Motion pictures, 1912-1939, D — Read Online

DA IL MIO DIARIO DI GUERRA. SEE From My War Diary.

DABBLING IN ART. 1920. 2 reels.

Credits: Director, Erle Kenton.

DABBLING IN SOCIETY. 1919. 2 reels.

Credits: Director, R. Morris.

DABNEY TODD. SEE Down Home.

DAD FOR A DAY. Presented by Metro-Goldwyn-Mayer. 1939. 993 ft., sd., b&w.

Credits: Director, Edward Cahn; screenplay, Hal Law, Robert McGowan; film editor, Roy Brickner.

DAD KNOWS BEST. (Educational-Jack White Talking Comedies) 1930. 20 min., sd.

Credits: Director, Stephen Roberts.

DAD MINDS THE BABY. 1934. 1 reel, sd.

Credits: Editor, Bert Frank.

DADDIES. 1924. 7 reels. From the play by John L. Hobble.

Credits: Director, William A. Seiter; scenario, Julien Josephson.

Credits: Producer, Thomas Bentley.

DADDY. First National. 1923. 6 reels.

Credits: Director, E. Mason Hopper.

DADDY AND I. SEE Make Way for a Lady.

DADDY KNOWS BEST. 1933. 2 reels, sd.

Credits: Director, Leslie Pearce.

DADDY LONG LEGS. 1919. 7 reels. From the story and play by Jean Webster.

Credits: Director, Marshall A. Neilan.

DADDY LONG LEGS. 1931. 7,171 ft., sd.

Credits: Director, Alfred Santell; story, Jean Webster; screenplay and dialogue, Sonya Levlen; editor, Ralph Dietrich.

THE DADDY OF THEM ALL. 1914.

Credits: Director, William Bertram.

DADDY'S GONE A-HUNTING. Presented by Louis B. Mayer. 1925. 6 reels. From the play by Zoe Akins.

Credits: Producer and director, Frank Borzage; adaptation, Kenneth B. Clarke; film editor, Frank Sullivan.

DADDY'S GONE A-HUNTING. SEE Women Love Once.

DADDY'S SOLDIER BOY. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

DAD'S AWFUL DEED. Joker. 1915. 1 reel.

Credits: Written and produced by Allen Curtis.

DAD'S BOY. Century. 1923. 2 reels.

Credits: Written and directed by Harry Edwards.

DAD'S CHOICE. 1928. 2 reels.

Credits: Director, J. A. Howe; story, N. T. Barrows, T. J. Crizer.

DAD'S DAY. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Hal Roach; story, Leo McCarey; editor, Richard Currier.

DAD'S DOLLARS AND DIRTY DOINGS. 1916. 2 reels.

DAD'S GIRL. SEE The Ideal Love.

Credits: Producer, Lem B. Parker.

THE DAFFY DILL. Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, William Watson; story, Keene Thompson.

THE DAFFY DOC. (Looney Tunes) 1938. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Robert Clampett; animation, John Carey, Vive Risto; music director, Carl W. Stalling.

DAFFY DUCK AND EGGHEAD. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, J. B. Hardaway; animation, Virgil Ross; music score, Carl W. Stalling.

DAFFY DUCK AND THE DINOSAUR. (Merry Melody) 1939. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Charles M. Jones; story, Dave Monahan; animation, A. C. Gamer.

DAFFY DUCK IN HOLLYWOOD. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Dave Monahan; animation, Virgil Ross; music director, Carl W. Stalling.

A DAILY DIET OF DANGER. (Adventures of the Newsreel Cameraman) 1938. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr.

DAINTY DAMSELS AND BOGUS COUNTS. 1919. 2 reels.

Credits: Written and directed by Walter Stevens.

DAISIES WON'T YELL. Presented by William Fox. 1928. 2 reels, b&w.

Credits: Director, Jasper Blystone; story, Lou Breslow, Sidney Levee.

DAISY BELL. 1929. 1 reel.

Credits: Director, Dave Fleischer; story, Max Fleischer.

DALECARLIA—THE HEART OF SWEDEN. 1938. 10 min., sd.

Credits: Director, Adrian Bjurman; narration, John Martin; dialogue, Ola Bannbers.

DALLA THE LION-CUB. SEE The Female.

A DAM CATASTROPHE. 1918. Produced in cooperation with Outing. 1 reel.

Credits: Producer, C. L. Chester.

DAMAGED GOOD. (Star Comedy) 1918. 1 reel.

170© Universal Film Mfg. Co., Inc.; 6Aug18; LP12731.

DAMAGED GOODNESS. Special Victor. 1917. 1 reel.

Credits: Harry Wulze; director, P. Hartigan.

DAMAGED HEARTS. Released by Film Booking Offices. 1924. 6,154 ft.

Credits: Producer and director, T. Hayes Hunter; story, Basil King; adaptation, Barbara Kent.

DAMAGED LIVES. 1933. 8 reels.

Credits: Director, Edgar G. Ulmer; story, Don Davis, Edgar G. Ulmer; dialogue, Don Davis.

DAMAGED LOVE. Presented by Louis Weiss. 1931. 70 min., sd. From the stage play by Thomas W. Broadhurst.

Credits: Director, Irvin Willat; adaptation, Frederic and Fanny Hatton.

DAMAGED—NO GOODS. Sunshine Comedies, Inc. 1917. 2 reels.

Credits: Supervision, Henry Lehrman; directors, Jack White, Jay Howe.

DAMASCUS. (Vagabond Adventure Series, no. 7) 1934. 1 reel, sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

DAMASCUS AND JERUSALEM. Released by Harold Auten. 1936. 1 reel.

Credits: Music arranged and played by Lew White.

DAMASCUS AND THE RUINS OF BAALBEK. 1913. 1 reel.

LA DAME AUX CAMELIAS (CAMILLE). SEE Camille.

DAME CHANCE. David Hartford Productions. 1926. 6,769 ft. From the novel by Frances Nordstrom.

Credits: Supervision, David Hartford; director, Bertram Bracken; written and adapted by Frances Nordstrom.

DAME SHY. (An Educational Tuxedo Comedy) Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, William Watson.

DAMES. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 10 reels, sd.

Credits: Director Ray Enright; story, Robert Lord, Delmar Daves; screenplay, Delmar Daves.

DAMES AHOY. 1930. 6 reels.

Credits: Director, William James Craft; story, Sherman Lowe; adaptation, Matt Taylor.

DAMES AND DENTISTS. 1920. 2 reels.

Credits: Director, Noel M. Smith; story, Anthony W. Coldeway.

Credits: Supervision, Albert Capellani.

A DAMSEL IN DISTRESS. 1937. 11 reels, sd. From the story by P. G. Wodehouse.

Credits: Producer, Pandro S. Berman; director, George Stevens; screenplay, P. G. Wodehouse, Ernest Pagano, S. K. Lauren; editor, Henry Berman; music, George Gershwin; music director, Victor Baravalle; orchestral arrangements, Russell Bennett.

DAMSELS AND DANDIES. 1919. 2 reels.

Credits: Director, Gil Pratt; story, Montgomery & Rock.

DAN CUPID, FIXER. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, George D. Cochrane.

THE DANCE AT ALECK FONTAINE'S. 1915. 1 reel. Adapted from Adventure Magazine.

Credits: Henry Oyen.

DANCE BAND. Alliance Films. 1935. 7 reels, sd.

Credits: Director, Marcel Varnel; scenario and dialogue, Roger Busford, Jack Davies, Jr., Denis Waldack; film editor, S. Cole; music director, Harry Acres.

DANCE CHARLIE DANCE. First National. 1937. 8 reels, sd. Based on the play "The Butter and Egg Man" by George S. Kaufman.

Credits: Director, Frank McDonald; screenplay, Crane Wilbur, Williams Jacobs; music and lyrics, M. K. Jerome, Jack Scholl.

THE DANCE CONTEST. (A Popeye Cartoon) 1934. 1 reel.

Credits: Director, Dave Fleischer.

DANCE, FOOLS, DANCE. 1931. 9 reels, sd., b&w.

Credits: Director, Harry Beaumont; story and dialogue, Aurania Rouverol; continuity, Richard Schayer; film editor, George Hively.

DANCE, GIRL, DANCE. 1933. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay and dialogue, Robert Ellis.

DANCE HALL. Radio. 1929. 7 reels, sd. From the story by Viña Delmar.

Credits: Supervision, Henry Hobart; director, Melville Brown; screenplay, Jane Murfin, J. Walter Ruben; film editor, Ann McKnight.

DANCE HALL HOSTESS. Golden Arrow. Presented by George W. Weeks. 1833. 8 reels, sd.

Credits: Supervision, Lester F. Scott, Jr.; director, Breezy Eason; story, Tom Gibson; continuity and adaptation, Betty Burbridge; editor, Byron Robinson.

DANCE HALL MARGE. (Educational's Comedies) 1931. 21 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earl Rodney, Walter Weems, Jack Jevne.

DANCE MADNESS. 1926. 7 reels.

Credits: Director, Robert Z. Leonard; story, S. J. Kaufman; screenplay, Alice D. G. Miller, Frederica Sagor; film editor, William Levanway.

DANCE MAGIC. Presented by Robert Kane. 1927. 7 reels. Adapted from the novel by Clarence Budington Kelland.

Credits: Director, Victor Halperin; continuity, Earle Roebuck.

THE DANCE OF LIFE. 1929. 13 reels, si., 10,619 ft., sd., color. From the play "Burlesque" by George Manker Watters and Arthur Hopkins.

Credits: Directors, John Cromwell, A. Edward Sutherland; story and adaptation, George Manker Watters and Arthur Hopkins; screenplay, Benjamin Glazer; dialogue, George Manker Watters.

THE DANCE OF LOVE. Powers. 1916. 1/2 reel.

Credits: Directors, The Smalleys.

DANCE OF 7 VEILS. 1920. 1 reel.

THE DANCE OF THE CAPES. 1936. 1 reel, sd.

171© International Film Vertriebs-Gesellschaft m.b.H. (Urban Gad, author); title, descr. & 6 prints, 15May13; LU749.

DANCE OF THE HOURS. (Musical Moods) Released by First Division. 1934. 1 reel, sd., color.

Credits: Music, Amilcare Ponchielli; director of orchestra, Hans Lange.

DANCE OF THE MILLIONS. SEE Parole Girl.

DANCE OF THE VIRGINS. SEE Legong.

DANCE OR DIE. 1923. 2 reels.

Credits: Director, Erie C. Kenton.

DANCE TEAM. 1931. 7,500 ft., sd.

Credits: Director, Sidney Lanfield; novel, Sarah Addington; screenplay and dialogue, Edwin Burke; editor, Margaret Clancy.

DANCE WITH ME. (Melody Comedy) Presented by E. B. Derr. 1930. 2 reels, sd.

Credits: Producer, John C. Flinn; story, Arthur Wanzer; screenplay and direction, Hugh Cummings; film editor, Charles Craft.

THE DANCER. 1913. 1 reel.

Credits: James Oppenheim.

THE DANCER. Gold Seal. 1915. 3 reels.

Credits: Producer, Charles Giblyn; scenario, Ida May Parke.

THE DANCER OF BARCELONA. 1927. 7 reels.

Credits: Director, Robert Wiene.

THE DANCER OF PARIS. Presented by Robert Kane. 1926. 7 reels. From the story by Michael Arlen.

Credits: Producer, Alfred Santell.

THE DANCER OF THE NILE. Released by Film Booking Offices of America. 1923. 6 reels. From the novel by Blanche Taylor Earle.

Credits: Adapted and directed by William P. S. Earle.

THE DANCERS. 1925. 7 reels. From the play by Gerald Du Maurier and Viola Tree.

Credits: Director, Emmett J. Flynn; scenario, Edmund Goulding.

THE DANCERS. 1930. 7,500 ft., sd.

Credits: Director, Chandler Sprague; editor, Alexander Troffey.

DANCERS IN THE DARK. 1932. 8 reels, sd. From the play "Jazz King" by James Ashmore Creelman.

Credits: Director, David Burton; screenplay, Herman J. Mankiewicz; adaptation, Brian Marlow, Howard Emmett Rogers.

Credits: Director, Travers Vale; story, Harriet Morris.

THE DANCER'S RUSE. 1915. 1 reel.

DANCES OF THE AGES. 1913. 1 reel.

THE DANCIN' FOOL. A Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels.

Credits: Henry Payson Dowst; director, Sam Wood; scenario, Clara Genevieve Kennedy.

DANCING AROUND. (George LeMaire Comedies) Sound Studios, Inc. 1929. 2 reels, sd.

Credits: Director, Basil Smith; story, George LeMaire; editor, E. Pfitzenmeier.

DANCING AROUND THE WORLD. 1932. 1 reel, sd.

THE DANCING BEAR. (Terry Toons) Presented by E. W. Hammons. 1937. 587 ft., sd.

Credits: Paul Terry; scored and conducted by Philip A. Scheib.

THE DANCING CHEAT. 1924. 5 reels.

Credits: Director, Irving Cummings; story, Calvin Johnson.

DANCING CO-ED. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w.

Credits: Producer, Edgar Selwyn; director, S. Sylvan Simon; story, Albert Treynor; screenplay, Albert Mannheimer; film editor, W. Donn Hayes; music, Edward Ward, David Snell.

DANCING DADDIES. 1932. 2 reels.

Credits: Story and direction, Del Lord.

DANCING DADDY. (Educational-Christie Comedies) 1926. 2 reels.

Credits: Director, Harry Beaudine; story, Sig Herzig.

DANCING DAISIES. Century. 1924. 2 reels.

Credits: Written and directed by Al Herman.

DANCING DAYS. Presented by J. G. Bachmann. 1926. 6 reels. From the novel by J. J. Bell.

Credits: Director, Albert J. Kelley; adaptation, Dorothy Carns.

DANCING FEET. 1936. 8 reels, sd. Adapted from the novel by Rob Eden [pseud.]

Credits: Supervision, Colbert Clark; director, Joseph Santley; original story, Dave Silverstein; screenplay, Jerry Chodorov, Olive Cooper, Wellyn Totman; film editor, Ralph Dixon; music, Sammy Stept; music director, Harry Grey.

A DANCING FOOL. (Mirthquake Comedy) 1923. 2 reels.

Credits: Director, Eugene De Rue.

THE DANCING FOOL. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Bernard Wolf.

DANCING FOOLS. (Mike and Ike Series) (Stern Brothers Comedy) 1927. 2 reels.

Credits: Director, Francis Corby; story, Roland Asher.

THE DANCING GOB. 1929. 2 reels, sd.

Credits: Director, William Watson; story, Vernon Smith.

DANCING HOOFS. SEE The Avenging Rider.

DANCING LADY. 1933. 10 reels, sd., b&w. From the novel by James Warner Bellah.

Credits: Director, Robert Z. Leonard; screenplay, Allen Rivkin, P. J. Wolfson; film editor, Margaret Booth.

DANCING LOVE. 1923. 1 reel.

Credits: Director, William Watson.

DANCING MAN. 1934. 8 reels, sd. From the novel by Beulah Poynter.

Credits: Producer, Rose Judell Reisman; screenplay and direction, Albert Ray; music supervision, Abe Meyer; film editor, Dan Milner.

THE DANCING MASTER. SEE Odette Myrtil in The Dancing Master.

THE DANCING MILLIONAIRE. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Sam White; story, Fred Guiol, Jack Townley, Leslie Goodwins; film editor, John Lockert.

DANCING MOTHERS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 8 reels. From the play by Edgar Selwyn and Edmund Goulding.

Credits: Producer and director, Herbert Brenon; screenplay, Forrest Halsey.

DANCING ON THE CEILING. (A Tabloid Musical) 1937. 807 ft., sd., b&w.

Credits: Director, Murray Roth; story, Jack Barton Loeb.

DANCING ON THE MOON. 1935. 1 reel, sd.

172Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

DANCING PARTNER. SEE Just a Gigolo.

DANCING PIRATE. 1936. 85 min., sd., color.

Credits: Producer, John Speaks; director, Lloyd Corrigan; story, Emma Lindsay-Squier; screenplay, Ray Harris, Francis Edwards Faragoh; adaptation, Jack Wagner, Boris Ingster; editor, Archie F. Marshek; music director, Alfred Newman.

DANCING SWEETIES. Warner Brothers Vitaphone. 1930. 7 reels, sd. Based on the story "Three Flights Up" by Harry Fried.

Credits: Director, Ray Enright; adaptation and dialogue, Gordon Rigby, Joseph A. Jackson.

DANCING SWEETIES. Trailer. 1930. 1 reel.

THE DANCING TOWN. (Great Stars and Authors Series, no. 3) 1928. 2 reels.

Credits: Director, Edmund Lawrence; screenplay, Rupert Hughes.

DANCING VIENNA. Defu. 1929. 7 reels, sd.

Credits: Director, Friedrich Zelnik.

DANCING WITH FOLLY. (Is Marriage Sacred?) 1916. 2 reels.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

DANDY DAN. 1922. 2 reels.

Credits: Director, Noel Smith.

DANDY LIONS. Century. 1921. 2 reels.

Credits: Written and directed by William Watson.

DANGER. 1930. 1 reel, sd.

DANGER. SEE The Fighting Stranger.

DANGER AHEAD. 1918. 2 reels.

Credits: L. Canfield; director, James Davis.

DANGER AHEAD. 1921. 5 reels.

Credits: Producer, Rollin Sturgeon; story, Sara Ware Bassett; scenario, A. P. Younger.

DANGER AHEAD. (Western Featurette) 1927. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Basil Dickey.

DANGER AHEAD. 1935. 6 reels, sd. Adapted from the story "One-eighth Apache" by Peter B. Kyne.

Credits: Supervision, Sam Katzman; director, Al Herman; screenplay, Al Martin; film editor, Dan Milner.

THE DANGER CLAIM. 1930, 2 reels.

Credits: Director, Jack Nelson; story and continuity, Basil Dickey.

DANGER FLIGHT. 1939. 7 reels, sd.

Credits: Producer, Paul Malvern; director, Howard Bretherton; original story, Hal Forrest; screenplay, Byron Morgan, Edwin C. Parsons; film editor, Edward Schroeder.

THE DANGER GAME. 1918. 5 reels.

Credits: Director, Harry Pollard; story, Roy Somerville.

THE DANGER GIRL. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 6 reels. From the play "The Bride" by Stuart Olivier and George Middleton.

Credits: Director, Edward Dillon; adaptation, Finis Fox; editor, George Bertholon.

DANGER, GO SLOW. 1918. 6 reels.

Credits: Producer, Robert Leonard; scenario, Robert Leonard, Mae Murray.

DANGER! HIGH VOLTAGE. (Your True Adventures) 1937. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

DANGER ISLAND. 1931. 2 reels each. © Universal Pictures Corp.

Credits: Director, Ray Taylor; story, Henry MacRae; continuity, Basil Dickey; dialogue, Ella O'Neill.

1. The Coast of Peril. © 9Jul31; LP2330.

2. Death Rides the Storm. © 13Jul31; LP2339.

3. Demons of the Pool. © 13Jul31; LP2340.

4. Devil Worshippers. © 27Jul31; LP2357.

5. Mutiny. © 30Jul31; LP2364.

6. The Cat Creeps. © 13Aug31; LP2396.

7. The Drums of Doom. © 17Aug31; LP2401.

8. Human Sacrifice. © 24Aug31; LP2423.

9. The Devil Bird. © 2Sep31; LP2434.

10. Captured for Sacrifice. © 10Sep31; LP2458.

11. The Lion's Lair. © 12Sep31; LP2473.

12. Fire God's Vengeance. © 12Sep31; LP2474.

DANGER ISLAND. 1939. 6,230 ft., sd. Based upon a novel by John W. Vandercook and upon the character "Mr. Moto" created by J. P. Marquand.

Credits: Director, Herbert I. Leeds; story idea, John Reinhardt, George Bricker; screenplay, Peter Milne; music director, Samuel Kaylin.

DANGER LIGHTS. 1930. 8 reels, sd.

Credits: Producer, William LeBaron; director, George B. Seitz; story and dialogue, James Ashmore Creelman; dialogue director, Hugh Herbert; editor, Archie Marshek.

THE DANGER LINE. Victor. 1915. 1 reel.

Credits: Producer, Harry C. Myers.

THE DANGER LINE. 1916. 3 reels.

Credits: Edward T. Lowe, Jr.; director, Charles Ashley.

THE DANGER LINE. Released by Film Booking Offices of America, Inc. 1924. 6 reels. Based on the novel "The Battle" by Claude Farrère.

Credits: Director, E. E. Violet; adaptation, Margaret Turnbull.

THE DANGER LINE. (Western Featurette) 1929. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Lola D. Moore.

DANGER—LOVE AT WORK. 1937. 7,330 ft., sd.

Credits: Director, Otto Ludwig Preminger; story, James Edward Grant; screenplay, James Edward Grant, Ben Markson; music director, David Buttolph.

Credits: Producer, John L. Hawkinson.

THE DANGER MAN. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, George Morgan.

THE DANGER MARK. 1918. 5 reels.

Credits: Robert W. Chambers.

THE DANGER OF BEING LONESOME. 1915. 2 reels.

DANGER ON THE AIR. Crime Club. 1938. 8 reels. From the novel "Death Catches Up with Mr. Kluck" by Xantippe [pseud.]

Credits: Producer, Irving Starr; director, Otis Garrett; screenplay, Betty Laidlaw, Robert Lively; film editor, Maurice Wright.

THE DANGER PATH. SEE The Narrow Path.

DANGER PATROL. 1937. 9 reels, sd.

Credits: Director, Lew Landers; story, Helen Vreeland, Hilda Vincent; screenplay, Sy Bartlett; editor, Ted Cheesman.

THE DANGER POINT. 1922. 5,807 ft.

Credits: Director, Lloyd Ingraham; story, Victor Hugo Halperin.

173© American Releasing Corp.; 11Nov22; LP18624.

THE DANGER RIDER. Universal-Jewel. 1928. 6 reels.

Credits: Director, Henry MacRae; story, Wynn James, Arthur Statter.

THE DANGER SIGNAL. 1915. 5 reels. Based on "Canavan, the Man Who Had His Way" by Rupert Hughes.

THE DANGER SIGNAL. 1925. 6 reels.

Credits: Director, Erle C. Kenton; story, Douglas Z. Doty.

DANGER STREET. 1928. 6 reels. From the story "The Beautiful Bullet" by Harold MacGrath.

Credits: Director, Ralph Ince; screenplay, Enid Hibbard.

DANGER TAKES A HOLIDAY. Presented by Goodrich. 1938. 1 reel, sd.

THE DANGER TRAIL. 1917. 5 reels. Based on the novel by James Oliver Curwood.

Credits: Director, Frederick A. Thompson.

THE DANGER TRAIL. 1928. 2 reels.

Credits: Director, Josef Levigard; story, Rose Kurland; continuity, Basil Dickey.

DANGER VALLEY. 1937. 6 reels, sd.

Credits: Producer and director, Robert N. Bradbury; original screenplay, Robert Emmett; music and lyrics, Johnny Lange, Fred Stryker.

DANGER WITHIN. 1918. 5 reels.

Credits: Director, Rea Berger; story, Charles T. Dazey, Frank Dazey; scenario, Frank Howard Clark.

THE DANGER ZONE. 1918. 5 reels.

Credits: Director, Frank Beal; story, Marshall Bruce Bennington; scenario, Adrian Johnson.

DANGEROUS. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 8 reels, sd.

Credits: Director, Alfred E. Green; story and screenplay, Laird Doyle.

A DANGEROUS ADVENTURE. 1922. 2 reels each, except no. 1 which is 3 reels. © Warner Bros.

Credits: Frances Guihan; directors, S. L. Warner, J. L. Warner; supervision, S. L. Warner.

1. The Jungle Storm. © 5May22; LP17835.

2. The Sacrifice. © 5May22; LP17836.

3. The Lion Pit. © 5May22; LP17837.

4. Brandon's Revenge. © 5May22; LP17838.

5. At the Leopard's Mercy. © 5May22; LP17839.

6. The Traitor. © 5May22; LP17840.

7. The Volcano. © 5May22; LP17841.

8. The Escape. © 5May22; LP17873.

9. The Leopard's Cave. © 15May22; LP17874.

10. The Jungle Water Hole. © 15May22; LP17875.

11. The Hippopotamus Swamp. © 25May22; LP17921.

12. The Lion's Prey. © 5Jun22; LP17937.

13. In the Tiger's Lair. © 12Jun22; LP17954.

14. The Treasure Cave. © 12Jun22; LP17955.

15. The Rescue. © 12Jun22; LP17956.

A DANGEROUS ADVENTURE. 1937. 6 reels, sd.

Credits: Director, D. Ross Lederman; story, Owen Francis; screenplay, John B. Rathmell, Owen Francis; film editor, Gene Havlick; music director, Morris Stoloff.

A DANGEROUS AFFAIR. Presented by Frank G. Hall. 1919. 5 reels.

Credits: Director, Charles Miller; story, Val Cleveland; scenario, Garfield Thompson; supervising editor, Albert Cowles.

A DANGEROUS AFFAIR. 1931. 8 reels.

Credits: Director, Edward J. Sedgwick; story and dialogue, Howard J. Green.

THE DANGEROUS AGE. First National. 1922. 7 reels.

Credits: Producer and director, John M. Stahl.

THE DANGEROUS BLONDE. 1924. 5 reels.

Credits: Director, Robert F. Hill; story, Hulburt Footner.

DANGEROUS BUSINESS. First National. 1921. 5 reels.

Credits: Producers, John Emerson, Anita Loos; director, R. William Neill.

DANGEROUS CORNER. 1934. 7 reels, sd. From the play by J. B. Priestley.

Credits: Associate producer, Arthur Sibcom; director, Phil Rosen; screenplay, Anne Morrison Chapin, Madeleine Ruthven; editor, Archie Marshek; music director, Max Steiner.

THE DANGEROUS COWARD. Released by Film Booking Offices. 1924. 5 reels.

Credits: Producer, Harry J. Brown; director, Albert Rogell; story, Marion Jackson.

DANGEROUS CROSSROADS. 1933. 6 reels, sd.

Credits: Director, Lambert Hillyer; screenplay, Horace McCoy; film editor, Gene Havlick.

DANGEROUS CURVE AHEAD. Goldwyn Studios. 1921. 6 reels.

Credits: Director, E. Mason Hopper; original story, Rupert Hughes; continuity, Julian Josephson.

DANGEROUS CURVES. 1924. 2 reels.

Credits: Director, William Campbell.

DANGEROUS CURVES. 1929. 8 reels, si., 7,278 ft., sd.

Credits: Director, Lothar Mendes; story, Lester Cohen; adaptation, Donald Davis, Florence Ryerson; dialogue, Viola Brothers Shore.

DANGEROUS DAN MCFOO. (Merrie Melodies) 1939. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Rich Hogan; animation, Paul Smith; music director, Carl W. Stalling.

DANGEROUS DAPPER DAN. 1931. 1 reel, sd.

Credits: Director, Lou Breslow; story, Harry Sauber.

DANGEROUS DAYS. An Eminent Authors Production. Presented by Samuel Goldwyn and Rex Beach. 1920. 7 reels. From a novel by Mary Roberts Rinehart.

Credits: Director, Reginald Barker.

DANGEROUS DAYS. (Pioneer Kid Series) 1929. 2 reels.

Credits: Director, Jack Nelson.

DANGEROUS DAZE. (Red Star Comedy) 1931. 2 reels.

Credits: Director, William Nye; story, Douglas Doty, Nick Barrows.

A DANGEROUS DOUBLE. Imp. 1917. 2 reels.

Credits: Harry Dittmar; producer, Robert F. Hill.

A DANGEROUS DOUBLE. 1927. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, George Morgan.

Credits: Director, Richard Thorpe; story, James Madison; continuity, Frank L. Inghram.

DANGEROUS EYES. (Sunshine Comedy) 1920. 2 reels.

174Credits: Supervision, Hampton Del Ruth; director, J. G. Blystone.

DANGEROUS FEMALES. 1929. 2 reels, sd.

Credits: Director, William Watson; story, Florence Ryerson, Colin Clements.

THE DANGEROUS FLIRT. Released by F. B. O. 1924. 6 reels.

Credits: Director, Tod Browning; story, Julie Herne; scenario, E. Richard Schayer.

DANGEROUS FRIENDS. Presented by Banner Productions, Inc. 1926. 6 reels.

Credits: Director, Finis Fox; story and continuity, Charles A. Logue.

A DANGEROUS GAME. 1922. 5 reels.

Credits: Director, King Baggot; story, Louis Dodge; scenario, Hugh Hoffman.

DANGEROUS HOLIDAY. 1937. 6 reels, sd.

Credits: Associate producer, William Berke; direction and screenplay, Nicholas Barrows; original story, Karen DeWolf, Barry Shipman.

DANGEROUS HOURS. 1919. 7 reels. Founded on the story "A Prodigal in Utopia" by Donn Byrne.

Credits: Director, Fred Niblo; scenario, C. Gardner Sullivan.

THE DANGEROUS INHERITANCE. SEE How Women Love.

DANGEROUS INNOCENCE. Jewel. 1925. 7 reels. From the novel "Ann's an Idiot" by Pamela Wynne [pseud. of Winifred Mary (Watson) Scott].

Credits: Director, William A. Seiter; scenario, James O. Spearing.

DANGEROUS INTRIGUE. 1935. 6 reels, sd.

Credits: Director, David Selman; story, Harold Shumate; screenplay, Grace Neville; film editor, Al Clark.

DANGEROUS JOBS. (Paramount Varieties) Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Narrator, Ted Husing; commentary, Fred Rath.

DANGEROUS LIES. 1921. 6 reels.

Credits: Director, Paul Powell; story, E. Phillips Oppenheim; adaptation, Mary O'Connor.

THE DANGEROUS LITTLE DEMON. 1922. 5 reels.

Credits: Director, Clarence G. Badger; story, Mildred Considine; scenario, Doris Schroeder.

THE DANGEROUS MAID. First National. 1923. 8 reels. From the novel by Elizabeth Ellis.

Credits: Director, Victor Heerman; continuity, C. Gardner Sullivan.

THE DANGEROUS MOMENT. 1921. 5 reels.

Credits: Producer, Marcel De Sano; story, Douglas Z. Doty; scenario, Wallace Clifton.

DANGEROUS MONEY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,864 ft. Based on the novel "Clark's Field" by Robert Herrick.

Credits: Director, Frank Tuttle; story, John Russell; scenario, Julie Herne.

DANGEROUS NAN MCGREW. 1930. 7 reels, sd.

Credits: Director, Malcolm St. Clair; story, Charles Beahan and Garrett Fort; screenplay, Paul Gerard Smith, Pierre Collings.

DANGEROUS NUMBER. 1937. 8 reels, sd., color.

Credits: Director, Richard Thorpe; story, Leona Dalrymple; screenplay, Carey Wilson; film editor, Blanche Sewell; music score, David Snell.

DANGEROUS OCCUPATIONS. 1933. 1 reel, sd.

Credits: Editor, Bert Frank.

THE DANGEROUS PARADISE. 1920. 5 reels.

Credits: Edmund Goulding; director, William P. S. Earle; picturized by Lewis Allen Browne.

DANGEROUS PARADISE. 1930. 6 reels. Based upon incidents in a novel by Joseph Conrad.

Credits: William Slavens McNutt, Grover Jones; director, William A. Wellman.

DANGEROUS PATHS. 1921. 5 reels.

Credits: Director, Duke Worne; story and scenario, Joseph W. Girard.

A DANGEROUS PEACH. Century. 1924. 2 reels.

Credits: Written and directed by Jess Robbins.

THE DANGEROUS TALENT. 1920. 6 reels.

Credits: Director, George L. Cox; story, Daniel F. Whitcomb.

DANGEROUS TO KNOW. Presented by Adolph Zukor. 1938. 7 reels, sd. Based on a play by Edgar Wallace.

Credits: Director, Robert Florey; screenplay, William R. Lipman, Horace McCoy; film editor, Arthur Schmidt.

DANGEROUS TO MEN. 1920. 6 reels. From the play "Eliza Comes To Stay" by H. V. Esmond.

Credits: Director general, Maxwell Karger; director, William C. Dowlan; adaptation, A. P. Younger.

A DANGEROUS TRAIL. 1928. 2 reels.

Credits: Director, Josef Levigard; story and continuity, Wallace Clifton.

DANGEROUS WATERS. Presented by Carl Laemmle. 1936. 7 reels, sd. Based on the story "Glory Hole" by Theodore Reeves.

Credits: Producer, Fred S. Meyer; director, Lambert Hillyer; screenplay, Richard Schayer, Hazel Jamieson, Malcolm Stuart Boylan; film editor, Murray Seldeen.

A DANGEROUS WOMAN. 1929. 6,643 ft.

Credits: Director, Rowland V. Lee; story, Margery H. Lawrence; adaptation, John Farrow.

THE DANGEROUS YOUTH. (Melody Comedy) Presented by E. B. Derr. 1930. 2 reels, sd.

Credits: Producer, Fred Lalley; director, Arch B. Heath; story, Guy Voyer; screenplay, Monte Carter; film editor, Fred Maguire.

DANGEROUSLY YOURS. 1933. 6,480 ft., sd.

Credits: Director, Frank Tuttle; story, Paul Hervey Fox; screenplay, Horace Jackson; editor, Harold Schuster.

DANGEROUSLY YOURS. 1937. 5,613 ft., sd.

Credits: Director, Mal St. Clair; screenplay, Lou Breslow, John Patrick; music director, Samuel Kaylin.

THE DANGERS OF DORIS. 1916-17. 1 reel each. © Broadway Star Feature Co., Inc.

Credits: A. Van Buren Powell, Graham Baker, Garfield Thompson, Edward J. Montayne, Stanley Olmstead, Will Courtney; director, David Smith.

1. The Bit of Bent Wire. © 13Dec16; LP9730.

2. The Luck Charm. © 16Dec16; LP9757.

3. The Twin Fedoras. © 11Jan17; LP10078.

4. One Good Turn. © 9Jan17; LP9938.

5. The Suitor from Siam. © 25Jan17; LP10071.

6. The Footlight Lure. © 7Feb17; LP10181.

7. The Gang. © 14Feb17; LP10205.

8. Up and Down. © 23Feb17; LP10264.

9. The Old Fourth Ward. © 8Mar17; LP10341.

10. The Road to Eternity. © 17Mar17; LP10402.

175DANGERS OF THE DEEP. SEE Scarlet Streak. (Serial)

DANGERS OF THE STREET. 1913. 1 reel. Taken in cooperation with the Public Service Corporation of New Jersey.

DANIEL. 1913. 2 reels.

Credits: Director, Fred Thomson.

Credits: Director, Claude H. Mitchell; adaptation, Esther Willard Bates.

DANIEL BOONE. 1936. 77 min., sd.

Credits: Producer, George A. Hirliman; director, David Howard; original story, Edgecumb Pinchon; screenplay, Daniel Jarrett; film editor, Ralph Dixon; music directors, Hugo Riesenfeld, Arthur Kay.

DANIEL DERONDA. SEE Gwendolin.

DANIELA HERZ. SEE The Governor's Daughters.

DANK YOU. SEE Burns and Kissen in Dank You.

DANS SA CANDEUR NAIVE. SEE The Cardboard Lover.

DANTE ALIGHIERI. SEE The Life of Dante.

DANTE'S INFERNO. 1924. 6 reels, b&w, tinted sequences.

Credits: Director, Henry Otto; story, Cyrus Wood; adaptation, Edmund Goulding.

DANTE'S INFERNO. 1935. 8,000 ft., sd.

Credits: Director, Harry Lachman; screenplay, Philip Klein, Robert M. Yost; musical director, Samuel Kaylin.

DAPHNE AND THE PIRATE. 1916. 5 reels.

Credits: Director, William Christy Cabanne; scenario, Granville Warwick.

DAPHNE POLLARD IN CLEO TO CLEOPATRA. 1928. 1 reel, sd.

DAPHNE POLLARD, THE ENGLISH COMEDIENNE, IN WANTED A MAN. 1928. 1 reel, sd.

DARCY OF THE NORTHWEST MOUNTED. Gold Seal. 1916. 3 reels.

Credits: Producer, William Worthington; scenario, Walter Woods.

THE DAREDEVIL. Gail Kane Productions. 1918. 5 reels. Based on the book by Maria Thompson Daviess.

Credits: Director, Francis J. Grandon; scenario, J. Clarkson Miller.

THE DAREDEVIL. 1920. 5 reels.

Credits: Story, scenario, and direction, Tom Mix.

DAREDEVIL BILL. 1916. 1 reel.

Credits: Producer, Earl Metcalfe.

THE DAREDEVIL CRIMINAL. SEE Dr. Gar El Hama.

DARE DEVIL DAISY. Century. 1926. 2 reels.

Credits: Director, Francis Corby; story, Tad Ross.

DAREDEVIL DAN. Victor. 1917. 1 reel.

Credits: Story and direction, Ruth Stonehouse; scenario, Charles Wilson, Jr.

THE DAREDEVIL DRIVERS. 1938. 6 reels.

Credits: Director, B. Reeves Eason; original story, Charles R. Condon; screenplay, Sherman L. Lowe.

Credits: Story, Frederic Chapin, Harry Hoyt.

1. The Mysterious Bracelets, © title, descr. & 60 prints, 8Mar20; LU14829.

2. The Ball of Death. © title, descr. & 40 prints, 8Mar20; LU14830.

3. Wheels of Fate. © title, descr. & 40 prints, 8Mar20; LU14831.

4. Shanghaied. © title, descr. & 40 prints, 8Mar20; LU14832.

5. The Race for Glory. © title, descr. & 40 prints, 8Mar20; LU14833.

6. A Skirmish of Wits. © title, descr. & 40 prints, 8Mar20; LU14834.

7. A Blow in the Dark. © title, descr. & 40 prints, 8Mar20; LU14835.

8. Blinding Hate. © title, descr. & 40 prints, 11Mar20; LU14848.

9. Phantoms of Treachery. © title, descr. & 40 prints, 6Apr20; LU14962.

10. Paths of Destruction. © title, descr. & 40 prints, 6Apr20; LU14963.

11. Flames of Wrath. © title, descr. & 40 prints. 13Apr20; LU15002.

12. The Unseen Menace. © title, descr. & 40 prints, 13Apr20; LU14998.

13. Bating the Trap. © title, descr. & 40 prints, 15Jun20; LU15251.

14. A Terrible Vengeance. © title, descr. & 40 prints, 15Jun20; LU15252.

15. The Triple Chase. © title, descr. & 40 prints, 15Jun20; LU15253.

DARE-DEVIL KATE. 1916. For Fox Film Corp. 6 reels. From the play by Philip Bartholomae.

Credits: Producer, Keenan J. Buel; adaptation, Clarence J. Harris.

DARE DEVIL O'DARE. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; story, Dolph Singer, Jack Henley.

DAREDEVILS OF THE RED CIRCLE. 1939. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Associate producer, Robert Beche; directors, William Witney, John English; original screenplay, Barry Shipman, Franklyn Adreon, Rex Taylor, Ronald Davidson, Sol Shor; film editors, Edward Todd, William Thompson; music score, William Lava.

1. The Monstrous Plot.

2. The Mysterious Friend.

3. The Executioner.

4. Sabotage.

5. The Ray of Death.

6. Thirty Seconds To Live.

7. The Flooded Mine.

8. S. O. S.

9. Ladder of Peril.

10. The Infernal Machine.

11. The Red Circle Speaks.

12. Flight to Doom.

DARE DEVILS OF WAR. Imp. 1916. 2 reels.

DAREDEVIL'S REWARD. 1928. 5 reels.

Credits: Director, Eugene Forde; story and scenario, John Stone.

DARE-DEVILTRY. (A Sports Parade Subject) 1936. 1 reel, b&w.

Credits: Director, David Miller; explanatory remarks, Pete Smith.

DARING AND DYNAMITE. 1918. 2 reels.

Credits: Direction and story, Walter Hall.

DARING CHANCES. 1924. 5 reels.

Credits: Director, Clifford S. Smith; story, Isadore Bernstein; continuity, Wyndham Gittens.

THE DARING CHANGE. Bison. 1917. 2 reels.

Credits: Harvey Gates; director, William V. Mong.

DARING DANGER. 1922. 5 reels.

Credits: Director, Cliff Smith; story and scenario, L. V. Jefferson.

DARING DANGER. 1932. 6 reels, sd.

176Credits: Director, D. Ross Lederman; story, William Colt MacDonald; continuity, Michael Trevelyan; film editor, Otto Meyer.

DARING DANGERS. 1922. 2 reels.

Credits: Director, Robert North Bradbury; story and scenario, Harvey Gates.

DARING DAYS. (Blue Streak Western) 1925. 5 reels.

Credits: Director, John B. O'Brien; story, George Hull.

A DARING DUDE. 1929. 2 reels.

Credits: Director, Walter Fabian; story, Lois Kennedy; continuity, Basil Dickey.

DARING HEARTS. 1919. 6 reels.

Credits: Director, Henri-Houry; story, Albert E. Smith, Cyrus Townsend Brady; scenario, Graham Baker.

DARING LIONS AND DIZZY LOVERS. 1919. 2 reels.

Credits: Written and directed by William H. Watson.

DARING LOVE. Presented by M. H. Hoffman. 1924. 6 reels. From the story "Driftwood" by Albert Payson Terhune.

Credits: Director, R. G. Edwards; adaptation, Roland West, Willard Mack.

THE DARING OF DIANA. 1916. 5 reels.

Credits: Producer, S. Rankin Drew.

THE DARING YEARS. 1923. 7 reels.

Credits: Director, Kenneth Webb; story and adaptation, Daniel Carson Goodman.

DARING YOUNG MAN. 1935. 9 reels, sd.

Credits: Director, William A. Seiter; story, Claude Binyon and Sidney Skolsky; screenplay, William Hurlbut; additional dialogue, Sam Hellman, Glenn Tryon; musical director, Arthur Lange.

DARK AFRICA. (E. M. Newman's Musical Journeys) The Vitaphone Corp. 1934. 1 reel, sd.

Credits: Editor, Bert Frank.

THE DARK ANGEL. First National. 1925. 8 reels. From the stage play by H. B. Trevelyan.

Credits: Producer, George Fitzmaurice; scenario, Frances Marlon.

THE DARK ANGEL. Presented by Samuel Goldwyn. 1935. 11 reels, sd. From a play by Guy Bolton.

Credits: Director, Sidney Franklin; screenplay, Lillian Hellman, Mordaunt Shairp; music director, Alfred Newman.

DARK CORNERS. Special. Rex. 1916. 1 reel.

DARK DAYS. SEE The Two Doves.

A DARK DEED. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Jack Cunningham; scenario, Frederick A. Palmer.

DARK HAZARD. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 8 reels. From the novel by W. R. Burnett.

Credits: Director, Alfred E. Green; screenplay, Ralph Block, Brown Holmes.

A DARK HORSE. 1922. 2 reels.

Credits: Written and directed by Jess Robbins.

THE DARK HORSE. 1932. 8 reels, sd.

Credits: Melville Crossman; director, Alfred E. Green; screenplay, Joseph Jackson, Wilson Mizner.

THE DARK HOUR. 1936. 7 reels, sd. From the novel "The Last Trap" by Sinclair Gluck.

Credits: Director, Charles Lamont; screenplay, Ewart Adamson.

DARK JOURNEY. Released through United Artists. 1937. 8 reels, sd.

Credits: Producer and director, Victor Saville; screenplay, Lajos Biro; scenario and dialogue, Arthur Wimperis; editors, William Hornbeck, Hugh Stewart; music, Richard Addinsell; music director, A. W. Watkins.

A DARK KNIGHT. (Joe Rock Comedy) 1923. 2 reels.

Credits: Director, Gil. Pratt.

A DARK LANTERN. 1920. 6 reels. From the story by Elizabeth Robins.

Credits: Director, John S. Robertson; scenario, Burns Mantle.

A DARK LOVER'S PLAY. 1915. 1 reel.

Credits: Producer, Mack Sennett.

DARK MAGIC. (Robert Benchley Comedy) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd.

Credits: Director, Roy Rowland; film editor, Philip Anderson.

THE DARK MIRROR. 1920. 5 reels. From the novel by Louis Joseph Vance.

Credits: Supervision, Thomas H. Ince; director, Charles Giblyn.

DARK RAPTURE. 1938. 8 reels, sd.

Credits: Producers, Armand Denis, Leila Roosevelt; director, Armand Denis; editors, Leroy G. Phelps, Gunther Von Fritsch; photographer, Leroy G. Phelps; music director, John Rochetti.

DARK SECRETS. Paramount. Presented by Adolph Zukor. 1923. 6 reels.

Credits: Director, Victor Fleming; story, Edmund Goulding.

Credits: Director, Albert Capellani; story, Paul West; scenario, Gardner Hunting.

DARK STAIRWAYS. 1924. 5 reels.

Credits: Director, Robert F. Hill; story, Marion Orth; scenario, L. J. Rigby.

THE DARK STAR. Cosmopolitan. Paramount-Artcraft Special. Presented by Famous Players-Lasky Corp. 1919. 7 reels. Based on the novel by Robert W. Chambers.

Credits: Director, Allan Dwan.

DARK STAR. SEE Min and Bill.

DARK STREETS. Presented by Richard A. Rowland. 1929. 6 reels.

Credits: Producer and director, Frank Lloyd; screen version, Bradley King.

DARK STREETS. Trailer. First National. 1929. 1 reel, sd.

A DARK SUSPICION. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

THE DARK SWAN. 1924. 7 reels. From the story by Ernest Pascal.

Credits: Director, Millard Webb; adaptation, Fred Jackson.

THE DARK SWAN. SEE Wedding Rings.

THE DARK TOWER. SEE The Man with Two Faces.

DARK VICTORY. First National. 1939. 11 reels, sd., b&w. From the play by George Emerson Brewer, Jr. and Bertram Bloch.

Credits: Director, Edmund Goulding; screenplay, Casey Robinson; music, Max Steiner.

DARKENED ROOMS. 1929. Si. & 6,066 ft., sd. Based on the novel by Philip Gibbs.

Credits: Director, Louis Gasnier; adaptation and dialogue, Patrick Kearney, Melville Baker.

THE DARKENING TRAIL. 1915.

Credits: Producer, Thomas H. Ince.

177© Pathe Exchange, Inc. (Paul Terry, author); title, descr. & 20 prints, 4May25; MU3016.

DARKEST AFRICA. (A Century of Progress Exposition) 1933. 1 reel.

DARKEST AFRICA. 1936. 2 reels each, except no. 1 which is 3 reels. © Republic Pictures Corp.; no. 1-5, 15Feb36; LP6431; no. 6-10, 15Feb36; LP6440; no. 11-15, 15Feb36; LP6460.

Credits: Supervision, Barney Sarecky; directors, B. Reeves Eason, Joseph Kane; original story, John Rathmell, Tracy Knight; screenplay, John Rathmell, Barney Sarecky, Ted Parsons.

THE DARKEST HOUR. 1919. 5 reels.

Credits: Director, Paul Scardon; story, Jane Dixon, Roma Raymond; scenario, Garfield Thompson, Edward J. Montagne.

Credits: Director, Travers Vale.

THE DARKNESS BEFORE DAWN. 1915. 3,000 ft.

DARKTOWN FOLLIES. 1930. 2 reels, sd. From the Wildcat stories by Hugh Wiley.

Credits: Producer, Monte Brice; adaptation and direction, Nat Nazarro.

DARLING DANDY. 1915. 3,000 ft.

DARLING ENEMY. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, A. Dorian Otvas, Eddie Moran.

A DARLING IN BUCKSKIN. Victor. 1917. 1 reel.

Credits: Director, William V. Mong; story, Joe Ryan.

DARLING MINE. Presented by Louis J. Selznick. 1920. 5 reels.

Credits: John Lynch, Laurence Trimble; director, Laurence Trimble.

THE DARLING OF NEW YORK. Universal Jewel. 1923. 6 reels.

Credits: Director, King Baggot; story, King Baggot, Raymond Schrock.

THE DARLING OF PARIS. 1917. For Fox Film Corporation. 6 reels. From the novel "The Hunchback of Notre Dame" by Victor Hugo.

Credits: Director, J. Gordon Edwards; adaptation, Adrian Johnson.

DARN THAT STOCKING! National Film Corp. of America. 1920. 2 reels.

Credits: Director, Jack Laver.

Credits: Director, Charles Swickard; adaptation, J. G. Hawks.

D'ARTAGNAN. 1916. 5 reels.

D'ARTAGNAN OF KANSAS. SEE A Modern Musketeer.

DARTMOUTH DAYS. (An Oddity) 1934. 958 ft., sd., b&w.

Credits: Director, Maurice Rapf; explanatory remarks, Pete Smith.

THE DARTMOUTH MURDERS. SEE A Shot in the Dark.

DARWIN WAS RIGHT. 1924. 5 reels.

Credits: Director, Lewis Seiler; story and scenario, Edward Moran.

DASHES, HURDLES, AND RELAYS. 1938. 2 reels.

DASHING. SEE A Six Shootin' Romance.

DASSAN. London. 1930. 5 reels, sd.

THE DATE PALM. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

A DATE TO SKATE. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Orestes Calpini.

DATED. SEE The Last Card.

DATES AND NUTS. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Director, Robert Hall; story, Parke Levy.

DATES FOR TWO. (Stern Brothers Comedy) (Mike and Ike) 1927. 2 reels. From the cartoons by Rube Goldberg.

Credits: Director, Francis Corby.

THE DAUGHTER OF A MAGNATE. SEE The Love Special.

THE DAUGHTER OF DAWN. Texas Film Co. 1920. 6 reels.

Credits: Written and directed by Norbert Myles.

DAUGHTER OF DESTINY. 1918. 6 reels.

Credits: Director, George Irving.

A DAUGHTER OF DIXIE. Special Big U. 1916. 2 reels.

A DAUGHTER OF EARTH. 1915. 2 reels.

A DAUGHTER OF FRANCE. 1918. 5 reels.

Credits: Director, Edmund Lawrence; story, Benjamin S. Kutler; scenario, Betta Breuil, Adrian Johnson.

DAUGHTER OF FU MANCHU. SEE Daughter of the Dragon.

A DAUGHTER OF ISRAEL. 1914. 2 reels.

Credits: Director, Van Dyke Brooke.

A DAUGHTER OF ISRAEL. SEE The Faith of Her Fathers.

A DAUGHTER OF LUXURY. Paramount. Presented by Adolph Zukor. 1922. 5 reels. From the play "The Imposter" by Leonard Merrick and Michael Morton.

Credits: Director, Paul Powell; adaptation, Beulah Marie Dix.

DAUGHTER OF MINE. Presented by Samuel Goldwyn. 1919. 5 reels.

Credits: Director, Clarence G. Badger; story, Hugo Ballin.

THE DAUGHTER OF MOTHER MCGINN. SEE Through the Dark.

A DAUGHTER OF PENANCE. Bison. 1916. 2 reels.

Credits: Producer, Henry Otto; story, Charles Saxby; scenario, Olga Printzlau.

A DAUGHTER OF ROMANY. 1913. 1 reel.

Credits: Anne and Bannister Merwin.

DAUGHTER OF SHANGHAI. Presented by Adolph Zukor. 1937. 7 reels, sd.

Credits: Director, Robert Florey; story, Garnett Weston; screenplay, Gladys Unger, Garnett Weston; editor, Ellsworth Hoagland.

A DAUGHTER OF THE CITY. 1915. 5 reels. From the play by H. S. Sheldon.

Credits: Producer, Hardee Kirkland.

178© Warner's Feature Film Co. (Gene Gauntier Feature Players, Inc., author); title, descr. & 94 prints, 19Mar13; LU492.

Credits: Director, Henry Kabierske.

A DAUGHTER OF THE DONS. SEE Burning the Wind.

DAUGHTER OF THE DRAGON. 1931. 8 reels, sd. From "Daughter of Fu Manchu" by Sax Rohmer [pseud. of Arthur Sarsfield Ward].

Credits: Director, Lloyd Corrigan; adaptation, Lloyd Corrigan, Monte M. Katterjohn; dialogue, Sidney Buchman.

A DAUGHTER OF THE GODS. 1916. For Fox Film Corp. 10 reels. From the story by Herbert Brenon.

Credits: Adapted and produced by Herbert Brenon; supervision, J. Gordon Edwards.

A DAUGHTER OF THE JUNGLES. Bison. 1915. 2 reels.

Credits: Written and produced by Henry McRae.

A DAUGHTER OF THE LAW. 1921. 5 reels.

Credits: Director, Jack Conway; story, Wadsworth Camp; scenario, Harvey Gates.

A DAUGHTER OF THE NIGHT. Imp. 1916. 1 reel.

Credits: Written and produced by Francis Powers.

A DAUGHTER OF THE NILE. Victor. 1915. 3 reels.

Credits: Producer, Lucius Henderson; scenario, Elaine Stern.

A DAUGHTER OF THE OLD SOUTH. Paramount. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Director, Emile Chautard; story, Alicia Ramsay, Rudolph De Cordova; scenario, Margaret Turnbull.

Credits: Story, Frances Marion; scenario, Russell E. Smith.

A DAUGHTER OF THE SIOUX. 1925. 5 reels.

Credits: Director, Ben Wilson; story, Charles King; screen adaptation, George W. Pyper.

A DAUGHTER OF THE WILDERNESS. 1913. 1 reel.

Credits: Frank McGlynn.

A DAUGHTER OF THE WOLF. 1919. 5 reels. Based on the short story by Hugh Pendexter.

Credits: Director, Irvin Willat; scenario, Marion Fairfax.

A DAUGHTER OF TWO WORLDS. First National. 1920. 6 reels. From the novel by Leroy Scott.

Credits: Director, James L. Young.

THE DAUGHTER PAYS. 1920. 6 reels.

Credits: Director, Robert Ellis; story, Mrs. Baillie Reynolds; scenario, Edward J. Montagne.

DAUGHTERS COURAGEOUS. First National. 1939. 12 reels, sd. Suggested by a play by Dorothy Bennett and Irving White.

Credits: Director, Michael Curtiz; original screenplay, Julius J. and Phillip G. Epstein; music, Max Steiner.

DAUGHTERS OF DESIRE. 1928. 6 reels.

Credits: Director, Burton King; story, Janet Vale.

Credits: Producer, George W. Terwilliger; adapter, Lawrence S. McCloskey.

DAUGHTERS OF THE NIGHT. 1924. 6 reels, b&w, tinted sequences.

Credits: Director, Elmer Clifton; story, R. T. Barrett; scenario, Willard Robertson.

DAUGHTERS OF THE RICH. Gasnier. Presented by B. P. Schulberg. 1923. 6 reels. From the novel by Edgar Saltus.

Credits: Adaptation, Olga Printzlau, Josephine Quirk.

DAUGHTERS OF THE SEA—NORWAY, SWEDEN, AND DENMARK. (A FitzPatrick Traveltalk) 1933. 1 reel, sd.

Credits: Compiler, James A. FitzPatrick; photographer, Ralph Donaldson.

DAUGHTERS OF TODAY. 1924. 7 reels.

Credits: Director, Rollin Sturgeon; story, Lucien Hubbard.

A DAUGHTER'S STRANGE INHERITANCE. 1915. 3 reels.

Credits: Director, Van Dyke Brooke.

DAUGHTERS WHO PAY. 1925. 6 reels.

Credits: Director, George Terwilliger; story, William B. Laub.

DAVE APOLLON AND HIS CLUB CASANOVA ORCHESTRA. (Melody Master) 1939. 10 min., sd.

Credits: Director, Lloyd French.

DAVE APOLLON AND HIS ORCHESTRA. (Melody Master) 1938. 11 min., sd.

Credits: Director, Roy Mack.

DAVE APOLLON AND HIS RUSSIAN STARS. 1929. 1 reel.

DAVE BERNIE'S ORCHESTRA. 1929. 1 reel.

DAVE DREY WITH NORA SCHILLER. TIN PAN ALLEY. 1929. 1 reel, sd.

DAVID AND JONATHAN. 1922. 5 reels. From the play and novel by E. Temple Thurston.

DAVID COPPERFIELD. SEE The Personal History, Adventures, Experience, and Observations of David Copperfield, the Younger.

DAVID CRAIG'S LUCK. Rex. 1917. 2 reels.

DAVID GARRICK. 1914. 2 reels.

Credits: Directed and picturized by James Young.

DAVID GARRICK. 1916. 5 reels.

DAVID HARUM. 1934. 7,605 ft., sd. From the novel by Edward Noyes Westcott.

Credits: Director, James Cruze; screenplay and dialogue, Walter Woods; music director, Louis de Francesco; editor, Jack Murray.

DAVID MENDOZA & HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Lloyd French.

DAVID'S IDOL DREAM. Imp. 1917. 2 reels.

Credits: Adele Farrington; director, Walter Morton; scenario, Malcolm Strong.

179© Universal Film Mfg. Co., Inc.; 9Mar17; LP10348.

DAVY CROCKETT. 1916. 5 reels.

Credits: Director, William D. Taylor.

DAVY JONES' LOCKER. (Willie Whopper Cartoon) 1934. 1 reel.

DAWN. 1914. 1 reel.

Credits: Producer, Edward J. LeSaint.

DAWN. Presented by Archie Selwyn. 1928. 7 reels. From the story by Reginald Berkeley.

Credits: Producer and director, Herbert Wilcox; scenario, Herbert Wilcox, Robert Cullen.

DAWN. SEE Nurse Edith Cavell.

DAWN GLORY. SEE Page Miss Glory.

THE DAWN OF A NEW DAY. 1937. For Metropolitan Co-operative Milk Producers' Bargaining Agency, Inc. Filmstrip, 142 frames, sd.

THE DAWN OF A TOMORROW. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels. From the novel and play by Frances Hodgson Burnett.

Credits: Director, George Melford; screenplay, Harvey Thew.

THE DAWN OF COURAGE. 1915. 1 reel.

THE DAWN OF DECENCY. Big U. 1917. 1 reel.

THE DAWN OF FREEDOM. 1916. 5 reels.

Credits: Producers, Theo. Marston, Paul Scardon; picturized by Marguerite Bertsch.

THE DAWN OF LOVE. 1916. For the Metro Program. 5 reels.

Credits: Channing Pollock, Rennold Wolf; producer, Edwin Carewe.

THE DAWN OF MY TOMORROW. SEE Framed.

THE DAWN OF PASSION. 1912.

DAWN OF THE EAST. 1921. 5 reels.

Credits: Director, E. H. Griffith; story and scenario, E. Lloyd Sheldon.

THE DAWN OF UNDERSTANDING. 1915. 2 reels.

Credits: Director, Van Dyke Brooke.

THE DAWN OF UNDERSTANDING. Blue Ribbon. Presented by Albert E. Smith. 1918. 6 reels. From "The Judgment of Bolinas Plains" by Bret Harte.

Credits: Director, David Smith; scenario, Edward J. Montagne.

THE DAWN PATROL. 1930. 12 reels. From the story "The Flight Commander" by John Monk Saunders.

Credits: Director, Howard Hawks; adaptation and dialogue, Howard Hawks, Dan Totheroh, Seton Miller.

THE DAWN PATROL. Trailer. First National. 1930. 1 reel.

THE DAWN PATROL. 1938. 12 reels, sd.

Credits: Director, Edmund Goulding; original story, John Monk Saunders; screenplay, Seton I. Miller, Dan Totheroh; music, Max Steiner.

THE DAWN ROAD. 101 Bison. 1915. 2 reels.

Credits: Producer, Joseph Franz; scenario, Ben Cohn, Joseph Franz.

THE DAWN TRAIL. 1930. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Christy Cabanne; story, Forrest Sheldon; adaptation and dialogue, John Thomas Neville; film editor, James Sweeney.

A DAY AND A NIGHT. 1917. 2 reels. From the comedy by Charles Hoyt.

Credits: Director. J. A. Richmond.

A DAY AT CONEY ISLAND. (Organlogue, no. 11) 1931. 1 reel, sd.

Credits: Announcements, Norman Brokenshire.

A DAY AT MIDLAND BEACH. Joker. 1915. 1 reel.

Credits: Written and produced by Tweedledum.

A DAY AT SANTA ANITA. (Broadway Brevity) 1937. 18 min., sd.

Credits: Director, Bobby Connolly; original screenplay, Crane Wilbur.

A DAY AT THE BEACH. (A Captain and the Kids Cartoon) 1938. 1 reel, sd., sepia. Based upon the United Features comic "The Captain and the Kids."

Credits: Supervision, Isadore Freleng.

A DAY AT THE RACES. (Organlogue, no. 13) 1931. 1 reel, sd.

Credits: Narration, Norman Brokenshire.

A DAY AT THE RACES. 1937. 12 reels, sd., b&w.

Credits: Producer and director, Sam Wood; original story, Robert Pirosh, George Seaton; screenplay, Robert Pirosh, George Seaton, George Oppenheimer; film editor, Frank E. Hull; music director, Franz Waxman.

A DAY AT THE SAN DIEGO FAIR. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

A DAY AT THE ZOO. (Merrie Melodies) 1939. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Melvin Millar; animation, Rollin Hamilton; music director, Carl S. Stalling.

A DAY IN THE LIFE OF A DOG. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, Will Anderson.

A DAY IN VENICE. (FitzPatrick Traveltalk) 1933. 1 reel, sd. Inspired by the musical composition by Ethelbert Nevin.

Credits: Compiled by James A. FitzPatrick.

DAY NURSE. (An Oswald Comedy) Snappy. 1932. 1 reel.

A DAY OF A MAN OF AFFAIRS. 1929. 1 reel, sd.

Credits: Director, Basil Smith; story, Paul Porter.

THE DAY OF FAITH. 1923. 7 reels. From the story by Arthur Somers Roche.

Credits: Director, Tod Browning; adaptation, June Mathis, Katharine Kavanaugh.

A DAY OF HAVOC. 1915. 1 reel.

DAY OF RECKONING. 1933. 7 reels, sd., b&w. From the novel by Morris Lavine.

Credits: Associate producer, Lucien Hubbard; director, Charles Brabin; screenplay, Zelda Sears, Eve Greene; film editor, Adrienne Fazan.

THE DAY OF REST. Presented by Metro-Goldwyn-Mayer. 1939. 850 ft., sd., b&w.

Credits: Director, Basil Wrangell; film editor, Adrienne Fazan.

THE DAY OF SOULS. SEE The Show.

THE DAY OF THE CONFEDERACY. SEE Dixie.

THE DAY OF THE DOG. 1914. 1 reel.

A DAY OFF. (Fables, no. 392) 1928. 1 reel.

Credits: Paul Terry, John Foster.

A DAY ON THE FORCE. 1915. 1,000 ft.

A DAY ON THE TRAP LINE. 1930. 1 reel.

Credits: Edward Breck.

A DAY ON TREASURE ISLAND. (A Fitzpatrick Traveltalk) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Producer and narrator, James A. Fitzpatrick; photographer, Robert Carney; music score, Nathaniel Finston, Constantin Bakaleinikoff.

THE DAY RESURGENT. 1919. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Joseph Byron Totten; scenario, A. Van Buren Powell.

THE DAY SHE PAID. 1919. 5 reels. Adapted from the story "Oats for the Woman" by Fannie Hurst.

Credits: Director, Rex Ingram.

A DAY THAT IS DEAD. 1913. 1 reel. Adapted from the poem "Break, Break, Break" by Tennyson.

THE DAY THE BOOKIES WEPT. 1939. 64 min., sd.

Credits: Producer, Robert Sisk; director, Leslie Goodwins; story, Daniel Fuchs; screenplay, Bert Granet, George Jeske; editor, Desmond Marquette; music director, Arthur Morton.

A DAY TO LIVE. (Paul Terry Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

DAYBREAK. 1917. 6 reels. Adapted from the play by Jane Cowl and Jane Murfin.

Credits: Supervision, Maxwell Karger; director, Albert Capellani; adaptation, June Mathis, Albert Capellani.

DAYBREAK. 1931. 9 reels, sd., b&w. From the book by Arthur Schnitzler.

Credits: Director, Jacques Feyder; adaptation, Ruth Cummings; continuity, Zelda Sears; film editor, Tom Held.

DAYDREAMS. 1918. 5 reels.

Credits: Director, Clarence G. Badger; story, Cosmo Hamilton.

DAY DREAMS. First National. Presented by Joseph M. Schenck. 1922. 3 reels.

Credits: Written and directed by Buster Keaton and Eddie Cline.

DAY-DREAMS. Snappy. 1928. 1 reel.

Credits: Director, Jacques Rollens.

DAY DREAMS. Treasure Chest. Educational Pictures. Presented by E. W. Hammons. 1933. 986 ft., sd.

Credits: Directed and conceived by Howard Milton; music, Henry King, Walter Scharf.

A DAY'S ADVENTURE. 1915. 1 reel.

A DAY'S JOURNEY. (E. M. Newman's Our Own United States) 1936. 11 min., sd.

Credits: Narration, Harlan Eugene Reed.

DAYS OF DARING. 1929. 2 reels.

Credits: Director, Walter Fabian; story and continuity, Norman W. Lacey; film editor, Richard H. Cahoon.

Credits: Directors, Jacques Jaccard, J. Marchand; story, Karl Coolidge.

THE DAYS OF REAL SPORT. SEE

After the Circus.

Before the Circus.

Burglars.

Circus Day.

The City Dude.

Company.

Fire! Fire!

Housecleaning.

New Folks in Town.

Saturday.

Secret S'ciety.

Skinnay, School and Scandal.

Skinny's Sick.

Those Distant Cousins.

A DAY'S PLEASURE. 1919. 2 reels.

Credits: Written and produced by Charles Chaplin.

DAYTIME WIVES. 1923. 7 reels.

Credits: Story, Leonore Coffee, John Goodrich; adaptation, Wyndham Gittins, Helmer Bergman.

DAZE AND KNIGHTS. SEE Felix the Cat in Daze and Knights.

THE DAZE OF '49. (A Skylark Comedy) 1928. 2 reels.

Credits: Written and directed by Glen Lambert.

DAZE OF THE WEST. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story, Billy Engle; continuity, William Lester.

DEACON BILLINGTON'S DOWNFALL. 1913. 2 reels.

Credits: Clyde Morey; director, Charles H. France.

THE DEACON STOPS THE SHOW. Joker. 1916. 1 reel.

Credits: Director, Allen Curtis; scenario, Ben Cohn.

THE DEACON'S SON. 1914. 1 reel.

THE DEACON'S WATERLOO. Nestor. 1916. 1 reel.

Credits: Written and produced by Al. E. Christie.

THE DEAD ALIVE. 1913. 3 reels.

THE DEAD DON'T CARE. SEE The Last Warning.

DEAD EASY. (Bobby Vernon Comedies) 1927. 2 reels.

Credits: Producer, Christie; director, Harold Beaudine.

DEAD END. 1937. Released through United Artists. 10 reels, sd. Based on the play by Sidney Kingsley as produced by Norman Bel Geddes.

Credits: Associate producer, Merritt Hulburd; director, William Wyler; screenplay, Lillian Hellman; film editor, Daniel Mandell; music director, Alfred Newman.

THE DEAD END KIDS ON DRESS PARADE. First National. 1939. 7 reels.

Credits: Director, William Clemens; original screenplay, Tom Reed.

DEAD GAME. 1922. 2 reels.

DEAD GAME. 1923. 5 reels.

Credits: Story, scenario, and direction, Edward Sedgwick.

THE DEAD LETTER. 1915. Split reel.

Credits: Producer, Will Louis.

THE DEAD LINE. 1920. 5 reels.

Credits: Director, Del Henderson; story and scenario by Paul H. Sloane.

THE DEAD LINE. Released by F. B. O. 1926. 5 reels.

Credits: Director, Jack Nelson; story and continuity, Barr Cross.

THE DEAD LINE. 1929. 1 reel, sd.

DEADLINE. 1931. 7 reels.

Credits: Story and direction by Lambert Hillyer; film editor, Maurice Wright.

DEADLINE AT ELEVEN. 1920. 5 reels.

Credits: Director, George Fawcett; story, Ruth Byers; scenario, Lucien Hubbard.

THE DEAD MAN THAT KILLS. SEE Eye for an Eye.

DEAD MAN'S CURVE. 1928. 6 reels. From the story "The Century Championship" by Frank Richardson Pierce.

Credits: Director, Richard Rosson; continuity, Ewart Adamson.

DEAD MEN TELL NO TALES. 1920. 7 reels. From the novel by E. W. Hornung.

Credits: Director, Tom Terriss; editors, Mr. & Mrs. George Randolph Chester.

DEAD OR ALIVE WITH HUGH O'CONNELL. 1929. 1 reel.

THE DEAD SHOT. 1918. 2 reels.

Credits: Director, Harry Harvey; story, Alvin J. Neitz.

DEAD SHOT BAKER. 1917. 5 reels. From the "Wolfville Stories" by Alfred Henry Lewis.

Credits: George H. Plympton; director, William Duncan.

THE DEAD SOUL. 1915. 3,000 ft.

A DEAD YESTERDAY. Rex. 1916. 2 reels.

Credits: Tom Lewis; producer, Charles Giblyn.

THE DEADLY DESPATCH. 1914. 1 reel.

DEADLY FEMALES. (The Struggle to Live Series, no. 2) 1936. 1 reel.

A DEADLY HATE. 1915. 3 reels. An adaptation of the play by George Roberts.

Credits: Director, Richard Ridgely.

THE DEADWOOD COACH. 1924. 7 reels, b&w, tinted sequences.

Credits: Direction and scenario, Lynn Reynolds; story, Clarence Mulford.

Credits: Director, Frank Cooley.

A DEAL IN STATUARY. 1914. 1 reel.

Credits: Richard Neill; director, Charles M. Seay.

DEALERS IN BABIES. (U. F. A. Oddity) 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

DEAN OF PASTEBOARDS. (Vitaphone Variety) 1939. 10 min., sd.

Credits: Director, Lloyd French.

THE DEAN'S DAUGHTERS. 1913. 1 reel.

Credits: Bannister Merwin.

DEAR LITTLE OLD TIME GIRL. Laemmle. 1915. 1 reel.

Credits: Producer, William Dowlan; story, Leonora Ainsworth; scenario, Calder Johnstone.

DEAR ME. SEE The Purple Highway.

DEAR OLD DAD. 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

DEAR OLD GIRL. 1914. 2 reels.

THE DEAR PRETENDER. SEE On Thin Ice.

DEAR SEASON. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Nate Watt.

THE DEAR SLAYER. 1930. 2 reels.

Credits: Director, Phil Whitman.

DEAR SOOKY. SEE Sooky.

DEAR TEACHER. Presented by Adolph Zukor and Jesse Lasky. 1929. 2 reels.

DEAR VIVIAN. 1929. 2 reels.

Credits: Director, Raymond Kane; story, Waldemar Young; screen adaptation, Alfred A. Cohn.

DEARIE. 1927. 7 reels.

Credits: Director, Archie Mayo; story, Carolyn Wells; scenario, Anthony Coldewey.

Credits: J. de Bonnefon.

DEATH ATTENDS A PARTY. Produced and presented by Columbia Pictures Corp. 1933. 1 reel. Based on one of the "Minute Mysteries" by H. A. Ripley.

Credits: Director, Lynn Shores; adaptation, H. Ross Callaway.

DEATH BACK STAGE. SEE By Persons Unknown.

DEATH CATCHES UP WITH MR. KLUCK. SEE Danger On the Air.

THE DEATH DANCE. 1918. 5 reels.

Credits: Marie Eve; director, J. Searle Dawley; scenario, Paul West.

DEATH FLIES EAST. 1935. 7 reels, sd.

Credits: Director, Phil Rosen; story, Phillip Wylie; screenplay, Albert Demond, Fred Niblo, Jr.; film editor, John Rawlins.

DEATH FROM A DISTANCE. 1935. 7 reels, sd.

Credits: Director, Frank R. Strayer; story and screenplay, John W. Kraft.

DEATH GOES NORTH. 1939. 7 reels, sd.

Credits: Director, Frank McDonald; screenplay, Edward R. Austin.

DEATH HOPS THE BELLS. SEE Irish Luck.

THE DEATH HOUSE. (William J. Burns Detective Mysteries) Educational Film Exchanges, Inc. 1931. 10 min.

Credits: Director, G. C. Reid.

DEATH IN THE DEEP SOUTH. SEE They Won't Forget.

DEATH IN THE OFFICE. SEE Hidden Evidence.

Credits: Director, Victor Sjöström.

THE DEATH KISS. World Wide. Presented by E. W. Hammons. 1933. 75 min. From the novel by Madelon St. Dennis.

Credits: Director, Edwin L. Marin; screenplay, Barry Barringer, Gordon Kahn.

DEATH MAKES A DECREE. SEE Charlie Chan In Reno.

DEATH OF A CHAMPION. 1939. 7 reels, sd.

Credits: Director, Robert Florey; story, Frank Gruber; screenplay, Stuart Palmer, Cortland Fitzsimmons; editor, Archie Marshek.

THE DEATH OF A DREAM. SEE The Mirage.

DEATH ON THE DIAMOND. 1934. 7 reels, sd., b&w. From the novel by Cortland Fitzsimmons.

Credits: Producer, Lucien Hubbard; director, Edward Sedgwick; screenplay, Harvey Thew, Joe Sherman, Ralph Spence; film editor, Frank Sullivan.

THE DEATH SHIP. SEE Mitchell Lewis in The Death Ship.

DEATH TAKES A HOLIDAY. 1934. 9 reels. From the play by Alberto Casella.

Credits: Producer, E. Lloyd Sheldon; director, Mitchell Leisen; screenplay, Maxwell Anderson, Gladys Lehman.

Credits: Frank Howard Clark.

DEATH TRAP OF THE AGES. 1929. 2 reels.

DEATH VALLEY THRILLS. (The Grantland Rice Sportlight) 1939. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE DEATH WEB. 1915. 1 reel.

Credits: Producer, Leon D. Kent.

THE DEATH'S HEAD. 1928. 2 reels.

Credits: Director, Walter Fabian; story, Norman W. Lacey.

DEBONAIR NEW ORLEANS. (Easy Aces, no. 7) 1936.

THE DEBT. 1917. 5 reels.

Credits: Director, Frank Powell; original scenario, Clara S. Beranger; adaptation, Kilbourn Gordon.

A DEBT OF HONOR. Columbia Pictures Corp. 1916. 5 reels.

Credits: Written and directed by William Nigh.

THE DEBT OF HONOR. 1918. 5 reels.

Credits: Direction and scenario, O. A. C. Lund; story, Eve Unsell.

DEBUNKING BIG GAME HUNTING IN AFRICA. 1930. 1 reel.

DEBURAU. SEE The Lover of Camille.

DECATHLON CHAMPION—THE STORY OF GLENN MORRIS. (A Pete Smith Specialty) 1937. 1 reel, sd., b&w.

Credits: Director, Felix E. Feist; screenplay, Robert Lees, Fred Rinaldo.

THE DECEIVER. 1931. 7 reels, sd. From the story "Unwanted" by Bella Muni and Abem Finkel.

Credits: Director, Louis King; adaptation, Charles Logue; dialogue, Jo Siverling; continuity, Jack Cunningham; film editor, Gene Havelick.

THE DECEIVERS. Gold Seal. 1915. 2 reels.

Credits: F. McGrew Willis; producer, Charles Giblyn.

THE DECEIVERS. 1915. 1 reel.

Credits: Director, Sidney Drew.

DECEPTION. 1913. 1 reel.

Credits: Director, W. J. Bauman.

THE DECEPTION. 1915. 1 reel.

Credits: Shannon Fife; producer, Joseph Kaufman.

DECEPTION. Paramount. Presented by Adolph Zukor. 1921. 8 reels.

Credits: Director, Ernest Lubitsch.

DECEPTION. 1932. 7 reels, sd.

Credits: Producer, Bryan Foy; supervision, Ben Stoloff; director, Lew Seller; assistant director, Sam Katzman; story, Nat Pendleton; screenplay, Harold Tarshis; film editor, William Austin.

THE DECIDING KISS. 1918. 5 reels. From the novel by Ethel M. Kelly.

Credits: Director, Tod Browning; adaptation, Bernard McConville.

THE DECISION OF JIM O'FARRELL. 1914. 1,000 ft.

183Credits: Producer, E. A. Martin.

A DECISION OF THE COURT. 1915. 2 reels.

DECKS AWASH. (World of Sports) Bray Pictures Corp. 1934. 1 reel, sd.

Credits: Narrator. Ford Bond.

Credits: Director, Kenneth Webb; adaptation, William Basil Courtney.

THE DECLARATION OF INDEPENDENCE. 1938. 2 reels, sd.

Credits: Director, Crane Wilbur; original screenplay. Charles L. Tedford.

DÉCLASSÉ. First National. 1925. 8 reels From the play by Zoe Akins.

Credits: Director, Robert Vignola; screen version, Charles E. Whittaker, Bradley King.

DECORATION DAY AT THE NATIONAL SOLDIER'S HOME, AT SAWTELLE. CALIFORNIA. 1914. 1 reel.

THE DECORATOR. 1920. 2 reels.

Credits: Written and directed by Jess Robbins.

THE DECOY. 1915. 1,000 ft.

THE DECOY. Imp. 1916. 1 reel.

Credits: Director, William Garwood; story. E. M. Ingleton; scenario, Bess Meredyth.

Credits: Adaptation, Elfrid A. Bingham, Charles A. Taylor.

DEEP C MELODIES. 1930. 1 reel, sd.

Credits: Director, Monte Brice.

DEEP END. (Sportscope, no. 2) 1938. 10 min., sd.

Credits: Producer, Frederick Ullman, Jr.; supervision. Frank R. Donovan.

Credits: Producer, James Young.

Credits: Director, James Young.

THE DEEP PURPLE. 1920. 7 reels. Based on the play by Paul Armstrong and Wilson Mizner.

Credits: Director, R. A. Walsh; scenario, Earle Brown.

A DEEP SEA PANIC. 1924. 2 reels.

Credits: Director, Roy Del Ruth.

DEEP SEAS AND DESPERATE DEEDS. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Vin Moore.

DEEP SEATED QUALITY OF THE WILLYS-SIX. 1930. 1 reel.

DEEP SOUTH. (Song Sketch, no. 6) 1930. 1 reel, sd.

Credits: Story and direction, Oscar Lund.

DEEP SOUTH. (Radio Musical, no. 2) 1936. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, George Randol; film editor, Edward Mann; choral direction, Hall Johnson.

DEEP WATERS. Paramount. Presented by Maurice Tourneur. 1920. 5 reels. From the novel "Caleb West, Master Diver" by F. Hopkinson Smith and the play by Michael Morton.

Credits: Director, Maurice Tourneur.

THE DEFEAT OF THE CITY. 1917. 4 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adapted by Will Courtney.

DEFECTIVE DETECTIVES. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, J. A. Howe.

DEFENCELESS AMERICA. SEE The Battle Cry of Peace.

THE DEFENSE RESTS. 1934. 7 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Jo Swerling; film editor, John Rawlins.

DEFENSIVE PLAY. (Basketball, no. 2) 1931. 1 reel.

Credits: Director, Albert Kelley; story, Samuel Freedman.

DEFIANCE. Big U. 1917. 1 reel.

THE DEFICIT. Gold Seal. 1915. 3 reels.

Credits: Producer, Leon J. Kent; story, Peter B. Kyne.

THE DEFINITE OBJECT. SEE Manhattan.

DEFYING DEATH. (Your True Adventures) 1938. 12 min., sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

DEFYING DESTINY. 1923. 6 reels.

Credits: Director, Louis William Chaudet; story, Grace Sanderson Michie.

DEFYING THE LAW. Presented by William B. Brush Productions. 1924. 5 reels.

Credits: Director, Bertram Bracken; story, Bertram Bracken, John T. Prince; titles, Andrew Bennison.

DE LA PLAZA AND JUANITA WITH THEIR SPANISH SERENADERS. 1928. 1 reel, sd.

DELAYED IN TRANSIT. 1917. 2 reels.

Credits: Gilson Willets; director, E. A. Martin.

A DELAYED REFORMATION. 1915. 2,000 ft.

DELENDA CARTHAGE. SEE The Destruction of Carthage.

DELICATESSEN. SEE It Must Be Love.

THE DELICATESSEN KID. (Benny Rubin Talkie) Snappy. 1929. 1 reel, sd.

Credits: Director, Walter Fabian; story and dialogue, Benny Rubin.

DELICIOUS. 1931. 9,564 ft., sd.

Credits: Director, David Butler; story, Guy Bolton; adaptation, Guy Bolton, Sonya Levien; editor, Irene Morra.

DELICIOUS AND REFRESHING. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Francis J. Martin.

THE DELICIOUS LITTLE DEVIL. 1919. 6 reels.

Credits: Director, Robert Z. Leonard; story, Harvey Thew, John Clymer; scenario, Harvey Thew.

THE DELIGHTFUL ROGUE. Radio. 1929. 6,532 ft., sd. From the story "A Woman Decides" by Wallace Smith.

Credits: Pictorial direction, Lynn Shores; dialogue direction, A. Leslie Pearce; adaptation and dialogue, Wallace Smith; music, Oscar Levant, Sidney Clare.

THE DELIGHTFUL ROGUE. Radio. 1929. 6,532 ft., sd. From the story "A Woman Decides" by Wallace Smith.

Credits: Pictorial direction, Lynn Shores; dialogue direction, A. Leslie Pearce; adaptation and dialogue, Wallace Smith; music, Oscar Levant, Sidney Clare.

DELINQUENT PARENTS. 1938. 7 reels, sd.

Credits: Associate producer, Melville Shyer; director, Nick Grinde; original screenplay, Nick Barrows, Robert St. Clair; film editor, Roy Luby.

DELIRIUM. 1918. 5 reels.

Credits: Story and direction, Francis Ford, Jack Ford.

DELIVERANCE. Stanley Advertising Co. 1928. 6 reels. Based on the books "Prohibition at its Worst" and "Prohibition Still at its Worst" by Irving Fisher.