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The works of Thomas Middleton, Volume 3 (of 5)

Part 1 / Act 2 — ACT II. SCENE I.

Reading edition

A chamber in Bellafront’s house.

Enter Roger with a stool, cushion, looking-glass, and chafing-dish:[59] those being set down, he pulls out of his pocket a phial with white colour in it, and two boxes, one with white, another with red paint; he places all things in order, and a candle by them, singing the ends of old ballads as he does it. At last Bellafront, as he nibs his cheek with the colours, whistles within.

Rog. Anon, forsooth.

Bel. [within] What are you playing the rogue about?

Rog. About you, forsooth; I’m drawing up a hole in your white silk stocking.

Bel. Is my glass there? and my boxes of complexion?

Rog. Yes, forsooth; your boxes of complexion are here, I think; yes, ’tis here; here’s your two complexions, and if I had all the four complexions, I should ne’er set a good face upon’t. Some men, I see, are born under hard-favoured planets, as well as women. Zounds, I look worse now than I did before! and it makes her face glister most damnably. There’s knavery in daubing, I hold my life; or else this is only female pomatum.

35Enter Bellafront not full ready,[60] without a gown; she sits down; curls her hair[61] with her bodkin, and colours her lips.

Bel. Where’s my ruff and poker,[62] you block-head?

Rog. Your ruff, your poker, are engendering together upon the cupboard of the court, or the court-cupboard.[63]

Bel. Fetch 'em: is the pox in your hams, you can go no faster?

[Strikes him.

Rog. Would the pox were in your fingers, unless you could leave flinging! catch—— [Exit.

Bel. I’ll catch you, you dog, by and by: do you grumble?

Cupid is a god as naked as my nail; [Sings.

I’ll whip him with a rod, if he my true love fail.

Re-enter Roger, with ruff and poker.

Rog. There’s your ruff; shall I poke it?

Bel. Yes, honest Roger:—no, stay; prithee, good boy, hold here.

[Roger holds the glass and candle.

[Sings] Down, down, down, down, I fall down and arise,—down,—I never shall arise.

36Rog. Troth, mistress, then leave the trade, if you shall never rise.

Bel. What trade, goodman Abra’m?[64]

Rog. Why, that of[65] down and arise, or the falling trade.

Bel. I’ll fall with you by and by.

Rog. If you do, I know who shall smart for’t. Troth, mistress, what do I look like now?

Bel. Like as you are; a panderly sixpenny rascal.

Rog. I may thank you for that: in faith, I look like an old proverb, Hold the candle before the devil.

Bel. Ud’s life, I’ll stick my knife in your guts and[66] you prate to me so! What? [Sings.

Well met, pug, the pearl of beauty, umh, umh.

How now, sir knave? you forget your duty, umh, umh.

Marry muff,[67] sir, are you grown so dainty? fa, la, la, &c.

Is it you, sir? the worst of twenty, fa, la, la, leera, la.

Pox on you, how dost thou hold my glass?

Rog. Why, as I hold your door, with my fingers.

Bel. Nay, pray thee, sweet honey Roger, hold up handsomely.

[Sings.[68]

Pretty wantons warble, &c.

We shall ha’ guests to-day, I lay my little maiden-head, my nose itches so.

Rog. I said so too last night, when our fleas twinged me.

37Bel. So, poke my ruff now. My gown, my gown! have I my fall? where’s my fall,[69] Roger?

Rog. Your fall, forsooth, is behind.

[Knocking within.

Bel. God’s my pittikins![70] some fool or other knocks.

Rog. Shall I open to the fool, mistress?

Bel. And all these baubles lying thus? away with it quickly.—Ay, ay, knock and be damned, whosoever you be!—So; give the fresh salmon line now; let him come ashore. [Exit Roger.]—He shall serve for my breakfast, though he go against my stomach.

Enter Fluello, Castruchio, Pioratto, and Roger.

Flu. Morrow, coz.

Cas. How does my sweet acquaintance?

Pio. Save thee, little marmoset;[71] how dost thou, good, pretty rogue?

Bel. Well, Godamercy, good, pretty rascal.

Flu. Roger, some light, I prithee.

Rog. You shall, signor; for we that live here in this vale of misery are as dark as hell. [Exit.[72]

Cas. Good tobacco, Fluello?

Flu. Smell.

Pio. It may be tickling gear, for it plays with my nose already.

38Re-enter Roger with candle.

Rog. Here’s another light angel,[73] signor.

Bel. What, you pied curtal,[74] what’s that you are neighing?

Rog. I say, God send us the light of heaven, or some more angels!

Bel. Go fetch some wine, and drink half of it.

Rog. I must fetch some wine, gentlemen, and drink half of it.

Flu. Here, Roger.

Cas. No, let me send, prithee.

Flu. Hold, you canker-worm.

Rog. You shall send both, if you please, signors.

Pio. Stay, what’s best to drink a’ mornings?

Rog. Hippocras,[75] sir, for my mistress, if I fetch it, is most dear to her.

Flu. Hippocras? there then, here’s a teston[76] for you, you snake.

[They give money.

Rog. Right, sir; here’s three shillings sixpence for a pottle and a manchet.[77] [Exit.

Cas. Here’s most Herculanean tobacco: ha’ some, acquaintance?

Bel. Faugh, not I! makes your breath stink like the piss of a fox. Acquaintance, where supped you last night?

Cas. At a place, sweet acquaintance, where your 39health danced the canaries,[78] i’faith; you should ha’ been there.

Bel. I there among your punks! marry faugh, hang’em; scorn’t:[79] will you never leave sucking of eggs in other folk’s hens’ nests?

Cas. Why, in good troth, if you’ll trust me, acquaintance, there was not one hen at the board; ask Fluello.

Flu. No, faith, coz, none but cocks; signor Malavella drunk to thee.

Bel. O, a pure beagle; that horseleech there?

Flu. And the knight, sir Oliver Lollio, swore he would bestow a taffeta petticoat on thee, but to break his fast with thee.

Bel. With me? I’ll choke him then; hang him, mole-catcher! it’s the dreamingest snotty-nose.

Pio. Well, many took that Lollio for a fool, but he’s a subtle fool.

Bel. Ay, and he has fellows: of all filthy, dry-fisted knights,[80] I cannot abide that he should touch me.

Cas. Why, wench? is he scabbed?

Bel. Hang him, he’ll not live to be so honest, nor to the credit to have scabs about him; his betters have 'em: but I hate to wear out any of his coarse knighthood, because he’s made like an alderman’s night-gown, faced all with cony[81] before, and 40within nothing but fox: this sweet Oliver[82], will eat mutton till he be ready to burst, but the lean-jawed slave will not pay for the scraping of his trencher.

Pio. Plague him; set him beneath the salt,[83] and let him not touch a bit till every one has had his full cut.

Flu. Lord Ello, the gentleman-usher, came into us too: marry, ’twas in our cheese, for he had been to borrow money for his lord of a citizen.

Cas. What an ass is that lord to borrow money of a citizen!

Bel. Nay, God’s my pity, what an ass is that citizen to lend money to[84] a lord!

Enter Matheo and Hippolito; Hippolito, saluting the company as a stranger, walks of.[85] Roger comes in sadly behind them with a pottle-pot, and stands aloof off.[86]

Mat. Save you, gallants. Signor Fluello, exceedingly well met, as I may say.

Flu. Signor Matheo, exceedingly well met too, as I may say.

41Mat. And how fares my little pretty mistress?

Bel. E’en as my little pretty servant; sees three court-dishes before her, and not one good bit in them.—How now? why the devil standest thou so? art in a trance?

Rog. Yes, forsooth.

Bel. Why dost not fill out their wine?

Rog. Forsooth,’tis filled out already: all the wine that the signors have[87] bestowed upon you is cast away; a porter ran a little[88] at me, and so faced me down that I had not a drop.

Bel. I’m accursed to let such a withered artichoke-faced rascal grow under my nose: now you look like an old he-cat going to the gallows. I’ll be hanged if he ha’ not put up the money to cony-catch[89] us all.

Rog. No, truly, forsooth, ’tis not put up yet.

Bel. How many gentlemen hast thou served thus?

Rog. None but five hundred, besides prentices and serving-men.

Bel. Dost think I’ll pocket it up at thy hands?

Rog. Yes, forsooth, I fear you will pocket it up.

Bel. Fie, fie, cut my lace, good servant; I shall ha’ the mother[90] presently, I’m so vexed at this horse-plumb.

Flu. Plague, not for a scald[91] pottle of wine!

42Mat. Nay, sweet Bellafront, for a little pig’s wash!

Cas. Here, Roger, fetch more. [Gives money to Roger.]—A mischance, i’faith, acquaintance.

Bel. Out of my sight, thou ungodly, puritanical creature!

Rog. For the t’other pottle? yes, forsooth.

Bel. Spill that too. [Exit Roger.]—What gentleman[92] is that, servant? your friend?

Mat. Gods so; a stool, a stool! If you love me, mistress, entertain this gentleman respectively,[93] and bid him welcome.

Bel. He’s very welcome.—Pray, sir, sit.

Hip. Thanks, lady.

Flu. Count Hippolito, is’t not? Cry you mercy, signor; you walk here all this while, and we not heard you! Let me bestow a stool upon you, beseech you; you are a stranger here, we know the fashions a’ th’ house.

Cas. Please you be here, my lord? [Offers tobacco.

Hip. No, good Castruchio.

Flu. You have abandoned the court, I see, my lord, since the death of your mistress: well, she was a delicate piece—Beseech you,[94] sweet, come, let us serve under the colours of your acquaintance still for all that—Please you to meet here at the[95] lodging of my coz, I shall bestow a banquet upon you.

Hip. I never can deserve this kindness, sir. What may this lady be whom you call coz?

Flu. Faith, sir, a poor gentlewoman, of passing 43good carriage; one that has some suits in law, and lies here in an attorney’s house.

Hip. Is she married?

Flu. Ha, as all your punks are; a captain’s wife or so: never saw her before, my lord?

Hip. Never, trust me: a goodly creature!

Flu. By gad, when you know her as we do, you’ll swear she is the prettiest, kindest, sweetest, most bewitching, honest ape under the pole: a skin, your satin is not more soft, nor lawn whiter.

Hip. Belike, then, she’s some sale courtesan.

Flu. Troth, as all your best faces are, a good wench.

Hip. Great pity that she’s a good wench.

Mat. Thou shalt ha’, i’faith, mistress.—How now, signors? what, whispering?—Did not I lay a wager I should take you, within seven days, in a house of vanity?

Hip. You did; and I beshrew your heart, you’ve won.

Mat. How do you like my mistress?

Hip. Well, for such a mistress; better, if your mistress be not your master—I must break manners, gentlemen; fare you well.

Mat. ’Sfoot, you shall not leave us.

Bel. The gentleman likes not the taste of our company.

Flu. Cas., &c. } Beseech you, stay.

Hip. Trust me, my affairs beckon for me; pardon me.

Mat. Will you call for me half an hour hence here?

Hip. Perhaps I shall.

Mat. Perhaps? faugh! I know you can swear to me you will.

44Hip. Since you will press me, on my word, I will. [Exit.

Bel. What sullen picture is this, servant?

Mat. It’s count Hippolito, the brave count.

Pio. As gallant a spirit as any in Milan, you sweet Jew.

Flu. O, he’s a most essential gentleman, coz!

Cas. Did you never hear of count Hippolito, acquaintance?[96]

Bel. Marry muff[97] a’ your counts, and[98] be no more life in 'em.

Mat. He’s so malcontent, sirrah[99] Bellafront.—And[98] you be honest gallants, let’s sup together, and have the count with us:—thou shalt sit at the upper end, punk.

Bel. Punk? you soused gurnet![100]

Mat. King’s truce: come, I’ll bestow the supper to have him but laugh.

Cas. He betrays his youth too grossly to that tyrant melancholy.

Mat. All this is for a woman.

Bel. A woman? some whore! what sweet jewel is’t?

Pio. Would she heard you!

Flu. Troth, so would I.

Cas. And I, by heaven.

Bel. Nay, good servant, what woman?

Mat. Pah!

Bel. Prithee, tell me; a buss, and tell me: I warrant he’s an honest fellow, if he take on thus for a wench: good rogue, who?

45Mat. By th’ lord, I will not, must not, faith, mistress.—Is’t a match, sirs? this night at th’ Antelope; ay, for there’s best wine and good boys.

Flu. Cas. Pio. } It’s done; at th’ Antelope.

Bel. I cannot be there to-night.

Mat. Cannot? by th’ lord, you shall.

Bel. By the lady, I will not: shaall![101]

Flu. Why, then, put it off till Friday: wu’t come then, coz?

Bel. Well.

Re-enter Roger.

Mat. You’re the waspishest ape!—Roger, put your mistress in mind to sup with us on Friday next.—You’re best come like a madwoman, without a band, in your waistcoat,[102] and the linings of your kirtle outward, like every common hackney that steals out at the back gate of her sweet knight’s lodging.

Bel. Go, go, hang yourself!

Cas. It’s dinner-time, Matheo; shall’s hence?

Mat. Flu. Pio. } Yes, yes.—Farewell, wench.

Bel. Farewell, boys. [Exeunt all except Bellafront and Roger.]—Roger, what wine sent they for?

Rog. Bastard wine;[103] for if it had been truly begotten, 46it would not ha’ been ashamed to come in. Here’s six shillings, to pay for nursing the bastard.

Bel. A company of rooks! O good, sweet Roger, run to the poulter’s,[104] and buy me some fine larks!

Rog. No woodcocks?

Bel. Yes, faith, a couple, if they be not dear.

Rog. I’ll buy but one; there’s one[105] already here.

[Exit.

Re-enter Hippolito.

Hip. Is the gentleman my friend departed, mistress?

Bel. His back is but new turn’d, sir.

Hip. Fare you well.

Bel. I can direct you to him.

Hip. Can you, pray?

Bel. If you please, stay, he’ll not be absent long.

Hip. I care not much.

Bel. Pray sit, forsooth.

Hip. I’m hot: [Lays aside his sword.

If I[106] may use your room, I’ll rather walk.

Bel. At your best pleasure—Whew—some rubbers there!

Hip. Indeed, I’ll none, indeed I will not: thanks.

Pretty fine lodging. I perceive my friend

Is old in your acquaintance.

Bel. Troth, sir, he comes

As other gentlemen, to spend spare hours:

47If yourself like our roof, such as it is,

Your own acquaintance may be as old as his.

Hip. Say I did like, what welcome should I find?

Bel. Such as my present fortunes can afford.

Hip. But would you let me play Matheo’s part?

Bel. What part?

Hip. Why, embrace you, dally with you, kiss:

Faith, tell me, will you leave him, and love me?

Bel. I am in bonds to no man, sir.

Hip. Why then

You’re free for any man; if any, me.

But I must tell you, lady, were you mine,

You should be all mine; I could brook no sharers;

I should be covetous, and sweep up all;

I should be pleasure’s usurer, faith, I should.

Bel. O fate!

Hip. Why sigh you, lady? may I know?

Bel. 'Thas never been my fortune yet to single

Out that one man whose love could fellow mine,

As I have ever wish’d it. O my stars!

Had I but met with one kind gentleman

That would have purchas’d sin alone to himself

For his own private use, although scarce proper,[107]

Indifferent handsome, meetly legg’d and thigh’d,

And my allowance reasonable, i’faith,

According to my body, by my troth,

I would have been as true unto his pleasures,

Yea and as loyal to his afternoons,

As ever a poor gentlewoman could be.

Hip. This were well now to one but newly fledg’d,

And scarce a day old in this subtle world;

'Twere pretty art, good bird-lime, cunning net.

But come, come, faith, confess; how many men

48Have drunk this self-same protestation

From that red 'ticing lip?

Bel. Indeed, not any.

Hip. Indeed, and blush not?

Bel. No, in truth, not any.

Hip. Indeed? in truth?—how warily you swear!

’Tis well, if ill it be not; yet had I

The ruffian in me, and were drawn before you

But in light colours, I do know indeed,

You could not swear indeed, but thunder oaths

That should shake heaven, drown the harmonious spheres,

And pierce a soul that lov’d her maker’s honour

With horror and amazement.

Bel. Shall I swear?

Will you believe me then?

Hip. Worst then of all;

Our sins by custom seem at last but small.

Were I but o’er your threshold, a next man,

And after him a next, and then a fourth,

Should have this golden hook and lascivious bait

Thrown out to the full length. Why, let me tell you,

I ha’ seen letters sent from that white hand,

Tuning such music to Matheo’s ear.

Bel. Matheo? that’s true; but, believe it, I

No sooner had laid hold upon your presence,

But straight mine eye convey’d you to my heart.

Hip. O, you cannot feign with me! Why, I know, lady,

This is the common passion of you all,

To hook in a kind gentleman, and then

Abuse his coin, conveying it to your lover,

And in the end you shew him a French trick,

And so you leave him, that a coach may run

Between his legs for breadth.

Bel. O, by my soul,

49Not I! therein I’ll prove an honest whore,

In being true to one, and to no more.

Hip. If any be dispos’d to trust your oath,

Let him; I’ll not be he: I know you feign

All that you speak; ay, for a mingled harlot

Is true in nothing but in being false.

What, shall I teach you how to loathe yourself,

And mildly too, not without sense or reason?

Bel. I am content; I would fain loathe myself,

If you not love me.

Hip. Then if your gracious blood

Be not all wasted, I shall assay to do’t:

Lend me your silence and attention.

You have no soul, that makes you weigh so light;

Heaven’s treasure bought it,

And half-a-crown hath sold it; for your body

Is like the common-shore, that still receives

All the town’s filth; the sin of many men

Is within you: and thus much I suppose,

That if all your committers stood in rank,

They’d make a lane, in which your shame might dwell,

And with their spaces reach from hence to hell.

Nay, shall I urge it more? there have[108] been known

As many by one harlot maim’d and dismember’d

As would ha’ stuff’d an hospital: this I might

Apply to you, and perhaps do you right.

O, you’re as base as any beast that bears!

Your body is e’en hir’d, and so are theirs:

For gold and sparkling jewels, if he can,

You’ll let a Jew get you with Christian;

Be he a Moor, a Tartar, though his face

Look uglier than [doth] a dead man’s skull;

Could the devil put on a human shape,

50If his purse shake out crowns, up then he gets:

Whores will be rid to hell with golden bits:

So that you’re crueller than Turks, for they

Sell Christians only, you sell yourselves away.

Why, those that love you hate you, and will term you

Liquorish damnation; wish themselves half-sunk

After the sin is laid out, and e’en curse

Their fruitless riot; for what one begets,

Another poisons; lust and murder hit:

A tree being often shook, what fruit can knit?

Bel. O me unhappy!

Hip. I can vex you more:

A harlot is like Dunkirk, true to none;

Swallows both English, Spanish, fulsome Dutch,

Back[109]-door’d Italian, last of all, the French,

And he sticks to you, faith, gives you your diet,

Brings you acquainted first with monsieur doctor,

And then you know what follows.

Bel. Misery,

Rank, stinking, and most loathsome misery!

Hip. Methinks a toad is happier than a whore;

That with one poison swells, with thousands more

The other stocks her veins. Harlot? fie, fie!

You are the miserablest creatures breathing,

The very slaves of nature; mark me else:

You put on rich attires, others’ eyes wear them;

You eat but to supply your blood with sin;

And this strange curse e’en haunts you to your graves,

From fools you get, and spend it upon slaves:

Like bears and apes, you’re baited and shew tricks

For money; but your bawd the sweetness licks:

Indeed, you are their journeywomen, and do

All base and damn’d works they list set you to;

51So that you ne’er are rich: for do but shew me,

In present memory or in ages past,

The fairest and most famous courtesan,

Whose flesh was dear’st; that rais’d the price of sin

And held it up; to whose intemperate bosom

Princes, earls, lords—the worst has been a knight,

The mean’st a gentleman—have offer’d up

Whole hecatombs of sighs, and rain’d in showers

Handfuls of gold; yet for all this, at last

Diseases suck’d her marrow; then grew so poor,

That she has begg’d e’en at a beggar’s door:

And (wherein heaven has a finger) when this idol

From coast to coast has leap’d on foreign shores,

And had more worship than th’ outlandish whores;

When several nations have gone over her;

When for each several city she has seen,

Her maidenhead has been new, and been sold dear,

Did live well there, and might have died unknown

And undefam’d; back comes she to her own,

And there both miserably lives and dies,

Scorn’d even of those that once ador’d her eyes;[110]

52As if her fatal-circled life thus ran,—

Her pride should end there where it first began.

What, do you weep to hear your story read?

Nay, if you spoil your cheeks, I’ll read no more.

Bel. O yes,[111] I pray, proceed!

Indeed 'twill do me good to weep, indeed!

Hip. To give those tears a relish, this I add:

You’re like the Jews scatter’d, in no place certain;

Your days are tedious, your hours burdensome;

And were’t not for full suppers, midnight revels,

Dancing, wine, riotous meetings, which do drown

And bury quite in you all virtuous thoughts,

And on your eyelids hang so heavily

They have no power to look so high as heaven,

You’d sit and muse on nothing but despair,

Curse that devil lust that so burns up your blood,

And in ten thousand shivers break your glass

For his temptation. Say you taste delight,

To have a golden gull from rise to set

To mete[112] you in his hot luxurious[113] arms;

Yet your nights pay for all: I know you dream

Of warrants, whips, and beadles; and then start

At a door’s windy creak; think every weasel

To be a constable, and every rat

A long-tail’d officer. Are you now not slaves?

O, you’ve damnation without pleasure for it!

Such is the state of harlots. To conclude:

When you are old, and can well paint no more,

You turn bawd, and are then worse than before.

Make use of this: farewell.

Bel. O, I pray, stay!

53Hip. I[114] see Matheo comes not: time hath barr’d me:

Would all the harlots in the town had heard me!

[Exit.

Bel. Stay yet a little longer! No? quite gone?

Curs’d be that minute—for it was no more,

So soon a maid is chang’d into a whore—

Wherein I first fell! be it for ever black!

Yet why should sweet Hippolito shun mine eyes?

For whose true love I would become pure-honest,

Hate the world’s mixtures and the smiles of gold.

Am I not fair? why should he fly me then?

Fair creatures are desir’d, not scorn’d of men.

How many gallants have drunk healths to me

Out of their dagger’d arms,[115] and thought them blest,

Enjoying but mine eyes at prodigal feasts!

And does Hippolito detest my love?

O sure their heedless lusts but flatter’d me!

I am not pleasing, beautiful, nor young:

Hippolito hath spied some ugly blemish,

Eclipsing all my beauties; I am foul:

Harlot? ay, that’s the spot that taints my soul.

What, has he left his weapon here behind him,

And gone forgetful? O fit instrument[116]

To let forth all the poison of my flesh!

Thy master hates me 'cause my blood hath rang’d;

But when ’tis forth, then he’ll believe I’m chang’d.

As she is about to stab herself re-enter Hippolito.

Hip. Mad woman, what art doing?

Bel. Either love me,

54Or split my heart upon[117] thy rapier’s point.

Yet do not neither; for thou then destroy’st

That which I love thee for, thy virtues. Here, here;

[Gives sword to Hippolito.

Thou’rt crueller, and kill’st me with disdain:

To die so sheds no blood, yet ’tis worse pain.

[Exit Hippolito.

Not speak to me?[118] not bid farewell? a scorn?

Hated? this must not be; some means I’ll try.

Would all whores were as honest now as I! [Exit.

Notes in this chapter

Note 1 · chafing-dish] “To heat the poking-irons.” Reed.Note 2 · ready] i. e. dressed: compare vol. ii. pp. 57, 224, and notes.Note 3 · curls her hair, &c.] This direction perhaps applies to what Bellafront is to do presently—when Roger holds the glass and candle for her.Note 4 · poker] “This instrument, of which mention is frequently made in contemporary writers, is sometimes called poting stick, and at others a pokiNote 5 · court-cupboard] A sort of buffet: see note, vol. ii. p. 506.Note 6 · goodman Abra’m] See note, p. 32.Note 7 · of] Old eds. “if.”Note 8 · and] i. e. if.Note 9 · Marry muff] An expression of contempt, which frequently occurs in our early writers: compare vol. i. p. 258, and note.Note 10 · Sings] “This word has hitherto been printed as part of the text [“Sing pretty,” &c.]; but it is clearly a stage-direction, referring to the Note 11 · fall] i. e. falling band, which lay flat upon the dress from the neck.Note 12 · God’s my pittikins] A corruption of God’s my pity, an expression which Bellafront afterwards makes use of in this scene (p. 40). ShakespeareNote 13 · marmoset] i. e. monkey.Note 14 · Exit] Old eds. “Exit for a candle.”Note 15 · another light angel] Angel was a gold coin worth about 10 shillings. Compare Dekker’s Satiromastix, 1602, “I markt, by this Candle, which isNote 16 · curtal] i. e. docked horse.Note 17 · Hippocras] A beverage composed generally of red wine, but sometimes of white, with spices and sugar,—strained through a woollen bag.Note 18 · teston] See note, vol. i. p. 258.Note 19 · manchet] i. e. a roll of the finest bread.Note 20 · the canaries] A quick and lively dance, frequently mentioned by our early writers: “As to the air itself, it appears, by the example in the Note 21 · scorn’t] Several eds. “I scorn’t.”Note 22 · of all filthy, dry-fisted knights] “A moist hand is vulgarly accounted a sign of an amorous constitution.” Reed.Note 23 · cony] i. e. rabbit-skin.Note 24 · sweet Oliver] “It may be just worth noticing, that this epithet almost always accompanies the mention of this gentle rival of the mad OrlandNote 25 · set him beneath the salt] “This refers to the manner in which our ancestors were seated at their meals. ‘The tables being long,’ says Mr. WhNote 26 · to] So some eds. First ed. “of.”Note 27 · walks off] i. e. retires behind.Note 28 · aloof off] This expression is twice used by Middleton in Michaelmas Term (see vol. i. pp. 427, 469), and its repetition here is a slight conNote 29 · signors have] First two eds. “signior.” Others, “signiors.” All, “has.”Note 30 · little] Spelt in the first two eds. “litle:” therefore qy. “tilt?”Note 31 · cony-catch] See note, p. 16.Note 32 · mother] i. e. hysterical passion.Note 33 · scald] i. e. paltry: see note, p. 15.Note 34 · What gentleman] Here the last editor of Dodsley inserted a stage-direction, “Enter Hippolito,” which he says is absolutely necessary: but seNote 35 · respectively] i. e. respectfully: compare vol. i. p. 425.Note 36 · Beseech you, &c.] Bellafront, I suppose, having shewn some displeasure at the commendation of Infelice.Note 37 · the] Old eds. “my.”Note 38 · Hippolito, acquaintance] Old eds. “Hipolitos acquaintance.”Note 39 · Marry muff] See note, p. 36.Note 40 · and] i. e. if.Note 41 · sirrah] Often applied to women: compare vol. ii. p. 491.Note 42 · you soused gurnet] “An appellation of contempt very frequently employed in the old comedies.” Reed.Note 43 · shaall] So spelt in the first two eds., to mark the prolonged emphasis.Note 44 · in your waistcoat] i. e. (as Nares rightly explains the passage, Gloss. in v.) in that alone, without a gown or upper dress. Low prostitutesNote 45 · Bastard wine] In a note, vol. ii. p. 347, I have said that bastard was “a sweet Spanish wine:” “That it was a sweetish wine, there can be noNote 46 · poulter’s] i. e. poulterer’s.Note 47 · one] He means Hippolito: woodcock was a cant term for a foolish fellow.Note 48 · I] So several eds. Not in first ed.Note 49 · proper] i. e. personable.Note 50 · have] Old eds. “has.”Note 51 · Back] Old eds. “Black.”Note 52 · ador’d her eyes] “In a pamphlet attributed to Robert Greene, called Theeves falling out Truemen come by their goods, printed in 1615, and prNote 53 · O yes, &c.] An imperfect couplet: see notes, vol. i. p. 424, vol. ii. pp. 7, 307.Note 54 · mete] i. e. measure, embrace.Note 55 · luxurious] i. e. lascivious.Note 56 · I] So ed. 1605. Not in other eds.Note 57 · dagger’d arms] See note, vol. ii. p. 99.Note 58 · What, has he left his weapon here behind him, And gone forgetful? O fit instrument] Ed. 1605 has only “His weapon left heere? O fit instrumeNote 59 · split my heart upon] Ed. 1605, “cleaue my bosome on.”Note 60 · Not speak to me? not bid farewell? a scorn?] Ed. 1605, “Not speake to me! not looke! not bid farewell!”
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