Motion pictures, 1912-1939, S (continued 7) — Read Online

STRAIGHT THROUGH. 1925. 5 reels.

820Credits: Director, Arthur Rosson; story and continuity by Charles Logue.

THE STRAIGHT WAY. 1916. For Fox Film Corp. 5 reels.

Credits: Produced and written by Will S. Davis.

STRAIGHTAWAY. 1934. 6 reels, sd.

Credits: Director, Otto Brower; story and screenplay, Lambert Hillyer; film editor, Otto Meyer.

A STRAND OF BLOND HAIR. 1914. 1 reel.

Credits: Director, George D. Baker.

STRANDED. Century. 1925. 2 reels.

Credits: Written and directed by William Watson.

STRANDED. 1927. 6 reels.

Credits: Director, Philip Rosen; story, Anita Loos; continuity and adaptation, Frances Guihan.

STRANDED. 1927. 1 reel, sd.

STRANDED. Warner Brothers Productions Corp. Presented by Warner Brothers Pictures, Inc. and the Vitaphone Corp. 1935. 8 reels, sd. Based on the story "Lady with a Badge" by Frank Wead and Ferdinand Reyher.

Credits: Director, Frank Borzage; screenplay, Delmer Daves; additional dialogue, Carl Erickson.

STRANDED IN PARIS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From the play "Jenny's Escapade" by Hans Bachwitz and Fritz Jakobstetter.

Credits: Associate producer, B. P. Schulberg; director, Arthur Rosson; screenplay, Ethel Doherty, Louise Long; adaptation, Herman J. Mankiewicz, John McDermott.

STRANDED IN PARIS. SEE Codee and Orth in Stranded in Paris.

A STRANGE ADVENTURE. 1917. 1 reel.

Credits: Written and directed by Marshall Neilan.

A STRANGE ADVENTURE. 1932. 7 reels, sd.

Credits: Producer, I. E. Chadwick; supervision, Trem Carr; directors, Phil Whitman, Hampton Del Ruth; story, Arthur Hoerl; dialogue, Hampton Del Ruth; continuity, Lee Chadwick.

STRANGE AS IT SEEMS. Snappy. 1931-34. 1 reel each, sd. © Universal Pictures Corp.

Credits: Directed and produced by Manny Nathan, Hahn, Jerry Fairbanks; story, John Hix; narration, Gayne Whitman.

1. © 22Aug30; LP1535.

2. © 1Oct30; LP1600.

3. © 4Nov30; LP1726.

4. © 1Dec30; LP1801.

5. © 2Jan31; LP1862.

6. © 23Jan31; LP1919.

7. © 3Mar31; LP2038.

8. © 8Apr31; LP2134.

9. © 1May31; LP2218.

10. © 27May31; LP2261.

11. © 6Jul31; LP2322.

12. © 25Aug31; LP2427.

13. © 14Sep31; LP2484.

14. © 9Oct31; LP2547.

15. © 24Nov31; LP2713.

16. © 7Jan32; LP2841.

17. © 3Mar32; LP2924.

18. © 19Apr32; LP2996.

19. © 12May32; LP3040.

20. © 29Jun32; LP3118.

21. © 4Aug31; LP3189.

22. © 13Sep32; LP3247.

23. © 15Oct32; LP3358.

24. © 9Nov32; LP3404.

25. © 21Dec32; LP3510.

26. © 25Jan33; LP3606.

27. © 2Mar33; LP3698.

28. © 14Apr33; LP3803.

29. © 26May33; LP3913.

30. © 6Jul33; LP3999.

31. © 31Jul33; LP4045.

32. © 5Sep33; LP4096.

33. © 6Oct33; LP4158.

34. © 31Oct33; LP4216.

35. © 12Dec33; LP4324.

36. © 20Jan34; LP4426.

37. © 20Feb34; LP4503.

38. © 12Apr34; LP4613.

39. © 5May34; LP4665.

STRANGE BIRDS. 1930. 10 min.

THE STRANGE BOARDER. Presented by Samuel Goldwyn. 1920. 5 reels.

Credits: Director, Clarance G. Badger; story, Will Payne.

STRANGE BOARDERS. 1938. 8 reels, sd. Based on the novel "The Strange Boarders of Palace Crescent" by E. Phillips Oppenheim.

Credits: Director, Herbert Mason; screenplay, Sidney Gilliatt, A. R. Rawlinson; editor, Michael Gordon; music director, Louis Levy.

THE STRANGE BOARDERS OF PALACE CRESCENT. SEE Strange Boarders.

STRANGE CARGO. 1929. 7 reels.

Credits: Director, Arthur Gregor; play, Benjamin Glazer, Melchior Lengyel; screenplay, Horace Jackson.

A STRANGE CASE. 1916. 3 reels.

Credits: Producer and director, Eugene Mullin.

THE STRANGE CASE. 1931. 1 reel.

THE STRANGE CASE OF CAPTAIN RAMPER. Defu. 1928. 8 reels.

Credits: Director, Max Reichman; scenario, Curt J. Braun.

THE STRANGE CASE OF CAVENDISH. SEE Lion Man.

THE STRANGE CASE OF CLARA DEANE. 1932. 8 reels, sd. From the play by Arthur M. Brilant.

Credits: Directors, Louis Gasnier, Max Marcin; screenplay, Max Marcin.

THE STRANGE CASE OF DOCTOR JEKYLL AND MR. HYDE. SEE Dr. Jekyll and Mr. Hyde.

THE STRANGE CASE OF DR. MEADE. 1938. 7 reels, sd.

Credits: Director, Lewis D. Collins; story, Gordon Rigby, Carlton Sand; screenplay, Gordon Rigby; film editor, Dwight Caldwell.

STRANGE CASE OF HENNESSY. 1934. 2 reels, sd.

Credits: Producer, Van Beuren; supervision, Monroe Schaff; director, Ray McCarey; story, Johnny Burke, Harold Spina; editor, Paul Maschke.

THE STRANGE CASE OF MARY PAGE. 1916. 2 reels each. © Essanay Film Mfg. Co.

Credits: Frederick Lewis.

1. The Tragedy. © 11Jan16; LP7407.

2. The Trial. © 18Jan16; LP7485.

3. The Web. © 31Jan16; LP7545.

4. The Mark. © 5Feb16; LP7599.

5. The Alienist. © 14Feb16; LP7644.

6. The Depths. © 21Feb16; LP7693.

7. A Confession. © 1Mar16; LP7760.

8. The Perjury. © 6Mar16; LP7782.

9. The Accusing Eye. © 13Mar16; LP7831.

10. The Clew. © 20Mar16; LP7878.

11. The Raid. © 28Mar16; LP7949.

12. The Slums. © 3Apr16; LP8012.

13. Dawning Hope. © 11Apr16; LP8067.

14. Recrimination. © 18Apr16; LP8108.

15. The Verdict. © 24Apr16; LP8150.

THE STRANGE CASE OF POISON IVY. 1933. 2 reels.

Credits: Director, Lester Neilson; story and dialogue, Al Martin.

THE STRANGE CASE OF PRINCESS KAHN; How Love Conquered Hypnotism. 1914. 2 reels.

Credits: Director, Edw. J. LeSaint.

THE STRANGE CASE OF TALMAI LIND. 1915. 3 reels.

Credits: Director, William Robert Daly.

STRANGE CEREMONIES OF THE WORLD. (World Adventures, no. 12) 1933. 1 reel.

Credits: E. M. Newman.

A STRANGE CONFESSION. Victor. 1916. 1 reel.

Credits: Producer, Jay Hunt; story, L. Hutton; scenario, L. Hutton, Jay Hunt.

A STRANGE DISAPPEARANCE. Imp. 1915. 3 reels. Adapted from the novel by Anna Katherine Green.

Credits: Producer, George A. Letaoey; scenario, Raymond L. Schrock.

STRANGE FACES. 1938. 7 reels, sd.

Credits: Associate producer, Burt Kelly; director, Errol Taggart; original story, Cornelius Reece, Arndt Giusti; screenplay, Charles Grayson; film editor, Charles Maynard.

821© Universal Pictures Co., Inc.; 2Nov38; LP8388.

STRANGE GLORY. (An Historical Mystery) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Jacques Tourneurs; screenplay, Morgan Cox; historical compilations by Charles E. Whittaker; narrator, Carey Wilson; music score, David Snell.

STRANGE IDOLS. 1922. 5 reels.

Credits: Director, Bernard J. Durning; story, Emile Forst; scenario, Jules Furthman.

A STRANGE INHERITANCE. Mustang. 1927. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

STRANGE INNERTUBE. Presented by Hal Roach. 1932. 2 reels, b&w.

Credits: Director, Del Lord; editor, Richard Currier.

STRANGE INTERLUDE. 1932. 12 reels, sd., b&w. From the play by Eugene O'Neill.

Credits: Producer, Robert Z. Leonard; dialogue continuity, Bess Meredyth, C. Gardner Sullivan; film editor, Margaret Booth.

THE STRANGE INTERVIEW. 1930. 1 reel, sd.

Credits: Producer, Louis Brock; supervision, Dick Currier; director, Al Boasberg.

STRANGE JUSTICE. Presented by Radio Pictures. 1932. 7 reels, sd.

Credits: Director, Victor Schertzinger; story and screenplay, William A. Drake; film editor, William M. Morgan.

THE STRANGE LOVE OF MOLLY LOUVAIN. 1932. 8 reels, sd.

Credits: Director, Michael Curtiz.

STRANGE MAMMALS AT HOME. 1915.

THE STRANGE MOTHER. Special Laemmle. 1916. 1 reel.

STRANGE PRAYERS. (U. F. A. Oddity) UFA 1928. 1 reel, b&w.

Credits: Edited and titled by John Michael Flick.

STRANGE PRAYERS. (U. F. A. Oddity) UFA. 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

THE STRANGE RIDER. 1925. 5 reels.

Credits: Percy N. Vekroff; director, Ward Hayes.

THE STRANGE STORY OF SYLVIA GRAY. 1914. 4 reels.

Credits: Director, Charles L. Gaskill.

THE STRANGE UNKNOWN. 1915. 3,000 ft.

Credits: Producer, Wilbert Melville.

THE STRANGE WEDDING SIGN. 1932. 1 reel.

Credits: Director, Frank Melford; story, Abraham Schomer.

STRANGE WIVES. Presented by Carl Laemmle. 1934. 8 reels, sd. From the novel "Bread Upon the Waters" by Edith Wharton.

Credits: Producer, Stanley Bergerman; director, Richard Thorpe; adaptation and screenplay, Gladys Unger; additional dialogue, Barry Trivers, James Mulhauser; film editor, Edward Curtiss.

THE STRANGE WOMAN. 1918. 6 reels. Adapted from the play by William J. Hurlbut and the novel by Sidney McCall [pseud. of Mary (McNeil) Fenollosa].

Credits: Director, E. J. LeSainte; scenario, J. Grubb Alexander; synopsis, Raymond L. Schrock.

THE STRANGER. Powers. 1915. 1 reel.

Credits: C. Frank; producer, Sydney Ayres.

THE STRANGER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,660 ft. From the story "The First and the Last" by John Galsworthy.

Credits: Ralph Block; producer and director, Joseph Henabery; adaptation, Edfrid Bingham.

THE STRANGER FROM ARIZONA. Coronet Pictures, Inc. 1938. 6 reels, sd.

Credits: Production and story, Monroe Shaff; director, Elmer Clifton; film editor, Holbrook Todd.

A STRANGER FROM SOMEWHERE. 1916. 5 reels.

Credits: Willis Woods; director, William Worthington.

THE STRANGER FROM TEXAS. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; story, Ford Beebe; screenplay, Paul Franklin; film editor, Mel Thorsen; music and lyrics, Bob Nolan, Tim Spencer.

A STRANGER IN CAMP. Victor. 1915. 1 reel.

A STRANGER IN HIS OWN HOME. Imp. 1916. 1 reel.

Credits: J. Grubb Alexander; producer, Matt Moore.

A STRANGER IN NEW YORK. 1916. 3 reels. From the play by Charles Hoyt.

Credits: Director, T. N. Heffron; scenario, Gilson Willets.

THE STRANGER IN THE VALLEY. 1915. 1 reel.

STRANGER IN TOWN. 1932. 7 reels, sd. Based on the story "Competition" by Carl Erickson.

Credits: Director, Erle C. Kenton; screenplay, Carl Erickson, Harvey Thew.

THE STRANGER RIDES AGAIN. 1938. 1 reel.

Credits: Director, Mannie Davis.

STRANGER THAN FICTION. 1921. 76 min.

Credits: Director, J. A. Barry; story, Charles Richman, Arthur Shelby Le Vino; editor, Ralph Spence.

STRANGER THAN FICTION. 1921. 6 reels.

Credits: Director, J. A. Barry; original story, Charles Richman, Albert Shelby LeVino.

STRANGER THAN FICTION. Snappy. 1934-39. 1 reel each, sd.

Credits: Producers, Joseph O'Brien, Thomas Mead, Allyn Butterfield, Charles E. Ford; direction and story, Charles E. Ford; script, Henry Clay Bate; narrators, Alois Havrilla, James Wallington.

1. © 29Jun34; MP4839.

2. © 1Aug34; MP4908.

3. © 20Aug34; MP4927.

4. © 6Dec34; MP5134.

5. © 10Dec34; MP5154.

6. © 4Feb35; MP5369.

7. © 11Feb35; MP5386.

8. © 20Mar35; MP5475.

9. © 20Mar35; MP5476.

10. © 4Jun35; MP5643.

11. © 6Jun35; MP5644.

12. © 24Jun35; MP5685.

13. © 24Jun35; MP5687.

14. © 11Nov35; MP5959.

15. © 21Nov35; MP5982.

16. © 17Dec35; MP6065.

17. © 17Dec35; MP6066.

18. © 23Mar36; MP6308.

19. © 25Mar36; MP6317.

20. © 25May36; MP6481.

21. © 4Jun36; MP6497.

22. © 17Jun36; MP6557.

23. © 29Jun36; MP6591.

24. © 14Jul36; MP6623.

25. © 30Jul36; MP6650.

26. © 14Aug36; MP6695.

27. © 25Sep36; MP6808.

28. © 6Oct36; MP6831.

29. © 26Oct36; MP6871.

30. © 4Dec36; MP6951.

31. © 22Dec36; MP7001.

32. © 23Dec36; MP7002.

33. © 11Feb37; MP7178.

34. © 10Mar37; MP7259.

35. © 12Apr37; MP7339.

36. © 12May37; MP7415.

37. © 3Jun37; MP7482.

38. © 25Jun37; MP7545.

39. © 29Jul37; MP7647.

40. © 18Aug37; MP7705.

41. © 20Sep37; MP7764.

42. © 19Oct37; MP7869.

43. © 12Nov37; MP7912.

44. © 26Nov37; MP7946.

45. © 6Jan38; MP8050.

46. © 2Feb38; MP8129.

47. © 11Mar38; MP8234.

48. © 17Mar38; MP8250.

49. © 7Apr38; MP8304.

50. © 2May38; MP8380.

51. © 25May38; MP8437.

52. © 13Jun38; MP8520.

53. © 2Sep38; MP8735.

54. © 13Sep38; MP8751.

55. © 13Sep38; MP8759.

56. © 21Nov38; MP8903.

57. © 21Nov38; MP8904.

58. © 21Nov38; MP8905.

59. © 23Feb39; MP9159.

82260. © 28Feb39; MP9183.

61. © 28Feb39; MP9184.

62. © 9May39; MP9360.

63. © 10May39; MP9382.

64. © 16Jun39; MP9472.

65. © 16Jun39; MP9474.

66. © 8Sep39; MP9640.

67. © 8Sep39; MP9641.

68. © 26Sep39; MP9667.

69. © 7Dec39; MP9797.

70. © 7Dec39; MP9798.

71. © 7Dec39; MP9799.

STRANGERS ALL. 1935. 8 reels, sd. From the play by Marie M. Bercovici.

Credits: Associate producer. Cliff Reid; director, Charles Vidor; screenplay, Milton Krims; editor, Jack Hively; music director, Roy Webb.

THE STRANGER'S BANQUET. 1922. 9 reels. From the story by Donn Byrne.

STRANGERS IN LOVE. 1932. 6,334 ft. Based on the novel "The Shorn Lamb" by William J. Locke.

Credits: Director, Lothat Mendes; screenplay, Grover Jones, William Slavens McNutt.

STRANGERS MAY KISS. 1931. 10 reels, sd., b&w. From the book by Ursula Parrott.

Credits: Producer, George Fitzmaurice; dialogue continuity, John Meehan; film editor, Hugh Wynn.

STRANGERS OF THE EVENING. Presented by Tiffany Pictures. 1932. 7 reels, sd. Adapted from the book "The Illustrious Corpse" by Tiffany Thayer.

Credits: Producer, Sam Bischoff; director, H. Bruce Humberstone; adaptation and dialogue, Stuart Anthony, Warren B. Duff; film editor, Dave Berg.

STRANGERS OF THE NIGHT. Presented by Louis B. Mayer. 1923. 8 reels, tinted. Adapted from the Sam K. Harris production of "Captain Applejack" by Walter Hackett.

Credits: Production, supervision, and direction, Fred Niblo; scenario, Bess Meredyth; adaptation, G. Gardner Sullivan; film editor, Loyd Nosler.

STRANGERS ON A HONEYMOON. 1936. 7 reels, sd. From the novel "The Northing Tramp" by Edgar Wallace.

Credits: Director, Albert De Courville; adaptation, Julian Houston; screenplay, Sidney Gilliat, Bryan Wallace; editor, C. Randell; music director, Louis Levy.

THE STRANGER'S RETURN. 1933. 9 reels, sd., b&w. From the novel by Phil Stong.

Credits: Producer, King Vidor; screenplay, Brown Holmes, Phil Stong; film editor, Dick Fantl.

THE STRANGEST ARMY IN THE WORLD. Powers. 1917. 1 reel.

THE STRANGLER. (William J. Burns Detective Mysteries) Educational Film Exchanges, Inc. 1931. 12 min.

Credits: Director, G. C. Reid; story, adaptation, and dialogue, Russell Matson.

Credits: Director, James Gordon.

THE STRAPHANGER. Presented by Century Comedies. 1921. 2 reels.

Credits: Story and direction, Fred Hibbard.

THE STRATEGIST. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Emily Brown Heininger.

STRATHMORE. SEE Flames of Desire.

STRATOS-FEAR. (Willie Whopper Cartoon) 1933. 1 reel.

STRAWBERRY ROAN. (Baskette) 1933. 6 reels.

Credits: Director, Alan James; story, screenplay, and dialogue, Nate Gatzert.

THE STRAY SHOT. 1915. 1 reel.

THE STRAYED LAMBS. SEE A Great Mistake.

STREAM GRADATION. SEE The Work of Rivers.

THE STREAM OF LIFE. 1919. 7 reels.

Credits: Director, Horace G. Plympton; story, James K. Shields.

STREAMLINE EXPRESS. Presented by Nat Levine. 1935. 8 reels, sd.

Credits: Supervision, George Yohalem; director, Leonard Fields; original story, Wellyn Totman; screenplay, Leonard Fields, Dave Silverstein, Olive Cooper; film editor, Joseph Lewis.

STREAMLINED GRETA GREEN. (Merrie Melodies) 1937. 8 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Cal Dalton, Ken Harris; musical score, Carl W. Stalling.

STREAMLINED SWING. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Producer, Louis Lewyn; director, Buster Keaton; screenplay, Marion Mack; dialogue, John Krafft.

STREET ANGEL. 1928. 10 reels, b&w, lavender sequences. From the play by Monckton Hoffe.

Credits: Director, Frank Borzage; adaptation, Philip Klein, Henry Roberts Symonds; continuity, Marion Orth.

THE STREET CALLED STRAIGHT. 1919. 5 reels.

Credits: Director, Wallace Worsley; story, Basil King; scenario, Edward Lowe.

STREET FAKIRS. 1915. 1 reel.

STREET GIRL. Radio. 1929. 8,200 ft., sd. From the story "The Viennese Charmer" by W. Carey Wonderly.

Credits: Associate producer, Luther Reed; director, Wesley Ruggles; adaptation and dialogue, Jane Murfin.

STREET GIRL. Radio. 1929. 8,200 ft., sd. From the story "The Viennese Charmer" by W. Carey Wonderly.

Credits: Associate producer, Luther Reed; director, Wesley Ruggles; adaptation and dialogue, Jane Murfin.

STREET OF CHANCE. 1930. 7,023 ft.

Credits: Director, John Cromwell; story and dialogue, Oliver H. P. Garrett; scenario, Howard Estabrook.

THE STREET OF FORGOTTEN MEN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels. From the Liberty Magazine story by George Kibbe Turner.

Credits: Producer, Herbert Brenon; screenplay, Paul Schofield; adaptation, John Russell.

THE STREET OF ILLUSION. 1928. 7 reels.

Credits: Producer, Harry Cohn; director, Erie C. Kenton; story, Channing Pollock; screenplay, Harvey Thew; continuity, Dorothy Howell; film editor, Frank Atkinson.

STREET OF MISSING MEN. 1939. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Sidney Salkow; original story, Eleanor Griffen, William Rankin; screenplay, Frank Dolan, Leonard Lee; film editor, Ernest Nims; music director, Cy Feuer.

THE STREET OF SIN. 1928. 7 reels.

Credits: Director, Mauritz Stiller; story, Josef von Sternberg, Benjamin Glazer; scenario, Chandler Sprague.

STREET OF WOMEN. 1932. 7 reels, sd. Based on the novel by Polan Banks.

Credits: Director, Archie Mayo; screenplay, Mary McCall, Jr.; adaptation and dialogue, Charles Kenyon, Brown Holmes.

STREET SAFETY FOR ADVANCED GRADES. (Safety Series) 1934. Made in cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology, the National Safety Council, and the American Automobile Association. 954 ft.

STREET SAFETY FOR PRIMARY GRADES, Grades 1-3. (Safety Series) 1934. Made in cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology, the National Safety Council, and the American Automobile Association. 474 ft.

823© Eastman Teaching Films, Inc. (K. R. Edwards, author); 5Feb34; MP4848.

STREET SCENE. United Artists. 1931. 9 reels. Adapted from the play by Elmer Rice.

Credits: Director, King Vidor; adaptation, Elmer Rice.

THE STREET SINGER. 1932. 2 reels.

Credits: Producer, Rowland Brice; director, Monte Brice; story, William Rowland, Monte Brice.

THE STREET SINGERS. 1913. 2 reels.

Credits: Directors, Wilfred North, Wallie Van [pseud. of Wally Van Nostrand].

THE STREETCAR. 1939. 1 reel.

STREET CARS AND CARBUNCLES. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Dick Smith.

THE STREETS OF CAIRO. (Rambling Reporter) Bray Pictures Corp. 1931. 1 reel.

Credits: Narrative by Malcolm La Prade.

THE STREETS OF MAKE BELIEVE. Imp. 1915. 1 reel.

Credits: Producer, George A. Lessey; scenario, P. Kelly.

STREETS OF MYSTERY. (Vagabond Series, no. 2) 1930. 1 reel, sd.

Credits: Tom Terriss.

THE STREETS OF NEW YORK. State Pictures Corp. 1922. 7 reels. Suggested by the play by Leota Morgan.

Credits: Director, Burton King.

STREETS OF NEW YORK. 1939. 8 reel, sd.

Credits: Supervision, William T. Lackey; director, William Nigh; screenplay and original story, Robert D. Andrews; film editor, Russell Schoengarth.

STREETS OF PARIS. (A Century of Progress) 1933. 100 ft.

STREETS OF PARIS. (A Century of Progress Exposition) New version. 1933. 1 reel.

STREETS OF SHANGHAI. Presented by Tiffany-Stahl. 1928. 6 reels. From the story by John Francis Natteford.

Credits: Director, Louis Gasnier; film editor, Martin G. Cohn.

STRENGTH. 1915. 1 reel.

Credits: Producer, Ulysses Davis.

THE STRENGTH OF A SAMSON. 1915. 1 reel.

Credits: Producer, E. A. Martin.

THE STRENGTH OF DONALD MCKENZIE. Mutual Star. 1916. 5 reels.

Credits: William Russell, John Prescott; dramatization, J. Edward Hungerford; story, Russell E. Smith.

THE STRENGTH OF LOVE. SEE When the Earth Trembled.

STRENGTH OF THE PINES. 1922. 5 reels.

Credits: Director, Edgar Lewis; story, B. Edison Marshall; adaptation, Louise Lewis.

THE STRENGTH OF THE WEAK. 1915. 2 reels.

THE STRENGTH OF THE WEAK. 1916. 5 reels. Adapted from the play by Alice M. Smith and Charlotte Thompson.

Credits: Producer, Lucius Henderson; adaptation, William Addison Lathrop.

STRENGTHENING OUR NATION. 1924. 3 reels.

Credits: Written and directed by M. Gertrude Slaughter.

THE STRENUOUS LIFE. 1914. 1 reel.

Credits: Producer, John L. Hawkinson.

STRETCHING THE TRUTH. 1924. 2 reels.

Credits: Director, Benjamin Stoloff.

STRICTLY BUSINESS. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Will Courtney.

STRICTLY CONFIDENTIAL. 1919. 5 reels. Founded on the play "Fannie and the Servant Problem" by Jerome K. Jerome.

Credits: Director, Clarence G. Badger.

STRICTLY DISHONORABLE. 1931. 10 reels. From the stage play by Preston Sturges.

Credits: Director, John M. Stahl; screenplay, Gladys Lehman.

STRICTLY DYNAMITE. 1934. 8 reels, sd.

Credits: Associate producer, H. N. Swanson; director, Elliott Nugent; story, Robert T. Colwell, Robert A. Simon; screenplay, Maurine Watkins, Ralph Spence; additional dialogue, Milton Raison, Jack Harvey; editor, George Crone; music director, Max Steiner.

STRICTLY FRESH YEGGS. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, Fred Guiol, Jack Townley; film editor, John Lockert.

STRICTLY MODERN. 1930. 6 reels. Based on "Cousin Kate" a play by Hubert Henry Davies.

Credits: Producer, William A. Seiter; adaptation, Ray Harris, Gene Towne.

STRICTLY MODERN. Trailer. 1930. 1 reel, sd.

STRICTLY NEUTRAL. 1915. 1 reel.

Credits: Director, C. Jay Williams.

STRICTLY PERSONAL. 1933. 8 reels, sd.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; story, Wilson Mizner, Robert T. Shannon; screenplay, Willard Mack, Beatrice Banyard; additional dialogue, Casey Robinson; film editor, Joseph Kane.

STRICTLY-UNCONVENTIONAL. 1930. 6 reels, sd., b&w. Based on the play "The Circle" by W. Somerset Maugham.

Credits: Director, David Burton; talking version, Sylvia Thalberg, Frank Butler; film editor, Margaret Booth.

STRICTLY UNRELIABLE. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, George Marshall; dialogue, H. M. Walker; editor, Richard Currier.

THE STRIFE ETERNAL; the Romance of Jane Shore. Barker Motion Photography, Ltd. 1915. 5 reels.

THE STRIFE OF THE PARTY. 1931. 2 reels.

Credits: Director, Mark Sandrich; story and adaptation, Ned Sparks, Mark Sandrich.

STRIKE! (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE STRIKE BREAKERS. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Story, C. B. Hoadley.

STRIKE ME PINK. Released through United Artists. 1936. 11 reels, sd. Adapted from the Saturday Evening Post serial "Dreamland" by Clarence Budington Kelland.

824Credits: Director, Norman Taurog; adaptation and screenplay, Frank Butler, Walter DeLeon, Francis Martin; additional dialogue, Philip Rapp; film editor, Sherman Todd; music director, Alfred Newman; music and lyrics, Harold Arlen, Lew Brown.

THE STRIKE OF THE RATTLER. 1923. 2 reels.

Credits: Director, Jay Marchant; story and scenario, Karl Coolidge.

STRIKE ONE. Nestor. 1917. 1 reel.

Credits: Story and direction, Craig Hutchinson; scenario, C. B. Hoadley.

STRIKE UP THE BAND. 1930. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

STRIKE! YOU'RE OUT. Presented by E. W. Hammons. 1936. 968 ft., sd.

Credits: Director, Robert Hall; story, Art Jarrett, Marcy Klauber.

STRIKES AND SPARES. (M. G. M. Oddity) 1934. 1 reel.

Credits: Director, Felix E. Feist; explanatory remarks by Pete Smith.

STRING BEAN JACK. (Terry Toons) Presented by Paul Terry. 1938. 1 reel, sd., color.

Credits: Director, John Foster; music, Philip A. Scheib.

STRING BEANS. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Victor Schertzinger; story, Julien Josephson; editor, Duncan Mansfield.

THE STRING CHOIR. 1931. 1 reel.

THE STRING CHOIR. 1938. 1 reel, sd.

STRINGS AND STRAINS. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Produced and directed by George M. Arthur; music, Lewis E. Gensler.

STRINGS OF STEEL. 1926. 2 reels each.

Credits: Director, Henry Mac Rae; story, Phillip Dutton Hurn, Oscar Lund.

1. The Voice on the Wire. © 15May26; LP22738.

2. The First Central. © 22May26; LP22759.

3. Fighting for Love. © 29May26; LP22786.

4. The Power of Might. © 24Jun26; LP22848.

5. Kings of the Wire. © 26Jun26; LP22849.

6. Voice of the Continent. © 6Jul26; LP22877.

7. Telephone Poles. © 8Jul26; LP22895.

8. War of the Wires. © 15Jul26; LP22913.

9. When Lightning Strikes. © 15Jul26; LP22915.

10. Love and Victory. © 22Jul26; LP22949.

STRIPES AND STARS. 1918. 1 reel.

Credits: Story and direction, Walter Hall.

STRIPES AND STARS. Winkler. 1929. 1 reel.

Credits: Walt Lantz.

STRIPES AND STUMBLES. 1918. 1 reel.

Credits: Written and directed by Lawrence Semon.

STRIVING FOR FORTUNE. 1926. 6 reels.

Credits: Director, Nat Ross; story, Merle Johnson.

THE STROKE OF FATE. 1915. 1,000 ft.

STROKE OF GENIUS. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Producer and director, Nat Ross; associate producer, Jack White; original story, Edwin Rutt, Vernon McKenzie; screenplay, Walter Wise, Hugo Butler.

THE STROKE OF MIDNIGHT. Swedish Biograph. 1922. 6 reels.

Credits: Selma Lagerlof; adapted and directed by Victor Seastrom.

THE STROKE OF THE PHOEBUS EIGHT. 1913. 1 reel.

Credits: Anne and Bannister Merwin.

STRONG AND WILLING. SEE Trixie Friganza in Strong and Willing.

THE STRONG ARM SQUAD. Rex. 1916. 1 reel.

Credits: Grace Cunard; producer, Francis Ford.

STRONG BOY. 1929. 6 reels, b&w.

Credits: Director, John Ford; story, Frederick Hazlitt Brennan; scenario, James Kevin McGuinness, Andrew Bennison.

STRONG EVIDENCE. 1916. 1 reel.

STRONG FOR LOVE. 1925. 2 reels.

Credits: Director, Louis Seiler.

THE STRONG MAN. Presented by Harry Langdon Corp. 1926. 7 reels.

Credits: Director, Frank Capra; story, Arthur Ripley.

STRONG TO THE FINICH. (A Popeye the Sailor Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneltel, Roland Crandall.

Credits: Director, George Kelson; story, Octavus Roy Cohen.

Credits: Producer, A. Ambrosio.

THE STRONGER LOVE. 1916. 5 reels.

Credits: Director, Frank Lloyd.

THE STRONGER SEX. 1930. 2 reels, sd.

Credits: Director, William Watson; story, Florence Ryerson, Colin Clements.

STRONGER THAN DEATH. Rex. 1915. 2 reels.

Credits: Producer, Joseph Degrass; scenario, Bess Meredyth.

STRONGER THAN DEATH. Presented by Richard A. Rowland and Maxwell Karger. 1920. 7 reels. From the novel "The Hermit Doctor of Gaya" by I. A. R. Wylie.

Credits: Directors, Herbert Blache, Charles Bryant; scenario and adaptation, Charles Bryant.

STRONGER THAN DESIRE. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. Based on a novel by W. E. Woodward.

Credits: Producer, John W. Considine, Jr.; director, Leslie Fenton; screenplay, David Hertz, William Ludwig; film editor, W. Donn Hayes; music score, Edward Ward, David Snell.

STRONGER THAN LOVE. 1915. 1 reel.

STRONGER THAN STEEL. Laemmle. 1916. 2 reels. From the story by George Bronson Howard.

Credits: Director, Allen J. Holubar.

STRONGER THAN WOMAN'S WILL. 1916. 3 reels.

THE STRONGER VOW. Presented by Samuel Goldwyn. 1919. 6 reels.

Credits: Director, Reginald Barker; story, Izola Forrester.

THE STRONGER WILL. Presented by Samuel Zierler. 1928. 6,723 ft.

Credits: Director, Bernard McEveety; supervision and story, Harry Chandlee; adaptation, Adrian Johnson.

THE STRONGEST. 1920. 5 reels, b&w, tinted sequences. Based on the story by Georges Clemenceau.

Credits: Direction and scenario, R. A. Walsh.

STRONGHEART. 1914.

825STRONGHEART. SEE Braveheart.

Credits: Scenario, Frank E. Montgomery.

THE STRUGGLE. Rex. 1915. 1 reel.

Credits: Producer, Jos. DeGrasse; story, L. V. Jefferson; scenario, Calder Johnstone.

Credits: Director, John Ince; book, Harry Chandlee.

Credits: Story, William E. Wing.

THE STRUGGLE. 1931. 9 reels.

Credits: Director, D. W. Griffith; story, Anita Loos, John Emerson.

THE STRUGGLE EVERLASTING. Presented by Harry Rapf. 1918. 6 reels.

Credits: Edwin Milton Royle; director, James Kirkwood; scenario, Bennet Musson.

THE STRUGGLE FOR EXISTENCE. SEE The Nature Man.

STRUGGLE OF THE ENGLISH AND FRENCH FOR AMERICA. 1920. 1 reel.

THE STRUGGLE UPWARD. 1915. 2,000 ft.

Credits: Harold G. Files; director, James W. Castle.

THE STUBBORN MULE. (Walter Lantz Cartune) (A Walter Lantz Lil Eightball) 1939. 1 reel, sd.

STUCK IN THE STICKS. 1937. 2 reels, sd.

Credits: Director, Preston Black; screenplay, Ewart Adamson.

STUCK STUCK STUCCO. 1933. 1 reel, sd.

Credits: Director, Alf Goulding; story. Glen Lambert, Jack Henley.

THE STUDENT PRINCE IN OLD HEIDELBERG. 1928. 10 reels, b&w. From the book "Karl Heinrich" by Wilhelm Meyer-Förster.

Credits: Director, Ernst Lubitsch; story, Meyer-Förster; continuity, Hans Kraly; titles, Marian Ainslee, Ruth Cummings; film editor, Andrew Marton.

STUDENT TOUR. 1934. 9 reels, sd., b&w.

Credits: Producer, Monta Bell; director, Charles F. Reisner; original story, George Seaton, Arthur Bloch, Samuel Marx; screenplay, Ralph Spence, Philip Dunne; film editor, Frank Hall; music and lyrics, Nacio Herb Brown, Arthur Freed; music director. Jack Virgil.

THE STUDENT'S ROMANCE. Presented by Associated British Picture Corp., Ltd. 1936. 7,066 ft., sd. Adapted from the operetta "I Lost My Heart in Heidelberg;" original lyrics by Beda [pseud. of Fritz Löhner] and Ernst Neubach; English lyrics by Harry S. Pepper; music by Fredy Raymond.

Credits: Director, Otto Kanturek; adaptation and scenario, Clifford Grey, Richard Hutter, Norman Watson.

STUDIES IN CLAY. 1915.

Credits: Drawn by Vincent Whitman.

A STUDIO CINDERELLA. Special Laemmle. 1917. 1 reel.

A STUDIO ESCAPADE. 1915. 2 reels. From the story "The Escape" by Charles Belmont Davis.

Credits: Director, Lloyd B. Carleton.

THE STUDIO GIRL. 1918. 5 reels. Adapted from the comedy "La Gamine" by Pierre Veber and Henri de Gorsse.

Credits: Director, Charles Giblyn; adaptation, Paul West.

THE STUDIO MURDER MYSTERY. 1929. 6,009 ft.

Credits: Production, direction, adaptation and dialogue, Frank Tuttle; story by the Edingtons; screen playright, Ethel Doherty.

STUDIO PESTS. (An Ideal Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

THE STUDIO RUBE. 1922. 2 reels.

Credits; Director, Gil Pratt.

STUDIO SAP. (Chester Conklin Comedy) 1931. 1 reel.

Credits: Supervision, Phil L. Ryan; director, Frank C. Griffin; story, Frank C. Griffin, George Cleethorpe.

STUDIO SAP. (Chester Conklin Comedy) 1931. 2 reels, sd.

Credits: Supervision, Phil L. Ryan; director, Frank C. Griffin; story, Frank C. Griffin, George Cleethorpe.

STUDY AND UNDERSTUDY. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood, A. Dorian Otvos.

STUDY IN BOTANY. 1913. 1 reel.

A STUDY IN FEET. 1914. 1 reel.

Credits: Director, Harry Lambart.

A STUDY IN FORD SAFETY. Ford Motion Picture Laboratories. 1923. 2 reels.

A STUDY IN SCARLET. World Wide. Presented by E. W. Hammons. 1933. 62 min., sd. Suggested by the book by Sir Arthur Conan Doyle.

Credits: Director, Edwin L. Marin; screenplay, Robert Florey; continuity and dialog, Reginald Owen.

A STUDY IN TRAMPS. 1915. 1 reel.

Credits: Director, Lee Beggs.

THE STUDY OF A CAVE IN LIMESTONE. 1920. 1 reel.

THE STUDY OF INFANT BEHAVIOR. 1930. 2 reels.

Credits: Arnold Gesell.

A STUDY OF SHORE FEATURES: A BOLD SHORE. 1920. 1 reel.

A STUDY OF SHORE FEATURES: A LOW SHORE. 1920. 1 reel.

Credits: Story and continuity by J. Allman and E. O'Toole.

A STUDY OF THE WORK OF RIVERS. 1920. 1 reel.

STÜRME DER LEIDENSCHAFT (TEMPEST). 1932. 10 reels.

Credits: Director, Robert Siedmak; story, Robert Leibmann, Hans Mueller.

STUFF ON THE BALL. (Sports-Eye View, no. 4) 1932. 1 reel.

Credits: Director, Jack Eaton.

THE STUFF THAT DREAMS ARE MADE OF. 1914. 2 reels. A new version of the Edison comedy.

826Credits: Director, Charles H. France.

STUFFED LIONS. Century. 1921. 2 reels.

Credits: Written and directed by Chuck Reisner.

STUFFY'S ERRAND OF MERCY. 1935. 1 reel, sd.

Credits: Editor, Bert Frank.

STUMBLING. Imp. 1916. 2 reels.

Credits: Producer and director, Leon D. Kent; story, Max Genaski; scenario, Harvey Gates.

THE STUMBLING HERD. SEE Rose of the Tenements.

STUNG. 1916. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

STUNG. 1931. 10 min.

Credits: F. R. Buckley; adapted and directed by William Cowen.

STUNG AGAIN. 1933. 2 reels.

Credits: Director, W. P. Hackney; story, B. Vernon Smith, James W. Horne.

THE STUNT MAN. (Educational-Larry Semon Comedy) 1927. 2 reels.

Credits: Written and directed by Larry Semon.

STUNT PILOT. 1939. 7 reels, sd.

Credits: Producer, Paul Malvern; director, George Waggner; original story, Hal Forrest; screenplay, Scott Darling, Joseph West; film editor, Carl Pierson.

Credits: Producer, John L. Hawkinson.

STUPID BUT BRAVE. (Tuxedo Comedies) Educational. 1924. 2 reels.

Credits: Written and directed by Al St. John.

THE STUPOR-VISOR. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; story and direction, Charles Roberts; film editor, John Lockert.

STURM IN WASSERGLAS. SEE Storm in a Teacup.

A STUTTERING ROMANCE. 1930. 1 reel.

Credits: Director, Arthur Hurley; story, Stanley Raugh.

STYLES AND SMILES. (Nu-Atlas Musical, no. 2) 1938. 11 min., sd.

Credits: Director, Milton Schwarzwald.

STYLISH STOUTS. (An Educational Coronet Comedy) Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, William Watson.

SUBMARINE. 1928. 9 reels.

Credits: Producer, Irvin Willat; director, Frank R. Capra; story, Norman Springer.

SUBMARINE D-l. Cosmopolitan. First National. 1937. 11 reels, sd.

Credits: Director, Lloyd Bacon; story, Frank Wead; screenplay, Frank Wead, Warren Duff, Lawrence Kimble; music, Max Steiner.

THE SUBMARINE EYE. 1917. 8 reels.

SUBMARINE PATROL. 1938. 95 min., sd. From a book by Ray Millholland.

Credits: Associate producer, Gene Markey; director, John Ford; screenplay, Rian James, Darrell Ware, Jack Yellen; film editor, Robert Simpson; music director, Arthur Lange.

A SUBMARINE PIRATE. 1915. 4 reels.

Credits: Supervision, Mack Sennett; directors, Charles Avery, Syd Chaplin.

SUBMARINES AND SIMPS. 1918. 2 reels.

Credits: Director, Roy McGray; story, Earl Montgomery, Joe Rock.

THE SUBSTITUTE. 1915. 1,000 ft.

THE SUBSTITUTE HEIR. 1914. 1 reel.

Credits: Producer, E. A. Martin.

THE SUBSTITUTE STENOGRAPHER. (A Kate Kirby Detective Story) 1913.

THE SUBSTITUTE WIFE. 1925. 6 reels.

Credits: Director, Wilfred May; story, Katherine Smith.

THE SUBURBAN. Imp. 1915. 4 reels.

Credits: Producer, George Lessey; story, C. T. Dazy; scenario, James Dayton.

THE SUBURBAN. SEE The Kentucky Derby.

SUBWAY EXPRESS. 1931. 7 reels, sd. From the play by Eva Kay Flint [pseud. of Eva Finklestein] and Martha Madison [pseud. of Martha O'Dwyer].

Credits: Director, Fred Newmeyer; adaptation and dialogue, Earl Snell; film editor, Arthur Huffsmith.

SUBWAY SADIE. 1926. 7 reels.

Credits: Director, Alfred Santell; story, Mildred Cram; scenario, Adele Comandini, Paul Schofield.

SUCCESS. Presented by Murray W. Garsson. 1923. 7 reels.

Credits: Written and adapted by Adelaide Leitzbach, Theodore A. Liebler, Jr.; producer and director, Ralph Ince.

SUCCESS AT ANY PRICE. Group Theatre, Inc. 1934. 8 reels, sd. From the play "Success Story" by John Howard Lawson.

Credits: Associate producer, H. N. Swanson; director, J. Walter Ruben; screenplay, John Howard Lawson, Howard J. Green; editor, Jack Hively; music director, Max Steiner.

THE SUCCESS OF THE WHIPPET. 1927. 1 reel.

SUCCESS STORY. SEE Success at Any Price.

THE SUCCESSFUL ADVENTURE. 1918. 5 reels.

Credits: Supervisor, Maxwell Karger; director, Harry L. Franklin; story, June Mathis; scenario, June Mathis, Katharine Kavanaugh.

A SUCCESSFUL CALAMITY. Warner Bros, and Vitaphone. 1932. 8 reels. Based on the play by Clare Kummer.

Credits: Director, John G. Adolfi; adaptation and dialogue, Austin Parker, Maude Howell, Julian Josephson.

SUCCESSFUL DEMONSTRATIONS. 1926.

SUCCESSFUL FAILURE. 1934. 7 reels, sd. From the novel by Michael Kane.

Credits: Producer, Trem Carr; supervision, George Yohalem; director, Arthur Lubin; screenplay, Marion Orth; editor, Jack Ogilvie.

SUCCESSFUL SELLING METHODS. 1937. For the Texas Co. 1 reel, sd.

SUCH A HUNTER. 1914. 1 reel.

Credits: Director, George D. Baker.

SUCH A LITTLE PIRATE. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels.

827Credits: Director, George Melford; story, James Oliver Curwood; scenario, Monte M. Katterhohn.

SUCH A LITTLE QUEEN. 1921. 5 reels. Adapted from the play by Channing Pollock.

Credits: Director, George Fawcett; scenario, J. Clarkson Miller, Laurence McCloskey.

SUCH A LOVELY COUPLE. SEE People Will Talk.

SUCH A PRINCESS. Rex. 1915. 3 reels.

SUCH IS LIFE. (Century Comedy) 1923. 2 reels.

Credits: Orpheus B. Caravias; supervision and direction, James Vincent.

SUCH IS LIFE IN ALASKA. (Travelaugh) Powers. 1916. 1 reel.

Credits: Hy Mayer.

SUCH IS LIFE IN CHINA. (Universal Travelaugh) Powers. 1916. 1 reel.

Credits: Hy Mayer.

SUCH IS LIFE IN SOUTH ALGERIA. Powers. 1917. 1 reel.

SUCH MEN ARE DANGEROUS. 1930. 7,400 ft., sd. Based on the story by Elinor Glyn.

Credits: Associate producer, Al Rockett; screenplay and dialogue, Ernest Vajda; editor, Harold Schuster.

SUCH THINGS REALLY HAPPEN. 1915. 2,000 ft.

SUCH WOMEN ARE DANGEROUS. 1934. 7,421 ft., sd. From the story "Odd Thursday" by Vera Caspary.

Credits: Director, James Flood; screenplay, Jane Storm, Oscar M. Sheridan; additional dialogue, Lenore Coffee; music director, Louise de Francisco.

SUCKER MONEY. 1933. 8 reels, sd.

Credits: Directors, Dorothy Reid, Melville Shyer.

SUDDEN BILL DORN. 1937. 6 reels, sd.

Credits: Director, Ray Taylor; story, Jackson Gregory; screenplay, Frances Guihan; film editor, Bernard Loftus.

SUDDEN MONEY. 1939. 6 reels, sd. Based on a play by Milton Lazarus.

Credits: Director, Nick Grinde; screenplay, Lewis Foster; film editor, Ellsworth Hoagland.

Credits: Director, Emile Chautard; story, E. Richard Schayer; scenario, Clara S. Beranger.

SUDS. 1920. 5 reels. From the play "'Op o' Me Thumb" by Frederick Fenn and Richard Pryce.

Credits: Director, Jack Dillon; adaptation, Waldemar Young.

SUDS OF LOVE. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Jay A. Howe.

SUE. 1915. 1 reel.

Credits: Victor Eubank.

SUE MY LAWYER. 1938. 2 reels, sd.

Credits: Director, Jules White; story, Harry Langdon; screenplay, Ewart Adamson.

SUE OF THE SOUTH. 1919. 5 reels.

Credits: Director, W. Eugene Moore; story, Maud Reeves White; scenario, Charles J. Wilson, Jr.

SUED FOR LIBEL. 1939. 66 min., sd.

Credits: Producer, Cliff Reid; director, Leslie Goodwins; story, Wolfe Kaufman; screenplay, Jerry Cady; editor, Desmond Marquette; music director, Roy Webb.

SUEZ. 1938. 9,389 ft., sd.

Credits: Director, Allan Dwan; story, Sam Duncan; screenplay, Philip Dunne, Julien Josephson; music director, Louis Silvers.

THE SUFFERIN' BABY. 1915. 700 ft.

Credits: Marie Pavis; director, Will Louis.

THE SUFFERING OF SUSAN. 1914. 1 reel.

A SUFFRAGETTE IN SPITE OF HIMSELF. 1912. 600 ft.

Credits: Bannister Merwin.

SUGAR. (Ford Educational Library. Agriculture) Ford Motion Picture Laboratories. 1925. 1 reel.

THE SUGAR BOWL FOOTBALL GAME AT NEW ORLEANS, SANTA CLARA VS. L. S. U., JANUARY 1, 1938. 1938. 1 reel.

SUGAR DADDIES. 1927. 2 reels.

Credits: Director, Fred L. Guiol.

SUGAR PLUM PAPA. (Educational-Mack Sennett Talking Comedies) 1930. 21 min., sd.

Credits: Director, Mack Sennett.

THE SUICIDE CLUB. SEE Trouble for Two.

SUICIDE FLEET. 1931. 9 reels, sd., b&w. From the story "The Mystery Ship" by Herbert A. Jones.

Credits: Producer, Charles R. Rogers; director, Albert Rogell; screenplay, Lew Lipton; continuity and dialogue, F. McGrew Willis; film editor, Joseph Kane; musical director, Arthur Lange.

THE SUICIDE SHEIK. Snappy. Winkler. 1929. 1 reel.

Credits: Hugh Harman.

SUICIDE SQUAD. 1936. 6 reels, sd.

Credits: Producer, C. C. Burr; director, Raymond K. Johnson; story, C. E. Roberts, Ray Nazzaro; scenario, Homer King Gordon; special dialogue, Edward K. O'Brien; editor, Arthur Brooks; music, Abe Meyer.

SUITABILITY SELLS SUITS. 1937. For Associated Wool Industries. Filmstrip, sd.

SUITE HOMES. 1927. 2 reels, b&w. Based on the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Zion Myers; scenario, Max Gold.

THE SUITOR. 1920. 2 reels.

Credits: Written and directed by Larry Semon and Norman Taurog.

THE SUITOR. 1929. 1 reel, sd.

Credits: Director, Dick Currier; editor, Arthur F. Ellis.

SUITS TO NUTS. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, Harry Sweet; story, Harry Sweet, Hugh Cummings, Walter Weems, Hal Davitt; film editor, Tom Persons.

THE SULTAN AND THE ROLLER SKATES. 1914. 1 reel.

Credits: Epes Winthrop Sargent; director, C. Jay Williams.

THE SULTAN OF ZULON. 1915. 2 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

828© The Vitagraph Co. of America (William G. Howard, author); 10Sep15; LP6633.

SULTAN PEPPER. (King Cartoon, no. 7) 1934. 1 reel. Based on "The Little King" cartoon by O. Soglow.

Credits: Director, George Stallings; animation, Jim Tyer.

Credits: Henry Rowland.

A SULTANA OF THE DESERT. 1915. 2 reels.

Credits: Director, Thomas Santschi.

THE SULTAN'S CAMP OF VICTORY. (Around the World with Burton Holmes) 1930. 1 reel, sd.

THE SULTAN'S CAT. (Paul Terry-Toons) 1931. 6 min.

Credits: Frank Moser, Paul Terry.

SUMMER. (Walt Disney Comic) 1930. 1 reel.

SUMMER BACHELORS. Presented by William Fox. 1926. 6 reels, tinted. From the novel by Warner Fabian [pseud.].

Credits: Director, Allan Dwan; scenario, James Shelley Hamilton.

SUMMER BOARDERS. 1917. 1 reel.

Credits: Director General, J. G. Blystone.

SUMMER BOARDING. 1917. 1 reel.

Credits: Director, Chester M. De Vonde; story, Thomas J. Gray.

SUMMER DAZE. 1932. 2 reels, sd.

Credits: Director, Albert Ray; story, H. O. Kusell.

Credits: Director, Edwin August; story, Louis V. Jefferson.

THE SUMMER GIRLS. 1918. 2 reels.

Credits: Director, Edward Cline.

SUMMER IN WINTER. 1921. 1 reel.

Credits: Direction and scenario, E. Dean Parmelee.

SUMMER KNIGHTS. Snappy. 1928. 1 reel.

Credits: Story and direction, Ansel Friedberger; continuity, George H. Plympton.

SUMMER LIGHTNING. SEE I Met My Love Again.

A SUMMER RESORT IDYLL. 1914. 1 reel.

Credits: Dorothy H. Brown.

SUMMER SAPS. (Educational-Lupino Lane Comedy) 1929. 2 reels.

Credits: Director, Henry W. George.

SUMMERS AND HUNT IN SOME PUMPKINS. 1929. 1 reel, sd.

SUMMERTIME. (Aesop Sound Fable) Presented by The Van Buren Corp. 1929. 1 reel, sd.

Credits: John Foster.

SUMMER TIME. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

THE SUMMONING SHOT. 1915. 1 reel.

Credits: Producer, John L. Hawkinson.

SUN-CHASERS. (Sportlight) 1936. 1 reel.

Credits: Narrator, Ted Husing.

THE SUN NEVER SETS. 1939. 10 reels, sd.

Credits: Producer and director, Rowland V. Lee; story, Jerry Horwin, Arthur FitzRichard; screenplay, W. P. Lipscomb; film editor, Ted Kent.

THE SUNBEAM. 1916. 5 reels.

Credits: Shannon Fife; director, Edwin Carewe; scenario, June Mathis.

SUNBEAMS. (Robert C. Bruce Scenic Novelties) Presented by E. W. Hammons. 1926. 1 reel.

A SUNBONNET BLUE. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Sid Sutherland, Virgil Ross; musical score, Carl W. Stalling.

SUNDAE SERENADE. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood, Jack Henley.

Credits: Producer, George Lederer; screen version, Herbert Hall Winslow.

A SUNDAY AFTERNOON IN RURAL ENGLAND. 1912.

SUNDAY CLOTHES. (Scrappy) Presented by Columbia Pictures Corp. 1931. 1 reel, sd.

Credits: Dick Heumer; producer, Charles Mintz; animation, Sid Marcus; musical score, Joe De Nat.

SUNDAY GO TO MEETIN' TIME. (Merrie Melodies) 1936. 1 reel. Sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Bob McKimson, Paul Smith; musical score, Norman Spencer.

SUNDAY MORNING. 1929. 2 reels.

Credits: Director, Harry Edwards.

SUNDAY NIGHT AT THE TROCADERO. 1937. 2 reels, sd., b&w.

Credits: Producer, Louis Lewyn; director, George Sidney; dialogue, John Krafft.

SUNDAY ON THE FARM. (Fables, no. 380) 1928. 1 reel.

Credits: Paul Terry, John Foster.

THE SUNDAY ROUND-UP. 1937. 2 reels, sd.

Credits: Director, William Clemens; original story, William Collier, Jr.; screenplay, H. C. Witwer, Jr., Olga Jamison.

SUNDAY SPORTS IN MEXICO. Treasure Chest. Presented by E. W. Hammons. 1935. 917 ft., sd.

Credits: Director, Antonio Samaniego; narration, Norman Brokenshire.

SUNDAYING IN FAIRVIEW. Black Cat. 1917. 2 reels.

Credits: Director, L. C. Windom; story, Charles J. McGuirk.

SUN DOG TRAILS. 1923. 5 reels.

Credits: Director, Lewis King; story, W. C. Tuttle; scenario, Daniel Whitcomb.

SUNDOWN. 1924. 8 reels.

Credits: E. J. Hudson; directors, Laurence Trimble, Harry O. Hoyt.

SUNDOWN ON THE PRAIRIE. 1939. 6 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; story and screenplay, William Nolte, Edmond Kelso; additional dialogue, Edmond Kelso.

SUNDOWN RIDER. 1932. 7 reels.

Credits: Screenplay and direction, Lambert Hillyer; story, Jack Neville.

SUNDOWN SLIM. 1920. 5 reels. From the story by H. H. Knibbs.

Credits: Director, Val Paul.

SUNDOWN SLIM. SEE The Burning Trail.

THE SUNDOWN TRAIL. 1919. 6 reels.

Credits: Director, Rollin Sturgeon; story, J. G. Hawks; scenario, Waldemar Young.

829© Universal Film Mfg. Co., Inc.; 8Sep19; LP14155.

SUNDOWN TRAIL. 1931. 6 reels, sd., b&w. From the story by Robert F. Hill.

Credits: Supervision, Fred Allen; direction and dialogue, Robert F. Hill; music director, Arthur Lange.

SUNKEN SILVER. 1925. 2 reels each. From the story "Black Caesar's Clan" by Albert Payson Terbune. © Pathe Exchange, Inc.

Credits: Producer and director, George B. Seitz; scenario and adaptation, Frank Leon Smith.

1. Watched. © 15Apr25; LP21356.

2. On Secret Service. © 15Apr25; LP21357.

3. The Hidden Way. © 15Apr25; LP21358.

4. Fangs. © 18May25; LP21469.

5. Sea Tigers. © 18May25; LP21470.

6. In Double Peril. © 26May25; LP21495.

7. Face to Face. © 1Jun25; LP21517.

8. The Shadow on the Stairs. © 8Jun25; LP21540.

9. The Secret Panel. © 17Jun25; LP21568.

10. The End of the Trail. © 23Jun25; LP21577.

SUNKISSED SWEETIES. (Andy Clyde Comedies) 1932. 22 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Jack Townley.

SUNKIST STARS AT PALM SPRINGS. (An M-G-M Musical Revue) 1936. 2 reels, sd., color.

Credits: Producer, Louis Lewyn; director, Roy Rowland; dialogue, John Krafft.

SUNLIGHT AND SHADOW. Imp. 1916. 1 reel.

Credits: Written and produced by Brinsley Shaw; scenario, May B. Havey.

SUNLIGHT'S LAST RAID. 1917. 5 reels.

Credits: Director, William Wolbert; story, Cyrus Townsend Brady.

SUNNY. First National & Vitaphone. 1930. 80 min., sd.

Credits: Producer and director, William A. Seiter; book and lyrics, Otto Harbach, Oscar Hammerstein, II.; music, Jerome Kern.

SUNNY CALIFORNIA. SEE May McAvoy in Sunny California.

A SUNNYDAY EVERYDAY. 1937. For Crane Co. Filmstrip, sd.

SUNNY DUCROW. SEE Sunny Side up.

SUNNY GYM. Century. 1923. 2 reels.

Credits: Written and directed by Herman C. Raymaker.

SUNNY ITALY. 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

Credits: Producer, George Walter Staton.

SUNNY JIM IN SEARCH OF A MOTHER. 1913. 1 reel.

Credits: Director, Tefft Johnson.

SUNNY SANDS AND DRIFTING SNOW. SEE Henpecks and Pecked Hens, Sunny Sands and Drifting Snow, and Memories.

SUNNYSIDE. 1919. 3 reels.

Credits: Written and produced by Charlie Chaplin.

SUNNY SIDE UP. De Mille Pictures Corp. Released by Producers Distributing Corp. 1926. 6 reels. From the novel "Sunny Ducrow" by Henry St. John Cooper.

Credits: Supervision, Elmer Harris; director, Donald Crisp; adaptation, Beulah Marie Dix, Elmer Harris.

SUNNYSIDE UP. 1929. 12,000 ft., sd.

Credits: Continuity directed by David Butler, Ernest Palmer; staged by Seymour Felix; edited by Irene Morra.

SUNNY SKIES. 1930. 8 reels, sd.

Credits: Director, Norman Taurog; story, A. P. Younger; continuity. Earl Snell.

SUNNY SOUTH. (An Oswald Comedy) Snappy. 1931. 1 reel.

THE SUNNY SOUTH. (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons. 1933. 518 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

SUNNY, THE CATTLE THIEF. 1913. 1 reel.

Credits: Director, W. J. Bauman.

SUNRISE. 1927. 10 reels.

Credits: Hermann Sudermann; director, F. W. Murnau; scenario, Carl Mayer.

THE SUNRISE TRAIL. 1931. 6 reels, sd.

Credits: Director, J. P. McCarthy; story and adaptation, Wellyn Totman.

THE SUNSET DERBY. 1927. 6 reels.

Credits: Producer, Charles R. Rogers; director, Albert Rogell; story, William Dudley Pelley; scenario, Curtis Benton.

THE SUNSET HUNTER. 1930. 1 reel.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

SUNSET JONES. 1921. 5 reels.

Credits: Director, George L. Cox; adaptation, Daniel F. Whitcomb.

THE SUNSET LEGION. 1928. 7 reels.

Credits: Director, Lloyd Ingraham, Alfred L. Werker; story, Frank M. Clifton.

SUNSET OF POWER. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Producer, Buck Jones; director, Ray Taylor; original story, J. E. Grinsted; screenplay, Earl Snell; film editor, Bernard Loftus.

SUNSET PASS. 1929. 5,862 ft. Based on the story by Zane Grey.

Credits: Director, Otto Brower; adaptation, J. Walter Ruben, Ray Harris.

SUNSET PASS. 1933. 7 reels, sd. From the novel by Zane Grey.

Credits: Director, Henry Hathaway; screenplay, Jack Cunningham, Gerald Geraghty.

SUNSET RANGE. 1935. 6 reels, sd.

Credits: Director, Ray McCarey; story and continuity, Paul Schofield.

SUNSET SPRAGUE. 1920. 5 reels.

Credits: Director, Thomas Heffron, Paul Cazeneuve; story and scenario, Clyde C. Westover.

THE SUNSET STRIP CASE. 1938. 7 reels, sd. From the original story "Murder on Sunset Boulevard" by Harold Joyce.

Credits: Producer, George Hirliman; director, Louis Gasnier; screenplay, Arthur Hoerl, Paul Franklin; film editor, Martin G. Cohn; music supervision, Hugo Riesenfeld; music director, Sam Coslow.

THE SUNSET TRAIL. 1917. 5 reels. From the story by Alice McIver.

Credits: Director, George H. Melford; adaptation, Beulah Marie Dix.

THE SUNSET TRAIL. 1924. 5 reels.

Credits: Director, Ernst Laemmle; adaptation, Isadore Bernstein; continuity, Wyndham Gittens.

SUNSET TRAIL. Presented by Adolph Zukor. 1939. 7 reels, sd. Based on characters created by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Lesley Selander; screenplay, Norman Houston.

SUNSHINE ALLEY. 1917. 6 reels.

Credits: Director, John Noble; story, Mary Rider.

SUNSHINE AND SHADOWS. 1914. 2 reels.

Credits: Director, Van Dyke Brooke.

SUNSHINE AND SHADOWS. (Paramount-Post Nature Pictures) Post Pictures Corp. 1919. 1 reel.

Credits: Verse, H. C. Ruth.

THE SUNSHINE BOYS, DAVE RINGLE, EDDIE ROTH [AND] BILLY SHARKEY [IN] A TRIPLE ALLIANCE OF SONG, MUSIC [AND] FUN. 1927. 1 reel each.

SUNSHINE DAD. 1916. 5 reels.

Credits: Scenario, Chester Withey, F. M. Pierson.

THE SUNSHINE MAKERS. Released by RKO Radio. 1935. 1 reel, color.

Credits: Directors, Burt Gillett, Ted Eshbaugh.

SUNSHINE NAN. 1918. Adapted from "Calvary Alley" by Alice Hegan Rice. 5 reels.

Credits: Director, Charles Giblyn; scenario, Eve Unsell.

SUNSHINE SAMMY AND HIS BROTHERS IN STEPPIN' ALONG. (Movietone Act) 1929. 1 reel, sd.

SUNSHINE SUSIE. SEE The Office Girl.

THE SUNSHINE TRAIL. 1923. 5 reels.

Credits: William Wallace Cook; adaptation, Bradley King.

SUNSHINE'S DARK MOMENT. (Barney Google Series, no. 7) 1929. 2 reels.

Credits: Director, St. Elmo Boyce; story, E. V. Durling, George Gray.

SUN UP. 1925. 7 reels, b&w, tinted sequences. From the play by Lulu S. Vollmer.

Credits: Production, direction, scenario, and adaptation, Edmund Goulding; story, Lulu S. Vollmer; film editor, Harold Young.

SUPER OF THE GAIETY. SEE His Tiger Lady.

SUPER-ATHLETES. (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE SUPERIOR CLAIM. Bison. 1915. 3 reels.

Credits: Ben Cohn; producer, Jos. Franz.

THE SUPERIOR WHIPPET'S DOLLAR FOR DOLLAR VALUE. 1929. 1 reel.

SUPERNATURAL. 1933. 7 reels, sd.

Credits: Producers, Victor and Edward Halperin; director, Victor Halperin; dialogue director, Sidney Salkow; story and adaptation, Garnett Weston; screenplay, Harvey Thew, Brian Marlow.

THE SUPER-SEX. 1922. 5,749 ft. Adapted from the story "Miles Brewster and the Super-Sex" by Frank R. Adams.

Credits: Producer, Frank R. Adams; direction, adaptation, and scenario, Lambert Hillyer.

SUPER-SLEUTH. 1937. 7 reels, sd. From the play by Harry Segall.

Credits: Producer, Edward Small; director, Ben Stoloff; screenplay, Gertrude Purcell, Ernest Pagano; editor, William Hamilton.

THE SUPER SNOOPER. Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, E. H. Allen; director, Harry J. Edwards; story and dialogue, Ernest Pagano, Ewart Adamson, C. Edward Roberts, Beatrice Van.

THE SUPER SNOOPER. 1937. 2 reels.

Credits: Director, Preston Black; story and screenplay, Ewart Adamson.

SUPER-SOLVENIZED PRIZE CONTEST, APRIL 1 TO MAY 31, 1936. 1936. 1 reel. Sd.

SUPERSPEED. 1935. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Harold Shumate; film editor, Otto Meyer.

SUPERSTITION. 1920. 2 reels.

Credits: Director, Edward Laemmle; story, A. H. Gooden; scenario, Ford Beebe.

THE SUPERSTITION OF THE BLACK CAT. (Paramount Varieties) Presented by Adolphe Zukor. 1934. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

THE SUPERSTITION OF THE RABBIT'S FOOT. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

THE SUPERSTITION OF THREE ON A MATCH. (Paramount Varieties) Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

THE SUPERSTITION OF WALKING UNDER A LADDER. (Paramount Varieties) Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

SUPERSTITIONS OF SPORTS CHAMPIONS. SEE The Fortune Telling Racket, Superstitions of Sports Champions, and a Visit to West Point.

SUPERSTITIOUS CEYLON. 1916. 1/2 reel.

SUPERSTITIOUS CHINA. Powers. 1917. 1/2 reel.

THE SUPERSTITIOUS GIRL. (James Montgomery Flagg's Girls You Know) 1918. 1 reel.

Credits: Director, Jack Eaton; story, James Montgomery Flagg.

SUPERSTITIOUS JOE. 1913. 1 reel.

SUPER-STUPID. (Coronet Comedies) Presented by E. W. Hammons. 1934. 1,705 ft., sd.

Credits: Director, Leigh Jason; story and adaptation, Mauri Grashin, Leigh Jason, Billy Gilbert.

SUPPER AT SIX. Mentone. 1933. 2 reels.

Credits: Director, Lynn Shores; story and dialogue, Ballard MacDonald.

THE SUPPLE SEX. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

SUPPORTING ADVERTISING AT THE COUNTER. SEE

Credits and Collections.

How Inventory Shortages Develop.

THE SUPPRESSED CRIME. (William J. Burns Detective Mysteries) 1931. 11 min.

SUPPRESSED EVIDENCE. 1915. 2 reels.

THE SUPREME IMPULSE. Imp. 1915. 1 reel.

Credits: John B. Clymer; director, Lucius Henderson.

Credits: Directors, Harley Knoles, Lionel Belmore.

THE SUPREME TEMPTATION. 1916. 5 reels.

Credits: Director, Harry Davenport.

THE SUPREME TEST. Broadway U. 1915. 5 reels.

Credits: Producer, E. J. Le Saint; story, L. V. Jefferson; adaptation, Harvey Gates.

THE SURE CURE. National Film Corp. of America. Presented by Smiling Bill Parsons. 1920. 2 reels.

Credits: Director, William A. Seiter; story, Bob McGowan.

SURE CURE. (Mermaid Comedies) 1927. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

A SURE CURE. 1930. 1 reel, sd.

Credits: Director, Ray Cozine; dialogue staged, Max Hayes.

SURE FIRE. 1921. 5 reels.

Credits: Producer, Jack Ford; story, Eugene Manlove Rhodes; scenario, George Hull.

SURE FIRE. (Bobby Vernon Comedies) Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, Earl Rodney; story, Hal Conklin.

SURE FIRE FLINT. 1922. 7 reels.

Credits: Director, Dell Henderson; story and scenario, Gerald C. Duffy.

SURE-LOCKED HOMES. SEE Felix the Cat.

SURE SHOT MORGAN. Universal Special. 1922. 2 reels.

Credits: Story, T. Shelley Sutton; scenario, C. J. Wilson, Jr.

SURE—WE CAN SELL MORE MILK! For International Association of Milk Dealers. 1937. 1 reel, sd.

SURE WE LUBRICATE HYPOIDS. Presented by The Texas Co. 1937. Filmstrip, 72 frames, sd.

SURF AND SAIL. (A Grantland Rice Sportlight) Presented by the Van Beuren Corp. 1929. 1 reel.

Credits: Jack Eaton.

SURF HEROES. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Written and directed by Charles T. Trego.

SURF SCANDAL. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Noel Smith.

SURGEON WARREN'S WARD. 1914. 2 reels.

A SURGEON'S REVENGE. 1916. 2 reels.

SURPRISE. 1930. 1 reel.

SURPRISE. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

SURPRISE. 1939. 1 reel, sd.

THE SURPRISE OF MY LIFE. 1915. 1 reel. Adapted from the Munsey Magazine.

Credits: H. K. Ward.

A SURPRISE PARTY. 1914.

Credits: Producer, Norval MacGregor.

SURPRISED HONEY. Bluebird. 1927. 1 reel.

Credits: Director, Richard Smith.

THE SURPRISES OF AN EMPTY HOTEL. 1915. 4 reels. Based on the book by Archibald Clavering Gunter.

Credits: Director, Theodore Marston.

SURPRISING HUSBAND. 1918. 1 reel.

Credits: Director, Graham Baker.

THE SURRENDER. Bison. 1915. 3 reels.

Credits: Producer, Harold Entwhistle; scenario, L. V. Jefferson.

SURRENDER. Jewel. 1927. 8 reels. From the stage play "Lea Lyon" by Alexander Brady.

Credits: Director, Edward Sloman.

SURRENDER. 1931. 6,600 ft., sd. From the novel "Axelle" by Pierre Benoit.

Credits: Director, William K. Howard; screenplay and dialogue, S. N. Behrman, Sonya Levien; editor, Paul Weatherwax.

THE SURVEY. Presented by Willard. 1938. 1 reel, sd.

SUSAN LENOX. 1931. 8 reels, sd., b&w. From the book by David Graham Phillips.

Credits: Producer, Robert Z. Leonard; adaptation and continuity, Wanda Tuchock; dialogue, Zelda Sears, Leon Gordon; film editor, Margaret Booth.

SUSANNAH, A LITTLE GIRL OF THE MOUNTIES. SEE Susannah of the Mounties.

SUSANNAH OF THE MOUNTIES. 1939. 7,105 ft., sd. Based on the book "Susannah, a Little Girl of the Mounties" by Muriel Denison.

Credits: Director, William A. Seiter; story, Fidel la Barba, Walter Ferris; screenplay, Robert Ellis, Helen Logan; music director, Louis Silvers.

SUSAN'S GENTLEMAN. 1917. 5 reels.

Credits: Director, Edwin Stevens; scenario, John C. Brownell.

SUSIE THE SLEUTH. 1916. 1 reel.

Credits: Director, George D. Baker.

SUSIE'S AFFAIRS. 1934. 2 reels, sd.

Credits: Story and direction, Archie Gottler; film editor, James Sweeney.

SUSIE'S SUITORS. 1915. Split reel.

THE SUSPECT. 1916. 6 reels. From the story "The Silver Shell" by H. J. W. Dam.

SUSPENSE. 1919. 6 reels. From the story by Isabel Ostrander.

Credits: Director, Frank Reicher; adaptation, Eve Unsell.

SUSPENSE. 1930. 8 reels, sd. From the play by Patrick MacGill.

Credits: Adaptation and direction, Walter Summers; film edited by Walter Stokvis under the supervision of Emile de Ruelle.

SUSPICIOUS CHARACTERS. 1915. 1 reel.

Credits: Henry Beldon.

SUTTER'S GOLD. 1936. 10 reels, sd. Based on the story by Blaise Cendrars, by arrangement with Bruno Frank.

Credits: Director, James Cruze; screenplay, Jack Kirkland, Walter Woods, George O'Neil.

Credits: Producer, Hardee Kirkland.

SUZANNA. Released by Allied Producers and Distributors Corp. 1923. 8 reels. From the novel by Linton Wells.

Credits: Supervision, Mack Sennett; director, F. Richard Jones; film editor, Allen McNeil.

SUZANNE. SEE A Naked Soul.

SUZY. 1936. 9 reels, sd., b&w. From the novel by Herbert Gorman.

Credits: Producer, Maurice Revnes; director, George Fitzmaurice; screenplay, Dorothy Parker, Alan Campbell, Horace Jackson, Lenore Coffee; film editor, George Boemler; musical score, William Axt.

SVENGALI. 1931. 9 reels, sd. Based on the novel by George Louis DuMaurier.

Credits: Director, Archie Mayo; screenplay and dialogue, J. Grubb Alexander.

SVENGARLIC. (A Krazy Kat) Presented by Columbia Pictures. Winkler. 1931. 1 reel, sd. Adapted from the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

THE SWAMI. SEE Vengeance.

THE SWAMP. 1921. 5,560 ft.

Credits: Director, Colin Campbell; story, Sessue Hayakawa; adaptation, J. Grubb Alexander.

THE SWAMP ANGEL. SEE Painted People.

SWAMP LAND. (Struggle to Live, no. 1) 1936. 1 reel, sd.

Credits: Narrator, Gayne Whitman.

THE SWAN. Paramount. 1925. 6 reels. From the play by Ferenc Molnar.

Credits: Screenplay and direction, Dimitri Buchowetzki.

THE SWAN. SEE One Romantic Night.

THE SWAN GIRL. 1913. 1 reel.

Credits: Director, Ralph Ince.

SWAN LIFE. 1915. Split reel.

SWANEE CRUISE. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery.

SWANEE RIVER. Presented by George W. Weeks. 1931. 52 min., sd.

Credits: Supervision, Harry S. Webb; director, Raymond Cannon; story, screenplay, continuity, and dialogue, Barbara Chambers; adaptation, Arthur Hoerl; music, Harry Woods.

SWANEE RIVER. SEE Anna Case in Swanee River.

SWANS. (A Paramount Paragraphic) 1939. 1 reel, sd.

Credits: Commentary, Justin Herman; narrator, Frank Gallop.

SWAT THE FLIRT. (Lyons-Moran Star Comedy) 1918. 1 reel.

SWAT THE FLY. 1935. 1 reel, sd.

Credits; Director, Dave Fleischer.

SWAT THE SPY. 1918. 5 reels.

Credits: Director, Arvid E. Gillstrom; story, Hamilton Thompson, Arvid E. Gillstrom; scenario, Raymond L. Schrock.

SWEARING OFF. Victor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, W. Warren Schoene.

SWEDE-HEARTS. Victor. 1917. 2 reels.

Credits: Story and direction, George E. Marshall; scenario, C. J. Wilson, Jr.

SWEDEN. 1934. 982 ft.

SWEDEY THE JANITOR. Nestor. 1916. 1 reel.

Credits; Written and produced by Wallace Beery.

SWEEDIE IN VAUDEVILLE. 1915. 1 reel.

SWEEDIE LEARNS TO RIDE. 1915. 1 reel.

SWEEDIE'S FINISH. 1915. 1 reel.

SWEEDIE'S HERO. 1915. 1 reel.

SWEEDIE'S HOPELESS LOVE. 1915. 1 reel.

Credits: Producer, Charles H. France.

SWEENEY'S CHRISTMAS BIRD. 1914. 1 reel.

Credits: Director, George D. Baker.

Credits: Producer, Charles H. France.

SWEEPINGS. 1933. 9 reels, sd. From the novel by Lester Cohen.

Credits: Executive producer, David O. Selznick; director, John Cromwell; screenplay, Lester Cohen; editor, George Nichols; music director, Max Steiner.

SWEEPINGS. SEE Three Sons.

SWEEPSTAKE ANNIE. Presented by M. H. Hoffman. 1935. 8 reels, sd. Suggested by Evelyn Law.

Credits: Associate producer, M. H. Hoffman, Jr.; director, William Nigh; story, continuity, and dialogue, W. Scott Darling; songs and lyrics, J. Walter Leopold; film editor, Mildred Johnston.

SWEEPSTAKES. 1931. 8 reels, sd.

Credits: Director, Albert Rogell; story, Lew Lipton; dialogue, Ralph Murphy.

SWEEPSTAKES. 1935. 1 reel, sd.

SWEEPSTAKES WINNER. First National. 1939. 7 reels, sd.

Credits: Director, William McGann; original story, Albert DeMond, Hugh Cummings; screenplay, John Krafft, Albert DeMond.

SWEET ADELINE. 1925. 7 reels.

Credits: Director, Jerome Storm; story and continuity, Charles E. Banks.

SWEET ADELINE. (Fable, no. 400) 1929. 1 reel.

Credits: Paul Terry, Frank Moser.

SWEET ADELINE. Presented by Warner Bros. Productions Corp. and The Vitaphone Corp. 1935. 10 reels, sd. Based on the play by Oscar Hammerstein II and Jerome Kern.

Credits: Director, Mervyn LeRoy; screenplay, Edwin S. Gelsey.

SWEET ALYSSUM. 1915. 5 reels.

Credits: Director, Colin Campbell.

SWEET AND LOWDOWN. SEE The Chumps.

SWEET AND PRETTY. Century. 1923. 2 reels.

Credits: Written and directed by James Davis.

SWEET AND PRETTY. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Jess Robbins.

SWEET BABY. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Hugh Fay.

SWEET CHARITY. Metro-Drew. 1916. 1 reel.

Credits: Producer, Sidney Drew.

SWEET COOKIE. (Broadway Comedy) 1921. 2 reels.

Credits: Producer, Morris R. Schlank.

SWEET COOKIE. 1933. 2 reels, sd.

Credits: Director, George Marshall.

SWEET DADDIES. 1926. 7 reels.

Credits: Producer and director, Alfred Santell; adaptation, W. C. Clifford.

SWEET DREAMS. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

THE SWEET DRY AND DRY. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons-Moran.

SWEET DYNAMITE, THE LAND OF INCENSE, and MEMORIES. 1920. 2 reels.

Credits: Producer, Ward Lascelle; director, M. Moranti.

SWEET JENNY LEE. 1932. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

SWEET KITTY BELLAIRS. Released by Paramount Pictures Corp. 1916. 5 reels. From the play by David Belasco and Egerton Castle.

SWEET KITTY BELLAIRS. 1930. 9 reels, sd., color. A musical version of the stage play by David Belasco and the novel by Agnes and Egerton Castle.

Credits: Director, Alfred E. Green; screenplay and dialogue, J. Grubb Alexander.

Credits: Producer, Cecil Hepworth.

SWEET LAVENDER. 1920. 5 reels. From the play by Sir Arthur Wing Pinero.

Credits: Director, Paul Powell.

THE SWEET LONG AGO. SEE Willman and Russell in The Sweet Long Ago.

SWEET MAMA. (Speed Comedy, no. 3) The Reggie Morris Productions, Inc. 1921. 2 reels.

SWEET MAMA. Presented by First National and Vitaphone. 1930. 7 reels.

Credits: Director, Edward Cline; screen version and dialogue, Earl Baldwin.

SWEET MAMA. Trailer. First National. 1930. 1 reel, sd.

SWEET MARIE. 1925. 2 reels.

Credits: Director, Ben Stoloff.

SWEET MOMENTS. 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

SWEET MUSIC. Presented by Warner Bros. Productions Corp. and the Vitaphone Corp. 1935. 10 reels, sd.

Credits: Director, Alfred E. Green; original story, Jerry Wald; screenplay, Jerry Wald, Carl Erickson, Warren Duff.

SWEET MYSTERY OF LIFE. SEE Gold Diggers of 1937.

SWEET PAPA. 1924. 2 reels.

Credits: Director, Albert Fay.

SWEET PATOOTIE. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons-Moran.

SWEET REVENGE. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, Ford Beebe.

SWEET ROSIE O'GRADY. 1926. 6 reels. From the song by Maude Nugent.

Credits: Director, Frank R. Strayer; story, Harry O'Hoyt.

SWEET SHOE. (Nu-Atlas Musical, no. 3) Presented by RKO Radio Pictures, Inc. 1937. 1 reel, sd.

Credits: Director, Milton Schwarzwald; orchestrations, Jack Schaindlin.

SWEET SIOUX. (Merrie Melodies) 1937. 8 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Bob McKimson, A. C. Gamer; musical score, Carl W. Stalling.

SWEET SURRENDER. Presented by Carl Laemmle. 1935. 9 reels, sd.

Credits: Director, Monte Brice; story, Herbert Fields; screenplay, John V. A. Weaver; adaptation, Charles Beahan; editor, Leo Zochling; music director, Rosario Bourdon.

SWEETER THAN REVENGE. 1915. 1,000 ft.

Credits: Producer, Percy Winter.

THE SWEETEST STORY EVER TOLD. 1933. 1 reel, sd.

SWEETHEART DAYS. 1921. 2 reels.

Credits: Director, Mal St. Clair.

SWEETHEART DAZE. Bluebird. 1926. 1 reel.

Credits: Director, Jay Belasco.

THE SWEETHEART OF SIGMA CHI. 1933. 8 reels, sd. Suggested by the song by Byron D. Stokes and F. Dudleigh Vernor.

Credits: Producer, W. L. Lackey; director, Edwin L. Marin; story, George Waggner; screenplay and dialogue, Luther Reed, Albert E. DeMond.

SWEETHEART OF THE NAVY. Presented by Edward L. Alperson. 1937. 7 reels, sd.

Credits: Producer, B. F. Zeidman; director, Duncan Mansfield; story, Garrett Graham, Jay Strauss; screenplay, Carroll Graham; film editor, Edward Schroeder.

SWEETHEARTS. Snappy. 1929. 1 reel.

Credits: Director, Ben Holmes; story, Edgar Allen Woolf.

SWEETHEARTS. Presented by Metro-Goldwyn-Mayer. 1938. 12 reels, sd., color. Based on the operetta by Victor Herbert; book and lyrics by Fred De Gresac, Harry B. Smith, and Robert B. Smith.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke II; screenplay, Dorothy Parker, Alan Campbell; film editor, Robert J. Kern; music adaptation, Herbert Stothart.

SWEETHEARTS AND FLOWERS. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, A. Dorian Otvos.

SWEETHEARTS AND WIVES. 1930. 9 reels. Based on the play "Other Men's Wives" by Walter Hackett.

Credits: Director, Clarence Badger.

834SWEETHEARTS AND WIVES. Trailer. 1930. 1 reel.

SWEETHEARTS ON PARADE. 1930. 7 reels.

Credits: Director, Marshall Nellan; story, Al Cohn, Jimmie Starr.

SWEETIE. Century. 1923. 2 reels.

Credits: Written and directed by Alf T. Goulding.

SWEETIE. 1929. Si. 8,969 ft., sd.

Credits: Director, Frank Tuttle; story, George Marion, Jr., Lloyd Corrigan; music, Richard A. Whiting; lyrics, George Marion, Jr.

SWEETIE PEACH. SEE The House That Jazz Built.

SWEETIES. (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Arvid Gillstrom; story, Sig Herzig.

SWEETIES. Presented by E. W. Hammons. 1937. 1,376 ft., sd.

Credits: Director, Robert Hall; story, Marcy Klauber, Arthur Jarrett.

SWEETS TO THE SOUR. 1918. 1 reel.

Credits: Epes Winthrop Sargent; director, Graham Baker.

A SWELL AFFAIR. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

SWELL CLOTHES. (Drug Store Cowboy series) Snappy. 1927. 1 reel.

Credits: Story and direction, Max Kimmich; continuity, George H. Plympton.

THE SWELL HEAD. 1927. 6 reels. From the story "The Sidewalks of New York."

Credits: Director, Ralph Graves; screenplay, Robert Lord.

SWELLHEAD. 1930. 7 reels.

Credits: Director, James Flood; story, A. P. Younger.

SWELL-HEAD. 1935. 7 reels, sd.

Credits: Director, Ben Stoloff; story, Gerald Beaumont; screenplay, William Jacobs; film editor, Arthur Hilton.

SWELL PEOPLE. 1930. 2 reels.

Credits: Director, Wallace Fox; continuity, Hugh Cummings.

THE SWELLED HEAD. SEE Eddie Foy, Jr., with Bessie Love ...

Credits: Producer, John L. Hawkinson.

SWIFT JUSTICE. (True Detective Stories of Celebrated Cases) 1931. 2 reels, sd. From the records of Nick Harris.

Credits: Producer and director, Spencer Gordon Bennet; adaptation, George R. Rogan.