LECTURE XIV

THE BELIEF IN IMMORTALITY AMONG THE NATIVES OF GERMAN AND DUTCH NEW GUINEA

The Tami doctrine of souls and gods. The Tago spirits, represented by masked men.

The superhuman beings with whom the Tami are chiefly concerned are the souls of the dead. Offerings to the dead.

Crude motives for sacrifice.

This account of the crude but quite intelligible motives which lead these savages to sacrifice to the spirits of their dead may be commended to the attention of writers on the history of religion who read into primitive sacrifice certain subtle and complex ideas which it never entered into the mind of primitive man to conceive and which, even if they were explained to him, he would in all probability be totally unable to understand.

Lamboam, the land of the dead.

Return of the ghosts to earth, sometimes in the form of serpents.

Sickness caused by a spirit.

Tami lads supposed to be swallowed by a monster at circumcision; the monster and the bull-roarer are both called kani.

The name which the Tami give to the spirits of the dead is kani; but like other tribes in this part of New Guinea they apply the same term to the bull-roarer and also to the mythical monster who is supposed to swallow the lads at circumcision. The identity of the name for the three things seems to prove that in the mind of the Tami the initiatory rites, of which circumcision is the principal feature, are closely associated with their conception of the state of the human soul after death, though what the precise nature of the association may be still remains obscure. Like their neighbours on the mainland of New Guinea, the Tami give out that the novices at initiation are swallowed by a monster or dragon, who only consents to disgorge his prey in consideration of a tribute of pigs, the rate of the tribute being one novice one pig. In the act of disgorging the lad the dragon bites him, and the bite is visible to all in the cut called circumcision. The voice of the monster is heard in the hum of the bull-roarers, which are swung at the ceremony in such numbers and with such force that in still weather the booming sound may be heard across the sea for many miles. To impress women and children with an idea of the superhuman strength of the dragon deep grooves are cut in the trunks of trees and afterwards exhibited to the uninitiated as the marks made by the monster in tugging at the ropes which bound him to the trees. However, the whole thing is an open secret to the married women, though they keep their knowledge to themselves, fearing to incur the penalty of death which is denounced upon all who betray the mystery.

The rite of circumcision. Seclusion and return of the newly circumcised lads.

Simulation of death and resurrection.

In these initiatory rites, as in the similar rites of the neighbouring tribes on the mainland of New Guinea, we may perhaps detect a simulation of death and of resurrection to a new and higher life. But why circumcision should form the central feature of such a drama is a question to which as yet no certain or even very probable answer can be given. The bodily mutilations of various sorts, which in many savage tribes mark the transition from boyhood to manhood, remain one of the obscurest features in the life of uncultured races. That they are in most cases connected with the great change which takes place in the sexes at puberty seems fairly certain; but we are far from understanding the ideas which primitive man has formed on this mysterious subject.

The natives of Dutch New Guinea.

That ends what I have to say as to the notions of death and a life hereafter which are entertained by the natives of German New Guinea. We now turn to the natives of Dutch New Guinea, who occupy roughly speaking the western half of the great island. Our information as to their customs and beliefs on this subject is much scantier, and accordingly my account of them will be much briefer.

Geelvink Bay and Doreh Bay. The Noofoor or Noomfor people. Their material culture and arts of life.

Fear of ghosts. Ideas of the spirit-world.

Fear of ghosts in general and of the ghosts of the slain in particular.

Papuan ideas as to the state of the dead.

Wooden images of the dead (korwar).

In order to communicate with these powerful spirits and to obtain their advice and help in time of need, the Papuans of Geelvink Bay make wooden images of their dead, which they keep in their houses and consult from time to time. Every family has at least one such ancestral image, which forms the medium whereby the soul of the deceased communicates with his or her surviving relatives. These images or Penates, as we may call them, are carved of wood, about a foot high, and represent the deceased person in a standing, sitting, or crouching attitude, but commonly with the hands folded in front. The head is disproportionately large, the nose long and projecting, the mouth wide and well furnished with teeth; the eyes are formed of large green or blue beads with black dots to indicate the pupils. Sometimes the male figures carry a shield in the left hand and brandish a sword in the right; while the female figures are represented grasping with both hands a serpent which stands on its coiled tail. Rags of many colours adorn these figures, and the hair of the deceased, whom they represent, is placed between their legs. Such an ancestral image is called a korwar or karwar. The natives identify these effigies with the deceased persons whom they portray, and accordingly they will speak of one as their father or mother or other relation. Tobacco and food are offered to the images, and the natives greet them reverentially by bowing to the earth before them with the two hands joined and raised to the forehead.

Such images carried on voyages and consulted as oracles. The images consulted in sickness.

Example of the consultation of an ancestral image.

Ancestral images consulted as to the cause of death. Offerings to the images.

Images of persons who have died away from home.

Sometimes the head of the image is composed of the skull of the deceased.

Mode of preparing such skull-headed images.

Mummification of the dead.

Restrictions observed by mourners. Tattooing in honour of the dead. Teeth of the dead worn by relatives.

Rebirth of parents in their children.

Customs concerning the dead observed in the islands off the western end of New Guinea.

Wooden images of the dead.

Customs concerning the dead among the natives of the Macluer Gulf.

Burial and mourning customs in the Mimika district.

Burial customs at Windessi.

Mourning customs at Windessi.

When the omens have thus been taken, the paddles again dip in the water, and the canoe returns to the house of mourning. Arrived at it, the men disembark, climb up the ladder (for the houses seem to be built on piles over the water) and run the whole length of the long house with their paddles on their shoulders. Curiously enough, they never do this at any other time, because they imagine that it would cause the death of somebody. Meantime the women have gone into the forest to get bark, which they beat into bark-cloth and make into mourning caps for themselves. The men busy themselves with plaiting armlets and leglets of rattan, in which some red rags are stuck. Large blue and white beads are strung on a red cord and worn round the neck. Further, the hair is shorn in sign of mourning. Mourners are forbidden to eat anything cooked in a pot. Sago-porridge, which is a staple food with some of the natives of New Guinea, is also forbidden to mourners at Windessi. If they would eat rice, it must be cooked in a bamboo. The doors and windows of the house are closed with planks or mats, just as with us the blinds are lowered in a house after a death. The surviving relatives make as many long sago-cakes as there are houses in the village and send them to the inmates; they also prepare a few for themselves. All who do not belong to the family now leave the house of mourning. Then the eldest brother or his representative gets up and all follow him to the back verandah, where a woman stands holding a bow and arrows, an axe, a paddle, and so forth. Every one touches these implements. Since the death, there has been no working in the house, but this time of inactivity is now over and every one is free to resume his usual occupations. This ends the preliminary ceremonies of mourning, which go by the name of djawarra.

A month afterwards round cakes of sago are baked on the fire, and all the members of the family, their friends, and the persons who assisted at the burial receive three such cakes each. Only very young children are now allowed to eat sago-porridge. This ceremony is called djawarra baba.

Festival of the dead. Wooden images of the dead.

Fear of the ghost.

Beliefs of the natives of Windessi as to the life after death. Medicine-men inspired by the spirits of the dead.

Ghosts of slain enemies dreaded.

That concludes what I have to say as to the fear and worship of the dead in Dutch New Guinea.