Motion pictures, 1912-1939, L — Read Online

LA LA LUCILLE. 1920. 5 reels. From the stage play by Fred Jackson.

Credits: Director, Lyons-Moran.

Credits: Director, Thomas Bentley; scenario, Kenelm Foss.

Credits: Director, E. Mason Hopper.

LACQUER & PEARLS. (UFA Oddity) 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

LACTOGEN. The Bray Studios. 1928. 1 reel.

A LAD AN' A LAMP. (Our Gang Comedy) 1932. 2 reels.

Credits: Producer and director, Robert McGowan.

A LAD AND HIS LAMP. (Fable, no. 405) 1929. 1 reel.

Credits: Paul Terry.

THE LAD AND THE LION. 1917. 5 reels. From the story by Edgar Rice Burroughs.

Credits: Director, Alfred Green.

A LAD IN BAGDAD. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Cal Howard, Cal Dalton; story, Dave Monahan; animation, Volney White; music director, Carl W. Stalling.

THE LADDER JINX. 1922. 6 reels.

Credits: Director, Jess Robbins; story, Edgar Franklin; adaptation, David Kirkland.

THE LADDER OF FORTUNE. Rex. 1915. 2 reels.

Credits: John Clymer; director, Clem Easton.

THE LADDER OF LIES. Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels.

Credits: Director, Tom Forman; story, Harold Vickers; scenario, Edith Kennedy.

LADDIE. Released by F. B. O. 1926. 6,931 ft. From the novel by Gene Stratton-Porter.

Credits: Director, James Leo Meehan; adaptation, Jeanette Porter Meehan.

LADDIE. 1935. 7 reels, sd. From the novel by Gene Stratton-Porter.

Credits: Producer, Pandro S. Berman; director, George Stevens; screenplay, Ray Harris, Dorothy Yost; editor, James Morley; music director, Roy Webb.

LADDIE; a New Version of the Celebrated Edison Drama. 1914. 2 reels.

Credits: Director, George A. Lessey.

LADDIE BE GOOD. 1927. 4,155 ft.

Credits: Production and story, Bill Cody; director, Ben Cohn; continuity, L. V. Jefferson; editor, Fred Burnworth.

LADIES AT PLAY. 1926. 7 reels.

Credits: Sam Janney; producer, Alfred E. Green; scenario, Carey Wilson.

LADIES BEWARE. 1927. 5 reels. From the story "Jack of Diamonds" by Fred Jackson.

Credits: Director, Charles Giblyn; adaptation, J. G. Hawks; continuity, Enid Hibbard.

LADIES CHOICE. 1929. 2 reels.

Credits: Director, Neal Burns.

LADIES CRAVE EXCITEMENT. Presented by Nat Levine. 1935. 7 reels, sd.

Credits: Supervision, Armand Schaefer; director, Nick Grinde; original story, John Rathmell; screenplay, Wellyn Totman, Scott Darling; film editor, Joseph Lewis.

LADIES' DAY. (A Grantland Rice Sportlight) 1927. 1 reel.

Credits: Producer, John L. Hawkinson.

LADIES DAY. (Bill Corum, no. 5) 1936. 1 reel.

LADIES FIRST. 1918. 2 reels.

Credits: Director, Ray Grainger.

LADIES IN DISTRESS. 1938. 7 reels, sd.

Credits: Doré Schary; associate producer, Harry Grey; director, Gus Meins; screenplay, Dorrell and Stuart McGowan; film editor, Ernest Nims; music director, Alberto Colombo.

LADIES IN LOVE. 1936. 8,695 ft., sd. Based on the play by Ladislaus Bus-Fekete.

Credits: Director, Edward H. Griffith; screenplay, Melville Baker; music director, Louis Silvers.

LADIES LAST. Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, George Stevens; dialogue, H. M. Walker; editor, Richard Currier.

LADIES LOVE BRUTES. 1930, sd., 10 reels. From the play "Pardon My Glove" by Zoe Akins.

Credits: Director, Rowland V. Lee; adaptation, Waldemar Young, Herman J. Mankiewicz.

LADIES LOVE DANGER. 1935. 7 reels, sd.

Credits: Director, H. Bruce Humberstone; story, Ilya Zorn; screenplay, Samson Raphaelson; adaptation, Robert Ellis, Helen Logan.

LADIES LOVE HATS. (An Educational Star Personality Comedy) Presented by E. W. Hammons. 1935. 1,768 ft., sd. From the story "High Hats" by Roy L. McCardell.

Credits: Producer, Al Christie; screen adaptation, William Watson, Arthur Jarrett.

A LADIES' MAN. 1922. 3 reels.

Credits: Director, Hunt Stromberg.

THE LADIES' MAN. 1928. 2 reels, lavender.

Credits: Director, Harry Delf; story, Harold Atteridge; adaptation, Ben Holmes.

LADIES' MAN. 1931. 8 reels, sd. From the novel by Rupert Hughes.

Credits: Director, Lothar Mendes; screenplay, Herman J. Mankiewicz.

LADIES MUST DRESS. 1927. 6 reels.

Credits: Story and direction, Victor Heerman; scenario, Reginald Morris.

LADIES MUST EAT. (Handy Andy Series, no. 4) 1929. 2 reels.

Credits: Supervision, John A. Waldron; director, Harry Edwards; story, Harry McCoy, Robert Eddy; film editor, William Hornbeck.

LADIES MUST LIVE. 1921. 8 reels. From the novel by Alice Duer Miller.

Credits: Adapted and directed by George Loane Tucker.

LADIES MUST LOVE. 1933. 8 reels, sd.

Credits: Director, E. A. DuPont; screenplay, John Francis Larkin.

LADIES MUST PLAY. 1930. 7 reels, sd.

452Credits: Director, Raymond Cannon; assistant director, David Selman; story, Paul Hervey Fox; adaptation, Dorothy Howell; dialogue, Jo Swerling; dialogue director, Lucile Gleason; film editor, Gene Milford.

LADIES NIGHT IN A TURKISH BATH. 1928. 7 reels.

Credits: Charlton Andrews, Avery Hopwood; director, Edward Cline; adaptation, Henry McCarty, Gene Towne.

LADIES NOT ALLOWED. (Lambs Gambol Series, no. 1) 1932. 2 reels.

Credits: Written and directed by Joseph Santley; musical director, Frank Tours; music, Percy Wenrich.

LADIES OF LEISURE. 1926. 6 reels.

Credits: Director, Thomas Buckingham; story and continuity, Albert Lewin.

LADIES OF LEISURE. 1930. 10 reels, sd. Adapted from the David Belasco stage play "Ladies of the Evening" by Milton Herbert Gropper.

Credits: Producer, Harry Cohn; director, Frank R. Capra; adaptation and dialogue, Jo Swerling; film editor, Maurice Wright.

LADIES OF THE BIG HOUSE. 1931. 8 reels, sd. From the play by Ernest Booth.

Credits: Director, Marion Gering; screenplay, Louis Weitzenkorn; additional dialogue, William Slavens McNutt, Grover Jones.

LADIES OF THE EVENING. SEE Ladies of Leisure.

LADIES OF THE JURY. 1932. 7 reels, sd. From the play by John Frederick Ballard.

Credits: Producer, William Le Baron; director, Lowell Sherman; dialogue, Salisbury Field; adaptation, Marion Dix; additional dialogue, Eddie Welch; film editor, Charles Kimball.

LADIES OF THE JURY. SEE We're on the Jury.

LADIES OF THE MOB. 1928. 7 reels.

Credits: Producer and director, William A. Wellman; story, Ernest Booth; screenplay, John Farrow; adaptation, Oliver H. P. Garrett.

LADIES OF THE NIGHT CLUB. 1928. 7 reels, sd.

Credits: Director, George Archainbaud; story, Ben Grauman Kohn; continuity, Houston Branch, John Francis Natteford; titles, Paul Perez; editor, L. R. Brown.

LADIES PREFERRED. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

LADIES SHOULD LISTEN. Presented by Adolph Zukor. 1934. 7 reels, sd. From the play by Alfred Savoir and Guy Bolton.

Credits: Producer, Douglas MacLean; director, Frank Tuttle; screenplay, Claude Binyon, Frank Butler; adaptation, Guy Bolton.

LADIES THAT PLAY. Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

LADIES TO BOARD. 1924. 6 reels.

Credits: Director, J. C. Blystone; story, William Dudley Pelley; scenario, Donald W. Lee.

THE LADIES WAR. 1914. 1 reel.

Credits: Director, Wilfrid North.

THE LADIES WORLD. SEE

What Happened to Mary.

Who Will Marry Mary?

THE LADY. First National. 1925. 8 reels. Based on the A. H. Woods stage play by Martin Brown.

Credits: Producer, Frank Borzage; screen version, Frances Marion.

THE LADY. SEE The Secret of Madame Blanche.

LADY AND GENT. 1932. 9 reels, sd.

Credits: Grover Jones, William Slavens McNutt; director, Stephen Roberts.

THE LADY AND THE GLOVE. 1913.

Credits: Director, Frederick Thomson.

THE LADY AND THE MOB. 1939. 7 reels, sd.

Credits: Associate producer, Fred Kohlmar; director, Ben Stoloff; story, George Bradshaw, Price Day; screenplay, Richard Maibaum, Gertrude Purcell; film editor, Otto Meyer.

LADY AUDLEY'S SECRET. 1915. 5 reels. Adapted from the novel by M. E. Braddon.

Credits: Pictured by Marshall Farnum; adaptation, Mary Asquith.

LADY AVERAGE. SEE Meet the Missus.

LADY BAFFLES AND DETECTIVE DUCK. Powers. 1915. 1 reel each. Title varies: no. 6, 1915, has title "The Mysterious Lady Baffles and Detective Duck." © Universal Film Mfg. Co., Inc.

Credits: Gale Henry; producer, Allen Curtis; scenario, Clarence C. Badger.

1. The Great Egg Robbery. © 21May15; LP5349.

2. The Sign of the Sacred Safety Pin. © 3Jun15; LP5458.

3. The 18 Carrot Mystery. © 16Jun15; LP5572.

4. Baffles Aids Cupid. © 1Jul15; LP5721.

5. At the Signal of the Three Socks. © 13Jul15; LP5814.

6. Saved by a Scent. © 27Jul15; LP5935.

7. The Dread Society of the Sacred Sausage. © 12Aug15; LP6082.

8. The Ore Mystery. © 22Sep15; LP6438.

9. When the Wets Went Dry. © 6Oct15; LP6572.

10. The Lost Roll. © 20Oct15; LP6724.

11. Kidnapping the King's Kids. © 17Nov15; LP6980.

LADY BARBERS. 1920. 1 reel.

LADY BARNACLE. Rolfe. 1917. 5 reels. Adapted from the story by Edgar Franklin [pseud. of Edgar Franklin Stearns].

Credits: Director, John H. Collins; scenario, June Mathis.

LADY BE CAREFUL. Presented by Adolph Zukor. 1936. 8 reels. Based on a play by Kenyon Nicholson and Charles Robinson.

Credits: Director, Theodore Reed; screenplay, Dorothy Parker, Alan Campbell, Harry Ruskin.

LADY BE GOOD. 1928. 7 reels. From the musical comedy by Guy Bolton, Fred Thompson, and George Gershwin.

Credits: Director, Richard Wallace; adaptation and continuity, Adelaide Heilbron, Jack Wagner.

LADY BEHAVE! 1938. 8 reels.

Credits: Associate producer, Albert E. Levoy; director, Lloyd Corrigan; original story, Joseph Krumgold; screenplay, Joseph Krumgold, Olive Cooper; film editor, William Morgan; music director, Alberto Colombo.

A LADY BELLHOP'S SECRET. Fox Film Corp. 1919. 2 reels.

LADY BY CHOICE. 1934. 8 reels.

Credits: Associate producer, Robert North; director, David Burton; story, Dwight Taylor; screenplay, Jo Swerling; film editor, Viola Lawrence.

LADY CLARE. 1912. 1 reel. Based on the poem by Alfred, Lord Tennyson.

THE LADY CONSENTS. 1936. 9 reels, sd.

Credits: Associate producer, Edward Kaufman; director, Stephen Roberts; story, P. J. Wolfson; screenplay, P. J. Wolfson, Anthony Veiller; music director, Roy Webb.

THE LADY DOCTOR OF GRIZZLY GULCH. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

THE LADY ESCAPES. 1937. 5,560 ft., sd. Based on the novel and play "My Second Wife" by Eugene Heltai.

Credits: Director, Eugene Forde; screenplay, Don Ettlinger; music, Samuel Kaylin.

LADY ESMERELDA'S PREDICAMENT. SEE Lost in Limehouse.

THE LADY FARE. 1929. 2 reels, sd.

Credits: Director, William Watson; story, Octavus Roy Cohen.

453© Paramount Famous Lasky Corp.; 27Sep29; LP725.

THE LADY FIGHTS BACK. 1937. 7 reels, sd. From the novel "Heather of the High Hand" by Arthur Stringer.

Credits: Associate producer, Edmund Grainger; director, Milton Carruth; screenplay, Brown Holmes, Robert T. Shannon.

LADY FOR A DAY. 1933. 10 reels, sd. From the story by Damon Runyon.

Credits: Director, Frank Capra; screenplay and dialogue, Robert Riskin; film editor, Gene Havlick.

LADY FREDERICK. SEE The Divorceé.

Credits: Producer and director, Stuart Paxton; adaptation and continuity, J. Grubb Alexander.

THE LADY FROM LONGACRE. 1921. 5 reels.

Credits: Director, George E. Marshall; story, Victor Bridges; scenario, Paul Schofield.

LADY FROM NOWHERE. 1936. 6 reels.

Credits: Producer, Irving Briskin; director, Gordon Wiles; story, Ben G. Kohn; screenplay, Fred Niblo, Jr., Arthur Strawn, Joseph Krumgold; film editor, James Sweeney.

THE LADY FROM THE SEA. Big U. 1916. 1 reel.

Credits: Produced, directed, and written by Raymond Wells.

THE LADY IN BLACK. 1935. 2 reels.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, George J. Bennett.

THE LADY IN ERMINE. First National. Presented by Asher, Small and Rogers. 1927. 7 reels. From the operetta by Rudolph Schanzer and Ernst Welisch.

Credits: Director, James Flood; screenplay, Benjamin Glazer.

THE LADY IN ERMINE. SEE Bride of the Regiment.

A LADY IN LOVE. Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels.

Credits: Director, Walter Edwards; story, Harriet Ford, Caroline Duer; scenario, Alice Eyton.

A LADY IN RED. (Merrie Melodies) 1936. 1 reel.

Credits: Animation, Bob McKimson, Ben Clopton.

THE LADY IN SCARLET. 1935. 7 reels.

Credits: Director, Charles Lamont; story, Arthur Hoerl; screenplay, Robert Ellis, Helen Logan.

A LADY IN THE LIBRARY. 1916. 1 reel.

Credits: Producer, Sidney Drew.

THE LADY IN THE LIBRARY. Falcon Features. 1917. 4 reels. Based on the story by Frederick Orin Bartlett.

Credits: Supervision, H. M. and E. D. Horkheimer; director, Edgar Jones; scenario, Lela Leibrand.

THE LADY IN THE MORGUE. 1938. 8 reels. From the novel by Jonathan Latimer.

Credits: Producer, Irving Starr; director, Otis Garrett; original story, Jonathan Latimer; screenplay, Eric Taylor, Robertson White; film editor, Ted Kent.

THE LADY IS WILLING. 1934. 7 reels, sd.

Credits: Director, Gilbert Miller; story, Louis Verneuil; screenplay, Guy Bolton; film editor, Otto Ludwig.

THE LADY KILLER. 1915. 1 reel.

Credits: Director, Norval MacGregor.

THE LADY KILLER. Metro-Rolma. Rolma Films, Inc. 1916. 1 reel.

Credits: Edward McWade; director, William Quirk.

THE LADY KILLER. 1931. 1 reel.

LADY KILLER. 1933. 8 reels, sd. From a story "Finger Man" by Rosalind Keating Shaffer.

Credits: Director, Ray Del Ruth; screenplay, Ben Markson, Lilie Hayward.

THE LADY LIES. 1929. 7,004 ft., sd. From the play by John Meehan.

Credits: Director, Hobart Henley; dialogue director, John Meehan; screen adaptation, Garrett Fort.

A LADY LION. 1928. 2 reels, b&w, blue sequences.

Credits: Director, Mark Sandrich; story and scenario, Arthur Greenlaw.

LADY LUCK. 1936. 7 reels, sd.

Credits: Director, Charles Lamont; story, Dorrell and Stuart McGowan; screenplay, John W. Kraft.

LADY LUCK. SEE Gambling Ship.

LADY LUCK'S HUSBAND. 1937. 30 min.

THE LADY OBJECTS. 1938. 7 reels, sd.

Credits: Producer, William Perlberg; director, Erle C. Kenton; screenplay, Gladys Lehman, Charles Kenyon; film editor, Al Clark; music director, Morris Stoloff.

A LADY OF CHANCE. 1929. 8 reels, sd., b&w. From the story, "Little Angel" by Leroy Scott.

Credits: Producer and director, Robert Z. Leonard; scenario, A. P. Younger; adaptation, Edmund Goulding; film editor, Margaret Booth.

THE LADY OF DREAMS. 1915. 2 reels.

THE LADY OF LYONS. SEE In the Name of Love.

THE LADY OF PERFUME. SEE Should a Wife Forgive?

A LADY OF QUALITY. Universal Jewel. 1923. 8 reels. From the novel by Frances Hodgson Burnett.

Credits: Director, Hobart Henley; scenario, Arthur Ripley, Marian Ainslee.

THE LADY OF RED BRUTE. 1919. 6 reels.

Credits: Supervision, Thomas H. Ince; director, Victor L. Schertzinger; story, C. Gardner Sullivan.

THE LADY OF SCANDAL. 1930. 8 reels, sd., b&w. From the play "The High Road" by Frederick Lonsdale.

Credits: Director, Sidney Franklin; scenario, Hans Kraly; dialogue adaptation, Claudine West, Edwin Justus Mayer; film editor, Margaret Booth.

LADY OF SECRETS. 1936. 8 reels, sd.

Credits: Producer, B. P. Schulberg; director, Marion Gering; story, Katherine Brush; screenplay, Joseph Anthony, Zoe Akins; film editor, Viola Lawrence; music director, Howard Jackson.

THE LADY OF SHALOTT. 1915. 1 reel.

Credits: Director, C. J. Williams.

THE LADY OF THE CYCLAMEN. 1915. 2 reels.

Credits: Director, Edward J. LeSaint.

THE LADY OF THE HAREM. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 5,717 ft. Adapted from the play "Hassan" by James Elroy Flecker.

Credits: Director, Raoul Walsh; scenario, James T. O'Donohoe.

THE LADY OF THE LIGHTHOUSE. 1915. 3 reels.

Credits: Producers, Harry Lambart; George Ridgewell.

LADY OF THE NIGHT. Presented by Louis B. Mayer. 1925. 6 reels.

454Credits: Director, Monta Bell; story, Adela Rogers St. Johns; scenario, Alice D. G. Miller; film editor, Ralph Dawson.

LADY OF THE PAVEMENTS. 1929. 9 reels. From the story, "La Paiva" by Karl Vollmoeller.

Credits: Director, D. W. Griffith; scenario and adaptation, Sam Taylor.

THE LADY OF THE PHOTOGRAPH. 1917. 5 reels.

Credits: Director, Ben Turbett; story, Henry Albert Phillips; scenario, Paul Sloane.

THE LADY OF THE SNOWS. 1915. 3 reels.

Credits: Edith Ogden Harrison.

LADY OF THE TROPICS. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., b&w.

Credits: Producer, Sam Zimbalist; director, Jack Conway; screenplay, Ben Hecht; film editor, Elmo Veron; music score, Franz Waxman.

THE LADY OF VICTORIES. Presented by Herbert T. Kalmus. 1928. 2 reels, color.

Credits: Supervision, Samuel Bischoff; director, William R. Neill; story, Leon Abrams; editor, Aubrey Scotto.

THE LADY OR THE TIGERS. Released through General Film Co. 1914. 1 reel.

Credits: Director, Thomas Persons.

LADY! PLEASE! (Educational's Comedies) 1932. 20 min., sd.

Credits: Director, Del Lord.

LADY RAFFLES. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, R. William Neill; story, Earl Hudson; film editor, Arthur Roberts.

LADY RAFFLES RETURNS. Gold Seal. 1916. 2 reels.

Credits: Written and produced by Grace Cunard, Francis Ford.

THE LADY REFUSES. 1931. 8 reels, sd.

Credits: Associate producer, Bertram Millhauser; director, George Archainbaud; original story, Robert Milton, Guy Bolton; screenplay, Wallace Smith.

LADY ROBINHOOD. Released by F. B. O. 1925. 6 reels.

Credits: Director, Ralph Ince; story, Clifford Howard, Burke Jenkins.

LADY ROSE'S DAUGHTER. Paramount-Artcraft. Presented by Adolph Zukor. 1920. 5 reels. From the novel by Mrs. Humphry Ward.

Credits: Director, Hugh Ford; scenario, Burns Mantle.

LADY SMITH. SEE Palm Springs.

A LADY SURRENDERS. 1930. 10 reels. From "Sincerity" by John Erskine.

Credits: Director, John M. Stahl.

A LADY TO LOVE. 1930. 10 reels, sd., b&w. Based on a play by Sidney Howard.

Credits: Producer and director, Victor Seastrom; dialogue continuity, Sidney Howard; film editor, Conrad A. Nervig.

LADY TUBBS. Presented by Carl Laemmle. 1935. 7 reels, sd. From the novel by Homer Croy.

Credits: Associate producer, L. L. Ostrow; director, Alan Crosland; screenplay, Barry Trivers; editorial supervision, Maurice Pivar; film editor, Murray Seldeen.

LADY VARLEY. SEE Modern Marriage.

THE LADY WHO DARED. Trailer. 1930. 1 reel.

THE LADY WHO DARED. 1931. 7 reels, sd. Based on "The Devil's Playground" by Kenneth J. Saunders.

Credits: Director, William Beaudine; screen version, Forrest Halsey, Kathryn Scola.

THE LADY WHO LIED. Presented by Edwin Carewe. 1925. 8 reels. Based on "Snakebite" by Robert Hichens.

Credits: Director, Edwin Carewe; adaptation, Lois Leeson; scenario adaptation by Lois Zellner, Madge Tyrone.

THE LADY WHO PLAYED FIDELE. SEE The Scarlet Saint.

LADY WINDERMERE'S FAN. 1925. 8 reels. From the play by Oscar Wilde.

Credits: Producer and director, Ernst Lubitsch; adaptation, Julien Josephson.

LADY WITH A BADGE. SEE Stranded.

LADY WITH A PAST. 1932. 9 reels, sd. From the novel by Harriet Henry.

Credits: Producer, Charles R. Rogers; director, Edward H. Griffith; screenplay, Horace Jackson; film editor, Charles Craft; music director, Arthur Lange.

LADY YOU SLAY ME. 1930. 1 reel, sd.

Credits: Director, Louis McDermott.

THE LADYKINS. 1921. 1 reel.

THE LADY'S FROM KENTUCKY. 1939. 8 reels., sd.

Credits: Producer, Jeff Lazarus; director, Alexander Hall; story, Rowland Brown; screenplay, Malcolm Stuart Boylan; film editor, Harvey Johnston.

A LADY'S MORALS. 1920. 10 reels, sd., b&w.

Credits: Director, Sidney Franklin; story, Dorothy Farnum; scenario, Hans Kraly, Claudine West; dialogue, John Meehan, Arthur Richman; film editor, Margaret Booth; music and lyrics, Carrie Jacobs Bond, Oscar Straus, Herbert Stothart, Clifford Grey, Arthur Freed, Harry Woods.

A LADY'S NAME. 1918. 5 reels. From the play by Cyril Harcourt.

Credits: Julia Crawford Ivers; director, Walter Edwards.

A LADY'S PROFESSION. 1933. 7 reels, sd.

Credits: Director, Norman McLeod; story, Nina Wilcox Putnam; screenplay, Walter DeLeon, Malcolm Stuart Boylan.

A LADY'S TAILOR. Paramount-Mack Sennett. 1919. 2 reels.

Credits: Directors, Earle Kenton, Ray Grey.

LAFITTE THE PIRATE. SEE The Buccaneer.

THE LAIR OF CHANG-HOW. (The Vagabond Series, no. 4) 1930. 1 reel, sd.

Credits: Tom Terriss.

THE LAIR OF THE WOLF. Butterfly. 1917. 5 reels.

Credits: E. Magnus Ingleton; director and producer, Charles Swickard.

THE LAKE GENEVA CAMP OF THE Y. M. C. A., LAKE GENEVA, WIS. 1912. 1 reel.

LAKE LOUISE. 1917. 1 reel.

LAKE MAGGIORE. (Paramount-Burton Holmes Travel Picture) 1922. 1 reel.

LAKE TAHOE. 1936. 1 reel, sd.

LAKME. SEE A Brahmin's Daughter.

LALAPALOOSA. (Headliner, no. 1) 1936. 16 min., sd.

Credits: Producer, Lee Marcus; director, Jean W. Yarbrough; story, Charles Roberts, Buddy Doyle; film editor, Edward Mann; music director, Roy Webb.

LAMA TEMPLE; Gift of Vincent Bendix to Chicago. (A Century of Progress) 1933. 100 ft.

THE LAMB. 1915. 5 reels. Adapted from the novel "The Man and the Test" by Granville Warwick.

Credits: Adaptation, W. C. Cabanne.

455© Triangle Film Corp. (W. C. Cabanne, author); 1Nov15; LP7887.

LAMBCHOPS. SEE Burns and Allen in Lambchops.

LAMBS ALL STAR GAMBOL NO. 3. 1932. 2 reels, sd.

Credits: Director, Joseph Santley; story, Harry Clarke, Clyde North; music director, Frank Tours.

LAMBS WILL GAMBLE. Winkler. 1930. 1 reel, sd. Adapted from George Herriman's cartoon character.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

LAME BRAINS. (Blue Ribbon Comedies, no. 1) Presented by Joe Rock. 1925. 2 reels.

LAME BRAINS AND LUNATICS. 1918. 1 reel.

Credits: Montgomery, Rock; director, J. A. Howe.

LAME DOG INN. SEE The Roadhouse Murder.

THE LAMPLIGHTER. 1921. 5 reels. From the book by Maria Cummins.

Credits: Director, Howard M. Mitchell.

THE LAMPLIGHTER. (An Oswald Cartoon) 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele; artists, Ray Fahringer, Ted Dubois.

LAMPOONS. (Goldwyn-Bray Comic) International Film Service Co., Inc. 1920. 1 reel.

Credits: Director, Burton F. Gillette.

LAMPOONS. SEE

All for the Love of a Girl.

A Doctor Should Have Patience.

The First Man to the Moon.

A Fitting Gift.

The Great Umbrella Mystery.

Happy Hooldini.

His Last Legs.

Knock on the Window, the Door Is in a Jamb.

One Good Turn Deserves Another.

Shimmie Shivers.

Smokey Smokes.

Turn to the Right Leg.

LAMPOONS and A FISH STORY. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and APOLLO. (Golden-Gray Comic) 1920. 1 reel.

LAMPOONS and HIS COUNTRY COUSIN. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and HUNTING BIG GAME. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and THE DUMMY. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and THE FLY GUY. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and THE LAST ROSE OF SUMMER. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and THE PRIZE DANCE. (Goldwyn-Bray Comic) 1920. 1 reel.

LAMPOONS and THE ROTTISERIE BROTHERS. (Goldwyn-Bray Comic) International Film Service Co., Inc. 1920. 1 reel.

Credits: Director, Grim Natwick.

LAMPOONS and THE SPONGE MAN. (Goldwyn-Bray Comic) 1920. 1 reel.

THE LANCASHIRE QUEEN. SEE Prowlers of the Sea.

THE LANCER SPY. 1937. 7,600 ft., sd.

Credits: Director, Gregory Ratoff; story, Marthe McKenna; screenplay, Philip Dunne; music director, Arthur Lange.

THE LAND ABOVE THE CLOUDS. Imp. 1916. Split reel.

THE LAND BEYOND THE LAW. Presented by Charles R. Rogers. 1927. 7 reels.

Credits: Director, Harry J. Brown; story, Marion Jackson.

LAND BEYOND THE LAW. 1937. 6 reels, sd.

Credits: Director, B. Reeves Eason; story, Marion Jackson; screenplay, Luci Ward, Joseph K. Watson; music and lyrics, M. K. Jerome, Jack Scholl.

THE LAND BEYOND THE SUNSET. 1912. 1 reel.

THE LAND NOBODY KNOWS. (Rambling Reporter Series) 1931. 1 reel, sd.

LAND O' COTTON. (Fables, no. 396) 1928. 1 reel.

Credits: Paul Terry, Frank Moser.

LAND O' FANCY. SEE Felix the Cat in Land o' Fancy.

THE LAND OF ADVENTURE. 1915. 3 reels.

Credits: Written and directed by Harry Beaumont.

THE LAND OF BENGAL. (Magic Carpet of Movietone) 1934. 1 reel, sd.

THE LAND OF BUDDHA, AS SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

THE LAND OF COFFEE. Presented by The National Federation of Coffee Growers of Colombia. 1934. 3 reels.

THE LAND OF CONTENTMENT. (Lowell Thomas' Magic Carpet of Movietone) 1938. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; narrator, Lowell Thomas.

LAND OF ENCHANTMENT. Bray Pictures Corp. (Rambling Reporter Series) 1931. 1 reel, sd.

Credits: Narrative, J. Guy Swafford.

A LAND OF ETERNAL SUMMER. 1927. 1 reel.

THE LAND OF EVANGELINE. (World on Parade, no. 3) 1935. 1 reel.

Credits: Text, Harold McCracken.

LAND OF FIGHTING MEN. 1938. 6 reels, sd.

Credits: Producer, Maurice Conn; director, Alan James; original story, Stanley Roberts; screenplay, Joseph O'Donnell; film editor, Richard G. Wray.

THE LAND OF GANDHI. (Vagabond Adventure Series) The Van Beuren Corp. 1932. 1 reel.

Credits: Supervision, Elmer Clifton; narration, Gayne Whiteman.

THE LAND OF GENGHIS KHAN. (Along the Road to Romance on the Magic Carpet of Movietone) 1936. 1 reel, sd.

Credits: Producer, Truman Talley; narrator, Lowell Thomas; editor, Lew Lehr.

THE LAND OF HARMONY. SEE

Bartram and Saxton in the Land of Harmony.

Plantation Trio in Land of Harmony.

THE LAND OF HOPE. 1921. 5 reels.

Credits: Director, Edward H. Griffith; story, Robert Milton, Frederic and Fanny Hatton; scenario, Fred Myton, Robert Milton, Frederic and Fanny Hatton.

LAND OF INCA MEMORIES. (Paramount Color Cruises) 1939. 1 reel, sd., color.

Credits: Produced and photographed by Palmer Miller, Curtis F. Nagel; narrator. Gene Hamilton.

THE LAND OF INCENSE. SEE Sweet Dynamite, The Land of Incense and Memories.

THE LAND OF JAZZ. 1920. 5 reels.

Credits: Story, Barbara La Marr Deely, Jules Furthman; adaptation and direction, Jules Furthman.

THE LAND OF LONG AGO. 1930. 1 reel, sd.

456© Columbia Pictures Corp.; 17Oct30; MP1992.

THE LAND OF LONG SHADOWS. 1917. 65 min.

Credits: Written and directed by W. S. Van Dyke.

THE LAND OF MISSING MEN. 1930. 6 reels, sd.

Credits: Written and directed by J. P. McCarthy.

THE LAND OF OPPORTUNITY. Presented by Lewis J. Selznick. 1920. 2 reels.

Credits: Producer, Ralph Ince; scenario, Lewis Allen Browne.

THE LAND OF PROMISE. 1917. 6 reels. Based on a story by W. Somerset Maugham.

Credits: Director, Joseph Kaufman; scenario, Charles E. Whittaker.

THE LAND OF PROMISE. SEE The Canadian.

THE LAND OF SAMSON. (Pilgrimage to Palestine) Presented by the Holy Land Film Co. 1928. 1 reel.

Credits: F. J. Romell.

THE LAND OF THE EAGLE. (Vagabond, no. 7) 1935. 1 reel, sd.

Credits: Text, Russell Spaulding; narration, Alois Havrilla.

THE LAND OF THE FREE. SEE One More American.

LAND OF THE INCAS. (A FitzPatrick Traveltalk) 1937. 1 reel, sd., color.

Credits: Photographer, Winton C. Hoch; music score, Jack Shilkret.

LAND OF THE KANGAROO. SEE E. M. Newman's Land of the Kangaroo.

LAND OF THE LAWLESS. 1927. 5 reels.

Credits: Wallace Smith; director, Tom Buckingham; adaptation, P. Fejos.

LAND OF THE MAGYAR. (E. M. Newman Colortour Adventure) 1937. 1 reel.

Credits: Dialogue, Ira Genet; narrator, Basil Ruysdael.

LAND OF THE MAHARAJAS. (A FitzPatrick Traveltalk) 1931. 1 reel, sd.

THE LAND OF THE MAPLE LEAF. (Along the Road to Romance on the Magic Carpet of Movietone) 1937. 1 reel, sd.

Credits: Producer, Truman Talley; narrator, Ed Thorgersen; editor, Lew Lehr.

LAND OF THE MIDNIGHT SUN. (Merrie Melody) 1939. 1 reel, sd.

Credits: Story, Melvin Millar; animation, Charles McKimson.

LAND OF THE MIDNIGHT SUN. SEE E. M. Newman's Land of the Midnight Sun.

LAND OF THE SILVER FOX. Warner Bros.-Vitaphone. 1928. 7 reels, sd.

Credits: Director, Ray Enright.

LAND OF THE SILVER FOX. Trailer. 1928. 1 reel, sd.

THE LAND OF THE SKY BLUE DAUGHTERS. 1930. 2 reels.

Credits: Director, Lewis Foster; story, E. V. Durling, Johnnie Grey.

THE LAND OF THE UNBORN CHILDREN. 1923. 1 reel.

THE LANDING OF THE PILGRIMS; a Dramatic Adaptation of the Settling of Plymouth, Mass. 1915. 1,000 ft.

Credits: Director, Langdon West.

LANDING THE HOSE REEL. (Chronicles of Bloom Center) 1915. 3 reels.

THE LANDLOPER. Yorker Film Corp. 1918. 5 reels. Adapted from the novel by Holman Day.

Credits: Director, George Irving; scenario, John B. Clymer; adaptation, Fred J. Balshofer.

THE LANDLORD. 1922. 2 reels.

Credits: Director, Earle Kenton.

LANDMARKS OF EARLY EXPLORATIONS AND SETTLEMENTS IN NORTH AMERICA. (Ford Educational Library, History, v. 2, pts. 1 & 2) Ford Motion Picture Laboratories. 1921. 1 reel each.

LANDMARKS OF FRANCE. Victor. 1917. 1/4 reel.

LANDMARKS OF THE AMERICAN REVOLUTION. (Ford Educational Library, History, v. 2) Ford Motion Picture Laboratories. 1920. 2 reels.

LANDON'S LEGACY. Broadway Universal. 1915. 5 reels.

Credits: Story, Meredith Nicholson; scenario, Walter Woods.

THE LANE THAT HAD NO TURNING. 1922. 5 reels. From the novel by Sir Gilbert Parker.

Credits: Director, Victor Fleming; adaptation, Sir Gilbert Parker, Eugene Mullin.

A LANGUAGE ALL MY OWN. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks Lokey.

THE LANGUAGE OF THE DUMB. 1915. 1,000 ft.

LAPLAND. SEE A Ramble Through the Swedish National Park.

LARCENY ON THE AIR. 1937. 6 reels.

Credits: Producer, Nat Levine; director, Irving Pichel; original story, Richard English; screenplay, Endre Bohem, Richard English.

A LARGER INCOME FOR YOU. (Educational Film Service, v. 17) 1930. 1 reel.

THE LARIAT KID. Universal Jewel. 1929. 6 reels.

Credits: Director, Reaves Eason; story, Buckleigh Fritz Oxford; continuity, Jacques Jaccard, Sylvia Bernstein.

THE LARRIMORE CASE. 1916. 3 reels.

LARRY CEBALLOS' REVUE IN CRYSTAL CAVE CAFE. 1928. 1 reel, sd.

LARRY CEBELLOS' ROOF GARDEN REVUE. 1928. 1 reel, sd.

LARRY CEBELLOS' UNDERSEA REVUE. 1928. 1 reel.

LARRY CLINTON AND HIS ORCHESTRA. (Melody Master) 1938. 11 min., sd.

Credits: Director, Lloyd French.

LARRY CLINTON AND HIS ORCHESTRA. (Melody Master) 1939. 10 min., sd.

Credits: Director, Joseph Henabery.

LARRY O'NEILL, GENTLEMAN. Imp. 1915. 2 reels.

Credits: W. A. Lathrop; producer, H. C. Easton.

Credits: Robert North Bradbury, Frank Howard Clark.

LASCA. 1919. 5 reels. From the poem by Frank Desprez.

Credits: Director, Norman Dawn; adaptation, E. P. Heath.

LASCA. SEE Lasca of the Rio Grande.

LASCA OF THE RIO GRANDE. 1931. 6 reels. Based on the poem "Lasca" by Frank Desprez.

Credits: Director, Edward Laemmle; story, Tom Reed; screenplay, Randall Faye.

457© Universal Pictures Corp.; 8Oct31; LP2542.

LASCO. SEE The Mad Stampede.

THE LASH. 1916. 5 reels.

Credits: Director, James A. Young; story, Paul West; scenario, George D. Proctor; James A. Young.

THE LASH. 1927. 1 reel.

Credits: Hal Crane; director, Bryan Foy.

THE LASH. 1930. 79 min., sd. Based on the story "Adios" by Lanier Bartlett and Virginia Stivers Bartlett.

Credits: Producer, Frank Lloyd; screen version and additional dialogue, Bradley King.

THE LASH OF PINTO PETE. 1924. 5 reels.

Credits: Director, Francis Ford.

THE LASH OF POWER. 1917. 5 reels.

Credits: J. Grubb Alexander, Fred Myton; director, Harry Solter.

THE LASH OF THE PENITENTES. 1936. 7 reels, sd.

Credits: Director, Harry J. Revier; story, Roland C. Price; screenplay, Zelma Carrol.

LASH OF THE WHIP. 1924. 5 reels.

Credits: Written and directed by Francis Ford.

LA SHNAPS, INC. 1930. 2 reels, sd.

Credits: Screen direction, Mort Blumenstock; dialogue direction, Max E. Hayes.

LASSEN VOLCANIC NATIONAL PARK. 1936. 1 reel, sd.

LASSOING A LION. 1914. 1 reel.

Credits: Director, Thomas Santschi.

THE LAST ACT. Rex. 1915. 1 reel.

Credits: Dwight Cleveland; producer, Ben Wilson.

THE LAST ACT. 1916. 5 reels.

Credits: C. Gardner Sullivan, Thomas H. Ince.

THE LAST ADAM. SEE Dr. Bull.

THE LAST ADVENTURE. 1916. 3 reels.

Credits: E. B. Heinenger; director, E. H. Calvert.

THE LAST ASSIGNMENT. SEE Fighting Coward.

THE LAST BOTTLE. (Paramount-Flagg Comedy) 1919. 2 reels.

Credits: Director, Paul Harrison; story, James Montgomery Flagg.

LAST BUT NOT LEASED. 1931. 1 reel.

LAST CAMP ON THE PAPAGIO RIVER. SEE Roosevelt Brazilian Expedition.

THE LAST CARD. 1921. 6 reels. From the story "Dated" by Maxwell Smith.

Credits: Producer, Bayard Veiller; scenario, Molly Parro; adaptation, Mary O'Hara.

Credits: Producer, Harold Shaw.

Credits: Story, William E. Wing.

THE LAST CIGARETTE. (The Perils of the Secret Service, no. 1) Imp. 1917. 2 reels. Founded on the Yorke Norroy Stories by George Bronson Howard.

Credits: Director, George Bronson Howard; scenario, Luther Reed.

THE LAST COMMAND. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 8,154 ft.

Credits: Director, Josef von Sternberg; story, Lajos Biro; screenplay, John F. Goodrich.

THE LAST DANCE. (Aesop's Sound Fable Cartoon) 1931. 727 ft.

THE LAST DAYS OF POMPEII. 1935. 10 reels, sd.

Credits: Producer, Merian O. Cooper; director, Ernest B. Schoedsack; original story, James Ashmore Creelman, Melville Baker; screenplay, Ruth Rose; collaboration on adaptation, Boris Ingster; editor, Archie F. Marshek; music, Roy Webb.

THE LAST DOGIE. Educational Pictures. Presented by E. W. Hammons. 1933. 983 ft., sd.

Credits: Director, William Watson; story, Arthur Jarrett; editor, Sam Citron; musical arrangements, Max Terr.

THE LAST DOOR. Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Ralph Ince, W. B. Foster; director, William P. S. Earle; scenario, Edward J. Montagne.

THE LAST EDITION. Released by F. B. O. 1925. 7 reels.

Credits: Producer and director, Emory Johnson; story and continuity, Emilie Johnson.

THE LAST EXPRESS. 1938. 7 reels, sd. From the novel by Baynard Kendrick.

Credits: Producer, Irving Starr; director, Otis Garrett; screenplay, Edmund L. Hartmann, film editor, Maurice Wright.

THE LAST FLIGHT. 1931. 8 reels, sd. Based on the novel "Single Lady" by John Monk Saunders.

Credits: Director, Wilhelm Dieterle; screenplay, John Monk Saunders; continuity, Byron Morgan.

THE LAST FRONTIER. Released by Producers Distributing Corp. Presented by John C. Flinn. 1926. 8 reels. From the novel by Courtney Ryley Cooper.

Credits: Director, George B. Seitz; screenplay, Will M. Ritchey.

THE LAST FRONTIER. RKO-Van Beuren. 1932. 2 reels each, sd. From the story by Courtney Ryley Cooper.

Credits: Directors, Spencer Gordon Bennet, Thomas L. Story; continuity and dialogue, George Plympton, Robert F. Hill; film editor, Thomas Malloy.

1. The Black Ghost Rides. © 5Sep32; LP3273.

2. The Thundering Herd. © 9Sep32; LP3299.

3. The Black Ghost Strikes. © 16Sep32; LP3300.

4. The Fatal Shot. © 23Sep32; LP3301.

5. Clutching Sands. © 30Sep32; LP3302.

6. The Terror Trail. © 8Oct32; LP3347.

7. Doomed. © 14Oct32; LP3376.

8. Facing Death. © 21Oct32; LP3373.

9. Thundering Doom. © 28Oct32; LP3374.

10. The Life Line. © 4Nov32; LP3447.

11. Driving Danger. © 11Nov32; LP3448.

45812. The Black Ghost's Last Ride. © 18Nov32; LP3449.

THE LAST GANGSTER. 1937. 8 reels, sd., b&w.

Credits: Director, Edward Ludwig; original story, William A. Wellman, Robert Carson; screenplay, John Lee Mahin; film editor, Ben Lewis; music score, Edward Ward.

THE LAST GENTLEMAN. 1934. 8 reels, sd. From a play by Katharine Clugston.

Credits: Director, Sidney Lanfield; screenplay, Leonard Praskins.

THE LAST HOUR. (Rothapfel Unit Programme, reel 2) 1919. Split reel. Suggested by the Elégie by Massenet.

THE LAST HOUR. Presented by Edward Sloman. 1923. 7 reels. From the story "Blind Justice" by Frank R. Adams in Munsey's Magazine.

Credits: Director, Edward Sloman.

THE LAST INDIAN. (Terry Toons) Presented by E. W. Hammons. 1938. 585 ft., sd.

Credits: Paul Terry, Connie Rasinski; music, Philip A. Scheib.

THE LAST LAUGH. Presented by Carl Laemmle. Released by Universal. 1925. 7 reels.

Credits: Director, F. W. Murman; story, Carl Mayer.

THE LAST LEAF. 1917. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Ashley Miller; adaptation, A. Van Buren Powell.

THE LAST LIFE. SEE Felix the Cat in The Last Life.

THE LAST MAIL. (Cubby Bear Cartoons) (Aesop's Sound Fables) 1933. 1 reel.

Credits: Mannie Davis.

THE LAST MAN. 1916. 5 reels.

Credits: Producer, William Wolbert.

THE LAST MAN. 1932. 7 reels, sd.

Credits: Director, Howard Higgin; screenplay, Keene Thompson, Francis Faragoh; film editor, Gene Havlick.

THE LAST MAN ON EARTH. 1924. 7 reels, b&w, tinted sequences.

Credits: Director, Jack Blystone; story, John D. Swain; scenario, Donald W. Lee.

THE LAST MILE. KBS Film Co., Ltd. Presented by E.W. Hammons. 1932. 9 reels, sd. From the play "The Last Mile" by John Wexley which was originally registered for copyright under the title "All the World Wondered" by Eli John Wexler.

Credits: Director, Sam Bischoff; screenplay, Seton I. Miller.

THE LAST MOMENT. Presented by J. Parker Read, Jr. 1923. 6 reels.

Credits: Producer, J. Parker Read, Jr.; story, Jack Boyle; scenario, J. Clarkson Miller.

THE LAST MOMENT. 1928. 6 reels.

Credits: Written and directed by Paul Fejos.

THE LAST NIP. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by John Hohenvest.

THE LAST NOSE OF SUMMERS. (The Beauty Parlor Series, no. 3) Released by F. B. O. 1927. 2 reels.

Credits: Director, Arvid E. Gilstrom; story, H. C. Witwer; adaptation, Tom McNamara; continuity, Jean Dupont; supervising editor, James Wilkinson.

THE LAST OF HIS PEOPLE. 1919. 5 reels.

Credits: Director, Robert Worth Bradbury; story, Robert Worth Bradbury, Howard Clark.

THE LAST OF MRS. CHEYNEY. 1929. 7 reels, si. From the play by Frederick Lonsdale.

Credits: Director, Sidney Franklin; continuity, Hans Kraly, Claudine West; film editor, Conrad A. Nervig.

THE LAST OF MRS. CHEYNEY. 1937. 10 reels, sd., b&w. From the play by Frederick Lonsdale.

Credits: Producer, Lawrence Weingarten; director, Richard Boleslawski; screenplay, Leon Gordon, Samson Raphaelson, Monckton Hoffe; film editor, Frank Sullivan; music score, William Axt.

Credits: Director, Cassano; scenario, Prof. Giompini, Vittorio Pollastri.

THE LAST OF THE DUANES. 1919. 7 reels.

Credits: Director, J. Gordon Edwards; story, Zane Grey; scenario, Charles Kenyon.

THE LAST OF THE DUANES. 1924. 7 reels.

Credits: Director, Lynn Reynolds; story, Zane Grey; scenario, Edward J. Montagne.

THE LAST OF THE DUANES. 1930. 6 reels, sd.

Credits: Director, Alfred Werker; story, Zane Grey; adaptation and dialogue, Ernest Pascal.

THE LAST OF THE HARGROVES. 1914. 1 reel.

Credits: Lee Arthur; director, John H. Collins.

THE LAST OF THE LONE WOLF. 1930. 7 reels. From the story by Louis Joseph Vance.

Credits: Producer, Harry Cohn; director, Richard Boleslavsky; assistant director, C. C. Coleman; adaptation, John T. Neville; continuity, Dorothy Howell; dialogue, James Whittaker; dialogue director, Stuart Walker; film editor, Dave Berg.

Credits: Written and produced by Sydney M. Goldin.

THE LAST OF THE MOE HIGGINS. 1931. 892 ft., sd.

Credits: Written and directed by Eddie Buzzell.

THE LAST OF THE MOHICANS. 1920. 6 reels. From the story by James Fenimore Cooper.

Credits: Directors, Maurice Tourneur, Clarence L. Brown; scenario, Robert Dillon.

THE LAST OF THE MOHICANS. Presented by Harry M. Goetz. Released thru United Artists. 1936. 10 reels, sd. Adapted from the story by James Fenimore Cooper.

Credits: Producer, Edward Small; director, George B. Seitz; screenplay, Phillip Dunne; adaptation, John Balderston, Paul Perez, Daniel Moore; film editor, Jack Dennis; music director, Nathaniel Shilkret.

THE LAST OF THE MORGANS. Laemmle. 1916. 2 reels. From a story "Memories," by Constance Crowley and Arthur Maude.

Credits: Scenario and direction, William V. Mong.

THE LAST OF THE NIGHT RIDERS. Bison. 1917. 2 reels.

Credits: Director, Hugh Hoffman; story, Jack Cunningham, Grant Carpenter; scenario, Carl R. Coolidge.

THE LAST OF THE OLD MILL. SEE A Woman Scorned.

LAST OF THE PAGANS. 1935. 8 reels, sd., b&w.

Credits: Producer, Philip Goldstone; director, Richard Thorpe; original story and screenplay, John Villiers Farrow; film editor, Martin G. Cohn; music score, Nat W. Finston.

THE LAST OF THE STILLS. 1915. 1 reel.

Credits: Producer, Burton L. King; story, Marc E. Jones.

459THE LAST OF THE TROUBADOURS. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Dave Smith; adaptation, F. H. Buckley.

THE LAST OUTLAW. 1919. 2 reels.

Credits: Director, Jack Ford; story, Evelyn Campbell; scenario, H. Tipton Steck.

THE LAST OUTLAW. 1923. 2 reels.

THE LAST OUTLAW. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6,032 ft.

Credits: Director, Arthur Rosson; story, Richard Allen Gates; adaptation, J. Walter Ruben; scenario, John Stone, J. Walter Ruben.

THE LAST OUTLAW. 1936. 8 reels, sd.

Credits: Associate producer, Robert Sisk; director, Christy Cabanne; original story, John Ford, E. Murray Campbell; screenplay, John Twist, Jack Townley; editor, George Hively; music director, Alberto Colombo.

THE LAST OUTPOST. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Producer, E. Lloyd Sheldon; directors, Louis Gasnier, Charles Barton; story, F. Britten Austin; screenplay, Philip MacDonald; adaptation, Frank Partos, Charles Brackett; film editor, Jack Dennis.

THE LAST PARADE. 1931. 9 reels, sd.

Credits: Producer, Jack Cohn; director, Erle C. Kenton; story, Casey Robinson; screenplay and dialogue, Dorothy Howell; film editor, Gene Havelick.

THE LAST PAYMENT. Paramount. 1921. 6 reels.

Credits: Director, George Jacoby; screenplay, John Brennert, George Jacoby.

THE LAST PERFORMANCE. Jewel. 1929. 7 reels.

Credits: Director, Paul Fejos; story, James Ashmore Creelman.

Credits: Producer, David Hepburn.

THE LAST REBEL. 1915. 2,000 ft.

Credits: Written and produced by George W. Terwilliger.

THE LAST RIDE. 1931. 6 reels.

Credits: Director, Duke Worne; story and dialogue, Arthur Hoerl.

THE LAST ROSE. 1915. 2,000 ft.

Credits: Producer, Arthur V. Johnson.

THE LAST ROSE OF SUMMER. SEE Lampoons.

THE LAST ROUND-UP. 1934. 7 reels, sd. From the novel "The Border Legion" by Zane Grey.

Credits: Producer, Harold Hurley; director, Henry Hathaway; screenplay, Jack Cunningham.

THE LAST SCENE OF ALL. 1913. 1 reel.

Credits: Maurice Lewis; director, Ashley Miller.

THE LAST SENTENCE. 1916. 5 reels. Adapted from the book by Maxwell Gray [pseud. of Mary Gleed Tuttiett].

Credits: Director, Ben Turbett; picturization, Edward H. Griffith.

THE LAST STAND. (Pioneer Kid Series) 1930. 2 reels.

Credits: Director, Jack Nelson.

THE LAST STAND. 1938. 6 reels.

Credits: Producer, Trem Carr; director, Joseph H. Lewis; original story, Harry O. Hoyt; screenplay, Harry O. Hoyt, Norton S. Parker; film editor, Charles Craft.

THE LAST STRAW. 1920. 5 reels.

Credits: Scenario and direction, Charles Swickard; story Harold Titus.

THE LAST STRAW. 1931. 1 reel.

THE LAST STRAW. (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons. 1934. 508 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

Credits: Director, J. Cullen Landis; film editor, Richard Carver; music director, Samuel Benavie.

THE LAST TRAIL. 1921. 7 reels, b&w, tinted sequences.

Credits: Director and adaptation, Emmett J. Flynn; scenario, Paul Schofield, Jules Furthman.

THE LAST TRAIL. 1927. 6 reels. From the novel by Zane Grey.

Credits: Director, Lewis Seiler; scenario, John Stone.

THE LAST TRAIL. 1933. 5,450 ft., sd. From the story by Zane Grey.

Credits: Director, James Tinling; screenplay, Stuart Anthony; editor, Barney Wolf.

THE LAST TRAIN FROM MADRID. Presented by Adolph Zukor. 1937. 8 reels, sd.

Credits: Producer, George M. Arthur; director, James Hogan; story, Paul Hervey Fox, Elsie Fox; screenplay, Louis Stevens, Robert Wyler; editor, Everett Douglas; music director, Boris Morros.

THE LAST TRAP. SEE The Dark Hour.

THE LAST WALTZ. Ufa, Berlin. 1927. 7 reels. From the musical comedy by Oscar Strauss.

Credits: Supervision, Charles A. Whittaker; director, Arthur Robison; adaptation, Alice Duer G. Miller.

THE LAST WARNING. Jewel. A Carl Laemmle special. 1928. 8 reels. From the play by Thomas F. Fallon.

Credits: Director, Paul Leni; adaptation, Alfred A. Cohn, Robert F. Hill, J. G. Hawks.

THE LAST WARNING. Crime Club. 1938. 7 reels, sd. From the novel "The Dead Don't Care" by Jonathan Latimer.

Credits: Producer, Irving Starr; director, Al Rogell; screenplay, Edmund L. Hartmann.

THE LAST WARNING. SEE The House of Fear.

THE LAST WILDERNESS. 1934. 5 reels, sd.

Credits: Dialogue, Gayne Whitman.

THE LAST WILL. 1914. 2 reels.

Credits: Director, Ulysses Davis.

THE LAST WORD. Presented by William Fox. 1927. 2 reels.

Credits: Director, Thomas Buckingham; story, Mabel Herbert Urner; scenario, Frances Hyland.

THE LAST YARD. (Rockne Football, reel 1) 1930. 1 reel, sd., color.

Credits: Terry Ramsaye.

A LASTING LESSON. 1915. 1 reel.

THE LATE CHRISTOPHER BEAN. SEE

Christopher Bean.

Her Sweetheart.

THE LATE MR. JONES. 1913.

Credits: Director, James Young.

THE LATEST ADDITION TO THE U. S. NAVY, THE SUPERDREADNOUGHT NEW YORK, LAUNCHED AT N. Y. NAVY YARD. 1912. 1 reel.

460© Thomas A. Edison, Inc.; 22Nov12; MP16.

THE LATEST FROM PARIS. 1928. 8 reels, sd., b&w.

Credits: Producer and director, Sam Wood; story and scenario, A.P. Younger; titles, Joe Farnham; film editor, Basil Wrangell.

THE LATEST IN PANTS. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Lyons, Moran.

THE LATEST IN VAMPIRES. Victor. 1916. 2 reels.

Credits: Harry Ditmar; producer, Harry C. Myers.

LATHERED TRUTH. Victor. 1916. 2 reels.

Credits: Norbert Lusk; producer, Harry C. Myers.

LATIN HI-HATTIN. Mentone. 1938. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Sands & Wilson; orchestrations, Jack Schaindlin.

LATIN RHYTHM. Presented by RKO Radio Pictures, Inc. 1938. 1 reel, sd.

Credits: Supervision, Harold Godsoe; director, Milton Schwarzwald; orchestrator, Jack Schaindlin.

LAUGH AND GET RICH. 1931. 8 reels.

Credits: Associate producer, Douglas MacLean; direction and screenplay, Gregory La Cava; story, Douglas MacLean; additional dialogue, Ralph Spence.

THE LAUGH BACK. (Red Star Comedy) 1930. 2 reels.

Credits: Director, Stephen Roberts; story, Nick Barrows, Sidney Levee.

LAUGH CLOWN LAUGH. 1928. 8 reels, sd., b&w. From the play by David Belasco and Tom Cushing.

Credits: Producer and director, Herbert Brenon; screenplay, Elizabeth Meehan; titles, Joe Farnham; film editor, Marie Halvey.

LAUGH IT OFF. 1931. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Walton Butterfield.

LAUGH IT OFF. 1939. 7 reels, sd.

Credits: Producer and director, Albert S. Rogell; original story, Lee Loeb, Mortimer Braus; screenplay, Harry Clork, Lee Loeb, film editor, Milton Carruth; music director, Charles Previn.

THE LAUGH OF SCORN. Big U. 1916. 1 reel.

Credits: William Addison Lathrop; director, Ben Wilson.

A LAUGH OR TWO. SEE Brown & Whitaker.

LAUGHING AT DANGER. 1924. 6 reels.

Credits: Director, James W. Horne; story and continuity, Frank H. Clark.

LAUGHING AT DEATH. 1929. 6 reels.

Credits: Director, Wallace W. Fox; story and continuity, Frank Howard Clark; film editor, Della King.

LAUGHING AT FATE. (Adventures of the Newsreel Cameraman) 1937. 1 reel, sd.

LAUGHING AT LIFE. Presented by Nat Levine. 1933. 7 reels, sd.

Credits: Direction and original story, Ford Beebe; adaptation, Prescott Chaplin, Thomas Dugan; film editors, Ray Snyder, Joe Kane; music director, Lee Zahler.

LAUGHING AT TROUBLE. 1936. 5,880 ft., sd. Based on a play by Adelyn Bushnell.

Credits: Director, Frank R. Strayer; screenplay, Robert Ellis, Helen Logan; music, Samuel Kaylin.

LAUGHING BILL HYDE. 1918. 6 reels. From the story by Rex Beach.

Credits: Director, Hobart Henley.

LAUGHING BOY. 1934. 8 reels, sd. From the novel by Oliver La Farge.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke; screenplay, John Cotton, John Lee Mahin; film editor, Blanche Sewell; music score, Herbert Stothart.

LAUGHING GAS. Century. 1920. 2 reels.

Credits: Written and directed by Thomas Buckingham.

LAUGHING GAS. 1922. 2 reels.

Credits: Director, Erle Kenton.

LAUGHING GAS. Presented by Samuel V. Grand. 1923. 2 reels.

Credits: Director, Reggie Morris.

LAUGHING GAS. (A Flip the Frog Cartoon) 1931. 1 reel.

LAUGHING GRAVY. 1931. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

LAUGHING IRISH EYES. 1936. 8 reels, sd.

Credits: Supervision, Colbert Clark; director, Joseph Santley; original story, Sidney Sutherland, Wallace Sullivan; screenplay, Olive Cooper, Ben Ryan, Stanley Rauh; film editor, Murray Seldeen; music supervision, Harry Grey; music and lyrics, Sam Stept, Sidney Mitchell.

THE LAUGHING LADY. 1929. 8 reels, sd. From the play by Alfred Sutro.

Credits: Director, Victor Schertzinger; adaptation, Bartlett Cormack, Arthur Richman.

THE LAUGHING LADY. SEE A Society Scandal.

LAUGHING SINNERS. 1931. 8 reels, sd., b&w. Adapted from the play "Torch Song" by Kenyon Nicholson.

Credits: Director, Harry Beaumont; additional dialogue, Edith Fitzgerald; continuity, Bess Meredyth; film editor, George Hively.

LAUGHING WITH JOHN P. MEDBURY AMONG THE NORDICKS. (A Walter Futter Novelty) Columbia. 1934. 1 reel, sd.