Motion pictures, 1912-1939, W (continued 2) — Read Online

Credits: Director, William C. De Mille; picturization, Olga Printzlau.

WHAT EVERY WOMAN KNOWS. 1934. 9 reels, sd., b&w. Based on the play by Sir James Matthew Barrie.

Credits: Producer, Gregory La Cava; screenplay, Monckton Hoffe, John Meehan, James K. McGuinness; film editor, Blanche Sewell; music score, Herbert Stothart.

WHAT EVERY WOMAN LEARNS. 1919. 5 reels.

Credits: Director, Fred Niblo; story, Eugene B. Lewis.

WHAT FOOLS MEN. 1925. 8 reels. Adapted from the novel "Joseph Greer and His Daughter" by Henry Kitchell Webster.

Credits: Director, George Archainbaud.

WHAT FOOLS MEN ARE. 1922. 6 reels. From the play "The Flapper" by Eugene Walter.

Credits: Director, George Terwilliger; scenario, Peter Milne.

WHAT FORM MEANS TO AN ATHLETE. 1917. 1 reel.

WHAT FUR. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, George Stevens, Fred Guiol; film editor, George Crone.

Credits: Director, George Irving; story, Paul Wilstach.

WHAT HAPPENED ON THE BARBUDA. 1915. 3 reels.

Credits: Willie C. Pratt.

WHAT HAPPENED TO FATHER. 1915. 5 reels.

Credits: Director, C. Jay Williams.

WHAT HAPPENED TO FATHER. 1927. 6 reels.

Credits: Director, John G. Adolfi; story, Mary Roberts Rinehart; scenario, Charles R. Condon.

WHAT HAPPENED TO JONES. 1920. 5 reels. From the play by George Broadhurst.

Credits: Director, James Cruze; scenario, Elmer Harris.

WHAT HAPPENED TO JONES. Jewel. 1925. 7 reels. From the play by George Broadhurst.

Credits: Director, William A. Seiter; adaptation and continuity, Melville W. Brown.

WHAT HAPPENED TO MARY. 1912-13. 1 reel each. Produced in collaboration with The Ladies World. © Thomas A. Edison, Inc.

4. The Affair at Raynor's. © 10Oct12; LP42.

5. A Letter to the Princess. © 8Nov12; LP105.

6. A Clue to Her Parentage. © 13Dec12; LP177.

7. False to Their Trust. © 3Jan13; LP254.

8. A Will and a Way. © 7Feb13; LP382.

9. A Way to the Underworld. © 14Mar13; LP488.

10. The High Tide of Misfortune. © 10Apr13; LP592.

11. A Race to New York. © 8May13; LP724.

12. Fortune Smiles. © 11Jun13; LP845.

For sequel SEE Who Will Marry Mary?

WHAT HAPPENED TO PEGGY. 1916. 2 reels.

WHAT HAPPENED TO ROSA. Goldwyn Studios. 1920. 5 reels.

Credits: Pearl Lenore Curran; director, Victor Schertzinger; scenario, Gerald C. Duffy.

WHAT HAPPENS WHEN YOU LET THE LAUNDRY WASH IT. 1929. 1 reel.

WHAT HE FORGOT. 1914. Split reel.

WHAT I SAID GOES. 1916. 3 reels.

Credits: Edward T. Lowe, Jr.; director, J. Charles Haydon.

WHAT INTERESTS OUR PROSPECTS AND WHY? 1929. 1 reel.

WHAT INTERESTS YOUR PROSPECT? 1927. 1 reel.

WHAT IS IT? 1929. 1 reel, sd.

934© General Motors Sales Corp., Dept. of Public Relations (Jam Handy Picture Service, author); title & descr., 3Nov38; 78 prints, 4Nov38; MU8899.

WHAT IS YOUR VALUE, MADAME? SEE This Wife Business.

WHAT IT TAKES TO WIN. 1936. For Plymouth Motor Corp. 1 reel, sd.

WHAT KATIE DID. 1912. 1,000 ft.

Credits: Charles M. Seay.

WHAT KELLY SAW AT THE KNOT HOLE. 1920. 1 reel.

WHAT LOVE CAN DO. Red Feather. 1916. 5 reels.

Credits: Story, Gertrude H. Andrews; scenario and direction, Jay Hunt.

Credits: Director, Henry Vekroff; story, Gardner Hunting; scenario, George D. Proctor.

WHAT LOVE WILL DO. 1921. 5 reels.

Credits: Director, William K. Howard; story, L. G. Rigly; scenario, Jack Strumwasser.

WHAT MAKES A CHAMPION? (A Grantland Rice Sportlight) 1933. 1 reel.

WHAT MEN WANT. 1930. 7 reels.

Credits: Warner Fabian; director, Ernst Laemmle; adaptation and dialogue, Dorothy Yost, John B. Clymer.

WHAT MIGHT HAVE BEEN. Imp. 1915. 1 reel.

Credits: Dwight Cleveland; producer, Sidney Goldin.

WHAT MIGHT HAVE BEEN. SEE Her Only Way.

WHAT MONEY CAN'T BUY. 1917. 5 reels. From the play by George Broadhurst.

Credits: Director, Lou Tellegen; scenario, Beulah Marie Dix.

WHAT MONEY WILL DO. 1915. 1,000 ft.

WHAT NEXT? (Broadway Comedy) 1922. 2 reels.

Credits: Producer, Morris R. Schlank.

WHAT! NO BAIT! (Sound Topics of the Day) 1930. 1 reel, sd.

Credits: Alfred T. Mannon.

WHAT! NO BEER? 1933. 7 reels, sd., b&w.

Credits: Director, Edward Sedgwick; original story, Robert E. Hopkins; screenplay, Carey Wilson; additional dialogue, Jack Cluett; film editor, Frank Sullivan.

WHAT, NO GROCERIES! 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Fred Guiol; story, Fred Guiol, Jack Townley; film editor, John Lockert.

WHAT NO MAN KNOWS. 1921. 6 reels.

Credits: Director, Harry Garson; story, Sada Cowan.

WHAT, NO MEN? 1935. 2 reels, sd.

Credits: Director, Ralph Staub; screenplay and dialogue, Joe Traub, Paul Gerard Smith.

WHAT! NO SPINACH? (Blue Ribbon Comedies) 1926. 2 reels.

Credits: Director, Harry Sweet.

WHAT NO SPINACH? 1936. 1 reel.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

WHAT NOT TO DO IN BRIDGE. (Ely Culbertson in My Bridge Experiences) 1933. 2 reels, sd.

Credits: Supervision, Lou Brock; director, Murray Roth; film editor, Charles Kimball.

WHAT PRICE AIR. 1932. 2 reels, sd.

Credits: Director, Aubrey Scotto; story, Harry W. Conn.

WHAT PRICE BEAUTY. 1928. 5 reels.

Credits: Director, Thomas Buckingham; story, Natcha Rambova.

WHAT PRICE BURLESQUE. SEE Sammy Cohen in What Price Burlesque.

WHAT PRICE DOUGH. 1927. 2 reels.

Credits: Director, Albert Herman.

WHAT PRICE GEORGIE. SEE Georgie Price in What Price Georgie.

WHAT PRICE GLORY. 1926. 12 reels, tinted. Based on the play by Laurence Stallings and Maxwell Anderson.

Credits: Director, Raoul Walsh.

WHAT PRICE HOLLYWOOD? 1932. 78 min., sd.

Credits: Gene Fowler, Rowland Brown; producer, David O. Selznick; director, George Cukor; story, Adela Rogers St. Johns Hyland; screenplay, Jane Murfin, Ben Markson; film editor, Jack Kitchin.

WHAT PRICE INNOCENCE? 1933. 7 reels, sd.

Credits: Written and directed by Willard Mack; film editor, Arthur Hilton.

WHAT PRICE JAZZ. (M-G-M Musical Revue) 1934. 2 reels, sd., b&w.

Credits: Sam Timberg, Herman Timberg; director, Samuel Baerwitz.

WHAT PRICE NOISE? 1926. 1 reel.

WHAT PRICE, ORPHANS? 1925. 2 reels.

Credits: Director, Mark Goldaine; story, King Benedict, C. E. Morehouse.

WHAT PRICE PANTS. 1931. 2 reels, sd.

Credits: Director, Casey Robinson; dialogue staged by Max E. Hayes.

WHAT PRICE PIANO. SEE Pauline Alpert in What Price Piano.

WHAT PRICE PLEASURE? Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

WHAT PRICE PORKY. (Looney Tunes) 1938. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Robert Clampett; animation, Charles Jones, Robert Cannon; music score, Carl W. Stalling.

WHAT PRICE SAFETY! (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; original story and screenplay, John C. Higgins.

WHAT PRICE SPEED. (World of Sports) Bray Pictures Corp. 1933. 1 reel, sd.

Credits: Narrator, Ford Bond.

WHAT PRICE TAXI. (Hal Roach Comedy) Presented by Hal Roach. 1932. 2 reels, sd.

Credits: Director, Del Lord; dialogue, H. M. Walker; editor, Richard Currier.

Credits: Producer, John L. Hawkinson.

WHAT SHALL I DO? Released by the W. W. Hodkinson Corp. 1924. 6 reels.

Credits: Story, supervision and editing, Frank Woods; director, John G. Adolfi.

WHAT SHALL IT PROFIT A MAN. 1913. 1 reel.

Credits: Bannister Merwin.

WHAT THE——? Joker. 1917. 1 reel.

Credits: Director, William Beaudine; story, Jack Cunningham.

935© Universal Film Mfg. Co., Inc.; 15Mar17; LP10386.

WHAT THE RIVER FORETOLD. Bison. 1915. 3 reels.

Credits: Producer, Joseph Franz; story, Peter B. Kyne; scenario, Ben Cohn.

WHAT THE SCOTCH STARTED. (World of Sports) Bray Pictures Corp. 1933. 1 reel, sd.

Credits: Narrator, Ford Bond.

WHAT THE WORLD MAKES. SEE E. M. Newman's What the World Makes.

WHAT THIS COUNTRY NEEDS. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, Eddie Moran, A. Dorian Otvos.

WHAT TO DO AND WHAT TO SAY. 1931. Filmstrip.

WHAT WILL PEOPLE SAY? Popular Plays and Players. 1915. 5 reels. Based on the story by Rupert Hughes.

WHAT WIVES WANT. 1923. 5 reels.

Credits: Director, Jack Conway; story, Edward T. Lowe, Jr., Perry N. Vekroff.

WHAT WOMEN LOVE. 1920. 6 reels.

Credits: Director, Nate C. Watt; story, Bernard McConville.

Credits: Director, George Archainbaud; story, George Middleton; scenario, Garfield Thompson.

WHAT WOULD YOU DO? 1917. 30 min.

Credits: Edward T. Lowe, Jr.; director, L. C. Windom.

WHAT WOULD YOU DO? 1920. 5 reels.

Credits: Director, E. Lawrence; story and scenario, Denison Clift.

WHAT YOU WILL WANT TO KNOW ABOUT THE WILLYS-KNIGHT STANDARD SIX. 1928. 1 reel.

WHATEVER SHE WANTS. 1921. 5 reels.

Credits: Director, C. R. Wallace; story, Edgar Franklin [pseud. of Edgar Franklin Stearns].

WHAT'LL WE DO WITH UNCLE? Victor. 1917. 1 reel.

Credits: Director, William W. Beaudine; story, King Vidor.

WHAT'LL YOU HAVE? (Stern Brothers Comedy) (Excuse Maker Series) 1926. 2 reels.

Credits: Director, Francis Corby; story, William Anthony.

WHAT'S A FIXER FOR. SEE Fixer Dugan.

WHAT'S A WIFE WORTH? 1921. 6 reels.

Credits: Written and directed by William Christy Cabanne.

Credits: Director, John Steppling.

WHAT'S IN A NAME. 1925. 1 reel.

WHAT'S OURS. 1915. 1 reel.

Credits: Director, S. Rankin Drew, Jr.

WHAT'S THE ANSWER. 1936. 1 reel, sd.

WHAT'S THE IDEA. 1935. 1 reel, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

WHAT'S THE MATTER WITH FATHER? 1918. 2 reels.

Credits: Director, J. G. Blystone.

WHAT'S TO DO? (Frolics of Youth) Presented by E. W. Hammons. 1933. 1,631 ft., sd.

Credits: Director, Charles Lamont; story and dialogue, Ernest Pagano, Ewart Adamson, C. Edward Roberts.

WHAT'S UNDER THE HOOD? (Socony Screen Talks, no. 1) Presented by Standard Oil Company of New York. 1930. Filmstrip, 109 frames.

WHAT'S UP? (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jess Robbins.

WHAT'S WORTH WHILE? 1921. 6 reels.

Credits: Written and produced by Lois Weber.

WHAT'S WRONG WITH THE WOMEN? 1922. 7 reels.

Credits: Director, R. William Neil; written and adapted by Daniel Carson Goodman.

WHAT'S YOUR HURRY? Paramount. Presented by Jesse L. Lasky. 1920. 5 reels. From the story "The Hippopotamus Parade" by Byron Morgan.

Credits: Director, Sam Wood; scenario, Byron Morgan.

WHAT'S YOUR HURRY? (Mirthquake, no. 11) 1922. 2 reels.

Credits: Director, Eugene De Rue; scenario, Glen Lambert.

WHAT'S YOUR HURRY? (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Samuel Newfield; story, William B. Anthony.

WHAT'S YOUR HUSBAND DOING? 1919. 5 reels.

Credits: Director, Lloyd Ingraham; story, George V. Hobart; scenario, R. Cecil Smith.

WHAT'S YOUR RACKET? 1934. 7 reels.

Credits: Director, Fred Guiol; original story, George R. Rogan; screenplay, Barry Barringer; film editor, Dan Milner.

WHAT'S YOUR REPUTATION WORTH? 1921. 6 reels.

Credits: Director, Webster Campbell; story, Heliodore Tenno.

WHAT'S YOUR WIFE DOING. SEE Reckless Romance.

WHEAT. 1928. 1 reel.

WHEAT AND FLOUR. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

THE WHEAT AND THE CHAFF. 1916. 3 reels.

Credits: Supervision, Wilbert Melville; director, Melvin Mayo.

THE WHEAT AND THE TARES. 1914. 2 reels.

Credits: Director, Theodore Marston.

THE WHEAT FARMER. 1938. 1 reel, sd.

THE WHEEL. 1925. 8 reels, b&w, tinted sequences.

936Credits: Director, Victor Schertzinger; story, Winchell Smith; scenario, Edfrid Bingham.

WHEEL OF CHANCE. Presented by Richard A. Rowland. 1928. 7 reels. From the story "Roulette" by Fannie Hurst.

Credits: Producer and director, Alfred Santell; adaptation and continuity, Gerald C. Duffy.

THE WHEEL OF CHANCE. 1936. For Coca-Cola Co. 1 reel, sd.

THE WHEEL OF LIFE. 1929. 6 reels, si., 5,153 ft., sd.

Credits: James Bernard Fagan; director, Victor Schertzinger; adaptation and screenplay, John Farrow.

THE WHEEL OF THE GODS. 1915. 1 reel.

THE WHEEL OF THE LAW. 1916. For the Metro program. 5 reels.

Credits: Produced and directed by George D. Baker; story, Katherine Kavanaugh.

WHEELS OF DESTINY. 1934. 7 reels.

Credits: Director, Alan James; story, screenplay, and dialogue, Nate Gatzert.

WHEELS OF FATE. SEE Code of the Mounted.

THE WHEELS OF JUSTICE. 1915. 4 reels.

Credits: Director, Theodore Marston.

THE WHELP. Imp. 1916. 1 reel.

Credits: Harvey Gates; director, Millard K. Wilson.

WHEN A DOG LOVES. (Ranger, no. 3) Released by F. B. O. 1927. 5 reels.

Credits: Director, J. P. McGowan; story, John A. Moroso; continuity, F. A. E. Pine.

WHEN A FELLER'S NOSE IS OUT OF JOINT. 1915. 1 reel.

Credits: Director, Tefft Johnson.

WHEN A FELLOW NEEDS A FRIEND. 1932. 8 reels, sd., b&w. From the book "Limpy" by William Johnston.

Credits: Producer, Harry Pollard; dialogue continuity, Sylvia Thalberg, Frank Butler; film editor, William Le Vanway.

WHEN A GIRL LOVES. Universal Special. 1918. 6 reels. From the story "The Man Who Dared" by Lois Weber.

WHEN A MAN LOVES. 1919. 5 reels.

Credits: Director, Chester Bennett; story, Florine Walz Williams, H. H. Van Loan; scenario, E. Richard Schayer.

WHEN A MAN LOVES. 1926. 10 reels.

Credits: Director, Alan Crosland; adaptation, Bess Meredyth.

WHEN A MAN RIDES ALONE. 1918. 5 reels.

Credits: Director, Harry King; story and scenario, Stephen Fox.

WHEN A MAN SEES RED. 1917. For Fox Film Corp. 7 reels. Adapted from the story "The Painted Lady" by Larry Evans.

Credits: Scenario and direction, Frank Lloyd.

WHEN A MAN SEES RED. 1934. 7 reels, sd.

Credits: Direction and screenplay, Alan James; original story, Basil Dickey.

WHEN A MAN'S A MAN. First National. 1924. 7 reels. From the novel by Harold Bell Wright.

Credits: Director, Edward F. Cline.

WHEN A MAN'S A MAN. Presented by Sol Lesser and John Zanft. Released by Fox Film Corp. 1935. 7 reels, sd. From the novel by Harold Bell Wright.

Credits: Producer, Sol Lesser; director, Edward F. Cline; adaptation and screenplay, Agnes Christine Johnston, Frank M. Dazey; film editor, Donn Hayes.

WHEN A MAN'S FICKLE. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; story, L. J. Pouliot.

WHEN A MAN'S MARRIED. Metro-Drew. 1918. 1 reel.

Credits: Josephine Hoelder; directed and written by Mr. and Mrs. Sidney Drew.

WHEN A WIFE WORRIES. Imp. 1916. 1 reel.

Credits: Scenario and production, Hal Clotworthy.

WHEN A WOMAN LOVES. 1915. 5 reels.

Credits: Charles Horan.

WHEN A WOMAN SINS. 1918. 7 reels.

Credits: Director, J. Gordon Edwards; story, Betta Breuil; scenario, E. Lloyd Sheldon.

WHEN A WOMAN STRIKES. 1919. 5 reels.

Credits: Story and direction, Roy Clements.

WHEN A WOMAN'S 40. 1914. 2,000 ft.

Credits: Producer, E. A. Martin.

WHEN AMBROSE DARED WALRUS. 1915.

Credits: Producer, Mack Sennett.

WHEN AMBROSE DARED WALRUS. 1923. 2 reels.

WHEN AMERICA AWOKE. SEE Me und Gott.

WHEN AUNT MATILDA FELL. Nestor. 1916. 1 reel.

Credits: Written and produced by Al. E. Christie.

Credits: Director, Allie L. Sellers.

WHEN BEAUTY BUTTS IN. Imp. 1915. 1 reel.

Credits: Written and produced by Roy Clements.

WHEN BOBBY BROKE HIS ARM. 1917. 1 reel.

Credits: Written and directed by Charles M. Seay.

WHEN BONITA RODE. Mustang. 1926. 2 reels.

Credits: Director, Lew Collins; story, Phelps Decker.

Credits: Written and produced by O. A. C. Lund.

937© World Film Corp. (O. A. C. Lund, author); title, descr. & 164 prints, 27Oct14; LU3722.

WHEN CAESAR RAN A NEWSPAPER. 1929. 2 reels.

Credits: Waldemar Young, William Jacobs; director, Walter Graham.

WHEN CALIFORNIA WAS WILD. 1915. 1 reel.

Credits: Producer, William Robert Daly; story, John J. Sheridan.

WHEN CAROL TOOK THE SUBWAY. SEE Adventures of Carol.

WHEN CONSCIENCE SLEEPS. 1915. 1 reel.

Credits: Harold K. Weed; director, Edward C. Taylor.

Credits: Written and directed by Aubrey M. Kennedy.

WHEN CUPID CROSSED THE BAY. Nestor. 1915. Split reel.

Credits: Written and produced by Al. E. Christie.

WHEN CUPID SLIPPED. 1916. 1 reel.

Credits: Written and produced by Victoria Forde.

WHEN DAD WAS A BOY. (A Johnnie Walker Novelty) (Do You Remember) Presented by E. W. Hammons. 1933. 1 reel, sd.

Credits: Miller and Lehr; associate producer, Monroe Gold; narrator, Lew Lehr; music director, Paul Vincent.

WHEN DAMON FELL FOR PYTHIAS. Joker. 1916. 2 reels.

Credits: Written and directed by W. W. Beaudine.

WHEN DANGER CALLS. 1927. 5 reels.

Credits: Supervision, Sam Bischoff; director, Charles Hutchison; story and continuity, Ben Allah.

WHEN DANGER SMILES. 1922. 5 reels.

Credits: Director, William Duncan; story, John B. Clymer.

WHEN DISASTER STRIKES. (Adventure of the Newsreel Cameraman) 1934. 1 reel, sd.

WHEN DO WE EAT? Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story, C. Gardner Sullivan.

WHEN DO WE EAT? 1934. 2 reels.

Credits: Director, Alf Goulding; story and screenplay, Thomas Dugan, Lou Holtz; film editor, Robert Carlisle.

WHEN DOCTORS DISAGREE. Presented by Samuel Goldwyn. 1919. 5 reels.

Credits: Director, Victor L. Schertzinger; story, Anna F. Briand.

WHEN DOES A HEN LAY AN EGG? Keen Cartoon Corp. Powers. 1917. 1/2 reel.

WHEN DUMB-BELLS RING. 1925. 2 reels.

Credits: Director, George Summerville.

WHEN DUMBLEIGH SAW THE JOKE. 1915. 1 reel.

Credits: Director, Sidney Drew.

WHEN EAST MEETS WEST. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle; adaptation, Robert McKenzie.

WHEN EAST MEETS WEST. SEE Ray Mayer and Edith Evans in When East Meets West.

WHEN EAST MET WEST IN BOSTON. 1914. 1 reel.

Credits: Y. Spinner; director, Walter Edwin.

WHEN EAST WENT WEST. (A Whirlwind Comedy) 1927. 2 reels.

Credits: Director, Craig Hutchinson.

WHEN EVE FELL. (Star Comedy) 1921. 1 reel.

Credits: Director, James Clemens.

WHEN FALSE TONGUES SPEAK. For Fox Film Corp. 1917. 5 reels.

Credits: Scenario and direction, Carl Harbaugh; story, George Scarborough.

WHEN FATE DECIDES. 1919. 5 reels.

Credits: Director, H. Millarde; story, Evelyn Campbell; scenario, Denison Clift.

WHEN FATHER HAD THE GOUT. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davy; scenario, Al. E. Christie.

WHEN FATHER INTERFERED. 1915. 1,000 ft.

WHEN FATHER WAS THE GOAT. Nestor. 1915. 1 reel.

Credits: Charles H. Christie; producer, Horace Davey.

WHEN FISH FIGHT. (Pepper Pot Novelty) 1936. 10 min., sd.

Credits: Director, Ned Schafer; narrator, Clem McCarthy.

WHEN FRIENDSHIP CEASES. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

WHEN G-MEN STEP IN. 1938. 6 reels, sd.

Credits: Director, C. C. Coleman Jr.; story, Arthur T. Horman, Robert Chalmers Bennett; screenplay, Arthur T. Horman; film editor, Al Clark.

WHEN GEORGE HOPS. (A Stern Brothers Comedy) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

WHEN GLASSES ARE NOT GLASSES. 1913. 1 reel.

Credits: Director, Van Dyke Brooke.

WHEN GOOD FELLOWS GET TOGETHER. (Sport Pictorial, no. 14) 1921. 1 reel.

Credits: Producer, Jack Eaton; editor, Grantland Rice.

WHEN GRATITUDE IS LOVE. 1915. 1 reel.

Credits: J. G. Proctor; director, Charles M. Seay.

WHEN GREEK MEETS GREEK; a Story of Opposing Wills. 1913. 1 reel.

Credits: Mary Fuller.

WHEN GREEK MEETS GREEK. 1915. 1 reel.

Credits: Director, Sidney Drew.

WHEN HE CAME BACK. Imp. 1916. 1 reel.

Credits: Joseph Le Brandt; director, John McDermott.

WHEN HEARTS ARE YOUNG. 1915. 1 reel.

WHEN HEARTS WERE TRUMPS. Rex. 1915. 1 reel.

WHEN HER IDOL FELL. Nestor. 1915. 1 reel.

Credits: Producer, Al E. Christie; scenario, Ben Cohn.

938© Universal Film Mfg. Co., Inc.; 17May15; LP5316.

WHEN HIRAM WENT TO THE CITY. Joker. 1915. 1 reel.

WHEN HIS SHIP CAME IN. 1914. 2,000 ft.

Credits: Producer, Thomas Santschi.

WHEN HONOR WAKES. 1915. 2,000 ft.

WHEN HOOLIGAN AND DOOLIGAN RAN FOR MAYOR. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

WHEN HUBBY GREW JEALOUS. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davy; scenario, Al. E. Christie.

WHEN HUSBANDS FLIRT. 1925. 6 reels.

Credits: Director, William Wellman; story and continuity, Paul Gangelin, Dorothy Arzner.

WHEN I YOO HOO. (Merrie Melodies) 1936. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Bob McKimson, Don Williams; music, Norman Spencer.

WHEN IT RAINS IT POURS. 1916. 1 reel.

Credits: Producer, William Wolbert.

WHEN IT RAINS IT STOPS. Presented by Goodrich. 1938. 1 reel, sd.

WHEN JEALOUSY TUMBLED. Big U. 1915. 1 reel.

Credits: Written and produced by Burton King.

WHEN JERRY COMES HOME. SEE Itching Palms.

WHEN JOEY WAS ON TIME. 1912. 1 reel.

Credits: Richard Ridgely.

WHEN JOHNNY COMES MARCHING HOME. SEE The Home Stretch.

WHEN JUSTICE WON. 1916. 2 reels.

Credits: Joseph A. Roach; director, E. H. Calvert.

WHEN KNIGHTHOOD WAS IN FLOWER. Paramount. 1922. 12 reels. From the novel by Charles Major.

Credits: Director, Robert G. Vignola; adaptation, Luther Reed.

Credits: Producer, Maurice Elvey.

WHEN KNIGHTS WERE COLD. 1923. 2 reels.

Credits: Director, Frank Fouse.

WHEN LADIES MEET. Cosmopolitan. 1933. 9 reels, sd., b&w. Based on the play by Rachel Crothers, produced by John Golden, Inc.

Credits: Associate producer, Lawrence Weingarten; director, Harry Beaumont; screenplay, John Meehan, Leon Gordon; film editor, Hugh Wynn.

Credits: Producer, Colin Campbell.

WHEN LIN CAME HOME. 1915. 1 reel.

Credits: Director, William Wolbert.

WHEN LITTLE LINDY SANG. Powers Educational. 1916. 1/2 reel.

Credits: Producer, Lule Warrenton; story, Olga Printzlau.

WHEN LIZ LET LOOSE. Victor. 1917. 1 reel.

Credits: Director, Ruth Ann Baldwin; story, E. Magnus Ingleton.

WHEN LIZZIE DISAPPEARED. Nestor. 1916. 1 reel.

Credits: Written and produced by Al. E. Christie.

WHEN LIZZIE WENT TO SEA. Nestor. 1915. 1 reel.

Credits: Scenario, Al. E. Christie.

WHEN LOVE AND HONOR CALLED. Released through General Film Co. 1914. 3 reels.

Credits: Frank Blighton.

WHEN LOVE COMES. 1922. 5 reels.

Credits: Producer, Ray Carroll; director, William A. Seiter; adaptation, Winifred Dunn.

WHEN LOVE GROWS COLD. Released by F. B. O. 1926. 7 reels. From the novel by Laura Jean Libbey.

Credits: Supervision, Daniel Carson Goodman; direction and continuity, Harry O. Hoyt; adaptation, John C. Brownell.

WHEN LOVE IS BLIND. 1919. 2 reels.

Credits: Director, Eddie Cline.

WHEN LOVE IS KING. 1916. 5 reels.

Credits: Sumner Williams; director, Ben Turbett.

WHEN LOVE IS LOVE. Rex. 1915. 2 reels.

WHEN LOVE IS MOCKED. 1915. 3 reels.

WHEN LOVE IS YOUNG. 1924. 1 reel.

Credits: Director, Wm. H. Watson.

WHEN LOVE IS YOUNG. 1937. 9 reels, sd. From the story "Class Prophecy" by Eleanore Griffin.

Credits: Associate producer, Robert Presnell; director, Hal Mohr; screenplay, Eve Greene, Joseph Fields; film editor, Bernard W. Burton; music director, Charles Previn.

WHEN LOVE LAUGHS. Imp. 1915. 1 reel.

WHEN LOVE SPEAKS. SEE Children of the Stage.

WHEN LOVE TOOK WINGS. 1915.

Credits: Producer, Mack Sennett.

WHEN MARTIN GETS HERE. Capitol Comedies. 1921. 2 reels.

Credits: Director, Mark Goldaine; story, Kingsley Benedict.

WHEN MEN ARE TEMPTED. 1917. 5 reels. From the novel "John Burt" by Frederick Upham Adams.

Credits: Director, William Wolbert.

WHEN MEN DESIRE. 1919. 5 reels.

Credits: Director, J. Gordon Edwards; story, E. Lloyd Sheldon, J. Searle Dawley; scenario, Adrian Johnson.

939© William Fox (Fox Film Corp., author); 9Mar19; LP13484.

WHEN MEN FIGHT. (World of Sports) 1935. 1 reel, sd.

Credits: Story, Jack Kofoed; narrator, Fred Uttal.

Credits: Producer, Colin Campbell.

WHEN MONEY COMES. (Roach Star Comedies) 1929. 2 reels, sd., b&w.

Credits: Director, Hal Roach; story, Leo McCarey; editor, Richard Currier.

WHEN MOTHER VISITED NELLIE. 1915. 1,000 ft.

WHEN MY LADY SMILES. 1915. 3 reels.

Credits: Edward T. Lowe, Jr.

WHEN MY SHIP COMES IN. 1919. 5 reels. Adapted from the novel by Gouverneur Morris.

Credits: Director, Robert T. Thornby.

WHEN MY SHIP COMES IN. (A Betty Boop Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer.

WHEN NATURE SMILES. (Paramount-Post Nature Pictures) Post Pictures Corp. 1919. 1 reel.

WHEN NOAH'S ARK EMBARKED. Powers. 1917. 1/2 reel.

Credits: John C. Terry.

WHEN ODDS ARE EVEN. 1923. 5 reels, b&w, tinted sequences.

Credits: Director, James Flood; story and scenario, Dorothy Yost.

WHEN OSCAR WENT WILD. Mustang. 1927. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle; adaptation, Robert McKenzie.

WHEN PARIS GREEN SAW RED. Nestor. 1918. 1 reel.

WHEN ROGUES FALL OUT. Bison. 1915. 3 reels.

Credits: Helen Holmes; producer, J. P. McGowan.

WHEN ROMANCE RIDES. 1922. 6 reels. Suggested by the novel "Wildfire" by Zane Grey.

Credits: Production and adaptation, Benjamin B. Hampton.

WHEN SAMUEL SKIDDED. 1915. 1 reel.

Credits: Director, Edmond F. Stratton.

WHEN SCHULTZ LED THE ORCHESTRA. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

WHEN SLIM PICKED A PEACH. Imp. 1916. 1 reel.

Credits: Written and produced by Roy Clements.

WHEN SLIM WAS HOME CURED. Imp. 1916. 1 reel.

Credits: Written and produced by Roy Clements.

WHEN SMITH MEETS SMITH. SEE Beyond the Border.

WHEN SNAKEVILLE STRUCK OIL. 1915. 1 reel.

WHEN SOCIETY CALLS. 1913. 1 reel.

Credits: Director, Wilfred North.

WHEN SORROW WEEPS. (Do Children Count?) 1917. 25 min.

Credits: Director, L. C. Windom; story, Charles Mortimer Peck.

WHEN SOULS ARE TRIED. 1915. 1 reel.

WHEN STRANGERS MARRY. 1933. 7 reels, sd.

Credits: Director, Clarence Badger; story, Maximilian Foster; screenplay, James Kevin McGuinness; film editor, Gene Havlick.

WHEN STRANGERS MEET. 1934. 8 reels, sd. Suggested by "The Way" by Zona Gale.

Credits: Director, William Christy Cabanne; story, continuity and dialogue, Adele Buffington.

WHEN SUMMER COMES. 1922. 2 reels.

Credits: Director, Roy Del Ruth.

WHEN SUMMONS COMES. 1932. 2 reels, sd.

Credits: Producer, Louis Brock; director, Mark Sandrich; story and continuity, Thomas L. Lennon, Ned Sparks, Mark Sandrich; film editor, Ted Cheesman.

WHEN THE BLIND SEE. 1914. 2 reels.

WHEN THE CALL CAME. Imp. 1915. 2 reels. Adapted from the story "The Song of Songs" by Bruno Lessing [pseud. of Rudolph Edgar Block].

Credits: Producer, Sidney M. Goldin; director, DeVilliers; adaptation, Sidney Goldin and DeVilliers.

WHEN THE CARTRIDGES FAILED. 1914. 1 reel.

Credits: Benjamin Wilson.

WHEN THE CAT'S AWAY. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Eddie Lyons, Lee Moran; scenario, C. B. Hoadley.

WHEN THE CAT'S AWAY. (Mickey Mouse Cartoon) Presented by Columbia Pictures Corp. 1929. 1 reel, sd.

Credits: U. B. Iwerks.

WHEN THE CAT'S AWAY. (Happy Harmonies) 1935. 789 ft., sd., color.

Credits: Hugh Harman, Rudolf Ising.

Credits: Producer, Colin Campbell.

WHEN THE CIRCUS CAME TO TOWN. (Chronicles of Bloom Center) 1916. 1 reel.

Credits: Producer, Sidney Smith.

WHEN THE CLOUDS ROLL BY. 1919. 6 reels.

Credits: Directors, Victor Fleming, Ted Reed; original story and scenario, Douglas Fairbanks, Lewis Weadon, Tom Geraghty.

WHEN THE COOK FELL ILL. 1914. 1 reel.

Credits: Producer, Colin Campbell.

WHEN THE COUGAR CALLED. 1920. 2 reels.

Credits: Story, Arthur H. Gooden; scenario, George Hively.

940© Universal Film Mfg. Co., Inc.; 19Mar20; LP14912.

WHEN THE DESERT CALLS. 1922. 6 reels.

Credits: Producer and director, Roy C. Smallwood; story, Donald McGibeny; adaptation, Peter Milne, Georgette Duchesne; editor, George McGuire.

WHEN THE DEVIL WAS SICK. SEE Clear the Decks.

WHEN THE DOOR OPENED. 1925. 7 reels, b&w, tinted sequences.

Credits: Director, Reginald Barker; story, James Oliver Curwood; scenario, Bradley King.

WHEN THE EARTH TREMBLED; or, THE STRENGTH OF LOVE. 1913. 3 reels.

WHEN THE FATES SPIN. 1915. 1 reel.

Credits: Kitty Kelly.

WHEN THE GODS FORGIVE. 1914. 1 reel.

Credits: Producer, Ulysses Davis.

WHEN THE LAUNDRY WASHES BEST. 1929. 1 reel.

WHEN THE LAW RIDES. 1928. 5 reels. From an original story by Oliver Drake.

Credits: Director, Robert DeLacy; continuity, Oliver Drake.

WHEN THE LIGHT CAME IN. 1915. 2 reels.

WHEN THE LIGHTS WENT OUT. (Minute Mysteries) Produced and presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Supervision, Ben Schwalb; director, Louis De Rochemont; adaptation, Ross Callaway.

WHEN THE LOSERS WON. Nestor. 1916. 1 reel.

Credits: Production and scenario, Al E. Christie; story, Warren Frost, Mae Frost.

WHEN THE MAN SPEAKS. (Is Marriage Sacred? no. 4) 1916. 29 min.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

WHEN THE MEN LEFT TOWN. 1914. 2 reels.

Credits: Mark Swan.

WHEN THE MENAGERIE BROKE LOOSE. SEE Wild Beasts at Large.

WHEN THE MINSTRELS CAME TO TOWN. Victor. 1916. 2 reels.

Credits: Producer, H. C. Matthews.

WHEN THE NIGHT CALL CAME. 1914. 1 reel.

Credits: Producer, Edw. J. LeSaint.

WHEN THE PRESS SPEAKS. 1913.

Credits: Director, George Baker.

WHEN THE RANGE CALLED. 1915. 1,000 ft.

WHEN THE RED RED ROBIN COMES BOB BOB BOBBIN' ALONG. 1932. 1 reel.

Credits: Director, Dave Fleischer; story, Max Fleischer.

WHEN THE RIGHT MAN COMES ALONG. 1913. 1 reel.

Credits: Mary Fuller.

WHEN THE SPIDER TORE LOOSE. Laemmle. 1915. 1 reel.

Credits: Scenario, W. M. Caldwell.

WHEN THE SPIRITS MOVED. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

WHEN THE TIDE TURNED. 1915. 1 reel.

WHEN THE WEATHER TURNS COOL. 1938. 1 reel, sd.

WHEN THE WEST WAS YOUNG. 1913. 1 reel.

Credits: Director, W. J. Bauman.

WHEN THE WEST WAS YOUNG. 1914. 2,000 ft.

Credits: Producer, Colin Campbell.

WHEN THE WEST WAS YOUNG. 1937. 907 ft., sd.

WHEN THE WIFE'S AWAY. 1926. 6 reels.

Credits: Director, Frank R. Strayer; story, Douglas Bronston.

WHEN THE WIFE'S AWAY. 1927. 1 reel, sd.

Credits: Murray Roth; director, Bryan Foy.

WHEN THE WIND BLOWS. (Hal Roach Comedy) (Our Gang Comedies) Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Producer and director, James W. Horne; story, Robert F. McGowan; film editor, Richard Currier.

WHEN THE WIRES CROSSED. 1915. 1,000 ft.

WHEN THE WOLF HOWLS. Rex. 1916. 1 reel.

Credits: Producers, Cleo Madison, W. V. Mong; story, Chas. Somerville; scenario, W. V. Mong.

WHEN THEIR DADS FELL OUT. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Al. E. Christie.

WHEN THEY WERE CO-EDS. Nestor. 1915. 1 reel.

Credits: Scenario and production by Al. E. Christie.

WHEN THEY WERE TWENTY ONE. 1915.

WHEN THIEF MEETS THIEF. Released through United Artists. 1937. 8 reels, sd. From the novel "Jump for Glory" by Gordon McDonell.

Credits: Producer, Marcel Hellman; director, Raoul Walsh; screenplay, John Meehan; editor, Conrad von Molo; music, Percival Mackey.

WHEN THIEVES FALL OUT. 1913. 3 reels.

WHEN THIEVES FALL OUT. Imp. 1917. 2 reels.

Credits: William H. Lippert; director, John Harvey.

WHEN THREE IS A CROWD. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Al. E. Christie.

WHEN TOMORROW COMES. 1939. 10 reels, sd.

Credits: Producer and director, John M. Stahl; story, James M. Cain; screenplay, Dwight Taylor; film editor, Milton Carruth.

941Credits: Directors, Louis Mercanton, Rene Hervil.

WHEN TWO PLAY A GAME. 1915. 1 reel.

Credits: Director, Sidney Drew.

WHEN WAR THREATENED. 1915. 2,000 ft.

Credits: Producer, Paul M. Powell.

WHEN WAR THREATENED. Joker. 1915. 1 reel.

Credits: Producer, C. Jay Williams; scenario, F. M. Brandon.

WHEN WE WERE TWENTY-ONE. SEE The Truth About Youth.

WHEN WERE YOU BORN. 1938. 7 reels.

Credits: Director, William McGann; original story, Manley Hall; screenplay, Anthony Coldeway.

WHEN, WHERE AND HOW TO DEMONSTRATE. 1927. 1 reel.

WHEN WIFIE SLEEPS. 1915. 1,000 ft.

WHEN WILLIE WENT WILD. Imp. 1915. 1 reel.

Credits: Written and produced by Ray Clements.

WHEN WISE DUCKS MEET. 1924. 2 reels.

Credits: Directors, Ben Stoloff, Clyde Carruth.

WHEN WOMEN GO ON THE WARPATH; or, WHY JONESVILLE WENT DRY. 1913. 1 reel.

Credits: Directors, Milfrid North, James Young.

WHEN YOU'RE IN LOVE. 1937. 11 reels, sd.

Credits: Ethel Hill, Cedric Worth; written and directed by Robert Riskin; film editor, Gene Milford; music director, Alfred Newman.

WHEN YOU'RE SINGLE. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

WHEN YOUTH IS AMBITIOUS. 1915. 2 reels.

Credits: Producer, Joseph Kaufman.

WHEN YUBA PLAYS THE RUMBA ON THE TUBA. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Bernard Wolf, Thomas Johnson.

WHERE ARE MY CHILDREN? 1916. 5 reels.

Credits: Producer, The Smalleys; story, Lucy Payton, Franklin Hall; scenario, Lois Weber.

WHERE ARE MY TROUSERS? Victor. 1917. 2 reels.

Credits: Director, Carter DeHaven; story, Daisy O'Connor; scenario, Jack Cunningham.

WHERE BRAINS ARE NEEDED. Big U. 1915. 2 reels.

Credits: Producer, Murdock MacQuarrie; scenario, Geo. E. Hall.

WHERE CANARIES SING BASS. (Rufftown Comedies) 1931. 2 reels, sd., b&w. From the "Rufftown Stories" by Arthur (Bugs) Baer.

Credits: Director, George Green; adaptation, Ralph Ceder; film editor, Fred Maguire.

WHERE CHAMPIONS MEET. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Commentary, Justin Herman; narrator, Ted Husing; editors, Fred Waller, Carl Timin.

WHERE D'YE GET THAT STUFF? 1916. 5 reels.

Credits: Dialogue, H. C. Witwer, H. H. Van Loan.

WHERE EAST IS EAST. 1929. 7 reels.

Credits: Produced and directed by Tod Browning; story, Tod Browning, Harry Sinclair Drago; adaptation, Waldemar Young; continuity, Richard Schayer; film editor, Harry Reynolds.

WHERE EAST MEETS VEST. 1931. 2 reels, sd.

Credits: Director, Aubrey Scotto; story, Harry W. Conn, Aubrey Scotto.

WHERE ENMITY DIES. 1915. 1 reel.

WHERE GLORY WAITS. Laemmle. 1917. 2 reels.

Credits: Director, Allen J. Holubor; story, E. Magnus Ingleton.

WHERE HAPPINESS DWELLS. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, Ben Cohn.

WHERE IGNORANCE IS BLISS. Joker. 1915. 1 reel.

Credits: Producer, Roy McCray; scenario, Earl R. Hewitt.

WHERE IS MY CHE-ILD? 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Noel Smith.

WHERE IS MY CHILD? 1937. 10 reels, sd. Scripts in Yiddish and in English.

Credits: Directors, Abraham Leff, Henry Lynn; story, S. Siegel, S. Steinberg; screenplay, Henry Lynn.

WHERE IS MY DOG? (Star Comedy) 1920. 1 reel.

Credits: Harry Mann; director, Harry Gibson; scenario, Tom Gibson.

Credits: Direction and scenario, Joseph Adelman.

WHERE IS MY HUSBAND? 1916. 2 reels.

WHERE IS MY MOTHER? (Do Children Count?) 1917. 25 min.

Credits: Director, Arthur Berthelet; story, Charles Mortimer Peck.

WHERE IS MY WANDERING BOY TONIGHT? 1922. 7 reels. Suggested by the hymn of the same name.

Credits: Producer, B. F. Zeidman; directors, J. P. Hogan, Mildred Webb; story and scenario, Gerald C. Duffy.

WHERE IS MY WANDERING WIFE. (Star Comedy) 1921. 1 reel.

Credits: Producer, William Watson; scenario, W. Scott Darling.

WHERE IS MY WIFE? 1916. 2 reels.

WHERE IS THIS WEST? Presented by Carl Laemmle. 1923. 5 reels.

942Credits: Director, George E. Marshall; story, George Hull; scenario, George Hively.

WHERE IS WALL STREET? (An Educational Coronet Comedy) Presented by E. W. Hammons. 1936. 1,707 ft., sd.

Credits: Director, Raymond Kane; story, David Freedman.

WHERE IS YOUR FRIEND? 1916. 1 reel.

WHERE KISSES COME HIGH. (U. F. A. Oddity) U. F. A. 1928. 1 reel, b&w.

Credits: Edited and titled by John Michael Flick.

WHERE KISSES COME HIGH. (U. F. A. Oddity) U. F. A. 1928. 1 reel, b&w.

Credits: Edited and titled by John Michael Flick.

WHERE LOVE IS. 1917. 6 reels. An adaptation of the novel by William J. Locke.

WHERE LOVE LEADS. 1916. For Fox Film Corp. 5 reels.

Credits: Produced and written by Frank C. Griffin.

WHERE MEN ARE MEN. 1921. 5 reels.

Credits: Director, William Duncan; story, Ralph Cummins.

WHERE ROMANCE RIDES. 1925. 5 reels.

Credits: Director, Ward Hayes.

WHERE SHORE AND WATER MEET. 1913. 1 reel.

WHERE SINNERS MEET. 1934. 8 reels. From the play "The Dover Road" by A. A. Milne.

Credits: Associate producer, David Lewis; director, J. Walter Ruben; screenplay, H. W. Hanemann; editor, Jack Hively; music director, Max Steiner.

WHERE SNOW IS KING. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Narrator, Alois Havrilla; commentator, Justin Herman.

WHERE THE BUFFALO ROAM. 1938. 6 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; story and screenplay, Robert Emmett; film editor, Fred Bain; music director, Frank Sanucci.

WHERE THE COLUMBIA RIVER RISES. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1921. 1 reel.

WHERE THE HEATHER BLOOMS. Nestor. 1915. 2 reels.

Credits: Written and produced by Al. E. Christie.

WHERE THE NORTH BEGINS. 1923. 6 reels.

Credits: Producer, Harry Rapf; director, Chester M. Franklin; story by Fred Myton and Millard Webb.

WHERE THE PAVEMENT ENDS. 1923. 7 reels. From the novel by John Russell.

Credits: Producer, Rex Ingram; adaptation and direction, Rex Ingram; editor, Grant Whytock.

WHERE THE ROAD DIVIDED. 1915. 2,000 ft.

Credits: Producer, Edgar Jones.

WHERE THE WEST BEGINS. 1919. 5 reels.

Credits: Director, Henry King; story and scenario, Stephen Fox.

WHERE THE WEST BEGINS. Concord Productions, Inc. 1938. 6 reels, sd.

Credits: Supervision, Maurice Cohn; director, J. P. McGowan; original story, Stanley Roberts; screenplay, Stanley Roberts, Gennaro Rea.

WHERE THE WORST BEGINS. Co-Artists Productions. 1925. 6 reels, sd.

Credits: Director, John W. McDermott; story, George F. Worts; adaptation, Joseph Anthony Roach; editor, Edward W. McDermott.

WHERE THERE'S A WILL. 1923. 2 reels.

Credits: Director, Jack Blystone.

WHERE THERE'S A WILL. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, John Grey; film editor, Edward Mann.

WHERE THERE'S A WILL. Gainsborough. 1937. 8 reels, sd. Released In England under the title "Good Morning Boys."

Credits: Director, Marcel Varnel; original story, Anthony Kimmins; screenplay and dialogue, Val Guest, Leslie Arliss, Marriott Edgar; editor, R. E. Dearing, Alfred Roone; music director, Louis Levy.

WHERE TRAILS DIVIDE. 1937. 6 reels, sd.

Credits: Producer and director, Robert N. Bradbury; original screenplay, Robert Emmett.

WHERE WAS I? Universal Jewel. 1925. 7 reels. From the novel by Edgar Franklin [pseud. of Edgar Franklin Stearns].

Credits: Director, Wm. A. Seiter.

WHERE YOUR MORNING PAPER COMES FROM. 1915. Split reel.

WHERE'S ELMER? Presented by Carl Laemmle. 1934. 2 reels.

Credits: Producer, Warren Doane; director, James W. Horne; story, Albert Austin, W. P. Hackney; editor, Harry Marker.

WHERE'S MY BABY? Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

WHERE'S THAT TIGER. 1933. 1 reel, sd.

Credits: Theme song, Barrah Minnevitch.

WHERE'S THE PARADE. 1922. 1 reel.

WHICH. 1913. 1 reel.

Credits: Director, James Lackaye.

WHICH HAM IS SCHNAPPSMEIER'S? 1914. 1 reel.

Credits: Director, Norval MacGregor.

WHICH IS WHICH. 1915. 1,000 ft.

Credits: Written and produced by Edwin McKim.

WHICH IS WHICH. (Stern Brothers Comedy) (The Excuse Maker Series) 1926. 2 reels.

Credits: Director, Samuel Newfield; story, William Anthony.

WHICH SHALL IT BE? SEE Not One To Spare.

WHICH WAY DID HE GO? 1913. 1 reel.

Credits: Director, George D. Baker.

WHICH WOMAN. 1918. 5 reels. From the novel by Evelyn Campbell.

Credits: Director, Ted Browning; adaptation, Anthony W. Coldeway.

A WHIFF OF HELIOTROPE. SEE Heliotrope.

943WHILE AMERICA SLEEPS. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1939. 2 reels, sd, b&w.

Credits: Director, Fred Zinnemann; original story and screenplay, Karl Lamb; film editor, Ralph E. Goldstein.

WHILE JOHN BOLT SLEPT; a Study of Conscience. 1913. 1 reel.

Credits: Bannister Merwin.

WHILE JUSTICE WAITS. 1922. 5 reels.

Credits: Director, Bernard J. Durning; story, Don Short, Charles A. Short; scenario, Edwin B. Tilton, Jack Strumwasser.

WHILE LONDON SLEEPS. 1926. 6 reels.

Credits: Director, H. P. Bretherton; screenplay, Walter Morosco.

WHILE NEW YORK SLEEPS. 1920. 8 reels.

Credits: Director, C. J. Brabin; scenario, C. J. Brabin, Thomas F. Fallon.

WHILE NEW YORK SNORES. (Star Comedy) 1921. 1 reel.

Credits: Director, Ward Hayes; story, Ward Hayes, Frank Kingsley.

WHILE PARIS SLEEPS. 1932. 6,050 ft., sd.

Credits: Director, Allan Dwan; screenplay, Basil Woon; editor, Paul Weatherwax.

WHILE SATAN SLEEPS. 1922. 7 reels. Adapted from the story "The Parson of Panamint" by Peter B. Kyne.

Credits: Director, Joseph Henabery; scenario, Albert Shelby LeVino.

WHILE THE AUTO WAITS. 1920. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Joseph Byron Totten.

WHILE THE CAPTAIN WAITS. 1930. 1 reel, sd.

Credits: Director, Ray Cozine.

WHILE THE CAT'S AWAY. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

WHILE THE CITY SLEEPS. 1928. 9 reels, b&w.

Credits: Producer and director, Jack Conway; story and scenario, A. P. Younger; film editor, Sam S. Zimbalist.

WHILE THE DEVIL LAUGHS. 1921. 5 reels, b&w, tinted sequences.

Credits: Written and directed by George William Hill.

WHILE THE PATIENT SLEPT. Presented by First National Production Corp. and The Vitaphone Corp. 1935. 7 reels, sd. Based on the novel by Mignon Eberhart.

Credits: Director, Ray Enright; screenplay, Robert N. Lee, Eugene Solow; additional dialogue, Brown Holmes.

WHILE THE TIDE WAS RISING. 1914. 1 reel.

Credits: Written and directed by Ben Wilson.

THE WHIM. SEE The Price of a Good Time.

Credits: Story, William Addison Lathrop.

Credits: Produced and written by Grant Wallace.

THE WHIMSICAL THREADS OF DESTINY. 1913. 2 reels.

Credits: Director, Frederick Thomson.

Credits: Producer, Allen Curtis; scenario, James Dayton.

Credits: Director, Maurice Tourneur; adaptation, Charles Everard Whittaker.

THE WHIP. Presented by Richard A. Rowland. 1928. 7 reels.

Credits: Producer, Charles J. Brabin; continuity, Bernard McConville, J. L. Campbell.

THE WHIP HAND. 1924. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein.

THE WHIP WOMAN. Presented by Robert Kane. 1928. 6 reels.

Credits: Producer, Allan Dwan; director, Joseph C. Boyle; story, Forrest Halsey, Leland Hayward; continuity, Earle Roebuck.

THE WHIPPET. 1927. 1 reel.

THE WHIPPET APPROVED AND NOW IMPROVED. 1930. 1 reel.

WHIPPET BEAUTY AND EASE OF HANDLING. 1927. 1 reel.

WHIPPET ECONOMY. 1927. 1 reel.

WHIPPET RACING. (Sport Champions) 1931. 1 reel, sd.

Credits: Pete Smith; director, Ward Wing.

WHIPPET VALUE. 1928. 1 reel.

WHIPSAW. A Sam Wood Production. 1935. 9 reels, sd.; b&w.

Credits: Producer, Harry Rapf; director, Sam Wood; story, James Edward Grant; screenplay, Howard Emmett Rogers; film editor, Basil Wrangell; music score, William Axt.

THE WHIRL OF LIFE. British International. 1929. 65 min. Adapted from the novel "Confession" by Clara Ratska.

Credits: Director, Richard Eichberg.

Credits: Producer, Lillian Delger Powers; titles, H. I. Phillips.

THE WHIRLING DISK. Gold Seal. 1915. 2 reels.

Credits: Producer, Charles Giblyn; scenario, H. G. Stafford.

THE WHIRLPOOL. 1915. 3 reels.

THE WHIRLPOOL. 1918. 5 reels.

Credits: Victoria Morton; director, Alan Crosland; scenario, Eve Unsell.

WHIRLPOOL. 1934. 8 reels, sd.

Credits: Director, Roy William Neill; story, Howard Emmet Rogers; screenplay, Dorothy Howell, Ethel Hill; film editor, Richard Cahoon.

THE WHIRLPOOL OF DESTINY. Red Feather. 1916. 5 reels.

Credits: Producer and director, Otis Turner; story, F. McGrew Willis, Eugene B. Lewis; scenario, F. McGrew Willis.

WHIRLS AND GIRLS. 1929. 1 reel.

Credits: Director, Mack Sennett.

WHIRLWIND. 1933. 6 reels, sd.

Credits: Director, D. Ross Lederman; story, Walt Coburn; screenplay, Stuart Anthony.

THE WHIRLWIND DRIVER. Mustang. 1926. 2 reels.

Credits: Director, Lew Collins; story, Florence Mack; scenario, Lilah Hall.

THE WHIRLWIND FINISH. 1918. 2 reels.

Credits: Producer, Henry McRae; story, Mrs. A. G. Robinson.

WHIRLWIND HORSEMAN. Presented by Edward L. Alperson. 1938. 6 reels, sd.

Credits: Producers, Max and Arthur Alexander; director, Robert Hill; original screenplay, George Plympton.

THE WHIRLWIND OF YOUTH. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels. From the novel "Soundings" by A. Hamilton Gibbs.

Credits: Producer and director, Rowland V. Lee; scenario, Julien Josephson.

THE WHIRLWIND RANGER. 1924. 5 reels.

Credits: Director, Richard Hatton; story, Robert McKenzie.

WHISKERS. 1923. 1 reel.

THE WHISPER MARKET. Presented by Albert E. Smith. 1920. 5 reels.

Credits: Director, George L. Sargent; story, W. E. Scutt; adaptation, C. Graham Baker.

THE WHISPERED NAME. Rex. 1916. 2 reels.

Credits: Director, Donald MacDonald; story, William Wallace Cook; scenario, Charles J. Wilson, Jr.

THE WHISPERED NAME. 1923. 5 reels. From the play by Rita Weiman and Alice L. Pollard.

Credits: Director, King Baggot.

WHISPERIN' BILL. (An M. G. M. Oddity) 1933. 1 reel, sd., b&w. Based on the poem by Irving Bacheller.

Credits: Director, Ben Holmes.

WHISPERING CANYON. 1926. 6 reels. From the novel by John Mersereau.

Credits: Director, Tom Forman; adaptation and continuity, Mary Alice Scully.

THE WHISPERING CHORUS. Artcraft. 1918. Based on the novel by Perley Poore Sheehan.

Credits: Director, Cecil B. De Mille; scenario, Jeanie MacPherson.

WHISPERING ENEMIES. 1939. 7 reels, sd.

Credits: Director, Lewis D. Collins; story, John Rawlins, Harold Tarshis; screenplay, Gordon Rigby, Tom Kilpatrick; film editor, Dwight Caldwell.

WHISPERING SAGE. 1927. 5 reels. From the story by Harry Sinclair Drago and Joseph Noel.

Credits: Director, Scott R. Dunlap; scenario, Harold Shumate.

WHISPERING SMITH. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 7 reels. From the novel by Frank H. Spearman.

Credits: Director, George Melford; adaptation, Elliott J. Clawson, Will M. Ritchey.

WHISPERING SMITH. SEE Whispering Smith Rides.

WHISPERING SMITH RIDES. 1927. 2 reels each. From the story "Whispering Smith" by Frank Hamilton Spearman. © Universal Pictures Corp.

Credits: Director, Ray Taylor; scenario, Arthur Henry Gooden.

WHISPERING SMITH RIDES. SEE Lightning Express.

WHISPERING SMITH SPEAKS. 1936. 7 reels, sd. From a story by Frank H. Spearman.

Credits: Director, David Howard; screenplay, Don Swift, Dan Jarrett; adaptation, Gilbert Wright, Rex Taylor.

THE WHISPERING WINDOW. SEE The Longest Night.

WHISPERING WINDS. 1929. 7 reels, sd.

Credits: Director, James Flood; story and continuity, Jean Plannette; dialogue, Charles Logue; music score, Erno Rapee.

WHISPERING WIRES. 1926. 6 reels, tinted.

Credits: Director, Albert Ray; story, Kate L. McLaurin, Henry Leverage; scenario, L. G. Rigby.

WHISPERS. Presented by Louis J. Selznick. 1920. 5 reels.

Credits: Director, William P. S. Earle; story, Marc Connelly; editor, Cyril Gardner.

WHISPERS IN THE DARK. (A Max Fleischer Screen Song) 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall.

THE WHISTLE. 1921. 6 reels.

Credits: Direction and screen adaptation, Lambert Hillyer; story, May Wilmoth, Olin Lyman.

WHISTLES AND WINDOWS. 1918. 1 reel.

Credits: Directed and written by Lawrence Semon.

WHISTLIN' DAN. 1932. 7 reels, sd.

Credits: Director, Phil Rosen; story and continuity, Stuart Anthony; film editor, Rose Loewinger.

WHISTLING DICK'S CHRISTMAS STOCKING. 1917. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, George Ridgwell; adaptation, Wm. Addison Lathrop.

WHISTLING DICK'S CHRISTMAS STOCKING. SEE An Unwilling Hero.

WHISTLING IN THE DARK. 1933. 8 reels, sd., b&w. Based on the play by Laurence Gross and Edward Childs Carpenter.

Credits: Direction and screenplay, Elliott Nugent; film editor, Ben Lewis.

WHITE AGAINST BLACK. SEE The Fortune Hunter.

THE WHITE ALLEY. 1916. 3 reels.

WHITE AND UNMARRIED. 1921. 5 reels.

Credits: Director, Tom Forman; story, John D. Swan; scenario, Will M. Ritchey.

WHITE AND YELLOW. SEE The Haunted Ship.

945THE WHITE ANGEL. First National. 1936. 9 reels.

Credits: Director, William Dieterle; screenplay, Mordaunt Shairp.

WHITE BANNERS. Cosmopolitan. 1938. 10 reels, sd. From the story by Lloyd C. Douglas.

Credits: Director, Edmund Goulding; screenplay, Leonore Coffee, Cameron Rogers, Abem Finkel; music, Max Steiner.

THE WHITE BLACK SHEEP. 1926. 7 reels. From the story by Violet E. Powell.

Credits: Director, Sidney Olcott; adaptation, Jerome N. Wilson, Agnese Pat McKenna.

WHITE BONDAGE. 1937. 6 reels, sd.

Credits: Director, Nick Grinde; original story and screenplay, Anthony Coldeway.

THE WHITE BOTTLE. Harry Levey Service Corp. 1921. 2 reels.

WHITE CARGO. 1930. 8 reels, sd. From the play by Leon Gordon.

Credits: Director, J. B. Williams.

THE WHITE CIRCLE. Paramount-Artcraft. 1920. 5 reels. From the story "The Pavilion on the Links" by Robert Louis Stevenson.

Credits: Producer, Maurice Tourneur; adaptation, Jack Gilbert, Jules Furthman.

THE WHITE COCKATOO. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels, sd.

Credits: Director, Alan Crosland.

WHITE COLLARS. SEE

The Idle Rich.

Rich Man, Poor Girl.

THE WHITE DESERT. 1925. 7 reels.

Credits: Story, Courtney Riley Cooper; scenario, L. G. Rigby.

WHITE EAGLE. 1932. 7 reels.

Credits: Director, Lambert Hillyer; screenplay, Fred Myton.

A WHITE ELEPHANT. (Fables, no. 397) 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

THE WHITE FACE FOOL. 1928. 3 reels.

Credits: Director, Thomas H. Chalmers; story and scenario, Edgar Allan Woolf.

WHITE FANG. Released by F. B. O. 1925. 6 reels. From the novel by Jack London.

Credits: Director, Lawrence Trimble; adaptation and scenario, Jane Murfin.

WHITE FANG. 1936. 6,720 ft., sd. From the story by Jack London.

Credits: Director, David Butler; screenplay, Gene Fowler, Hal Long, S. G. Duncan; music director, Arthur Lange.

THE WHITE FEATHER. 1913. 1 reel.

Credits: Director, W. J. Bauman.

A WHITE FEATHER VOLUNTEER. Laemmle. 1915. 2 reels.

Credits: Written and produced by Rupert Julian.

WHITE FLANNELS. 1927. 7 reels. From the Saturday Evening Post story by Lucian Cary.

Credits: Director, Lloyd Bacon; scenario, Graham Baker.

THE WHITE FLOWER. Paramount. Presented by Adolph Zukor. 1923. 6 reels.

Credits: Written and directed by Julia Crawford Ivers.

THE WHITE FRONTIER. SEE Slander the Woman.

WHITE GOLD. De Mille Pictures Corp. Released by Producers Distributing Corp. 1927. 7 reels. From the play by J. Palmer Parsons.

Credits: Supervision, C. Gardner Sullivan; director, William K. Howard; adaptation, Garett Fort, Tay Garnett.

THE WHITE HAND SOCIETY. 1914, 1 reel.

WHITE HANDS. 1921. 6 reels.

Credits: Director, Lambert Hillyer; story, C. Gardner Sullivan.

WHITE HANDS. SEE Half a Bride.

THE WHITE HEATHER. 1919. 6 reels.

Credits: Director, Maurice Tourneur; story, Cecil Raleigh, Henry Hamilton; scenario, Charles Everard Whittaker.

WHITE HELL OF PITZ PALU. 1930. 8 reels, sd.

Credits: Directors, Arnold Fanck, G. W. Pabst; story, Arnold Fanck, Lad Vayda.

Credits: Producer, Frank Wilson; adaptation, Victor Montefiore.

THE WHITE HOPE. (An Educational Star Personality Comedy) Presented by E. W. Hammons. 1936. 1,679 ft., sd.

Credits: Director, Walter Graham; story, David Freedman.

Credits: Producer, Albert Russell; story and scenario, Albert Russell, Ford Beebe.

WHITE HUNTER. 1936. 5,960 ft., sd.

Credits: Director, Irving Cummings; story, Gene Markey; screenplay, Sam Duncan, Kenneth Earl; music, Arthur Lang.

WHITE LEGION. Presented by Edward L. Alperson. 1936. 9 reels, sd.

Credits: Producer, Bennie F. Zeidman; story and direction, Karl Brown; film editor, Duncan Mansfield; music supervision, Abe Meyer; musical setting, Hugo Riesenfeld.

WHITE LIES. 1920. 5 reels. From the story by Charles Reade.

946Credits: Director, Edward J. Le Saint; scenario, Charles Wilson.

WHITE LIES. 1929. 1 reel, sd.

WHITE LIES. 1934. 7 reels, sd.

Credits: Director, Leo Bulgakov; story and screenplay, Harold Shumate; film editor, Otto Meyer.

THE WHITE LIGHT OF PUBLICITY. 1915. 1 reel.

Credits: Producer, Lloyd B. Carleton; story, Charles Belmont Davis.

THE WHITE MAN'S LAW. Special Big U. 1916. 1 reel.

THE WHITE MAN'S LAW. Paramount. 1918. 5 reels.

Credits: Director, James Young; story, Marion Fairfax, John B. Browne.

THE WHITE MASK. 1915. 3,000 ft.

THE WHITE MESSENGER. 1922. 2 reels.

Credits: Producer, Perry N. Vekroff; story and scenario, Sheridan Hall.

Credits: Producer, Royal W. Wetherald; director, Edward H. Griffith; adaptation, Randolph Bartlett.

THE WHITE MOLL. 1920. 8 reels. From the story by Frank L. Packard.

Credits: Director, Harry Millarde; scenario, E. Lloyd Sheldon.

THE WHITE MONKEY. Sawyer-Lubin. Presented by Associated Pictures Corp. 1925. 7 reels. From the novel by John Galsworthy.

Credits: Supervision, Arthur H. Sawyer; director, Phil Rosen; adaptation, Arthur Hoerl.

THE WHITE MOTH. First National. 1924. 7 reels.

Credits: Director, Maurice Tourneur; story, Izola Forrester; screenplay, Albert Shelby LeVino.

THE WHITE MOUSE. 1914. 2 reels.

Credits: Producer, Colin Campbell.

WHITE OAK. 1921. 7 reels.

Credits: Director, Lambert Hillyer; story, William S. Hart; adaptation, Bennet Musson; editor, William Shea.

THE WHITE OUTLAW. (Blue Streak Western) 1925. 5 reels.

Credits: Director, Clifford Smith; story, Isadore Bernstein.

WHITE PANTS WILLIE. 1927. 7 reels. From the story by Elmer Davis.

Credits: Adaptation, Howard J. Green.

THE WHITE PARADE. 1934. 7,573 ft., sd. From the novel by Rian James.

Credits: Director, Irving Cummings; screenplay, Sonya Levien, Ernest Pascal; adaptation, Rian James, Jesse Lasky, Jr.; music director, Louis de Francesco.

THE WHITE RAVEN. 1917. 6 reels.

Credits: Adapted and directed by George D. Baker; story, Charles A. Logue.

THE WHITE ROOK. SEE His Wife's Friend.

THE WHITE ROSE. Presented by D. W. Griffith. Released by United Artists Corp. 1923. 10 reels.

Credits: Director, D. W. Griffith; story and arrangement for screen, Irene Sinclair; musical setting, Joseph Carl Breil.

THE WHITE SCAR. Broadway Universal. 1915. 5 reels.

Credits: Producer, Hobart Bosworth; story, Robald Bradbury.

THE WHITE SHADOW. SEE White Shadows.

WHITE SHADOWS. 1924. 6 reels. Released under the title "The White Shadow."

Credits: Director, Graham Cutts; screenplay, Michael Morton.

WHITE SHADOWS IN THE SOUTH SEAS. 1928. 9 reels, b&w. From the book by Frederick O'Brien.

Credits: Director, W. S. Van Dyke; compiled by Ray Doyle, Jack Cunningham; titles, John Colton; editor, Ben Lewis.

WHITE SHOULDERS. Presented by B. P. Schulberg. 1922. 6 reels.

Credits: Director, Tom Forman; story, George Kibbe Turner; adaptation, Lois Zellner.

WHITE SHOULDERS. 1931. 9 reels, sd.

Credits: Associate producer, Henry Hobart; director, Melville Brown; original story, Rex Beach; adaptation and dialogue, J. Walter Ruben.

THE WHITE SILENCE. SEE Romance of the Redwoods.

THE WHITE SIN. Released by Film Booking Offices of America. 1924. 6,237 ft.

Credits: Director, William Seiter; story, Harold Shumate; adaptation, Del Andrews, Julian La Mothe.

THE WHITE SISTER. 1915. 6 reels.

Credits: F. Marion Crawford.

THE WHITE SISTER. 1924. 12 reels. Based on the novel by Francis Marion Crawford.

Credits: Director, Henry King; adaptation, George V. Hobart, Charles E. Whittaker.

THE WHITE SISTER. 1933. 12 reels, sd., b&w. Based on the novel by F. Marion Crawford.

Credits: Producer, Victor Fleming; screenplay, Donald Ogden Stewart; dramatized by Walter Hackett; film editor, Margaret Booth; music, Herbert Stothart.

WHITE SLAVE TRAFFIC. Liberty Film Co., Berlin. 1928. 7 reels. Based on a League of Nations report.

Credits: Director, Jaap Speyer.

THE WHITE TERROR. Imp. 1915. 4 reels.

Credits: Raymond L. Schrock; producer, Stuart Paton.

WHITE THUNDER. Released by F. B. O. 1925. 5 reels.

Credits: Director, Ben Wilson; story and scenario, Kingsley Benedict.

WHITE TIGER. Universal Jewel. 1923. 7 reels.

Credits: Written and directed by Tod Browning.

THE WHITE TURKEY. Nestor. 1916. 1 reel.

Credits: Director, Louis William Chaudet; scenario, Bess Meredyth.

A WHITE WING MONKEY. 1924. 1 reel.

Credits: Written and directed by Harry Burns.

WHITE WOMAN. 1933. 8 reels. From a play by Norman Reilly Raine and Frank Butler.

Credits: Producer, E. Lloyd Sheldon; director, Stuart Walker; screenplay, Samuel Hoffenstein, Gladys Lehman.

WHITE YOUTH. 1920. 5 reels.

Credits: Story, Clara Beranger, Forrest Halsey; scenario, George Hull.

WHITE ZOMBIE. Presented by Amusement Securities Corporation. 1932. 8 reels.

Credits: Producer, Edward Halperin; director, Victor Halperin; story and dialogue, Garnett Weston.

WHITHER GOEST THOU? SEE Quo Vadis?

WHITHER THOU GOEST. 1917. 5 reels.

WHIZ AND WHISKERS. 1919. 2 reels.

Credits: Director, Harry Mann.

THE WHIZBANG. Century. 1921. 2 reels.

Credits: Written and directed by Fred Fishback.

WHO AM I? Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Director, Henry Kolker; story, Max Brand [pseud. of Frederick Faust]; picturized by Katherine Reed.

WHO ARE MY PARENTS? 1922. 9 reels.

Credits: Director, J. Searle Dawley; story, Mr. X; scenario, Paul H. Sloane.

WHO BEARS MALICE. 1915. 2,000 ft.

WHO CARES. 1918. 5 reels. From the story by Cosmo Hamilton.

Credits: Director, Walter Edwards; scenario, Julia Crawford Ivers.

WHO CARES. 1925. 6 reels. Based on the story by Cosmo Hamilton.

Credits: Director, David Kirkland; adaptation, Douglas Z. Doty; titles, Walter Anthony.

WHO DONE IT? Joker. 1917. 1 reel.

Credits: Director, William W. Beaudine; scenario, Robert A. Dillon.

WHO GOES THERE? 1914. 2 reels. Adaptation of the play by H. A. DuSouchet.

WHO GOES THERE. 1917. 5 reels.

Credits: Director, William P. S. Earle; story, Robert W. Chambers.

WHO GOT STUNG? 1914. 1 reel.

WHO HIT ME? (Mermaid Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

WHO IS THAT GIRL? 1934. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Cyrus Wood.

WHO KILLED COCK-ROBIN? (Paul Terry-Toons) 1933. 6 min., sd.

WHO KILLED COCK-ROBIN? (Silly Symphony) 1935. 1 reel, sd.

WHO KILLED GAIL PRESTON? 1937. 6 reels.

Credits: Director, Leon Barsha; screenplay, Robert E. Kent, Henry Taylor.

WHO KILLED GEORGE GRAVES? 1914. 2,000 ft.

Credits: Producer, Edward J. LeSaint.

WHO KILLED GEORGE LAMBERT? 1913. 3 reels.

WHO KILLED JOE MERRION? 1915. 4 reels.

Credits: Director, Tefft Johnson.

WHO KILLED ROVER? 1930. 2 reels, sd., b&w.

Credits: Directors, Zion Myers, Jules White.

WHO KILLED SIMON BAIRD? SEE By Whose Hand?

WHO KILLED THE CAT. SEE Haunted.

WHO KISSED ME? (Star Comedy) 1921. 1 reel.

WHO! ME? 1932. 2 reels.

Credits: Producer, Warren Doane; director, George Stevens; story, James W. Horne, Fred Guiol.