Motion pictures, 1912-1939, S (continued 3) — Read Online

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; screenplay, Casey Robinson, Frank R. Adams; adaptation, Richard E. Schayer.

SHE MADE HIM BLUSH. 1920. 1 reel.

SHE MARRIED A COP. 1939. 7 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Sidney Salkow; original screenplay, Olive Cooper; film editors, Ernest Nims, Murray Seldeen; animation, Leon Schlesinger; songs, Ralph Freed, Burton Lane; music director, Cy Feuer.

SHE MARRIED AN ARTIST. 1937. 8 reels, sd. From the story by Avery Strakosch.

Credits: Producer, Sidney Buchman; director, Marion Gering; screenplay, Gladys Lehman, Delmar Daves; film editor, Viola Lawrence; music director, Morris Stoloff.

SHE MARRIED HER BOSS. 1935. 9 reels, sd.

Credits: Director, Gregory LaCava; story, Thyra Samter Winslow; screenplay, Sidney Buchman; film editor, Richard Cahoon.

SHE MARRIED HER HUSBAND. Special Victor. 1917. 2 reels.

Credits: J. Grubb Alexander; director, Matt Moore.

Credits: Written and directed by Twede-Dan [pseud. of F. Perez].

SHE OF THE TRIPLE CHEVRON. SEE Over the Border.

SHE OUTDONE HIM. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; director, Harry Sweet; story, Harry Sweet, Hugh Cummings; film editor, John Lockert.

SHE REMINDS ME OF YOU. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, William Sturm.

SHE SERVED HIM RIGHT. (A Bed-Time Story for Grown-Ups) 1931. 1 reel, sd.

Credits: Director, Eddie Buzzell; story, Paul Gerard Smith; film editor, William Lyon.

SHE SIGHED BY THE SEASIDE. Associated Producers. 1921. 2 reels.

Credits: Supervision, Mack Sennett; director, Erle Kenton.

SHE SNOOPS TO CONQUER. (Manhattan Comedies) 1931. 2 reels, sd., b&w.

Credits: Director, Fred Guiol; story and adaptation, Ewart Adamson; film editor, Russel Schoengarth.

SHE TOOK A CHANCE. 1915. 1 reel.

Credits: Director, C. Jay Williams.

SHE TROUPES TO CONQUER. Released by F. B. O. (Beauty Parlor Series, no. 12) 1927. 2 reels.

763Credits: Director, Edward I. Luddy; story, H. C. Witwer; adaptation, Tom McNamara; continuity, Jean DuPont; supervising editor, James Wilkinson.

SHE WANTED A FORD. 1916. 1 reel.

SHE WANTED A MILLIONAIRE. 1932. 6,650 ft., sd.

Credits: Director, John Blystone; story and continuity, Sonya Levien; screenplay, William Anthony McGuire; editor, Louis Loeffler.

SHE WANTED TO BE A WIDOW. 1915. 1 reel.

Credits: Director, Norval MacGregor.

SHE WAS A LADY. 1934. 7,033 ft., sd. Based on the novel by Elisabeth Cobb.

Credits: Director, Hamilton MacFadden; screenplay, Gertrude Purcell; music director, Louis de Francesco.

SHE WAS AN ACROBAT'S DAUGHTER. (Merrie Melodies) 1937. 1 reel.

Credits: Producer, Leon Schlesinger; animation, Bob McKimson, A. C. Gamer.

SHE WAS SOME VAMPIRE. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

SHE WAS THE OTHER. 1914. 400 ft.

SHE WASN'T HUNGRY—BUT. Nestor. 1918. 1 reel.

SHE WENT FOR A TRAMP. 1931. 2 reels, sd.

Credits: Production, story, and direction, Lou Brock; adaptation and dialogue, Lloyd French, Mauri Grashin.

SHE WHO GETS SLAPPED. 1930. 1 reel, sd.

SHE WHO LAST LAUGHS. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

SHE WINKED. Joker. 1915. Split reel.

Credits: Written and produced by Arthur McMackin.

THE SHE-WOLF. 1931. 9 reels. Based on the stage play "Mother's Millions" by Howard McKent Barnes.

Credits: Director, James Flood; adaptation and screenplay, Winifred Dunn.

SHE WOLVES. 1925. 6 reels, tinted. From David Belasco's stage play "The Man in Evening Clothes" by André Picard and Yves Mirande, adapted by Ruth Chatterton.

Credits: Director, Maurice Elvey; scenario, Dorothy Yost.

SHE WON THE PRIZE. 1916. 1 reel.

Credits: Director, George D. Baker.

SHE WRONGED HIM RIGHT. (A Betty Boop Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall, Thomas Johnson.

SHE WROTE A PLAY AND PLAYED IT. Joker. 1916. 1 reel.

Credits: Producer, Allen Curtis; scenario, Ben Cohn.

SHEBA. SEE Playing Around.

SHEBO. SEE Miss Nobody.

SHEEP. 1934. 1 reel.

THE SHEEP RUNNERS. 1914. 1 reel.

Credits: Producer, Marshall Farnum.

SHEEP SKINNED. 1929. 1 reel.

Credits: Producer, Charles B. Mintz; animation, Ben Harrison and Manny Gould.

SHEEP'S CLOTHING. 1914. 2 reels. Adapted from the novel by Louis Joseph Vance.

SHEEZA BEAR. SEE A Hot Time in Iceland.

THE SHEIK. 1921. 8 reels. Adapted from the novel by Edith M. Hull.

Credits: Director, George Melford; adaptation, Monte M. Katterjohn.

THE SHEIK OF ARABY. 1922. 5 reels. From the story "The Man Who Turned White" by F. McGrew Willis.

Credits: Director, Park Frame.

THE SHEIK STEPS OUT. 1937. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Irving Pichel; original story and screenplay, Adele Buffington; additional dialogue, Gordon Kahn; film editor, Ernest Nims.

SHEIK TO SHEIK. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, A. Dorian Otvos.

THE SHEIK'S WIFE. 1922. 6 reels.

Credits: Producer, Harilal C. Triwedi; written and directed by Henry Roussell.

SHELL-FISHING. 1938. 1 reel, sd.

THE SHELL GAME. 1918. 5 reels. Based on the story "Good Will and Almond Shells" by Kenneth L. Roberts.

Credits: Supervision, Maxwell Karger; adapted and directed by George D. Baker.

SHELL SOCKED. (Jimmie Adams Comedies) Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, Walter Graham; story, Frank Conklin.

SHELLS AND SHIVERS. 1917. 1 reel.

Credits: Graham Baker, Lawrence Semon; director, Lawrence Semon.

SHELLS AND SHIVERS. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

SHELTER. 1937. 1 reel.

SHELTERED DAUGHTERS. 1921. 5 reels.

Credits: Director, Edward Dillon; story, George Bronson Howard; scenario, Clara Beranger.

THE SHEPHERD KING. 1923. 9 reels. Based on the play by Wright Lorimer and Arnold Reeves.

Credits: Producer and director, J. Gordon Edwards; scenario, Virginia Tracey.

THE SHEPHERD OF THE HILLS. Presented by Richard A. Rowland. 1927. 9 reels. From the story by Harold Bell Wright.

Credits: Producer, Charles R. Rogers; director, Albert Rogell; adaptation and continuity, Marion Jackson.

THE SHEPPER-NEWFOUNDER. SEE Part Time Wife.

SHERIFF NELL'S COMEBACK. 1920. 2 reels.

Credits: Supervision, Hamilton Del Ruth; director, Eddie Cline.

SHERIFF NELL'S TUSSLE. (Paramount-Mack Sennett Comedy) 1918. 2 reels.

Credits: Director, William Campbell.

Credits: Robert North Bradbury, Frank Howard Clark.

THE SHERIFF OF PINE MOUNTAIN. Rex. 1916. 2 reels.

764Credits: William Addison Lathrop; producer, Ben Wilson.

THE SHERIFF OF RED ROCK GULCH. Big U. 1915. 2 reels.

Credits: Producer, Murdock MacQuarrie; scenario, James Dayton.

THE SHERIFF OF SUN-DOG. 1922. 5 reels. From the story by W. C. Tuttle in the Adventure Magazine.

Credits: Director, Lewis King.

THE SHERIFF OF WILLOW GULCH. 1914. 1 reel.

THE SHERIFF'S BLUNDER. 1916. 2 reels.

Credits: Written and directed by Tom Mix.

THE SHERIFF'S DILEMMA. 1915. 1 reel.

THE SHERIFF'S DUTY. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

THE SHERIFF'S OATH. 1920. 2 reels.

Credits: Director, Phillip Rosen; story, Paul Annitzer.

THE SHERIFF'S REWARD. 1914. 1,000 ft.

Credits: Written and produced by Tom Mix.

THE SHERIFF'S SON. Paramount. Presented by Thomas H. Ince. 1919. 5 reels. From the story by William MacLeod Raine.

Credits: Supervision, Thomas H. Ince; director, Victor L. Schertzinger; scenario, J. G. Hawks.

THE SHERIFF'S STORY. 1915. 1 reel.

THE SHERIFF'S TRAP. 1915. 1 reel.

SHERLOCK AMBROSE. 1918. 2 reels.

Credits: Director, W. S. Fredericks.

Credits: Written and produced by Bruce Mitchell.

SHERLOCK BROWN. 1921. 5 reels.

Credits: Produced, written, and directed by Bayard Veiller; scenario, Leonore Coffee.

SHERLOCK HOLMES. 1916. 7 reels.

Credits: William Gillette; director, Arthur Berthelet.

SHERLOCK HOLMES. 1922. 9 reels. Adapted from William Gillette's play based on the stories by Sir Arthur Conan Doyle.

Credits: Director, Albert Parker.

SHERLOCK HOLMES. 1932. 6,400 ft.

Credits: Director, William K. Howard; editor, Margaret Clancy.

SHERLOCK HOLMES' FATAL HOUR. 1931. 8 reels, sd. Adapted from "The Final Problem" and "The Empty House" by Sir Arthur Conan Doyle.

Credits: Director, Leslie S. Hiscott; screen adaptation, Cyril Twyford; editor, Jack Harris.

THE SHERLOCK HOLMES GIRL. 1913. 1 reel.

Credits: Bliss Milford.

SHERLOCK, JR. Metro. 1924. 5 reels.

Credits: Director, Buster Keaton; written and adapted by Clyde Bruckman, Jean Havey, Joe Mitchell.

SHERLOCK'S HOME. 1932. 2 reels.

Credits: Director, Alf Goulding; story, Jack Henley, Glen Lambert.

SHERMAN SAID IT. (Hal Roach Comedy) (A Charley Chase Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Charles Parrott; film editor, William Terhune.

SHERMAN WAS RIGHT. (Paul Terry Toons) 1932. 6 min.

Credits: Frank Moser and Paul Terry.

Credits: Adaptation, Frances Guihan.

SHERRY LOUISE MARSHALL [and] THE THREE BAD BOYS. 1927. 1 reel.

Credits: Director, Bryan Foy.

SHE'S A BOY. (Big Boy-Juvenile Comedy) 1927. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

Credits: Scenario, Bruce Mitchell.

SHE'S A HE. Century. 1923. 2 reels.

SHE'S A HE. (A Sunny Jim Comedy) 1930. 2 reels.

Credits: Director, Sam Newfield.

SHE'S A NATURAL. 1936. For Borden Sales Co. 1 reel, sd.

SHE'S A PIPPIN. 1928. 2 reels. From the cartoon by Rube Goldberg.

SHE'S A PRINCE. (Blue Ribbon Comedy, no. 9) 1926. 2 reels.

SHE'S A SHEIK. 1927. 5,931 ft.

Credits: Produced and directed by Clarence Badger; story, John McDermott; screenplay, Lloyd Corrigan, Grover Jones.

SHE'S DANGEROUS. 1937. 7 reels, sd.

Credits: Associate producer, E. M. Asher; directors, Lewis R. Foster, Milton Carruth; original story, Murray Roth, Ben Ryan; screenplay, Lionel Houser, Albert R. Perkins.

SHE'S EVERYWHERE. 1919. 2 reels.

Credits: Director, George W. Terwilliger; story, Jack Larric; scenario, Calder Johnston.

SHE'S GOT EVERYTHING. 1938. 8 reels, sd.

Credits: Producer, Albert Lewis; director, Joseph Santley; screenplay, Harry Segall, Maxwell Shane; editor, Frederic Knudtson; music director, Frank Tours.

SHE'S MY BABY. 1927. 6 reels.

Credits: Director, Fred Windermere.

SHE'S MY COUSIN. (Stern Brothers Comedy) (Excuse Maker Series) 1926. 2 reels.

Credits: Director, Francis Corby; story, William Anthony.

SHE'S MY DAISY. (A Harry Lauder Subject) Welsh-Pearson-Gainsborough. 1931. 1 reel, sd.

SHE'S MY GIRL! (A Stern Brothers Comedy) 1928. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

SHE'S MY LILLY, I'M HER WILLIE. Presented by E. W. Hammons. 1934. 1,978 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Bert Granet.

SHE'S MY WEAKNESS. 1930. 8 reels, sd. From the play "Tommy" by Howard Lindsay and Bertrand Robinson.

Credits: Associate producer, Henry Hobart; director, Melville Brown; screenplay, J. Walter Ruben.

SH-H! DON'T WAKE THE BABY. Rex. 1915. 1 reel.

765Credits: Dorothy Donnell Calhoun; producer, Ben Wilson.

SHIELD OF HONOR. Jewel. 1927. 6 reels.

Credits: Director, Emory Johnson; story, Emilie Johnson; continuity, Leigh Jacobson, Gladys Lehman.

1. Treasure Trove. © title, descr. & 94 prints, 30Aug16; LU9014.

2. Into the Depths. © title, descr. & 52 prints, 30Aug16; LU9015.

3. The Mystic Defender. © title, descr. & 57 prints, 30Aug16; LU9016.

4. The Earthquake. © title, descr. & 46 prints, 30Aug16; LU9017.

5. Through Bolted Doors. © title, descr. & 64 prints, 30Aug16; LU9018.

6. The Disappearing Prisoner. © title, descr. & 81 prints, 30Aug16; LU9019.

7. The Awakening. © title, descr. & 76 prints, 30Aug16; LU9020.

8. The Haunting Hand. © title, descr. & 52 prints, 14Sep16; LU9110.

9. The Incorrigible Captive. © title, descr. & 58 prints, 14Sep16; LU9111.

10. The Vanishing Mantle. © title, descr. & 67 prints, 28Sep16; LU9198.

11. The Great Sacrifice. © title, descr. & 77 prints, 28Sep16; LU9200.

12. The Stolen Shadow. © title, descr. & 57 prints, 28Sep16; LU9201.

13. The Hidden Menace. © title, descr. & 62 prints, 28Sep16; LU9203.

14. Absolute Black. © title, descr. & 59 prints, 28Sep16; LU9205.

15. The Final Chapter. © title, descr. & 52 prints, 28Sep16; LU9196.

SHIFTING SHADOWS. (Is Marriage Sacred?) 1917. 2 reels.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

SHIFTS. Snappy. 1931. 1 reel.

Credits: Director, Albert Kelley; story, Knute Rockne.

THE SHIFTY SHOPLIFTER. Nestor. 1918. 1 reel.

Credits: Director, Allen Curtis; scenario, W. Warren Schoene.

A SHILLING FOR CANDLES. SEE The Girl Was Young.

SHIMMIE SHIVERS and LAMPOONS. (Goldwyn-Bray Comic) 1920. 1 reel.

THE SHINDIG. (Mickey Mouse Cartoon) 1930. 1 reel.

SHINE ON HARVEST MOON. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, James H. Culhane, Reuben Timinsky.

SHINE ON HARVEST MOON. 1938. 6 reels, sd.

Credits: Associate producer, Charles E. Ford; director, Joe Kane; original screenplay, Jack Natteford; film editor, Lester Orlebeck; music director, Cy Feuer.

SHINES AND MONKEYSHINES. 1918. 1 reel.

Credits: Montgomery and Rock; director, J. A. Howe.

THE SHINING HOUR. A Frank Borzage Production. Presented by Metro-Goldwyn-Mayer. 1938. 8 reels, sd., b&w. Based on the play by Keith Winter.

Credits: Producer, Joseph L. Mankiewicz; director, Frank Borzage; screenplay, Jane Murfin, Ogden Nash; film editor, Frank E. Hull; music score, Franz Waxman.

SHIP A HOOEY! 1932. 22 min., sd.

Credits: Producer, Al Christie; director, Harry J. Edwards; story and dialogue, Carl Harbaugh.

Credits: Written and directed by Charles Parrott.

SHIP AHOY. Paramount-St. John. Presented by J. and S. Warner. 1920. 2 reels.

Credits: Director, Frank C. Griffin.

SHIP AHOY! 1924. 1 reel.

Credits: Director, Slim Summerville; story, Richard Smith.

SHIP AHOY. 1929. 3 reels, sd., b&w.

SHIP AHOY. 1930. 1 reel.

Credits: John Foster.

SHIP AHOY. SEE Arthur Pat West in Ship Ahoy.

SHIP CAFE. Presented by Adolph Zukor. 1935. 7 reels.

Credits: Harlan Thompson, Herbert Fields; producer, Harold Hurley; director, Robert Florey; film editor, James Smith; music and lyrics, Ray Noble, Harlan Thompson, Lewis E. Gensler.

A SHIP COMES IN. De Mille Studio. 1928. 7 reels.

Credits: Director, William K. Howard; original story, Julien Josephson; continuity, Sonya Levien, Julien Josephson; titles, John Krafft; film editor, Barbara Hunter.

THE SHIP FROM SHANGHAI. 1930. 8 reels, sd., b&w. From the novel "Ordeal" by Dale Collins.

Credits: Director, Charles Brabin; screenplay, John Howard Lawson; film editor, Grant Whytock.

Credits: Producer, Max O. Miller; director, Charles Miller.

THE SHIP OF THE DESERT. 1933. 1 reel.

THE SHIP OF WANTED MEN. Presented by Showmens Pictures, Inc. Screencraft. 1933. 7 reels.

Credits: Supervision, Al Alt; director, Lew Collins; original story, Ethel Hill; continuity and dialogue, Joseph O'Donnell and Lew Collins.

SHIP, OY, OY. Nestor. 1918. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

SHIP SHAPE. (Cameo Comedy) 1925. 1 reel.

THE SHIP THAT DIED. (An Historical Mystery) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Jacques Tourneur; screenplay, George Sayre; narrator, John Nesbitt; historical compilations, Charles E. Whittaker.

SHIP MATES. (Educational-Lupino Lane Talking Comedies) Presented by E. W. Hammons. 1929. 2 reels.

Credits: Director, Henry W. George.

SHIPMATES. 1931. 8 reels, sd., b&w. Based on the story "Maskee" by Ernest Paynter.

Credits: Producer, Harry Pollard; adaptation, Lou Edelman, Delmer Daves; continuity, Raymond L. Schrock, Lieut. Comdr. Wead; dialogue, Malcolm Stuart Boylan, Delmer Daves; film editor, William Le Vanway.

SHIPMATES. SEE Taming the Wild.

SHIPMATES FOREVER. 1935. 12 reels.

Credits: Director, Frank Borzage; story and screenplay, Delmer Daves; music and lyrics, Harry Warren, Al Dublin.

SHIPPING LIVE FISH IN SEALED BOTTLES. 1917. 1 reel. Photographed at the New York Aquarium under the auspices of the New York Zoological Society.

SHIPWRECK. (Oswald Cartoon) Snappy. 1931. 1 reel.

Credits: Animated and directed by Walter Lantz and William Nolan.

SHIPWRECKED. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 7 reels. From the play by Langdon McCormick.

Credits: Director, Joseph Henabery; scenario, Harold Shumate; adaptation, Finis Fox.

SHIPWRECKED AMONG ANIMALS. 1921. 2 reels.

Credits: Written and directed by Alf Goulding.

SHIPWRECKED AMONG CANNIBALS. Jewel. 1920. 6 reels.

Credits: Director, William F. Alder.

766© Universal Film Mfg. Co., Inc.; 15Jul20; LP15517.

SHIPWRECKED BROTHERS. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1933. 523 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Phillip A. Scheib.

SHIR HASHIRIM (SONG OF SONGS). 1935. 9 reels, sd.

Credits: Direction and screenplay, Henry Lynn; story, Anshel Schorr.

SHIRLEY KAYE. 1917. 5 reels. From the play by Hulbert Footner.

Credits: Director, Joseph Kaufman; scenario, Margaret Turnbull.

SHIRLEY OF THE CIRCUS. Fox Film Corp. 1922. 5 reels.

Credits: Director, Rowland V. Lee; story and scenario, Robert N. Lee.

SHIVER ME TIMBERS! 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, William Sturm.

SHIVER MY TIMBERS. (Our Gang Comedies) (A Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

SHIVERING SHAKESPEARE. (Our Gang Comedies) Presented by Hal Roach. 1929. 2 reels, sd., b&w.

Credits: Production, supervision, and story, Robert McGowan; director, Anthony Mack.

SHIVERS. 1934. 2 reels, sd.

Credits: Written and directed by Arthur Ripley; screenplay, John Grey; film editor, William A. Lyon.

THE SHOCK. Jewel. 1923. 7 reels.

Credits: Director, Lambert Hillyer; story, William Dudley Pelley.

SHOCK. 1934. 7 reels, sd.

Credits: Producer, George Yohalem; original story and direction, Roy J. Pomeroy; screenplay, Madeleine Ruthven; editor, Jack Ogilvie.

THE SHOCK PUNCH. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 8,151 ft. From the story by John Monk Saunders.

Credits: Director, Paul Sloane; screenplay, Luther Reed.

A SHOCKING NIGHT. 1920. 5 reels.

Credits: Producers, Lyons-Moran; story, Edgar Franklin; scenario, C. B. Hoadley.

THE SHOCKS OF DOOM. 1919. 2 reels.

Credits: Director, Henry Houry; story, O. Henry [pseud. of William Sydney Porter].

SHOD WITH FIRE. 1920. 5 reels.

Credits: Director, Emmett Flynn; story, Harold Titus; scenario, J. Anthony Roach.

SHODDY, THE TAILOR. 1,000 ft. 1915.

SHOEIN' HOSSES. 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David Tendlar.

THE SHOEMAKER AND THE ELVES. (Color Rhapsody) Presented by Columbia Pictures Corp. 1934. 812 ft., sd., color.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

THE SHOEMAKER OF KOPENICK. SEE Captain Jinks the Cobbler.

SHOES. 1916. 5 reels.

Credits: Producers, the Smalleys; adapted and directed by Lois Weber; story by Stella Wynne Herron.

SHOES. 1925. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Daniel Keefe; adaptation, Beatrice Van.

SHOES WITH RHYTHM. Mentone. 1937. 1 reel, sd.

Credits: Director, Milton Schwarzwald.

SHOESTRING. SEE New Faces of 1937.

SHOESTRING FOLLIES. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Eddie Moran.

SHOO FLY. (Chronicles of Bloom Center) 1915. 2 reels.

Credits: Director, Burton L. King.

SHOOSH. 1927. 2 reels.

Credits: Directors, Charley Bowers, H. L. Muller; story, Charles Bowers, H. L. Muller, Ted Sears.

THE SHOOT 'EM UP KID. Mustang. 1926. 2 reels.

Credits: Director, Hoot Gibson; story, Carol Holloway; scenario, William Lester.

SHOOT THE WORKS. Presented by Adolph Zukor. 1934. 9 reels, sd. From a play by Ben Hecht and Gene Fowler.

Credits: Producer, Albert Lewis; director, Wesley Ruggles; screenplay, Howard J. Green, Claude Binyon.

SHOOTIN' 'EM UP. 1923. 2 reels.

Credits: Director, Jay Marchant; story and scenario, Ben Cohn.

SHOOTIN' FOR LOVE. 1923. 5 reels.

Credits: Director, Edward Sedgwick; story, Raymond L. Schrock, Edward Sedgwick.

SHOOTIN' IRONS. 1927. 5,179 ft.

Credits: J. Walter Ruben, Sam Mintz; director, Richard Rosson; story, Richard Allen Gates.

THE SHOOTIN' KID. 1920. 2 reels.

Credits: Director, Ed Hoot Gibson; scenario, George W. Pyper.

SHOOTIN' WILD. Mustang. 1925. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

Credits: Producer, John L. Hawkinson.

SHOOTING BIG GAME WITH A CAMERA. 1933. 8 reels.

SHOOTING FOR PAR. 1939. 1 reel, sd.

Credits: Producer, Truman Talley; described by Ed Thorgersen; arranged by Raoul Marlo.

SHOOTING HIS 'ART OUT. 1916. 2 reels.

Credits: Producer, David Kirkland.

767© L-Ko Motion Picture Kompany; 13Dec16; LP9715.

THE SHOOTING OF DAN MCGREW. 1915. 5 reels. From the poem by Robert W. Service.

THE SHOOTING OF DAN MCGREW. Sawyer-Lubin Special. 1924. 6 reels. Based on the poem by Robert W. Service.

Credits: Supervision, Arthur H. Sawyer; director, Clarence Badger; adaptation, Winifred Dunn.

THE SHOOTING OF DAN THE DUCK. (Educational's Comedies) (Mermaid Comedies) 1931. 20 min., sd.

Credits: Director, Arvid E. Gillstrom; story, Harry McCoy, Jimmy Star; continuity and dialogue, Ernest Pazano, Jack Townley.

THE SHOOTING PARTY. 1918. 2 reels.

THE SHOOTING STAR. 1917. 1 reel.

SHOOTING STRAIGHT. 1930. 8 reels, sd. From an original story by Barney A. Sarecky.

Credits: Supervision, Louis Sarecky; director, George Archainbaud; screenplay and dialogue, J. Walter Ruben; adaptation, Wallace Smith.

SHOOTING THE BULL. (Stern Brothers Comedy) 1928. 2 reels. From the cartoons by Rube Goldberg.

Credits: Director, Gus Meins.

SHOOTING THE RECORD BREAKERS. (Adventures of the Newsreel Cameraman) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr.

SHOOTING UP THE MOVIES. 1916. 2 reels.

Credits: Written and directed by Tom Mix.

SHOOTING WILD. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Mark Sandrich.

SHOP TALK. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Burnet Hershey, Jack Henley.

THE SHOP GIRL. SEE Winifred, the Shop Girl.

SHOPGIRL'S EVIDENCE. 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

SHOPPING WITH WIFIE. (Educational-Mack Sennett Andy Clyde Comedies) 1932. 20 min.

Credits: Director, Babe Stafford; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster.

SHOPWORN. 1932. 8 reels.

Credits: Director, Nicholas Grinde; story, Sarah Y. Mason; dialogue, Jo Swerling, Robert Riskin; film editor, Gene Havelick.

THE SHOPWORN ANGEL. 1929. 8 reels. Sd. & si. From the story by Dana Burnet.

Credits: Director, Richard Wallace; adaptation, Howard Esterbook, Albert Shelby LeVino.

THE SHOPWORN ANGEL. Presented by Metro-Goldwyn-Mayer. 1938. 9 reels, sd., b&w. Based on a story by Dana Burnet.

Credits: Producer, Joseph L. Monkiewicz; director, H. C. Potter; screenplay, Waldo Salt; film editor, W. Donn Hayes; music score, Edward Ward.

SHORE ACRES. Screen Classics, Inc. 1920. 6 reels. From the play by James A. Herne.

Credits: Director, Rex Ingram; adaptation and scenario, Arthur J. Zellner.

SHORE ENOUGH. (Krazy Kat) 1926. 1 reel.

Credits: Bill Nolan.

SHORE LEAVE. First National. 1925. 7 reels. From the play by Hubert Osborne.

Credits: Producer, John S. Robertson; scenario, Josephine Lovett.

SHORE LEAVE. SEE

Follow the Fleet.

Hit the Deck.

SHORE LINES AND SHORE DEVELOPMENT. 1929. 1 reel.

Credits: Edited by Dept. of Geology, Harvard University.

SHORE SHY. (Educational-Christie Comedies) 1926. 2 reels.

Credits: Director, William Watson; story, Frank Roland Conklin.

THE SHORN LAMB. SEE Strangers in Love.

SHORT AND SWEET. (Star Comedy) 1921. 1 reel.

SHORT CHANGE. (Walter Heirs Comedies) Educational. 1924. 2 reels.

Credits: Jack Jevne; director, Archie Mayo.

A SHORT CIRCUIT. 1927. 1 reel.

Credits: Paul Terry and John Foster.

A SHORT LIFE AND A MERRY ONE. 1913. 1 reel.

SHORT PANTS. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, W. Scott Darling.

SHORT SKIRTS. 1921. 5 reels.

Credits: Producer, Harry B. Harris; story, Alice Tildesley; scenario, Doris Schroeder.

SHORT SKIRTS AND DEEP WATER. Joker. 1917. 1 reel.

Credits: Story and direction, Allen Curtis; adapted by Tom Gibson.

SHORT SOCKS. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Frank Conklin; director, Harold H. Beaudine; story, Sig Herzig; titles, Al Martin.

Credits: Producer, Charles H. France.

A SHORT TAIL. 1927. 2 reels.

Credits: Producer, Charles B. Mintz; written and directed by Hal Sintzenich.

SHORT WEIGHT. Century. 1922. 2 reels.

Credits: Written and directed by Alf T. Goulding.

SHORTS. Treasure Chest. Educational Film Corp. of America. Presented by E. W. Hammons. 1933. 1 reel, sd.

Credits: Director, Charles Judels; narrator, Johnny Woods; dialogue, William K. Wells; original music, James Hanley, Benny Davis.

SHORTY. 1914. 1 reel.

Credits: J. A. Dorward; director, Ashley Miller.

SHORTY AT CONEY ISLAND. 1936. 1 reel, sd.

Credits: Editors, Fred Waller, Leslie M. Roush; commentator, Justin Herman.

SHORTY AT THE SEASHORE. (Paramount Varieties) Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Commentary, Justin Herman; narrator, Harry Von Zell.

SHORTY GOES SOUTH. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Editors, Fred Waller, Leslie M. Roush; commentary, Justin Herman.

SHORTY ON THE FARM. Presented by Adolph Zukor. 1935. 1 reel, sd.

768© Paramount Productions, Inc.; 3Apr35; MP5504.

SHORTY'S LONG SUIT, STILL SMALL VOICE, and SQUIRREL FOOD. 1920. 2 reels.

Credits: Producer, Ward Lascelle; directors, G. Cooper, W. Hayes.

THE SHOT. Powers. 1915. 2 reels.

Credits: Producer, Carl M. LeVinness; scenario, Vincent Charles.

A SHOT IN THE DARK. Rex. 1915. 1 reel.

Credits: Dwight Cleveland; producer, Ben Wilson.

A SHOT IN THE DARK. 1935. 7 reels, sd. From the story "The Dartmouth Murders" by Clifford Orr.

Credits: Director, Charles Lamont; adaptation and screenplay, Charles S. Belden.

SHOT IN THE DUMBWAITER. 1918. 1 reel.

Credits: Directors, Eddie Lyons, Lee Moran; story, Leslie T. Peacocke.

SHOT IN THE EXCITEMENT. 1914.

Credits: Producer, Mack Sennett.

SHOT IN THE WEST. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; scenario, C. B. Hoadley.

SHOTGUN JONES. 1914. 2 reels.

Credits: Producer, Colin Campbell.

Credits: Written and produced by William Duncan.

SHOTGUN PASS. 1931. 6 reels.

Credits: Director, J. P. McGowan; story and dialogue, Robert Quigley; film editor, S. Ray Luby.

A SHOT-GUN WEDDING. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

A SHOTGUN WEDDING. (Educational's Comedies) (Vanity Comedies) 1931. 20 min., sd.

Credits: Director, William Watson; story and dialogue, Walter DeLeon, Neal Burns.

SHOTGUNS THAT KICK. 1914. 1 reel.

Credits: Producer, Mack Sennett.

SHOULD A GIRL MARRY? 1939. 7 reels, sd.

Credits: Producer, E. B. Derr; director, Lambert Hillyer; screenplay, David Silverstein, Gayl Newberry.

SHOULD A HUSBAND FORGIVE? 1919. 7 reels.

Credits: Story, scenario, and direction, R. A. Walsh.

SHOULD A MOTHER TELL? 1915. 5 reels.

Credits: Director, J. Gordon Edwards; scenario adapted by Rex Ingram.

SHOULD A WOMAN TELL? Screen Classics, Inc. 1919. 6 reels.

Credits: Supervision, Maxwell Karger; director, John E. Ince; original story, Finis Fox.

SHOULD BRIDES MARRY? (Broadway Comedy, no. 3) 1921. 2 reels.

Credits: Director, Ward Hayes.

SHOULD CROONERS MARRY? (Warren-Doane Comedy) 1933. 2 reels.

Credits: Director, George Stevens; story, James W. Horne, Fred Guiol.

SHOULD DUMMIES WED? 1920. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, Roy Del Ruth.

SHOULD HUSBANDS DO HOUSEWORK? (Star Comedy) 1921. 1 reel.

Credits: Director, William Watson; scenario, Vincent Bryan.

SHOULD HUSBANDS MIND BABIES? (Star Comedy) 1921. 1 reel.

Credits: Producer, William Watson; story, Vincent Bryan.

SHOULD HUSBANDS WORK? 1939. 7 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Gus Meins; original screenplay, Jack Townley, Taylor Caven; supervising editor, Murray Seldeen; film editor, William Morgan; music director, Cy Feuer.

SHOULD LADIES BEHAVE. 1933. 9 reels, sd., b&w. From the play "The Vinegar Tree" by Paul Osborn.

Credits: Producer, Lawrence Weingarten; director, Harry Beaumont; screenplay, Bella Spewack, Samuel Spewack; film editor, Hugh Wynn.

SHOULD MARRIED MEN GO HOME. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Director, James Parrott; story and supervision, Leo McCarey; editor, Richard Currier.

SHOULD POKER PLAYERS MARRY? 1924. 1 reel.

SHOULD SCOTCHMEN MARRY? 1928. 2 reels.

Credits: Directors, William Holland, Gus Meins; story, Frank R. Conklin.

SHOULD SHE HAVE TOLD? Gold Seal. 1916. 3 reels.

Credits: Written and directed by John McDermott.

SHOULD STEPMOTHERS TRIFLE. (Star Comedy) 1921. 1 reel.

Credits: Director, William Watson; scenario, W. Scott Darling.

SHOULD TAILORS TRIFLE? Century. 1920. 2 reels.

Credits; Written and directed by Thomas Buckingham.

SHOULD WAITERS MARRY? (Rainbow Comedy) 1920. 2 reels.

Credits: Written and directed by Thomas Buckingham.

769© Universal Film Mfg. Co., Inc.; 29Jun20; LP15328.

SHOULD WATCHMEN SLEEP. (Star Comedy) 1922. 1 reel.

Credits: Director, William Watson.

SHOULD WE EAT PIE? Powers. 1915. Split reel.

Credits: Producer, Curtis Benton.

SHOULD WILLIAM TELL? 1923. 1 reel.

SHOULD WIVES WORK? 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Leslie Goodwins, George Jeske; film editor, Les Millbrook.

SHOULD WOMEN DRIVE? Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervising director, Leo McCarey; director, Hal Yates; titles, H. M. Walker; editor, Richard Currier.

SHOULDER ARMS. 1918. 3 reels.

Credits: Story, Charles Chaplin.

SHOULDER TO SHOULDER. 1936. For Plymouth Division of the Chrysler Corp. 1 reel, sd.

SHOVE OFF. 1931. 2 reels, sd.

Credits: Director, Edward Cline; story, Albert Ray.

THE SHOW. (Out of the Inkwell) 1922. 1 reel.

Credits: Drawn by Max Fleischer; director, Dave Fleischer.

THE SHOW. 1922. 2 reels.

Credits: Written and directed by Larry Semon, Norman Taurog.

THE SHOW. 1927. 7 reels. Based on the novel "The Day of Souls" by Charles Tenney Jackson.

Credits: Producer and director, Tod Browning; screenplay, Waldemar Young; film editor, Errol Taggart.

SHOW BOAT. Jewel. 1929. 12 reels. From the novel by Edna Ferber.

Credits: Director, Arch Heath.

THE SHOW BOAT. (Organlogue, no. 14) 1931. 1 reel.

Credits: Narration, Norman Brokenshire.

SHOW BOAT. Presented by Carl Laemmle. 1936. 12 reels, sd. From the novel by Edna Ferber and the musical play by Oscar Hammerstein II and Jerome Kern.

Credits: Producer, Carl Laemmle, Jr.; director, James Whale; screenplay and lyrics, Oscar Hammerstein II; film editor, Milton Carruth; music director, Victor Baravelle.

SHOW BUSINESS. (Hal Roach Comedy) Presented by Hal Roach. 1932. 2 reels, sd.

Credits: Director, Jules White; dialogue, H. M. Walker; editor, Richard Currier.

THE SHOW COWPUNCHER. Mustang. 1926. 2 reels.

Credits: Director, Victor Nordlinger; story and scenario, Leigh Jacobson.

THE SHOW-DOWN. 1917. 5 reels.

Credits: Lynn F. Reynolds, Waldemar Young; director, Lynn F. Reynolds.

THE SHOW-DOWN. 1921. 2 reels.

Credits: Producer, William J. Craft; story and scenario, William E. Wing.

THE SHOW DOWN. Mustang. 1925. 2 reels.

Credits: Director, William J. Craft; story and scenario, William E. Wing.

THE SHOWDOWN. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 8 reels. From the story "Wildcat" by Houston Branch.

Credits: Director, Victor Schertzinger; adaptation, Hope Loring; continuity, Hope Loring, Ethel Doherty.

SHOW FOLKS. 1928. 8 reels.

Credits: Producer, Ralph Block; director, Paul L. Stein; story, Philip Dunning; screenplay, Jack Jungmeyer, George Dromgold.

SHOW FOR SALE. Mentone. 1937. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Sands & Marko.

THE SHOW GIRL. Presented by W. Ray Johnston. 1927. 6 reels.

Credits: Producer, Trem Carr; director, Charles J. Hunt; story, H. H. Van Loan.

SHOW GIRL. Presented by Richard A. Rowland. 1928. 7 reels. From the novel by J. P. McEvoy.

Credits: Producer, Alfred Santell.

SHOWGIRL IN HOLLYWOOD. First National and Vitaphone. 1930. 9 reels, sd., b&w, color sequences. Based on the story by J. P. McEvoy.

Credits: Producer, Robert Lord; director, Mervyn Le Roy; adaptation, Harvey Thew; film editor, Pete Fritch; music, Green and Stept.

SHOW GIRL IN HOLLYWOOD. Trailer. 1930. 1 reel, sd.

THE SHOW GOES ON. 1938. 8 reels. Adapted from the story by Nicholas Farkas. Released in England under the title "The Three Maxims."

Credits: Producer and director, Herbert Wilcox; screenplay, Herman Mankiewicz.

SHOW KIDS. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; screenplay and dialogue, Joe Traub.

SHOW ME THE WAY TO GO HOME. 1932. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

SHOW ME YOUR SAMPLES. (Star Comedy) 1921. 1 reel.

Credits: Story and direction, Craig Hutchinson; scenario, W. Scott Darling.

THE SHOW OF SHOWS. Vitaphone. 1929. 15 reels, sd.

Credits: Supervision, Daryl Francis Zanuck; director, John G. Adolfi.

THE SHOW OFF. Paramount. 1926. 7 reels. From the comedy by George Kelly.

Credits: Director, Malcolm St. Clair; screenplay, Pierre Collings.

THE SHOW-OFF. 1934. 8 reels, sd. From the play by George Kelly.

Credits: Producer, Lucien Hubbard; director, Charles F. Riesner; screenplay, Herman J. Mankiewicz; film editor, William S. Gray.

THE SHOW-OFF. SEE Men Are Like That.

SHOW PEOPLE. 1928. 9 reels, b&w.

Credits: Producers, Marion Davies, King Vidor; director, King Vidor; treatment, Agnes Christine Johnston, Laurence Stallings; continuity, Wanda Tuchock.

SHOW THEM NO MERCY. 1935. 6,838 ft., sd.

Credits: Kubec Glasmon; director, George Marshall; adaptation, Henry Lehrman; music director, David Buttolph.

THE SHOW VOTE. (Krazy Kat Cartoon) 1928. 1 reel. Based on cartoons by George Herriman.

Credits: Adaptation, Ben Harrison, Manny Gould.

A SHOWER OF SLIPPERS. 1913. 1 reel.

Credits: Elizabeth A. Bull.

SHOWING OFF. (Stern Brothers Comedy) (Keeping Up With the Joneses) 1927. 2 reels. From the cartoons by Pop Momand [pseud.]

Credits: Director, Gus Meins.

SHOWING OFF. (Scrappy Cartoon) 1931. 1 reel, sd.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus; musical score, Joe De Nat.

770© Bert Green; title, descr. & 11 prints, 1Oct21; MU2043.

THE SHOWMAN. (Toby the Pup Series) Winkler Film Corp. 1930. 1 reel.

THE SHRIEK. (An Oswald Cartoon) Snappy. 1933. 1 reel.

A SHRIEK IN THE NIGHT. Victor. 1915. 2 reels.

Credits: Written and produced by Jacques Jaccard.

A SHRIEK IN THE NIGHT. 1933. 8 reels, sd.

Credits: Director, Albert Ray; story, Kurt Kempler; screenplay, Frances Hyland.

THE SHRIEK OF ARABY. 1923. 5 reels.

Credits: Director, F. Richard Jones; film editor, Allen McNeil.

THE SHRIMP. (A Hal Roach Comedy) Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Director, Charley Rogers; story, H. M. Walker; film editor, Richard Currier.

SHRIMP FISHING. (Ford Educational Library, Industrial Geography, v. 1) Ford Motion Picture Laboratories. 1921. 1 reel.

SHRIMPS FOR A DAY. (Hal Roach Comedy) (Our Gang Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

SHUFFLE OFF TO BUFFALO. (Merrie Melodies, no. 11) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawings, Isadore Freleng, Paul Smith; music score, Frank Marsales.

Credits: Producer, George L. Tucker.

THE SHULAMITE. SEE Under the Lash.

SHUTTING THE DOOR ON JOE MECHANICAL. 1937. For Ice Refrigeration Bureau. Filmstrip, sd.

THE SHUTTLE. 1918. Based on a novel by Frances Hodgson Burnett.

Credits: Director, Rollin S. Sturgeon; scenario, Margaret Turnbull, Harvey Thew.

SI AND SUE ACROBATS. 1915. 600 ft.

SI SI SENOR. (Ideal Talking Comedies) 1930. 20 min., sd.

Credits: Director, William Goodrich.

SIBERIA. 1926. 7 reels, tinted.

Credits: Director, Victor Schertzinger; story, Bartley Campbell; scenario, Eve Unsell; adaptation, Nicholas A. Dunaev.

SIBERIA. 1937. 2 reels.

SIC 'EM BROWNIE. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Alfred T. Goulding.

SIC 'EM SAM! 1918. 1 reel.

Credits: Director, Albert Parker; story, Ted Reed.

SICK ABED. Paramount-Artcraft. Presented by Jesse L. Lasky. 1920. 5 reels. From the play by Ethel Watts Mumford.

Credits: Director, Sam Wood; scenario, Clara Genevieve Kennedy.

SICK CYLINDERS. Snappy. 1928. 1 reel.

Credits: Animation, Hugh Harman, Ben Clopton.

THE SIDESHOW. 1929. 7 reels.

Credits: Producer, Jack Cohn; director, Erle C. Kenton; story and continuity, Howard J. Green.

SIDE SHOW. 1931. 7 reels, sd.

Credits: Director, Roy Del Ruth; screenplay, Arthur Caesar, Raymond Enright.

THE SIDE SHOW. SEE Born and Lawrence in The Side Show.

SIDE SHOW FAKIR. Mentone. 1938. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

THE SIDE SHOW OF LIFE. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 8 reels. From the novel "The Mountebank" by William J. Locke and the play by Ernest Denny.

Credits: Producer and director, Herbert Brenon; screenplay, Willis Goldbeck, Julie Hern.

SIDE STREET. Radio. 1929. 7 reels, sd.

Credits: Director, Mal St. Clair; story and dialogue, Mal St. Clair, George O'Hara; musical numbers, Oscar Levant, Sidney Clare.

SIDE STREET. Radio. 1929. 7 reels, sd.

Credits: Director, Mal St. Clair; story and dialogue, Mal St. Clair, George O'Hara; musical numbers, Oscar Levant, Sidney Clare.

SIDE STREETS. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels. Based on the story "Fur Coats" by Ann Garrick and Ethel Hill.

Credits: Director, Alfred E. Green; screenplay, Manuel Seff.

THE SIDEWALKS OF NEW YORK. (Screen Songs, no. 1) 1929. 1 reel, sd.

Credits: Animation, Max Fleischer.

SIDEWALKS OF NEW YORK. 1931. 8 reels, sd., b&w.

Credits: Producer, Buster Keaton; directors, Jules White, Zion Myers; story, George Landy, Paul Gerald Smith; dialogue, Robert E. Hopkins, Eric Hatch; film editor, Charles Hochberg.

THE SIDEWALKS OF NEW YORK. SEE The Swell Head.

SID'S LONG COUNT. (Sid Saylor Comedy) 1930. 2 reels.

Credits: Director, Sam Newfield; story, Bill Weber, T. Page Wright.

SIEGE. Jewel. 1925. 7 reels. From the novel by Samuel H. Adams.

Credits: Director, Svend Gade; screen story, Harvey Thew.

SIEGFRIED. 1925. 9 reels.

Credits: Director, Fritz Lang; scenario, Thea Von Harbou; music, Richard Wagner; music score, Hugo Reisenfeld.

SIERRA WINTER SPORTS. Bison. 1917. Split reel.

THE SIGN INVISIBLE. 1918. 6 reels.

Credits: Anthony P. Kelly.

THE SIGN OF FOUR. Presented by World Wide Pictures. 1932. 7 reels, sd. Adapted from the story by Sir Arthur Conan Doyle.

771Credits: Producer, Rowland V. Lee; director, Graham Cutts; screenplay, W. P. Lipscomb.

THE SIGN OF THE CACTUS. 1924. 5 reels.

Credits: Director, Clifford S. Smith; story and continuity, Charles Logue.

THE SIGN OF THE CLAW. Gotham. Presented by Sam Sax. 1926. 6 reels.

Credits: Supervision, Renaud Hoffman; director, Reeves "Breezy" Eason; story and continuity, James Bell Smith.

THE SIGN OF THE CROSS. 1932. 14 reels, sd. From the play by Wilson Barrett.

Credits: Producer and director, Cecil B. De Mille; screenplay, Waldemar Young, Sidney Buchman.

THE SIGN OF THE CUCUMBER. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Dick Smith.

THE SIGN OF THE POPPY. 1916. 5 reels.

Credits: J. Grubb Alexander; director, Charles Swickard.

THE SIGN OF THE ROSE. Presented by Harry Garson. 1922. 6 reels.

Credits: Director, Harry Garson; written and supervised by George Beban; scenario, J. A. Brocklehurst, Carroll Owen; film editor, Violet Blair.

THE SIGN OF THE ROSE. SEE An Alien.

THE SIGN ON THE DOOR. 1921. 7 reels. From the play by Channing Pollock.

Credits: Producer and director, Herbert Brenon; adaptation, Mary Murillo, Herbert Brenon.

THE SIGN ON THE DOOR. SEE The Locked Door.

THE SIGNAL; a Drama of the French Revolution. 1913. 1 reel.

Credits: Bannister Merwin.

THE SIGNAL TOWER. Jewel. 1924. 7 reels.

Credits: Director, Clarence Brown; story, Wadsworth Camp.

THE SIGNET RING. (The Perils of the Secret Service, no. 6) Imp. 1917. 2 reels. Founded on the Yorke Norroy Stories by George Bronson Howard.

Credits: Director, George Bronson Howard.

SIGNING OFF. Mentone. 1936. 2 reels, sd.

Credits: Story and direction, Milton Schwarzwald.

SIGNS OF TROUBLE. Victor. 1917. 1 reel. From the "Lucille, the Waitress" series by Bide Dudley.

Credits: Director, William Bailey.

SILAS MARNER. 1913. 2 reels. Adapted from the novel by George Eliot [pseud.]

Credits: Scenario and direction, Frank Donovan.

SILENCE. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1926. 8 reels. From the play by Max Marcin.

Credits: Producer and director, Rupert Julian; adaptation, Beulah Marie Dix.

SILENCE. 1931. 8 reels, sd. From the stage play by Max Marcin.

Credits: Directors, Louis Gasnier, Max Marcin.

THE SILENCE OF DEAN MAITLAND. SEE Sealed Lips.

THE SILENCE OF THE DEAD. 1913. 4 reels.

THE SILENCE SELLERS. 1917. 5 reels. From the story by Blair Hall.

Credits: Director, Burton L. King; adaptation, Wallace C. Clifton.

SILENCIO! 1928. 2 reels.

Credits: Story, scenario, and direction, Marcel G. Silver.

THE SILENT ACCUSER. 1915. 1 reel.

Credits: Producer, Joseph Kaufman.

THE SILENT ACCUSER. Metro-Goldwyn-Mayer. Presented by Louis B. Mayer. 1924. 6 reels, b&w, tinted sequences.

Credits: Director, Chester M. Franklin; film editor, Lloyd Nezler.

THE SILENT AVENGER. 1920. 2 reels each, except no. 1 which is 3 reels. © The Vitagraph Co. of America.

Credits: Director, William Duncan; story, Albert E. Smith, Cleveland Moffett; scenario, Graham Baker, William B. Courtney.

1. The Escape. © 27Feb20; LP14795.

2. Fighting Back. © 27Feb20; LP14796.

3. Within the Noose. © 15Mar20; LP14889.

4. Tearing Through. © 18Mar20; LP14905.

5. Blotted Out. © 10Apr20; LP15017.

6. The Hidden Blow. © 22Apr20; LP15044.

7. Dynamite Doom. © 6May20; LP15078.

8. The Crusher. © 12May20; LP15113.

9. Into the Jaws. © 21May20; LP15156.

10. Blades of Horror. © 25May20; LP15169.

11. Shot into Space. © 4Jun20; LP15208.

12. Facing Eternity. © 11Jun20; LP15242.

13. A Human Pendulum. © 18Jun20; LP15265.

14. The Lake of Fire. © 28Jun20; LP15318.

15. The Final Trump. © 3Jul20; LP15332.

THE SILENT AVENGER. 1927. 6 reels.

Credits: Supervision and story, Frank Foster Davis; director, James P. Hogan; adaptation, George Greene, Doris Schroeder; continuity, Herbert C. Clark; titles, Delos Sutherland; film editor, Fred Bornworth.

SILENT BARRIERS. 1937. 9 reels, sd. Based on the novel "The Great Divide" by Alan Sullivan.

Credits: Director, Milton Rosmer; screenplay, Michael Barringer, Milton Rosmer; dialogue, Ralph Spence, Milton Rosmer; editors, Charles Trend, B. H. Hipkins; music score, Hubert Bath; music director, Louis Levy.

THE SILENT BATTLE. 1916. 5 reels. From the novel by George Gibbs.

Credits: Producer, Jack Conway; adaptation, F. McGrew Willis.

THE SILENT CALL. 1921. 7 reels. From "The Cross Pull" by Hal G. Evarts.

Credits: Producers, Jane Murfin, Laurence Trimble; director, Laurence Trimble; adaptation, Jane Murfin.

THE SILENT COMMAND. Laemmle. 1915. 4 reels.

Credits: Written and produced by Robert Leonard.

THE SILENT COMMAND. 1923. 8 reels, b&w, tinted sequences. Filmed with the cooperation of the United States Navy.

Credits: Producer and director, J. Gordon Edwards; story, Rufus King; scenario, Paul Kelly.

THE SILENT DEATH. 1914. 2 reels.

Credits: Frank Blighton; director, Richard R. Ridgely.

THE SILENT ENEMY. 1930. 7,551 ft., sd.

Credits: Producers, W. Douglas Burden, William C. Chanler; director, H. P. Carver; story, W. Douglas Burden; scenario, Richard Carver.

THE SILENT FLYER. 1926. 2 reels each. © Universal Pictures Corp.

Credits: Director, Wm. James Craft; story, George Morgan.

1. The Jaws of Death. © 26Jun26; LP22854.

2. Dynamited. © 6Jul26; LP22878.

3. Waters of Death. © 8Jul26; LP22900.

7724. The Treacherous Trail. © 15Jul26; LP22911.

5. The Plunge of Peril. © 16Jul26; LP22926.

6. The Fight of Honor. © 21Jul26; LP22946.

7. Under Arrest. © 24Jul26; LP22983.

8. Flames of Terror. © 29Jul26; LP22995.

9. Hurled Through Space. © 2Aug26; LP23002.

10. Love and Glory. © 2Aug26; LP23010.

THE SILENT GUARDIAN. 1926. 5,000 ft.

Credits: Director, William Bletcher; story, Ewart Adamson.

SILENT KNIGHT, THE TRIUMPH OF SILENCE OVER NOISE. 1929. 1 reel.

THE SILENT LADY. Butterfly. 1917. 5 reels.

Credits: Director, Elsie Jane Wilson; story, Elliott J. Clawson.

THE SILENT LIE. 1917. For Fox Film Corp. 5 reels. From the story "Conohan" by Larry Evans.

Credits: Director, R. A. Walsh.

THE SILENT LOVER. 1926. 7 reels. Adapted from the play "The Legionary" by Ludwig Biro.

Credits: Director, George Archainbaud; scenario, Carey Wilson.

THE SILENT MAN. 1915. 2,000 ft.

Credits: Producer, Leon D. Kent.

THE SILENT MAN. 1917. 5 reels.

Credits: Director, William S. Hart; story, Charles Kenyon.

THE SILENT MAN OF TIMBER GULCH. Gold Seal. 1916. 2 reels.

Credits: Written and produced by Robert Leonard.

THE SILENT MASTER. 1917. 7 reels. From the novel "The Court of St. Simon" by E. Phillips Oppenheim.

Credits: Direction and adaptation, Leonel Perret.

THE SILENT MEMBER. Rex. 1916. 1 reel.

Credits: Written and produced by Robert Leonard.

SILENT MEN. 1933. 6 reels, sd.

Credits: Director, D. Ross Lederman; story, Walt Coburn; screenplay, Stuart Anthony; film editor, Otto Meyer.

THE SILENT PAL. Presented by Samuel Sax. 1925. 6 reels.

Credits: Adapted and directed by Henry McCarty; story, Frank Foster Davis.

THE SILENT PARTNER. 1917. 5 reels.

Credits: Director, Marshall Neilan; story, Edmund Goulding; scenario, George D. Proctor.

THE SILENT PARTNER. Paramount. Presented by Jesse L. Lasky. 1923. 6 reels. From the Saturday Evening Post story by Maximilian Foster.

Credits: Producer and director, Charles Maigne; adaptation, Sada Cowan.

THE SILENT PARTNER. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story, Basil Dicky; continuity, George Morgan.

THE SILENT PLEA. 1915. 3 reels.

Credits: Director, Lionel Belmore.

THE SILENT POWER. Gotham. Presented by Sam Sax. 1926. 5 reels.

Credits: Supervision, Renaud Hoffman; director, Frank O'Connor; story, James J. Tynan; adaptation and continuity, James Bell Smith.

THE SILENT PRISONER. Laemmle. 1917. 1 reel.

THE SILENT RIDER. Jewel. 1926. 6 reels. From the story "The Red Headed Husband" by Katherine Newlin Burt.

Credits: Director, Lynn Reynolds.

SILENT SANDERSON. Presented by Hunt Stromberg. Released by Producers Distributing Corp. 1925. 6 reels.

Credits: Supervision, Hunt Stromberg; director, Scott R. Dunlap; story, Kate Corbaley; adaptation, Harvey Gates; editor, Harry S. Decker.

THE SILENT SENTINEL. 1918. 2 reels.

Credits: Director, Harry Harvey; story, Alvin J. Neitz.

THE SILENT STRANGER. Big U. 1916. 1 reel.

Credits: Frank Smith; director, King Baggot.

THE SILENT STRANGER. 1924. 5 reels.

Credits: Director, Albert Rogell; story, Stewart Heisler.

SILENT STRENGTH. 1919. 5 reels.

Credits: Director, Paul Scardon; story, Laurence McCloskey; scenario, Garfield Thompson.

SILENT THUNDER. SEE The Man Called Back.

THE SILENT TONGUE. 1915. 1,000 ft. A revival of the Edison comedy.

Credits: Louis Sydsmith; director, Will Louis.

SILENT TRAILS. 1914.

Credits: Director, Rollin S. Sturgeon.

THE SILENT VOICE. 1915. 6 reels.

THE SILENT VOW. 1922. 5 reels.

Credits: Director, William Duncan; scenario, Bradley J. Smollen.

THE SILENT W. 1915. 2 reels.

Credits: Director, Wilfrid North.

THE SILENT WATCHER. 1924. 8 reels. Adapted from the Saturday Evening Post story "The Altar on the Hill" by Mary Roberts Rinehart.

Credits: Director, Frank Lloyd; screen adaptation, J. G. Hawks; film editor, Edward M. Roskam.

THE SILENT WITNESS. 1932. 6,614 ft., sd. Based on the stage play by Jack DeLeon and Jack Celestin.

Credits: Directors, Marcel Varnel, R. L. Hough; screenplay, Douglas Doty; editor, Jack Murray.

THE SILENT WOMAN. 1918. 5 reels.

Credits: Director, Herbert Blache; story, Lois Zellner; scenario, June Mathis, Katharine Kavanaugh.

SILENT YEARS. 1921. 6 reels.

Credits: Producer and director, Louis Gasnier; story, Harriet T. Comstock.

SILK. (Eastman Classroom Films) 1929. 1 reel.

THE SILK EXPRESS. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1933. 7 reels, sd.

Credits: Director, Ray Enright; story, Houston Branch; screenplay, Houston Branch, Ben Markson.

SILK HAT KID. 1935. 6,250 ft., sd.

Credits: Director, H. Bruce Humberstone; story, Gerald Beaumont; screenplay, Edward Eliscu, Lou Breslow, Dore Schary; music, Samuel Kaylin.

SILK HOSE AND HIGH PRESSURE. L-Ko. 1915. 3 reels.

SILK HOSIERY. 1920. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story, Frank Dazey; scenario, Agnes Christine Johnston.

SILK HOSIERY, YESTERDAY'S LUXURY, TO-DAY'S NECESSITY. Presented by The Phoenix Hosiery Co. 1929. Filmstrip, 66 frames.

SILK HUSBANDS AND CALICO WIVES. 1920. 6 reels.

773Credits: Director, Alfred E. Green; story, Monte M. Katterjohn.

SILK LEGS. 1927. 6 reels.

Credits: Director, Arthur Rosson; story, Frederica Sagor; scenario, Frances Agnew.

SILK LEGS. SEE Piernas de Seda.

THE SILK LINED BURGLAR. 1919. 6 reels.

Credits: Director, Jack Dillon; story, Jack Boyle; scenario, Fred Myton.

SILK SOCK HAL. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Pinto Colvig, H. A. Woodmansee.

SILK STOCKING SAL. Presented by Gothic Pictures. Released by F. B. O. 1924. 5 reels.

Credits: Director, Tod Browning; story and scenario, E. Richard Schayer.

SILK STOCKINGS. Universal Jewel. 1927. 5,947 ft. From the stage play by Cyril Harcourt.

Credits: Director, Wesley Ruggles; adaptation, Beatrice Van.

SILK TEXTILES. 1920. 2 reels.

SILK, THE FABRIC OF BEAUTY. Presented by H. R. Mallinson & Co., Inc. 1929. Filmstrip, 70 frames.

SILKEN SHACKLES. 1926. 6 reels.

Credits: Director, Walter Morosco; story and adaptation, Walter Morosco, Philip Klein.

Credits: Wilson Mizner; director, Carl Harbaugh.

SILKS AND SADDLES. Universal Jewel. 1928. 6 reels.

Credits: Director, Robert F. Hill; story, Gerald Beaumont; adaptation, Edward Clark; continuity, Paul Gangelin, Faith Thomas.

SILKS AND SATINS. SEE Karyl Norman, the Creole Fashion Plate, in Silks and Satins.

SILLY BILLIES. 1936. 7 reels, sd.

Credits: Associate producer, Lee Marcus; director, Fred Guiol; story, Thomas Lennon, Fred Guiol; screenplay, Al Boasberg, Jack Townley; editor, John Lockert; music director, Roy Webb.

SILLY NIGHT. Presented by E. W. Hammons. 1937. 1,718 ft., sd.

Credits: Producer, Al Christie; story, Jefferson Machamer.

A SILLY SAILOR. Presented by William Fox. 1927. 2 reels.

Credits: Director, Wallace MacDonald; story and scenario, Max Gold, William Kernell.

SILLY SCANDALS. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

SILLY SEALS. (Oswald the Rabbit) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; director, Lester Kline; story, Victor McLeod, James Miele; animation, George Nicholas, Ralph Sommerville.

A SILLY SULTAN. Nestor. 1916. 1 reel.

Credits: Ben Cohn; director, Louis William Chaudet.

SILLY SUPERSTITION. (A Walter Lantz Cartune) (A Walter Lantz Lil' Eightball) 1939. 1 reel, sd.

SILVER. 1930. 1 reel.

THE SILVER CAR. 1921. 6 reels.

Credits: Director, David Smith; story, Wyndham Martyn.

SILVER COMES THROUGH. Released by F. B. O. 1927. 6 reels.

Credits: Original story, Frank M. Clifton; adaptation, continuity and direction, Lloyd Ingraham.

THE SILVER CORD. 1933. 8 reels, sd. Based on the play by Sidney Howard.

Credits: Associate producer, Pandro S. Berman; director, John Cromwell; screenplay, Jane Murfin; film editor, George Nichols, Jr.; music director, Max Steiner.

SILVER DOLLAR. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1933. 9 reels, sd. From the book by David Karsner.

Credits: Director, Alfred E. Green; screenplay, Carl Erickson, Harvey Thew.

SILVER FOX. SEE Rendezvous at Midnight.

Credits: Producer, William Duncan.

THE SILVER HAWK. SEE Mysterious Pilot.

THE SILVER HORDE. 1920. 7 reels. From the story of the Alaskan fisheries.

Credits: Director, Frank Lloyd.

THE SILVER HORDE. 1930. 8 reels. From the novel by Rex Beach.

Credits: Producer, William LeBaron; director, George Archainbaud; screenplay, continuity and dialogue, Wallace Smith; film editor, Otto Ludwig.

THE SILVER KING. Paramount-Artcraft Special. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Henry Arthur Jones; director, George Irving; scenario, Burns Mantle.

THE SILVER LINING. 1920. For Iroquois Film Corp. 6 reels.

Credits: Written, directed, and produced by Roland West; adaptation, D. J. Buchanan, Charles H. Smith.

THE SILVER LINING. 1931. 6 reels, sd. Title changed from "Thirty Days."

Credits: Producer and director, Alan Crosland; story, Hal Conklin; adaptation and dialogue, Gertrude Orr; added dialogue, Claire Corvalho; film editor, Doris Drought; musical score, Lee Zahler.

SILVER LININGS. SEE The Man Hunt.

SILVER MILLIONS. (A Paramount Paragraphic). Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Commentary, Justin Herman; editor, Robert Blauvelt; narrator, Alois Havrilla.

SILVER ON THE SAGE. 1939. 7 reels, sd. Based on characters created by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Lesley Selander; screenplay, Maurice Geraghty.

THE SILVER SHELL. SEE The Suspect.

THE SILVER SLAVE. 1927. 7 reels.

Credits: Director, Howard Bretherton; story, Howard Smith; scenario, Peter Milne, Anthony Coldewey.

THE SILVER SNUFF BOX. 1914.

Credits: Director, Theodore Marston; story, W. A. Tremayne.

THE SILVER SPOON. SEE Let's Make a Night of It.

SILVER SPRINGS, FLORIDA. 1935. 200 ft., 16 mm.

THE SILVER STREAK. 1934. 8 reels, sd.

Credits: Associate producer, Glendon Allvine; director, Tommy Atkins; story, Roger Whately; screenplay, Roger Whately, H. W. Hanemann, Jack O'Donnell; editor, Fred Knudtson; music director, Al Colombo.

SILVER THREADS. (Strange As It Seems) Screen Classics. 1937. 938 ft., sd.

Credits: John Hix; supervision and direction, Leonard M. Poole; editor, Charles Diltz; music director, Lee Zahler.

THE SILVER TREASURE. 1926. 6 reels, b&w, tinted sequences. Adapted from the story "Nostromo" by Joseph Conrad.

Credits: Director, Rowland V. Lee; scenario, Robert N. Lee.

SILVER VALLEY. 1927. 5 reels, b&w.

Credits: Director, Benjamin Stoloff; story, Harry Sinclair Drago; scenario, Harold B. Lipsitz.

SILVER WINGS. 1922. 9 reels.

Credits: Directors, Edwin Carewe, Jack Ford; scenario, Paul H. Sloane.

SILVERSPURS. Buck Jones Productions. Presented by Carl Laemmle. 1936. 6 reels, sd. From the book by Charles Alden Seltzer.

Credits: Director, Ray Taylor; screenplay, Joseph Francis Polland; film editor, Bernard Loftus.

SILVERY MOON. (Aesop's Sound Fables, no. 10) 1933. 7 min., sd.

Credits: John Foster, Mannie Davis.

SIMEON TETLOW'S SHADOW. SEE Ruler of the Road.

SIMON, THE JESTER. Released by Producers Distributing Corp. 1925. 7 reels.

Credits: Production and adaptation, Frances Marion; director, George Melford; story, William J. Locke.

THE SIMP. 1921. 2 reels.

Credits: Director, Ferris Hartman.

THE SIMP AND THE SOPHOMORES. 1915. 1,000 ft.

Credits: Eldon Raymond; director, Will Louis.

THE SIMP-PHONEY CONCERT. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, Eddie Conrad, Joseph A. Fields.

SIMP SIMPSON AND THE SPIRITS. 1914. 1 reel.

SIMPLE AND SWEET. (Star Comedy) 1921. 1 reel.

Credits: Written and directed by Chuck Reisner.

SIMPLE GOITER. 1929. 1 reel.

A SIMPLE ILLUSTRATION OF CHIROPRACTIC PHILOSOPHY, SHOWING THE TRANSMISSION OF THE MENTAL IMPULSES OVER THE NERVOUS SYSTEM. 1925. 1 reel.

THE SIMPLE LIFE. 1919. 2 reels.

Credits: Story and director, Lawrence Semon.

SIMPLE MACHINES. 1929. 1 reel.

SIMPLE POLLY. Rex. 1915. 1 reel.

Credits: Ida May Park; producer, Joseph De Grasse.

A SIMPLE SAP. (Larry Semon Comedies) (Educational) 1928. 2 reels.

Credits: Written and directed by Larry Semon and Hampton Del Ruth.

SIMPLE SAPHO. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Jack Cunningham.

SIMPLE SIS. 1927. 7 reels.

Credits: Mark Canfield; director, Herman C. Raymaker; story, Melville Crosman; screenplay, Al Kenyon.

A SIMPLE SOLUTION. (Minute Mysteries) 1934. 914 ft. From a story by H. A. Ripley.

Credits: Director, D. Ross Lederman; screenplay, Harold Shumate.

Credits: John Hastings Turner.

SIMPLY KILLING. 1931. 1 reel, sd.

Credits: Director, Norman Taurog; dialogue staged by Max E. Hayes.

SIMPLY SHOCKING. (Star Comedy) 1922. 1 reel.

SIN. 1915. For Fox Film Corporation. 5 reels.

Credits: Written and produced by Herbert Brenon.

SIN CARGO. 1926. 7 reels.

Credits: Director, Louis J. Gasnier; story, Leete Renick Brown; continuity, John F. Natteford; film editor, Harold Young.

THE SIN FLOOD. 1921. 7 reels. Based on the play "Syndofloden" by Henning Berger.

Credits: Director, Frank Lloyd; adaptation, J. C. Hawks.

SIN FLOOD. SEE The Way of All Men.

THE SIN OF MADELON CLAUDET. 1931. 8 reels, sd., b&w. From the play "The Lullaby" by Edward Knoblock.

Credits: Director, Edward Selwyn; dialogue continuity, Charles MacArthur; film editor, Tom Held.

SIN ON THE SABBATH. 1915. 2 reels.

THE SIN SHIP. 1931. 7 reels, sd.

Credits: Keene Thompson, Agnes Brand Leahy; supervision, Myles Connolly; director, Louis Wolheim; screenplay, Hugh Herbert.

THE SIN SISTER. 1929. 7 reels, b&w.

Credits: Director, Charles Klein; story, Becky Gardiner, Frederick Hazlitt Brennan; scenario, Harry Behr, Andrew Bennison.

SIN TAKES A HOLIDAY. 1930. 8 reels.

Credits: Producer, E. B. Derr; director, Paul Stein; original story, Robert Milton, Dorothy Cairns; screenplay, Horace Jackson; film editor, Dan Mandell; music director, Josiah Zuro.

THE SIN THAT WAS HIS. 1920. 6 reels. From the novel by Frank Lucius Packard.

Credits: Supervisor and director, Hobart Henley; scenario, Edmund Goulding.

SIN TOWN. De Mille Pictures Corp. 1929. 5 reels.

Credits: Director, J. Gordon Cooper; original story and screenplay, J. Gordon Cooper, William K. Howard.

SIN UNATONED. Special Laemmle. 1917. 1 reel.

THE SIN WOMAN. 1917. 8 reels.

Credits: Supervision, George W. Lederer; story, Herbert Hall Winslow, Edward Corbett.

SINBAD, THE SAILOR. 1919. 2 reels.

Credits: Director, Norman Dawn.

SINCERITY. SEE A Lady Surrenders.

THE SINCLAIR LAW OF LUBRICATION. 1928. 1 reel.

SIN-COPATION. 1937. 1 reel, sd.

Credits: Director, Lloyd French.

SINEWS OF STEEL. Gotham. Presented by Sam Sax. 1927. 6 reels.

Credits: Herbert C. Clark; supervision, Glenn Belt; director, Frank O'Connor; story and continuity, Henry McCarty; film editor, Edith Wakeling.

THE SINFUL MARRIAGE. (Is Marriage Sacred?) 1917.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

SING A SONG. 1932. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Myron Waldman.

SING A SONG OF SPAIN. (Organlogue, no. 26) 1931. 1 reel, sd.

Credits: Narration, Norman Brokenshire.

SING AND BE HAPPY. 1937. 5,750 ft., sd.

Credits: Director, James Tinling; original screenplay, Ben Markson, Lou Breslow, John Patrick; music, Samuel Kaylin.

SING AND LIKE IT. 1934. 7 reels, sd. From the story "So You Won't Sing, Eh?" by Aben Kandel.

Credits: Associate producer, Howard J. Green; director, William A. Seiter; screenplay, Marion Dix, Laird Doyle; editor, George Crone; music, Dave Dreyer; music director, Max Steiner.

SING, BABIES, SING. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, David Tendlar.

SING, BABY, SING. 1936. 7,900 ft., sd.

Credits: Director, Sidney Lanfield; original story, Milton Sperling, Jack Yellen; screenplay, Milton Sperling, Jack Yellen, Harry Tugend; music director, Louis Silvers.

SING, BING, SING. 1933. 2 reels, sd.

Credits: Director, Babe Stafford.

SING, COWBOY, SING. Presented by Edward L. Alperson. 1937. 6 reels, sd.

Credits: Producer, Edward F. Finney; supervision, Lindsley Parsons; director, R. N. Bradbury; screenplay, Robert Emmett.

SING FOR FUN. (Organlogue, no 25) 1931. 1 reel, sd.

Credits: Narration, Norman Brokenshire.

SING FOR SWEETIE. 1938. 1,707 ft., sd.

Credits: Producer, Al Christie; story, Marcy Klauber, Arthur Jarrett.

SING ME A LOVE SONG. Cosmopolitan. First National. 1936. 10 reels, sd.

Credits: Director, Raymond Enright; original story, Harry Sauber; screenplay, Sid Herzig, Jerry Wald; music and lyrics, Harry Warren, Al Dubin.

SING, ROSA, SING! (Lyons-Moran) (Star Comedy) 1919. 1 reel.

SING! SING! 1923. 1 reel.

SING SING NIGHTS. 1934. 7 reels, sd. Suggested by the novel by Harry Stephen Keeler.

Credits: Producer, Trem Carr; supervision, Paul Malvern; director, Lewis D. Collins; screenplay, Marion Orth; additional dialogue, Charles Logue; editor, Carl Pierson.

SING SING SONG. (Paul Terry Toons) Educational Film Exchanges, Inc. 1931. 6 min., sd.

Credits: Frank Moser, Paul Terry.

SING, SISTER, SING. (Hal Roach Comedy) (Todd-Kelly Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, James Parrott; film editor, William Terhune.

SING, SISTERS, SING! 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Bernard Wolf, David Tendlar.

Credits: Producer, Norman Jefferies; picturized by Van Avery.

SING, YOU DANCERS. 1930. 1 reel, sd.

Credits: Director, Norman Taurog.

SING, YOU SINNERS. Presented by Adolph Zukor. 1938. 9 reels, sd.

Credits: Producer and director, Wesley Ruggles; original story and screenplay, Claude Binyon; film editor, Alma Ruth Macrorie.

SINGAPORE. (Vagabond Adventure Series) The Van Beuren Corp. 1932. 1 reel.

Credits: Narrator, Ward Wilson.

SINGAPORE AND JAHORE. (James A. Fitzpatrick's Traveltalks) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., color.

Credits: Photographer, Hone M. Glendining; music score, Nathaniel Shilkret.

THE SINGAPORE MUTINY. 1928. 7 reels.

Credits: Director, Ralph Ince; story, Norman Springer; continuity, Fred Myton.

SINGAPORE SUE. 1932. 1 reel, sd.

Credits: Written and directed by Casey Robinson; dialogue staged by Max E. Hayes.

SINGED. 1927. 6 reels, b&w, tinted sequences.

Credits: Producer and director, John Griffith Wray; story, Adela Rogers St. John; scenario, Gertrude Orr; edited and titled by Katherine Hilliker, H. H. Caldwell; film editor, Louis Loeffler.

SINGED WINGS. 1922. 8 reels. From the novel by Katharine Newlin Burt.

Credits: Director, Penrhyn Stanlaws; adaptation, Ewart Adamson, Edfrid A. Bingham.

SINGER JIM MCKEE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels.

Credits: Production and story, William S. Hart; director, Clifford S. Smith; adaptation, J. G. Hawks; editor, Billy Shea.

THE SINGER MIDGET'S SCANDAL. 1921. 2 reels.

Credits: Director, E. Cline.

SINGER MIDGET'S SIDE SHOW. 1921. 2 reels.

Credits: Director, Edward F. Cline.

SINGIN' IN THE BATHTUB. (Looney Tunes) 1930. 1 reel.

THE SINGING BANDIT. Mentone. 1937. 10 min., sd.

Credits: Director, Milton Schwarzwald.

THE SINGING BEE. SEE Fred Ardath in The Singing Bee.

THE SINGING BOXER. (A Mack Sennett Comedy) 1933. 2 reels.

Credits: Director, Leslie Pearce.

THE SINGING BRAKEMAN. 1930. 1 reel, sd.

Credits: Director, Jasper Ewing Brady.

THE SINGING COWBOY. 1936. 6 reels, sd.

Credits: Producer, Nat Levine; supervision, Armand Schaefer; director, Mack Wright; original story, Tom Gibbons; screenplay, Darrell and Stuart McGowan; film editor, Lester Orlebeck; music supervision, Harry Grey.

THE SINGING COWGIRL. Presented by Grand National Pictures. 1939. 59 min., sd.

Credits: Producer, Don Lieberman; director, Samuel Diege; original screenplay, Arthur Hoerl; editor, Guy V. Thayer, Jr.; music score, Ross Di Maggio; music supervision, Lee Zahler.

THE SINGING FOOL. 1928. 11 reels, sd. From the play by Leslie S. Barrows.

Credits: Director, Lloyd Bacon; scenario, C. Graham Baker.

THE SINGING FOOL. SEE Al Jolson in Announcement Trailer (Blackface) for The Singing Fool.

SINGING IN THE AIR. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story, Eddie Moran; screenplay, Jean W. Yarbrough, Charles Roberts; film editor, John Lockert; music director, Roy Webb.

THE SINGING KID. First National. 1936. 10 reels, sd.

Credits: Director, William Keighley; story, Robert Lord; screenplay, Warren Duff, Pat C. Flick.

THE SINGING MARINE. 1937. 12 reels, sd.

Credits: Director, Ray Enright; original screenplay, Delmar Daves; music and lyrics, Harry Warren, Al Dubin; music director, Busby Berkley.

SINGING OUTLAW. 1937. 6 reels, sd.

Credits: Associate producer, Paul Malvern; director, Joseph H. Lewis; original story and screenplay, Harry O. Hoyt; film editor, Charles Craft.

THE SINGING PLUMBER. (A Mack Sennett Talking Comedy) 1932. 2 reels, sd.

Credits: Director, Leslie Pearce.

SINGING RIVER. 1921. 5 reels.

Credits: Director, Charles Giblyn; story, Robert T. Horton; scenario, Jules Furthman.

THE SINGING SAP. (Oswald Cartoon) Snappy. 1930. 1 reel.

SINGING SAPS. Presented by The Van Beuren Corp. 1930. 1 reel, sd.

Credits: John Foster, Mannie Davis.

THE SINGING SILHOUETTE. 1935. 2 reels, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

THE SINGING VAGABOND. 1935. 6 reels, sd.

Credits: Supervision, Armand Schaefer; director, Carl Pierson; story, Oliver Drake; screenplay, Oliver Drake, Betty Burbridge; film editor, Lester Orlebeck.

SINGING WHEELS. (Bill Corum, no. 4) 1936. 1 reel.

THE SINGLE ACT. 1914. 2 reels.

SINGLE BLISS. 1929. 2 reels.

Credits: Director, Eddie Baker; story, Robert Hall.

SINGLE HANDED. 1923. 5 reels.

Credits: Written and directed by Edward Sedgwick; scenario, George Hull.

Credits: Holman Day.

SINGLE LADY. SEE The Last Flight.

A SINGLE MAN. 1929. 7 reels. From the play by Hubert Henry Davies.

Credits: Director, Harry Beaumont; screenplay, F. Hugh Herbert, George O'Hara; film editor, Ben Lewis.

SINGLE NIGHT. SEE Night After Night.

THE SINGLE SIN. 1931. 8 reels, sd.

Credits: Producer, Phil Goldstone; director, William Nigh; story, A. P. Younger; continuity and dialogue, Frances Hyland; editor, Charles Harris.

THE SINGLE STANDARD. 1929. 8 reels, sd. From the novel by Adela Rogers St. John.

Credits: Producer and director, John S. Robertson; adaptation and scenario, Josephine Lovett; film editor, Blanche Sewell; music, William Axt.

THE SINGLE STANDARD. 1929. 8 reels, sd., b&w. From the novel by Adela Rogers St. John.

Credits: Producer and director, John S. Robertson; adaptation and scenario, Josephine Lovett; titles, Marian Ainslee; film editor, Blanche Sewell; music, William Axt.

THE SINGLE TRACK. 1921. 5 reels.

Credits: Director, Webster Campbell; story, Douglas Grant; scenario, C. Graham Baker, Harry Dittmar.

SINGLE WIVES. 1924. 8 reels.

Credits: Director, George Archainbaud; story arrangement, Earl Hudson; scenario, Marion Orth.

SINGLE WIVES. Presented by Corinne Griffith Productions, Inc. 1924. 8 reels.

Credits: Director, George Archainbaud; story, E. J. Hudson.

SINISTER STUFF. (Aesop's Fables) (Cubby Bear, no 4) 1934. 1 reel.

Credits: Steve Muffati.

THE SINKING OF THE LUSITANIA. 1918. 1 reel.

Credits: Drawn by Winsor McCay.

SINNER OR SAINT. 1923. 6 reels. From the story "The Man Who Wouldn't Love" by Dorothy Farnum.

Credits: Director, Lawrence Windom.

SINNER TAKE ALL. 1936. 8 reels, sd., b&w. From a novel by Whitman Chambers.

Credits: Producers, Lucien Hubbard, Samuel Marx; director, Errol Taggart; screenplay, Leonard Lee, Walter Wise; film editor, William S. Gray; music, Edward Ward.

SINNERS. 1920. 5 reels. From the play by Owen Davis.

Credits: Director, Kenneth Webb; scenario, Eve Unsell.

SINNER'S HOLIDAY. 1930. 7 reels. Based on the play "Penny Arcade" by Marie Baumer.

Credits: Director, John G. Adolfi.

SINNER'S HOLIDAY. Trailer. 1930. 1 reel.

SINNERS IN HEAVEN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels. From the novel by Clive Arden [pseud. of Lily Clive Nutt].

Credits: Producer, Alan Crosland; screenplay, James Creelman.

SINNERS IN LOVE. Presented by William Le Baron. 1928. 6 reels. From "The Law You Can't Forget."

Credits: Director, George Melford; continuity, J. Clarkson Miller.

SINNERS IN PARADISE. 1938. 7 reels.

Credits: Producer, Ken Goldsmith; director, James Whale; original story, Harold Buckley; screenplay, Lester Cole, Harold Buckley, Louis Stevens.

SINNERS IN SILK. Presented by Louis B. Mayer. 1924. 6 reels, b&w, tinted sequences.

Credits: Producer and director, Hobart Henley; story, Benjamin Glazer; scenario, Carey Wilson.

SINNERS IN THE SUN. 1932. 6,251 ft., sd.

Credits: Director, Alexander Hall; story, Mildred Cram; screenplay, Waldemar Young, Samuel Hoffenstein.

SINNERS' PARADE. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, John G. Adolfi; story, David Lewis; adaptation and continuity, Beatrice Van; film editor, Ben Pivar.