Part 2 — LVII.
Reading edition
Continuing with subjects connected with field-work, we come now to a sing which must have originated in old slavery days, when ringing a bell was the signal for beginning and knocking-off work:—
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Bell oh, Bell oh, Bell a ring a yard oh! oh Degay, Bell a ring a yard oh! Baboon roll de drum oh, Monkey rub de fiddle, oh Bell a ring a yard oh!
The bell is ringing up at the house, says one of the slaves to Degay the head-man, and we want our breakfast; and another, seeing Degay look cross at anybody presuming to make suggestions to him, tries to make him laugh with the piece of nonsense that follows. We shall meet with Degay or Deggy, for there is some doubt about his name, again. It will be thought that either the word Baboon is misplaced or the barring is wrong, but it is not so. The negro is careless of accent, as of many things. Here he likes to have it on the first syllable, which he lengthens to "bah." "Rubbing" a fiddle conveys the exact idea of the way they play it. Holding it not up to the chin but resting on the biceps, they rub a short bow backwards and forwards across the strings. If one of these is tuned it is considered quite satisfactory, and the rest make a sort of mild bagpipe accompaniment. Time is no object.
("Bell a ring" may mean either "The bell is ringing" or "The bell has rung." "A yard," in the yard. The immediate surroundings of the house are called the yard. They seldom speak of going to a friend's house. They say they are going to his yard.)