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The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 and 2

Note 243:1 — FRANCE: AN ODE[243:1]

Reading edition

First published in the Morning Post, April 16, 1798: included in quarto pamphlet published by J. Johnson, 1798: reprinted in Morning Post, Oct. 14, 1802: included in Poetical Register for 1808-9 (1812); in Fears in Solitude, &c., printed by Law and Gilbert, (?) 1812; in Sibylline Leaves, 1817, 1828, 1829, and 1834. Lines 85, 98 are quoted from 'France, a Palinodia', in Biog. Lit., 1817, i. 195. To the first Morning Post version (1798) an editorial note was prefixed:—

Original Poetry.

The following excellent Ode will be in unison with the feelings of every friend to Liberty and foe to Oppression; of all who, admiring the French Revolution, detest and deplore the conduct of France towards Switzerland. It is very satisfactory to find so zealous and steady an advocate for Freedom as Mr. Coleridge concur with us in condemning the conduct of France towards the Swiss Cantons. Indeed his concurrence is not singular; we know of no Friend to Liberty who is not of his opinion. What we most admire is the avowal of his sentiments, and public censure of the unprincipled and atrocious conduct of France. The Poem itself is written with great energy. The second, third, and fourth stanzas contain some of the most vigorous lines we have ever read. The lines in the fourth stanza:—

'To scatter rage and trait'rous guilt Where Peace her jealous home had built,'

to the end of the stanza are particularly expressive and beautiful.

To the second Morning Post version (1802) a note and Argument were prefixed:—

The following Ode was first published in this paper (in the beginning of the year 1798) in a less perfect state. The present state of France and Switzerland give it so peculiar an interest at the present time that we wished to re-publish it and accordingly have procured from the Author a corrected copy.

Argument.

'First Stanza. An invocation to those objects in Nature the contemplation of which had inspired the Poet with a devotional love of Liberty. Second Stanza. The exultation of the Poet at the commencement of the French Revolution, and his unqualified abhorrence of the Alliance against the Republic. Third Stanza. The blasphemies and horrors during the domination of the Terrorists regarded by the Poet as a transient storm, and as the natural consequence of the former despotism and of the foul superstition of Popery. Reason, indeed, began to suggest many apprehensions; yet still the Poet struggled to retain the hope that France would make conquests by no other means than by presenting to the observation of Europe a people more happy and better instructed than under other forms of Government. Fourth Stanza. Switzerland, and the Poet's recantation. Fifth Stanza. An address to Liberty, in which the Poet expresses his conviction that those feelings and that grand ideal of Freedom which the mind attains by its contemplation of its individual nature, and of the sublime surrounding objects (see Stanza the First) do not belong to men, as a society, nor can possibly be either gratified or realised, under any form of human government; but belong to the individual man, so far as he is pure, and inflamed with the love and adoration of God in Nature.'

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