LECTURE VIII
Reading edition
THE BELIEF IN IMMORTALITY AMONG THE NATIVES OF THE TORRES STRAITS ISLANDS
The Islanders of Torres Straits. The Cambridge Anthropological Expedition to Torres Straits.
Social culture of the Torres Straits Islanders.
Belief of the Torres Straits Islanders in the existence of the human spirit after death.
Fear of the ghosts of the recently departed.
Fear of the ghosts of the recently departed among the Murray Islanders.
The island home of the dead.
Elaborate funeral ceremonies observed by the Torres Straits Islanders.
Funeral ceremonies observed by the Western Islanders. Removal and preservation of the skull. Skulls used in divination.
Great death-dance of the Western Islanders. The dead personated by masked actors.
Intention of the ceremonies.
Funeral ceremonies observed by the Eastern Islanders. The soul of the dead carried away by a masked actor.
Personation of ghosts by masked men.
Blood and hair offered to the dead.
Mummification of the corpse.
Garb of mourners. Cuttings for the dead.
The Dance of Death. The nocturnal dance.
When the body had remained some time, perhaps four or six months, on the scaffold, and the process of mummification was far advanced, a dance of death was held to celebrate the final departure of the spirit for its long home. Several men, seldom exceeding four in number, were chosen to act the part of ghosts, including the ghost of him or her in whose honour the performance was specially held. Further, about a dozen men were selected to form a sort of chorus; their business was to act as intermediaries between the living and the dead, summoning up the shades, serving as their messengers, and informing the people of their presence. The costume of the ghosts was simple, consisting of nothing but a head-dress and shoulder-band of leaves. The chorus, if we may call them so, wore girdles of leaves round their waists and wreaths of leaves on their heads. When darkness had fallen, the first act of the drama was played. The chorus stood in line opposite the mummy. Beyond them stood or sat the drummers, and beyond them again the audience was crowded on the beach, the women standing furthest from the mummy and nearest to the sea. The drummers now struck up, chanting at the same time to the beat of the drums. This was the overture. Then a shrill whistle in the forest announced the approach of a ghost. The subdued excitement among the spectators, especially among the women, was intense. Meantime the chorus, holding each other's hands, advanced sidelong towards the mummy with strange gestures, the hollow thud of their feet as they stamped on the ground being supposed to be the tread of the ghosts. Thus they advanced to the red-painted mummy with its grinning mouth. Behind it by this time stood one of the ghosts, and between him and the chorus a dialogue ensued. "Whose ghost is there?" called out the chorus; and a strident voice answered from the darkness, "The ghost of so and so is here." At that the chorus retreated in the same order as they had advanced, and again the hollow thud of their feet sounded in the ears of the excited spectators as the tramp of the dead. On reaching the drummers in their retreat the chorus called out some words of uncertain meaning, which have been interpreted, "Spirit of so-and-so, away at sea, loved little." At all events, the name of a dead person was pronounced, and at the sound the women, thrilled with excitement, leaped from the ground, holding their hands aloft; then hurled themselves prone on the sand, throwing it over their heads and wailing. The drums now beat faster and a wild weird chant rose into the air, then died away and all was silent, except perhaps for the lapping of the waves on the sand or the muffled thunder of the surf afar off on the barrier reef. Thus one ghost after another was summoned from the dusty dead and vanished again into the darkness. When all had come and gone, the leader of the chorus, who kept himself invisible behind the screen save for a moment when he was seen by the chorus to glide behind the mummy on its stage, blew a whistle and informed the spectators in a weird voice that all the ghosts that had been summoned that night would appear before them in broad day light on the morrow. With that the audience dispersed. But the men who had played the parts of the ghosts came forward and sat down with the chorus and the drummers on mats beside the body. There they remained singing to the beat of the drums till the first faint streaks of dawn glimmered in the east.
The noonday dance. The ghosts represented by masked actors.
Preservation of the mummy.
General summary. Dramas of the dead.