Note (return) — LECTURE XIV

According to the Dutch writer, Mr. de Clercq, whose account I am reproducing, this worship of the dead, represented by wooden images (karwar) and lodged in miniature houses, is, together with a belief in good and bad spirits, the only thing deserving the name of religion that can be detected among these people. It is certain that the wooden images represent members of the family who died a natural death at home; they are never, as in Ansoes and Waropen, images of persons who have been murdered or slain in battle. Hence they form a kind of Penates, who are supposed to lead an invisible life in the family circle. The natives of the Negen Negorijen, for example, believe that these wooden images (karwar), which are both male and female, contain the souls of their ancestors, who protect the house and household and are honoured at festivals by having portions of food set beside their images.507 The Seget Sélé, who occupy the extreme westerly point of New Guinea, bury their dead in the island of Lago and set up little houses in the forest for the use of the spirits of their ancestors. But these little houses may never be entered or even approached by members of the family.508 A traveller, who visited a hut occupied by members of the Seget tribe in Princess Island, or Kararaboe, found a sick man in it and observed that before the front and back door were set up double rows of roughly hewn images painted with red and black stripes. He was told that these images were intended to keep off the sickness; for the natives thought that it would not dare to run the gauntlet between the double rows of figures into the house.509 We may conjecture that these rude images represented ancestral spirits who were doing sentinel duty over the sick man.