V THE BIRTH OF THE MESSIAH. THE BAPTISM
C. Delisle Burns translation
It may be fairly asked how it was that the sun came to be thus honoured by the people of Western Asia, with lament at its death and rejoicing at its new birth. For winter, the time of the sun’s “death,” in these southern countries offered scarcely any grounds at all for lament. It was precisely the best part of the year. The night, too, having regard to its coolness after the heat of the day, gave no occasion for desiring the new birth of the sun in the morning.
“I know that I hang on the wind-rocked tree
Throughout nine nights,
Wounded by the spear, dedicated to Odin,
At the same time the myth of the Sun God does not take us to the very basis and the real kernel of the stories of the divine child’s birth. The Persian religion was not so much a religion of Light and Sun as of Fire, the most important and remarkable manifestation of which was of course the sun. Dionysus too, like all Gods of the life-warmth, of the rising plant sap and of fruitfulness, was in his deepest nature a Fire God. In the Fire Religion, however, the birth of the God forms the centre of all religious ideas; and its form was more exactly fixed through the peculiar acts by means of which the priest rekindled the holy fire.
The myth of Krishna offers a characteristic example of the manner in which in India a sacrificial cult is changed into a myth. Like Astyages and Herod, in order to ward off the danger arising from his sister’s son, of which he had been warned by an oracle, King Kansa caused his sister and her husband Vasudewa to be cast into prison. Here, in the darkness of a dungeon, Krishna comes into the world as Jesus did in the stable at Bethlehem. The nearer the hour of birth approaches the more beautiful the mother becomes. Soon the whole dungeon is filled with light. Rejoicing choirs sound in the air, the waters of the rivers and brooks make sweet music. The Gods come down from heaven and blessed spirits dance and sing for joy. At midnight his mother Dewaki (i.e., the divine) brings the child into the world, at the commencement of a new epoch. The parents themselves fall down before him and pray, but a voice from heaven admonishes them to convey him from the machinations of the tyrant to Gokala, the land of the cow, and to exchange him for the daughter of the herdsman Nanda. Immediately the chains fall from the father’s hands, the dungeon doors are opened, and he passes out into freedom. Another Christopher, he bears the child upon his shoulders through the river Yamuna, the waters of which recede in reverence before the son of God, and he exchanges Krishna for the new-born daughter of Nanda. He then returns to the dungeon, where the chains again immediately fasten of their own accord upon his limbs. Kansa now makes his way into the dungeon. In vain Dewaki entreats her brother to leave her the child. He is on the point of tearing it forcibly from her hands when it disappears before his eyes, and Kansa gives the order that all newly-born children in his country under the age of two years shall be killed.
At Mathura in Gokala Krishna grew up unknown among poor herdsmen. While yet in his cradle he had betrayed his divine origin by strangling, like Hercules, a dreadful snake which crawled upon him. He causes astonishment to every one by his precosity and lofty wisdom. As he grows up he becomes the darling of the herdsmen and playmate of Gopias, the milkmaid; he performs the most astonishing miracles. When, however, the time had come he arose and slew Kansa. He then fought the frightful “Time Snake” Kaliyanaga, of the thousand heads (the Hydra in the myth of Hercules, the Python in that of Apollo), which poisoned the surrounding air with its pestilential breath; and he busied himself in word and deed as a protector of the poor and proclaimer of the most perfect teaching. His greatest act, however, was his descent into the Underworld. Here he overpowered Yama, the dark God of death, obtained from him a recognition of his divine power, and led back the dead with him to a new life. Thus he was a benefactor of mankind by his heroic strength and miraculous power, leading the purest life, healing the sick, bringing the dead back to life, disclosing the secrets of the world, and withal humbly condescending to wash the feet of the Brahmins. Krishna finally died of an arrow wound which he sustained accidentally and in an unforeseen manner on his heel—the only vulnerable part of his body (cf. Achilles, Balder, Adonis, and Osiris). While dying he delivered the prophecy that thirty-six years after his death the fourth Epoch of the World, Caliyuga, the Iron Age, would begin, in which men would be both unhappy and wicked. But according to Brahmin teaching Krishna will return at the end of all time, when bodily and moral need will have reached its highest pitch upon the earth. In the clouds of heaven he will appear upon his white steed. With a comet in his right hand as a sword of flame he will destroy the old earth by fire, founding a new earth and a new heaven, and establishing a golden age of purity and perfection in which there will be nothing but pure joy and blessedness.
This reminds us strongly of the Persian Eschatology, of Mithras and Saoshyant, and of the Jewish Apocalyptics. But following the ancient sacred poem, the Barta Chastram, the former conception as well as the doctrine of a Messiah rest upon a prophecy according to which Vishnu Jesudu (!) was to be born a Brahmin in the city of Skambelam. He was to hold intercourse with men as a God, to purify the earth from sin, making it the abode of justice and truth, and to offer a sacrifice (self-sacrifice?). But still more striking are the resemblances of the Krishna myth with the Gospels. Does any connection between the two exist? The question is hard to answer because, owing to the uncertainty in all Indian citation of dates, the age of the story of Krishna cannot be settled. In the oldest Indian literature, the Vedas, Krishna appears to be the name of a Dæmon. In the Mahâbbhârata, the great Indian heroic epic, he plays indeed a prominent part, and is here on the point of assuming the place of the God Indra. The age of the poem, however, is debatable, although it is probably of pre-Buddhist origin. The chief source of the Krishna myth is the Puranas, especially the Bhagavat Purana and Vishnu Parana. But since the antiquity of these also is uncertain, and their most modern portions presumably belong only to the eighth or ninth century of the Christian era, a decision as to the date of the appearance of the Krishna myth can only be arrived at from internal evidence.
“The world was swallowed up, veiled in darkness,
“Shining brightly, Agni flashes forth far and wide,