Motion pictures, 1912-1939, S (continued 2) — Read Online

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe de Nat.

SCRAPPY'S TRAILER. Presented by Columbia Pictures Corp. 1935. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould, Harry Love; music, Joe de Nat.

SCRAPPY'S TRIP TO MARS. (A Scrappy Cartoon) 1938. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

SCRATCH-AS-CATCH-CAN. 1931. 2 reels, sd.

Credits: Producer, Louis Brock; director, Mark Sandrich; story, Bobby Clark; adaptation, Johnnie Grey, Mark Sandrich, William Grew; film editor, Ted Cheesman.

SCRATCH MY BACK. 1920. 6 reels.

Credits: Director, Sidney Olcott; story, Rupert Hughes.

SCRATCHED. Imp. 1916. 2 reels.

Credits: Douglas Bronston; director, Fred A. Kelsey.

SCRATCHING THROUGH. (Cameo Comedy) 1926. 1 reel.

A SCREAM IN SOCIETY. (Star Comedy) 1920. 1 reel.

Credits: Director, Vin Moore; story, Maynard Laswell.

A SCREAM IN THE NIGHT. 1919. 6 reels.

Credits: Directors, Burton King, Leander De Cordova; story, Charles A. Logue; editor, John J. Keeley.

THE SCREAMING SHADOW. 1920. 2 reels each. © Frank G. Hall.

Credits: Director, Duke Worne; story, J. Grubb Alexander, Harvey Gates.

1. A Cry in the Dark. © 26Jan20; LP14674.

2. The Virgin of Death. © 26Jan20; LP14675.

3. The Fang of the Beast. © 30Jan20; LP14690.

4. The Black Seven. © 8Mar20; LP14845.

5. The Vapor of Death. © 8Mar20; LP14842.

6. The Hidden Menace. © 23Mar20; LP14915.

7. Into the Depths. © 24Mar20; LP14940.

8. The White Terror. © 4Apr20; LP15116.

9. The Sleeping Death. © 6Apr20; LP15008.

10. The Prey of Mong. © 19Apr20; LP15031.

11. Liquid Fire. © 27Apr20; LP15055.

12. Cold Steel. © 1May20; LP15165.

13. The Fourth Symbol. © 8May20; LP15117.

14. Entombed Alive. © 18May20; LP15141.

15. Unmasked. © 22May20; LP15166.

THE SCREEN FAN. (James Montgomery Flagg's Girls You Know) 1917. 1 reel.

Credits: Director, Jack Eaton.

SCREEN LETTER BOX. 1919. 1 reel each. © Screen Letter Box, Inc.

Credits: Producer, Jack Cohn.

1. © 18Jul19; MP1372.

2. © 28Jul19; MP1386.

3. © 2Aug19; MP1385.

4. © 2Aug19; MP1389.

5. © 13Aug19; MP1395.

6. © 30Aug19; MP1410.

7. © 12Sep19; MP1421.

8. © 18Sep19; MP1429.

1. © title, descr. & 40 prints, 17May22; LU17887.

2. © title, descr. & 16 prints, 17May22; LU17886.

3. © title, descr. & 18 prints, 26Jun22; LU17999.

4. © title, descr. & 20 prints, 26Jun22; LU18000.

5. © title, descr. & 16 prints, 26Jun22; LU17993.

6. © title, descr. & 18 prints, 20Jul22; LU18077.

7. © title, descr. & 16 prints, 9Aug22; LU18132.

8. © title, descr. & 18 prints, 9Aug22; LU18133.

9. © title, descr. & 20 prints, 9Aug22; LU18131.

10. © title, descr. & 20 prints, 11Oct22; LU18304.

11. © title, descr. & 16 prints, 11Oct22; LU18307.

12. © title, descr. & 20 prints, 11Nov22; LU18396.

13. © title, descr. & 20 prints, 11Nov22; LU18397.

14. © title, descr. & 20 prints, 11Nov22; LU18402.

15. © title, descr. & 16 prints, 1Dec22; LU18453.

16. © title, descr. & 16 prints, 11Dec22; LU18530.

17. © title, descr. & 18 prints, 14Dec22; LU18480.

18. © title, descr. & 20 prints, 17Feb23; LU18682.

19. © title, descr. & 20 prints, 17Feb23; LU18683.

20. © title, descr. & 20 prints, 17Feb23; LU18684.

21. © title, descr. & 16 prints, 17Feb23; LU18685.

22. © title, descr. & 18 prints, 17Feb23; LU18686.

23. © title, descr. & 16 prints, 27Feb23; LU18741.

74924. © title, descr. & 20 prints, 27Apr23; LU18903.

25. © title, descr. & 20 prints, 27Apr23; LU18904.

26. © title, descr. & 18 prints, 27Apr23; LU18905.

SCREEN SOUVENIRS. 1931-35. 1 reel each, sd.

1. © 17Aug31; MP2736.

2. © 12Sep31; MP2774.

3. © 10Oct31; MP2847.

4. © 7Nov31; MP2900.

5. © 5Dec31; MP2946.

6. © 2Jan32; MP2993.

7. © 30Jan32; MP3084.

8. © 26Feb32; MP3120.

9. © 25Mar32; MP3192.

10. © 21Apr32; MP3250.

11. © 23May32; MP3311.

12. © 16Jun32; MP3352.

[Series] 2, 1932/33.

1. © 4Aug32; MP3440.

2. © 1Sep32; MP3489.

3. © 29Sep32; MP3546.

4. © 27Oct32; MP3606.

5. © 28Nov32; MP3668.

6. © 22Dec32; MP3709.

7. © 19Jan33; MP3767.

[Series] 2, 1932/33.

8. © 16Feb33; MP3830.

9. © 16Mar33; MP3875.

10. © 13Apr33; MP3952.

11. © 11May33; MP4044.

12. © 8Jun33; MP4095.

13. © 7Jul33; MP4151.

[Series] 3, 1933/34.

1. © 25Aug33; MP4241.

2. © 20Sep33; MP4303.

3. © 17Oct33; MP4344.

4. © 17Nov33; MP4396.

5. © 12Dec33; MP4458.

6. © 10Jan34; MP4519.

7. © 7Feb34; MP4560.

8. © 7Mar34; MP4634.

9. © 4Apr34; MP4682.

10. © 2May34; MP4734.

11. © 31May34; MP4773.

12. © 27Jun34; MP4832.

13. © 26Jul34; MP4882.

[Series] 4, 1934/35.

1. © 20Sep34; MP4996.

2. © 30Nov34; MP5130.

3. © 7Feb35; MP5363.

4. © 18Apr35; MP5532.

THE SCREEN TEST. Presented by E. W. Hammons. 1936. 1,670 ft., sd.

Credits: Director, William Watson; story, Parke Levy.

SCREWBALL FOOTBALL. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Story, Melvin Millar; animation, Virgil Ross.

SCRIPT GIRL. 1937. 20 min., sd.

Credits: Director, Roy Mack; story, Jack Henley, Cyrus Wood.

SCROOGE. Presented by Adolph Zukor. 1935. 8 reels. Based on "A Christmas Carol" by Charles Dickens.

Credits: Producer, Julius Hagen-Twickenham; director, Henry Edwards; scenario, H. Fowler Mear.

THE SCRUB LADY. 1917. 2 reels.

Credits: Vincent Bryan.

THE SCULPTOR'S MODEL. 1915. 2 reels.

Credits: Director, George Nicholls.

THE SCULPTURE OF THE LAND BY RIVERS. 1929. 1 reel.

Credits: Edited by Dept. of Geology, Harvard University.

THE SCUTTLERS. 1920. 6 reels. From the story by Clyde C. Westover.

Credits: Director, J. Gordan Edwards.

THE SEA. (Battle for Life) 1932. 9 min., sd.

Credits: Narrator, Gayne Whitman.

THE SEA BAT. 1930. 8 reels, sd., b&w.

Credits: Story, Dorothy Yost; dramatization, Bess Meredyth, John Howard Lawson; film editor, Ira Morgan.

THE SEA BEAST. 1925. 10 reels. From the story "Moby Dick" by Herman Melville.

Credits: Director, Millard Webb; adaptation, Bess Meredyth.

SEA DEVILS. Standard. 1931. 6 reels, sd.

Credits: Director, Joseph Levering; story, Scott Littleton.

SEA DEVILS. 1933. 1 reel, sd.

Credits: Commentator, Frank McHugh.

SEA DEVILS. 1937. 10 reels, sd.

Credits: Producer, Edward Small; director, Ben Stoloff; screenplay, Frank Wead, John Twist, P. J. Wolfson; editor, Arthur Roberts; music director, Roy Webb.

SEA DOGS AND LAND RATS. 1916. 1 reel.

THE SEA FLOWER. 1918. 5 reels.

Credits: Director, Colin Campbell; story, George Hull; scenario, H. Tipton Steck.

SEA FOOD. (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Sig Herzig.

THE SEA GOD. 1930. 9 reels, sd. From the story "The Lost God" by John Russell, as related in a volume entitled "Where the Pavement Ends."

Credits: Direction & screenplay, George Abbott.

SEA GOIN' SHEIKS. (Rainbow Comedies) Presented by E. B. Derr. 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Wallace Fox; story, Wallace Fox, Bobby Carney, Si Willis; film editor, Fred Maguire; music director, Francis Gromon.

SEA GOING BIRDS. (Cannibals of the Deep Series, no. 6) 1932. 599 ft.

Credits: Supervision, Mack Sennett.

THE SEA-GULL. 1914. 1 reel.

Credits: Director, Rollin S. Sturgeon.

THE SEA HAWK. 1924. 12 reels. From the novel by Rafael Sabatini.

Credits: Adaptation, J. G. Hawks.

THE SEA HORSE. 1917. 1 reel.

SEA HORSES. 1926. 6,565 ft. From the novel by Francis Brett Young.

Credits: Director, Allan Dwan; scenario, James Shelley Hamilton.

SEA LEGS. Educational. 1925. 2 reels.

Credits: Robert Hall; director, Gilbert Pratt.

SEA LEGS. 1930. 7 reels, sd.

Credits: Director, Victor Heerman; story, George Marion, Jr.; scenario, Marion Dix; film editor, Doris Drought.

THE SEA LILY. Big U. 1916. 1 reel.

Credits: Producer, George Cochrane; story, Burton C. Law; scenario, Calder Johnstone.

THE SEA LION. First National. 1921. 5 reels.

Credits: Emily Johnson; director, Rowland V. Lee; scenario, Joseph Franklin Poland.

SEA MATES. Big U. 1916. 1 reel.

Credits: Written and directed by Francis Powers; scenario, F. M. Wilterwood.

SEA MELODY. (Headliner, no. 1) 1938. 19 min., sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story, Jean W. Yarbrough, Harold Tarshis; film editor, John Lockert.

A SEA MYSTERY. Victor. 1916. 1 reel.

THE SEA NYMPHS. 1914. 2 reels.

Credits: Producer, Mack Sennett.

750© The Keystone Film Co. (Mack Sennett, author); 21Nov14; LP3823.

SEA RACKETEERS. 1937. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Hamilton MacFadden; original screenplay, Dorrell McGowan, Stuart McGowan.

THE SEA RIDER. 1920. 5 reels.

Credits: Director, Edwin L. Hollywood; story, Harry Dittmar; scenario, Fred Schaefer.

Credits: Direction and scenario, E. H. Griffith; story, Wallace MacDonald.

SEA SCAMPS. (Juvenile Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

SEA SCOUTS. (A Walt Disney Donald Duck Cartoon) 1939. 1 reel, sd.

SEA SOLDIERS' SWEETIES. (Slim Summerville Comedy) 1932. 19-1/2 min.

Credits: Director, Harry J. Edwards; story, Francis J. Martin, Edward Kaufman.

SEA SORE. 1934. 2 reels, sd.

Credits: Associate producer, Meyer Davis; supervision, Monroe Shaff; director, Joe Nadel; story, Burnet Hershey, Monty Collins, Mat Taylor.

SEA SPIDERS. 1932. 830 ft.

Credits: Explanatory remarks by Gayne Whitman; musical score, William Axt.

SEA SPOILERS. 1936. 7 reels, sd.

Credits: Producer, Trem Carr; director, Frank Strayer; original story, Dorrell McGowan, Stuart E. McGowan; screenplay, George Waggner; film editors, H. T. Fritch, Ray Lockhart; music director, Herman S. Heller.

Credits: Producer, Mack Sennett.

SEA SWORD. 1928. 1 reel.

THE SEA TIGER. 1927. 6 reels. From the story "A Runaway Enchantress" by Mary Heaton Vorse.

Credits: Director, John Francis Dillon; scenario and production, Carey Wilson.

Credits: Director, Victor Sjöström.

Credits: Director, Frank Reicher; story, Howard Irving Young; scenario, Harry O. Hoyt, Hamilton Smith.

THE SEA WOLF. Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 7 reels. From the novel by Jack London.

Credits: Director, George Melford; scenario, Will M. Richey.

THE SEA WOLF. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 7 reels. From the story by Jack London.

Credits: Director, Ralph W. Ince; screenplay, J. Grubb Alexander.

THE SEA WOLF. 1930. 10 reels, sd. From the novel by Jack London.

Credits: Director, Alfred Santell; scenario, Ralph Block; dialogue, S. N. Behrman; editor, Paul Weatherwax.

THE SEA WOMAN. SEE Why Women Love.

THE SEAL OF SILENCE. 1918. 5 reels.

Credits: Director, Thomas R. Mills; story and scenario, William Addison Lathrop.

SEAL SKINNERS. (A Captain and the Kids Cartoon) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia. Based on the United Features comic "The Captain and the Kids."

SEALED ENVELOPE. 1919. 5 reels.

Credits: Director, Douglas Gerrard; story, Andrew Soutar; scenario, Harvey Gates.

SEALED HEARTS. 1919. 5 reels.

Credits: Director, Ralph Ince; story, Eugene Walter, Edmund Goulding; scenario, R. Cecil Smith.

Credits: Adaptation, Frank Condon.

SEALED LIPS. 1925. 6 reels.

Credits: Director, Antonio Gandio; story, Harold Shumate.

SEALED LIPS. 1931. 2 reels. From the story "Dying Lips" by Donald Van Riper.

Credits: Director, Kurt Neumann; screenplay, Samuel Freedman.

THE SEALED OASIS. 1914. 1,000 ft.

Credits: Producer, Edward J. LeSaint.

SEALED ORDERS. (Western Featurette) 1928. 2 reels.

Credits: Director, Josef Levigard; story and continuity, Arthur Henry Gooden.

SEALED ORDERS. SEE Stolen Orders.

THE SEALED PACKAGE. 1914. 1 reel.

Credits: Producer, Thomas Santschi.

SEALED VALLEY. 1915. 5 reels.

SEALING WHACKS. Winkler Pictures, Inc. 1927. 1 reel. Adapted from the George Herriman Krazy Kat cartoons.

SEALS AND WALRUSES. 1933. 1 reel.

SEALSKINS. Presented by Hal Roach. 1932. 1,914 ft.

Credits: Directors, Gil Pratt, Morey Lightfoot; dialogue, H. M. Walker; editor, Richard Currier.

SEARCH FOR BEAUTY. 1934. 8 reels, sd. Based on a play by Schuyler E. Grey and Paul R. Milton.

Credits: Director, Erie C. Kenton; story, David Boehm, Maurine Watkins; screenplay, Frank Butler, Claude Binyon; dialogue, Sam Hellman.

THE SEARCH FOR SANTA CLAUS. Presented by Captain and Mrs. Frank E. Kleinschmidt. 1934. 2 reels, sd.

Credits: Narrators, Jack Edsell, Troy Orr, Wilfred Lucas.

SEARCH FOR THE SPRING. SEE Once to Every Bachelor.

SEAS BENEATH. 1931. 9,100 ft., sd.

Credits: Director, John Ford; story, James Parker; screenplay and dialogue, Dudley Nichols; editor, Frank Hull.

A SEASHORE ROMEO. Rex. 1915. 1 reel.

Credits: Written and produced by Ben Wilson.

SEASHORE SHAPES. Century. 1921. 2 reels.

THE SEASON OF CHILDHOOD. (Do Children Count?) 1917. 25 min.

Credits: Director, L. C. Windom; story. Charles Mortimer Peck.

SEASON TO TASTE. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

SEASONED GREETINGS. (Broadway Brevities, no. 3) 1933. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Cyrus Wood.

751© The Vitaphone Corp.; 25Sep33; LP4143.

SEASON'S GREETINKS. (A popeye the Sailor Cartoon) 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

A SEAT ON THE CURB. 1932. 1 reel, sd.

Credits: Director, Ray Cozine; story, Howard Emmett Rogers; dialogue staged by Max E. Hayes.

THE SEATS OF THE MIGHTY. Presented by World Film Corp. 1914. 7 reels.

Credits: Director, T. Hayes Hunter.

THE SECOND BEGINNING. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, F. McGrew Willis.

SECOND CHILDHOOD. 1914. 1 reel.

Credits: Producer, Norval MacGregor.

SECOND CHILDHOOD. 1931. 1 reel, sd.

SECOND CHILDHOOD. (Hal Roach Comedy) (Our Gang Comedy) 1936. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

SECOND CHOICE. Vitaphone. 1929. 7 reels.

Credits: Director, Howard Bretherton; story, Elizabeth Alexander; adapted by Joseph Jackson.

SECOND CHOICE. Trailer. 1929. 1 reel, sd.

SECOND FIDDLE. 1939. 7,804 ft., sd.

Credits: Director, Sidney Lanfield; story, George Bradshaw; screenplay, Harry Tugend; music director, Louis Silvers.

THE SECOND FLOOR MYSTERY. 1930. 7 reels. From the story "The Agony Column" by Earl Derr Biggers.

Credits: Director, Roy Del Ruth; screenplay, Joseph Jackson.

THE SECOND FLOOR MYSTERY. Trailer. 1930. 1 reel, sd.

A SECOND-HAND EXCUSE. (Stern Brothers Comedy) (Excuse Maker Series) 1926. 2 reels.

Credits: Director, Francis Corby; story, William Anthony.

SECOND HAND HUSBAND. (An Educational Coronet Comedy) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, Al Christie; story, Harry Blair; adaptation, William Watson, Arthur Jarrett; editor, Barney Rogan.

SECOND HAND KISSES. (Louise Fazenda Series, no. 5) 1931. 2 reels.

Credits: Director, Lewis R. Foster; story and dialogue, E. V. Durling.

SECOND-HAND LOVE. 1923. 5 reels, b&w, tinted sequences.

Credits: Director, William Wellman; story, Shannon Fife; scenario, Charles Kenyon.

SECOND HAND ROSE. 1922. 5 reels.

Credits: Director, Lloyd Ingraham; story, and scenario, A. P. Younger.

SECOND HAND WIFE. 1932. 5,790 ft. From the novel by Kathleen Norris.

Credits: Direction and screenplay, Hamilton McFadden; editor, Alex Troffey.

THE SECOND HONEYMOON. 1930. 6 reels, sd. From the novel by Ruby M. Ayres.

Credits: Producer, Trem Carr; director, Phil Rosen; screenplay, Harry O. Hoyt.

SECOND HONEYMOON. 1937. 7,137 ft., sd. Based on the Red Book Magazine story by Philip Wylie.

Credits: Director, Walter Lang; screenplay, Kathryn Scola, Darrell Ware.

THE SECOND IN COMMAND. 1915. 5 reels.

Credits: Clyde Fitch.

THE SECOND LATCHKEY. SEE My Lady's Latchkey.

THE SECOND LIFE. SEE

Once a Lady.

Three Sinners.

Credits: Producer, Fred Paul.

THE SECOND MRS. TANQUERAY. 1917. 5 reels. From the play by Sir Arthur W. Pinero.

Credits: Director, Fred Paul.

THE SECOND 100 YEARS. 1927. 2 reels, b&w, tinted sequences.

Credits: Director, Fred L. Guiol; titles, H. M. Walker; editor, Richard Currier.

SECOND PARADISE. (Vagabond Adventure Series) The Van Beuren Corp. 1932. 1 reel.

Credits: Supervision, Elmer Clifton; narration, Gayne Whitman.

SECOND RISE AND FALL OF NAPOLEON. SEE The Hundred Days.

THE SECOND SHOT. 1915. 2 reels.

SECOND SIGHT. 1914. 1 reel.

Credits: Director, Ned Finley.

THE SECOND SON. 1915. 3 reels.

A SECOND STORY RINGER. 1916. 1 reel.

SECOND WIFE. 1930. 7 reels, sd. Based on the play "All the King's Men" by Charles Fulton Oursler.

Credits: Director, Russell Mack; screenplay, Hugh Herbert, Bert Glennon.

SECOND WIFE. 1936. 7 reels, sd. Based on the play "All the King's Men" by Fulton Oursler.

Credits: Associate producer, Lee Marcus; director, Edward Kelly; screenplay, Thomas Lennon; music director, Alberto Colombo; editor, George Crone.

SECOND YOUTH. 1924. 6 reels, tinted. From the novel by Allan Updegraff.

Credits: Director, Albert Parker; adaptation, John Lynch.

SECRET AGENT. 1936. 9 reels, sd. From the play by Campbell Dixon based on the novel "Ashenden" by W. Somerset Maugham.

Credits: Director, Alfred Hitchcock; screenplay, Charles Bennett; dialogue, Ian Hay [pseud. of John Hay Beith]; continuity, Alma Reville; additional dialogue, Jesse Lasky, Jr.; editor, Charles Frend; music director, Louis Levy.

THE SECRET AGENT. SEE The Woman Alone.

SECRET AGENT X-9. 1937. 2 reels each. Based on the newspaper feature. © Universal Pictures Co., Inc.

Credits: Directors, Ford Beebe, Cliff Smith; original story and screenplay, Wyndham Gittens, Norman S. Hall, Ray Trampe, Leslie Swabacher.

1. Modern Pirates. © 11Feb37; LP6912.

2. The Ray That Blinds. © 11Feb37; LP6913.

3. The Man of Many Faces. © 2Mar37; LP6961.

4. The Listening Shadow. © 5Apr37; LP7033.

5. False Fires. © 12Apr37; LP7048.

6. The Dragnet. © 19Apr37; LP7071.

7. Sealed Lips. © 26Apr37; LP7090.

8. Exhibit A. © 3May37; LP7115.

9. The Masquerader. © 10May37; LP7125.

10. The Forced Lie. © 17May37; LP7139.

11. The Enemy Camp. © 24May37; LP7150.

12. Crime Does Not Pay. © 1Jun37; LP7180.

SECRET BOOZEHOUNDS. (U. F. A. Oddity) 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

752© Metro-Goldwyn-Mayer Dist. Corp.; 27Jun29; MP359.

THE SECRET BRIDE. Presented by Warner Bros. Productions Corp. and The Vitaphone Corp. 1934. 7 reels, sd. Suggested by the play by Leonard Ide.

Credits: Director, William Dieterle; screenplay, Tom Buckingham, F. Hugh Herbert, Mary McCall, Jr.

THE SECRET CALL. 1931. 8 reels, sd. From the play "The Woman" by William C. De Mille.

Credits: Director, Stuart Walker; screenplay, Arthur Kober; scenario, Eve Unsell.

THE SECRET CELLAR. Imp. 1916. 2 reels.

THE SECRET CODE. (Further Exploits of Yorke Norroy) 1923. 2 reels.

Credits: Producer, Raymond Bernard; director, H. Diamont-Berger.

THE SECRET FOE. Laemmle. 1916. 2 reels.

Credits: Written and produced by Lynn Reynolds.

Credits: Producer, Donald MacDonald; scenario, Anthony W. Coldewey.

THE SECRET FOUR. Universal Special. 1921-22. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Producers, Perry Vekroff, Albert Russell; story and scenario, Anthony W. Coldeway.

1. Behind the Mask. © 10Dec21; LP17348.

2. The House of Intrigue. © 12Dec21; LP17360.

3. Across the Chasm. © 21Dec21; LP17393.

4. The Dive of Despair. © 24Dec21; LP17394.

5. Black Waters. © 31Dec21; LP17427.

6. The Highway of Fate. © 6Jan22; LP17440.

7. The Creeping Doom. © 18Jan22; LP17471.

8. The Flaming Forest. © 27Jan22; LP17518.

9. The Fight in the Dark. © 2Feb22; LP17519.

10. The Burning Pit. © 10Feb22; LP17541.

11. The Stampede of Death. © 15Feb22; LP17559.

12. Floods of Fury. © 24Feb22; LP17581.

13. The Man Trap. © 2Mar22; LP17605.

14. The Hour of Twelve. © 10Mar22; LP17633.

15. Black Gold. © 16Mar22; LP17649.

THE SECRET GAME. 1917. 5 reels.

Credits: Director, William C. De Mille; story, Marion Fairfax.

THE SECRET GARDEN. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels. Based on the book by Frances Hodgson Burnett.

Credits: Director, G. Butler Clonebaugh; scenario, Marion Fairfax.

THE SECRET GIFT. 1920. 5 reels.

Credits: Producer, Harry L. Franklin; story and scenario, George C. Hull.

THE SECRET HOUR. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 7,194 ft.

Credits: Screenplay, production, and direction, Rowland V. Lee; story, Sidney Howard.

THE SECRET KINGDOM. 1916-17. 2 reels each, except no. 1-2 which are 3 reels.

Credits: Louis Joseph Vance; directors, Theodore Marston, Charles J. Brabin; scenarios, Basil Dickey.

1. The Land of the Intrigue. © 8Nov16; LP9478.

2. Royalty at Red Wing. © 11Nov16; LP9498.

3. The Sealed Packet. © 8Nov16; LP9479.

4. The Honorable Mr. Oxenham. © 8Nov16; LP9480.

5. Carriage Call No. 101. © 10Nov16; LP9487.

6. Human Flotsam. © 16Nov16; LP9535.

7. The Ghost Ship. © 29Nov16; LP9635.

8. Rum Cay. © 2Dec16; LP9645.

9. The Swamp Adder. © 30Dec16; LP9848.

10. A Goat Without Horns. © 30Dec16; LP9849.

11. The White Witch. © 16Jan17; LP10018.

12. Sharks' Nest. © 23Jan17; LP10058.

13. The Tragic Masque. © 16Dec16; LP9739.

14. The Portrait of a King. © 21Nov16; LP9563.

15. The Tocsin. © 11Nov16; LP9499.

SECRET LIVES. SEE I Married a Spy.

SECRET LOVE. Bluebird. 1916. 6 reels.

THE SECRET MAN. Butterfly. 1917. 5 reels.

Credits: Director, Jack Ford; story, George Hively.

THE SECRET NEST. 1914. 1 reel.

THE SECRET OF BLACK CANYON. 1925. 5 reels.

Credits: Director, Ward Hayes; story, W. M. McCormick, P. G. Sleeman.

THE SECRET OF BLACK MOUNTAIN. Falcon Features. 1917. 4 reels. From the story by Jackson Gregory.

Credits: Supervision, H. M. and E. D. Horkheimer; director, Otto Hoffman.

THE SECRET OF DOCTOR KILDARE. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; story, Max Brand [pseud. of Frederick Faust]; screenplay, Willis Goldbeck, Harry Ruskin; film editor, Frank Hull; music, David Snell.

THE SECRET OF EVE. 1917. 5 reels.

Credits: Story, Aaron Hoffman; scenario, Wallace C. Clifton.

THE SECRET OF MADAME BLANCHE. 1933. 9 reels, sd., b&w. From the play "The Lady" by Martin Brown.

Credits: Director, Charles Brabin; screenplay, Frances Goodrich, Albert Hackett; film editor, Blanche Sewall; music, William Axt.

SECRET OF THE BLUE ROOM. 1933. 7 reels.

Credits: Director, Kurt Neumann; story, Erich Philippi; screenplay, William Hurlbut.

THE SECRET OF THE BULB. 1913. 1 reel.

Credits: Director, W. J. Bauman.

THE SECRET OF THE CELLAR. 1915. 1 reel.

SECRET OF THE CHATEAU. Presented by Carl Laemmle. 1934. 7 reels, sd.

Credits: Producer, L. L. Ostrow; director, Richard Thorpe; original story, Lawrence G. Blochman; screenplay, Albert DeMond, Harry Behn; additional dialogue, Llewelyn Hughes; film editor, Harry Marker.

THE SECRET OF THE HILLS, 1921. 5 reels. From the novel by William Garrett.

Credits: Director, Chester Bennett; scenario, E. Magnus Ingleton.

THE SECRET OF THE NIGHT. 1916. 3 reels.

Credits: Edward T. Lowe, Jr.; director, E. H. Calvert.

753© Nordisk Films Co.; title, descr. & 95 prints, 27Oct13; LU1465.

Credits: Director, Neal Hart; story, Alvin J. Neitz.

THE SECRET OF THE STORM COUNTRY. 1917. 6 reels.

Credits: Director, Charles Miller; story, Grace Miller White; adaptation, Mary Murillo.

THE SECRET OF THE SWAMP. 1916. 5 reels.

Credits: Written and produced by Lynn F. Reynolds.

THE SECRET OF TREASURE ISLAND. 1938. © Columbia Pictures Corp. of California, Ltd.

Credits: Director, Elmer Clifton; story, L. Ron Hubbard; continuity, George Rosener, Elmer Clifton, George Merrick.

1. The Isle of Fear. © 2Mar38; LP7906.

2. The Ghost Talks. © 23Mar38; LP7907.

3. The Phantom Duel. © 29Mar38; LP7919.

4. Buried Alive. © 4Apr38; LP7927.

5. The Girl Who Vanished. © 12Apr38; LP7952.

6. Trapped by the Flood. © 18Apr38; LP7959.

7. The Cannon Roars. © 26Apr38; LP7984.

8. The Circle of Death. © 3May38; LP8004.

9. The Pirate's Revenge. © 11May38; LP8020.

10. The Crash. © 17May38; LP8031.

11. Dynamite. © 23May38; LP8039.

12. The Bridge of Doom. © 6Jun38; LP8067.

13. The Mad Flight. © 13Jun38; LP8077.

14. The Jaws of Destruction. © 21Jun38; LP8096.

15. Justice. © 27Jun38; LP8108.

SECRET ORDERS. Released by F. B. O. 1926. 6 reels.

Credits: Director, Chet Withey; story, Martin Justice; continuity, J. Grubb Alexander.

THE SECRET OUTLAW. 1928. 2 reels.

Credits: Director, Walter Fabian; story and continuity, Bruce Mitchell.

SECRET PATROL. 1936. 6 reels, sd.

Credits: Producer, Peter B. Kyne; director, David Selman; scenario, Robert Watson, J. P. McGowan; film editor, William Austin.

SECRET PERIL. 1918. 2 reels.

Credits: Story, Alvin J. Neitz.

THE SECRET ROOM. 1915. 2 reels.

Credits: Producer, Paul Powell.

SECRET S'CIETY. Paramount-Briggs. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Director, John Joseph Harvey; story, Ruth Owen.

SECRET SERVANTS. Nestor. 1917. 1 reel.

Credits: Written and directed by William W. Beaudine.

SECRET SERVICE. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 6 reels. From the play by William Gillette.

Credits: Director, Hugh Ford; scenario, Beulah Marie Dix.

SECRET SERVICE. 1931. 7 reels, sd. From the stage play by William Gillette.

Credits: Director, J. Walter Ruben; adaptation and dialogue, Bernard Schubert.

SECRET SERVICE. SEE IM Geheimdienst.

SECRET SERVICE OF THE AIR. 1939. 6 reels, sd. Based on material compiled by W. H. Moran.

Credits: Director, Noel Smith; original screenplay, Raymond Schrock.

THE SECRET SEVEN. 1916. 3 reels.

Credits: Director, William Humphrey.

Credits: Producer, Frank Reicher; scenario, Margaret Turnbull.

SECRET SINNERS. 1933. 7 reels, sd.

Credits: Producer and director, Wesley Ford; story and adaptation, F. McGrew Willis; editor, Fred Bain.

THE SECRET SIX. A George Hill-Cosmopolitan Production. 1931. 9 reels, sd., b&w.

Credits: Director, George Hill; story and dialogue, Frances Marion; film editor, Blanche Sewell.

THE SECRET SPRING. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 5,854 ft. From the novel "Koenigsmark" by Pierre Benoit.

Credits: Producer and director, Leonce Perret.

SECRET STRINGS. 1918. 5 reels. Based on an Ainslee's Magazine story by Kate Jordan.

Credits: Supervision, Maxwell Karger; director, John Ince; scenario, June Mathis.

THE SECRET STUDIO. Presented by William Fox. 1927. 6 reels.

Credits: Director, Victor Schertzinger; story, Hazel Livingston; adaptation and scenario, James Kevin McGuinness.

SECRET VALLEY. 1937. 6 reels, sd. Based on a story by Harold Bell Wright.

Credits: Producer, Sol Lesser; director, Howard Bretherton; screenplay and adaptation, Earle Snell, Dan Jarrett, Paul Franklin; film editor, Charles Craft.

THE SECRET WITNESS. 1931. 7 reels, sd. Based on the novel "Murder in the Gilded Cage" by Samuel Spewack.

Credits: Director, Thornton Freeland; screenplay, Samuel Spewack; editor, L. H. Sackin.

Credits: Director, Thomas Ricketts.

SECRETARY PREFERRED. (Van Beuren Miniature, no. 5) RKO-Van Beuren Corp. Presented by Radio Pictures. 1932. 1 reel, sd. From a short story in Liberty Magazine by Frederic Arnold Kummer.

Credits: Adaptation and direction, William Cowen; screenplay, Ruth Todd, Dick Smith; editor, Vera Wade.

SECRETS. First National. 1924. 8 reels. Based on the Sam H. Harris play by Rudolf Besier and May Edginton.

Credits: Director, Frank Borzage.

SECRETS. 1933. 9 reels, sd. From the play by Rudolf Besier and May Edginton.

Credits: Director, Frank Borzage; adapter, Frances Marion.

SECRETS OF A MODEL. 1939. 7 reels, sd.

Credits: Director, Sam Newfield; original screenplay, Sherman Lowe, Arthur St. Claire.

SECRETS OF A NURSE. 1938. 8 reels, sd. Based on the story "West Side Miracle" by Quentin Reynolds.

Credits: Associate producer, Burt Kelly; director, Arthur Lubin; screenplay, Tom Lennon, Lester Cole; film editor, Ed Curtiss.

754© Universal Pictures Co., Inc.; 16Nov38; LP8434.

SECRETS OF A SECRETARY. 1931. 7,062 ft., sd. Based on an original story by Charles Brackett.

Credits: Adapted and directed by George Abbott; screenplay, Dwight Taylor.

SECRETS OF AN ACTRESS. First National. 1938. 8 reels, sd.

Credits: Director, William Keighley; original screenplay, Milton Krims, Rowland Leigh, Julius J. Epstein.

THE SECRETS OF PARIS. Whitman Bennett Studios. Presented by C. C. Burr. 1922. 7 reels. From the novel "The Mysteries of Paris" by Eugene Sue.

Credits: Director, Kenneth Webb; adaptation, Dorothy Farnum.

SECRETS OF SURETÉ. SEE Secrets of the French Police.

SECRETS OF THE FRENCH POLICE. 1932. 6 reels. Based on "Secrets of Sureté" by H. Ashton-Wolfe and "The Lost Empress" by Samuel Ornitz.

Credits: Director, Edward Sutherland; screenplay, Samuel Ornitz, Robert Tasker.

SECRETS OF THE NIGHT. Universal-Jewel. 1924. 7 reels.

Credits: Director, Herbert Blaché; adaptation and scenario, Edward Montagne.

SECRETS OF THE SEA. U.F.A. 1927. 1 reel.

Credits: Editor, Edward Bowes.

THE SECRET'S PRICE. 1915. 1 reel.

Credits: I. A. R. Wylie.

SECURING THE INTERVIEW. 1927. 1 reel.

SEE AMERICA THIRST. 1930. 8 reels.

Credits: Director, William James Craft; story and dialogue, Edward I. Luddy, Vin Moore; adaptation, C. Jerome Horwin.

Credits: Director, J. P. Clark.

SEE MY LAWYER. 1921. 6 reels. From the play by Max Marcin.

Credits: Scenario, W. Scott Darling.

THE SEE-SAW. SEE The Invisible Bond.

SEE, SEE, SENORITA. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Cyrus Wood.

SEE THE WORLD. (Paul Terry-Toons) 1934. 1 reel.

Credits: Frank Moser, Paul Terry.

SEE UNCLE SOL. Educational Films Corp. of America. Presented by E. W. Hammons. 1937. 1,007 ft., sd.

Credits: Director, Robert Hall; story, Art Jarrett, Marcy Klauber.

SEE YOU IN JAIL. 1927. 6 reels.

Credits: Producer, Ray Rockett; director, Joseph Henabery; story, William H. Clifford.

SEE YOU TONIGHT. 1933. 2 reels, sd.

Credits: Director, William Crowley.

SEED. Presented by Carl Laemmle. 1931. 11 reels. From the novel by Charles G. Norris.

Credits: Producer, Carl Laemmle, Jr.; director, John M. Stahl; screenplay, continuity, and dialogue, Gladys Lehman; editorial supervision, Maurice Pivar.

SEED DISPERSAL. 1931. 1 reel, sd.

SEEDS OF JEALOUSY. Special. Big U. 1916. 1 reel.

SEEDS OF REDEMPTION. Special Rex. 1917. 2 reels.

Credits: Written and directed by Robert F. Hill.

Credits: Producer, Fred W. Huntley.

SEEDS OF VENGEANCE. 1920. 5 reels. From the novel "The Sowing of Alderson Cree" by Margaret Prescott Montague.

Credits: Director, Ollie L. Sellers.

SEEIN' INJUNS. (Whoopee Comedies). Presented by E. B. Derr. 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Ralph Ceder; story, Paul Gerard Smith; film editor, John Link; music director, Francis Gromon.

SEEIN' STARS. 1936. 1 reel, sd.

Credits: Director, Lloyd French; story, Goodman Ace.

SEEING CEYLON WITH HY MAYER. (Travelaugh) Powers. 1917. 1 reel.

SEEING DOUBLE. 1923. 2 reels.

Credits: Director, Edie Lyons; story, Arthur D. Hotaling.

THE SEEING EYE. Treasure Chest. Presented by E. W. Hammons. 1936. 922 ft.

Credits: Story and narration, Clinton Wunder.

SEEING HELEN HOME. 1930. 1 reel, sd.

Credits: Director, Georgie Hale; story, Walton Butterfield.

SEEING INDIA WITH HOMER CROY. 1915. Split reel.

SEEING IS BELIEVING. Century. 1921. 2 reels.

Credits: Written and directed by Jim Davis.

SEEING NELLIE HOME. Educational Films Corp. of America. Presented by E. W. Hammons. 1935. 998 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Art Jarrett.

SEEING RED. 1922. 2 reels.

Credits: Director, Robert North Bradbury; story, Frances Quillan; scenario, Harvey Gates.

SEEING RED. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein; continuity, Carl Krusada.

SEEING RED. (Broadway Brevity) 1939. 20 min., sd.

Credits: Cyrus D. Wood; director, Roy Mack.

SEEING SAMOA. 1933. 1 reel, sd.

SEEING SAN MARINO. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

SEEING SARAH OFF. SEE Sylvia Clark in Seeing Sarah Off. 1930.

SEEING SIGHTS. (A Stern Brothers Comedy) 1928. 2 reels. From cartoons by George McManus.

SEEING SPOTS. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

SEEING STARS. 1925. 1 reel.

755SEEING STARS. (Educational-Mermaid Comedy) 1927. 2 reels.

Credits: Supervised and produced by Jack White; director, Stephen Roberts.

SEEING STARS. (A Krazy Kat Cartoon) 1932. 1 reel. Adapted from the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz; animation, Al Rose, Harry Love; musical score, Joe DeNat.

SEEING THE FUNNY SIDE OF THE WORLD WITH HOMER CROY. 1915.

SEEING THINGS. 1917. 1 reel.

Credits: Director, Harry Jackson; story, Edward McWade.

SEEING THINGS. Nestor. 1917. 1 reel.

Credits: Director, Roy Clements; story and scenario, Frederick A. Palmer.

SEEING THINGS. (Okeh Komedy) 1919. 1 reel.

Credits: Written and directed by Al Santell.

SEEING THINGS. 1930. 2 reels, sd.

SEEING'S BELIEVING. 1922. 5 reels.

Credits: Producer and director, Harry Beaumont; story, Rex Taylor; adaptation, Edith Kennedy.

THE SEEKERS. Red Feather. 1916. 5 reels.

Credits: Story, Olga Printzlau; scenario and direction, Otis Turner.

SEEKERS AFTER ROMANCE. 1915. 1 reel.

SEEKING AN INSPIRATION. 1915.

Credits: Producer, Stuart Paton.

SEEKING AN OVERSOUL. 1918. 1 reel.

Credits: Shannon Fife, Katharine Reed; director, Graham Baker.

SEEN FROM THE GALLERY. 1915.

Credits: Charles Ranson.

SEEN THROUGH THE MAKE-UP. 1915. Split reel.

Credits: J. E. Hungerford.

SEGAR ELLIS AND HIS EMBASSY CLUB ORCHESTRA SINGS: HOW CAN I LOVE AGAIN. [and others]. 1929. 1 reel.

SEIN LIEBESLIED (HIS LOVE SONG). 1930. 12 reels.

Credits: Walter Reisch; music and musical direction, Robert Stolz.

SELF-CONDEMNED. 1932. 2 reels, sd. From the records of Nick Harris.

Credits: Producer and director, Spencer Gordon Bennet; screen adaptation, George R. Rogan.

SELF CONTROL. (A Walt Disney Donald Duck) 1938. 1 reel, sd.

SELF DEFENSE. (The Grantland Rice Sound Sportlight) 1930. 1 reel. Si., sd.

Credits: Producer, Jack Eaton.

SELF-DEFENSE. 1933. 7 reels, sd. From "The Just Judge" by Peter B. Kyne.

Credits: Producer, W. T. Lackey; supervision, Trem Carr; director, Phil Rosen; screenplay and dialogue, Tristram Tupper.

A SELF-MADE FAILURE. 1924. 8 reels.

Credits: Director, William Beaudine; story, J. K. McDonald; scenario, V. Clarke, Tex Neal, John Grey.

A SELF MADE FAILURE. 1924. 8 reels.

Credits: Director, William Beaudine; story, J. K. McDonald.

A SELF MADE LADY. 1918. 2 reels.

Credits: Direction, story, and scenario, Henry Lehrman.

A SELF-MADE MAN. 1922. 5 reels. Adapted from the story "Jack Spurlock, Jnr." by George Horace Lorimer.

Credits: Director, Rowland V. Lee; scenario, Rowland V. Lee, Monte M. Katterjohn.

Credits: Director, Travers Vale; story, Henry Albert Phillips.

THE SELF-MADE WIFE. 1923. 5 reels.

Credits: Director, Jack Dillon; story, Elizabeth Alexander.

SELF MEASUREMENT, YOUR PRESENTATION. (Educational Film Service, v. 18) 1930. 1 reel.

THE SELFISH WOMAN. Released by Paramount Pictures Corp. 1916. 5 reels.

Credits: Hector Turnbull.

SELFISH YATES. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, William S. Hart; story, C. Gardner Sullivan.

SELL 'EM COWBOY. 1924. 5 reels.

Credits: Director, Ward Hayes; story and continuity, Ben Cohen.

SELL EXTRA STAPLES THE DAY BEFORE A HOLIDAY. SEE The Added Item Makes for Profit.

SELL SAFETY, BRUNSWICK. 1937. For Brunswick Tires. Filmstrip, 74 frames, sd.

SELL SAFETY—DIAMOND TIRES. 1936. For Goodrich Associated Lines. 1 reel, sd.

SELL SAFETY—HOOD TIRES. 1936. For Goodrich Associated Lines. 1 reel, sd.

SELL SAFETY—MILLER TIRES. 1936. For Goodrich Associated Lines. 1 reel, sd.

SELL THE WOMEN AND CHILDREN FIRST. 1928. 1 reel.

SELL UP WITH U. S. ROYALS—SELL AT A PROFIT; U. S. Summer Promotion. 1937. For U. S. Tire Dealers Mutual Corp. Filmstrip, sd.

SELLING. 1930. Filmstrip, 82 frames.

SELLING. 1931. Filmstrip, 92 frames.

SELLING A CAR. SEE Harry Tate in Selling a Car.

SELLING AUTOMOBILES IS SELLING AUTOMOBILES, NEW OR USED. 1930. 1 reel.

SELLING BIG EQUIPMENT. 1937. For Ice Refrigeration Bureau. Filmstrip, sd.

SELLING FORD SERVICE. Ford Motion Picture Laboratories. 1928. 3 reels.

SELLING MORE CANNED GOODS. SEE

Credits and Collections.

SELLING MORE ICE. 1937. For the Ice Refrigeration Bureau. Filmstrip, sd.

THE SELLING POWER OF ENTHUSIASM. 1930. 1 reel.

SELLING RUGS THE RIGHT WAY. 1930. Presented by W. & J. Sloane. Filmstrip, 73 frames.

SELLING SHORTS. (Traveling Man Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Harry Edwards; story, Nick Barrows, Charles A. Callahan; film editor, John Link.

756© RKO Pathe Pictures, Inc.; 30Nov31; LP2745.

SELLING SMALL HOMES. 1937. 1 reel.

SELLING THE APPRAISAL. 1927. 1 reel.

SELLING THE GOLDEN PLY. 1936. For B. F. Goodrich Company. 1 reel, sd.

SELLING THE NEW COOLER, THE HOTTEST WAY TO KEEP 'EM COLD. 1934. Filmstrip.

SELLING THE TRIPLE-PROTECTED SILVERTOWN. 1936. 1 reel.

SELLING THE USED CAR. 1927. 1 reel.

SELLING TO WOMEN. Audivision, Inc. 1936. For the Plymouth Division of the Chrysler Corporation. 1 reel, sd.

THE SENATOR. 1915. 5 reels.

SENATOR EDWARD H. FORD (HUMORIST) IN HIS ORIGINAL MONOLOGUE. 1927. 1 reel.

THE SENATOR'S BROTHER. 1914. 3 reels.

Credits: Director, William Humphrey.

SENDING A WIRE. SEE Eddie Green & Co. in Sending a Wire. 1929.

SENOR AMERICANO. (Ken Maynard Western) 1929. 6 reels.

Credits: Director, Harry J. Brown; story, Helmer Bergman, Henry McCarty.

SENOR DAREDEVIL. Presented by Charles R. Rogers. 1926. 7 reels.

Credits: Production management, Harry J. Brown; director, Albert Rogell; story and adaptation, Marion Jackson.

SEÑORA CASADA NECESITA MARIDO (MARRIED LADY NEEDS HUSBAND). 1934. 8 reels, sd. Based on the novel "Mi Segunda Mujer" by Eugenio Heltai.

Credits: Supervision, Gregorio Martinez Sierra; director, James Tinling; screenplay, José López Rubio; music director, Sam Kaylin.

SEÑORITA Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 7 reels.

Credits: Producer and director, Clarence Badger; story, John McDermott; screenplay, John McDermott, Lloyd Corrigan.

Credits: Producer, William Duncan.

SENSATION HUNTERS. 1933. 8 reels, sd. From the story "Cabaret" by Whitman Chambers.

Credits: Supervision, Robert Welsh; producer, Trem Carr; director, Charles Vidor; screenplay, Paul Schofield; dialogue, Albert E. Demond.

SENSATION SEEKERS. Jewel. 1926. 7 reels. From the story "Egypt" by Ernest Pascal.

Credits: Continuity and direction, Lois Weber.

A SENSATIONAL NEW TIRE. Presented by Goodrich. 1938. 1 reel, sd.

A SENSE OF HUMOR. 1913. 1 reel.

Credits: Sydney S. Booth.

A SENTIMENTAL BURGLAR. 1914. 1 reel.

THE SENTIMENTAL LADY. 1915. 5 reels.

SENTIMENTAL TOMMY. 1921. 8 reels. From the stories "Tommy and Grizel" and "Sentimental Tommy" by Sir J. M. Barrie.

Credits: Director, John S. Robertson; scenario, Josephine Lovett.

THE SENTIMENTALIST. SEE His Woman.

THE SENTIMENTALISTS. SEE Sal of Singapore.

SENTINELS OF THE SEA. (Magic Carpet of Movietone) 1934. 1 reel, sd.

SENZA MAMMA. SEE Without a Mother.

SEPARATED SWEETHEARTS. Bluebird. 1926. 1 reel.

Credits: Director, Edgar Kennedy.

SEPARATING FROM SARAH. 1916. 2 reels.

SEPTEMBER IN THE RAIN. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; story, Ted Pierce; animation, Cal Dalton; music score, Carl W. Stalling.

SEPTEMBER MOURNING. 1916. 2 reels.

SEPUTUBA RIVER. SEE Roosevelt Brazilian Expedition.

SEQUOIA. 1935. 7 reels, sd., b&w. Based on the novel "Malibu" by Vance Hoyt.

Credits: Producer, John W. Considine, Jr.; director, Chester M. Franklin; screenplay, Ann Cunningham, Sam Armstrong, Carey Wilson; film editor, Charles Hochberg; music, Herbert Stothart.

SEQUOIA NATIONAL PARK. 1936. 1 reel.

SERAPHINA'S LOVE AFFAIR. 1914. 1 reel.

Credits: George Lessey.

SERENADE. First National. 1921. 7 reels. From the story based upon the Spanish drama "Maria del Carmen" by Felín y Codina.

Credits: Director, R. A. Walsh; scenario, J. T. O'Donohoe.

SERENADE. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5,209 ft.

Credits: Director, H. D'Abbadie D'Arrast; story, Ernest Vajda.

A SERENADE BY PROXY. 1913. 1 reel.

Credits: A. H. Giebler.

THE SERENADERS IN RED HOT HARMONY. 1929. 1 reel, sd.

SERENE SIAM. (A FitzPatrick Traveltalk) 1937. 810 ft., sd., color.

Credits: Music score, Nathaniel Shilkret; photography, Winton C. Hoch.

SERGE PANINE. 1915. 3 reels.

SERGEANT MADDEN. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. Based on the story "A Gun in His Hand" by William A. Ulman, Jr.

Credits: Producer, J. Walter Ruben; director, Josef Von Sternberg; screenplay, Wells Root; film editor, Conrad A. Nervig; music score, William Axt.

SERGEANT MURPHY. 1937. 6 reels.

Credits: Director, B. Reeves Eason; story, Cy Bartlett; screenplay, William Jacobs.

A SERIES OF LESSONS ON THE GAME OF BRIDGE. 1929. 1 reel.

THE SERIES OF TALLULAH FALLS, GEORGIA. 1913. 1 reel.

THE SERPENT. 1916. For Fox Film Corp. 6 reels. From the story "The Wolf's Claw" by Philip Bartholmae.

Credits: Adapted and produced by Raoul A. Walsh.

757© William Fox (R. A. Walsh, author); 23Jan16; LP7479.

A SERPENT IN THE HOUSE. Powers. 1916. 1 reel.

Credits: Producer, Robert Daley; scenario, L. V. Jefferson.

THE SERPENTINE. 1927. 1 reel.

THE SERPENT'S TOOTH. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand]

THE SERVANT GIRL'S LEGACY. 1914. 600 ft.

THE SERVANT IN THE HOUSE. 1920. 9 reels. Based on the play by Charles Rann Kennedy.

Credits: Director, Jack Conway; scenario, Lanier Bartlett.

SERVANT OF THE PEOPLE; the Story of the Constitution of the United States. 1937. 2 reels, sd., b&w.

Credits: Director, Edward Cahn; original play, Joe Sherman, Richard Goldstone, Ray Doyle.

THE SERVANT QUESTION. 1920. 5 reels.

Credits: Story, Dell Henderson.

THE SERVANT QUESTION OUT WEST. 1914. 1 reel.

Credits: Producer, William Duncan.

SERVANTS' ENTRANCE. 1934. 7,553 ft., sd. From the novel by Sigrid Boo.

Credits: Director, Frank Lloyd; screenplay, Samson Raphaelson; music director, Arthur Lange.

SERVE 'EM RIGHT. 1936. 1 reel, sd.

SERVED HOT. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Francis J. Martin.

SERVES YOU RIGHT. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Bob McGowan.

SERVICE. SEE Looking Forward.

SERVICE DE LUXE. 1938. 9 reels, sd.

Credits: Producer, Edmund Grainger; director, Rowland V. Lee; original story, Bruce Manning, Vera Caspery; screenplay, Gertrude Purcell, Leonard Spigelgass; film editor, Ted Kent.

SERVICE FOR LADIES. 1927. 6,170 ft.

Credits: Ernest Vajda, Benjamin Glazer; director, H. D'Abbadie; scenario, Chandler Sprague.

A SERVICE OF LOVE. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, John Robertson; adaptation, Katherine Reed.

SERVICE STRIPES. 1930. 1 reel, sd.

SERVICE THAT MAKES SALES. 1936. 1 reel.

SERVICE WITH A SMILE. 1934. 2 reels, sd.

Credits: Director, Roy Mack; screenplay and dialogue, Eddie Moran, A. Dorian Otvos.

SERVICE WITH A SMILE. (A Betty Boop Cartoon) 1937. 1 reel, sd.

SERVICING DODGE COMMERCIAL CARS AND TRUCKS. 1937. 1 reel, sd.

SERVICING DODGE COMMERCIAL CARS AND TRUCKS, Series M. 1937. 1 reel.

SESSUE HAYAKAWA IN THE MAN WHO LAUGHED LAST. 1929. 2 reels.

SET 'EM UP. 1937. 878 ft., sd.

Credits: Narrative, Jack Kofoed; described by Ford Bond.

SET 'EM UP. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1939. 884 ft., sd., sepia.

Credits: Director, Felix E. Feist; screenplay, E. Maurice Adler; film editor, Philip Anderson.

SET FREE. 1918. 5 reels.

Credits: Direction and scenario, Tod Browning; story, Joseph Franklin Poland.

SET FREE. (Blue Streak Western) 1927. 5 reels.

Credits: Director, Arthur Rosson; story and scenario, Harrison Jacobs.

THE SET-UP. (Blue Streak Western) 1926. 5 reels. From the story "Horse Sense" by L. V. Jefferson.

Credits: Director, Clifford S. Smith; scenario, Harrison Jacobs.

SETH'S SWEETHEART. 1914. 1 reel.

Credits: J. Edward Hungerford; director, Charles Ranson.

SETH'S WOODPILE. 1913. 1 reel.

Credits: Charles H. France.

A SETTING OF AGES. (Post Nature Pictures) 1920. 1 reel.

THE SETTING SON. 1930. 2 reels.

Credits: Director, Lewis R. Foster.

SETTING THE STYLE. 1914. 1 reel.

Credits: Director, George D. Baker.

SETTLED AT THE SEASIDE. 1915.

Credits: Producer, Mack Sennett.

SETTLING THE OHIO VALLEY. (Westward Movement, no. 2) 1920. 1 reel.

Credits: Producer, John L. Hawkinson.

SEVEN CHANCES. Metro Goldwyn. Presented by Joseph M. Schenck. 1925. 6 reels. Based on the comedy by Roi Cooper Megrue produced by David Belasco.

Credits: Screen version, Jean C. Havez, Clyde Bruckman, Joseph A. Mitchell.

SEVEN DAYS. 1914.

SEVEN DAYS. Released by Producers Distributing Corp. 1925. 7 reels. From the play by Avery Hopwood and Mary Roberts Rinehart.

Credits: Director, Scott Sidney; adaptation, Frank Roland Conklin.

SEVEN DAYS LEAVE. 1930. 7,534 ft., sd. Adapted from the story "The Old Lady Shows Her Medals" by Sir James M. Barrie.

Credits: Director, Richard Wallace; adaptation, Dan Totheroh, John Farrow.

SEVEN FACES. 1929. 7,750 ft., sd. From the story "A Friend of Napoleon" by Richard Connell.

Credits: Associate producer, George Middleton; director, Berthold Viertel; editor, Ed. Robbins.

SEVEN FOOTPRINTS TO SATAN. Presented by Richard A. Rowland. 1929. 6 reels. From the story by A. Merritt.

Credits: Director, Benjamin Christensen; screen version, Richard Bee.

SEVEN FOOTPRINTS TO SATAN. SEE Announcement of Creighton Hale in Seven Footprints to Satan.

SEVEN KEYS TO BALDPATE. 1917. 6 reels. From the play by George M. Cohan, founded on the novel by Earl Derr Biggers.

Credits: Director, Hugh Ford.

758SEVEN KEYS TO BALDPATE. Paramount. 1925. 6,648 ft. From the novel by Earl Derr

SEVEN KEYS TO BALDPATE. Cont'd Biggers and the stage play by George M. Cohan.

Credits: Director, Fred Newmeyer.

SEVEN KEYS TO BALDPATE. 1930. 8 reels, sd. Based on the novel by Earl Derr Biggers and the stage play by George M. Cohan.

Credits: Director, Reginald Barker; adaptation and continuity, Jane Murfin.

SEVEN KEYS TO BALDPATE. 1935. 8 reels, sd. From the novel by Earl Derr Biggers and the dramatization by George M. Cohan.

Credits: Associate producer, William Sistrom; directors, William Hamilton, Edward Kelly; screenplay, Anthony Veiller, Wallace Smith; editor, Desmond Marquette; music director, Alberto Colombo.

SEVEN MINUTES OF YOUR TIME. SEE Benny Rubin in Seven Minutes of Your Time.

SEVEN OAKS. SEE Jes' Call Me Jim.

SEVEN SINNERS. 1925. 7 reels.

Credits: Director, Louis Milestone; story and adaptation, Louis Milestone, Darryl Francis Zanuck.

SEVEN SINNERS. 1936. 8 reels.

Credits: Director, Albert De Courville; story, Arnold Ridley, Bernard Merlvale; screenplay, Sidney Gilliat, Frank Launder; additional dialogue, Austin Melford; adaptation, L. Du Garde Peach; editor, M. Gordon; music director, Louis Levy.

THE SEVEN SWANS. 1917. 5 reels.

Credits: Story and direction, J. Searle Dawley.

SEVEN UP LIKES YOU AND YOU AND YOU.... No. 40X-52X. 1938. 1 reel each, sd.

THE SEVEN WONDERS OF WOOL. 1935. Filmstrip, sd.

SEVEN YEARS BAD LUCK. 1913. 1 reel.

Credits: Alice Williams.

SEVEN YEARS BAD LUCK. 1921. 5 reels.

Credits: Written and directed by Max Linder.

SEVENTEEN. Released by Paramount Pictures Corp. 1916. 5 reels. A picturization of the book by Booth Tarkington.

Credits: Director, Robert G. Vignola.

THE SEVENTH DAY. 1915. 1,000 ft.

Credits: K. E. Horton; director, Will Louis.

THE SEVENTH DAY. 1922. 6 reels.

Credits: Porter Emerson Browne; director, Henry King.

SEVENTH HEAVEN. Presented by William Fox. 1927. 12 reels. From the play by Austin Strong.

Credits: Director, Frank Borzage; scenario, Benjamin Glazer.

SEVENTH HEAVEN. 1937. 9,278 ft., sd. Adapted from the stage play by Austin Strong.

Credits: Director, Henry King; screenplay, Melville Baker; music director, Louis Silvers.

SEVENTH HEAVEN. 1937. 9,278 ft., sd. Adapted from the stage play by Austin Strong.

Credits: Director, Henry King; screenplay, Melville Baker; music director, Louis Silvers.

THE SEVENTH SHERIFF. 1923. 5 reels.

Credits: Written and directed by Richard Hatton.

THE SEVENTH SON. 1917. 1 reel.

Credits: Hal Reed.

SEVENTY AND SEVEN. Black Cat. 1917. 2 reels.

70,000 WITNESSES. 1932. 8 reels, sd. From the novel by Cortland Fitzsimmons.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; screenplay, Garrett Fort, Robert N. Lee; dialogue, P. J. Wolfson, Allen Rivkin.

SEVILLE IN FAIR TIME. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

SEWAGE DISPOSAL. 1930. 1 reel.

SEX. Presented by J. Parker Read, Jr. 1920. 7 reels.

Credits: Director, Fred Niblo; story, C. Gardner Sullivan.

THE SEX LIFE OF THE POLYP. SEE Robert Benchley in The Sex Life of the Polyp.

Credits: Scenario and direction by Ivan Abramson; story, Don Dundas.

THE SEYMOUR HOUSE PARTY. 1915. 1 reel.

Credits: Director, George E. Reehm.

SEZ O'REILLY TO MACNAB. Gainsborough. 1937. 9 reels, sd.

Credits: Director, William Beaudine; story, Howard Irving Young; screenplay, Leslie Arliss; dialogue, Marriott Edgar; music director, Louis Levy.

SEZ YOU. Fey Production, Ltd. 1932. 1 reel, sd.

Credits: Director, Lou Breslow; story and dialogue, Ray Mayer; editor, William Austin.

SH! THE OCTOPUS. 1937. 6 reels, sd. From plays by Ralph Spence, Ralph Murphy, and Donald Gallaher.

Credits: Director, William McGann; screenplay, George Bricker; dialogue editor, Hugh Cummings; film editor, Clarence Kolster.

THE SHABBIES. 1915. 2 reels.

Credits: Director, Wilfrid North.

SHACKLE SHOPPING WITH MR. SHEPARD. 1928. 1 reel.

SHACKLES. Big U. 1916. 1 reel.

Credits: Producer, George Cochrane; story, Laura Oakley; scenario, F. McGrew Willis.

SHACKLES OF GOLD. 1922. 6 reels. From the play "Samson" by Henri Bernstein.

Credits: Director, Herbert Brenon; screen version, Paul H. Sloane.

THE SHADOW. Victor. 1916. 1-1/2 reels.

Credits: Director, Allan J. Holubar; scenario, E. B. Lewis.

THE SHADOW. 1937. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; story, Milton Raison; screenplay, Arthur T. Horman; film editor, Byron Robinson; music director, Morris Stoloff.

THE SHADOW AND THE SHADE. 1915. 2 reels.

Credits: Director, Edw. J. Le Saint.

THE SHADOW BETWEEN. 1932. 7 reels.

Credits: Direction and scenario, Norman Walker.

SHADOW BOXING (DEFENSIVE). (Models in Motion) 1931. 243 ft.

THE SHADOW LAUGHS. 1933. 8 reels, sd.

Credits: Written and directed by Arthur Hoerl.

Credits: Director, Ray Physioc.

SHADOW OF DOUBT. 1935. 8 reels, sd., b&w. From the story by Arthur Somers Roche.

Credits: Producer, Lucien Hubbard; director, George B. Seitz; screenplay, Wells Root; film editor, Basil Wrangell; synchronized score, Oscar Radin.

THE SHADOW OF FEAR. 1915. 1 reel.

Credits: Director, William Humphrey.

THE SHADOW OF ROSALIE BYRNES. 1920. 5 reels.

Credits: Director, George Archainbaud; story, Grace Sartwell Mason; scenario, R. Cecil Smith.

THE SHADOW OF SUSPICION. 1921. 2 reels.

Credits: Director, Edward Kull; story and scenario, George H. Plympton.

THE SHADOW OF SUSPICION. Mustang. 1925. 2 reels.

Credits: Director, Edward Kull; story and scenario, George H. Plympton.

SHADOW OF THE DRAGON. (Vagabond Adventure Series, no. 23) The Van Beuren Corp. 1931. 1 reel.

THE SHADOW OF THE EAST. 1924. 6 reels.

Credits: Director, George Archainbaud; story, E. M. Hull; scenario, Frederic Hatton, Fannie Hatton.

Credits: Director, Wallace Worsley.

SHADOW OF THE LAW. 1930. 9 reels. From the novel "The Quarry" by John A. Moroso.

Credits: Director, Louis Gasnier; story, Max Marcin; scenario, John Farrow; film editor, Bob Bassler.

THE SHADOW OF THE PAST. 1914. 3 reels.

THE SHADOW OF THE ROPE. SEE Out of the Shadow.

THE SHADOW ON THE WALL. Gotham. 1925. 6 reels. Adapted from the book "The Picture on the Wall" by J. Breckenridge Ellis.

Credits: Director, Reaves Eason; continuity, Elsie Werner.

SHADOW RANCH. 1930. 6 reels.

Credits: Producer, Harry Cohn; director, Louis King.

THE SHADOW SINISTER. Big U. 1916. 1 reel.

Credits: Albert Russell; producer, A. W. Rice.

THE SHADOW STRIKES. Presented by Edward L. Alperson. 1937. 6 reels, sd. Based on the story "The Ghost of the Manor" by Maxwell Grant.

Credits: Producers, Max and Arthur Alexander; director, Lynn Shores; adaptation, Al Martin, Rex Taylor; screenplay, Al Martin.

SHADOW THEORY. 1928. 1 reel. Adapted from Krazy Kat cartoon by George Herriman.

Credits: Ben Harrison, Manny Gould.

A SHADOWED SHADOW. Joker. 1916. 1 reel.

Credits: Jack Byrne; director, William Beaudine.

SHADOWING HENRY. 1917. 1 reel.

Credits: Written and directed by Mr. and Mrs. Drew.

SHADOWLAND SCREEN REVIEW. 1921. 1 reel.

Credits: Editor, Arthur DeVere Storey.

Credits: Scenario, Max Goldberg.

SHADOWS. Goldwyn. 1918. 5 reels.

Credits: Director, Reginald Barker; story, Willard Mack.

SHADOWS. Presented by B. P. Schulberg. 1922. 83 min. Based on the story "Ching, Ching, Chinaman" by Wilbur Daniel Steele.

Credits: Producer and director, Tom Forman; scenario, Eve Unsell, Hope Loring.

SHADOWS. (A Laemmle Novelty) Snappy. 1928. 1 reel.

Credits: Director, Jacques Rollens.

SHADOWS. SEE Head over Heels.

SHADOWS FROM THE PAST. 1915. 4 reels.

Credits: Richard Ridgely.

THE SHADOWS OF A GREAT CITY. 1915. 5 reels.

Credits: Producer and director, John P. McCarthy; story and photoplay, John P. McCarthy, Francis Powers; editor, Fred S. Allen.

Credits: Producer, W. D. Russell.

SHADOWS OF HER PAST. 1918. 2 reels.

Credits: Henry Lehrman.

SHADOWS OF PARIS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,549 ft. From the play "Mon Homme" by André Picard and Francis Carco.

Credits: Producer and director, Herbert Brenon; scenario, Eve Unsell; adaptation, Fred Jackson.

SHADOWS OF SING SING. 1933. 7 reels, sd.

Credits: Director, Phil Rosen; story, Katherine Scola, Doris Malloy; screenplay, Albert DeMond; film editor, John Rawlins.

760SHADOWS OF SUSPICION. Laemmle. 1916. 1 reel.

Credits: Arthur Maude, Constance Crawley; producer, Donald MacDonald.

SHADOWS OF THE MOULIN ROUGE. 1914. 4 reels.

Credits: Produced and written by Alice Blache.

SHADOWS OF THE NIGHT. 1928. 7 reels, b&w.

Credits: Adaptation and direction, D. Ross Lederman; story, Ted Shane; film editor, Dan Sharits.

SHADOWS OF THE NIGHT. SEE The Gangsters.

SHADOWS OF THE NORTH. 1923. 5 reels.

Credits: Director, Robert F. Hill; story, Edison Marshall; scenario, Paul Schofield.

SHADOWS OF THE ORIENT. 1937. 7 reels, sd.

Credits: Director, Burt Lynwood; original story, L. E. Heifetz; screenplay and adaptation, Charles Francis Royal.

SHADOWS OF THE PAST. 1919. 5 reels.

Credits: Director, Ralph Ince; editors, Mr. and Mrs. George Randolph Chester.

SHADOWS OF THE SEA. Presented by Lewis J. Selznick. 1922. 5 reels.

Credits: Producer and director, Alan Crosland; story, Frank A. Dazey; scenario, Lewis Allen Browne.

SHADOWS OVER SHANGHAI. Released through Grand National. 1938. 7 reels, sd.

Credits: Producer, Franklyn Warner; director, Charles Lamont; original story, Richard B. Sale; screenplay, Joseph Hoffman; film editor, Bernard Loftus.

THE SHADY LADY. 1929. 7 reels. From the story suggested by Leonard Praskins and Richard L. Sharpe.

Credits: Producer, Ralph Black; director, Edward H. Griffith; story and continuity, Jack Jungmeyer; film editor, Doane Harrison.

SHAKE IT UP WITH MORAN & CHALLIS AND THEIR CHEERFUL STEPPERS. 1929. 1 reel, sd.

SHAKE, MR. SHAKESPEARE. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

SHAKE YOUR POWDER PUFF. (Merrie Melodies) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Bob McKimson, Bob Clampett; musical score, Bernard B. Brown.

THE SHAKEDOWN. Jewel. 1928. 7 reels.

Credits: Director, William Wyler; story and continuity, Charles A. Logue; adaptation, Clarence Marks.

SHAKEDOWN. 1936. 6 reels.

Credits: Director, David Selman; story, Barry Shipman; screenplay, Grace Neville; film editor, Gene Milford.

SHAKESPEARE WITH TIN EARS. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; directors, Harry Sweet, Leslie Goodwins; story, Harry Sweet, Hugh Cummings; film editor, Tholan Gladden.

A SHAKY FAMILY TREE. (Star Comedy) 1922. 1 reel.

Credits: Director, William Watson; story and scenario, Lew Lipton.

SHALL CURFEW RING TO-NIGHT? 1914. Split reel.

SHALL WE DANCE. 1937. 12 reels, sd.

Credits: Producer, Pandro S. Berman; director, Mark Sandrich; story, Lee Loeb, Harold Buchman; adaptation, P. J. Wolfson; screenplay, Allan Scott, Ernest Pagano; editor, William Hamilton; music director, Nathaniel Shilkret; music, George Gershwin; lyrics, Ira Gershwin.

Credits: Director, Arthur Ashley.

SHAM. 1921. 5 reels. From the play by Elmer Harris and Geraldine Bonner.

Credits: Director, Thomas N. Heffron.

SHAM POO, THE MAGICIAN. (Headliner Series) 1932. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Harry Sweet; story, Harry Sweet, Hugh Cummings; film editor, Daniel Mandell.

THE SHAM REALITY. Rex. 1916. 1/2 reel.

Credits: Producer, Francis Ford; scenario, Grace Cunard.

SHAME. 1921. 8 reels, b&w, tinted sequences.

Credits: Director, Emmett J. Flynn; story, Max Brand [pseud. of Frederick Faust]; adaptation and scenario, Emmett J. Flynn, Bernard McConville.

THE SHAME OF THE BULLCON. Nestor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

SHAMEFUL BEHAVIOR. Preferred. Presented by J. G. Bachmann. 1926. 6 reels. From the novel by Mrs. Belloc Lowndes.

Credits: Director, Albert Kelley; adaptation, George Scarborough; continuity, Douglas Bronston.

SHAMROCK. 1928. 3 reels. Adapted from the sketch by Edgar Allan Woolf.

Credits: Scenario and direction, Marcel G. Silver.

SHAMROCK ALLEY. (Big Boy-Juvenile Comedy) 1927. 2 reels.

Credits: Director, Charles Lamont.

THE SHAMROCK HANDICAP. 1926. 6 reels, tinted.

Credits: Director, John Ford; story, Peter B. Kyne; scenario, John Stone.

SHAMS. SEE Shams of Society.

SHAMS OF SOCIETY. 1921. 6 reels. From "Shams" by Walter McNamara.

Credits: Director, Thomas B. Walsh; story, Walter McNamara; adaptation, Mary Murillo, Kenneth O'Hara.

SHANGHAI. (A Vagabond Adventure Series) 1932. 1 reel.

Credits: Narrator, Gayne Whitman.

SHANGHAI. Presented by Adolph Zukor. 1935. 8 reels.

Credits: Producer, Walter Wanger; director, James Flood; original screenplay, Gene Towne, Graham Baker, Lynn Starling; film editor, Otho Lovering.

SHANGHAI BOUND. 1927. 6 reels.

Credits: Director, Luther Reed; story, E. S. O'Reilly; screenplay, John Goodrich, Ray Harris.

SHANGHAI EXPRESS. 1932. 9 reels. Based on the story by Harry Hervey.

Credits: Director, Josef von Sternberg; screenplay, Jules Furthman.

SHANGHAI LADY. 1929. 7 reels. From the play "Drifting" by John Colton.

Credits: Director, John S. Robertson.

SHANGHAI MADNESS. 1933. 5,700 ft., sd.

Credits: Director, John Blystone; story, Frederick Hazlitt Brennan; adaptation, Austin Parker, Gordon Wong Wellesley; screenplay, Austin Parker; editor, Margaret Clancy.

SHANGHAIED. 1915. 2 reels.

SHANGHAIED. 1927. 7 reels. From an original story "Limehouse Polly" by Edward J. Montagne.

Credits: Director, Ralph Ince; adaptation, J. G. Hawks.

SHANGHAIED. (Walt Disney's Mickey Mouse) 1934. 1 reel.

THE SHANGHAIED BABY. 1915. 3,000 ft.

SHANGHAIED LOVE. 1931. 7 reels, sd. From the story "Then Hell Broke Loose" by Norman Springer.

Credits: Director, George B. Seitz; adaptation and dialogue, Roy Chanslor, Jack Cunningham; film editor, Gene Milford.

SHANGHAIED SHIPMATES. (Looney Tunes) 1936. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Jack King; animation, Paul Smith, Joe D'Igalo; music, Norman Spencer.

SHANKS AND CHIVALRY. 1916. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

SHANKS AND CHIVALRY. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

THE SHANNONS OF BROADWAY. 1929. 8 reels. From the play by James Gleason.

Credits: Director, Emmett J. Flynn; adaptation, Agnes Christine Johnston.

SHANNONS OF BROADWAY. SEE Goodbye Broadway.

THE SHANTY AT TREMBLING HILL. 1914. 2 reels. Adapted from the Munsey Magazines.

THE SHANTY WHERE SANTA CLAUS LIVES. The Vitaphone Corp. 1933. 1 reel.

SHAPES AND SCRAPES. (Star Comedy) 1920. 1 reel.

Credits: Director, Vin Moore; story, Maynard Laswell.

SHARE AND SHARE ALIKE. 1925. 6 reels.

Credits: Director, Whitman Bennett; story, Reginald Wright Kaufman.

SHARE THE WEALTH. 1936. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Preston Black.

THE SHARK. 1920. 5 reels.

Credits: Director, Del Henderson; story and scenario, Thomas F. Fallon.

SHARK FISHING. 1931. 955 ft.

THE SHARK MASTER. 1921. 5 reels.

Credits: Story and production, Fred Leroy Granville; scenario, George Hull.

SHARK MONROE. 1918. 5 reels.

Credits: Story, C. Gardner Sullivan; director, William S. Hart.

SHARKS AND SWORDFISH. (A Fisherman's Paradise Picture) 1931. 1 reel, sd.

Credits: Pete Smith.

Credits: L. DeLorme, H. E. Hancock.

SHARP SHOOTERS. 1928. 6 reels.

Credits: Director, J. G. Blystone; story, Randall H. Faye; scenario, Marion Orth.

SHARP TOOLS. SEE Ethel Grey Terry in Sharp Tools.

SHARPS AND FLATS. SEE

Conlin and Glass in Sharps and Flats.

Krazy Kat in Sharps and Flats.

SHARPSHOOTERS. 1938. 5,746 ft., sd.

Credits: Director, James Tinling; original story, Maurice Rapf, Lester Ziffren; screenplay, Robert Ellis, Helen Logan; music director, Samuel Kaylin.

SHATTERED DREAMS. 1921. 5 reels. Adapted from the novel "Wind Along the Waste" by Maude Annesley.

Credits: Producer, Paul Scardon; adaptation, J. Grubb Alexander.

SHATTERED IDEALS. Special Big U. 1916. 1 reel.

SHATTERED IDOLS. First National. 1921. 6 reels.

Credits: Director, Edward Sloman; story, I. A. R. Wylie; scenario, William V. Mong.

SHATTERED LIVES. Gotham. Presented by Samuel Sax. 1925. 6 reels.

Credits: Story, Victor Gibson; adaptation, direction and continuity, Henry McCarty.

SHATTERED MEMORIES. Gold Seal. 1915. 3 reels.

Credits: Producer, Robert Leonard; scenario, Grant Carpenter.

SHATTERED NERVES. Rex. 1915.

Credits: Anthony P. Kelly; producer, Ben Wilson.

THE SHATTERED TREE. 1914. 2 reels.

Credits: Director, Ben Wilson.

THE SHAUGHRAUN. SEE My Wild Irish Rose.

SHAVE IT WITH MUSIC. 1932. 2 reels, sd.

Credits: Director, Kenneth Webb; story, Raymond W. Peck; music director, Charles A. Prince.

SHAVED IN MEXICO. L-Ko. 1915. 1 reel.

Credits: Director, J. G. Blystone.

SHAW AND LEE IN GOING PLACES. 1930. 1 reel.

SHAW AND LEE, THE BEAU BRUMMELLS. 1928. 1 reel.

Credits: Producer, Will Barker; scenario, Nellie E. Lucoque.

SHE. 1917. For Fox Film Corp. 5 reels. Based on the story by H. Rider Haggard.

Credits: Director, Kenean Buel; adaptation, Mary Murillo.

SHE. 1935. 11 reels, sd. From the novel by H. Rider Haggard.

Credits: Producer, Merian C. Cooper; directors, Irving Pichel, Lansing C. Holden; adaptation, continuity, and dialogue, Ruth Rose; additional dialogue, Dudley Nichols; editor, Ted Cheesman.

SHE ASKED FOR IT. Presented by Adolph Zukor. 1937. 7 reels, sd.

Credits: Producer, B. P. Schulberg; director, Erle C. Kenton; screenplay, Frederick Jackson, Theodore Reeves, Howard Irving Young; film editor, Robert Bischoff; music director, Boris Morros.

SHE COULDN'T HELP IT. 1920. 5 reels. From the novel "In the Bishop's Carriage" by Miriam Michelson and the play by Channing Pollock.

Credits: Scenario, Douglas Bronston.

SHE COULDN'T SAY NO. Trailer. 1929. 1 reel, sd.

SHE COULDN'T SAY NO. 1930. 7 reels.

Credits: Benj. M. Kaye; director, Lloyd Bacon; screenplay and dialogue, Robert Lord, Arthur Caesar.

SHE COULDN'T TAKE IT. 1935. 8 reels, sd.

Credits: Director, Tay Garnett; story, Gene Towne, Graham Baker; screenplay, Oliver H. P. Garrett; film editor, Gene Havlick.

THE SHE-DEVIL. 1918. 6 reels.

Credits: Director, J. Gordon Edwards; story, Neje Hopkins.

SHE DID HER BIT. 1918. 2 reels.

Credits: Director, J. G. Blystone.

SHE DONE HIM RIGHT. Snappy. (Pooch the Pup Cartoon) 1933. 1 reel.

Credits: Direction and animation, Walter Lantz, William Nolan.

SHE DONE HIM WRONG. 1933. 7 reels, sd.

Credits: Director, Lowell Sherman; story, Mae West; screenplay, Harvey Thew, John Bright; music, Ralph Rainger.

SHE GETS HER MAN. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Associate producer, David Diamond; director, William Nigh; story, Aben Kandel, David Diamond; screenplay, Aben Kandel; film editor, Bernard W. Burton.

SHE GOES TO WAR. 1929. 10 reels. Sd. From the novel by Rupert Hughes.

Credits: Produced and directed by Henry King; scenario, Howard Estabrook; adaptation, Fred de Gresac.

A SHE-GOING SAILOR. (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Frank Conklin; titles, Al Martin.

SHE GOT WHAT SHE WANTED. Released by Tiffany. 1930. 9 reels. From the stage success by George Rosener.

Credits: Producers, James Cruze, Samuel Zierler; director, James Cruze; continuity and dialogue, George Rosener.

SHE HAD TO CHOOSE. 1934. 7 reels, sd.

Credits: Supervision, Larry Darmour; director, Ralph Ceder; original story, Mann Page, Izzola Forrester; adaptation, Houston Branch; editor, Charles Harris.

SHE HAD TO EAT. 1937. 6,698 ft., sd. Based on stories by M. M. Musselman and James Edward Grant.

Credits: Director, Malcolm St. Clair; screenplay, Samuel G. Engel; music, Samuel Kaylin.

SHE HAD TO SAY YES. Presented by First National Pictures, Inc. and the Vitaphone Corp. 1933. 7 reels. Based on the story "Customer's Girl" by John Francis Larkin.

Credits: Director, Busby Berkeley, George Amy; screenplay, Rian James, Don Mullaly.

SHE HIRED A HUSBAND. 1918. 5 reels.

Credits: Director, Jack Dillon; story, Rex Taylor.

SHE KISSED THE MAT. 1920. 1 reel.

SHE LEARNED ABOUT SAILORS. 1934. 9 reels, sd.

Credits: Director, George Marshall; story, Randall H. Faye; screenplay, William Conselman, Henry Johnson; music director, Samuel Kaylin.

SHE LOVED A FIREMAN. 1937. 6 reels, sd.

Credits: Director, John Farrow; original screenplay, Carlton Sand, Morton Grant; dialogue director, Jo Graham; film editor, Thomas Pratt; music and lyrics, M. K. Jerome, Jack Scholl.

SHE LOVED HIM PLENTY. 1918. 2 reels.

Credits: Director, Richard Jones.

SHE LOVED THEM BOTH. Powers. 1915. 1 reel.

Credits: Production and scenario by Sydney Ayres.

SHE LOVES AND LIES. 1919. 5 reels. From the story by Wilkie Collins.

Credits: Scenario, Grant Carpenter.

SHE LOVES ME NOT. Presented by Adolph Zukor. 1934. 9 reels, sd. From the novel by Edward Hope [pseud. of Edward Hope Coffey] and the play by Howard Lindsay.

Credits: Production and screenplay, Benjamin Glazer; director, Elliott Nugent; music, Mack Gordon, Harry Revel.

SHE MADE HER BED. 1934. 8 reels. From the story "Baby in the Ice-Box" by James M. Cain.