The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 and 2
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1. Front matter2. SAMUEL TAYLOR COLERIDGE3. ERNEST HARTLEY COLERIDGE4. PREFACE5. ABBREVIATIONS6. ERRATA7. EASTER HOLIDAYS[1:1]8. DURA NAVIS[2:1]9. NIL PEJUS EST CAELIBE VITÂ[4:1]10. SONNET[5:1]11. ANTHEM[5:2]12. JULIA[6:1]13. QUAE NOCENT DOCENT[7:1]14. THE NOSE[8:1]15. TO THE MUSE[9:1]16. DESTRUCTION OF THE BASTILE[10:1]17. LIFE[11:1]18. PROGRESS OF VICE[12:1]19. MONODY ON THE DEATH OF CHATTERTON[13:1]20. AN INVOCATION[16:1]21. ANNA AND HARLAND[16:2]22. TO THE EVENING STAR[16:3]23. PAIN[17:1]24. ON A LADY WEEPING[17:2]25. MONODY ON A TEA-KETTLE[18:1]26. GENEVIEVE[19:1]27. ON RECEIVING AN ACCOUNT THAT HIS ONLY SISTER'S DEATH WAS INEVITABLE[20:1]28. ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER[21:1]29. A MATHEMATICAL PROBLEM[21:2]30. HONOUR[24:1]31. ON IMITATION[26:1]32. INSIDE THE COACH[26:2]33. DEVONSHIRE ROADS[27:1]34. MUSIC[28:1]35. SONNET[29:1]36. ABSENCE[29:2]37. HAPPINESS[30:1]38. A WISH[33:1]39. AN ODE IN THE MANNER OF ANACREON[33:2]40. TO DISAPPOINTMENT[34:1]41. A FRAGMENT FOUND IN A LECTURE-ROOM[35:1]42. ODE[35:2]43. A LOVER'S COMPLAINT TO HIS MISTRESS[36:1]44. WITH FIELDING'S 'AMELIA'[37:1]45. WRITTEN AFTER A WALK BEFORE SUPPER[37:3]46. IMITATED FROM OSSIAN[38:1]47. THE COMPLAINT OF NINATHÓMA[39:1]48. SONGS OF THE PIXIES[40:1]49. THE ROSE[45:1]50. KISSES[46:2]51. THE GENTLE LOOK[47:1]52. SONNET[48:2]53. AN EFFUSION AT EVENING54. LINES[51:1]55. TO FORTUNE[54:1]56. PERSPIRATION. A TRAVELLING ECLOGUE[56:1]57. [AVE, ATQUE VALE!][56:2]58. ON BALA HILL[56:3]59. LINES[57:1]60. IMITATED FROM THE WELSH[58:1]61. LINES[58:2]62. IMITATIONS AD LYRAM[59:1]63. (CASIMIR, BOOK II. ODE 3)64. TO LESBIA[60:2]65. THE DEATH OF THE STARLING[61:1]66. MORIENS SUPERSTITI[61:2]67. MORIENTI SUPERSTES68. THE SIGH[62:1]69. THE KISS[63:1]70. TO A YOUNG LADY[64:1]71. TRANSLATION[66:1]72. TO MISS BRUNTON[67:1]73. EPITAPH ON AN INFANT[68:1]74. PANTISOCRACY[68:2]75. ON THE PROSPECT OF ESTABLISHING A PANTISOCRACY IN AMERICA[69:1]76. ELEGY[69:2]77. THE FADED FLOWER[70:1]78. THE OUTCAST[71:1]79. DOMESTIC PEACE[71:2]80. [FROM 'THE FALL OF ROBESPIERRE', ACT I, L. 210]81. ON A DISCOVERY MADE TOO LATE[72:1]82. TO THE AUTHOR OF 'THE ROBBERS'[72:2]83. MELANCHOLY[73:1]84. TO A YOUNG ASS[74:2]85. LINES ON A FRIEND[76:1]86. TO A FRIEND[78:1]87. SONNETS ON EMINENT CHARACTERS88. I[79:2]89. II[80:1]90. III[81:1]91. IV[82:1]92. V[82:3]93. VI[83:1]94. VII[84:1]95. VIII[85:2]96. IX97. X[87:1]98. XI[87:2]99. TO LORD STANHOPE[89:1]100. TO EARL STANHOPE[89:2]101. LINES[90:2]102. TO AN INFANT[91:1]103. TO THE REV. W. J. HORT[92:1]104. PITY[93:1]105. TO THE NIGHTINGALE[93:2]106. LINES[94:1]107. LINES IN THE MANNER OF SPENSER[94:2]108. THE HOUR WHEN WE SHALL MEET AGAIN[96:1]109. LINES[96:2]110. THE EOLIAN HARP[100:1]111. TO THE AUTHOR OF POEMS[102:2]112. THE SILVER THIMBLE[104:1]113. REFLECTIONS ON HAVING LEFT A PLACE OF RETIREMENT[106:1]114. RELIGIOUS MUSINGS[108:1]115. MONODY ON THE DEATH OF CHATTERTON[125:1]116. THE DESTINY OF NATIONS[131:1]117. VER PERPETUUM[148:1]118. ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796[148:2]119. TO A PRIMROSE[149:2]120. VERSES[150:1]121. ON A LATE CONNUBIAL RUPTURE IN HIGH LIFE[152:1]122. SONNET[152:2]123. SONNET[153:1]124. SONNET[154:2]125. SONNET[155:1]126. TO A YOUNG FRIEND[155:2]127. ADDRESSED TO A YOUNG MAN OF FORTUNE[157:1] [C. Lloyd]128. TO A FRIEND[158:1]129. ODE TO THE DEPARTING YEAR[160:1]130. THE RAVEN[169:1]131. TO AN UNFORTUNATE WOMAN AT THE THEATRE[171:1]132. TO AN UNFORTUNATE WOMAN[172:1]133. TO THE REV. GEORGE COLERIDGE[173:1]134. ON THE CHRISTENING OF A FRIEND'S CHILD[176:1]135. TRANSLATION[177:1]136. THIS LIME-TREE BOWER MY PRISON[178:1]137. THE FOSTER-MOTHER'S TALE[182:1]138. THE DUNGEON[185:1]139. THE RIME OF THE ANCIENT MARINER[186:1]140. SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS[209:1]141. PARLIAMENTARY OSCILLATORS[211:1]142. CHRISTABEL[213:1]143. LINES TO W. L.[236:1]144. FIRE, FAMINE, AND SLAUGHTER[237:1]145. FROST AT MIDNIGHT[240:1]146. FRANCE: AN ODE[243:1]147. THE OLD MAN OF THE ALPS[248:1]148. TO A YOUNG LADY[252:1]149. LEWTI[253:1]150. FEARS IN SOLITUDE[256:1]151. THE NIGHTINGALE[264:1]152. THE THREE GRAVES[267:1]153. THE WANDERINGS OF CAIN[285:1]154. CANTO II155. TO ——[292:1]156. THE BALLAD OF THE DARK LADIÉ[293:1]157. KUBLA KHAN[295:1]:158. KUBLA KHAN159. RECANTATION[299:1]160. HEXAMETERS[304:1]161. TRANSLATION OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPEL162. CATULLIAN HENDECASYLLABLES[307:1]163. THE HOMERIC HEXAMETER[307:2]164. THE OVIDIAN ELEGIAC METRE165. ON A CATARACT[308:1]166. TELL'S BIRTH-PLACE[309:1]167. THE VISIT OF THE GODS[310:1]168. FROM THE GERMAN[311:1]169. WATER BALLAD[311:2]170. ON AN INFANT[312:1]171. SOMETHING CHILDISH, BUT VERY NATURAL[313:1]172. HOME-SICK[314:1]173. LINES[315:1]174. THE BRITISH STRIPLING'S WAR-SONG[317:1]175. NAMES[318:1]176. THE DEVIL'S THOUGHTS[319:1]177. LINES COMPOSED IN A CONCERT-ROOM[324:1]178. WESTPHALIAN SONG[326:1]179. HEXAMETERS[326:2]180. HYMN TO THE EARTH[327:1]181. MAHOMET[329:1]182. LOVE[330:1]183. ODE TO GEORGIANA, DUCHESS OF DEVONSHIRE[335:1]184. A CHRISTMAS CAROL[338:1]185. TALLEYRAND TO LORD GRENVILLE[340:1]186. APOLOGIA PRO VITA SUA[345:1]187. THE KEEPSAKE[345:2]188. A THOUGHT SUGGESTED BY A VIEW[347:1]189. THE MAD MONK[347:2]190. INSCRIPTION FOR A SEAT BY THE ROAD SIDE HALF-WAY UP A STEEP HILL FACING SOUTH[349:1]191. A STRANGER MINSTREL[350:1]192. ALCAEUS TO SAPPHO[353:1]193. THE TWO ROUND SPACES ON THE TOMBSTONE[353:2]194. THE SNOW-DROP[356:1]195. ON REVISITING THE SEA-SHORE[359:1]196. ODE TO TRANQUILLITY[360:1]197. TO ASRA[361:1]198. THE SECOND BIRTH[362:1]199. LOVE'S SANCTUARY[362:2]200. DEJECTION: AN ODE[362:3]201. THE PICTURE[369:1]202. TO MATILDA BETHAM FROM A STRANGER[374:1]203. HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2]204. THE GOOD, GREAT MAN[381:1]205. INSCRIPTION FOR A FOUNTAIN ON A HEATH[381:2]206. AN ODE TO THE RAIN[382:2]207. A DAY-DREAM[385:1]208. ANSWER TO A CHILD'S QUESTION[386:1]209. THE DAY-DREAM[386:2]210. THE HAPPY HUSBAND[388:1]211. THE PAINS OF SLEEP[389:1]212. THE EXCHANGE[391:1]213. AD VILMUM AXIOLOGUM[391:2]214. AN EXILE[392:1]215. SONNET[392:2]216. PHANTOM[393:1]217. A SUNSET[393:2]218. WHAT IS LIFE?[394:1]219. THE BLOSSOMING OF THE SOLITARY DATE-TREE[395:1]220. SEPARATION[397:1]221. THE RASH CONJURER[399:1]222. A CHILD'S EVENING PRAYER[401:1]223. METRICAL FEET[401:2]224. FAREWELL TO LOVE[402:1]225. TO WILLIAM WORDSWORTH[403:1]226. AN ANGEL VISITANT[409:1]227. RECOLLECTIONS OF LOVE[409:2]228. TO TWO SISTERS[410:1]229. PSYCHE[412:1]230. A TOMBLESS EPITAPH[413:1]231. FOR A MARKET-CLOCK[414:1]232. THE MADMAN AND THE LETHARGIST[414:2]233. THE VISIONARY HOPE[416:1]234. EPITAPH ON AN INFANT[417:1]235. THE VIRGIN'S CRADLE-HYMN[417:2]236. TO A LADY[418:1]237. REASON FOR LOVE'S BLINDNESS[418:2]238. THE SUICIDE'S ARGUMENT[419:1]239. TIME, REAL AND IMAGINARY[419:2]240. AN INVOCATION[420:1]241. [Act iii, Scene i. ll. 69-82.]242. THE NIGHT-SCENE[421:1]243. A HYMN[423:1]244. TO A LADY[424:1]245. HUMAN LIFE[425:1]246. SONG[426:1]247. HUNTING SONG[427:1]248. FAITH, HOPE, AND CHARITY[427:2]249. TO NATURE[429:1]250. LIMBO[429:2]251. NE PLUS ULTRA[431:1]252. THE KNIGHT'S TOMB[432:1]253. ON DONNE'S POETRY[433:1]254. ISRAEL'S LAMENT[433:2]255. FANCY IN NUBIBUS[435:1]256. THE TEARS OF A GRATEFUL PEOPLE[436:1]257. YOUTH AND AGE[439:1]258. THE REPROOF AND REPLY[441:1]259. FIRST ADVENT OF LOVE[443:2]260. THE DELINQUENT TRAVELLERS[443:3]261. WORK WITHOUT HOPE[447:1]262. SANCTI DOMINICI PALLIUM[448:1]263. SONG[450:2]264. A CHARACTER[451:1]265. THE TWO FOUNTS[454:1]266. CONSTANCY TO AN IDEAL OBJECT[455:1]267. THE PANG MORE SHARP THAN ALL[457:1]268. DUTY SURVIVING SELF-LOVE[459:1]269. HOMELESS[460:1]270. LINES[460:2]271. EPITAPHIUM TESTAMENTARIUM[462:1]272. THE IMPROVISATORE[462:3]273. TO MARY PRIDHAM[468:1]274. ALICE DU CLOS[469:1]275. LOVE'S BURIAL-PLACE[475:1]276. LINES[476:1]277. COLOGNE[477:1]278. ON MY JOYFUL DEPARTURE[477:5]279. THE GARDEN OF BOCCACCIO[478:1]280. LOVE, HOPE, AND PATIENCE IN EDUCATION[481:1]281. TO MISS A. T.[482:1]282. LINES[483:1]283. SONG, ex improviso[483:2]284. LOVE AND FRIENDSHIP OPPOSITE[484:1]285. NOT AT HOME[484:2]286. PHANTOM OR FACT[484:3]287. DESIRE[485:1]288. CHARITY IN THOUGHT[486:1]289. HUMILITY THE MOTHER OF CHARITY[486:2]290. [COELI ENARRANT][486:3]291. REASON[487:1]292. SELF-KNOWLEDGE[487:2]293. FORBEARANCE[488:1]294. LOVE'S APPARITION AND EVANISHMENT[488:3]295. TO THE YOUNG ARTIST[490:1]296. MY BAPTISMAL BIRTH-DAY[490:2]297. EPITAPH[491:1]298. SAMUEL TAYLOR COLERIDGE299. ERNEST HARTLEY COLERIDGE300. Introductory material301. THE FALL OF ROBESPIERRE[495:1]302. ACT I303. ACT II304. Scene continues.305. OSORIO306. ACT THE FIRST[519:1]307. ACT THE SECOND308. Scene II.309. ACT THE THIRD310. ACT III.311. ACT THE FOURTH312. Scene II313. Scene III314. ACT THE FIFTH315. THE PICCOLOMINI[598:1]316. THE PICCOLOMINI[600:1]317. Scene I318. Scene II319. Scene III320. Scene IV321. Scene V322. Scene VI323. Scene VII324. Scene VIII325. Scene IX326. Scene X327. Scene XI328. Scene XII329. Scene I330. Scene II331. Scene III332. Scene IV333. Scene V334. Scene VI335. Scene VII336. Scene VIII337. Scene IX338. Scene X339. Scene XI340. Scene XII341. Scene XIII342. Scene XIV343. Scene I344. Scene II345. Scene III346. Scene I347. Scene II348. Scene III349. Scene IV350. Scene V351. Scene VI352. Scene VII353. Scene I354. Scene II355. Scene III356. Scene IV357. Scene V358. Scene VI359. THE DEATH OF WALLENSTEIN360. Scene I361. Scene II362. Scene III363. Scene IV364. Scene V365. Scene VI366. Scene VII367. Scene VIII368. Scene IX369. Scene X370. Scene XI371. Scene XII372. Scene I373. Scene II374. Scene III375. Scene IV376. Scene V377. Scene VI378. Scene VII379. Scene VIII380. Scene IX381. Scene X382. Scene XI383. Scene I384. Scene II385. Scene III386. Scene IV387. Scene V388. Scene VI389. Scene VII390. Scene VIII391. Scene IX392. Scene I393. Scene II394. Scene III395. Scene IV396. Scene V397. Scene VI398. Scene I399. Scene II400. Scene III401. Scene IV402. Scene V403. Scene VI404. Scene VII405. Scene VIII406. Scene IX407. Scene X408. REMORSE[812:1]409. PREFACE410. PROLOGUE411. EPILOGUE412. REMORSE[819:1]413. Scene I414. Scene II415. Scene I416. Scene II417. Scene I418. Scene II419. Scene I420. Scene II421. Scene III422. Scene I423. APPENDIX424. ZAPOLYA[883:1]425. THE PRELUDE, ENTITLED 'THE USURPER'S FORTUNE'426. Scene I427. THE SEQUEL, ENTITLED 'THE USURPER'S FATE'428. Scene I429. Scene I430. Scene I431. Scene I432. EPIGRAMS[951:1]433. JEUX D'ESPRIT434. FRAGMENTS FROM A NOTEBOOK[988:1]435. FRAGMENTS[996:1]436. METRICAL EXPERIMENTS[1014:1]437. APPENDIX I438. E439. F440. G441. H442. I THE TRIUMPH OF LOYALTY.[1060:1]443. DRAMATIS PERSONÆ.444. ACT I445. J446. K447. L448. M449. N450. O451. P452. Q453. R[1090:2]454. ALLEGORIC VISION[1091:1]455. APPENDIX III456. APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER'[1097:1]457. APPENDIX IV458. A459. B460. C461. D462. E463. F464. APPENDIX V465. 1466. 2467. 3468. 4469. 5470. 6471. 7472. 8473. The Poetaster. Act I, Scene 1.474. 10475. 11476. 12477. 13478. 14479. 15480. 16481. APPENDIX VI482. A483. B484. C485. D486. E487. F488. G489. H490. I491. J492. K493. L494. M495. N496. O497. P498. Q499. BIBLIOGRAPHY500. Volume I501. BIBLIOGRAPHICAL APPENDIX502. INDEX OF FIRST LINES503. TRANSCRIBER'S NOTES: