Part 1 — CHAPTER XIII. THE MYSTERY OF FAITH—THE MYSTERY OF MIRACLE.
George Eliot translation
Faith in the power of prayer—and only where a power, an objective power, is ascribed to it, is prayer still a religious truth—is identical with faith in miraculous power; and faith in miracles is identical with the essence of faith in general. Faith alone prays; the prayer of faith is alone effectual. But faith is nothing else than confidence in the reality of the subjective in opposition to the limitations or laws of Nature and reason,—that is, of natural reason. The specific object of faith, therefore, is miracle; faith is the belief in miracle; faith and miracle are absolutely inseparable. That which is objectively miracle or miraculous power is subjectively faith; miracle is the outward aspect of faith, faith the inward soul of miracle; faith is the miracle of mind, the miracle of feeling, which merely becomes objective in external miracles. To faith nothing is impossible, and miracle only gives actuality to this omnipotence of faith: miracles are but a visible example of what faith can effect. Unlimitedness, supernaturalness, exaltation of feeling,—transcendence is therefore the essence of faith. Faith has reference only to things which, in contradiction with the limits or laws of Nature and reason, give objective reality to human feelings and human desires. Faith unfetters the wishes of subjectivity from the bonds of natural reason; it confers what Nature and reason deny; hence it makes man happy, for it satisfies his most personal wishes. And true faith is discomposed by no doubt. Doubt arises only where I go out of myself, overstep the bounds of my personality, concede reality and a right of suffrage to that which is distinct from myself;—where I know myself to be a subjective, i.e., a limited being, and seek to widen my limits by admitting things external to myself. But in faith the very principle of doubt is annulled; for to faith the subjective is in and by itself the objective—nay, the absolute. Faith is nothing else than belief in the absolute reality of subjectivity.
But why do we go so far back as to Abraham? We have the most striking examples much nearer to us. Miracle feeds the hungry, cures men born blind, deaf, and lame, rescues from fatal diseases, and even raises the dead at the prayer of relatives. Thus it satisfies human wishes, and wishes which, though not always intrinsically like the wish for the restoration of the dead, yet in so far as they appeal to miraculous power, to miraculous aid, are transcendental, supranaturalistic. But miracle is distinguished from that mode of satisfying human wishes and needs which is in accordance with Nature and reason, in this respect, that it satisfies the wishes of men in a way corresponding to the nature of wishes—in the most desirable way. Wishes own no restraint, no law, no time; they would be fulfilled without delay on the instant. And behold! miracle is as rapid as a wish is impatient. Miraculous power realises human wishes in a moment, at one stroke, without any hindrance. That the sick should become well is no miracle; but that they should become so immediately, at a mere word of command,—that is the mystery of miracle. Thus it is not in its product or object that miraculous agency is distinguished from the agency of Nature and reason, but only in its mode and process; for if miraculous power were to effect something absolutely new, never before beheld, never conceived, or not even conceivable, it would be practically proved to be an essentially different, and at the same time objective, agency. But the agency which in essence, in substance, is natural and accordant with the forms of the senses, and which is supernatural, supersensual, only in the mode or process, is the agency of the imagination. The power of miracle is therefore nothing else than the power of the imagination.
What suggests to man the notion that miracle is conceivable is that miracle is represented as an event perceptible by the senses, and hence man cheats his reason by material images which screen the contradiction. The miracle of the turning of water into wine, for example, implies in fact nothing else than that water is wine,—nothing else than that two absolutely contradictory predicates or subjects are identical; for in the hand of the miracle-worker there is no distinction between the two substances; the transformation is only the visible appearance of this identity of two contradictories. But the transformation conceals the contradiction, because the natural conception of change is interposed. Here, however, is no gradual, no natural, or, so to speak, organic change; but an absolute, immaterial one; a pure creatio ex nihilo. In the mysterious and momentous act of miraculous power, in the act which constitutes the miracle, water is suddenly and imperceptibly wine: which is equivalent to saying that iron is wood, or wooden iron.
To the merely emotional man the imagination is immediately, without his willing or knowing it, the highest, the dominant activity; and being the highest, it is the activity of God, the creative activity. To him feeling is an immediate truth and reality; he cannot abstract himself from his feelings, he cannot get beyond them: and equally real is his imagination. The imagination is not to him what it is to us men of active understanding, who distinguish it as subjective from objective cognition; it is immediately identical with himself, with his feelings; and since it is identical with his being, it is his essential, objective, necessary view of things. For us, indeed, imagination is an arbitrary activity; but where man has not imbibed the principle of culture, of theory, where he lives and moves only in his feelings, the imagination is an immediate, involuntary activity.