PLATES
Reading edition
Portrait of Bakst by ModiglianiI
“Chastising Cupid”, project of decorative panelII
D’Annunzio’s “Martyrdom of St. Sebastian”, Mme. Rubinstein in the 5th actIII
Judith of Bethulia (panel)IV
“Forsaken Chloe”, project of decorative panel. (Gouache)V
Portrait of Mr. T. (red chalk)VI
“Modern dress” (a “fantaisie”)VII
“Daphnis and Chloe parting in the evening”, sketch for decorative panel. (Gouache)VIII
“Sheherazade” ballet. First Eunuch. (Gouache)IX
An inferior deity. “Narcissus” ballet. (Gouache)X
Stage decorations for ballet “Orientales”. (Gouache)XI
A Negro’s costume (Sheherazade)XII
Stage decorations for Oscar Wilde’s “Salome”. (Gouache)XIII
“Phædra” tragedy. Phædra’s nurseXIV
Stage decorations for Hindu ballet. (Gouache)XV
Mme. Ida Rubinstein as St. SebastianXVI
The imperial palace (“The Martyrdom of St. Sebastian”)XVII
Mme. Rubinstein in “The Martyrdom of St. Sebastian”XVIII
The “Women of good humour” ballet. Rinaldo. (Gouache)XIX
Stage decorations for “Phædra” (Gouache)XX
A costume. “Narcissus” balletXXI
The Pilgrim (“Blue God” ballet). GouacheXXII
Stage decorations for act 4th of D’Annunzio’s “St. Sebastian”. (Gouache)XXIII
The Czarevitch’s costume (“The Bird of Fire”)XXIV
Project of stage decorations for “Sleeping Beauty”XXV
Stage decorations for the vault scene (“St. Sebastian”)XXVI
“Terror antiquus”. First golden medal. 1911 Universal Exhibition (Brussels)XXVII
“Terror antiquus” (detailed)XXVIII
Submarine monsters (“Sadko” opera). GouacheXXIX
Stage decorations for the ballet “Women of good humour” (second version). GouacheXXX
A bacchanalian dance (Joseph) by R. StraussXXXI
Mr. Nijinsky as “Blue God”. (Gouache)XXXII
The red SultanaXXXIII
The pink Sultana. (Gouache)XXXIV
The yellow Sultana. (Gouache)XXXV
Stage decorations for the “Blue God”XXXVI
Stage decorations for act 3rd of Verhaerens’s “Helen of Sparta”. (Gouache)XXXVII
Stage decorations for the “Cleopatra” balletXXXVIII
Costume for Tcherepnine’s “Adoration”XXXIX
Costume for Stravinsky’s “Bird of Fire”XL
The “Boutique fantasque” ballet. The child with dollsXLI
The “Butterflies” ballet. A valet in 1850XLII
A huntress. Decorative panelXLIII
The “Boutique fantasque” ballet. A dollXLIV
A page (“Aladin” ballet)XLV
A page in Louis XIV’s style (“Aladin” ballet)XLVI
The Empress Elisabeth Petrovna hunting. (Gouache)XLVII
Delphi. (Gouache)XLVIII
Galisson, Prince Charmant’s tutor. Louis XIV00 ballet (Pavlova tournée). GouacheXLIX
The Bird of Fire (another version). GouacheL
The “Boutique fantasque” ballet. The EnglishwomanLI
The “Boutique fantasque” ballet. The EnglishmanLII
Stage decorations for “Thamar”LIII
“Sadko”LIV
The “Boutique fantasque” ballet. “La poupée aux dentelles”LV
Modern Costume (A “fantaisie”). GouacheLVI
Portrait of Ida RubinsteinLVII
A call (Poster for an exhibition at Vienna). GouacheLVIII
A living model. Red chalk and chalkLIX
The “Boutique fantasque” ballet. An Italian dollLX
Portrait of the poet A. Bely. Crayon and pencilLXI
A portraitLXII
Portrait of the boy Z. Red chalkLXIII
The “Women of good humour” ballet. DorotheaLXIV
A peasant woman (Sketch by Potemkine). GouacheLXV
A peasant woman (Sketch by Potemkine). GouacheLXVI
Costume for “Le chantre et la dévote”LXVII
Costume of peasant woman for Potemkine’s “Village”LXVIII

Typographical errors corrected by the etext transcriber:
certain amateurishsess=> certain amateurishness {pg 50} Offtimes he is mistaken=> Oftimes he is mistaken {pg 50} due do the fact=> due to the fact {pg 50} quite agressive=> quite aggressive {pg 50} when its was exhibited=> when it was exhibited {pg 109} uncompromising youth wo defie=> uncompromising youth who defie {pg 122} painter Pierre Ronnard=> painter Pierre Bonnard {pg 180} Baskt exchanges=> Bakst exchanges {pg 203}