Note 6 — Chapter XIII · THE MYSTERY OF FAITH—THE MYSTERY OF MIRACLE.

The miraculous act—and miracle is only a transient act—is therefore not an object of thought, for it nullifies the very principle of thought; but it is just as little an object of sense, an object of real or even possible experience. Water is indeed an object of sense, and wine also; I first see water and then wine; but the miracle itself, that which makes this water suddenly wine,—this, not being a natural process, but a pure perfect without any antecedent imperfect, without any modus, without way or means, is no object of real, or even of possible experience. Miracle is a thing of the imagination; and on that very account is it so agreeable: for the imagination is the faculty which alone corresponds to personal feeling, because it sets aside all limits, all laws which are painful to the feelings, and thus makes objective to man the immediate, absolutely unlimited satisfaction of his subjective wishes.6 Accordance with subjective inclination is the essential characteristic of miracle. It is true that miracle produces also an awful, agitating impression, so far as it expresses a power which nothing can resist,—the power of the imagination. But this impression lies only in the transient miraculous act; the abiding, essential impression is the agreeable one. At the moment in which the beloved Lazarus is raised up, the surrounding relatives and friends are awestruck at the extraordinary, almighty power which transforms the dead into the living; but soon the relatives fall into the arms of the risen one, and lead him with tears of joy to his home, there to celebrate a festival of rejoicing. Miracle springs out of feeling, and has its end in feeling. Even in the traditional representation it does not deny its origin; the representation which gratifies the feelings is alone the adequate one. Who can fail to recognise in the narrative of the resurrection of Lazarus the tender, pleasing, legendary tone?7 Miracle is agreeable, because, as has been said, it satisfies the wishes of man without labour, without effort. Labour is unimpassioned, unbelieving, rationalistic; for man here makes his existence dependent on activity directed to an end, which activity again is itself determined solely by the idea of the objective world. But feeling does not at all trouble itself about the objective world; it does not go out of or beyond itself; it is happy in itself. The element of culture, the Northern principle of self-renunciation, is wanting to the emotional nature. The Apostles and Evangelists were no scientifically cultivated men. Culture, in general, is nothing else than the exaltation of the individual above his subjectivity to objective universal ideas, to the contemplation of the world. The Apostles were men of the people; the people live only in themselves, in their feelings; therefore Christianity took possession of the people. Vox populi vox Dei. Did Christianity conquer a single philosopher, historian, or poet of the classical period? The philosophers who went over to Christianity were feeble, contemptible philosophers. All who had yet the classic spirit in them were hostile, or at least indifferent to Christianity. The decline of culture was identical with the victory of Christianity. The classic spirit, the spirit of culture, limits itself by laws,—not indeed by arbitrary, finite laws, but by inherently true and valid ones; it is determined by the necessity, the truth of the nature of things; in a word, it is the objective spirit. In place of this, there entered with Christianity the principle of unlimited, extravagant, fanatical, supranaturalistic subjectivity; a principle intrinsically opposed to that of science, of culture.8 With Christianity man lost the capability of conceiving himself as a part of Nature, of the universe. As long as true, unfeigned, unfalsified, uncompromising Christianity existed, as long as Christianity was a living, practical truth, so long did real miracles happen; and they necessarily happened, for faith in dead, historical, past miracles is itself a dead faith, the first step towards unbelief, or rather the first and therefore the timid, uncandid, servile mode in which unbelief in miracle finds vent. But where miracles happen, all definite forms melt in the golden haze of imagination and feeling; there the world, reality, is no truth; there the miracle-working, emotional, i.e., subjective being, is held to be alone the objective, real being.