Motion pictures, 1912-1939, I — Read Online

I ACCUSE. Released by United Artists Corp. 1922. 8 reels.

Credits: Written and directed by Abel Gance.

I AIN'T GOT NOBODY. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Thomas Bonfiglio.

I AM A CRIMINAL. 1938. 8 reels, sd.

Credits: Producer, E. B. Derr; director, William Nigh; original story, Harrison Jacobs; screenplay, John W. Krafft; film editor, Russell Schoengarth; music director, Abe Meyer.

I AM A FUGITIVE FROM A CHAIN GANG. 1932. 10 reels. From the story "I Am a Fugitive from a Georgia Chain Gang" by Robert E. Burns.

Credits: Director, Mervyn Le Roy; screenplay, Howard J. Green, Brown Holmes.

I AM A FUGITIVE FROM A GEORGIA CHAIN GANG. SEE I Am a Fugitive from a Chain Gang.

I AM A POLYGAMIST. SEE Polygamy.

I AM A THIEF. Presented by Warner Bros. Productions Corp. and the Vitaphone Corp. 1935. 7 reels, sd.

Credits: Director, Robert Florey; story and screenplay, Ralph Block, Doris Malloy; dialogue director, Frank McDonald.

I AM GUILTY. Associated Producers, Inc. 1921. 7 reels.

Credits: Produced and supervised by J. Parker Read, Jr.; director, Jack Nelson; scenario, Bradley King; continuity, Charles J. Stumar.

I AM SUZANNE. 1933. 8,959 ft., sd.

Credits: Director, Rowland V. Lee; story and screenplay, Rowland V. Lee, Edwin Justus Mayer; music director, Louis de Francesco; editor, Harold Schuster.

I AM THE LAW. 1922. 7 reels. From the story "Poetic Justice of Uko San" by James Oliver Curwood.

Credits: Director, Edwin Carewe; scenario, Raymond L. Schrock.

I AM THE LAW. Presented by C. C. Burr. 1923. 6,500 ft. Adapted from the work "The Poetic Justice of Uko San" [by James Oliver Curwood].

Credits: Producer and director, Edwin Carewe; story and scenario, Raymond L. Schrock.

I AM THE LAW. 1938. 9 reels, sd. Based on the Liberty Magazine serial by Fred Allhoff.

Credits: Producer, Everett Riskin; director, Alexander Hall; screenplay, Jo Swerling; film editor, Viola Lawrence; music director, Morris Stoloff.

Credits: Story and direction, Ivan Abramson.

I AM THE MAN. 1925. 7 reels.

Credits: Written and directed by Ivan Abramson.

I AM THE WAY. SEE A Reproduction of the Famous Oil Painting "I Am The Way".

Credits: Production and adaptation, George L. Tucker.

I BELIEVED IN YOU. 1934. 6,172 ft., sd.

Credits: William Anthony McGuire; director, Irving Cummings; screenplay, William Conselman; music director, Samuel Kaylin.

I CAME FIRST. Presented by Adolph Zukor and Jesse L. Lasky. 1930. 1 reel, sd.

Credits: Director, Monte Brice.

I CAN EXPLAIN. 1922. 5 reels.

Credits: Producer and director, George D. Baker; adaptation, Edgar Franklin.

I CONQUER THE SEA! 1936. 7 reels, sd.

Credits: Director, Victor Halperin; story adaptation, Richard Carroll; dialogue, Rollo Lloyd, Howard Higgin.

I COVER THE WAR. 1937. 7 reels, sd.

Credits: Associate producer, Paul Malvern; director, Arthur Lubin; original story, Barnard McConville; screenplay, George Waggner; film editor, Charles Craft.

I COVER THE WATERFRONT. 1933. 8 reels. Based on the book by Max Miller.

Credits: Producer, Edward Small; director, James Cruze; screenplay, Wells Root; additional dialogue, Jack Jevne; film editor, Grant Whytock.

I DIDN'T RAISE MY BOY TO BE A SOLDIER. SEE I'm Glad My Boy Grew Up To Be a Soldier.

I DON'T REMEMBER. 1935. 888 ft., sd.

Credits: Story, screenplay, and direction, Preston Black.

I DON'T WANT TO KNOW WHO YOU ARE. SEE Ich Will Nicht Wissen Wer Du Bist.

I DON'T WANT TO MAKE HISTORY. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Dave Hoffman.

I DREAM TOO MUCH. 1935. 11 reels, sd.

Credits; Producer, Pandro S. Berman; director, John Cromwell; story, Elsie Finn, David G. Wittels; screenplay, Edmund North, James Gow; editor, William Morgan; music, Jerome Kern; lyrics, Dorothy Fields; music director, Max Steiner; orchestra conducted by Andre Kostelanetz.

I EATS MY SPINACH. (A Popeye Cartoon) 1933. 1 reel, sd.

Credits: Director, Dave Fleischer.

I FEEL LIKE A FEATHER IN THE BREEZE. 1936. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson and Harold Walker.

I FOUND STELLA PARISH. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1935. 9 reels, sd.

Credits: Director, Mervyn LeRoy; story, John Monk Saunders; screenplay, Casey Robinson.

I GIVE MY HEART. 1936. 7 reels, sd. From the operetta "The DuBarry" by Paul Knepler and J. M. Welleminsky.

Credits: Director, Marcel Varnel; adaptation and scenario, Frank Launder, Roger Burford, Kurt Siodmak; film editor, E. B. Jarvis; music, C. Millocker; lyrics, Desmond Carter; music arrangements, Theo Mackeben; music director, Harry Acres.

I GIVE MY LOVE. Presented by Carl Laemmle. 1934. 7 reels, sd.

Credits: Producer, B. F. Zeldman; director, Karl Freund; story, Vicki Baum; screenplay and dialogue, Doris Anderson; adaptation, Milton Krims; film editor, Edward Curtiss.

I HATE WAR. 1937. 3 reels, sd.

Credits: Written and narrated by Tom Terriss; editor, Milton Schwarz.

I HATE WOMEN. 1934. 6,450 ft.

Credits: Director, Aubrey H. Scotto; story and screenplay, Mary E. McCarthy.

396© Goldsmith Productions, Ltd. (Mary E. McCarthy, author); 10May34; LP4742.

I HAVE LIVED. Presented by George R. Batcheller. 1933. 7 reels, sd.

Credits: Director, Richard Thorpe; story, Louis E. Heifetz; screenplay and dialogue, Winifred Dunn.

I HAVEN'T GOT A HAT. (Merrie Melodies) Vitaphone. 1935. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Rollin Hamilton, Jack King; music, Bernard Brown.

I HEARD. SEE Betty Boop in I Heard.

I, JERRY, TAKE THEE JOAN. SEE Merrily We Go to Hell.

I KNOW EVERYBODY AND EVERYBODY'S RACKET. Rowland-Brice. 1933. 2 reels, sd.

Credits: Director, Monte Brice; story, Mark Hellinger.

I LIKE BABIES AND INFINKS. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Graham Place.

I LIKE IT THAT WAY. 1934. 7 reels.

Credits: Director, Harry Lachman; story, Harry Sauber; screenplay, Chandler Sprague, Joseph Santley.

I LIKE MOUNTAIN MUSIC. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Myron Waldman.

I LIKE MOUNTAIN MUSIC. (Merrie Melodies, no. 10) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawings, Isadore Freleng, Larry Martin; music score, Frank Marsales.

I LIKE YOUR NERVE. 1931. 7 reels, sd.

Credits: Roland Pertwee; director, William McGann; adaptation, Huston Branch; dialogue, Roland Pertwee.

I LIVE FOR LOVE. Warner Bros. Productions Corp. Presented by Warner Bros. Pictures and The Vitaphone Corp. 1935. 8 reels, sd.

Credits: Director, Busby Berkeley; story and screenplay, Jerry Wald, Julius J. Epstein, Robert Andrews; music and lyrics, Allie Wrubel, Mort Dixon.

I LIVE MY LIFE. 1935. 10 reels, sd., b&w. Based upon a short story by A. Carter Goodloe.

Credits: Producer, Bernard H. Hyman; director, W. S. Van Dyke; screenplay, Joseph L. Mankiewicz; story, Gottfried Reinhardt, Ethel Borden; film editor, Tom Held; music, Dimitri Tiomkin.

I LOST MY HEART IN HEIDELBERG. SEE The Student's Romance.

I LOVE A LASSIE. (A Harry Lauder Subject) Welsh-Pearson-Gainsborough. 1931. 1 reel, sd.

I LOVE AN ACTRESS. SEE The Great Flirtation.

I LOVE THAT MAN. 1933. 8 reels, sd.

Credits: Producer, Charles R. Rogers; director, Harry Joe Brown; story, Gene Towne, Graham Baker; screenplay, Gene Towne, Graham Baker, Casey Robinson.

I LOVE TO SINGA. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Charles Jones, Virgil Ross; music, Norman Spencer.

I LOVE YOU. Triangle Film Corp. 1923. 6 reels. Re-edited and re-titled.

I LOVE YOU. SEE Lovin' the Ladies.

I LOVE YOU MADLY. SEE Te Quiero con Locura.

I LOVED A WOMAN. Presented by First National, Inc. and The Vitaphone Corp. 1933. 80 mins., sd. Based on novel by David Karsner.

Credits: Director, Alfred E. Green; screenplay, Charles Kenyon, Sidney Sutherland; film editor, Bert Levy.

I LOVED YOU WEDNESDAY. 1933. 6,900 ft., sd. From the comedy of the same name which is a revised version of "It Couldn't Happen Twice" by Molly Ricardel and William Du Bois.

Credits: Directors, Henry King, William Cameron Menzies; screenplay, Philip Klein, Horace Jackson; editor, Frank Hull.

I MARRIED A DOCTOR. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 9 reels, sd. From the novel "Main Street" by Sinclair Lewis.

Credits: Director, Archie Mayo; dramatization, Harriet Ford, Harvey O'Higgins; screenplay, Casey Robinson.

I MARRIED A SPY. 1938. 6 reels, sd. From the novel "Secret Lives" by Paul de Sainte-Colombe.

Credits: Producer, Hugh Perceval; director, Edmond Greville; screenplay, Basil Mason, Hugh Perceval, Edmond Greville.

I MET HIM IN PARIS. Presented by Adolph Zukor. 1937. 9 reels, sd.

Credits: Producer and director, Wesley Ruggles; story, Helen Meinardi; screenplay, Claude Binyon; editor, Otho Lovering; music director, Boris Morros.

I MET MY LOVE AGAIN. Released thru United Artists. 1938. 8 reels, sd. Based upon the novel "Summer Lightning" by Allene Corliss.

Credits: Directors, Arthur Ripley, Joshua Logan; screenplay, David Hertz; film editors, Otho Lovering, Edward Mann; music director, Rox Rommell.

I-O-U MY HEART. Trailer. 1936. 1 reel, sd.

I ONLY HAVE EYES FOR YOU. (Merrie Melodies) 1937. 8 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Bob Clampett, Virgil Ross; music, Carl W. Stalling.

I PROMISE TO PAY. 1937. 7 reels, sd.

Credits: Director, D. Ross Lederman; original screenplay, Mary C. McCall, Jr., Lionel Houser; film editor, James Sweeney; music director, Morris Stoloff.

I QUIT! Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

I SCREAM. 1934. 2 reels, sd.

Credits: Director, Ray McCarey; story, Jack Henley, Eddie Moran.

I SELL ANYTHING. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 8 reels, sd.

Credits: Director, Robert Florey; story, Albert J. Cohen, Robert T. Shannon; screenplay, Brown Holmes, Sidney Sutherland.

I STAND ACCUSED. 1938. 7 reels, sd.

Credits: Associate producer and director, John H. Auer; original screenplay, Gordon Kahn; additional dialogue, Alex Gottlieb; film editor, Ernest Nims; music director, Cy Feuer.

I STAND CONDEMNED. Released thru United Artists. 1936. 8 reels, sd. Based on "Moscow Nights" by Pierre Benoit.

Credits: Producer, Alexis Granowsky; director, Anthony Asquith; scenario, Eric Siepmann; film editor, Francis D. Lyon.

I STOLE A MILLION. 1939. 10 reels, sd.

Credits: Associate producer, Burt Kelly; director, Frank Tuttle; original story, Lester Cole; screenplay, Nathanael West; film editor, Edward Curtis.

I SURRENDER, DEAR. (Educational Comedies) 1931. 22 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy.

I SURRENDER, DEAR. Presented By E. W. Hammons. 1934. 2 reels, sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earl Rodney, Harry McCoy; film editor, William Hornbeck.

I TAKE THIS WOMAN. 1931. 8 reels. From the novel "Lost Ecstasy" by Mary Roberts Rinehart.

Credits: Director, Marion Gering; adaptation, Vincent Lawrence.

I THANK YOU. SEE Eddie White in I Thank You.

I WANNA BE A LIFE GUARD. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

397© Paramount Pictures, Inc.; 26Jun36; MP6618.

I WANNA PLAY HOUSE. (Merrie Melodies) 1936. 1 reel.

Credits: Animation, Cal Dalton, Sandy Walker.

I WANT MY MAN. 1925. 7 reels. From the novel "The Interpreter's House" by Struthers Burt.

Credits: Director, Lambert Hillyer; adapted and supervised. Earl Hudson; scenario, Joseph Poland, Earle Snell.

Credits: Producer, Charles E. Bartlett.

I WANT TO BE AN ACTRESS. (A Scrappy Cartoon) 1937. 628 ft., sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

I WANT TO FORGET. 1918. 5 reels.

Credits: Scenario and direction, James Kirkwood; story, Harry O. Hoyt, Hamilton Smith.

I WANTED RED WINGS. SEE Baby Rabbit in I Wanted Red Wings.

I WAS A CONVICT. 1939. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Aubrey Scotto; original story, Robert D. Andrews; screenplay, Ben Markson, Robert D. Andrews; film editor, Gene Milford; music director, Cy Feuer.

I WAS A SPY. Gaumont British Picture Corp. 1933. 7,750 ft., sd.

Credits: Director, Victor Saville; story, Marthe McKenna; scenario and dialogue, W. P. Lipscomb; additional dialogue, J. H. Beith.

I WILL BE FAITHFUL. SEE Human Cargo.

I WILL REPAY. 1916. 3 reels.

I WILL REPAY. 1917. 5 reels. Based on the story "A Municipal Report" by O. Henry [pseud. of William Sydney Porter].

Credits: Director, William P. Searle; adaptation, William Addison Lathrop.

I WISH I HAD WINGS. (Merrie Melodies, no. 2) 1933. 1 reel.

Credits: Associate producer, Leon Schlesinger; drawings, Rollin Hamilton, Paul Smith; music score, Frank Marsales.

I WISHED ON THE MOON. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson.

I WONDER WHO'S KISSING HER NOW. 1931. 1 reel.

Credits: Max E. Fleischer; director, Dave Fleischer.

I YAM LOVE SICK. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, William Henning.

I YAM WHAT I YAM. (Popeye) 1933. 1 reel, sd.

Credits: Director, Dave Fleischer.

IBANEZ' TORRENT. Cosmopolitan. 1926. 6,769 ft. From the novel by Vicente Blasco Ibanez.

Credits: Director, Monta Bell; adaptation, Dorothy Farnum; film editor, Frank Sullivan.

ICE ANTICS. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1939. 841 ft., sd., tinted.

Credits: Director, David Miller; music score, David Snell.

ICE BOX PIRATES. (Star Comedy) 1921. 1 reel.

Credits: Producer, William Watson; scenario, Scott Darling.

ICE BOXED. (Krazy Kat Cartoon) 1928. 1 reel.

Credits: Ben Harrison, Manny Gould.

ICE COLD. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Directors, W. Scott Darling, C. Richard Wallace.

ICE CUT-UPS. (News World of Sports) 1936. 1 reel.

Credits: Narration, Jack Kofoed; described by Ford Bond.

THE ICE FLOOD. Jewel. 1926. 6 reels.

Credits: Director, George B. Seitz; story, Johnston McCully; scenario, George B. Seitz, Gladys Lehman.

THE ICE FOLLIES OF 1939. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., b&w, color sequences.

Credits: producer, Harry Rapf; director, Reinhold Schunzel; story, Leonard Praskins; screenplay, Leonard Praskins, Florence Ryerson, Edgar Allan Woolf; film editor, W. Donn Hayes; music directors, Franz Waxman, Georgie Stoll.

ICE FROLIC. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Lloyd French; story, Cyrus D. Wood, Eddie Forman.

ICE. THE FOOD DISTRIBUTOR. 1937. For Ice Refrigeration Bureau. Filmstrip. 55 frames, sd.

ICEBOUND. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,471 ft. From the play by Owen Davis.

Credits: Producer, William De Mille; screenplay, Clara Beranger.

ICELAND—LAND OF THE VIKINGS. (Fitzpatrick-M. G. M. Traveltalk) 1933. 1 reel, sd.

Credits: Compiled by James A. Fitzpatrick; music Nathaniel Shilkret; photographer, Frank Goodliffe.

THE ICELESS ARCTIC. (Camera Adventures) 1932. 1 reel, sd.

Credits: Producers, Pat Dowling, Hobart Brownell; narrative, Tom J. Geraghty.

THE ICE MAN. SEE Charles Rogers in The Ice Man.

THE ICEMAN'S BALL. 1932. 2 reels.

Credits: Director, Mark Sandrich; story, Ben Holmes, Tom Lennon; adaptation and dialogue, Bobby Clark, Mark Sandrich.

ICE MAN'S LUCK. (Oswald Snappy) 1929. 1 reel.

Credits: R. C. Hamilton.

THE ICE MEN. (Bill Corum, no. 6) 1937. 1 reel, sd.

ICH WILL NICHT WISSEN WER DU BIST (I DON'T WANT TO KNOW WHO YOU ARE). 1933. 10 reels, sd.

Credits: Director, Geza von Bolvary; story, Ernest Marischka, Gustav Holm; English titles, Michael L. Simmons; music, Robert Stolz.

ICY EYES. SEE Felix the Cat in Icy Eyes.

I'D CLIMB THE HIGHEST MOUNTAIN. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

I'D GIVE MY LIFE. Presented by Adolph Zukor. 1936. 8 reels, sd. Based on the play "The Noose" by H. H. Van Loan and Willard Mack.

Credits: Producer, Richard A. Rowland; director, Edwin L. Marin; screenplay, George O'Neil; additional dialogue, Ben Ryan; music and lyrics, Con Conrad, Herb Magidson; music director, Boris Morros.

398© Paramount Pictures, Inc.; 14Aug36; LP6530.

I'D LOVE TO TAKE ORDERS FROM YOU. (Merrie Melodies) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Bob Clampett, Cecil Surry; music, Norman Spencer.

I'D RATHER BE YOUR WIFE THAN YOUR WIDOW. Presented by Goodrich. 1938. 1 reel, sd.

IDA, QUEEN OF THE AIR. SEE The Circus Queen.

IDAHO. 1925. 2 reels each. © Pathe Exchange, Inc.

Credits: Story, Theodore Burrell; adaptation, Frank Leon Smith.

1. Road Agents. © 25Feb25; LP21163.

2. Hands Up. © 25Feb25; LP21164.

3. The Stampede. © 25Feb25; LP21177.

4. Forbidden Testimony. © 4Mar25; LP21222.

5. Lawless Laws. © 9Mar25; LP21223.

6. Aroused. © 24Mar25; LP21266.

7. The Trap. © 24Mar25; LP21267.

8. The White Streak. © 6Apr25; LP21332.

9. Unmasked. © 8Apr25; LP21343.

10. Vigilantes. © 15Apr25; LP21359.

IDAHO RED. 1929. 6 reels.

Credits: Director, Robert DeLacy; story and continuity, Frank Howard Clark.

THE IDEA MAN. 1923. 1 reel.

Credits: Director, William Watson.

THE IDEAL LOVE. 1921. 5 reels. Title changed from "Dad's Girl."

IDENTIFIED. (Your True Adventures) 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Cyrus D. Wood.

IDIOT'S DELIGHT. Presented by Metro-Goldwyn-Mayer. 1939. 12 reels, sd., b&w. Based on the play by Robert E. Sherwood as produced by The Theatre Guild, Inc.

Credits: Producer, Hunt Stromberg; director, Clarence Brown; screenplay, Robert E. Sherwood; film editor, Robert J. Kern; music score, Herbert Stothart.

IDLE CHATTER. SEE Kramer and Boyle in Idle Chatter. Lou Holtz in Idle Chatter.

THE IDLE CLASS. 1921. 2 reels.

Credits: Written and directed by Charles Chaplin.

IDLE HANDS. SEE The Millionaire.

THE IDLE RICH. 1915. 1,000 ft.

Credits: Henry Beldon; director, Charles Ranson.

THE IDLE RICH. L-Ko. 1915. 2 reels.

THE IDLE RICH. 1922. 5 reels. Adapted from the story "Junk" by Kennett Harris.

Credits: Producer and director, Maxwell Karger; scenario, June Mathis.

THE IDLE RICH. 1929. 9 reels. From the play "White Collars" by Edith Ellis, which was based on the novelette by Edgar Franklin [pseud. of E. F. Stearns].

Credits: Director, William De Mille; film editor, Conrad A. Nervig.

AN IDLE ROOMER. Century. 1922. 2 reels.

Credits: Written and directed by Arvid E. Gillstrom.

AN IDLE ROOMER. 1933. 2 reels, sd.

Credits: Director, Alf Goulding; story, Jack Henley, Glen Lambert.

IDLE ROOMERS. (Cameo Comedies) 1931. 9 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

IDLE TONGUES. First National. 1924. 6 reels. From the novel "Dr. Nye" by Joseph C. Lincoln.

Credits: Supervision, Thomas H. Ince; director, Lambert Hillyer; adaptation, C. Gardner Sullivan.

IDLE WIVES. Universal Special. 1916. 7 reels. From the novel by James Oppenheim.

Credits: Producers, the Smalleys; directed and adapted by Lois Weber, Phillips Smalley; scenario, Lois Weber.

IDLE WORKERS. (A Mirthquake Comedy) 1921. 2 reels.

Credits: Producer, Norman Manning.

THE IDLER. 1913. 1 reel.

Credits: Director, Tefft Johnson.

THE IDLER. 1914. 5 reels. Adapted from the play by C. Haddon Chambers.

THE IDOL DANCER. 1920. 7 reels.

Credits: Story, Gordon Ray Young; scenario, S. E. Z. Taylor.

THE IDOL OF FATE. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Will M. Hough.

THE IDOL OF SEVILLE. Released by Educational Film Exchanges, Inc. 1932. 21 min., sd. Suggested by the opera "Carmen."

Credits: Supervision, Antoine De Vally; director, Howard Higgin.

IDOL OF THE CROWDS. 1937. 6 reels, sd.

Credits: Producer, Trem Carr; director, Arthur Lubin; original story, George Waggner; screenplay, George Waggner, Harold Buckley; film editor, Charles Craft.

THE IDOL OF THE NORTH. 1921. 6 reels.

Credits: Director, R. William Neill; story, Jack Clark Miller; scenario, Frank S. Beresford.

Credits: Director, Webster Cullison.

IDOLS. SEE The Oath.

IDOLS OF CLAY. Gold Seal. 1915. 3 reels.

Credits: Scenario and production, Robert Leonard.

IDOLS OF CLAY. 1920. 6 reels.

Credits: Story, Onida Bergere.

THE IDYL OF RED GULCH. SEE The Man from Red Gulch.

AN IDYLL OF THE HILLS. Rex. 1915. 2 reels.

IF AT FIRST YOU DON'T SUCCEED. 1914. 1,000 ft.

Credits: Producer, E. A. Martin.

IF I HAD A MILLION. 1932. 9 reels, sd. Based on the novel "Windfall" by Robert D. Andrews.

Credits: Directors, Ernst Lubitsch, Norman Taurog [and others]; screenplay, Claude Binyon [and others].

IF I MARRY AGAIN. 1924. 8 reels.

Credits: Director, John Francis Dillon; story, Gilbert Frankau.

IF I WERE FREE. 1933. 7 reels, sd. From the play "Behold We Live" by John Druten.

Credits: Associate producer, Kenneth MacGowan; director, Elliott Nugent; screenplay, Dwight Taylor; film editor, Arthur Roberts; music director, Max Steiner.

IF I WERE KING. 1920. 8 reels. From the story and play by Justin Huntly McCarthy.

Credits: Director, J. Gordon Edwards; scenario, E. Lloyd Sheldon.

399IF I WERE KING. Presented by Adolph Zukor. 1938. 11 reels, sd. From the play by Justin Huntly McCarthy.

Credits: Producer and director, Frank Lloyd; screenplay, Preston Sturges; film editor, Hugh Bennett.

IF I WERE KING. SEE The Vagabond King.

IF I WERE QUEEN. Presented by P. A. Powers. Released by Film Booking Offices of America, Inc. 1922. 6 reels. From the story "The Three Cornered Kingdom" by Vernet Rabell.

Credits: Director, Wesley Ruggles; scenario, Carol Warren.

IF I WERE SINGLE. 1927. 7 reels.

Credits: Director, Roy Del Ruth; story and scenario, Robert Lord.

IF I WERE YOUNG AGAIN. 1914. 2,000 ft.

Credits: Producer, F. J. Grandon.

IF I'M ELECTED. 1932. 1 reel.

Credits: Director, Alf Goulding; story, A. Dorian Otvos, Jack Henley.

IF IT HAD ONLY BEEN TRUE. SEE Bingle's Nightmare.

IF MARRIAGE FAILS. Released by F. B. O. 1925. 7 reels.

Credits: Director, John Ince; story and scenario, C. Gardner Sullivan.

IF MEN PLAYED CARDS AS WOMEN DO. 1929. 1 reel.

Credits: Story, George S. Kaufman.

IF MY COUNTRY SHOULD CALL. Red Feather. 1916. 5 reels. Suggested by a story by Virginia Terhune Van de Water.

Credits: Director, Joseph De Grasse; scenario, Ida May Park.

IF ONLY JIM. 1921. 5 reels.

Credits: Director, Jacques Jaccard; story, Philip V. Mighels; scenario, George C. Hull.

IF THE GODS LAUGH. SEE Fighting Love.

IF THIS ISN'T LOVE. 1934. 2 reels, sd.

Credits; Producer, Lee Marcus; director, Leigh Jason; story, Leigh Jason, John Clymer; additional dialogue, John Twist; film editor, John Lockert; music director, Roy Webb.

IF WINTER COMES. 1923. 12 reels, b&w, tinted sequences. From the novel by A. S. M. Hutchinson.

Credits: Director, Harry Millarde; scenario, Paul Sloane.

IF WOMEN ONLY KNEW. 1921. 6 reels. Based on "Meditations on Marriage" by Balzac.

Credits: Director, E. H. Griffith; adaptation, Gardner Hunting.

IF YOU BELIEVE IT, IT'S SO. 1922. 7 reels.

Credits: Director, Tom Forman; adaptation, Waldemar Young; story, Perley Poore Sheehan.

IF YOU COULD ONLY COOK. 1935. 7 reels, sd.

Credits: Director, William A. Seiter; story, F. Hugh Herbert; screenplay, Gertrude Purcell, Howard J. Green; film editor, Gene Havlick.

IGLOO. 1932. 6 reels.

Credits: Director, Ewing Scott; narrative by Edward T. Lowe, Wilfred Lucas; narrator, Gayne Whitman.

IGNATZ'S ICY INJURY. 1916. 2 reels.

IHRE HOHEIT BEFIEHLT (HER HIGHNESS COMMANDS) 1931. 92 min., sd.

Credits: Supervision, Max Pfeiffer; director, Hanns Schwarz; scenario, Paul Frank, Billie Wilder; music, Werner R. Heymann.

I'LL BE GLAD WHEN YOU'RE DEAD YOU RASCAL YOU. 1932. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Ralph Somerville.

I'LL BE SUING YOU. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd.

Credits: Director, Gus Meins; film editor, Louis McManus.

I'LL FIX IT. Nestor. 1918. 1 reel.

I'LL FIX IT. 1934. 7 reels, sd.

Credits: Director, Roy William Neill; story, Leonard Spigelgass; screenplay, Ethel Hill, Dorothy Howell.

I'LL GET HER YET. Imp. 1916. 2 reels.

Credits: Written and produced by Roy Clements.

I'LL GET HIM YET. Paramount. Presented by New Art Film Co. 1919. 5 reels.

Credits: Director, Elmer Clifton; story, Harry Carr.

I'LL GIVE A MILLION. 1938. 6,700 ft., sd.

Credits: Director, Walter Lang; story, Cesare Zavattini, Gaici Mondaini; screenplay, Milton Sperling, Boris Ingster; music director, Louis Silvers.

I'LL LOVE YOU ALWAYS. 1935. 7 reels, sd.

Credits: Director, Leo Bulgakov; story, Lawrence Hazard; screenplay, Vera Caspary; film editor, Richard Cahoon.

I'LL NAME THE MURDERER. 1936. 7 reels, sd.

Credits: Producer, C. C. Burr; director, Raymond K. Johnson; story and screenplay, Philip Dunham; special dialogue, Edwin K. O'Brien; editor, Charles Henkle; music and lyrics, Gene Johnston, C. Ward Dudley; music director, Gene Johnston.

I'LL SAY SO. 1918. 5 reels.

Credits: Director, Raoul A. Walsh; scenario and editing, Ralph H. Spence.

I'LL SHOW YOU THE TOWN. Jewel. 1925. 8 reels. From the novel by Elmer Davis.

Credits: Director, Harry A. Pollard; scenario, Raymond L. Schrock.

I'LL TAKE ROMANCE. 1937. 9 reels, sd.

Credits: Producer, Everett Riskin; director, Edward H. Griffith; story, Stephen Morehouse Avery; screenplay, George Oppenheimer, Jane Murfin; film editors, Otto Meyer, William Lyon; music director, Morris Stoloff.

I'LL TAKE THAT ONE. (Checker Comedies) 1930. 2 reels, sd.

Credits: Producer, Gordon Bostock; director, Monty Banks; film editor, A. Knott.

I'LL TAKE VANILLA. (Hal Roach Comedy) (A Charley Chase Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Charles Parrott, Eddie Dunn; film editor, William Terhune.

I'LL TELL THE WORLD. 1934. 9 reels.

Credits: Director, Edward Sedgwick; story, Lincoln Quarberg, Frank Wead; screenplay, Dale Van Every, Ralph Spence.

AN ILL WIND. 1930. 2 reels.

ILLEGAL. 1932. 72 min., sd.

Credits: Director, William McGann; story, Irving Asher; screenplay and dialogue, Roland Pertwee.

ILLEGAL TRAFFIC. Presented by Adolph Zukor. 1938. 7 reels, sd.

Credits: Director, Louis King; original story and screenplay, Robert Yost, Lewis Foster, Stuart Anthony.

ILLICIT. Warner Bros, and Vitaphone. 1931. 8 reels, sd. Based on the play by Edith Fitzgerald and Robert Riskin.

Credits: Director, Archie Mayo; screen adaptation, Harvey Thew.

400© Warner Bros. Pictures, Inc.; 21Jan31; LP1924.

ILLUMINATION. 1931. 997 ft.

ILLUSION. 1929. Si. & sd. From the novel by Arthur Train.

Credits: Director, Lothar Mendes; titles, Richard H. Digges, Jr.; adaptation, E. Lloyd Sheldon.

ILLUSIONS. SEE Fred Keating in Illusions.

THE ILLUSTRIOUS CORPSE. SEE Strangers of the Evening.

I'M A BIG SHOT NOW. (Merrie Melody) 1936. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Jack Carr, Riley Thomson; music, Bernard Brown.

I'M A FATHER. 1935. 2 reels.

Credits: Director, James W. Horne; story and screenplay, Preston Black; film editor, James Sweeney.

I'M A FUGITIVE FROM A CHAIN STORE. 1933. 2 reels.

Credits: Director, Lester Neilson; story and dialogue, Edmund Joseph.

I'M A WILD WOMAN. 1930. 1 reel, sd.

Credits: Director, Jack Partington.

I'M AFRAID THAT'S ALL. SEE Red Corcoran—I'm Afraid That's All.

I'M AFRAID TO COME HOME IN THE DARK. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; arranged by Max Fleischer.

I'M CURED. 1924. 2 reels.

Credits: Director, Eugene De Rue.

I'M FOREVER BLOWING BUBBLES. 1930. 1 reel, sd.

Credits: Producer, Max Fleischer.

I'M FROM MISSOURI. 1939. 9 reels, sd. Based on stories by Homer Croy and Julian Street.

Credits: Producer, Paul Jones; director, Theodore Reed; screenplay, John C. Moffitt, Duke Atteberry; film editor, Archie Marshek.

I'M FROM THE CITY. 1938. 66 min., sd.

Credits: Producer, William Sistrom; direction and original story, Ben Holmes; screenplay, Nicholas T. Barrows, Robert St. Clair, John Grey; editor, Ted Cheesman; music director, Roy Webb.

IM GEHEIMDIENST (SECRET SERVICE). 1931. 11 reels.

Credits: Director, Gustav Ucicky; scenario, Walter Reisch.

I'M GLAD MY BOY GREW UP TO BE A SOLDIER. 1915. 4 reels. A version of the song "I Didn't Raise My Boy To Be a Soldier".

Credits: Director, Frank Beal; scenario, Gilson Willets.

I'M JUST A JITTERBUG. (A Walter Lantz Cartune) 1939. 1 reel.

Credits: Director, Alex Lovy; story, Victor McLeod; animation, Merle Gilson, Hicks Lokey.

I'M MUCH OBLIGED. (Broadway Brevity) 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

I'M NO ANGEL. 1933. 9 reels.

Credits: Director, Wesley Ruggles; story, screenplay, and dialogue, Mae West; continuity, Harlan Thompson.

I'M TELLING YOU. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Harry W. Conn; dialogue staged by Max E. Hayes.

I'M YOUR HUSBAND. Nestor. 1916. 1 reel.

Credits: Written and directed by Leslie T. Peacocke.

IMA VAMP, FAIRYLAND, and MEMORIES. 1920. 2 reels.

Credits: Written and directed by Ward Lascelle.

IMAGINE MY EMBARRASSMENT. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor, Richard Currier.

IMAGINE MY EMBARRASSMENT. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor, Richard Currier.

IMAGINE MY EMBARRASSMENT. SEE Frank Orth and Ann Codee in Imagine My Embarrassment.

IMITATION OF LIFE. Presented by Carl Laemmle. 1934. 12 reels, sd. From the novel by Fannie Hurst.

Credits: Producer, Carl Laemmle, Jr.; director, John M. Stahl; screenplay, William Hurlbut; film editor, Phil Cohn.

THE IMMIGRANT. 1917. 2 reels.

THE IMMORTAL BRUSH. 1938. 9 min., sd., color.

Credits: Commentator, Dwight West.

Credits: Written and directed by Ivan Abramson.

THE IMMORTAL VOICE. 1923. 1 reel.

Credits: Director, J. A. Norling.

THE IMMOVABLE GUEST. (Paramount-Flagg Comedy) 1919. 2 reels. Based on the comedy by James Montgomery Flagg.

THE IMP. 1919. 5 reels.

Credits: Director, Robert Ellis; story, Elsie Janis, Edmund Goulding.

IMPACT. (How to Break 90, no. 5) Presented by Warner Bros. Pictures and the Vitaphone Corp. 1933. 1 reel.

Credits: Director, George E. Marshall; story, Andrew Bennison.

THE IMPATIENT MAIDEN. 1932. 9 reels. From the novel by Donald Henderson Clarke.

Credits: Director, James Whale; screenplay, Richard Schayer, Winifred Dunn.

AN IMPERFECT IMPOSTER. SEE Irish Luck.

THE IMPERFECT LOVER. Century. 1923. 2 reels.

Credits: Written and directed by Archie Mayo.

IMPERIAL DELHI. (A FitzPatrick Traveltalk) Presented by Metro-Goldwyn-Mayer. 1938. 779 ft., sd., color.

Credits: Music, Jack Shilkret; photographer, Hone M. Glending.

1. © title & 46 prints, 3Nov15; descr., 22Nov15; MU456.

2. © title & 49 prints, 3Nov15; descr., 22Nov15; MU457.

3. © title & 29 prints, 3Nov15; descr., 22Nov15; MU458.

4. © title & 43 prints, 3Nov15; descr., 22Nov15; MU459.

IMPERIAL INDIA. Powers. (Dr. Dorsey's Travel Pictures) 1916. 1 reel each. © Universal Film Mfg. Co., Inc.

1. Sports of the Rajahs. © 29Jun16; MP657.

2. The Devil Dancers of India. © 11Jul16; MP667.

4. The Rough Riders of India. © 21Jul16; MP677.

THE IMPERIAL RUSSIAN COSSACKS WITH CAPTAIN N. F. SANIN. 1928. 1 reel.

401© Vitaphone Corp.; 3Mar28; MP4803.

THE IMPERSONATION OF TOM. 1915. 1 reel.

Credits: Producer, Tom Mix; story, Corneilius Shea.

THE IMPERSONATOR. 1914. 3 reels. Adapted from the novel by Mary Imlay Taylor.

IMPORTANT NEWS. (A Miniature) 1936. 1 reel, sd., b&w.

Credits: Director, Edwin Lawrence.

Credits: Director, John B. O'Brien.

THE IMPOSSIBLE MRS. BELLEW. 1922. 7 reels. From the novel by David Lisle [pseud.]

Credits: Director, Sam Wood; adaptation, Percy Heath, Monte M. Katterjohn.

THE IMPOSTER. 1913. 3 reels.

THE IMPOSTER. SEE A Daughter of Luxury.

THE IMPOSTOR. Released by Mutual Film Corp. 1918. 5 reels.

Credits: Director, Dell Henderson; scenario, Anthony P. Kelly.

THE IMPOSTOR. Released by F. B. O. 1926. 6 reels.

Credits: Director, Chet Withey; story, Clifford Howard; screenplay, Ewart Adamson.

THE IMPRACTICAL JOKER. (Betty Boop Cartoon) 1937. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Frank Endres.

IMPRESSIONS. SEE Albert Carroll in Impressions.

IMPRESSIONS OF TSCHAIKOWSKY'S OVERTURE 1812. 1929. 1 reel.

IMPROPAGANDA. (Paramount-Flagg Comedy) 1919. 2 reels.

Credits: Director, Saul Harrison; story, James Montgomery Flagg.

IMPULSE. 1922. 5 reels. Adapted from the story "Her Unknown Knight" by Maude Woodruff Newell.

IMPULSES. SEE A Sporting Chance.

IN A BLACKSMITH SHOP. 1927. 1 reel, sd.

Credits: Director, Bryan Foy.

IN A CAGE WITH POLAR BEARS. Powers. 1916. 1/2 reel.

IN A CLOCK STORE. (Silly Symphony, no. 22) 1931. 1 reel.

IN A GLASS DARKLY. SEE Vampire.

IN A JACKPOT. Nestor. 1915. 1 reel.

Credits: Producer, Eddie Lyons; scenario, Al. E. Christie.

IN A JAPANESE TEA GARDEN. 1913. 1 reel.

IN A LOOKING GLASS. Black Cat. 1916. 33 min.

Credits: Charles Michelson; director, L. C. Windom.

IN A MERMAID LAIR. 1920. 1 reel.

IN A MOMENT OF TEMPTATION. 1927. 6 reels.

Credits: Director, Philip Carle; original story, Laura Jean Libbey.

IN A MONASTERY CELLAR. 1927. 1 reel.

Credits: Director, Bryan Foy.

IN A MONASTERY GARDEN. (Musical Moods) 1934. 1 reel, sd., color.

Credits: Music, Albert W. Ketelbey; director of orchestra, Rosario Bourdon.

IN A MUSIC SHOPPE. 1928. 2 reels.

Credits: Written and directed by James A. Fitzpatrick.

IN A PIG'S EYE. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Johnnie Grey, Joseph A. Fields; additional dialogue, Bobby Clark; film editor, Edward Mann.

IN A PROHIBITION TOWN. 1914. 1 reel.

Credits: J. Edward Hungerford.

IN AGAIN. Century. 1921. 2 reels.

Credits: Story and direction, Tom Buckingham.

IN AGAIN—OUT AGAIN. 1917. 5 reels.

Credits: Producer, John Emerson; story, Anita Loos.

IN AGAIN, OUT AGAIN. Nestor. 1917. 1 reel.

IN AGAIN, OUT AGAIN. Bluebird. 1927. 1 reel.

Credits: Director, George Summerville.

IN AGAIN, OUT AGAIN. 1930. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Paul Gerard Smith; adaptation, E. K. Nadel; dialogue staged by Max E. Hayes.

IN AN ARABIAN NIGHT CLUB. 1929. 1 reel.

Credits: Story, Sam Jacobson.

IN AND AROUND KEY WEST, FLORIDA. 1918. Split reel.

IN AND OUT. 1929. 2 reels, sd. From the Wildcat stories by Hugh Wiley.

Credits: Production and adaptation, Monte Brice; director, Nat Nazarro.

IN AND OUT LAWS. SEE Felix the Cat in In and Out Laws.

IN ARCADIA. 1916. 1 reel.

Credits: Director, Courtlandt Van Deusen.

IN BAD. 1924. 2 reels.

Credits: Director, Billy West.

IN BAD ALL AROUND. 1919. 2 reels.

Credits: Director, Billy Watson.

IN BARCELONA. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN BATIK LAND. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN BED—IN BAD. 1917. 1 reel.

Credits: Thomas J. Gray; director, Chester M. DeVonde.

IN BORROWED PLUMES. 1926. 6 reels. From the Smart Set story by Leroy Scott.

Credits: Director, Victor Hugo Halperin.

IN BRIDAL ATTIRE. 1914. 1 reel.

Credits: Director, Lee Beggs.

402© Vitagraph Co. of America (M. Judge, author); 14Oct14; LP3533.

IN CALIENTE. First National. 1935. 9 reels, sd.

Credits: Director, Lloyd Bacon; story and adaptation, Ralph Block, Warren Duff; screenplay, Jerry Wald, Julius Epstein; film editor, Jimmy Gibbons; music and lyrics, Harry Warren, Al Dubin; music director, Leo F. Forbstein.

IN CHRISTMAS CANYON. SEE Across the Burning Trestle.

IN CONFERENCE. (Educational's Comedies) (Mack Sennett Comedies) 1931. 21 min., sd.

Credits: Director, Eddie Cline.

IN DEEP. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Charles Lamont.

IN DEFIANCE OF THE LAW. 1914. 3 reels. Adapted from the novel "Isobel" by James Oliver Curwood.

Credits: Producer, Colin Campbell.

IN DREAMY JUNGLE TOWN. Rex. 1916. 1 reel.

IN DUTCH. 1918. 2 reels.

Credits: Director, J. G. Blystone.

IN DUTCH. (Aesop's Fable) 1931. 1 reel, sd.

Credits: John Foster, Harry Bailey.

IN EARLY ARIZONA. 1938. 5 reels, sd.

Credits: Director, Joseph Levering; original screenplay, Nate Gatzert; film editor, Dwight Caldwell.

IN EVERY WOMAN'S LIFE. 1924. 7 reels. From the novel "Belonging" by Olive Wadsley.

Credits: Director, Irving Cummings; screenplay, Albert Shelby LeVino.

IN FAR MANDALAY. (Magic Carpet of Movietone) 1934. 1 reel, sd.

IN FAST COMPANY. 1924. 6 reels.

Credits: Director, James W. Horne; story, Alfred A. Kohn; scenario, Garrett Elsden Fort.

IN FINISTERE. (Paramount-Burton Holmes Travel Picture) 1920. 1 reel.

IN FOLLY'S TRAIL. 1920. 5 reels.

Credits: Director, Rollin Sturgeon; story, Katherine Leiser Robbins; scenario, Doris Schroeder.

IN FOR LIFE. Bluebird. 1927. 1 reel.

Credits: Director, Jay Belasco.

IN FOR THIRTY DAYS. 1919. 5 reels.

Credits: Director, Webster Cullison; story, Luther A. Reed; scenario, George D. Baker, Tom J. Geraghty.

IN GAY MADRID. 1930. 9 reels, sd., b&w. From the novel "La Casa de la Troya" by Alejandro Perez Lugin.

Credits: Producer, Robert Z. Leonard; dialogue continuity, Bess Meredyth, Salisbury Field, Edwin Justus Mayer; film editor, William S. Gray; music, Fred E. Ahlert, Xavier Cugat, Herbert Stothart.

Credits: Producer, E. A. Martin.

IN HER MOTHER'S FOOTSTEPS. 1915. 2,000 ft.

IN HIS BROTHER'S PLACE. 1919. 5 reels.

Credits: Supervision, Maxwell Karger; director, Harry L. Franklin; story, Hale Hamilton; scenario, A. S. LeVino.

IN HIS CUPS. (Fable, no. 421) 1929. 1 reel.

Credits: Paul Terry.

IN HIS FATHER'S FOOTSTEPS. Demonstrating the Danger of Insanitary Farm Conditions. 1915. Produced under the auspices of the New York State Department of Health.

Credits: Director, Eugene Rowland.

IN HIS MIND'S EYE. Big U. 1915. 1 reel.

Credits: Producer, Charles Giblyn; scenario, Bess Meredyth.

IN HIS OWN TRAP. Rex. 1916. 3 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

IN HIS STEPS. (Presented by Edward L. Alperson) 1936. 8 reels, sd. Suggested by the story by Charles M. Sheldon.

Credits: Producer, B. F. Zeidman; director, Karl Brown; screenplay, Karl Brown, Hinton Smith; film editors, Edward Schroeder, Duncan Mansfield; music supervision, Abe Meyer.

IN HIS STEPS. SEE The Martyrdom of Philip Strong. Sins of the Children.

IN HOCK. 1923. 1 reel.

IN HOLLAND. 1929. 5 reels, b&w.

Credits: Director, Norman Taurog; story and scenario, Paul Gerald Smith.

IN HOLLYWOOD WITH POTASH AND PERLMUTTER. First National. 1924. 7 reels. From the Broadway stage success "Business Before Pleasure" by Montague Glass and Jules Eckert Goodman.

Credits: Director, Al Green; adaptation, Frances Marion.

IN HONOR'S WEB. 1919. 5 reels.

Credits: Director, Paul Scardon; story, Perry N. Vekroff; scenario, Sam Taylor.

IN HOT WEATHER. 1922. 1 reel.

IN JAVA SEA. (Magic Carpet of Movietone) 1934. 1 reel, sd.

IN JUDGEMENT OF. 1918. 5 reels.

Credits: Director, Will S. Davis; story and scenario, George D. Baker.

IN JUNGLE WILDS. 1916. 1 reel.

Credits: Director, L. W. Chaudet.

IN LEOPARD LAND. 1915. 1 reel.

Credits: Producer, Thomas Santschi; story, J. Edward Hungerford.

IN LIEU OF DAMAGES. 1914. 1 reel.

Credits: Hapsburg Liebe; director, Richard R. Ridgely.

IN LINE OF DUTY. (Western Featurette) 1929. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, William Lester.

IN LOVE AT 40. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Arthur Ripley; story, Joe Cunningham; film editor, Edward Mann.

IN LOVE WITH A FIREMAN. Joker. 1916. 1 reel.

Credits: Walter H. Newman; producer, William W. Beaudine.

IN LOVE WITH LIFE. 1934. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay and dialogue, Robert Ellis.

IN LOVE WITH LOVE. 1924. 6 reels.

Credits: Director, Rowland V. Lee; story, Vincent Lawrence; adaptation and scenario, Robert N. Lee.

IN LOVE'S LABORATORY. 1917. 1 reel.

Credits: Story, Edward H. Griffith.

IN LOVE'S OWN WAY. 1915. 3 reels.

Credits: Producer, John E. Ince.

IN MIZZOURA. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 5 reels. Based on the story by Augustus Thomas.

Credits: Director, Hugh Ford; scenario, Beulah Marie Dix.

403© Famous Players-Lasky Corp.; 22Sep19; LP14226.

IN MONKEYLAND. Powers. 1917. 1/2 reel.

IN MOROCCO. (A Columbia Tour) 1939. 1 reel, sd.

Credits: Producer, André de la Varre; narrator, Milton Cross.

IN MY GONDOLA. (A Color Rhapsody) (Scrappy) Released by Columbia Pictures Corp. 1936. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

IN NACHT UND EIS. SEE Shipwrecked In Icebergs.

IN NAME ONLY. 1939. 94 min., sd. From the novel "Memory of Love" by Bessie Breuer.

Credits: Pandro S. Berman in charge of production; producer, George Haight; director, John Cromwell; screenplay, Richard Sherman; editor, William Hamilton; music, Roy Webb.

IN NEW MADRID. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

IN NORTH CHINA; AS SEEN BY DR. DORSEY. Powers. 1917. 1/2 reel.

IN OLD ARIZONA. 1929. 7 reels, sd., b&w.

Credits: Directors, Raoul Walsh, Irving Cummings; scenario, adaptation and dialogue, Tom Barry.

IN OLD CALIENTE. 1939. 6 reels, sd.

Credits: Associate producer and director, Joseph Kane; original screenplay, Norman Houston, Gerald Geraghty; film editor, Edward Mann; music director, Cy Feuer.

IN OLD CALIFORNY. SEE Faro Nell.

IN OLD CHEYENNE. Presented by George W. Weeks. 1931. 62 min., sd.

Credits: Supervision, Webb-Douglas; director, Stuart Payton; story, Bennet Cohn; continuity and dialogue, Betty Burbridge.

IN OLD CHICAGO. 1938. 10,002 ft., sd. Based on the story "We the O'Learys" by Niven Busch.

Credits: Director, Henry King; screenplay, Lamar Trotti, Sonya Levien; music director, Louis Silvers.

IN OLD ENGLAND. 1917. 1 reel.

IN OLD GRANADA. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN OLD GUATEMALA. (Magic Carpet of Movietone) 1934. 1 reel, sd.

IN OLD KENTUCKY. 1920. 7 reels. From the play by Charles T. Dazey.

Credits: Directors, Marshall Neilan and staff; scenario, Thomas J. Geraghty.

IN OLD KENTUCKY. 1927. 7 reels, sd., b&w. Suggested by the play by Charles Dazey.

Credits: Producer and director, John M. Stahl; screenplay, A. P. Younger; adaptation, A. P. Younger, Lew Lipton; titles, Marion Ainslee, Ruth Cummings; film editors, Basil Wrangell, Margaret Booth.

IN OLD KENTUCKY. 1927. 7 reels. Suggested by the play by Charles Dazey.

Credits: Produced and directed by John M. Stahl; screenplay, A. P. Younger; adaptation, A. P. Younger, Lew Lipton; film editors, Basil Wrangell, Margaret Booth.

IN OLD KENTUCKY. Presented by Fox Film Corp. 1935. 7,649 ft., sd. From the play by Charles T. Dazey.

Credits: Producer, Edward Butcher; director, George Marshall; screenplay, Sam Hellman, Gladys Lehman; additional dialogue, Henry Johnson; music director, Arthur Lange.

IN OLD MAZUMA. 1931. 2 reels.

Credits: Director, Nat Ross; continuity and dialogue, Hampton Del Ruth.

IN OLD MEXICO. Presented by Adolph Zukor. 1938. 7 reels, sd. Based on characters created by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Edward D. Venturini; screenplay, Harrison Jacobs; film editor, Robert Warwick.

IN OLD MONTEREY. 1939. 8 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Joseph Kane; original story, Gerald Geraghty, George Sherman; screenplay, Gerald Geraghty, Dorrell McGowan, Stuart McGowan; film editor, Edward Mann; music supervision, Raoul Kraushaar.

IN OLD SANTA FE. Presented by Nat Levine. 1934. 7 reels, sd.

Credits: Supervision, Victor Zobel; director, David Howard; story, Wallace MacDonald, John Rathmell; screenplay, Colbert Clark, James Gruen; film editor, Thomas Scott.

IN OLD WYOMING. 1937. 1 reel, sd.

IN ONION THERE IS STRENGTH. Joker. 1916. 1 reel.

Credits: Director, Allen Curtis; scenario, William Warren Schoene.

IN PAYMENT OF THE PAST. 1916. 1 reel.

Credits: Marc E. Jones; director, Burton L. King.

Credits: Producer, George L. Tucker.

IN PERSON. 1935. 9 reels, sd. From the novel by Samuel Hopkins Adams.

Credits: Producer, Pandro S. Berman; director, William A. Seiter; screenplay, Allan Scott; editor, Arthur Schmidt; music director, Roy Webb; music and lyrics, Dorothy Fields, Oscar Levant.

IN PURSUIT OF POLLY. Paramount. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Director, Chet Withey; story, Mann Page, Izola Forrester; scenario, Eve Unsell.

IN QUEST OF A MINNIE. SEE Mother's Angel, In Quest of a Minnie, and Memories.

IN QUEST OF A STORY. 1914. 1 reel.

IN QUEST OF THE LATCH STRING. SEE The Love Net.

Credits: Scenario, Alex Frank.

IN RED DOG TOWN. 1915. Split reel.

Credits: Director, David Kirkland; adaptation, John Emerson, Anita Loos.

IN SEARCH OF A SINNER. 1920. 5 reels. From the story by Charlotte Thompson.

Credits: Director, David Kirkland; adaptation, John Emerson, Anita Loos.

IN SEARCH OF A SINNER. 1921. 5 reels.

Credits: Director, David Kirkland.

** Joseph M. Schenck; 5Dec21; LP17285.

IN SEARCH OF A THRILL. 1923. 5 reels.

Credits: Director, Oscar Apfel; story, Kate Jordan; screenplay, Basil Dickey, Winifred Dunn.

IN SEARCH OF A WIFE. Gold Seal. 1915. 2 reels.

Credits: Producer, William Worthington; story, Robert McGowan; scenario, F. McGrew Willis.

404© Société Française des Films et Cinématographes Éclair (Eclair Film Co., author); title, descr. & 60 prints, 28Mar14; LU2445.

1. The Great Secret. © title, descr. & 60 prints, 10May19; LU13686.

2. Whiskey Straight. © title, descr. & 60 prints, 10May19; LU13687.

3. At Any Cost. © title, descr. & 40 prints, 10May19; LU13688.

4. © title, descr. & 40 prints, 24Jun19; LU13884.

5. © title, descr. & 40 prints, 24Jun19; LU13885.

6. © title, descr. & 40 prints, 24Jun19; LU13886.

7. © title, descr. & 40 prints, 24Jun19; LU13887.

IN SECRET. SEE The Black Secret.

IN SHANGHAI AND MACAO. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

IN SOCIETY—AND OUT. 1916. 1 reel.

Credits: Thomas J. Gray; producer, Harry Jackson.

IN SPITE OF DANGER. 1935. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Anthony Coldeway; film editor, Otto Meyer.

IN SPITE OF HIM. 1915. 1 reel.

Credits: Producer, Joseph Kaufman.

IN THE AIR. 1926. 2 reels.

Credits: Producer, Joe Rock.

IN THE AMAZON JUNGLE. 1915. 1 reel.

Credits: Producer, L. W. Chaudet.

IN THE BACKGROUND. 1915.

IN THE BAG. 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

IN THE BAG. (Slim Summerville Comedy) 1932. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin.

IN THE BAG. (Tom and Jerry Cartoon) 1932. 7-1/4 min.

Credits: John Foster, George Rufle.

IN THE BAG. 1934. 2 reels.

Credits: Direction and editing, Holbrook Todd; continuity, Howard Christie; commentation and dialogue, Clif Howell.

IN THE BALANCE. 1917. 5 reels. Adapted from the novel "The Hillman" by E. Phillips Oppenheim.

Credits: Director, Paul Scardon; scenario, Garfield Thompson.

IN THE BEGINNING—NEW ENGLAND. SEE The City.

IN THE BISHOP'S CARRIAGE. SEE She Couldn't Help It.

IN THE BOARDING HOUSE. 1915. Split reel.

IN THE CARQUINEZ WOODS. SEE Tongues of Flame.

IN THE CLAW OF THE LAW. L-Ko. 1915. 1 reel.

IN THE CLUTCHES OF DEATH. (The Great Hokum Mystery) (A Johnnie Walker Novelty) Atlas Sound Studios. Educational Film Exchanges, Inc. Presented by E. W. Hammons. 1932. 1,228 ft., sd.

Credits: Miller and Lehr; associate producer, Monroe Gold; narrator, Lew Lehr; music director, Paul Vincent.

IN THE CLUTCHES OF MILK. Victor. 1917. 1 reel.

Credits: Story and direction, Craig Hutchinson; scenario, C. B. Hoadley.

IN THE DARK. 1915. 3,000 ft.

IN THE DAYS OF BUFFALO BILL. Universal Special. 1922. 2 reels each.

Credits; Director, Edward Laemmle; story and scenario, Robert Dillon.

1. Bonds of Steel. © 1Aug22; LP18102.

2. In the Enemies' Hands. © 10Aug22; LP18148.

3. The Spy. © 21Aug22; LP18170.

4. The Swords of Grant and Lee. © 25Aug22; LP18181.

5. The Man of the Ages. © 1Sep22; LP18192.

6. Prisoners of the Sioux. © 9Sep22; LP18207.

7. Shackles of Fate. © 14Sep22; LP18219.

8. The Last Shot. © 21Sep22; LP18235.

9. From Tailor to President. © 30Sep22; LP18268.

10. Empire Builders. © 7Oct22; LP18293.

11. Perils of the Plains. © 12Oct22; LP18321.

12. The Hand of Justice. © 24Oct22; LP18377.

13. Trails of Peril. © 30Oct22; LP18358.

IN THE DAYS OF DANIEL BOONE. Universal Special. 1923. 2 reels each, except no. 1 which is 3 reels. © Universal Pictures Corp.

Credits: Directors, Frank Messenger, William Craft, Jay Marchant; scenario, Jefferson Moffitt; Story, Paul Bryan, Jefferson Moffitt.

IN THE DAYS OF FAMINE. 1915. 3 reels.

Credits: Producer, Theodore Marston.

IN THE DAYS OF SLAVERY. 1914. 1 reel.

Credits: Richard R. Ridgely.

IN THE DAYS OF THE MISSIONS. SEE A Yoke of Gold.

IN THE DAYS OF THE THUNDERING HERD. 1914. 5 reels.

Credits: Director, Colin Campbell.

Credits: Producer, Fred W. Huntley.

405IN THE DEAD O' NIGHT. Imp. 1916. 2 reels.

Credits: Willis Woods; director, Douglas Gerrard.

IN THE DEVILDOG HOUSE. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Ben Holmes; story, Ben Holmes, Johnnie Grey; dialogue, Bobby Clark; film editor, George Crone.

IN THE DIPLOMATIC SERVICE. 1916. 5 reels.

Credits: John C. Clymer, Hamilton Smith; adapted and produced by Francis X. Bushman.

IN THE DOG HOUSE. 1934. 2 reels, sd.

Credits: Director, Arthur Ripley; story and screenplay, Richard Smith, Arthur Ripley; film editor, William A. Lyon.

IN THE DOUGH. 1933. 2 reels, sd.

Credits: Director, Ray McCarey; story, Jack Henley.

IN THE DRAGON'S CLAWS. 1915. 2,000 feet.

IN THE FIRST DEGREE. Presented by Sterling Productions, Inc. 1927. 6 reels.

Credits: Director, Philip Rosen; story, Reginald Wright Kaufman.

IN THE GARDEN. 1913. 1 reel.

Credits: William Brede.

IN THE GARDEN OF CHARITY. SEE Tides of Passion.

IN THE GLASS HOUSE. 1926. 1 reel.

IN THE GOOD OLD DAYS. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

IN THE GOOD OLD SUMMER TIME. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Max Fleischer.

IN THE GRASP OF THE LAW. Laemmle. 1915. 1 reel.

Credits: Written and produced by Frank Lloyd.

IN THE HEADLINES. 1929. 8 reels.

Credits: Director, John G. Adolfi; story, James A. Starr; screenplay, Joseph Jackson.

IN THE HEADLINES. Trailer. 1929. 1 reel.

IN THE HEART OF A FOOL. First National. 1921. 7 reels. From the novel by William Allen White.

Credits: Producer and director, Allan Dwan; adaptation, Lilian Ducey.

IN THE HEART OF A SHELL. Rex. 1916. 1 reel.

Credits: Producer, H. C. Matthews.

IN THE HEART OF CHINA. Powers. 1917. 1/2 reel.

IN THE HEART OF INDIA. 1917. 1 reel.

IN THE HEART OF INDIA, AS SEEN BY DR. DORSEY. Powers. 1916.

IN THE HEART OF NEW YORK. Gold Seal. 1916. 3 reels.

Credits: William Addison Lathrop; director, Ben Wilson.

IN THE HEART OF THE HILLS. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, F. McGrew Willis.

IN THE HILLS BEYOND. Powers. 1915. 1 reel.

Credits: Scenario and production by Sydney Ayres.

IN THE HILLS OF KENTUCKY. 1914. 2,000 ft.

IN THE HOLLOW OF HER HAND. 1918. 5 reels. From the story by George Barr McCutcheon.

Credits: Scenario and direction, Charles Maigne.

IN THE HOUR OF DISASTER. 1916. 3 reels.

Credits: Written and directed by Romaine Fielding.

IN THE HOUSE OF THE CHIEF. 1916. 3 reels.

Credits: Director, T. N. Heffron.

IN THE KING'S SERVICE. 1915. 2 reels.

Credits: Director, Thomas Santschi.

IN THE LAND OF ARCADIA. 1914. 2 reels.

Credits: Director, Wilfred North.

IN THE LAND OF KING COTTON. Powers. 1916. 1 reel.

IN THE LAND OF LIGHT AND GLOOM. Powers. 1917. 1/2 reel.

IN THE LAND OF MANY TEMPLES. Powers. 1917. 1/2 reel.

IN THE LAND OF THE MIKADO. 1915. Split reel.

Credits: Homer Croy.

IN THE LAND OF THE SON OF HEAVEN, AS SEEN BY DR. DORSEY. Powers. 1917. 1/2 reel.

IN THE LAP OF THE GODS. Victor. 1916. 1 reel.

Credits: Producer and director, Donald MacDonald; scenario, Constance Crawley, Arthur Maude.

IN THE LATIN QUARTER. 1914. 2 reels.

Credits: Director, Lionel Belmore.

IN THE LINE OF DUTY. 1914. 1 reel.

Credits: Producer, Colin Campbell.

406IN THE MEXICAN QUARTER. SEE Border Cafe.

IN THE MIDST OF THE WILDS. 1915. 1 reel.

Credits: Producer, Lloyd B. Carleton.

IN THE MINES WITH VERNON RICKARD AND THE BLACK DIAMOND FOUR. 1928. 1 reel.

IN THE MONEY. 1933. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay and dialogue, Robert Ellis.

IN THE MOON'S RAY. 1916. 2 reels.

IN THE MORNING. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Francis J. Martin.

IN THE NAME OF LOVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 5,862 ft. From the play "The Lady of Lyons" by Bulwer Lytton.

Credits: Director, Howard Higgin; screenplay, Sada Cowan.

IN THE NAME OF THE CZAR. SEE The Nihilist's Daughter.

IN THE NAME OF THE LAW. 1922. 6 reels.

Credits: Producer and director, Emory Johnson; story, Emilie Johnson.

IN THE NEXT ROOM. First National and Vitaphone. 1930. 7 reels. Adapted from the play by Eleanor Robson Belmont and Harriet Ford, and based on the book "The Mystery of the Boule Cabinet" by Burton E. Stevenson.

Credits: Director, Edward Cline; screen version, Harvey Gates.

IN THE NEXT ROOM. Trailer. 1929. 1 reel, sd.

IN THE NICK OF TIME. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, Robert Dillon.

IN THE NICK OF TIME. 1929. 2 reels, sd.

Credits: Director, Murray Roth; story, Edmund Joseph.

IN THE NIGHT. Victor. 1916. 3 reels.

Credits: H. W. Bergman.

IN THE OLD ATTIC. 1913. 1 reel.

Credits: Director, Frederick Tomson.

IN THE OLD DUTCH TIMES. 1913. 1 reel.

Credits: Richard Ridgely.

IN THE ORIENT, FEATURING TONY SARG'S MARIONETTES. 1930. 1 reel, sd.

Credits: Supervision, Tony Sarg; director, Basil Smith.

IN THE PALACE OF THE KING. 1915. 6 reels. From the novel by F. Marion Crawford.

Credits: Director, Fred P. Wright.

IN THE PALACE OF THE KING. 1923. 8 reels. From the story by F. Marion Crawford.

Credits: Director, Emmett Flynn; adaptation, June Mathis.

IN THE PARK. 1915. 1 reel.

IN THE PARK. (Topics of the Day, no. 2) 1930. 1 reel, sd.

Credits: Alfred T. Mannon.

IN THE PARK. (Tom and Jerry Cartoon) 1933. 750 ft.

Credits: Frank Sherman, George Rufle.

IN THE PARK. SEE Brown & Whitaker.

IN THE PAVILION. SEE The Glorious Fool.

IN THE PLUMBER'S GRIP. 1915. 1 reel.

Credits: Guy Cunningham.

IN THE RICE FIELDS OF JAPAN. SEE Rice Fields and Rice Fed Wrestlers of Japan.

IN THE ROCKS OF INDIA. Powers. 1917. 1/2 reel.

IN THE ROUGH. (Farrell Golf Series, no. 3) 1931. 1 reel, sd.

Credits: Producer, Terry Ramsaye; director, Clyde Elliott.

IN THE SECRET SERVICE. SEE Behind the Mask.

IN THE SHADE OF THE OLD APPLE SAUCE. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

IN THE SHADE OF THE OLD APPLE TREE. 1930. 1 reel, sd.

Credits: Producer, Max Fleischer; director, Dave Fleischer.

IN THE SHADOW. 1913. 1 reel.

Credits: Director, James Lackaye.

IN THE SHADOW OF DEATH. 1915. 2 reels. Adapted from "Fate and the Pomegranate" by Mary Imlay Taylor.

IN THE SHADOW OF DISGRACE. 1914. 2 reels.

Credits: Richard Ridgely.

IN THE SHADOW OF THE HILLS. SEE Cold Steel.

IN THE SHADOW OF THE MOUNTAINS. 1913. 2 reels.

Credits: William Maxwell.

IN THE SHADOWS OF NIGHT. Special Rex. 1917. 1 reel.

Credits: Director, Otis B. Thayer; and scenario, Richard Goodall.

IN THE SOUTHERN HIGHLANDS. 1917. 1/2 reel.

IN THE SPOTLIGHT. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Cyrus B. Wood.

IN THE SULTAN'S POWER. 1913. 2 reels.

IN THE SUNSET COUNTRY. Bison. 1915. 3 reels.

Credits: Producer, Burton King; scenario, F. McGrew Willis.

407Credits: Written and directed by Twede-Dan [pseud. of F. Perez].

IN THE WEST. 1923. 5 reels.

Credits: Story and direction, George Holt.

IN THIS CORNER. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, George J. Bennett.

IN TOUCH WITH DEATH. 1913. 3 reels.

IN TUNE WITH THE WILD. 1914. 3 reels.

Credits: Written and produced by E. A. Martin.

IN VENICE. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1933. 505 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

IN WALKED CHARLEY. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, Warren Doane; dialogue, H. M. Walker; editor, Richard Currier.

Credits: Director, George Archainbaud.

IN WRONG. 1919. 5 reels.

Credits: Written and directed by James Kirkwood.

IN WRONG WRIGHT. 1920. 2 reels.

Credits: Producer, Albert Russell; story and scenario, Ford Beebe.

IN ZULULAND. 1915. 1,000 ft.

Credits: Written and produced by Will Louis.

INBAD THE SAILOR. Powers. 1917. 1/2 reel.

IN-BAD THE SAILOR. 1924. 2 reels.

Credits: Directors, Ben Stoloff, Clyde Carruth.

INCOME TACT. (Benny Rubin Talkie) 1929. 1 reel.

Credits: Story and direction, Benny Rubin.

THE INCOME TAX COLLECTOR. 1923. 2 reels.

Credits: Directed by Erle C. Kenton.

AN INCOMPETENT HERO. 1914. 1 reel.

Credits: Producer, Mack Sennett.

INCREASING THE PAY CHECK. 1926. 1 reel.

INDEPENDENCE B'GOSH! (Paramount-Flagg Comedy) 1918. 2 reels.

THE INDESTRUCTIBLE WIFE. 1919. 5 reels. From the play by Frederic Hatton and Fanny Hatton.

Credits: Scenario and direction, Charles Maigne.

INDIA ON PARADE. (FitzPatrick M. G. M. Traveltalk) 1937. 849 ft., sd., color.

Credits: Compiled by James A. FitzPatrick; music score, Jack Shilkret; photography, Winton C. Hoch.

INDIA SPEAKS. 1933. 8 reels, sd.

Credits: Producer, Walter A. Futter; dialogue, Norman Houston.

INDIA, THE BRIGHTEST JEWEL IN THE BRITISH CROWN, AS SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

THE INDIAN. 1914. 3 reels.

THE INDIAN. 1916. 3 reels.

AN INDIAN DURBAR. 1927. 1 reel.

INDIAN LIFE. 1918. 2 reels.

INDIAN LIFE. 1918. 4 reels.

INDIAN PUDDING. (Terrytoons) 1930. 1 reel.

Credits: Paul Terry, Frank Moser.

INDIAN SERENADE. (Color Rhapsody) Released by Columbia Pictures Corp. 1937. 732 ft., sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

Credits: Producer, Lem B. Parker.

INDIAN SUMMER. (Paramount-Post Nature Pictures) 1920. 1 reel.

THE INDIAN SUMMER OF DRY VALLEY JOHNSON. 1917. 4 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Martin Justice; adaptation, Katharine Reed.

INDIAN VILLAGE. (A Century of Progress) 1933. 100 ft.

INDIAN WHOOPEE. (Aesop's Sound Fables) The Van Beuren Corp. 1933. 8 min., 1 reel, sd.

Credits: Mannie Davis.

INDIANAPOLIS SPEEDWAY. 1939. 10 reels, sd.

Credits: Director, Lloyd Bacon; story, Howard Hawks; screenplay, Sig Herzig, Wally Klein.

THE INDIANS ARE COMING. 1930. 2 reels each. Suggested by the story "The Great West That Was" by William F. Cody. © Universal Pictures Corp.

Credits: Director, Henry MacRae; continuity, George H. Plympton, Ford I. Beebe.

THE INDIAN'S LAMENT. Gold Seal. 1917. 3 reels.

Credits: Director, Henry McRae; story, Noble Johnson; scenario, Walter Woods.

THE INDIAN'S LAMENT. 1923. 2 reels. A re-issue.

Credits: Director, Henry McRae; story, Noble Johnson; scenario, Walter Woods.

THE INDIAN'S NARROW ESCAPE. 1915. 1 reel.

INDIA'S MILLIONS. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; narrator, Basil Ruysdael.

AN INDIGO SUNDAY. 1921. 2 reels.

Credits: Story, Kingsley Benedict.

INDISCREET. United Artists. Presented by Joseph M. Schenck. 1931. 10 reels.

Credits: Director, Leo McCarey; film editor, Hal C. Kern.

INDISCREET PETE. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Harry Sweet.

INDISCRETION. 1915. 1,000 ft. Suggested by story "The Official Introducer" by Mary Rider Mechtold.

INDISCRETION. 1916. 5 reels.

Credits: Director, Wilfred North; story, William Addison Lathrop.

Credits: Producer, A. J. Bimberg; director, William Davis.

THE INDISCRETION OF THE DUCHESS. SEE The Naughty Duchess.

INDIVIDUAL DIFFERENCES IN ARITHMETIC. 1931. 2 reels.

Credits: Diagnostic studies by Guy T. Buswell.

INDIVIDUAL EXERCISES FOR GIRLS AND WOMEN. 1922. 1 reel.

Credits: Director, Edward Cave.

INDOOR GOLF. (A Stern Brothers Comedy) (Keeping up with the Joneses Series) 1927. From cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

INDUCED CURRENTS. 1930. 1,039 ft., 16 min.

INDUSTRIAL CHINA SEEN BY DOCTOR DORSEY. Powers. 1917. 1/2 reel.

THE INDUSTRIAL CITY—CITY OF SMOKE. SEE The City.

INDUSTRIAL WORKING CONDITIONS. (Ford Educational Library, Civics, and Citizenship, v. 3) Ford Motion Picture Laboratories. 1921. 1 reel.

THE INEVITABLE. 1915. 1 reel.

THE INEVITABLE. 1917. 5 reels.

Credits: Director, Ben Goetz; scenario, C. Doty Hobart.

THE INEVITABLE MILLIONAIRES. SEE Millionaires.

THE INEVITABLE PENALTY. 1915. 1,000 ft.

Credits: Producer, Percy Winter.

THE INEVITABLE RETRIBUTION. 1915. 1 reel.

INEZ FROM HOLLYWOOD. Presented by Sam E. Rork, Inc. 1924. 7 reels.

Credits: Producer, Alfred E. Green; story, Adela Rogers St. Johns; adaptation, J. G. Hawks.

THE INFAMOUS MISS REVELL. 1921. 5 reels.

Credits: Producer, Dallas M. Fitzgerald; story, William Carey Wonderley; adaptation, Arthur J. Zellner.

INFATUATION. First National Picture, Inc. 1925. 7 reels. Adapted from the play "Caesar's Wife" by W. Somerset Maugham.

Credits: Director, Irving Cummings.

INFERNAL MACHINE. 1933. 6,100 ft., sd. From the novel by Carl Sloboda.

Credits: Director, Marcel Varnel; screenplay, Arthur Kober; editor, Ralph Dixon.

THE INFERNAL TRIANGLE. (Hal Roach Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gordon Douglas; film editor, Ray Snyder.

THE INFIDEL. Presented by B. P. Schulberg. 1922. 6 reels.

Credits: Charles A. Logue; direction and scenario, James Young.

INFIDELITY. 1917. 5 reels.

Credits; Director, Ashley Miller.

INFLATION. 1933. 1 reel, sd.

Credits: Director, Zion Meyers; explained by Pete Smith.

INFORMATION PLEASE. SEE A Temperamental Wife.

THE INFORMER. 1935. 10 reels, sd. From the book by Liam O'Flaherty.

Credits: Producer and director, John Ford; screenplay, Dudley Nichols; editor, George Hively; music, Max Steiner.

INFUSORIA. 1924. 1 reel.

INGAGI. 1930. 8 reels, sd.

Credits: Screen adaptation, Adam Hull Shirk; editor, William J. Campbell.

THE INGÉNUES, SYNCOPATING SWEETIES. 1928. 1 reel, sd.

THE INGÉNUES, THE BAND BEAUTIFUL. 1928. 1 reel, sd.

INGOMAR OF THE HILLS. 1915. 1 reel.

THE INGRATITUDE OF LIZ TAYLOR. 1915. 2 reels.

Credits; Director, E. J. LeSaint.

INGUINAL HERNIA IN THE MALE. 1929. 3 reels.

INHERITANCE. 1915. 3 reels.

Credits; Joseph A. Roach; director, Clement Easton.

THE INHERITORS. SEE The Gaiety Girl.

INJUN FOOD. (Outdoor Sketches) 1927. 1 reel.

Credits: Robert C. Bruce.

INJUN TROUBLE. (Looney Tunes) 1938. 1 reel, sd.

Credits; Producer, Leon Schlesinger; supervision, Robert Clampitt; animation, Charles Jones, I. Ellis; music director, Carl W. Stalling.

THE INJUSTICE OF JUSTICE. Special Laemmle. 1916. 1 reel.