Note 324:1 — LINES COMPOSED IN A CONCERT-ROOM[324:1]
Reading edition
First published in the Morning Post, September 24, 1799: included in Sibylline Leaves, 1817, 1828, 1829, and 1834. There is no evidence as to the date of composition. In a letter to Coleridge, dated July 5, 1796, Lamb writes 'Have a care, good Master Poet, of the Statute de Contumeliâ. What do you mean by calling Madame Mara harlots and naughty things? The goodness of the verse would not save you in a Court of Justice'—but it is by no means certain that Lamb is referring to the Lines Composed in a Concert-Room, or that there is any allusion in line 3 to Madame Mara. If, as J. D. Campbell suggested, the poem as it appeared in the Morning Post is a recast of some earlier verses, it is possible that the scene is Ottery, and that 'Edmund' is the 'Friend who died dead of' a 'Frenzy Fever' (vide ante, p. 76). In this case a probable date would be the summer of 1793. But the poem as a whole suggests a later date. Coleridge and Southey spent some weeks at Exeter in September 1799. They visited Ottery St. Mary, and walked through Newton Abbot to Ashburton and Dartmouth. It is possible that the 'Concert-Room,' the 'pert Captain,' and 'primmer Priest' are reminiscences of Exeter, the 'heath-plant,' and the 'ocean caves' of Dartmoor and Torbay. If so, the 'shame and absolute rout' (l. 49 of variant, p. 325) would refer to the victory of Suwaroff over Joubert at Novi, which took place August 15, 1799. See Letters of S. T. C., 1895, i. 307.