Notes to The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 and 2 — Reading edition
639 notes · Reading edition
PREFACE · Note 1EPITAPH[491:1] · Note 1EASTER HOLIDAYS[1:1] · Note 1DURA NAVIS[2:1] · Note 1DURA NAVIS[2:1] · Note 2DURA NAVIS[2:1] · Note 3NIL PEJUS EST CAELIBE VITÂ[4:1] · Note 1SONNET[5:1] · Note 1ANTHEM[5:2] · Note 1JULIA[6:1] · Note 1QUAE NOCENT DOCENT[7:1] · Note 1THE NOSE[8:1] · Note 1TO THE MUSE[9:1] · Note 1DESTRUCTION OF THE BASTILE[10:1] · Note 1LIFE[11:1] · Note 1PROGRESS OF VICE[12:1] · Note 1MONODY ON THE DEATH OF CHATTERTON[13:1] · Note 1MONODY ON THE DEATH OF CHATTERTON[13:1] · Note 2AN INVOCATION[16:1] · Note 1ANNA AND HARLAND[16:2] · Note 1TO THE EVENING STAR[16:3] · Note 1PAIN[17:1] · Note 1ON A LADY WEEPING[17:2] · Note 1MONODY ON A TEA-KETTLE[18:1] · Note 1GENEVIEVE[19:1] · Note 1ON RECEIVING AN ACCOUNT THAT HIS ONLY SISTER'S DEATH WAS INEVITABLE[20:1] · Note 1ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER[21:1] · Note 1A MATHEMATICAL PROBLEM[21:2] · Note 1A MATHEMATICAL PROBLEM[21:2] · Note 2A MATHEMATICAL PROBLEM[21:2] · Note 3A MATHEMATICAL PROBLEM[21:2] · Note 4HONOUR[24:1] · Note 1ON IMITATION[26:1] · Note 1INSIDE THE COACH[26:2] · Note 1DEVONSHIRE ROADS[27:1] · Note 1DEVONSHIRE ROADS[27:1] · Note 2MUSIC[28:1] · Note 1SONNET[29:1] · Note 1ABSENCE[29:2] · Note 1HAPPINESS[30:1] · Note 1HAPPINESS[30:1] · Note 2A WISH[33:1] · Note 1AN ODE IN THE MANNER OF ANACREON[33:2] · Note 1TO DISAPPOINTMENT[34:1] · Note 1A FRAGMENT FOUND IN A LECTURE-ROOM[35:1] · Note 1ODE[35:2] · Note 1A LOVER'S COMPLAINT TO HIS MISTRESS[36:1] · Note 1WITH FIELDING'S 'AMELIA'[37:1] · Note 1WITH FIELDING'S 'AMELIA'[37:1] · Note 2WRITTEN AFTER A WALK BEFORE SUPPER[37:3] · Note 1IMITATED FROM OSSIAN[38:1] · Note 1THE COMPLAINT OF NINATHÓMA[39:1] · Note 1SONGS OF THE PIXIES[40:1] · Note 1THE ROSE[45:1] · Note 1THE ROSE[45:1] · Note 2KISSES[46:2] · Note 1THE GENTLE LOOK[47:1] · Note 1THE GENTLE LOOK[47:1] · Note 2SONNET[48:2] · Note 1LINES[51:1] · Note 1LINES[51:1] · Note 2TO FORTUNE[54:1] · Note 1PERSPIRATION. A TRAVELLING ECLOGUE[56:1] · Note 1[AVE, ATQUE VALE!][56:2] · Note 1ON BALA HILL[56:3] · Note 1LINES[57:1] · Note 1IMITATED FROM THE WELSH[58:1] · Note 1LINES[58:2] · Note 1IMITATIONS AD LYRAM[59:1] · Note 1(CASIMIR, BOOK II. ODE 3) · Note 1TO LESBIA[60:2] · Note 1THE DEATH OF THE STARLING[61:1] · Note 1MORIENS SUPERSTITI[61:2] · Note 1THE SIGH[62:1] · Note 1THE KISS[63:1] · Note 1TO A YOUNG LADY[64:1] · Note 1TO A YOUNG LADY[64:1] · Note 2TO A YOUNG LADY[64:1] · Note 3TRANSLATION[66:1] · Note 1TO MISS BRUNTON[67:1] · Note 1EPITAPH ON AN INFANT[68:1] · Note 1PANTISOCRACY[68:2] · Note 1ON THE PROSPECT OF ESTABLISHING A PANTISOCRACY IN AMERICA[69:1] · Note 1ELEGY[69:2] · Note 1THE FADED FLOWER[70:1] · Note 1THE OUTCAST[71:1] · Note 1DOMESTIC PEACE[71:2] · Note 1ON A DISCOVERY MADE TOO LATE[72:1] · Note 1TO THE AUTHOR OF 'THE ROBBERS'[72:2] · Note 1MELANCHOLY[73:1] · Note 1MELANCHOLY[73:1] · Note 2MELANCHOLY[73:1] · Note 3TO A YOUNG ASS[74:2] · Note 1TO A YOUNG ASS[74:2] · Note 2LINES ON A FRIEND[76:1] · Note 1TO A FRIEND[78:1] · Note 1TO A FRIEND[78:1] · Note 2I[79:2] · Note 1I[79:2] · Note 2II[80:1] · Note 1II[80:1] · Note 2III[81:1] · Note 1IV[82:1] · Note 1IV[82:1] · Note 2V[82:3] · Note 1VI[83:1] · Note 1VI[83:1] · Note 2VI[83:1] · Note 3VII[84:1] · Note 1VII[84:1] · Note 2VII[84:1] · Note 3VIII[85:2] · Note 1IX · Note 1IX · Note 2X[87:1] · Note 1XI[87:2] · Note 1XI[87:2] · Note 2TO LORD STANHOPE[89:1] · Note 1TO EARL STANHOPE[89:2] · Note 1TO EARL STANHOPE[89:2] · Note 2LINES[90:2] · Note 1TO AN INFANT[91:1] · Note 1TO THE REV. W. J. HORT[92:1] · Note 1PITY[93:1] · Note 1TO THE NIGHTINGALE[93:2] · Note 1LINES[94:1] · Note 1LINES IN THE MANNER OF SPENSER[94:2] · Note 1THE HOUR WHEN WE SHALL MEET AGAIN[96:1] · Note 1LINES[96:2] · Note 1LINES[96:2] · Note 2LINES[96:2] · Note 3LINES[96:2] · Note 4THE EOLIAN HARP[100:1] · Note 1THE EOLIAN HARP[100:1] · Note 2TO THE AUTHOR OF POEMS[102:2] · Note 1TO THE AUTHOR OF POEMS[102:2] · Note 2TO THE AUTHOR OF POEMS[102:2] · Note 3TO THE AUTHOR OF POEMS[102:2] · Note 4THE SILVER THIMBLE[104:1] · Note 1REFLECTIONS ON HAVING LEFT A PLACE OF RETIREMENT[106:1] · Note 1RELIGIOUS MUSINGS[108:1] · Note 1RELIGIOUS MUSINGS[108:1] · Note 2RELIGIOUS MUSINGS[108:1] · Note 3RELIGIOUS MUSINGS[108:1] · Note 4RELIGIOUS MUSINGS[108:1] · Note 5RELIGIOUS MUSINGS[108:1] · Note 6RELIGIOUS MUSINGS[108:1] · Note 7RELIGIOUS MUSINGS[108:1] · Note 8RELIGIOUS MUSINGS[108:1] · Note 9RELIGIOUS MUSINGS[108:1] · Note 10RELIGIOUS MUSINGS[108:1] · Note 11RELIGIOUS MUSINGS[108:1] · Note 12RELIGIOUS MUSINGS[108:1] · Note 13RELIGIOUS MUSINGS[108:1] · Note 14RELIGIOUS MUSINGS[108:1] · Note 15RELIGIOUS MUSINGS[108:1] · Note 16RELIGIOUS MUSINGS[108:1] · Note 17RELIGIOUS MUSINGS[108:1] · Note 18RELIGIOUS MUSINGS[108:1] · Note 19RELIGIOUS MUSINGS[108:1] · Note 20RELIGIOUS MUSINGS[108:1] · Note 21RELIGIOUS MUSINGS[108:1] · Note 22RELIGIOUS MUSINGS[108:1] · Note 23RELIGIOUS MUSINGS[108:1] · Note 24MONODY ON THE DEATH OF CHATTERTON[125:1] · Note 1MONODY ON THE DEATH OF CHATTERTON[125:1] · Note 2THE DESTINY OF NATIONS[131:1] · Note 1THE DESTINY OF NATIONS[131:1] · Note 2THE DESTINY OF NATIONS[131:1] · Note 3THE DESTINY OF NATIONS[131:1] · Note 4THE DESTINY OF NATIONS[131:1] · Note 5THE DESTINY OF NATIONS[131:1] · Note 6THE DESTINY OF NATIONS[131:1] · Note 7THE DESTINY OF NATIONS[131:1] · Note 8THE DESTINY OF NATIONS[131:1] · Note 9THE DESTINY OF NATIONS[131:1] · Note 10THE DESTINY OF NATIONS[131:1] · Note 11THE DESTINY OF NATIONS[131:1] · Note 12THE DESTINY OF NATIONS[131:1] · Note 13THE DESTINY OF NATIONS[131:1] · Note 14THE DESTINY OF NATIONS[131:1] · Note 15THE DESTINY OF NATIONS[131:1] · Note 16VER PERPETUUM[148:1] · Note 1ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796[148:2] · Note 1ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796[148:2] · Note 2TO A PRIMROSE[149:2] · Note 1VERSES[150:1] · Note 1VERSES[150:1] · Note 2ON A LATE CONNUBIAL RUPTURE IN HIGH LIFE[152:1] · Note 1SONNET[152:2] · Note 1SONNET[153:1] · Note 1SONNET[153:1] · Note 2SONNET[153:1] · Note 3SONNET[154:2] · Note 1SONNET[155:1] · Note 1TO A YOUNG FRIEND[155:2] · Note 1ADDRESSED TO A YOUNG MAN OF FORTUNE[157:1] [C. Lloyd] · Note 1TO A FRIEND[158:1] · Note 1TO A FRIEND[158:1] · Note 2TO A FRIEND[158:1] · Note 3ODE TO THE DEPARTING YEAR[160:1] · Note 1ODE TO THE DEPARTING YEAR[160:1] · Note 2ODE TO THE DEPARTING YEAR[160:1] · Note 3ODE TO THE DEPARTING YEAR[160:1] · Note 4ODE TO THE DEPARTING YEAR[160:1] · Note 5ODE TO THE DEPARTING YEAR[160:1] · Note 6ODE TO THE DEPARTING YEAR[160:1] · Note 7ODE TO THE DEPARTING YEAR[160:1] · Note 8ODE TO THE DEPARTING YEAR[160:1] · Note 9ODE TO THE DEPARTING YEAR[160:1] · Note 10ODE TO THE DEPARTING YEAR[160:1] · Note 11ODE TO THE DEPARTING YEAR[160:1] · Note 12ODE TO THE DEPARTING YEAR[160:1] · Note 13ODE TO THE DEPARTING YEAR[160:1] · Note 14ODE TO THE DEPARTING YEAR[160:1] · Note 15THE RAVEN[169:1] · Note 1THE RAVEN[169:1] · Note 2THE RAVEN[169:1] · Note 3TO AN UNFORTUNATE WOMAN AT THE THEATRE[171:1] · Note 1TO AN UNFORTUNATE WOMAN[172:1] · Note 1TO THE REV. GEORGE COLERIDGE[173:1] · Note 1ON THE CHRISTENING OF A FRIEND'S CHILD[176:1] · Note 1TRANSLATION[177:1] · Note 1THIS LIME-TREE BOWER MY PRISON[178:1] · Note 1THIS LIME-TREE BOWER MY PRISON[178:1] · Note 2THIS LIME-TREE BOWER MY PRISON[178:1] · Note 3THIS LIME-TREE BOWER MY PRISON[178:1] · Note 4THIS LIME-TREE BOWER MY PRISON[178:1] · Note 5THIS LIME-TREE BOWER MY PRISON[178:1] · Note 6THIS LIME-TREE BOWER MY PRISON[178:1] · Note 7THE FOSTER-MOTHER'S TALE[182:1] · Note 1THE DUNGEON[185:1] · Note 1THE RIME OF THE ANCIENT MARINER[186:1] · Note 1THE RIME OF THE ANCIENT MARINER[186:1] · Note 2THE RIME OF THE ANCIENT MARINER[186:1] · Note 3THE RIME OF THE ANCIENT MARINER[186:1] · Note 4THE RIME OF THE ANCIENT MARINER[186:1] · Note 5THE RIME OF THE ANCIENT MARINER[186:1] · Note 6THE RIME OF THE ANCIENT MARINER[186:1] · Note 7THE RIME OF THE ANCIENT MARINER[186:1] · Note 8SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS[209:1] · Note 1PARLIAMENTARY OSCILLATORS[211:1] · Note 1PARLIAMENTARY OSCILLATORS[211:1] · Note 2CHRISTABEL[213:1] · Note 1CHRISTABEL[213:1] · Note 2CHRISTABEL[213:1] · Note 3LINES TO W. L.[236:1] · Note 1FIRE, FAMINE, AND SLAUGHTER[237:1] · Note 1FROST AT MIDNIGHT[240:1] · Note 1FROST AT MIDNIGHT[240:1] · Note 2FROST AT MIDNIGHT[240:1] · Note 3FRANCE: AN ODE[243:1] · Note 1THE OLD MAN OF THE ALPS[248:1] · Note 1TO A YOUNG LADY[252:1] · Note 1LEWTI[253:1] · Note 1LEWTI[253:1] · Note 2FEARS IN SOLITUDE[256:1] · Note 1THE NIGHTINGALE[264:1] · Note 1THE NIGHTINGALE[264:1] · Note 2THE THREE GRAVES[267:1] · Note 1THE THREE GRAVES[267:1] · Note 2THE THREE GRAVES[267:1] · Note 3THE THREE GRAVES[267:1] · Note 4THE THREE GRAVES[267:1] · Note 5THE THREE GRAVES[267:1] · Note 6THE THREE GRAVES[267:1] · Note 7THE THREE GRAVES[267:1] · Note 8THE WANDERINGS OF CAIN[285:1] · Note 1TO ——[292:1] · Note 1THE BALLAD OF THE DARK LADIÉ[293:1] · Note 1KUBLA KHAN[295:1]: · Note 1KUBLA KHAN[295:1]: · Note 2KUBLA KHAN[295:1]: · Note 3KUBLA KHAN[295:1]: · Note 4KUBLA KHAN[295:1]: · Note 5KUBLA KHAN · Note 1KUBLA KHAN · Note 2KUBLA KHAN · Note 3KUBLA KHAN · Note 4RECANTATION[299:1] · Note 1RECANTATION[299:1] · Note 2RECANTATION[299:1] · Note 3HEXAMETERS[304:1] · Note 1HEXAMETERS[304:1] · Note 2HEXAMETERS[304:1] · Note 3HEXAMETERS[304:1] · Note 4TRANSLATION OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPEL · Note 1CATULLIAN HENDECASYLLABLES[307:1] · Note 1THE HOMERIC HEXAMETER[307:2] · Note 1ON A CATARACT[308:1] · Note 1TELL'S BIRTH-PLACE[309:1] · Note 1THE VISIT OF THE GODS[310:1] · Note 1FROM THE GERMAN[311:1] · Note 1WATER BALLAD[311:2] · Note 1ON AN INFANT[312:1] · Note 1SOMETHING CHILDISH, BUT VERY NATURAL[313:1] · Note 1HOME-SICK[314:1] · Note 1LINES[315:1] · Note 1LINES[315:1] · Note 2LINES[315:1] · Note 3THE BRITISH STRIPLING'S WAR-SONG[317:1] · Note 1NAMES[318:1] · Note 1THE DEVIL'S THOUGHTS[319:1] · Note 1THE DEVIL'S THOUGHTS[319:1] · Note 2THE DEVIL'S THOUGHTS[319:1] · Note 3THE DEVIL'S THOUGHTS[319:1] · Note 4THE DEVIL'S THOUGHTS[319:1] · Note 5LINES COMPOSED IN A CONCERT-ROOM[324:1] · Note 1WESTPHALIAN SONG[326:1] · Note 1HEXAMETERS[326:2] · Note 1HYMN TO THE EARTH[327:1] · Note 1MAHOMET[329:1] · Note 1LOVE[330:1] · Note 1ODE TO GEORGIANA, DUCHESS OF DEVONSHIRE[335:1] · Note 1ODE TO GEORGIANA, DUCHESS OF DEVONSHIRE[335:1] · Note 2A CHRISTMAS CAROL[338:1] · Note 1TALLEYRAND TO LORD GRENVILLE[340:1] · Note 1TALLEYRAND TO LORD GRENVILLE[340:1] · Note 2TALLEYRAND TO LORD GRENVILLE[340:1] · Note 3TALLEYRAND TO LORD GRENVILLE[340:1] · Note 4TALLEYRAND TO LORD GRENVILLE[340:1] · Note 5TALLEYRAND TO LORD GRENVILLE[340:1] · Note 6TALLEYRAND TO LORD GRENVILLE[340:1] · Note 7TALLEYRAND TO LORD GRENVILLE[340:1] · Note 8APOLOGIA PRO VITA SUA[345:1] · Note 1THE KEEPSAKE[345:2] · Note 1THE KEEPSAKE[345:2] · Note 2A THOUGHT SUGGESTED BY A VIEW[347:1] · Note 1THE MAD MONK[347:2] · Note 1INSCRIPTION FOR A SEAT BY THE ROAD SIDE HALF-WAY UP A STEEP HILL FACING SOUTH[349:1] · Note 1A STRANGER MINSTREL[350:1] · Note 1A STRANGER MINSTREL[350:1] · Note 2A STRANGER MINSTREL[350:1] · Note 3ALCAEUS TO SAPPHO[353:1] · Note 1THE TWO ROUND SPACES ON THE TOMBSTONE[353:2] · Note 1THE SNOW-DROP[356:1] · Note 1THE SNOW-DROP[356:1] · Note 2ON REVISITING THE SEA-SHORE[359:1] · Note 1ODE TO TRANQUILLITY[360:1] · Note 1TO ASRA[361:1] · Note 1THE SECOND BIRTH[362:1] · Note 1LOVE'S SANCTUARY[362:2] · Note 1DEJECTION: AN ODE[362:3] · Note 1DEJECTION: AN ODE[362:3] · Note 2THE PICTURE[369:1] · Note 1THE PICTURE[369:1] · Note 2TO MATILDA BETHAM FROM A STRANGER[374:1] · Note 1TO MATILDA BETHAM FROM A STRANGER[374:1] · Note 2HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2] · Note 1HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2] · Note 2HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2] · Note 3HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2] · Note 4THE GOOD, GREAT MAN[381:1] · Note 1INSCRIPTION FOR A FOUNTAIN ON A HEATH[381:2] · Note 1INSCRIPTION FOR A FOUNTAIN ON A HEATH[381:2] · Note 2AN ODE TO THE RAIN[382:2] · Note 1A DAY-DREAM[385:1] · Note 1ANSWER TO A CHILD'S QUESTION[386:1] · Note 1THE DAY-DREAM[386:2] · Note 1THE HAPPY HUSBAND[388:1] · Note 1THE PAINS OF SLEEP[389:1] · Note 1THE EXCHANGE[391:1] · Note 1AD VILMUM AXIOLOGUM[391:2] · Note 1AN EXILE[392:1] · Note 1SONNET[392:2] · Note 1PHANTOM[393:1] · Note 1A SUNSET[393:2] · Note 1WHAT IS LIFE?[394:1] · Note 1THE BLOSSOMING OF THE SOLITARY DATE-TREE[395:1] · Note 1SEPARATION[397:1] · Note 1THE RASH CONJURER[399:1] · Note 1THE RASH CONJURER[399:1] · Note 2A CHILD'S EVENING PRAYER[401:1] · Note 1METRICAL FEET[401:2] · Note 1FAREWELL TO LOVE[402:1] · Note 1TO WILLIAM WORDSWORTH[403:1] · Note 1TO WILLIAM WORDSWORTH[403:1] · Note 2AN ANGEL VISITANT[409:1] · Note 1RECOLLECTIONS OF LOVE[409:2] · Note 1TO TWO SISTERS[410:1] · Note 1PSYCHE[412:1] · Note 1PSYCHE[412:1] · Note 2A TOMBLESS EPITAPH[413:1] · Note 1FOR A MARKET-CLOCK[414:1] · Note 1THE MADMAN AND THE LETHARGIST[414:2] · Note 1THE VISIONARY HOPE[416:1] · Note 1EPITAPH ON AN INFANT[417:1] · Note 1THE VIRGIN'S CRADLE-HYMN[417:2] · Note 1THE VIRGIN'S CRADLE-HYMN[417:2] · Note 2TO A LADY[418:1] · Note 1REASON FOR LOVE'S BLINDNESS[418:2] · Note 1THE SUICIDE'S ARGUMENT[419:1] · Note 1TIME, REAL AND IMAGINARY[419:2] · Note 1AN INVOCATION[420:1] · Note 1THE NIGHT-SCENE[421:1] · Note 1A HYMN[423:1] · Note 1TO A LADY[424:1] · Note 1HUMAN LIFE[425:1] · Note 1HUMAN LIFE[425:1] · Note 2SONG[426:1] · Note 1HUNTING SONG[427:1] · Note 1FAITH, HOPE, AND CHARITY[427:2] · Note 1TO NATURE[429:1] · Note 1LIMBO[429:2] · Note 1NE PLUS ULTRA[431:1] · Note 1THE KNIGHT'S TOMB[432:1] · Note 1ON DONNE'S POETRY[433:1] · Note 1ISRAEL'S LAMENT[433:2] · Note 1FANCY IN NUBIBUS[435:1] · Note 1THE TEARS OF A GRATEFUL PEOPLE[436:1] · Note 1THE TEARS OF A GRATEFUL PEOPLE[436:1] · Note 2YOUTH AND AGE[439:1] · Note 1THE REPROOF AND REPLY[441:1] · Note 1THE REPROOF AND REPLY[441:1] · Note 2THE REPROOF AND REPLY[441:1] · Note 3FIRST ADVENT OF LOVE[443:2] · Note 1THE DELINQUENT TRAVELLERS[443:3] · Note 1THE DELINQUENT TRAVELLERS[443:3] · Note 2THE DELINQUENT TRAVELLERS[443:3] · Note 3WORK WITHOUT HOPE[447:1] · Note 1WORK WITHOUT HOPE[447:1] · Note 2SANCTI DOMINICI PALLIUM[448:1] · Note 1SANCTI DOMINICI PALLIUM[448:1] · Note 2SANCTI DOMINICI PALLIUM[448:1] · Note 3SANCTI DOMINICI PALLIUM[448:1] · Note 4SANCTI DOMINICI PALLIUM[448:1] · Note 5SONG[450:2] · Note 1A CHARACTER[451:1] · Note 1THE TWO FOUNTS[454:1] · Note 1CONSTANCY TO AN IDEAL OBJECT[455:1] · Note 1CONSTANCY TO AN IDEAL OBJECT[455:1] · Note 2CONSTANCY TO AN IDEAL OBJECT[455:1] · Note 3THE PANG MORE SHARP THAN ALL[457:1] · Note 1THE PANG MORE SHARP THAN ALL[457:1] · Note 2DUTY SURVIVING SELF-LOVE[459:1] · Note 1HOMELESS[460:1] · Note 1LINES[460:2] · Note 1EPITAPHIUM TESTAMENTARIUM[462:1] · Note 1EPITAPHIUM TESTAMENTARIUM[462:1] · Note 2THE IMPROVISATORE[462:3] · Note 1THE IMPROVISATORE[462:3] · Note 2THE IMPROVISATORE[462:3] · Note 3TO MARY PRIDHAM[468:1] · Note 1ALICE DU CLOS[469:1] · Note 1LOVE'S BURIAL-PLACE[475:1] · Note 1LINES[476:1] · Note 1COLOGNE[477:1] · Note 1COLOGNE[477:1] · Note 2COLOGNE[477:1] · Note 3COLOGNE[477:1] · Note 4ON MY JOYFUL DEPARTURE[477:5] · Note 1ON MY JOYFUL DEPARTURE[477:5] · Note 2ON MY JOYFUL DEPARTURE[477:5] · Note 3THE GARDEN OF BOCCACCIO[478:1] · Note 1THE GARDEN OF BOCCACCIO[478:1] · Note 2THE GARDEN OF BOCCACCIO[478:1] · Note 3THE GARDEN OF BOCCACCIO[478:1] · Note 4LOVE, HOPE, AND PATIENCE IN EDUCATION[481:1] · Note 1TO MISS A. T.[482:1] · Note 1LINES[483:1] · Note 1SONG, ex improviso[483:2] · Note 1LOVE AND FRIENDSHIP OPPOSITE[484:1] · Note 1NOT AT HOME[484:2] · Note 1PHANTOM OR FACT[484:3] · Note 1DESIRE[485:1] · Note 1CHARITY IN THOUGHT[486:1] · Note 1HUMILITY THE MOTHER OF CHARITY[486:2] · Note 1[COELI ENARRANT][486:3] · Note 1[COELI ENARRANT][486:3] · Note 2REASON[487:1] · Note 1SELF-KNOWLEDGE[487:2] · Note 1FORBEARANCE[488:1] · Note 1FORBEARANCE[488:1] · Note 2LOVE'S APPARITION AND EVANISHMENT[488:3] · Note 1LOVE'S APPARITION AND EVANISHMENT[488:3] · Note 2TO THE YOUNG ARTIST[490:1] · Note 1MY BAPTISMAL BIRTH-DAY[490:2] · Note 1EPITAPH[491:1] · Note 2THE FALL OF ROBESPIERRE[495:1] · Note 1ACT I · Note 1OSORIO · Note 1ACT THE FIRST[519:1] · Note 1ACT THE FIRST[519:1] · Note 2ACT THE THIRD · Note 1ACT THE THIRD · Note 2ACT THE THIRD · Note 3ACT THE THIRD · Note 4ACT THE THIRD · Note 5ACT THE FOURTH · Note 1ACT THE FOURTH · Note 2ACT THE FOURTH · Note 3ACT THE FOURTH · Note 4ACT THE FIFTH · Note 1ACT THE FIFTH · Note 2THE PICCOLOMINI[598:1] · Note 1THE PICCOLOMINI[600:1] · Note 1Scene I · Note 1Scene I · Note 2Scene I · Note 3Scene II · Note 1Scene IV · Note 1Scene X · Note 1Scene XI · Note 1Scene XI · Note 2Scene XII · Note 1Scene II · Note 1Scene III · Note 1Scene III · Note 2Scene IV · Note 1Scene IV · Note 2Scene V · Note 1Scene VI · Note 1Scene VII · Note 1Scene VII · Note 2Scene VII · Note 3Scene XII · Note 1Scene V · Note 1Scene VII · Note 1Scene VII · Note 2Scene V · Note 1Scene III · Note 1Scene VI · Note 1Scene VI · Note 2Scene VIII · Note 1Scene VI · Note 1Scene I · Note 1REMORSE[812:1] · Note 1PREFACE · Note 1PREFACE · Note 2PREFACE · Note 3PREFACE · Note 4PREFACE · Note 5PREFACE · Note 6PREFACE · Note 7PREFACE · Note 8PREFACE · Note 9PREFACE · Note 10PREFACE · Note 11PREFACE · Note 12PREFACE · Note 13PREFACE · Note 14PREFACE · Note 15PREFACE · Note 16PREFACE · Note 17PREFACE · Note 18PREFACE · Note 19PROLOGUE · Note 1REMORSE[819:1] · Note 1REMORSE[819:1] · Note 2Scene II · Note 1Scene I · Note 1Scene I · Note 2Scene II · Note 1Scene II · Note 2Scene II · Note 3Scene II · Note 4Scene II · Note 2Scene II · Note 3Scene II · Note 1Scene II · Note 2Scene I · Note 1Scene I · Note 2Scene I · Note 3Scene II · Note 1ZAPOLYA[883:1] · Note 1ZAPOLYA[883:1] · Note 2Scene I · Note 1Scene I · Note 2Scene I · Note 3EPIGRAMS[951:1] · Note 1EPIGRAMS[951:1] · Note 2EPIGRAMS[951:1] · Note 3EPIGRAMS[951:1] · Note 4EPIGRAMS[951:1] · Note 5EPIGRAMS[951:1] · Note 6EPIGRAMS[951:1] · Note 7JEUX D'ESPRIT · Note 1JEUX D'ESPRIT · Note 2JEUX D'ESPRIT · Note 3JEUX D'ESPRIT · Note 4JEUX D'ESPRIT · Note 5FRAGMENTS FROM A NOTEBOOK[988:1] · Note 1FRAGMENTS FROM A NOTEBOOK[988:1] · Note 2FRAGMENTS[996:1] · Note 1FRAGMENTS[996:1] · Note 2FRAGMENTS[996:1] · Note 3FRAGMENTS[996:1] · Note 4FRAGMENTS[996:1] · Note 5FRAGMENTS[996:1] · Note 6METRICAL EXPERIMENTS[1014:1] · Note 1METRICAL EXPERIMENTS[1014:1] · Note 2APPENDIX I · Note 1APPENDIX I · Note 2APPENDIX I · Note 3APPENDIX I · Note 4E · Note 1G · Note 1H · Note 1I THE TRIUMPH OF LOYALTY.[1060:1] · Note 1I THE TRIUMPH OF LOYALTY.[1060:1] · Note 2K · Note 1K · Note 2K · Note 3L · Note 1N · Note 1O · Note 1O · Note 2P · Note 1Q · Note 1R[1090:2] · Note 1ALLEGORIC VISION[1091:1] · Note 1ALLEGORIC VISION[1091:1] · Note 2APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER'[1097:1] · Note 1APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER'[1097:1] · Note 2APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER'[1097:1] · Note 3C · Note 1C · Note 2E · Note 1E · Note 2E · Note 3E · Note 4E · Note 5BIBLIOGRAPHY · Note 1BIBLIOGRAPHY · Note 2BIBLIOGRAPHY · Note 3BIBLIOGRAPHY · Note 4BIBLIOGRAPHY · Note 5BIBLIOGRAPHY · Note 6BIBLIOGRAPHY · Note 7BIBLIOGRAPHY · Note 8BIBLIOGRAPHY · Note 9BIBLIOGRAPHY · Note 10BIBLIOGRAPHY · Note 11BIBLIOGRAPHY · Note 12BIBLIOGRAPHY · Note 13BIBLIOGRAPHY · Note 14BIBLIOGRAPHY · Note 15BIBLIOGRAPHY · Note 16Volume I · Note 1