← Table of contents
The works of Thomas Middleton, Volume 3 (of 5)

Part 1 / Act 5 — SCENE II.

Reading edition

An Apartment in Bethlem Monastery.

Enter Anselmo, Hippolito, Matheo, and Infelice.

Hip. Nay, nay, resolve,[209] good father, or deny.

An. You press me to an act both full of danger

And full of happiness; for I behold

Your father’s frowns, his threats, nay, perhaps death

To him that dare do this: yet, noble lord,

Such comfortable beams break through these clouds

By this blest marriage, that, your honour’d word

Being pawn’d in my defence, I will tie fast

The holy wedding knot.

Hip. Tush, fear not the duke.

An. O son,

Wisely to fear is to be free from fear.

Hip. You have our words, and you shall have our lives,

To guard you safe from all ensuing danger.

Mat. Ay, ay, chop 'em up and away.

An. Stay: when is’t fit for me, safest for you,

To entertain this business?

Hip. Not till the evening.

102An. Be’t so: there is a chapel stands hard by,

Upon the west end of the abbey-wall;

Thither convey yourselves; and when the sun

Hath turn’d his back upon this upper world,

I’ll marry you; that done, no thundering voice

Can break the sacred bond: yet, lady, here

You are most safe.

Inf. Father, your love’s most dear.

Mat. Ay, well said; lock us into some little room by ourselves, that we may be mad for an hour or two.

Hip. O good Matheo, no! let’s make no noise.

Mat. How? no noise? do you know where you are? ’sfoot, amongst all the madcaps in Milan; so that to throw the house out at window will be the better, and no man will suspect that we lurk here to steal mutton.[210] The more sober we are, the more scurvy ’tis; and though the friar tell us that here we are safest, I’m not of his mind; for if those lay here that had lost their money, none would ever look after them: but here are none but those that have lost their wits; so that if hue and cry be made, hither they’ll come; and my reason is, because none goes to be married till he be stark mad.

Hip. Muffle yourselves; yonder’s Fluello.

Enter Fluello.

Mat. Zounds!

Flu. O my lord, these cloaks are not for this rain! the tempest is too great: I come sweating to tell you of it, that you may get out of it.

Mat. Why, what’s the matter?

Flu. What’s the matter! you have mattered it fair: the duke’s at hand.

103All. The duke!

Flu. The very duke.

Hip. Then all our plots

Are turn’d upon our heads, and we’re blown up

With our own underminings. ’Sfoot, how comes he?

What villain durst betray our being here?

Flu. Castruchio; Castruchio told the duke, and Matheo here told Castruchio.

Hip. Would you betray me to Castruchio?

Mat. ’Sfoot, he damned himself to the pit of hell if he spake on’t again.

Hip. So did you swear to me; so were you damn’d.

Mat. Pox on 'em, and there be no faith in men, if a man shall not believe oaths. He took bread and salt,[211] by this light, that he would never open his lips.

Hip. O God, O God!

An. Son, be not desperate,

Have patience; you shall trip your enemy down

By his own slights.[212]—How far is the duke hence?

Flu. He’s but new set out: Castruchio, Pioratto, and Sinezi, come along with him; you have time enough yet to prevent[213] them, if you have but courage.

An. You shall steal secretly into the chapel,

And presently be married. If the duke

Abide here still, spite of ten thousand eyes

You shall ’scape hence like friars.

Hip. O blest disguise![214] O happy man!

An. Talk not of happiness, till your closed hand

104Have her by th’ forehead like the lock of time.

Be nor too slow nor hasty, now you climb

Up to the tower of bliss; only be wary

And patient, that’s all. If you like my plot,

Build and despatch; if not, farewell, then not.

Hip. O yes, we do applaud it! we’ll dispute

No longer, but will hence and execute.

Fluello, you’ll stay here; let us be gone.

The ground that frighted[215] lovers tread upon

Is stuck with thorns.

An. Come, then, away: ’tis meet,

To escape those thorns, to put on winged feet.

[Exeunt Anselmo, Hippolito, and Infelice.

Mat. No words, pray,[216] Fluello, for’t stands us upon.

Flu. O sir, let that be your lesson! [Exit Matheo.

Alas, poor lovers! on what hopes and fears

Men toss themselves for women! when she’s got,

The best has in her that which pleaseth not.

Enter the Duke, Castruchio, Pioratto, and Sinezi, from different sides, muffled.

Duke. Who’s there?

Cas. My lord!

Duke. Peace, send that lord away;

A lordship will spoil all: let’s be all fellows.

What’s he?

Cas. Fluello; or else Sinezi, by his little legs.

Flu. Pio. Sin. } All friends, all friends.

105Duke. What? met upon the very point of time!

Is this the place?

Pio. This is the place, my lord.

Duke. Dream you on lordships? come, no more lords, pray.

You have not seen these lovers yet?

All. Not yet.

Duke. Castruchio, art thou sure this wedding feat

Is not till afternoon?

Cas. So ’tis given out, my lord.

Duke. Nay, nay, ’tis like; thieves must observe their hours;

Lovers watch minutes like astronomers.

How shall the interim hours by us be spent?

Flu. Let’s all go see the madmen.

Cas. Pio. Sin. } Mass, content.

Enter a Sweeper.[217]

Duke. O, here comes one; question him, question him.

Flu. How now, honest fellow? dost thou belong to the house?

Sweep. Yes, forsooth, I am one of the implements; I sweep the madmen’s rooms, and fetch straw for 'em, and buy chains to tie 'em, and rods to whip 'em. I was a mad wag myself here once; but I thank father Anselmo, he lashed me into my right mind again.

Duke. Anselmo is the friar must marry them;

Question him where he is.

106Cas. And where is father Anselmo now?

Sweep. Marry, he’s gone but e’en now.

Duke. Ay, well done.—Tell me, whither is he gone?

Sweep. Why, to God a’mighty.

Flu. Ha, ha! this fellow is a fool, talks idly.

Pio. Sirrah, are all the mad folks in Milan brought hither?

Sweep. How, all? there’s a wise question indeed! why, if all the mad folks in Milan should come hither, there would not be left ten men in the city.

Duke. Few gentlemen or courtiers here, ha?

Sweep. O yes, abundance, abundance! lands no sooner fall into their hands but straight they run out a’ their wits: citizens’ sons and heirs are free of the house by their fathers’ copy: farmers’ sons come hither like geese, in flocks; and when they ha’ sold all their corn-fields, here they sit and pick the straws.

Sin. Methinks you should have women here as well as men.

Sweep. O ay, a plague on 'em, there’s no ho with them;[218] they are madder than March-hares.

Flu. Are there no lawyers here amongst you?

Sweep. O no, not one; never any lawyer: we dare not let a lawyer come in, for he’ll make 'em mad faster than we can recover 'em.

Duke. And how long is’t ere you recover any of these?

Sweep. Why, according to the quantity of the moon that’s got into 'em. An alderman’s son will be mad a great while, a very great while, especially if his friends left him well; a whore will hardly 107come to her wits again; a puritan, there’s no hope of him, unless he may pull down the steeple, and hang himself i’ th’ bell-ropes.

Flu. I perceive all sorts of fish come to your net.

Sweep. Yes, in truth, we have blocks[219] for all heads; we have good store of wild oats here: for the courtier is mad at the citizen, the citizen is mad at the countryman,[220] the shoemaker is mad at the cobbler, the cobbler at the carman, the punk is mad that the merchant’s wife is no whore, the merchant’s wife is mad that the punk is so common a whore. God’s-so, here’s father Anselmo! pray, say nothing that I tell tales out of the school. [Exit.

Re-enter Anselmo and Servants.

All. God bless you, father!

An. Thank you, gentlemen.

Cas. Pray, may we see some of those wretched souls

That here are in your keeping?

An. Yes, you shall;

But, gentlemen, I must disarm you then:

There are of madmen, as there are of tame,

All humour’d not alike: we have here some

So apish and fantastic, play with a feather;

And, though 'twould grieve a soul to see God’s image

So blemish’d and defac’d, yet do they act

Such antic and such pretty lunacies,

That, spite of sorrow, they will make you smile:

Others again we have like hungry lions,

Fierce as wild bulls, untameable as flies;

108And these have oftentimes from strangers’ sides

Snatch’d rapiers suddenly, and done much harm;

Whom if you’ll see, you must be weaponless.

All. With all our hearts. [Giving their weapons to Anselmo.

An. Here, take these weapons in.— [Exit Servant with weapons.

Stand off a little, pray; so, so, ’tis well.

I’ll shew you here a man that was sometimes

A very grave and wealthy citizen;

Has serv’d a prenticeship to this misfortune,

Been here seven years, and dwelt in Bergamo.

Duke. How fell he from his wits?

An. By loss at sea.

I’ll stand aside, question him you alone;

For if he spy me, he’ll not speak a word,

Unless he’s throughly vex’d.

Opens a door and then retires: enter First Madman wrapt in a net.[221]

Flu. Alas, poor soul!

Cas. A very old man.

Duke. God speed, father!

First Mad. God speed the plough! thou shalt not speed me.

Pio. We see you, old man, for all you dance in a net.

First Mad. True, but thou wilt dance in a halter, and I shall not see thee.

An. O, do not vex him, pray!

Cas. Are you a fisherman, father?

109First Mad. No, I’m neither fish nor flesh.

Flu. What do you with that net, then?

First Mad. Dost not see, fool, there’s a fresh salmon in’t? If you step one foot further, you’ll be over shoes, for you see I’m over head and ears[222] in the salt water: and if you fall into this whirlpool where I am, you’re drowned, you’re a drowned rat!—I am fishing here for five ships, but I cannot have a good draught, for my net breaks still, and breaks; but I’ll break some of your necks, and[223] I catch you in my clutches. Stay, stay, stay, stay, stay: where’s the wind, where’s the wind, where’s the wind, where’s the wind? Out, you gulls, you goosecaps, you gudgeon-eaters! do you look for the wind in the heavens? ha, ha, ha, ha! no, no! look there, look there, look there! the wind is always at that door: hark, how it blows! puff, puff, puff!

All. Ha, ha, ha!

First Mad. Do you laugh at God’s creatures? do you mock old age, you rogues? is this grey beard and head counterfeit, that you cry ha, ha, ha?—Sirrah, art not thou my eldest son?

Pio. Yes indeed, father.

First Mad. Then thou’rt a fool; for my eldest son had a polt foot,[224] crooked legs, a verjuice face, and a pear-coloured[225] beard: I made him a scholar, and he made himself a fool.—Sirrah, thou there! hold out thy hand.

Duke. My hand? well, here ’tis.

First Mad. Look, look, look, look! has he not long nails and short hair?

110Flu. Yes, monstrous short hair and abominable long nails.

First Mad. Ten-penny nails, are they not?

Flu. Yes, ten-penny nails.

First Mad. Such nails had my second boy.—Kneel down, thou varlet, and ask thy father’s blessing. Such nails had my middlemost son, and I made him a promoter;[226] and he scraped, and scraped, and scraped, till he got the devil and all: but he scraped thus, and thus, and thus, and it went under his legs, till at length a company of kites, taking him for carrion, swept up all, all, all, all, all, all, all. If you love your lives, look to yourselves! see, see, see, see, the Turk’s galleys are fighting with my ships! bounce go[227] the guns! O—O, cry the men! rumble, rumble go the waters! alas, there, ’tis sunk, ’tis sunk! I am undone, I am undone! you are the damned pirates have undone me, you are, by th’ lord, you are, you are!—stop 'em—you are!

An. Why, how now, sirrah? must I fall to tame you?

First Mad. Tame me? no; I’ll be madder than a roasted cat. See, see, I am burnt with gunpowder! these are our close fights!

An. I’ll whip you, if you grow unruly thus.

First Mad. Whip me? out, you toad! whip me? what justice is this, to whip me because I’m a beggar? Alas, I am a poor man, a very poor man! I am starved, and have had no meat, by this light, ever since the great flood; I am a poor man.

An. Well, well, be quiet, and you shall have meat.

First Mad. Ay, ay, pray, do; for, look you, 111here be my guts; these are my ribs, you may look through my ribs; see how my guts come out! these are my red guts, my very guts, O, O!

An. Take him in there.

Servants remove First Madman.

Flu. Pio., &c. } A very piteous sight.

Cas. Father, I see you have a busy charge.

An. They must be us’d like children; pleas’d with toys,

And anon whipt for their unruliness.

I’ll shew you now a pair quite different

From him that’s gone; he was all words; and these,

Unless you urge 'em, seldom spend their speech,

But save their tongues.

Opens another door, from which enter Second and Third Madmen.

La, you; this hithermost

Fell from the happy quietness of mind

About a maiden that he lov’d, and died:

He follow’d her to church, being full of tears,

And as her body went into the ground,

He fell stark mad. That is a married man,

Was jealous of a fair, but, as some say,

A very virtuous wife; and that spoil’d him.

Third Mad. All these are whoremongers, and lay with my wife: whore, whore, whore, whore, whore!

Flu. Observe him.

Third Mad. Gaffer shoemaker, you pulled on my wife’s pumps, and then crept into her pantofles:[228] lie there, lie there!—This was her tailor. You cut out her loose-bodied gown, and put in a yard more than I allowed her: lie there, by the shoemaker.—O 112master doctor, are you here? you gave me a purgation, and then crept into my wife’s chamber to feel her pulses; and you said, and she said, and her maid said, that they went pit-a-pat, pit-a-pat, pit-a-pat: doctor, I’ll put you anon into my wife’s urinal.—Heigh, come aloft, Jack![229] This was her schoolmaster, and taught her to play upon the virginals;[230] and still his jacks leapt up, up. You pricked her out nothing but bawdy lessons; but I’ll prick you all! fiddler—doctor—tailor—shoemaker,—shoemaker—fiddler—doctor—tailor!—so! lie with my wife again, now!

Cas. See how he notes the other now he feeds.

Third Mad. Give me some porridge.

Sec. Mad. I’ll give thee none.

Third Mad. Give me some porridge.

Sec. Mad. I’ll not give thee a bit.

Third Mad. Give me that flap-dragon.[231]

Sec. Mad. I’ll not give thee a spoonful: thou liest, it’s no dragon; ’tis a parrot that I bought for my sweetheart, and I’ll keep it.

Third Mad. Here’s an almond for parrot.[232]

Sec. Mad. Hang thyself!

113Third Mad. Here’s a rope for parrot.[233]

Sec. Mad. Eat it, for I’ll eat this.

Third Mad. I’ll shoot at thee, and[234] thou’t give me none.

Sec. Mad. Wu’t thou?

Third Mad. I’ll run a tilt at thee, and thou’t give me none.

Sec. Mad. Wu’t thou? do, and thou darest.

Third Mad. Bounce!

Sec. Mad. O—O, I am slain! murder, murder, murder! I am slain; my brains are beaten out.

An. How now, you villains!—Bring me whips—I’ll whip you.

Sec. Mad. I am dead! I am slain! ring out the bell, for I am dead.

Duke. How will you do now, sirrah? you ha’ kill’d him.

Third Mad. I’ll answer’t at sessions. He was eating of almond-butter, and I longed for’t: the child had never been delivered out of my belly, if I had not killed him. I’ll answer’t at sessions, so my wife may be burnt i’ th’ hand too.

An. Take 'em in both; bury him, for he’s dead.

Sec. Mad. Ay, indeed, I am dead; put me, I pray, into a good pit-hole.

Third Mad. I’ll answer’t at sessions.

[Servants remove Second and Third Madmen.

Enter Bellafront.

An. How now, huswife? whither gad you?

114Bel. A nutting, forsooth.—How do you, gaffer?—how do you, gaffer?—there’s a French curtsey for you too.

Flu. ’Tis Bellafront!

Pio. ’Tis the punk, by th’ lord!

Duke. Father, what’s she, I pray?

An. As yet I know not:

She came in but[235] this day; talks little idly,

And therefore has the freedom of the house.

Bel. Do not you know me?—nor you?—nor you?—nor you?

All. No, indeed.

Bel. Then you are an ass—and you are an ass—and you are an ass; for I know you.

An. Why, what are they? come, tell me, what are they?

Bel. They’re fish-wives: will you buy any gudgeons? God’s-santy,[236] yonder come friars! I know them too.—

Re-enter Hippolito, Matheo, and Infelice, disguised as friars.

How do you, friar?

An. Nay, nay, away; you must not trouble friars.—

The duke is here, speak nothing.

Bel. Nay, indeed, you shall not go; we’ll run at barley-break[237] first, and you shall be in hell.

115Mat. My punk turn’d mad whore, as all her fellows are!

Hip. Speak nothing; but steal hence when you spy time.

An. I’ll lock you up, if you’re unruly: fie!

Bel. Fie? marry, foh! they shall not go, indeed, till I ha’ told 'em their fortunes.

Duke. Good father, give her leave.

Bel. Ay, pray, good father, and I’ll give you my blessing.

An. Well, then, be brief; but if you’re thus unruly,

I’ll have you lock’d up fast.

Pio. Come, to their fortunes.

Bel. Let me see; one, two, three, and four. I’ll begin with the little friar[238] first. Here’s a fine hand indeed! I never saw friar have such a dainty hand: here’s a hand for a lady! Here’s your fortune:

You love a friar better than a nun;

Yet long you’ll love no friar nor no friar’s son.

Bow a little:

The line of life is out; yet, I’m afraid,

For all you’re holy, you’ll not die a maid.

God give you joy!—

Now to you, friar Tuck.[239]

Mat. God send me good luck!

Bel. You love one, and one loves you;

You’re a false knave, and she’s a Jew.

Here is a dial that false ever goes——

Mat. O, your wit drops.

Bel. Troth, so does your nose.—

Nay, let’s shake hands with you too; pray, open:

here’s a fine hand!

116Ho, friar, ho! God be here!

So he had need; you’ll keep good cheer.

Here’s a free table,[240] but a frozen breast,

For you’ll starve those that love you best;

Yet you’ve good fortune, for if I’m no liar,

Then you’re no friar, nor you, nor you, no friar.

Haha, haha! [Discovers them.

Duke. Are holy habits cloaks for villany?

Draw all your weapons!

Hip. Do; draw all your weapons!

Duke. Where are your weapons? draw!

Cas. Pio., &c. } The friar has gull’d us of ’em.

Mat. O rare trick!

You ha’ learnt one mad point of arithmetic.

Hip. Why swells your spleen so high? against what bosom

Would you your weapons draw? her’s? ’tis your daughter’s;

Mine? ’tis your son’s.

Duke. Son?

Mat. Son, by yonder sun!

Hip. You cannot shed blood here but ’tis your own;

To spill your own blood were damnation.

Lay smooth that wrinkled brow, and I will throw

Myself beneath your feet:

Let it be rugged still and flinted o’er,

What can come forth but sparkles, that will burn

Yourself and us? She’s mine; my claim’s most good;

She’s mine by marriage, though she’s yours by blood.

117An. [kneeling] I have a hand,[241] dear lord, deep in this act,

For I foresaw this storm, yet willingly

Put forth to meet it. Oft have I seen a father

Washing the wounds of his dear son in tears,

A son to curse the sword that struck his father,

Both slain i’ th’ quarrel of your families.

Those scars are now ta’en off; and I beseech you

To seal our pardon! All was to this end,

To turn the ancient hates of your two houses

To fresh green friendship, that your loves might look

Like the spring’s forehead, comfortably sweet,

And your vex’d souls in peaceful union meet.

Their blood will now be yours, yours will be theirs,

And happiness shall crown your silver hairs.

Flu. You see, my lord, there’s now no remedy.

Cas. Pio., &c. } Beseech your lordship!

Duke. You beseech fair; you have me in place fit

To bridle me.—Rise, friar; you may be glad

You can make mad men tame, and tame men mad.

Since fate hath conquer’d, I must rest content;

To strive now would but add new punishment.

I yield unto your happiness; be blest;

Our families shall henceforth breathe in rest.

All. O happy change!

Duke. Yours now is my content;[242]

I throw upon your joys my full consent.

Bel. Am not I a good girl for finding the friar in the well? God’s-so, you are a brave man! will not you buy me some sugar-plumbs, because I am so good a fortune-teller?

118Duke. Would thou hadst wit, thou pretty soul, to ask,

As I have will to give!

Bel. Pretty soul? a pretty soul is better than a pretty body.—Do not you know my pretty soul? I know you: is not your name Matheo?

Mat. Yes, lamb.

Bel. Baa, lamb! there you lie, for I am mutton.[243]—Look, fine man! he was mad for me once, and I was mad for him once, and he was mad for her once; and were you never mad? yes, I warrant. I had a fine jewel once, a very fine jewel, and that naughty man stole it away from me,—a very fine jewel.

Duke. What jewel, pretty maid?

Bel. Maid? nay, that’s a lie. O, ’twas a very rich jewel, called a maidenhead! and had not you it, leerer?

Mat. Out, you mad ass, away!

Duke. Had he thy maidenhead?

He shall make thee amends, and marry thee.

Bel. Shall he? O brave Arthur of Bradley then![244]

Duke. And if he bear the mind of a gentleman,

I know he will.

Mat. I think I rifled her of some such paltry jewel.

Duke. Did you? then marry her; you see the wrong

Has led her spirits into a lunacy.

Mat. How? marry her, my lord? ’sfoot, marry a mad woman! let a man get the tamest wife he 119can come by, she’ll be mad enough afterward, do what he can.

Duke. Nay, then, father Anselmo here shall do his best

To bring her to her wits: and will you then?

Mat. I cannot tell: I may choose.

Duke. Nay, then, law shall compel: I tell you, sir,

So much her hard fate moves me, you should not breathe

Under this air, unless you married her.

Mat. Well, then, when her wits stand in their right place, I’ll marry her.

Bel. I thank your grace.—Matheo, thou art mine.

I am not mad, but put on this disguise

Only for you, my lord; for you can tell

Much wonder of me: but you are gone; farewell.

Matheo, thou didst first turn my soul black,

Now make it white again. I do protest,

I’m pure as fire now, chaste as Cynthia’s breast.

Hip. I durst be sworn, Matheo, she’s indeed.

Mat. Cony-catch’d![245] gull’d! must I sail in your fly-boat

Because I help’d to rear your mainmast first?

Plague ’found[246] you for’t! ’Tis well;

The cuckold’s stamp goes current in all nations;

Some men have horns given them at their creations;

If I be one of those, why, so, it’s better

To take a common wench, and make her good,

Than one that simpers, and at first will scarce

Be tempted forth over the threshold door,

Yet in one se’nnight, zounds, turns arrant whore.

120Come, wench, thou shalt be mine; give me thy golls,[247]

We’ll talk of legs hereafter.—See, my lord!

God give us joy!

All. God give you joy!

Enter Viola and George.

Geo. Come, mistress, we are in Bedlam now; mass, and see, we come in pudding-time, for here’s the duke.

Vio. My husband, good my lord!

Duke. Have I thy husband?

Cas. It’s Candido, my lord; he’s here among the lunatics.—Father Anselmo, pray, fetch him forth. [Exit Anselmo.]—This mad woman is his wife; and though she were not with child, yet did she long most spitefully to have her husband mad; and because she would be sure he should turn Jew, she placed him here in Bethlem. Yonder he comes!

Re-enter Anselmo with Candido.

Duke. Come hither, signor: are you mad?

Can. You are not mad.

Duke. Why, I know that.

Can. Then may you know I am not mad, that know

You are not mad, and that you are the duke.

None is mad here but one.—How do you, wife?

What do you long for now?—Pardon, my lord;

She had lost her child’s nose else: I did cut out

Pennyworths of lawn, the lawn was yet mine own;

A carpet was my[248] gown, yet ’twas mine own;

I wore my man’s coat, yet the cloth mine own;

Had a crack’d crown, the crown was yet mine own:

121She says for this I’m mad: were her words true,

I should be mad indeed. O foolish skill![249]

Is patience madness? I’ll be a madman still.

Vio. Forgive me, and I’ll vex your spirit no more. [Kneels.

Duke. Come, come, we’ll have you friends; join hearts, join hands.

Can. See, my lord,[250] we are even.—

Nay, rise; for ill deeds kneel unto none but heaven.

Duke. Signor, methinks patience has laid on you

Such heavy weight, that you should loathe it——

Can. Loathe it?

Duke. For he whose breast is tender, blood so cool

That no wrongs heat it, is a patient fool:

What comfort do you find in being so calm?

Can. That which green wounds receive from sovereign balm.

Patience, my lord! why, ’tis the soul of peace;

Of all the virtues ’tis nearest kin to heaven;

It makes men look like gods. The best of men

That e’er wore earth about him was a sufferer,

A soft, meek, patient, humble, tranquil spirit,

The first true gentleman that ever breath’d.

The stock of patience, then, cannot be poor;

All it desires it has; what monarch more?

It is the greatest enemy to law

That can be; for it doth embrace all wrongs,

And so chains up lawyers’ and women’s tongues:

’Tis the perpetual prisoner’s liberty,

His walks and orchards: ’tis the bond-slave’s freedom,

122And makes him seem proud of each iron chain,

As though he wore it more for state than pain:

It is the beggars’ music, and thus sings,

Although their bodies beg, their souls are kings:

O my dread liege! it is the sap of bliss,

Rears us aloft, makes men and angels kiss:

And, last of all, to end a household strife,

It is the honey 'gainst a waspish wife.

Duke. Thou giv’st it lively colours: who dare say

He’s mad whose words march in so good array?

'Twere sin all women should such husbands have,

For every man must then be his wife’s slave:

Come, therefore, you shall teach our court to shine;

So calm a spirit is worth a golden mine.

Wives with meek husbands that to vex them long,

In Bedlam must they dwell, else dwell they wrong. [Exeunt omnes.

123

Notes in this chapter

Note 1 · resolve] i. e. satisfy—consent.Note 2 · to steal mutton] “i. e. to steal a wench. Mutton, in the language of the times, signified a fille de joie.” Reed.Note 3 · He took bread and salt] i. e. he swore: bread and salt, according to ancient custom, were eaten by those who took oaths.Note 4 · slights] i. e. artifices.Note 5 · prevent] i. e. anticipate.Note 6 · disguise] So several eds. First ed. “disguisde.”Note 7 · frighted] So several eds. First ed. “fraighted.”Note 8 · pray] So several eds. First ed. “I pray”—but qy. ought we to read, Mat. No words, Fluello, for’t stands us upon. Flu. O sir, I pray, let thaNote 9 · Enter a Sweeper] Old eds. have, “Enter Towne like a sweeper,” and prefix “Towne” to his speeches,—and so in Dodsley’s Old Plays! Towne was tNote 10 · there’s no ho with them] “i. e. there are no bounds or restraints with them.” Reed.—They are not to be restrained by a call, or ho! The exprNote 11 · blocks] i. e. hats—a not unfrequent sense of the word: properly, the moulds on which the crowns of hats were formed.Note 12 · countryman] So several eds. First ed. “countrymen.”Note 13 · Opens a door, &c.] Old eds. have, “Discouers an old man wrapt in a net,” but prefix “First Madman” to his speeches. That he comes out, and iNote 14 · ears] So ed. 1635. Other eds. “ear.”Note 15 · and] i. e. if.Note 16 · a polt foot] “Seems to be the same we now call a splay foot.” Reed. Rather, a club-foot.Note 17 · pear-coloured] i. e. red.Note 18 · promoter] i. e. informer.Note 19 · go] Old eds. “goes.”Note 20 · pantofles] A sort of slippers.Note 21 · come aloft, Jack] The exclamation of a master to an ape that had been taught to tumble and play tricks.Note 22 · virginals; and still his jacks, &c.] The virginals was an instrument of the spinnet kind: for a correct description of it, see Nares’s GlossNote 23 · flap-dragon] See note, vol. i. p. 66.Note 24 · an almond for parrot] “The title of a pamphlet [by Nash], called, 'An Almond for a Parrot, or Cuthbert Curry-knaves Almes.' B. L., no date, Note 25 · a rope for parrot] Another proverbial expression. Taylor, the water-poet, has an epigram beginning, “Why doth the Parrat cry a Rope, a Rope?Note 26 · and] i. e. if.Note 27 · in but] So several eds. First ed. “but in.”Note 28 · God’s-santy] “See a note on The Merchant of Venice, vol. iii. p. 157, edit. 1778, [where Steevens says, ‘Perhaps it was once customary to swNote 29 · barley-break] Or the last couple in hell,—was a game played by six people, three of each sex, who were coupled by lot: see Gifford’s descripNote 30 · little friar] i. e., of course, Infelice:—in Dodsley’s Old Plays, “little finger!”Note 31 · friar Tuck] The famous chaplain of Robin Hood.Note 32 · table] A quibble. Table meant the palm of the hand.Note 33 · I have a hand, &c.] Given in old eds. as a continuation of Hippolito’s speech.Note 34 · content] First two eds. “consent” in both lines. Other eds. “consent” in first line and “content” in second.Note 35 · mutton] See note, p. 102.Note 36 · O brave Arthur of Bradley] “An allusion to the old ballad of that name, which is printed in 'An antidote against melancholy, made up in pillNote 37 · cony-catch’d] See note, p. 16.Note 38 · ’found] i. e. confound.Note 39 · golls] See note, p. 23.Note 40 · was my] So several eds. First ed. “was yet my.”Note 41 · skill] i. e. reason.Note 42 · See, my lord, &c.] An imperfect couplet: see note, p. 52.
Explore with AITake your curiosity a little further.

Reading settings