Motion pictures, 1912-1939, B (continued 2) — Read Online

THE BEAUTY SHOP. Cosmopolitan Productions. Paramount. Presented by Famous Players-Lasky Corp. 1922. 7 reels. From the play by Channing Pollock and Rennold Wolf.

Credits: Director, Edward Dillon.

THE BEAUTY SHOP. SEE Mary Haynes in The Beauty Shop.

BEAUTY SHOPPE. 1936. 1 reel.

Credits: Director, Walter Lantz; story, Walter Lantz, Victor McLeod.

BEAUTY SHOPPE. Mentone. 1938. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

BEAUTY SHOPPERS. 1927. 6 reels.

Credits: Director, Louis J. Gasnier; story, Travers Lane; continuity, John F. Natteford.

THE BEAUTY SPOT. (A Folly Comedy) 1930. 2 reels, sd.

Credits: Director, Walter Brooks; story, Earle Mountain, Cliff Dixon; adaptation, Luther A. Yantis; film editor, E. Pfitzenmeier.

Credits: Producer, John L. Hawkinson.

BEAUTY SPOTS. 1933. 1 reel.

BEAUTY SPOTS IN CALIFORNIA. 1924. 1 reel.

BEAUTY TO LET. SEE Money Isn't Everything.

BEAUTY UNADORNED. 1913. 2 reels.

Credits: Directors, Messrs. Lytton and Young.

BEAUTY'S DAUGHTER. SEE Navy Wife.

BEAUTY'S WORTH. 1922. 7 reels.

Credits: Director, Robert G. Vignola; story, Sophie Kerr; scenario, Luther Reed.

BEAUX AND ERRORS. 1938. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Charles E. Roberts; story, Charles E. Roberts, George Jeske; film editor, John Lockert.

BEAVERS. 1930. 1 reel.

54© Eastman Teaching Films, Inc. (George W. Hoke, author); 10Apr30; MP1819.

BECAUSE HE LOVED HER. 1916. 2 reels.

Credits: Supervision, Mack Sennett; director, Del Henderson.

THE BECKONING FLAME. 1916. 5 reels.

THE BECKONING TRAIL. Red Feather. 1916. 5 reels.

Credits: F. McGrew Willis; director, Jack Conway.

BECKY. Cosmopolitan. 1927. 7 reels.

Credits: Director, John P. McCarthy; story, Raynor Selig; scenario, Marian Constance Blackton; film editor, John W. English.

BECKY SHARP. 1935. 9 reels, sd., color. Based on the novel "Vanity Fair" by Thackeray and the play "Becky Sharp" by Langdon Mitchell.

Credits: Producers, Kenneth Macgowan, Reuben Mamoulian; screenplay, Francis Edwards Faragoh; editor, Archie F. Marshek; music director, Max Steiner.

BECOMING LINES SELL APPAREL. 1930. Filmstrip, 76 frames.

BED OF ROSES. 1933. 7 reels, sd.

Credits: Producer, Pandro S. Berman; director, Gregory La Cava; original story and screenplay, Wanda Tuchock; dialogue, Gregory La Cava, Eugene Thackrey; film editor, Basil Wrangle; music director, Max Steiner.

BED ROCK. SEE Coming Through.

BEDELIA. 1930. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

BEDLAM OF BEARDS. 1934. 2 reels, sd.

Credits: Director, Ben Holmes; story, Ben Holmes, Johnnie Grey; dialogue, Bobby Clark; film editor, Charles L. Kimball.

THE BEDOUIN'S SACRIFICE. 1915. 1,000 ft.

Credits: Director, Harry Beaumont.

THE BEDROOM WINDOW. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels.

Credits: Director, William De Mille; story, Clara Beranger.

BEDSIDE. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels, sd.

Credits: Director, Robert Florey; story, Manuel Seff, Harvey Thew; screenplay, Lillie Hayward, James Wharton; additional dialogue, Rian James.

BED TIME. SEE Hollingsworth and Crawford in Bed Time.

A BEDTIME STORY. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

A BEDTIME STORY. 1933. 9 reels, sd. From a novel by Roy Horniman.

Credits: Director, Norman Taurog; screenplay, Waldemar Young, Nunnally Johnson; adaptation, Benjamin Glazer; music and lyrics, Ralph Rainger, Leo Robin.

BED-TIME VAUDEVILLE. 1937. 11 min., sd.

Credits: Director, Joseph Henabery.

BEDTIME WORRIES. (Hal Roach Our Gang Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; film editor, William Terhune.

THE BEE AND THE FOX. SEE Harry Fox and Beatrice Curtis in The Bee and the Fox.

BEE BREAD. 1927. 1 reel.

BEE CAUSE. (Krazy Kat) 1927. 1 reel.

THE BEE THAT GETS THE HONEY. 1931. 1 reel.

BEEFSTEAKS. (Barney Google Series, no. 5) 1928. 2 reels.

Credits: Director, Ralph Ceder; story, E. V. Durling.

BEER AND BICYCLES. SEE Stolen by Gypsies.

BEER AND PRETZELS. (An M-G-M Revue) 1933. 913 ft., sd., b&w.

Credits: Music, Al Goodhart; lyrics, Gus Kahn.

BEER MUST GO DOWN. Nestor. 1916. 1 reel.

Credits: Ben Cohn; producer, Eddie Lyons, Lee Moran.

THE BEER PARADE. (Scrappy) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; music score, Joe De Nat.

BEES AND HONEY. 1913. 1 reel.

THE BEES' BUZZ. (Educational-Mack Sennett Talking Comedy) 1929. 2 reels.

Credits: Director, Mack Sennett.

BEET AND CANE SUGAR. 1930. 1 reel.

BEETLES. 1931. 1 reel, sd.

Credits; Narrative, Clyde Fisher.

BEFORE AND AFTER TAKING. Metro-Drew. 1918. 1 reel.

Credits; Written and directed by Mr. and Mrs. Sidney Drew.

BEFORE DAWN. 1933. 6 reels, sd. From the story by Edgar Wallace.

Credits: Associate producer, Shirley Burden; director, Irving Pichel; screenplay, Garrett Fort; editor, William Hamilton; music director, Max Steiner.

BEFORE MIDNIGHT. 1925. 5 reels.

Credits: Director, John Adolfi; story, Jules Furthman.

BEFORE MIDNIGHT. 1933. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Robert Quigley; film editor. Otto Meyer.

BEFORE THE BAR. SEE Hurst and Vogt in Before the Bar.

BEFORE THE CIRCUS. Paramount-Briggs. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Director, John William Kellette; scenario. Doty Hobart.

BEG, BORROW, OR STEAL. 1937. 8 reels, sd., b&w. Suggested by a story by William C. White.

55Credits: Producer, Frederick Stephani; director, William Thiele; screenplay, Leonard Lee, Harry Ruskin, Marion Parsonnet; film editor, Conrad A. Nervig; music score, William Axt.

THE BEGGAR KING. 1916. 2 reels.

Credits: Written and directed by Wilbert Melville.

THE BEGGAR MAID. 1921. 2 reels.

Credits: Supervision, Thos. H. Ince; director, Charles Swickard.

BEGGAR ON HORSEBACK. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 8 reels. From the play by George S. Kaufman and Marc Connelly.

Credits: Producer, James Cruze; screenplay, Walter Woods.

Credits: Director, Cheslar Subinsky.

BEGGARS IN ERMINE. 1934. 8 reels, sd. From the novel by Esther Lynd Day.

Credits: Producer, W. T. Lackey; director, Phil Rosen; screenplay and dialogue, Tristram Tupper.

BEGGARS OF LIFE. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 7,504 ft. From the story by Jim Tully.

Credits: Producer and director, William A. Wellman; scenario, Benjamin Glazer.

BEGINNER'S LUCK. (Hal Roach Comedy) (Our Gang Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

BEGINNING OF THE RAPIDS OF THE TAPAJOHS. SEE Roosevelt Brazilian Expedition.

BEGINNING THE SALE. 1932. Filmstrip.

THE BEHAVIOR OF LIGHT. 1930. 995 ft.

BEHAVIOR PATTERNS AT ONE YEAR. (Yale Films of Child Development) 1935. 1 reel.

BEHAVIOUR OF MRS. CRANE. SEE Uncertain Lady.

BEHIND CLOSED DOORS. 1915. 5 reels.

BEHIND CLOSED DOORS. 1929. 6 reels.

Credits: Producer, Harry Cohn; director, R. William Neill; story, Lilian Ducey, H. Milner Kitchin; scenario and adaptation, Howard J. Green.

BEHIND IN FRONT. SEE Felix the Cat—Behind in Front.

BEHIND JURY DOORS. Presented by George W. Weeks. 1933. 7 reels, sd.

Credits: Producer, Fanchon Royer; director, Breezy Eason; assistant director, Bill Billings; story, Frank E. Fenton; adaptation, John Thomas Neville.

BEHIND LIFE'S STAGE. Universal Special. 1916. 2 reels.

Credits: Allen J. Holubar.

BEHIND MASKS. 1921. 5 reels. Adapted from the story "Jeanne of the Marshes" by E. Phillips Oppenheim.

Credits: Director, Frank Reicher; scenario, Kathryn Stuart.

BEHIND OFFICE DOORS. 1931. 9 reels, sd.

Credits: Director, Melville Brown; story, Alan Brener Schultz; screenplay, Carey Wilson.

BEHIND PRISON GATES. 1939. 7 reels, sd.

Credits: Director, Charles Barton; original screenplay, Arthur T. Horman, Leslie T. White.

BEHIND THAT CURTAIN. 1929. 10 reels. From the story by Earl Derr Biggers.

Credits: Director, Irving Cummings; scenario, Sonya Levien, Clarke Silvernail.

BEHIND THE BROADCAST. 1936. For RCA Victor Co. 1 reel, sd.

BEHIND THE COUNTER. Presented by Hollywood Productions, 1928. 2 reels.

Credits: Director, J. A. Howe; story, T. J. Crizer, N. T. Barrows, James Davis.

BEHIND THE CRIMINAL. (A Crime Does Not Pay Subject) 1937. 2 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; original story and screenplay, Winston Miller.

Credits: Narrator, Carroll Wilson; music score and direction, Aaron Gonzalez.

BEHIND THE CURTAIN. Rex. 1916. 1 reel.

Credits: Robert Thomas Hardy; producer, Henry Otto.

BEHIND THE CURTAIN. 1924. 5 reels.

Credits: Director, Chester M. Franklin; story, William J. Flynn; adaptation, Emile Forst.

BEHIND THE DOOR. Paramount-Artcraft. 1919. 7 reels. From the play by Gouverneur Morris.

Credits: Director, Irvin V. Willat; scenario, Luther Reed.

BEHIND THE EVIDENCE. 1935. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Harold Shumate; film editor, Richard Cahoon.

BEHIND THE FRONT. 1919. 2 reels.

BEHIND THE FRONT. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels. From "Spoils of War" by Hugh Wiley.

Credits: Producer and director, Edward Sutherland; story, Hugh Wiley; screenplay, Ethel Doherty; adaptation, Monty Brice.

BEHIND THE GERMAN LINES. Ufa. Presented by Adolph Zukor and Jesse L. Lasky. 1929. Sd., si.

BEHIND THE GREAT WALL OF CHINA. Powers. 1917. 1/2 reel.

BEHIND THE GREEN LIGHTS. Presented by Nat Levine. 1935. 7 reels, sd. From the book by Capt. Cornelius W. Willemse.

Credits: Supervision, Colbert Clark; director, Christy Cabanne; screenplay, James Gruen, Colbert Clark; film editor, Joseph Lewis.

BEHIND THE GREEN PORTIERES. SEE The Way Women Love.

BEHIND THE HEADLINES. (A Pete Smith Specialty) 1936. Produced with the cooperation of the Los Angeles Times. 1 reel, sd.

Credits: Director, Edward Cahn.

BEHIND THE HEADLINES. 1937. 6 reels, sd.

Credits: Producer, Cliff Reid; director, Richard Rosson; story, Thomas Ahearn; screenplay, Edmund L. Hartmann, J. Robert Bren; editor, Harry Marker.

56© RKO Radio Pictures, Inc.; 14May37; LP7167.

BEHIND THE LINE. (Football Thrills Series) 1932. 1 reel.

Credits: Producer, Clyde E. Elliott; editor, Leonard Mitchell.

BEHIND THE LINES. 1916. 5 reels.

Credits: Mary Rider; director, Henry McRae; adaptation, Walter Woods.

BEHIND THE MAKE-UP. 1930. 8 reels, si. & sd. From the story "The Feeder" by Mildred Cram.

Credits: Director, Robert Milton; adaptation, George Manker Watters, Howard Estabrook; film editor, Doris Drought.

BEHIND THE MAP. Joker. 1917. 1 reel.

Credits: Direction and story, William W. Beaudine; scenario, Tom Gibson.

BEHIND THE MASK. 1915. 1 reel.

Credits: Director, George Moore.

BEHIND THE MASK. Bison. 1916. 2 reels.

Credits: Producer, Francis Ford; scenario, Grace Cunard.

BEHIND THE MASK. 1932. 7 reels. Adapted from "In the Secret Service."

Credits: Director, John Francis Dillon; story, adaptation and dialogue, Jo Swerling; continuity, Dorothy Howell; film editor, Otis Garrett.

BEHIND THE MIKE. 1937. 7 reels, sd.

Credits: Producer, Lou Brock; director, Sidney Salkow; original story, Thomas Ahearn, Walton Butterfield; screenplay, Barry Trivers; film editor, Phil Cahn.

BEHIND THE PRISON BARS. SEE Sotto e Cancelle.

Credits: Directed and produced by George U. Wood.

BEHIND THE SCENES IN JAPAN. (Dr. Dorsey's Travel Pictures) Powers. 1916. 1 reel.

BEHIND THE SCREEN. Nestor. 1915. 2 reels.

Credits: Written and produced by Al. E. Christie.

BEHIND THE SCREEN. 1916. 2 reels.

Credits: Written and produced by Charles Chaplin.

BEHIND THE SECRET PANEL. Imp. 1916. 3 reels.

Credits: William Addison Lathrop; director, George Ridgwell.

BEHIND THE VEIL. Victor. 1916. 2 reels.

Credits: Producer, Lucius J. Henderson; story, Elizabeth R. Carpenter; adaptation, Catherine Carr.

BEHIND THE WHEEL. SEE The Speeding Venus.

BEHOLD MY WIFE. Paramount. Presented by Jesse L. Lasky. 1920. 7 reels. From the novel "The Translation of a Savage" by Sir Gilbert Parker.

Credits: Producer and director, George Melford; scenario, Frank Condon.

BEHOLD MY WIFE! Presented by Adolph Zukor. 1934. 9 reels, sd. From the novel "The Translation of a Savage" by Sir Gilbert Parker.

Credits: Producer, B. P. Schulberg; director, Mitchell Leisen; screenplay, Vincent Lawrence, Grover Jones; adaptation, William R. Lipman, Oliver La Farge.

BEHOLD THE WOMAN. 1924. 7 reels. From the novel "The Hillman" by E. Phillips Oppenheim.

Credits: Director, J. Stuart Oppenheim; adaptation, Marian Constance.

BEHOLD WE LIVE. SEE If I Were Free.

BEING RESPECTABLE. 1924. 6 reels.

Credits: Director, Phil Rosen; story, Grace Flandrau; scenario, Dorothy Farnum.

BELATED EVIDENCE. SEE Hard-Boiled Haggerty.

A BELATED HONEYMOON. 1915. 1,000 feet.

BELFLEX SHACKLES—A STEP AHEAD. 1926. 1 reel.

BELGIAN VILLAGE. (A Century of Progress) 1933. 100 ft.

BELIEVE IT OR ELSE. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Dave Monahan; animation, Virgil Ross; music director, Carl W. Stalling.

BELIEVE IT OR NOT! (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Harold Beaudine; story, Jean Arlette; titles, Al Martin.

BELIEVE IT OR NOT. 1930. 1 reel.

Credits: Robert L. Ripley.

BELIEVE IT OR NOT. 1931. 1 reel.

Credits: Robert L. Ripley.

BELIEVE IT OR NOT. 1931. 1 reel.

Credits: Robert L. Carlson.

BELIEVE IT OR NOT. 1932. 1 reel.

Credits: Narrator, Leo Donnelly.

BELIEVE ME. 1925. 2 reels.

Credits: Director, George Jeske.

BELIEVE ME IF ALL THOSE ENDEARING YOUNG CHARMS. SEE The Supreme Passion.

BELIEVE ME XANTIPPE. 1918. 5 reels. From the play by Frederick Ballard.

Credits: Director, Donald Crisp; scenario, Olga Printzlau.

A BELIEVER IN DREAMS. 1914. 1 reel.

BELL AND COATES IN A SINGING ACT. 1928. 1 reel, sd.

THE BELL BOY. Paramount-Arbuckle Comedy. Presented by Joseph M. Schenck. 1918. 2 reels.

Credits: Director, Fatty Arbuckle.

BELLBOY THIRTEEN. 1923. 5 reels.

Credits: Director, William Seiter.

THE BELL-HOP. 1915. 1 reel.

THE BELL HOP. 1921. 2 reels.

Credits: Story and direction, Larry Semon, Norman Taurog.

BELLA DONNA. Paramount. Presented by Adolph Zukor. 1923. 8 reels. From the novel by Robert Hichens.

Credits: Producer and director, Robert Hichens; scenario, Ouida Bergere.

BELLAMY THE MAGNIFICENT. SEE A Gentleman of Paris.

BELLAMY TRIAL. Hearst News Service, Inc. 1928. 8 reels, b&w. From the story by Frances Noyes Hart.

Credits: Film editor, Frank Sullivan.

BELLA'S ELOPEMENT. 1914. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillard.

THE BELLE AND THE BELLHOP. Victor. 1916. 2 reels.

57Credits: Written and produced by Roy Clements.

THE BELLE AND THE BILL. (Star Comedy) 1920. 1 reel.

Credits: Producer, Horace Davey; story and scenario, Ben Cohen.

LA BELLE AVENTURE. SEE The Beautiful Adventure.

Credits: Producer, Oscar Eagle.

THE BELLE OF BARNEGAT. 1915. 1,000 ft.

Credits: Written and produced by Clay M. Greene.

THE BELLE OF BROADWAY. 1926. 6 reels.

Credits: Director, Harry O. Hoyt; story, J. Grubb Alexander, Jean Peary.

THE BELLE OF NEW YORK. 1919. 5 reels. From the play by Hugh Morton [pseud. of Charles M. S. McLellan] and Gustave Kerker.

THE BELLE OF SAMOA. 1929. 2 reels, b&w.

Credits: Director, Marcel Silver.

BELLE OF THE NIGHT. Presented by Adolph Zukor and Jesse Lasky. 1930. 2 reels, sd.

Credits: Director, Morton Blumenstock.

BELLE OF THE NINETIES. Presented by Adolph Zukor. 1934. 8 reels, sd.

Credits: Producer, William Le Baron; director, Leo McCarey; original story and screenplay, Mae West; music and lyrics, Arthur Johnston, Sam Coslow.

THE BELLE OF THE SEASON. 1919. 5 reels. From the poem by Ella Wheeler Wilcox.

Credits: Producer, B. A. Rolfe; scenario and direction, S. Rankin Drew.

LA BELLE RUSSE. 1919. 6 reels. From the play by David Belasco.

Credits: Scenario and direction, Charles J. Brabin.

THE BELLED PALM. SEE Paradise Isle.

THE BELLES OF LIBERTY. 1918. 2 reels.

Credits: Director, James Davis.

Credits: Scenario and production, Grace Mel Murray.

THE BELLS. 1913. Suggested by the poem by Edgar Allan Poe.

Credits: Director, Ernest C. Warde; picturized by Gilson Willets, Jack Cunningham.

BELLS OF SAN JUAN. 1922. 5 reels.

Credits: Director, Scott Dunlap; story, Jackson Gregory; scenario, Rex Taylor.

BELONGING. SEE In Every Woman's Life.

BELOVED. 1934. 9 reels.

Credits: Director, Victor Schertzinger; original story, Paul Gangelin; screenplay, Paul Gangelin, George O'Neil.

THE BELOVED ADVENTURER. 1914. 1 reel each. © Lubin Mfg. Co. (Emmett Campbell Hall, author).

8. A Partner to Providence. © 26Oct14; LP3609.

9. Lord Cecil Plays a Part. © 28Oct14; LP3638.

10. Lord Cecil Keeps His Word. © 5Nov14; LP3665.

11. The Serpent Comes to Eden. © 13Nov14; LP3750.

12. Fate's Tangled Threads. © 20Nov14; LP3801.

13. Through Desperate Hazards. © 27Nov14; LP3850.

14. A Perilous Passage. © 7Dec14; LP3920.

15. In Port o' Dreams. © 10Dec14; LP3931.

Credits: Director, George Cowl; story, Frances Marion.

THE BELOVED BACHELOR. 1931. 8 reels, sd. Based on the play by Edward H. Peple.

Credits: Director, Lloyd Corrigan; adaptation, Raymond Griffith, Agnes Brand Leahy.

Credits: Director, Dell Henderson; story, Harry O. Hoyt; scenario, Clara S. Beranger, Lucien Hubbard.

THE BELOVED BRAT. 1938. 6 reels.

Credits: Director, Arthur Lubin; original story, Jean Negulesco; screenplay, Lawrence Kimble.

THE BELOVED BRUTE. 1924. 7 reels. From the novel by Kenneth Perkins.

Credits: Director, J. Stuart Blackton.

BELOVED ENEMY. Released through United Artists. 1937. 9 reels, sd.

Credits: Director, H. C. Potter; screenplay, John Balderston, Rose Franken, William Brown Meloney; additional dialogue, David Hertz; film editor, Sherman Todd; music director, Alfred Newman.

THE BELOVED IMPOSTER. 1918. 5 reels.

Credits: Director, Joseph Gleason; story, Elizabeth J. Mariani; scenario, A. Van Buren Powell.

BELOVED JIM. Butterfly. 1917. 5 reels.

Credits: Story, Joseph W. Girard.

THE BELOVED LIAR. Big U. 1916. 3 reels.

Credits: Producer, George Cochrane; story, D. M. Robinson, Calder Johnstone; scenario, Calder Johnstone.

THE BELOVED ROGUE. United Artists. 1927. 10 reels.

Credits: Director, Alan Crosland; scenario, Paul Bern.

THE BELOVED ROUGE. (Beauty Parlor Series, no. 10) Released by F. B. O. 1927. 2 reels.

Credits: Director, Edward I. Luddy; story, H. C. Witwer; adaptation, Tom McNamara; continuity, Jean DuPont.

THE BELOVED TRAITOR. 1918.

Credits: Director, William Worthington; story, Frank L. Packard.

THE BELOVED VAGABOND. 1924. 6 reels. From the novel by William J. Locke.

Credits: Supervision, Carlyle Blackwell; director, Fred Leroy Granville; editor, S. K. Winston.

THE BELOVED VAGABOND. 1936. 7 reels, sd. Adapted from the novel by W. J. Locke.

Credits: Producer, Toeplitz; director, Kurt Bernhardt; scenario and dialogue, Hugh Mills, Walter Creighton, Arthur Wimperis; film editor, Dug Myers; music director, Leslie Bridgewater.

BELOW THE DEADLINE. Oscar Jacobs Productions. 1920. 5 reels. From the story by Arthur Henry Gooden.

Credits: Director, J. P. McGowan.

58© Ascher Productions, Inc. (Arthur Henry Gooden, author); 11Nov20; LP15958.

BELOW THE DEADLINE. 1936. 8 reels, sd.

Credits: Director, Charles Lamont; story and screenplay, Ewart Adamson.

BELOW THE DEAD LINE. SEE

The Banker's Double.

The Case of the Vanished Bonds.

Dickson's Diamonds.

The Man Who Vanished.

BELOW THE LINE. 1925. 7 reels.

Credits: Director, Herman Raymaker; story and adaptation, Charles A. Logue.

Credits: Adaptation and direction, Neal Hart.

BELOW THE SEA. 1933. 8 reels, sd., b&w, color sequences.

Credits: Director, Albert Rogell; story and screenplay, Jo Swerling; film editor, Jack Dennis.

BELOW THE SURFACE. 1920. 7 reels.

Credits: Director, Irvin Willat; story, Luther Reed; scenario, E. Magnus Ingleton.

Credits: Director, Robin H. Townley; story, Leopold D. Wharton.

BELOW ZERO. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Director, Norman Taurog.

BELOW ZERO. (Hal Roach Comedy) Presented by Hal Roach. 1930. 1,880 ft., sd., b&w.

Credits: Director, James Parrott; story, Leo McCarey; dialogue, H. M. Walker; editor, Richard Currier.

BEN BARD IN THE CHAMPION GOLFER. 1929. 1 reel, sd.

BEN BERNIE AND HIS ORCHESTRA. 1930. 1 reel, sd.

BEN BERNIE AND HIS ORCHESTRA PLAYING 1. A LANE IN SPAIN [and others]. 1928. 1 reel.

Credits: Director, Earl I. Sponable.

BEN BLAIR. 1916. 5 reels.

BEN BOLT. 1913. 3 reels.

BEN-HUR. 1927. 12 reels. From the story by General Lew Wallace.

Credits: Director, Fred Niblo; scenario, Carey Wilson; adaptation, June Mathis; continuity, Carey Wilson, Bess Meredyth.

BEN POLLACK AND HIS ORCHESTRA. 1934. 1 reel.

Credits: Director, Joseph Henabery.

BEN POLLACK AND HIS PARK CENTRAL ORCHESTRA. 1929. 1 reel.

BEN RYAN AND HARRIET LEE, WEBSTERIAN STUDENTS. 1930. 1 reel.

BEN, THE SAILOR. Powers Manikin. 1916. 1/2 reel.

Credits: Producers, R. F. Taylor, W. W. Wheatley; story, Olga Printzlau.

BENARES. 1927. 1 reel.

Credits: Duncan Underhill.

BENARES—THE HINDU HEAVEN. (A Fitzpatrick Traveltalk) 1931. 1 reel, sd.

BENEATH OUR FEET. (The Battle for Life Series) Presented by E. W. Hammons. 1933. 793 ft., sd.

Credits: Producers, Woodard and Fairbanks; biological supervision, Stacy Woodard; narrator, Gayne Whitman.

BENEATH THE CZAR. 1914. 4 reels.

Credits: Written and produced by Mme. A. Blache.

BENEATH THE LAW. 1929. 3 reels, sd., b&w.

Credits: Director, Harry Sweet; story, Paul Gerard Smith, Clark and McCullough; film editor, Albert C. Dripps.

BENEATH THE SEA. 1915. 2,000 feet.

BENEATH THE SEA. 1936. 1 reel, sd.

BENEATH THE SOUTHERN CROSS. (Vagabond Adventure Series) The Van Beuren Corp. 1931. 1 reel, sd.

Credits: Supervision, Elmer Clifton.

BENEDICTION. 1931. 3 reels.

THE BENEFIT. SEE Joe Frisco in The Benefit.

BENEFITS FORGOT. SEE Of Human Hearts.

BENGAL TIGER. Warner Bros. Productions Corp. 1936. 8 reels.

Credits: Director, Louis King; story and screenplay, Roy Chanslor, Earl Felton.

BENIAMINO GIGLI AND GUISEPPE DE LUCA IN DUET FROM ACT 1 OF THE PEARL FISHERS (PESCATORI DI PERLE) [BY] BIZET. 1928. 1 reel.

BENIAMINO GIGLI, ASSISTED BY M. PICCO AND MINNA EGENER AND THE METROPOLITAN OPERA CHORUS IN THREE NUMBERS FROM CAVALLERIA RUSTICANA. 1927. 1 reel.

BENIAMINO GIGLI, OF THE METROPOLITAN OPERA CO. IN PROGRAM OF CONCERT FAVORITES [SINGS] BERGÈRE LÉGÈRE [and others]. 1927. 1 reel, sd.

BENIAMINO GIGLI, TENOR OF THE METROPOLITAN OPERA COMPANY, SINGING SELECTIONS FROM ACT 2 OF THE OPERA LA GIOCONDA. 1927. 1 reel, sd.

BENIGN PROSTATIC HYPERTROPHY. 1928. 1 reel.

BENJAMIN BUNTER-BOOK AGENT. 1915. 1 reel.

Credits: Director, Courtlandt Van Deusen.

BENNETT TWINS, LITTLE BARE-KNEED SYNCOPATORS, OFFER THEIR SONG AND DANCE RECITAL: TELLIN' THE BIRDS [and others]. 1927. 1 reel, sd.

BENNY FROM PANAMA. (Hal Roach Musical Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, James Parrott; film editor, Louis McManus.

BENNY MEROFF AND HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Roy Mack.

BENNY RUBIN [IN] SEVEN MINUTES OF YOUR TIME. 1928. 1 reel, sd.

BENNY'S FROM HEAVEN. Presented by General Foods. 1937. Filmstrip, 128 frames, sd.

THE BENSON MURDER CASE. 1930. 5,794 ft., sd. Based on the novel by S. S. Van Dine [pseud. of Willard Huntington Wright].

Credits: Director, Frank Tuttle; adaptation, Bartlett Cormack; film editor, Doris Drought.

LE BERCEAU. SEE The Cradle.

BERESFORD OF THE BABOONS. (Paramount-Flagg Comedy) 1919. 2 reels.

Credits: Director, Paul Harrison; story, James Montgomery Flagg.

THE BERG. SEE Atlantic.

BERKELEY SQUARE. 1933. 7,500 ft. From the play by John L. Balderston.

Credits: Director, Frank Lloyd; screenplay, Sonya Levien, John L. Balderston; editor, Harold Schuster.

59BERLIN AFTER DARK. Ufa. 1929. 82 min.

Credits: Victor Abel, Alfred Zeisler; director, Constantin J. David.

BERMUDA, ISLANDS OF PARADISE. (A Columbia Tour) 1938. 944 ft., sd., color.

Credits: Producer, Ben K. Blake; narrative, I. A. Jacoby; narrator, Milton J. Cross; photographer, Frank C. Zucker.

BERNABETTA. SEE Erstwhile Susan.

BERNADO DEPACE IN THE WIZARD OF THE MANDOLIN PLAYS MORNING, NOON, AND NIGHT IN VIENNA [and others]. 1927. 1 reel, sd.

BERNARDO DEPACE, THE WIZARD OF THE MANDOLIN [PLAYS] CAPRICE VIENNOIS [and others]. (Movietone Act) 1929. 1 reel, sd.

BERNARDO DEPACE, THE WIZARD OF THE MANDOLIN [PLAYS] THAIS [and others]. (Movietone Act) 1929. 1 reel, sd.

BERNIE CUMMINS AND HIS BILTMORE ORCHESTRA. 1929. 1 reel.

BERT LAHR IN FAINT HEART. 1929. 2 reels, sd.

BERT LEWIS, ACCOMPANIED BY JACK CARROLL AT THE PIANO, SINGS: I WONDER HOW I LOOK WHEN I'M ASLEEP [and others]. 1927. 1 reel.

BERT LEWIS, POPULAR COMEDIAN, ACCOMPANIED BY JACK CARROLL AT THE PIANO, SINGS: IF MY BABY COOKS AS GOOD AS SHE LOOKS [and others]. 1927. 1 reel.

BERT SWOR IN A COLORFUL SERMON. 1928. 1 reel, sd.

BERT SWOR IN DUCKS AND DEDUCTS. 1928. 1 reel, sd.

BERT WHEELER IN SMALL TIMERS. 1929. 1 reel.

BERTH CONTROL. (Star Comedy) 1918. 1 reel.

Credits: Directors, Eddie Lyons, Lee Moran; story, Leslie T. Peacocke.

BERTH MARKS. (Hal Roach Comedy) 1929. 2 reels, sd., b&w.

Credits: Director, Lewis R. Foster; story, Leo McCarey; story editor, H. M. Walker; film editor, Richard Currier.

BERTH QUAKES. 1938. 2 reels, sd.

Credits: Director, Jean W. Yarbrough; story, Jean W. Yarbrough, Charles Roberts; screenplay, George Jeske; film editor, John Lockert.

BERTHA, THE BUTTONHOLE-MAKER. 1914. Split reel.

BERTHA, THE SEWING MACHINE GIRL. Presented by William Fox. 1926. 6 reels, b&w, tinted sequences. From the story by Theodore Kremer.

Credits: Director, Irving Cummings; scenario, Gertrude Orr.

BERTIE'S STRATEGEM. 1915. 1 reel.

Credits: Director, Lee Beggs.

THE BERYL CORONET. 1922. 2 reels. From "The Adventures of Sherlock Holmes" by Sir Arthur Conan Doyle.

Credits: Director, Maurice Elvey.

BESIDE A MOONLIT STREAM. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall.

BESIDE THE BONNIE BRIER BUSH. SEE The Bonnie Briar Bush.

THE BEST BAD MAN. 1919. 2 reels.

Credits: Karl Coolidge; director, Edward Kull.

THE BEST BAD MAN. 1925. 5 reels, b&w, tinted sequences.

Credits: Director, J. G. Blystone; story, Max Brand; scenario, Lillie Hayward.

THE BEST CELLAR. 1922. 1 reel.

THE BEST DRESSED WOMAN IN THE WORLD. (Our World Today) 1929. 1 reel.

THE BEST IN LIFE. SEE Fifth Avenue Models.

THE BEST MAN. 1914. 2 reels. Adapted from the novel by Grace L. H. Lutz.

Credits: Director, Charles J. Brabin.

THE BEST MAN. 1916. 1 reel.

Credits: Thos. J. Gray; producer, Harry Jackson.

THE BEST MAN. Falcon Features. 1917. 4 reels. From the story by George Cain.

Credits: Supervision, H. M. and E. D. Horkheimer; director, Bertram Bracken; scenario, Douglas Bronston.

THE BEST MAN. 1923. 1 reel.

THE BEST MAN. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein.

THE BEST MAN. Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Harry Edwards.

THE BEST MAN WINS. 1935. 7 reels, sd.

Credits: Directors, Erle Kenton, E. Roy Davidson; story, Ben G. Kohn; screenplay, Ethel Hill, Bruce Manning; film editor, Otto Meyer.

THE BEST MAN'S BRIDE. Gold Seal. 1916. 2 reels.

Credits: Producer, Wm. Worthington; story, Alice McGowan, Malcolm Strong.

Credits: Producer, Mack Sennett.

THE BEST OF ENEMIES. 1915. 2 reels.

BEST OF ENEMIES. 1933. 6,800 ft., sd.

Credits: Direction and dialogue, Rian James; screenplay, Sam Mintz; editor, Margaret Clancy.

THE BEST OF LUCK. Presented by Screen Classics, Inc. 1920. 6 reels. From the Arthur Collins production of the drama by Cecil Raleigh and Henry Hamilton.

Credits: Director-general, Maxwell Karger; director, Ray C. Smallwood; scenario, Albert Shelby Le Vino.

THE BEST PEOPLE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6 reels. From the play by David Grey and Avery Hopwood.

Credits: Producer and director, Sidney Olcott; screenplay, Bernard McConville.

THE BEST PEOPLE. SEE Fast and Loose.

THE BEST PEOPLE ON EARTH. 1915.

60© Universal Film Mfg. Co., Inc.; 21Aug15; MP402.

BEST WISHES. (Krazy Cat) Winkler Pictures, Inc. 1927. 1 reel.

BET YOUR LIFE [and] HELP THE GROCER GROW! 1937. 1 reel.

BETH. SEE Fortune's Child.

BETRAYAL. 1929. 6,492 ft., si., 8 reels, sd.

Credits: Director, Lewis Milestone; story, Victor Schertzinger, Nicholas Soussanin; screen playwright, Hans Kraly.

BETRAYED. 1917. For Fox Film Corp. 5 reels.

Credits: Written and directed by R. A. Walsh.

BETRAYED BY THE CAMERA. Powers. 1916. 1 reel.

Credits: Director general, William A. Brady; directors, Travers Vale, George Cowl; story, Henry A. Du Souchet.

BETTER DAYS. 1913.

Credits: Director, Van Dyke Brook.

THE BETTER HALF. 1918. 5 reels. From the novel "Michael Thwaite's Wife" by Miriam Michaelson.

Credits: Director, J. S. Robertson; scenario, Louis Sherwin.

BETTER LATE THAN NEVER. 1916. 2 reels.

THE BETTER MAN. Bison. 1916. 2 reels.

Credits: Ben Cohn; director, Jay Hunt.

THE BETTER MAN. Released by F. B. O. 1926. 5 reels.

Credits: Director, Scott R. Dunlap; story, Clifford Howard, Burke Jenkins; continuity, Arthur Statter.

A BETTER METHOD FOR TRAINING CHAIN STORE EMPLOYEES. 1931. 1 reel.

Credits: Producer, George Pearson.

THE BETTER 'OLE. 1926. 9 reels. Based on the play by Bruce Bairnsfather and Arthur Eliot.

Credits: Director, Charles Reisner; screen adaptation, Charles Reisner, Darryl Francis Zanuck.

THE BETTER 'OLE. SEE Carry On.

BETTER THAN A RODEO. SEE Trail of Courage.

BETTER THAN GOLD. (Tales of the Old West) 1923. 2 reels.

BETTER THAN GOLD. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, George Bennett.

A BETTER UNDERSTANDING. 1914. 1 reel.

THE BETTER WAY. 1926. 6 reels.

Credits: Director, Ralph Ince; story, Harry Hoyt; continuity, Dorothy Howell.

THE BETTER WIFE. 1919. 5 reels. From the story "The Love Quest" by Lenore Coffee.

Credits: Director, William P. S. Earle.

THE BETTER WOMAN. 1915. 5 reels.

BETTINA LOVED A SOLDIER. 1916. 5 reels. Based on the story of "L'Abbé Constantin" by Ludovic Halévy.

Credits: Director, Rupert Julian; scenario, Elliott J. Clawson.

BETTY AND JERRY BROWNE IN LET'S ELOPE. 1930. 1 reel.

BETTY BOOP AND GRAMPY. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer.

BETTY BOOP AND LITTLE JIMMY. 1936. 1 reel.

Credits: Director, Dave Fleischer; animation, Myron Waldman and Hicks Lokey.

BETTY BOOP AND THE LITTLE KING. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman and Hicks Lokey.

BETTY BOOP FOR PRESIDENT. 1932. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

BETTY BOOP IN I HEARD. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Myron Waldman.

THE BETTY BOOP LIMITED. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Thomas Bonfiglio.

BETTY BOOP M. D. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Thomas Goodson.

BETTY BOOP, WITH HENRY, THE FUNNIEST LIVING AMERICAN. 1935. 1 reel.

Credits: Director, Dave Fleischer; animation, Myron Waldman & Sam Stimson.

61BETTY BOOP'S BAMBOO ISLE. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Bernard Wolf.

BETTY BOOP'S BIG BOSS. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Bernard Wolf, David Tendlar.

BETTY BOOP'S BIRTHDAY PARTY. 1933. 1 reel.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Myron Waldman.

BETTY BOOP'S BIZZY BEE. 1932. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer; animation, Seymour Kneitel, Bernard Wolf.

BETTY BOOP'S CRAZY INVENTIONS. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, William Bowsky, Ugo D'Orsi.

BETTY BOOP'S HALLOWE'EN PARTY. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Myron Waldman.

BETTY BOOP'S KER-CHOO. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer.

BETTY BOOP'S LIFE GUARD. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David Tendlar.

BETTY BOOP'S LITTLE PAL. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Edward Nolan.

BETTY BOOP'S MAY PARTY. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Henning.

BETTY BOOP'S MUSEUM. 1932. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

BETTY BOOP'S PENTHOUSE. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard G. Bowsky.

BETTY BOOP'S PRIZE SHOW. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Lillian Friedman.

BETTY BOOP'S RISE TO FAME. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer.

BETTY BOOP'S TRIAL. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks Lokey.

BETTY BOOP'S UPS AND DOWNS. 1932. 1 reel.

Credits: Director, Dave Fleischer.

BETTY CO-ED. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

BETTY IN BLUNDERLAND. (A Betty Boop Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall, Thomas Johnson.

BETTY IN THE LIONS' DEN. 1913. 1 reel.

Credits: Director, Frederick A. Thomson.

BETTY OF GREYSTONE. 1916. 5 reels.

Credits: Scenario, F. M. Pierson.

BETTY, THE BOY AND THE BIRD. 1916. 1 reel.

Credits: Director, Tefft Johnson.

BETTY TO THE RESCUE. Released by Paramount Pictures Corp. 1917. 5 reels.

Credits: Beatrice C. De Mille, Leighton Osmun; producer, Frank Reicher; director general, Cecil B. De Mille.

Credits: Producer, George Earle.

BETTY'S AFFAIR. 1916. 1 reel.

BETTY'S BONDAGE. Rex. 1915. 2 reels.

Credits: Producer, Jos. De Grasse; scenario, Ida May Parke.

BETTY'S DREAM HERO. Laemmle. 1915. 2 reels.

Credits: Producer, Robert Leonard; story, Witt Cochrane; scenario, Calder Johnstone.

Credits: Director, Archer MacMackin.

BETTY'S HOBO. Big U. 1916. 1 reel.

Credits: Calder Johnstone; producer, R. H. Cochrane.

BETWEEN FATHER AND SON. 1915. 2 reels.

BETWEEN FIGHTING MEN. 1932. 62 min.

Credits: Director, Forrest Sheldon; story and continuity, Betty Burbridge, Forrest Sheldon.

BETWEEN FIRES. 1924. 2 reels.

Credits: Director, Wm. Craft; story, Carl Krusada.

BETWEEN FRIENDS. 1924. 7 reels. From the novel by Robert W. Chambers.

Credits: Director, J. Stuart Blackton.

BETWEEN JOBS. (Hamilton Comedies) 1928. 2 reels.

Credits: Written and directed by Norman Taurog.

BETWEEN MATINEE AND NIGHT. 1915. 1 reel.

Credits: Screenplay, Wallace C. Clifton.

BETWEEN MEN. 1916. 5 reels.

BETWEEN MIDNIGHT. Powers. 1916. 1 reel.

Credits: Written and produced by Carter De Haven.

62© Universal Film Mfg. Co., Inc.; 22Mar16; LP7875.

BETWEEN ONE AND TWO. Metro-Drew. 1916. 1 reel.

Credits: Blanche King; producer, Sidney Drew.

BETWEEN ORTON JUNCTION AND FALLONVILLE. 1913. 1 reel.

Credits: Charles M. Seay.

BETWEEN THE ACTS. 1919. 2 reels.

Credits: Written and directed by Larry Semon.

BETWEEN THE LINES. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood; editor, Bert Frank.

BETWEEN THE TWO OF THEM. 1915. 3 reels.

Credits: Director, Sidney Drew.

BETWEEN THE WORLD AND THE WEATHER. 1937. For the Barrett Co. 1 reel, sd.

BETWEEN TWO FIRES. 1915. 1 reel.

Credits: Director, Courtlandt Van Deusen.

BETWEEN TWO FIRES. SEE Carmencita's Last Dance.

BETWEEN TWO WOMEN. 1937. 9 reels, sd., b&w.

Credits: Director, George B. Seitz; original story, Erich Von Stroheim; screenplay, Frederick Stephani, Marion Parsonnet; film editor, W. Donn Hayes; music score, William Axt.

BEVERLY OF GRAUSTARK. 1914.

BEVERLY OF GRAUSTARK. 1916. 3 reels. From the novel by George Barr McCutcheon.

BEVERLY OF GRAUSTARK. Cosmopolitan. 1926. 7 reels. From the story by George Barr McCutcheon.

Credits: Director, Sidney Franklin; adaptation and scenario, Agnes Christine Johnston; film editor, Frank Hull.

BEVERLY'S BALANCE. SEE Food for Scandal.

BEWARE. (Mermaid Comedies) 1925. 2 reels.

Credits: Supervision, Jack White.

BEWARE OF BACHELORS. 1928. 8 reels, sd.

Credits: Director, Roy Del Ruth; story, Mark Canfield; scenario, Robert Lord.

BEWARE OF BACHELORS. Announcement Trailer. 1928. 1 reel, sd.

BEWARE OF BARNACLE BILL. (A Popeye Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer.

BEWARE OF BLONDES. A George B. Seitz Production. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, George B. Seitz; story, George Hull, Harvey Thew; continuity, Peter Milne; film editor, James McKay.

BEWARE OF BLONDES. (A Young Romance Comedy) Presented by E. W. Hammons. 1936. 1,834 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Arthur Jarrett.

BEWARE OF BOARDERS. 1918. 2 reels.

Credits: Director, Fred Fishback.

BEWARE OF LADIES. 1936. 7 reels.

Credits: Producer, Nat Levine; director, Irving Pichel; screenplay, L. C. Dublin.

BEWARE OF MARRIED MEN. 1928. 6 reels.

Credits: Director, Archie L. Mayo; story, Franz Jacques; screenplay, Edward T. Lowe, Jr.

BEWARE OF MENTAL-ITIS. 1937. 2 reels.

BEWARE OF THE BRIDE. 1920. 5 reels.

Credits: Director, Howard M. Mitchell; story, Edgar Franklin; scenario, Joseph Franklin Poland.

BEWARE OF WIDOWS. Universal-Jewel. 1927. 6 reels. From the play by Owen Davis.

Credits: Director, Wesley Ruggles; continuity, Beatrice Van.

BEWARE OF YOUR RELATIVES. Bluebird. 1925. 1 reel.

BEWARE SPOOKS! 1939. 7 reels, sd. Based on a play by Richard Flournoy.

Credits: Producer, Robert Sparks; director, Edward Sedgwick; screenplay, Richard Flournoy, Albert Duffy, Brian Marlow; film editor, James Sweeney; music director, M. W. Stoloff.

BEYOND. 1921. 5 reels.

Credits: Director, William D. Taylor; story, Henry Arthur Jones; scenario, Julia Crawford Ivers.

BEYOND ALL IS LOVE. 1915. 3 reels.

Credits: Producer, Clay M. Greene.

BEYOND BENGAL. Presented by Phra Abhaivongc. 1933. Produced with the cooperation of His Highness, the Sultan of Perak, F. M. S., Sir Alang Askader Shah. 7 reel, sd.

Credits: Written and directed by Harry Schenck.

BEYOND LONDON LIGHTS. 1928. 6 reels. From the story "Kitty Carstairs" by J. J. Bell.

Credits: Director, Tom Terriss; screenplay, Jean Dupont; adaptation, Beatrice Burton.

BEYOND PRICE. 1921. 6 reels.

Credits: Director, J. Searle Dawley; story and scenario, Paul H. Sloane.

BEYOND THE BLUE HORIZON. 1932. 1 reel.

BEYOND THE BORDER. Rogstrom Productions, Inc. Released by Producers Distributing Corp. 1925. 5 reels. Adapted from the story "When Smith Meets Smith" by Meredith Davis.

Credits: Supervision, Hunt Stromberg; director, Scott S. Dunlap; adaptation, Harvey Gates; film editor, Lou Ostrow.

BEYOND THE CARIBBEAN. 1936. 6 reels.

Credits: Producers, André Roosevelt, E. Erskine Loch; editor, Harry Foster.

BEYOND THE LAW. 1916. 3 reels.

BEYOND THE LAW. 1918. 6 reels. Based on the Wide World Magazine Serial story by Emmett Dalton.

Credits: Director, Theodore Marston; story, Emmett Dalton; scenario, William Addison Lathrop.

BEYOND THE LAW. 1934. 6 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Harold Shumate; film editor, Otto Mayer.

BEYOND THE LAW. SEE Flying Hoofs.

BEYOND THE RAINBOW. 1922. 7 reels. From the story "The Price of Fine Feathers" by Solita Solano.

Credits: Director, William Christy Cabanne; screen adaptation, Eustace Hale Ball, Loila Brooks.

BEYOND THE ROCKIES. (Custer Series, no. 4) Independent Pictures Corp. Released by F. B. O. 1926. 5 reels.

Credits: Director, Jack Nelson; story, J. Edward Leithead; screen adaptation, Wm. E. Wing.

63© R-C Pictures Corp.; 21Feb26; LP22423.

BEYOND THE ROCKIES. 1932. 6 reels, sd.

Credits: Director, Fred Allen; story, John P. McCarthy; screenplay, Oliver Drake; film editor, William Clemens.

BEYOND THE ROCKS. Paramount. Presented by Jesse L. Lasky. 1922. 7 reels.

Credits: Producer and director, Sam Wood; adaptation, Jack Cunningham.

BEYOND THE SIERRAS. 1928. 6 reels, b&w.

Credits: Director, Nick Grindé; story, John Thomas Neville; screenplay, Robert Lord; film editor, William Le Vanway.

BEYOND THE SMOKE. (Western Featurette) 1929. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Arthur Henry Gooden.

BEYOND THE TRAIL. Bison. 1916. 2 reels.

Credits: Catherine Carr; producer, Ben Wilson.

BEYOND THE WALL. SEE The Madness of Helen.

BEYOND THE WAR ZONE IN FRANCE. Gold Seal. 1917. 1/2 reel.

BEYOND VICTORY. 1931. 8 reels, sd., b&w.

Credits: Horace Jackson, James Gleason; producer, E. B. Derr; director, John Robertson; film editor, Daniel Mandell; musical direction, Francis Gromon.

BIANCA. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

BIBLE. O. T. SEE After Six Days.

BIBLE. O. T. APOCRYPHA. JUDITH. SEE Judith of Bethulia.

BIBLE. O. T. ESTHER. SEE Blind Prejudice.

THE BICYCLE FLIRT. Presented by Mack Sennett. 1928. 2 reels.

Credits: Director, Harry Edwards; story, Vernon Smith, Harry McCoy.

BIFF AND BANG [IN] WINNER BY A NOSE. 1927. 1 reel.

Credits: Director, Frank L. Ingraham.

BIG. SEE The Magnificent Brute.

THE BIG ADVENTURE. 1921. 5 reels.

Credits: Producer, Reeves Eason; story, James Edward Hungerford; scenario, George W. Pyper.

Credits: Producer, John L. Hawkinson.

THE BIG APPLE. Educational Films Corp. of America. Presented by E. W. Hammons. 1937. 835 ft., sd.

Credits: Director, Walter Graham; story, Arthur Jarrett, Marcy Klauber.

THE BIG BAD WOLF. (Silly Symphony Cartoon, no. 18) 1934. 1 reel, sd.

THE BIG BENEFIT. Mentone. 1933. 2 reels, sd.

Credits: Director, Lynn Shores; story, Ballard MacDonald.

BIG BERTHAS. 1928. 2 reels.

Credits: Producer, Larry Darmour; director, Earl Montgomery; story, E. V. Durling, Pinto Colvig, H. A. Woodmansee.

THE BIG BIRDCAST. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1938. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

BIG BLUFFS AND BOWLING BALLS. 1917. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

BIG BLUFFS AND BOWLING BALLS. 1919. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

BIG BOB. 1921. 2 reels.

Credits: Story and production, Edward Laemmle; scenario, George Morgan.

BIG BOB WAITS. 1913. 1 reel.

BIG BOOBS AND BATHING BEAUTIES. 1918. 1 reel.

Credits: Director, Laurence Semon.

THE BIG BOW MYSTERY. SEE

The Crime Doctor.

The Perfect Crime.

BIG BOY. 1930. 9 reels. Based on a musical comedy by Harold Atteridge.

Credits: Director, Alan Crosland; screenplay and dialogue, William K. Wells, Rex Taylor.

THE BIG BRAIN. 1933. 8 reels, sd.

Credits: Associate producer, Samuel Bischoff; director, George Archainbaud; story and dialogue, Sy Bartlett; continuity, Warren B. Duff; film editor, Rose Loewinger.

THE BIG BROADCAST. 1932. 10 reels, sd. Based on the play "Wild Waves" by William Ford Manley.

Credits: Director, Frank Tuttle; screenplay, George Marion, Jr.; music, Ralph Rainger.

THE BIG BROADCAST OF 1936. Presented by Adolph Zukor. 1935. 10 reels.

Credits: Producer, Benjamin Glazer; director, Norman Taurog; screenplay, Walter DeLeon, Francis Martin, Ralph Spence; continuity, Jack Mintz; editor, Ellsworth Hoagland; music and lyrics, Ralph Rainger, Richard Whiting, Leo Robin, and others.

THE BIG BROADCAST OF 1937. Presented by Adolph Zukor. 1936. 10 reels, sd.

Credits: Producer, Lewis E. Gensler; director, Mitchell Leisen; story, Erwin Gelsey, Arthur Kober, Barry Trivers; screenplay, Walter DeLeon, Francis Martin; film editor, Stuart Heisler.

THE BIG BROADCAST OF 1938. 1938. 10 reels, sd.

Credits: Producer, Harlan Thompson; director, Mitchell Leisen; story, Frederick Hazlett Brennan; screenplay, Walter DeLeon, Francis Martin, Ken Englund; adaptation Howard Lindsay, Russel Crouse.

BIG BROTHER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1923. 7 reels. Based on the novel by Rex Beach.

Credits: Producer and director, Allan Dwan; adaptation, Paul Sloane.

BIG BROTHER. SEE Young Donovan's Kid.

BIG BROWN EYES. Presented by Adolph Zukor. 1936. 8 reels, sd. Based on the stories "Hahsit Babe" and "Big Brown Eyes" by James Edward Grant.

Credits: Producer, Walter Wanger; director, Raoul Walsh; screenplay, Raoul Walsh, Bert Hanlon.

THE BIG BURG. (Fable, no. 407) 1929. 1 reel.

Credits: Paul Terry.

BIG BUSINESS. 1926. 2 reels, b&w, tinted sequences.

Credits: Supervision, George E. Marshall; directors, Mark Sandrich, Lesley Selander; story, Murray Roth, Andrew Bennison.

BIG BUSINESS. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

64Credits: Supervision and story, Leo McCarey; director, J. Wesley Horne; editor, Richard Currier.

BIG BUSINESS. Presented by RKO Distributing Corp. 1932. 2 reels, sd. From the cartoons by Fontaine Fox.

Credits: Producer, Larry Darmour; director, J. A. Duffy; story, Joseph Levering; editor, Dwight Caldwell; music director, Lee Zahler.

BIG BUSINESS. Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Written and directed by Al Boasberg; lyrics and music, Lester Lee, Sam Ward.

BIG BUSINESS. SEE The Jones Family in Big Business.

BIG BUSINESS GIRL. 1931. 8 reels, sd. Based on the College Humor story by Patricia Reilly and H. N. Swanson.

Credits: Producer, William A. Seiter; screen adaptation, Robert Lord.

THE BIG CAGE. 1933. 8 reels, sd. From the book by Clyde Beatty and Edward Anthony.

Credits: Director, Kurt Neumann; screenplay, Edward Anthony, Ferdinand Reyher.

BIG CASINO. Mentone. 1933. 2 reels.

Credits: Written and directed by Ballard Macdonald.

THE BIG CAT AND THE LITTLE MOUSIE. (Oswald the Rabbit) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; director, Alex Lovy; story, Victor McLeod, James Miele; animation, Frank Tipper, George Grandpre.

THE BIG CATCH. 1920. 2 reels.

Credits: Producer, Leo Maloney; story, Louis D. Lighton; scenario, Ford Beebe.

THE BIG CHEESE. (An Aesop Sound Fable) 1930. 1 reel, sd.

Credits: John Foster.

BIG CHIEF UGH-AMUGH-UGH. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, George Germanetti.

THE BIG CITY. Century. 1925. 2 reels.

Credits: Story, Ted Ross.

THE BIG CITY. 1928. 8 reels, sd., b&w.

Credits: Production, story, and direction, Tod Browning; scenario, Waldemar Young; titles, Joe Farnham; film editor, Harry Reynolds.

BIG CITY. A Frank Borzage Production. 1937. 8 reels, sd., b&w.

Credits: Production and original story, Norman Krasna; director, Frank Borzage; screenplay, Dore Schary, Hugo Butler; film editor, Frederick Y. Smith; music score, William Axt.

BIG CITY BLUES. First National and Vitaphone. Presented by First National Pictures, Inc. 1932. 7 reels. Based on a play by Ward Morehouse.

Credits: Director, Mervyn LeRoy; screenplay, Ward Morehouse, Lillie Hayward.

BIG CITY FANTASY. 1934. 1 reel, sd.

Credits: Director, Joseph Henabery.

THE BIG COURTSHIP. Presented by E. W. Hammons. 1937. 1,571 ft., sd.

Credits: Director, William Watson; story, Tim Ryan, Lloyd Rosenmond.

BIG DAME HUNTING. 1932. 2 reels, sd.

Credits: Producer, Louis Brock; director, George Marshall; story, Thomas L. Lennon, George Marshall; film editor, Sam White.

BIG DAN. 1923. 6 reels, b&w, tinted sequences.

Credits: Director, William A. Wellman; story and scenario, Frederick Hatton, Fanny Hatton.

THE BIG DIAMOND ROBBERY. 1929. 7 reels.

Credits: Director, Eugene J. Forde; story, Frank Howard Clark; screenplay, John Stuart Twist.

THE BIG DITCH OF PANAMA. (A Fitzpatrick M. G. M. Traveltalk) 1933. 1 reel.

Credits: Photographer, Frank Goodliffe; compiler, James A. FitzPatrick.

THE BIG DOG HOUSE. (A Dogville Comedy) 1931. 2 reels, sd., b&w.

Credits: Directors, Jules White, Zion Myers.

BIG EARS. (Our Gang Comedies) (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

BIG EXECUTIVE. 1933. 7 reels.

Credits: Director, Erle C. Kenton; story, Alice Duer Miller; screenplay, Laurence Stallings.

THE BIG FIBBER. 1933. 2 reels, sd.

Credits: Director, George Marshall.

THE BIG FIGHT. Presented by James Cruze. 1930. 7 reels. From the David Belasco and Sam H. Harris stage success.

Credits: Milton Herbert Groffer, Max Marcin; director, Walter Lang; continuity and screen adaptation, Walter Woods.

BIG FISH. (News World of Sports) 1939. 1 reel, sd.

Credits: Narrative, Jack Kofoed; described by Dan Seymour; editor, Harry Foster.

THE BIG FLASH. 1932. 22 min., sd.

Credits: Producer and director, Arvid E. Gillstrom; story, Robert Vernon, Frank Griffin.

THE BIG GAMBLE. 1931. 7 reels, sd., b&w.

Credits: Producer, Charles R. Rogers; director, Fred Niblo; story, Octavus Roy Cohen; screenplay, Walter DeLeon, F. McGrew Willis; film editor, Joseph Kane; music director, Arthur Lange.

BIG GAME. 1921. 5 reels.

Credits: Willard Robertson, Kilbourn Gordon; director, Dallas M. Fitzgerald; adaptation, Edmund Lowe, Jr.

BIG GAME. 1924. 2 reels.

Credits: Director, Charles Lamont.

THE BIG GAME. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle; adaptation, Robert McKenzie.

BIG GAME. (Fables, no. 384) 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

BIG GAME. (Aesop's Fable) Van Beuren Corp. 1931. 1 reel, sd.

THE BIG GAME. 1936. 75 min., sd. Based on the novel by Francis Wallace.

Credits: Producer, Pandro S. Berman; director, George Nicholls, Jr.; story, Francis Wallace; screenplay, Irwin Shaw; editor, Frederic Knudtson; music director, Nathaniel Shilkret.

BIG GAME FISHING. (Ed Thorgersen's Sports Review) 1939. 1 reel, sd.

Credits: Producer, Truman Talley; described by Ed Thorgersen.

BIG GAME GEORGE. (Stern Bros. Comedy) (Let George Do It Series) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

THE BIG GAME HUNT. SEE Farmer Al Falfa In The Big Game Hunt.

THE BIG GAME HUNTER. 1925. 2 reels.

Credits: Director, George E. Marshall; story, Richard Harding Davis; scenario, Kenneth O'Hara.

65THE BIG GUY. 1939. 8 reels. Based on the story "No Power on Earth" by Wallace Sullivan and Richard K. Polimer.

Credits: Director, Arthur Lubin; screenplay, Lester Cole.

BIG HAPPINESS. 1920. 7 reels. From the story by Pan [pseud. of Leslie Beresford].

Credits: Director, Colin Campbell; screen version, Jack Cunningham.

BIG HEARTED. (Whoopee Comedies) Presented by E. B. Derr. 1930. 2 reels, sd.

Credits: Producer, John C. Flinn; supervision, Bill Woolfenden; director, Robert De Lacy; story, Charles Diltz; adaptation, Hugh Cummings; film editor, John Link; music director, Josiah Zuro.

BIG HEARTED HERBERT. Presented by Warner Bros. Productions Corp. and The Vitaphone Corp. 1934. 6 reels, sd. Based on a play adapted by Sophie Kerr and Anna Steese Richardson from a story by Sophie Kerr.

Credits: Director, William Keighley; screenplay, Lillie Hayward, Ben Markson.

BIG-HEARTED JIM. SEE Brotherly Love.

BIG HEARTED TOOTS. (Toots and Casper Series, no. 6) 1929. 2 reels. Suggested by Jimmy Murphy's newspaper comedy characters.

Credits: Producer, Larry Darmour; director, St. Elmo Boyce; story, E. V. Durling, Hal Davitt.

THE BIG HOUSE. Cosmopolitan. 1930. 10 reels, sd., b&w.

Credits: Director, George Hill; story and dialogue, Frances Marion; additional dialogue, Joe Farnham, Martin Flavin; film editor, Blanche Sewell.

THE BIG IDEA. (M-G-M Musical Revue) 1934. 2 reels, sd., b&w.

THE BIG JEWEL CASE. (Educational-Mermaid Talking Comedies) 1930. 16 min., sd.

Credits: Producer, Jack White; director, Stephen Roberts.

THE BIG KICK. (Hal Roach Comedy) Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, Warren Doane; story, H. M. Walker; film editor, Richard Currier.

THE BIG KILLING. 1928. 5,805 ft.

Credits: Director, F. Richard Jones; story, Grover Jones; screenplay, Frank Butler, Gilbert Pratt.

BIG LEAGUE. (Bill Corum, no. 10) 1937. 1 reel.

BIG LEAGUERS. (RKO Pathe Sportscope, no. 9) 1939. 9 min., sd.

Credits: Producer, Frederic Ullman, Jr.; supervision, Frank R. Donovan.

THE BIG LITTLE PERSON. 1919. 6 reels.

Credits: Director, Robert Z. Leonard; story, Rebecca Hooper Eastman; scenario, Bess Meredith.

THE BIG MEOW. (An Educational Screen Star Comedy) Presented by E. W. Hammons. 1934. 1,665 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Art Jarrett.

THE BIG MITTEN. SEE No Ransom.

BIG MONEY. 1930. 8 reels, sd.

Credits: Producer, E. B. Derr; director, Russell Mack; original story, Walter DeLeon; film editor, Joseph Kane; musical director, Josiah Zuro.

THE BIG MOUTHPIECE. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Fred Guiol; story, Fred Guiol, Leslie Goodwins; film editor, Edward Mann.

BIG NEWS. 1929. 7 reels, sd.

Credits: Director, Gregory La Cava; director of dialogue, Frank Reicher; story, George S. Brooks; screenplay, Walter DeLeon; adaptation, Jack Jungmeyer.

THE BIG NIGHT. 1915. Split reel.

THE BIG NOISE. Presented by Robert Kane. 1928. 8 reels.

Credits: Producer and director, Allan Dwan; original story, Ben Hecht; adaptation and scenario, Tom J. Geraghty.

THE BIG NOISE. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 7 reels.

Credits: Director, Frank McDonald; story, Edward Hartman; screenplay, George Bricker, William Jacobs.

BIG PAL. Presented by Royal Pictures. 1925. 5 reels.

Credits: Producer, William Russell; director, John G. Adolfi; story, Jules Furthman.

THE BIG PALOOKA. (Educational-Mack Sennett Talking Comedy) 1929. 2 reels, sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Hampton Del Ruth, Harry McCoy.

THE BIG PARADE. 1927. 13 reels, b&w, color sequences.

Credits: Producer and director, King Vidor; story, Laurence Stallings; scenario, Harry Behn; titles, Joseph W. Farnham; film editor, Hugh Wynn.

THE BIG PARADERS. 1929. 1 reel.

THE BIG PARTY. 1930. 6,200 ft., sd.

Credits: Director, J. G. Blystone; story and dialogue, Harlan Thompson; editor, Eddie Robbins.

THE BIG PIE RAID. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Director, Stan De Lay.

THE BIG POND. 1930. 8 reels, sd. Based on the play by George Middleton and A. E. Thomas.

Credits: Producer, Monta Bell; director, Hobart Henley; continuity, Robert Presnell, Garrett Fort; dialogue, Preston Sturges.

THE BIG PUNCH. 1921. 5 reels.

Credits: Story, Jules Furthman; adaptation, direction and production, Jack Ford.

THE BIG RACE. Screencraft. 1933. 7 reels.

Credits: Director, Fred Newmeyer; original story, Hugh Cummings.

THE BIG RACE. (A Meany, Miny Moe Cartoon) Snappy. 1937. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod; animation, Manuel Moreno, George Nicholas, Ben Clapton.

THE BIG RANGER. 1922. 2 reels.

Credits: Director, Robert Hill; story, Jean F. Burtis; scenario, George Morgan.

THE BIG SCARE. 1929. 1 reel, sd.

Credits: Paul Terry.

THE BIG SCOOP. 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Harry Sweet; story, E. A. Brown, Hal Yates; film editor, Fred Maguire.

THE BIG SECRET. 1921. 2 reels.

Credits: Director, Ferris Hartman.

THE BIG SHAKEDOWN. 1933. 7 reels, sd. From the story "Cut Rate" by S. Engels and Niven Busch.

Credits: Director, John Francis Dillon; screenplay, Niven Busch, Rian James.

THE BIG SHOT. 1929. 1 reel.

Credits: Paul Terry.

THE BIG SHOT. 1931. 7 reels, sd., b&w.

Credits: Producer, Charles R. Rogers; director, Ralph F. Murphy; story, George Dromgold, Hal Conklin; screenplay and dialogue, Earl Baldwin, Joseph Fields; film editor, Charles Craft; musical director, Arthur Lange.

THE BIG SHOT. 1937. 6 reels, sd.

Credits: Director, Edward Killy; story, Lawrence Pohle, Thomas Ahearn; screenplay, Arthur T. Horman, Bert Granet; editor, Jack Hively.

Credits: Director, George Terwilliger; story, L. Case Russell.

THE BIG SHOW. 1936. 8 reels, sd.

Credits: Producer, Nat Levine; director, Mack V. Wright; screenplay and original story, Dorrell and Stuart E. McGowan.

Credits: Producer, George L. Tucker.

THE BIG SPLASH. 1931. 2 reels, sd.

Credits: Director, Ray Cozine; story, Walton Butterfield.

THE BIG SQUAWK. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Warren H. Doane; story, Leo McCarey; editor, Richard Currier.

THE BIG SQUEAL. 1933. 18 min., sd.

Credits: Director, Charles Lamont; story and dialogue, Ernest Pagano, Ewart Adamson.

THE BIG SQUIRT. 1937. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Elwood Ullman, Al Giebler.

THE BIG STAMPEDE. Presented by Leon Schlesinger. 1932. 54 min.

Credits: Director, Tenny Wright; story, Marion Jackson; screenplay and dialogue, Kurt Kempler; editor, Frank Ware.

BIG TIMBER. 1917. 5 reels. From the novel by Bertrand W. Sinclair.

Credits: Director, William D. Taylor; scenario, Gardner Hunting.

BIG TIMBER. 1924. 5 reels. From the story "The Heart of Night Wind" by Vingie E. Roe.

Credits: Director, William Craft; adaptation, Isadore Bernstein.

BIG TIME. Presented by William Fox. 1929. 9 reels, sd. Based on the story "Little Ledna" by William Wallace Smith.

Credits: Producer, Kenneth Hawks; screenplay, Sidney Lanfield; dialogue, William K. Wells, Sidney Lanfield.

BIG TIME CHARLIE. (Manhattan Comedies) 1929. 2 reels, sd.

Credits: Produced and directed by George LeMaire; story, George LeMaire, Lew Hearn; film editor, E. Pfitzenmeler.

THE BIG TIMER. 1932. 7 reels.

Credits: Director, Eddie Buzzell; story, adaptation and dialogue, Robert Riskin; continuity, Dorothy Howell.

THE BIG TOP. (Terry Toons) Presented by E. W. Hammons. 1938. 1 reel, sd.

Credits: Paul Terry, Mannie Davis; music, Philip A. Scheib.

BIG-TOP CHAMPIONS. (Grantland Rice Sound Sportlight) 1930. 1 reel, si. & sd.

Credits: Jack Eaton.

BIG TOWN. 1932. 6 reels, sd.

Credits: Written and directed by Arthur Hoerl; editor, Bernard Rogan.

BIG TOWN COMMUTERS. (A Columbia Tour) 1939. 793 ft., sd., color.

Credits: Described by Dan Seymour.

BIG TOWN CZAR. 1939. 7 reels, sd. Based on the story "Czar of Broadway" by Ed Sullivan.

Credits: Associate producer, Ken Goldsmith; director, Arthur Lubin; screenplay, Edmund Hartmann; film editor, Philip Cahn.

BIG TOWN GIRL. 1937. 6,474 ft., sd.

Credits: Director, Alfred Werker; original stories, Darrell Ware, Frances Whiting Reid; screenplay, Lou Breslow, John Patrick, Robert Ellis, Helen Logan; music, Samuel Kaylin.

BIG TOWN IDEAS. 1921. 5 reels.

Credits: Director, Carl Harbaugh; story and scenario, John Montague.

BIG-TOWN ROUND-UP. 1921. 5 reels. Adapted from the book by William McLeod Raine.

Credits: Direction and scenario, Lynn Reynolds.

THE BIG TRAIL. 1930. 13,000 ft., sd.

Credits: Director, Raoul Walsh; story, Hal G. Evarts; editor, Jack Dennis.

THE BIG TREES OF CALIFORNIA. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1920. 1 reel.

THE BIG TREES OF CALIFORNIA. (Ford Educational Library, Nature Study) Ford Motion Picture Laboratories. 1923. 1 reel.

BIG TREMAINE. 1916. For the Metro program. 5 reels. A picturization of the novel by Marie Van Vorst.

Credits: Director, Henry Otto.

THE BIGAMIST. Special Imp. 1916. 2 reels.

Credits: Director, Herbert Brennon.

THE BIGAMIST. 1922. 6 reels. From the novel by F. E. Mills Young.

Credits: Director, Guy Newall.

THE BIGAMISTS. SEE Naughty But Nice.

BIGGER AND BETTER. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, Edgar Kennedy; dialogue, H. M. Walker; editor, Richard Currier.

BIGGER AND BETTER. SEE Fanny and Kitty Watson in Bigger and Better.

THE BIGGER MAN. SEE The Bridge.

BIGGER THAN BARNUM'S. Released by F. B. O. 1926. 6 reels.

Credits: Director, Ralph Ince; story, Arthur Guy Empey; continuity, J. Grubb Alexander.

THE BIGGEST SHOW ON EARTH. 1918. 5 reels.

Credits: Director, Jerome Storm; story, Florence Vincent; picturized by Julien Josephson.

Credits: Producer, Donald Macdonald; scenario, Anthony W. Coldewey.

THE BIKE PARADE. (A Paramount Paragraphic) Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Director, Leslie Roush; commentary, Justin Herman; narrator, Ted Husing; editor, Robert Blauvelt.

BILL APERSON'S BOY. 1919. 5 reels.

BILL BRENNAN'S CLAIM. Gold Seal. 1917. 3 reels.

Credits: Director, George Marshall; story, Shelley Sutton; scenario, Charles Wilson, Jr.

BILL BRENNAN'S CLAIM. 1919. 2 reels.

Credits: Director, George Marshall; story, Shelly Sutton.

BILL BRENNAN'S CLAIM, 1923. 2 reels.

BILL BURNHAM'S NEW FRIENDS. 1937. For Chicago & North Western Railway. 1 reel, sd.

BILL BURNHAM'S NEW JOB. 1937. For Chicago &. North Western Railway. 1 reel, sd.

BILL BURNHAM'S NEW RAILROAD. 1937. For Chicago & North Western Railway. 1 reel, sd.

THE BILL COLLECTOR. (Joe Rock Comedy) 1924. 2 reels.

Credits: Director, Reggie Morris.

BILL CRACKS DOWN. 1937. 6 reels.

Credits: Associate producer, William Berke; director, William Nigh; original story, Owen Francis, Morgan Cox; screenplay, Dorrell McGowan, Stuart McGowan.

Credits: Directors, Ralph Ceder, Arvid E. Gilstrom; story, H. C. Witwer; adaptation and continuity, Beatrice Van.

BILL HAYWOOD, PRODUCER. 1915. 1 reel.

Credits: Director, Tom Mix.

BILL HENRY. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Jerry Storm; story, Lois Zellner; adaptation, Julien Josephson.

A BILL OF DIVORCEMENT. 1932. 8 reels, sd. From the play by Clemence Dane [pseud. of Winifred Ashton].

Credits: Director, George Cukor; screenplay, Harry Wagstaff Gribble; film editor, Arthur Roberts; music director, Max Steiner.

THE BILL OF RIGHTS. 1939. 20 min., sd.

Credits: Director, Crane Wilbur; original screenplay, Charles L. Tedford.

BILL PETERS' KID. 1916. 3 reels.

Credits: Director, Rollin S. Sturgeon.

THE BILL POSTER. (Krazy Kat) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Harry Love; animation, Allen Rose, Preston Blair; musical score, Joe De Nat.

BILLBOARD FROLICS (Merrie Melodies, Cartoon no. 13) 1936. 1 reel.

Credits: Animation, Cal Dalton, Sandy Walker.

BILLBOARD GIRL. (Educational Comedies) 1932. 21 min., sd.

Credits: Director, Leslie Pearce; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster.

BILLBOARD GIRL. (A Mack Sennett Talking Picture) Presented by E. W. Hammons. 1934. 1,919 ft., sd.

Credits: Director, Leslie Pearce; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster; film editor, William Hornbeck.

BILLETED. SEE The Misleading Widow.

BILLIE JOINS THE NAVY. 1915. 1,000 ft.

Credits: Arthur D. Hotaling.

BILLIE'S BABY. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; scenario, G. E. Jenks.

BILLIE'S DEBUT. 1915. 1 reel.

BILLIE'S DOUBLE. 1916. 1 reel.

Credits: Producer, Earl Metcalfe.

BILLIE'S HEADACHE. 1915. 1 reel.

Credits: Producer, Earl Metcalfe.

BILLIE'S HEIRESS. 1915. 1 reel.

BILLIE'S LUCKY BILL. 1916. 1 reel.

Credits: Producer, Earl Metcalfe.

BILLIE'S MOTHER. 1916. 1 reel.

Credits: Director, Lionel Belmore.

BILLIE'S REVENGE. 1916. 1 reel.

Credits: Producer, Earl Metcalfe; adaptation, Daniel Ellis.

THE BILLION DOLLAR SCANDAL. 1933. 8 reels.

Credits: Director, Harry Joe Brown; original story and screenplay, Gene Towne, Graham Baker; dialogue, Willard Mack, Beatrice Banyard.

THE BILLIONAIRE. 1914.

Credits: Director, La Verne Barber.

BILLIONS. 1920. 6 reels. From the drama by Jean-Jose Frappa and Henri Dupuy Mazuel.

68Credits: Director, Ray C. Smallwood; scenario, Charles Bryant.

BILL'S ANNIVERSARY. Okeh. 1919. 1 reel.

Credits: Director, Roy Clements; story, Jessie McAllister.

BILL'S BLIGHTED CAREER. L-Ko. 1915. 2 reels.

BILL'S CAREER AS BUTLER. 1913. 1 reel.

Credits: Herbert Prior.

BILL'S FINISH. Okeh. 1919. 1 reel.

Credits: Director, Roy Clements.

BILL'S NARROW ESCAPE. 1916. 2 reels.

BILL'S PLUMBER AND PLUMBER'S BILL. Imp. 1915. 1 reel.

BILL'S SWEETHEART. 1913.

Credits: Helen Combes.

BILL'S WIFE. Laemmle. 1916. 1 reel.

Credits: Written and produced by Lynn Reynolds.

BILL'S WIFE. (Star Comedy) 1920. 1 reel.

BILLY AND ELSA NEWELL IN THEN AND NOW. 1930. 1 reel, sd.

BILLY & ELSA NEWELL, THOSE HOT TAMALES. 1928. 1 reel, sd.

BILLY AND THE BIG STICK. 1917. 4 reels. From a story by Richard Harding Davis.

Credits: Director, Edward H. Griffith; adaptation, Wallace M. Woody.

BILLY FORTUNE. SEE Water, Water Everywhere.

BILLY FORTUNE STORIES. SEE The Limit Game.

THE BILLY GOAT'S WHISKERS. Educational. Presented by E. W. Hammons. 1937. 595 ft., sd.

Credits: Paul Terry, John Foster; scored and conducted by Philip A. Scheib.

BILLY HILL. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery.

BILLY JIM. 1922. 5 reels.

Credits: Producer, Andrew J. Callaghan; director, Frank Borzage; story, Jackson Gregory; scenario, Frank Howard Clark.

BILLY LYTELL AND TOM FANT IN TWO OF A KIND. 1930. 1 reel, sd.

Credits: Scenario, Bert Angeles.

BILLY ROSE'S CASA MAÑANA REVUE. Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Producer, Louis Lewyn; director, George Sidney.

BILLY SMOKE. 1916. 3 reels.

Credits: James Oliver Curwood; director, William Wolbert.

Credits: Scenario, Bert Angeles.

BILLY SWEDE HALL AND COMPANY IN HILDA. 1929. 1 reel.

BILLY THE BANDIT. Special Victor. 1916. 1 reel.

Credits: L. V. Waters; scenario and direction, John Steppling.

BILLY, THE BEAR TAMER. 1915. 1 reel.

Credits: Director, Lee Beggs.

BILLY THE KID. 1930. 11 reels, sd., b&w. From the book "Saga of Billy the Kid" by Walter Noble Burns.

Credits: Producer and director, King Vidor; continuity, Wanda Tuchock; dialogue, Laurence Stallings; additional dialogue, Charles MacArthur; film editor, Hugh Wynn.

BILLY THE KID RETURNS. 1938. 6 reels, sd.

Credits: Associate producer, Charles E. Ford; director, Joe Kane; original screenplay, Jack Natteford; film editor, Lester Orlebeck; music director, Cy Feuer.

BILLY'S COLLEGE JOB. Imp. 1915. 1 reel.

Credits: Victor De Villiers; producer, Sidney Goldin.

BILLY'S HAT. Okeh. 1919. 1 reel.

Credits: Director, Roy Clements.

BILLY'S LOVE MAKING. Imp. 1915. 1 reel.

Credits: William Addison Lathrop; producer, William Garwood.

BILLY'S MELODRAMA. 1916. 1 reel.

Credits: Producer, Frank Currier.

BILLY'S REFORMATION. 1915. 2 reels.

Credits: Scenario, Bert D'Angeles.

BILLY'S WAGER. 1914. 1 reel.