and a dramatization by Helen Jerome.

Credits: Producer, Bernard H. Hyman; director, Clarence Brown; screenplay, Samuel Hoffenstein, Salka Viertel, S. N. Behrman; film editor, Tom Held; music score, Herbert Stothart.

THE CONQUEST OF CANAAN. 1921. 7 reels. From the story by Booth Tarkington.

Credits: Director, R. William Neill; scenario, Frank W. Tuttle.

THE CONQUEST OF CONSTANTIA. 1915. 1 reel.

Credits: Director, Courtlandt Van Deusen.

THE CONQUEST OF NEW FRANCE. SEE The Gateway to the West. Wolfe and Montcalm.

CONRAD IN QUEST OF HIS YOUTH. 1920. 6 reels. From the novel by Leonard Merrick.

Credits: Director, William De Mille; scenario, Olga Printzlau.

CONRAD NAGEL [in] VITAPHONE TRAILER ANNOUNCEMENT, CAUGHT IN THE FOG. 1928. 1 reel, sd.

CONRAD NAGEL [in] VITAPHONE TRAILER ANNOUNCEMENT, LIGHTS OF NEW YORK. 1928. 1 reel, sd.

CONSCIENCE. Imp. 1915. 4 reels.

Credits: Curtis Benton; production and scenario, Stuart Paton.

CONSCIENCE. 1917. For Fox Film Corp. 6 reels.

Credits: Director, Bertram Bracken; story, J. Searle Dawley, E. Lloyd Sheldon; scenario, Adrian Johnson.

CONSCIENCE. SEE Trust Your Wife.

CONSCIENTIOUS CAROLINE. 1914. 1 reel.

Credits: Ashley Miller.

CONSCRIPTION. SEE Her Boy.

CONSERVATION OF NATURAL RESOURCES. 1938. 1 reel.

CONSERVING THE INSURANCE ESTATE. 1932. Filmstrip.

CONSOLATION MARRIAGE. 1931. 9 reels, sd.

Credits: Associate producer, Myles Connolly; director, Paul Sloane; original story, Bill Cunningham; screenplay and dialogue, Humphrey Pearson.

THE CONSPIRACY. Bison. 1916. 2 reels.

Credits: William Parker; director, Henry McRae.

CONSPIRACY. 1930. 7 reels, sd. From the stage play by Robert Baker and John Emerson.

Credits: Producer, William LeBaron; director, Christy Cabanne; assistant director, Dewey Starkey; screenplay, continuity and dialogue, Beulah Marie Dix; film editors, Artie Roberts, Sam White.

CONSPIRACY. 1939. 59 min., sd.

Credits: Production executive, Lee Marcus; producer, Cliff Reid; director, Lew Landers; story, John McCarthy, Faith Thomas; screenplay, Jerome Chodorov; film editor, George Hively; music director, Frank Tours.

THE CONSPIRACY AT THE CHATEAU. 1915. 2 reels.

Credits: Edwin Balmer.

Credits: Robert Gage.

THE CONSTABULE. 1929. 22 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron.

THE CONSTANT NYMPH. Gaumont British Picture Corp. 1934. 7,666 ft., sd. From the novel by Margaret Kennedy.

Credits: Director, Basil Dean; screenplay, Dorothy Farnum; dialogue, Margaret Kennedy, Basil Dean; music directors, Eugene Gossen, John Greenwood.

THE CONSTANT WOMAN. World Wide. Presented by E. W. Hammons. 1933. 76 min., sd. From the play "Recklessness" by Eugene O'Neill.

Credits: Director, Victor Schertzinger; screenplay, Warren Duff; adaptation, F. Hugh Herbert.

CONSTANTINOPLE. SEE Christian Crusaders in Constantinople.

CONTACT. 1932. 1 reel.

Credits: Director, Joseph Henabery; story, Sig Herzig, Burnet Hershey.

CONTENT. (Herbert Kaufman's Weekly) 1920. 1 reel.

Credits: Herbert Kaufman; director, Wray Physioc; scenario, Merle Johnson.

CONTENTED CALVES. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Sam White; story, Joseph A. Fields, Rolly Asher; film editor, Edward Mann.

CONTENTED WIVES. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Francis J. Martin.

A CONTENTED WOMAN. 1917. 2 reels. From the play by Charles Hoyt.

Credits: Director, J. A. Richmond.

THE CONTENTS OF THE SUITCASE. 1913. 1 reel.

THE CONTINENT OF SOUTH AMERICA. 1931. 962 ft.

A CONTINENTAL EVENING. 1930. 1 reel, sd.

Credits: Director, Jasper Ewing Brady.

CONTRA LA CORRIENTE (AGAINST THE CURRENT). 1935. 11 reels.

Credits: Direction, text and continuity, Ramon Novarro.

CONTRABAND. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,773 ft. From the novel by Clarence Budington Kelland.

Credits: Producer, Alan Crosland; screenplay, Jack Cunningham.

CONTRACEPTIVE METHOD AND TECHNIQUE. 1935. 2 reels.

Credits: Producer and director, Marie Pichel Warner.

CONTRARY MARY. SEE The Summer Girl.

CONTRARY MARY WITH BOBBY WATSON. 1930. 1 reel, sd.

CONTRASTS IN CHINA. (Vagabond Adventure Series) 1933. 10 min., sd.

Credits: Text, Russel Spaulding; narrator, Alois Havrilla.

CONTROL YOURSELF. 1925. 2 reels.

Credits: Supervision, George E. Marshall; director, Robert P. Kerr; story, Andrew Bennison.

CONVENTION CITY. 1933. 8 reels, sd.

Credits: Director, Archie Mayo; story, Peter Milne; screenplay, Robert Lord.

CONVERGING PATHS. 1916. 2 reels.

Credits: Director, Burton L. King.

THE CONVERSION OF SMILING TOM. 1915. 1 reel.

Credits: Producer, Tom Mix; story, Emma Bell.

CONVERTING TIME INTO MONEY. 1931. Filmstrip.

CONVICT, COSTUMES, AND CONFUSION. 1914. 2 reels.

Credits: Director, Leo Beggs.

THE CONVICT KING. 1915. 3,000 ft.

Credits: Producer, Edward Sloman.

Credits: Director, William Parke; story, Wallace Clifton.