Notes to The Works of Lord Byron. Vol. 4 — Reading edition
906 notes · Reading edition
THE PRISONER OF CHILLON · Note 1THE PRISONER OF CHILLON · Note 2THE PRISONER OF CHILLON · Note 3THE PRISONER OF CHILLON · Note 4THE PRISONER OF CHILLON · Note 5THE PRISONER OF CHILLON · Note 6THE PRISONER OF CHILLON · Note 7THE PRISONER OF CHILLON · Note 8THE PRISONER OF CHILLON · Note 9THE PRISONER OF CHILLON · Note 10THE PRISONER OF CHILLON · Note 11THE PRISONER OF CHILLON · Note 12THE PRISONER OF CHILLON · Note 13THE PRISONER OF CHILLON · Note 14THE PRISONER OF CHILLON · Note 15THE PRISONER OF CHILLON · Note 16THE PRISONER OF CHILLON · Note 17THE PRISONER OF CHILLON · Note 18THE PRISONER OF CHILLON · Note 19THE PRISONER OF CHILLON · Note 20THE PRISONER OF CHILLON · Note 21THE PRISONER OF CHILLON · Note 22THE PRISONER OF CHILLON · Note 23THE PRISONER OF CHILLON · Note 24THE PRISONER OF CHILLON · Note 25THE PRISONER OF CHILLON · Note 26THE PRISONER OF CHILLON · Note 27THE PRISONER OF CHILLON · Note 28THE PRISONER OF CHILLON · Note 29THE PRISONER OF CHILLON · Note 30THE PRISONER OF CHILLON · Note 31THE PRISONER OF CHILLON · Note 32THE PRISONER OF CHILLON · Note 33THE PRISONER OF CHILLON · Note 34THE PRISONER OF CHILLON · Note 35THE PRISONER OF CHILLON · Note 36THE PRISONER OF CHILLON · Note 37THE PRISONER OF CHILLON · Note 38THE PRISONER OF CHILLON · Note 39THE PRISONER OF CHILLON · Note 40THE PRISONER OF CHILLON · Note 41THE PRISONER OF CHILLON · Note 42POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 1POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 2POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 3POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 4POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 5POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 6POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 7POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 8POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 9POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 10POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 11POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 12POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 13POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 14POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 15POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 16POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 17POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 18POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 19POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 20POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 21POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 22POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 23POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 24POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 25POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 26POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 27POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 28POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 29POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 30POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 31POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 32POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 33POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 34POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 35POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 36POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 37POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 38POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 39POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 40POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 41POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 42POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 43POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 44POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 45POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 46POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 47POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 48POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 49POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 50POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 51POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 52POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 53POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 54POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 55POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 56POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 57POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 58POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 59POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 60POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 61POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 62POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 63POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 64POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 65POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 66POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 67POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 68POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 69POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 70POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 71POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 72POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 73POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 74POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 75POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 76POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 77POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 78POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 79POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 80POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 81POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 82POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 83POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 84POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 85POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 86POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 87POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 88POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 89POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 90POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 91POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 92POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 93POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 94POEMS OF JULY-SEPTEMBER, 1816. THE DREAM. · Note 95MONODY ON THE DEATH OF THE RIGHT HON. R. B. SHERIDAN. · Note 1MONODY ON THE DEATH OF THE RIGHT HON. R. B. SHERIDAN. · Note 2MONODY ON THE DEATH OF THE RIGHT HON. R. B. SHERIDAN. · Note 3MONODY ON THE DEATH OF THE RIGHT HON. R. B. SHERIDAN. · Note 4MONODY ON THE DEATH OF THE RIGHT HON. R. B. SHERIDAN. · Note 5MONODY ON THE DEATH OF THE RIGHT HON. R. B. SHERIDAN. · Note 6MONODY ON THE DEATH OF THE RIGHT HON. R. B. SHERIDAN. · Note 7MONODY ON THE DEATH OF THE RIGHT HON. R. B. SHERIDAN. · Note 8MONODY ON THE DEATH OF THE RIGHT HON. R. B. SHERIDAN. · Note 9MANFRED: A DRAMATIC POEM. · Note 1Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 1Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 2Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 3Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 4Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 5Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 6Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 7Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 8Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 9Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 10Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 11Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 12Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 13Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 14Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 15Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 16Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 17Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 18Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight. · Note 19Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs. · Note 1Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs. · Note 2Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs. · Note 3Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs. · Note 4Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs. · Note 5Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs. · Note 6Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs. · Note 7Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs. · Note 8Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs. · Note 9Scene I.—A Cottage among the Bernese Alps.—Manfred and the Chamois Hunter. · Note 1Scene I.—A Cottage among the Bernese Alps.—Manfred and the Chamois Hunter. · Note 2Scene I.—A Cottage among the Bernese Alps.—Manfred and the Chamois Hunter. · Note 3Scene II.—A lower Valley in the Alps.—A Cataract. · Note 1Scene II.—A lower Valley in the Alps.—A Cataract. · Note 2Scene II.—A lower Valley in the Alps.—A Cataract. · Note 3Scene II.—A lower Valley in the Alps.—A Cataract. · Note 4Scene II.—A lower Valley in the Alps.—A Cataract. · Note 5Scene II.—A lower Valley in the Alps.—A Cataract. · Note 6Scene II.—A lower Valley in the Alps.—A Cataract. · Note 7Scene II.—A lower Valley in the Alps.—A Cataract. · Note 8Scene II.—A lower Valley in the Alps.—A Cataract. · Note 9Scene II.—A lower Valley in the Alps.—A Cataract. · Note 10Scene II.—A lower Valley in the Alps.—A Cataract. · Note 11Scene II.—A lower Valley in the Alps.—A Cataract. · Note 12Scene II.—A lower Valley in the Alps.—A Cataract. · Note 13Scene III.—The summit of the Jungfrau Mountain. · Note 1Scene III.—The summit of the Jungfrau Mountain. · Note 2Scene III.—The summit of the Jungfrau Mountain. · Note 3Scene III.—The summit of the Jungfrau Mountain. · Note 4Scene III.—The summit of the Jungfrau Mountain. · Note 5Scene IV.—The Hall ofArimanes.[144]—Arimanes on his Throne, a Globe of Fire,[145] surrounded by the Spirits. · Note 1Scene IV.—The Hall ofArimanes.[144]—Arimanes on his Throne, a Globe of Fire,[145] surrounded by the Spirits. · Note 2Scene IV.—The Hall ofArimanes.[144]—Arimanes on his Throne, a Globe of Fire,[145] surrounded by the Spirits. · Note 3Scene IV.—The Hall ofArimanes.[144]—Arimanes on his Throne, a Globe of Fire,[145] surrounded by the Spirits. · Note 4Scene IV.—The Hall ofArimanes.[144]—Arimanes on his Throne, a Globe of Fire,[145] surrounded by the Spirits. · Note 5Scene IV.—The Hall ofArimanes.[144]—Arimanes on his Throne, a Globe of Fire,[145] surrounded by the Spirits. · Note 6Scene IV.—The Hall ofArimanes.[144]—Arimanes on his Throne, a Globe of Fire,[145] surrounded by the Spirits. · Note 7Scene IV.—The Hall ofArimanes.[144]—Arimanes on his Throne, a Globe of Fire,[145] surrounded by the Spirits. · Note 8Scene I.—A Hall in the Castle of Manfred.[150] · Note 1Scene I.—A Hall in the Castle of Manfred.[150] · Note 2Scene I.—A Hall in the Castle of Manfred.[150] · Note 3Scene I.—A Hall in the Castle of Manfred.[150] · Note 4Scene I.—A Hall in the Castle of Manfred.[150] · Note 5Scene I.—A Hall in the Castle of Manfred.[150] · Note 6Scene I.—A Hall in the Castle of Manfred.[150] · Note 7Scene I.—A Hall in the Castle of Manfred.[150] · Note 8Scene I.—A Hall in the Castle of Manfred.[150] · Note 9Scene I.—A Hall in the Castle of Manfred.[150] · Note 10Scene I.—A Hall in the Castle of Manfred.[150] · Note 11Scene II.—Another Chamber. · Note 1Scene II.—Another Chamber. · Note 2Scene II.—Another Chamber. · Note 3Scene III.—The Mountains—The Castle of Manfred at some distance—A Terrace before a Tower.—Time, Twilight. · Note 1Scene III.—The Mountains—The Castle of Manfred at some distance—A Terrace before a Tower.—Time, Twilight. · Note 2Scene III.—The Mountains—The Castle of Manfred at some distance—A Terrace before a Tower.—Time, Twilight. · Note 3Scene III.—The Mountains—The Castle of Manfred at some distance—A Terrace before a Tower.—Time, Twilight. · Note 4Scene IV.—Interior of the Tower. · Note 1Scene IV.—Interior of the Tower. · Note 2Scene IV.—Interior of the Tower. · Note 3Scene IV.—Interior of the Tower. · Note 4Scene IV.—Interior of the Tower. · Note 5Scene IV.—Interior of the Tower. · Note 6Scene IV.—Interior of the Tower. · Note 7Scene IV.—Interior of the Tower. · Note 8Scene IV.—Interior of the Tower. · Note 9THE LAMENT OF TASSO. · Note 1THE LAMENT OF TASSO. · Note 2THE LAMENT OF TASSO. · Note 3THE LAMENT OF TASSO. · Note 4THE LAMENT OF TASSO. · Note 5THE LAMENT OF TASSO. · Note 6THE LAMENT OF TASSO. · Note 7THE LAMENT OF TASSO. · Note 8THE LAMENT OF TASSO. · Note 9THE LAMENT OF TASSO. · Note 10THE LAMENT OF TASSO. · Note 11THE LAMENT OF TASSO. · Note 12THE LAMENT OF TASSO. · Note 13THE LAMENT OF TASSO. · Note 14THE LAMENT OF TASSO. · Note 15THE LAMENT OF TASSO. · Note 16THE LAMENT OF TASSO. · Note 17THE LAMENT OF TASSO. · Note 18THE LAMENT OF TASSO. · Note 19THE LAMENT OF TASSO. · Note 20THE LAMENT OF TASSO. · Note 21BEPPO: A VENETIAN STORY. · Note 1BEPPO: A VENETIAN STORY. · Note 2BEPPO: A VENETIAN STORY. · Note 3BEPPO.[194] · Note 1BEPPO.[194] · Note 2BEPPO.[194] · Note 3BEPPO.[194] · Note 4BEPPO.[194] · Note 5BEPPO.[194] · Note 6BEPPO.[194] · Note 7BEPPO.[194] · Note 8BEPPO.[194] · Note 9BEPPO.[194] · Note 10BEPPO.[194] · Note 11BEPPO.[194] · Note 12BEPPO.[194] · Note 13BEPPO.[194] · Note 14BEPPO.[194] · Note 15BEPPO.[194] · Note 16BEPPO.[194] · Note 17BEPPO.[194] · Note 18BEPPO.[194] · Note 19BEPPO.[194] · Note 20BEPPO.[194] · Note 21BEPPO.[194] · Note 22BEPPO.[194] · Note 23BEPPO.[194] · Note 24BEPPO.[194] · Note 25BEPPO.[194] · Note 26BEPPO.[194] · Note 27BEPPO.[194] · Note 28BEPPO.[194] · Note 29BEPPO.[194] · Note 30BEPPO.[194] · Note 31BEPPO.[194] · Note 32BEPPO.[194] · Note 33BEPPO.[194] · Note 34BEPPO.[194] · Note 35BEPPO.[194] · Note 36BEPPO.[194] · Note 37BEPPO.[194] · Note 38BEPPO.[194] · Note 39BEPPO.[194] · Note 40BEPPO.[194] · Note 41BEPPO.[194] · Note 42BEPPO.[194] · Note 43BEPPO.[194] · Note 44BEPPO.[194] · Note 45BEPPO.[194] · Note 46BEPPO.[194] · Note 47BEPPO.[194] · Note 48BEPPO.[194] · Note 49ODE ON VENICE · Note 1ODE ON VENICE · Note 2ODE ON VENICE · Note 3ODE ON VENICE · Note 4ODE ON VENICE · Note 5ODE ON VENICE · Note 6ODE ON VENICE · Note 7ODE ON VENICE · Note 8ODE ON VENICE · Note 9ODE ON VENICE · Note 10ODE ON VENICE · Note 11ODE ON VENICE · Note 12ODE ON VENICE · Note 13ODE ON VENICE · Note 14MAZEPPA. · Note 1MAZEPPA. · Note 2MAZEPPA. · Note 3MAZEPPA. · Note 4MAZEPPA. · Note 5MAZEPPA. · Note 6MAZEPPA. · Note 7MAZEPPA. · Note 8MAZEPPA. · Note 9MAZEPPA. · Note 10MAZEPPA. · Note 11MAZEPPA. · Note 12MAZEPPA. · Note 13MAZEPPA. · Note 14MAZEPPA. · Note 15MAZEPPA. · Note 16MAZEPPA. · Note 17MAZEPPA. · Note 18MAZEPPA. · Note 19MAZEPPA. · Note 20MAZEPPA. · Note 21MAZEPPA. · Note 22MAZEPPA. · Note 23MAZEPPA. · Note 24MAZEPPA. · Note 25MAZEPPA. · Note 26MAZEPPA. · Note 27MAZEPPA. · Note 28MAZEPPA. · Note 29MAZEPPA. · Note 30MAZEPPA. · Note 31MAZEPPA. · Note 32MAZEPPA. · Note 33THE PROPHECY OF DANTE. · Note 1THE PROPHECY OF DANTE. · Note 2THE PROPHECY OF DANTE. · Note 3THE PROPHECY OF DANTE. · Note 4THE PROPHECY OF DANTE. · Note 5THE PROPHECY OF DANTE. · Note 6THE PROPHECY OF DANTE. · Note 7THE PROPHECY OF DANTE. · Note 8THE PROPHECY OF DANTE. · Note 9THE PROPHECY OF DANTE. · Note 10THE PROPHECY OF DANTE. · Note 11THE PROPHECY OF DANTE. · Note 12THE PROPHECY OF DANTE. · Note 13THE PROPHECY OF DANTE. · Note 14THE PROPHECY OF DANTE. · Note 15THE PROPHECY OF DANTE. · Note 16THE PROPHECY OF DANTE. · Note 17THE PROPHECY OF DANTE. · Note 18THE PROPHECY OF DANTE. · Note 19THE PROPHECY OF DANTE. · Note 20THE PROPHECY OF DANTE. · Note 21THE PROPHECY OF DANTE. · Note 22THE PROPHECY OF DANTE. · Note 23THE PROPHECY OF DANTE. · Note 24THE PROPHECY OF DANTE. · Note 25THE PROPHECY OF DANTE. · Note 26THE PROPHECY OF DANTE. · Note 27THE PROPHECY OF DANTE. · Note 28THE PROPHECY OF DANTE. · Note 29THE PROPHECY OF DANTE. · Note 30THE PROPHECY OF DANTE. · Note 31THE PROPHECY OF DANTE. · Note 32THE PROPHECY OF DANTE. · Note 33THE PROPHECY OF DANTE. · Note 34THE PROPHECY OF DANTE. · Note 35THE PROPHECY OF DANTE. · Note 36THE PROPHECY OF DANTE. · Note 37THE PROPHECY OF DANTE. · Note 38THE PROPHECY OF DANTE. · Note 39THE PROPHECY OF DANTE. · Note 40THE PROPHECY OF DANTE. · Note 41THE PROPHECY OF DANTE. · Note 42THE PROPHECY OF DANTE. · Note 43THE PROPHECY OF DANTE. · Note 44THE PROPHECY OF DANTE. · Note 45THE PROPHECY OF DANTE. · Note 46THE PROPHECY OF DANTE. · Note 47THE PROPHECY OF DANTE. · Note 48THE PROPHECY OF DANTE. · Note 49THE PROPHECY OF DANTE. · Note 50THE PROPHECY OF DANTE. · Note 51THE PROPHECY OF DANTE. · Note 52THE PROPHECY OF DANTE. · Note 53THE PROPHECY OF DANTE. · Note 54THE PROPHECY OF DANTE. · Note 55THE PROPHECY OF DANTE. · Note 56THE PROPHECY OF DANTE. · Note 57THE PROPHECY OF DANTE. · Note 58THE PROPHECY OF DANTE. · Note 59THE PROPHECY OF DANTE. · Note 60THE PROPHECY OF DANTE. · Note 61THE PROPHECY OF DANTE. · Note 62THE PROPHECY OF DANTE. · Note 63THE PROPHECY OF DANTE. · Note 64THE PROPHECY OF DANTE. · Note 65THE PROPHECY OF DANTE. · Note 66THE PROPHECY OF DANTE. · Note 67THE PROPHECY OF DANTE. · Note 68THE PROPHECY OF DANTE. · Note 69THE PROPHECY OF DANTE. · Note 70THE PROPHECY OF DANTE. · Note 71THE PROPHECY OF DANTE. · Note 72THE PROPHECY OF DANTE. · Note 73THE PROPHECY OF DANTE. · Note 74THE MORGANTE MAGGIORE OF PULCI. · Note 1THE MORGANTE MAGGIORE OF PULCI. · Note 2THE MORGANTE MAGGIORE OF PULCI. · Note 3THE MORGANTE MAGGIORE OF PULCI. · Note 4THE MORGANTE MAGGIORE OF PULCI. · Note 5THE MORGANTE MAGGIORE OF PULCI. · Note 6THE MORGANTE MAGGIORE OF PULCI. · Note 7THE MORGANTE MAGGIORE OF PULCI. · Note 8THE MORGANTE MAGGIORE OF PULCI. · Note 9THE MORGANTE MAGGIORE OF PULCI. · Note 10THE MORGANTE MAGGIORE OF PULCI. · Note 11THE MORGANTE MAGGIORE OF PULCI. · Note 12THE MORGANTE MAGGIORE OF PULCI. · Note 13THE MORGANTE MAGGIORE OF PULCI. · Note 14THE MORGANTE MAGGIORE OF PULCI. · Note 15THE MORGANTE MAGGIORE OF PULCI. · Note 16FRANCESCA OF RIMINI. · Note 1FRANCESCA OF RIMINI. · Note 2FRANCESCA OF RIMINI. · Note 3FRANCESCA OF RIMINI. · Note 4FRANCESCA OF RIMINI. · Note 5FRANCESCA OF RIMINI. · Note 6FRANCESCA OF RIMINI. · Note 7FRANCESCA OF RIMINI. · Note 8FRANCESCA OF RIMINI. · Note 9FRANCESCA OF RIMINI. · Note 10FRANCESCA OF RIMINI. · Note 11FRANCESCA OF RIMINI. · Note 12FRANCESCA OF RIMINI. · Note 13FRANCESCA OF RIMINI. · Note 14FRANCESCA OF RIMINI. · Note 15FRANCESCA OF RIMINI. · Note 16MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 1MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 2MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 3MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 4MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 5MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 6MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 7MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 8MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 9MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 10MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 11MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 12MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 13MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 14MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 15MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 16MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 17MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 18MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 19MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 20MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 21MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 22MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 23MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS. · Note 24Scene I.—An Antechamber in the Ducal Palace. · Note 1Scene I.—An Antechamber in the Ducal Palace. · Note 2Scene I.—An Antechamber in the Ducal Palace. · Note 3Scene I.—An Antechamber in the Ducal Palace. · Note 4Scene I.—An Antechamber in the Ducal Palace. · Note 5Scene I.—An Antechamber in the Ducal Palace. · Note 6Scene II.—The Ducal Chamber. · Note 1Scene II.—The Ducal Chamber. · Note 2Scene II.—The Ducal Chamber. · Note 3Scene II.—The Ducal Chamber. · Note 4Scene II.—The Ducal Chamber. · Note 5Scene II.—The Ducal Chamber. · Note 6Scene II.—The Ducal Chamber. · Note 7Scene II.—The Ducal Chamber. · Note 8Scene II.—The Ducal Chamber. · Note 9Scene II.—The Ducal Chamber. · Note 10Scene II.—The Ducal Chamber. · Note 11Scene II.—The Ducal Chamber. · Note 12Scene II.—The Ducal Chamber. · Note 13Scene II.—The Ducal Chamber. · Note 14Scene II.—The Ducal Chamber. · Note 15Scene II.—The Ducal Chamber. · Note 16Scene II.—The Ducal Chamber. · Note 17Scene II.—The Ducal Chamber. · Note 18Scene II.—The Ducal Chamber. · Note 19Scene II.—The Ducal Chamber. · Note 20Scene II.—The Ducal Chamber. · Note 21Scene II.—The Ducal Chamber. · Note 22Scene II.—The Ducal Chamber. · Note 23Scene II.—The Ducal Chamber. · Note 24Scene II.—The Ducal Chamber. · Note 25Scene I.—An Apartment in the Ducal Palace. · Note 1Scene I.—An Apartment in the Ducal Palace. · Note 2Scene I.—An Apartment in the Ducal Palace. · Note 3Scene I.—An Apartment in the Ducal Palace. · Note 4Scene I.—An Apartment in the Ducal Palace. · Note 5Scene I.—An Apartment in the Ducal Palace. · Note 6Scene I.—An Apartment in the Ducal Palace. · Note 7Scene I.—An Apartment in the Ducal Palace. · Note 8Scene I.—An Apartment in the Ducal Palace. · Note 9Scene I.—An Apartment in the Ducal Palace. · Note 10Scene I.—An Apartment in the Ducal Palace. · Note 11Scene II.—A retired spot near the Arsenal. · Note 1Scene II.—A retired spot near the Arsenal. · Note 2Scene II.—A retired spot near the Arsenal. · Note 3Scene II.—A retired spot near the Arsenal. · Note 4Scene II.—A retired spot near the Arsenal. · Note 5Scene II.—A retired spot near the Arsenal. · Note 6Scene II.—A retired spot near the Arsenal. · Note 7Scene II.—A retired spot near the Arsenal. · Note 8Scene II.—A retired spot near the Arsenal. · Note 9Scene II.—A retired spot near the Arsenal. · Note 10Scene II.—A retired spot near the Arsenal. · Note 11Scene I.—Scene, the Space between the Canal and the Church of San Giovanni e San Paolo. An equestrian Statue before it.—A Gondola lies in the Canal at some distance. · Note 1Scene I.—Scene, the Space between the Canal and the Church of San Giovanni e San Paolo. An equestrian Statue before it.—A Gondola lies in the Canal at some distance. · Note 2Scene I.—Scene, the Space between the Canal and the Church of San Giovanni e San Paolo. An equestrian Statue before it.—A Gondola lies in the Canal at some distance. · Note 3Scene I.—Scene, the Space between the Canal and the Church of San Giovanni e San Paolo. An equestrian Statue before it.—A Gondola lies in the Canal at some distance. · Note 4Scene I.—Scene, the Space between the Canal and the Church of San Giovanni e San Paolo. An equestrian Statue before it.—A Gondola lies in the Canal at some distance. · Note 5Scene I.—Scene, the Space between the Canal and the Church of San Giovanni e San Paolo. An equestrian Statue before it.—A Gondola lies in the Canal at some distance. · Note 6Scene I.—Scene, the Space between the Canal and the Church of San Giovanni e San Paolo. An equestrian Statue before it.—A Gondola lies in the Canal at some distance. · Note 7Scene II.—The House where the Conspirators meet. · Note 1Scene II.—The House where the Conspirators meet. · Note 2Scene II.—The House where the Conspirators meet. · Note 3Scene II.—The House where the Conspirators meet. · Note 4Scene II.—The House where the Conspirators meet. · Note 5Scene II.—The House where the Conspirators meet. · Note 6Scene II.—The House where the Conspirators meet. · Note 7Scene II.—The House where the Conspirators meet. · Note 8Scene II.—The House where the Conspirators meet. · Note 9Scene II.—The House where the Conspirators meet. · Note 10Scene II.—The House where the Conspirators meet. · Note 11Scene II.—The House where the Conspirators meet. · Note 12Scene II.—The House where the Conspirators meet. · Note 13Scene II.—The House where the Conspirators meet. · Note 14Scene II.—The House where the Conspirators meet. · Note 15Scene II.—The House where the Conspirators meet. · Note 16Scene II.—The House where the Conspirators meet. · Note 17Scene II.—The House where the Conspirators meet. · Note 18Scene II.—The House where the Conspirators meet. · Note 19Scene II.—The House where the Conspirators meet. · Note 20Scene II.—The House where the Conspirators meet. · Note 21Scene II.—The House where the Conspirators meet. · Note 22Scene II.—The House where the Conspirators meet. · Note 23Scene II.—The House where the Conspirators meet. · Note 24Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 1Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 2Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 3Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 4Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 5Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 6Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 7Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 8Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 9Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 10Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 11Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 12Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 13Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 14Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 15Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 16Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 17Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 18Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic. · Note 19Scene II.—The Ducal Palace—The Doge's Apartment. · Note 1Scene II.—The Ducal Palace—The Doge's Apartment. · Note 2Scene II.—The Ducal Palace—The Doge's Apartment. · Note 3Scene II.—The Ducal Palace—The Doge's Apartment. · Note 4Scene II.—The Ducal Palace—The Doge's Apartment. · Note 5Scene II.—The Ducal Palace—The Doge's Apartment. · Note 6Scene II.—The Ducal Palace—The Doge's Apartment. · Note 7Scene II.—The Ducal Palace—The Doge's Apartment. · Note 8Scene II.—The Ducal Palace—The Doge's Apartment. · Note 9Scene II.—The Ducal Palace—The Doge's Apartment. · Note 10Scene II.—The Ducal Palace—The Doge's Apartment. · Note 11Scene II.—The Ducal Palace—The Doge's Apartment. · Note 12Scene II.—The Ducal Palace—The Doge's Apartment. · Note 13Scene II.—The Ducal Palace—The Doge's Apartment. · Note 14Scene II.—The Ducal Palace—The Doge's Apartment. · Note 15Scene II.—The Ducal Palace—The Doge's Apartment. · Note 16Scene II.—The Ducal Palace—The Doge's Apartment. · Note 17Scene II.—The Ducal Palace—The Doge's Apartment. · Note 18Scene II.—The Ducal Palace—The Doge's Apartment. · Note 19Scene II.—The Ducal Palace—The Doge's Apartment. · Note 20Scene II.—The Ducal Palace—The Doge's Apartment. · Note 21Scene II.—The Ducal Palace—The Doge's Apartment. · Note 22Scene II.—The Ducal Palace—The Doge's Apartment. · Note 23Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 1Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 2Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 3Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 4Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 5Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 6Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 7Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 8Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 9Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 10Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 11Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 12Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 13Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 14Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 15Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 16Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 17Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 18Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 19Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 20Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 21Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 22Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 23Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 24Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 25Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 26Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 27Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 28Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 29Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 30Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 31Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc. · Note 32Scene II.—The Doge's Apartment. · Note 1Scene II.—The Doge's Apartment. · Note 2Scene II.—The Doge's Apartment. · Note 3Scene II.—The Doge's Apartment. · Note 4Scene II.—The Doge's Apartment. · Note 5Scene II.—The Doge's Apartment. · Note 6Scene II.—The Doge's Apartment. · Note 7Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 1Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 2Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 3Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 4Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 5Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 6Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 7Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 8Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 9Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 10Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 11Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 12Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 13Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 14Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 15Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. · Note 16Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut. · Note 1Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut. · Note 2Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut. · Note 3Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut. · Note 4Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut. · Note 5Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut. · Note 6Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut. · Note 7Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut. · Note 8Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut. · Note 9Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut. · Note 10Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut. · Note 11Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut. · Note 12Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut. · Note 13THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 1THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 2THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 3THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 4THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 5THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 6THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 7THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 8THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 9THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 10THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 11THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 12THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 13THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 14THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 15THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 16THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 17THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 18THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 19THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 20THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 21THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 22THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 23THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 24THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 25THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 26THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 27THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 28THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 29THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 30THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 31THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 32THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 33THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 34THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 35THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 36THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 37THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 38THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 39THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 40THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 41THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 42THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 43THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 44THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 45THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 46THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 47THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 48THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 49THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 50THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 51THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 52THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 53THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 54THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 55THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 56THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 57THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 58THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 59THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 60THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 61THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 62THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 63THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 64THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 65THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 66THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 67THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 68THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 69THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 70THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 71THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 72THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 73THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 74THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 75THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 76THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 77THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 78THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 79THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 80THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 81THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 82THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 83THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 84THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 85THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 86THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 87THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 88THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 89THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 90THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 91THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 92THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 93THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 94THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 95THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 96THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 97THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 98THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 99THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 100THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 101THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 102THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 103THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 104THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 105THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 106THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 107THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 108THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 109THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 110THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 111THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 112THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 113THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 114THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 115THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 116THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 117THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 118THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 119THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 120THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 121THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 122THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 123THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS. · Note 124POEMS 1816-1823. · Note 1POEMS 1816-1823. · Note 2POEMS 1816-1823. · Note 3POEMS 1816-1823. · Note 4POEMS 1816-1823. · Note 5POEMS 1816-1823. · Note 6POEMS 1816-1823. · Note 7POEMS 1816-1823. · Note 8POEMS 1816-1823. · Note 9POEMS 1816-1823. · Note 10POEMS 1816-1823. · Note 11POEMS 1816-1823. · Note 12POEMS 1816-1823. · Note 13POEMS 1816-1823. · Note 14POEMS 1816-1823. · Note 15POEMS 1816-1823. · Note 16POEMS 1816-1823. · Note 17POEMS 1816-1823. · Note 18POEMS 1816-1823. · Note 19POEMS 1816-1823. · Note 20POEMS 1816-1823. · Note 21POEMS 1816-1823. · Note 22POEMS 1816-1823. · Note 23POEMS 1816-1823. · Note 24POEMS 1816-1823. · Note 25POEMS 1816-1823. · Note 26POEMS 1816-1823. · Note 27POEMS 1816-1823. · Note 28POEMS 1816-1823. · Note 29POEMS 1816-1823. · Note 30POEMS 1816-1823. · Note 31POEMS 1816-1823. · Note 32POEMS 1816-1823. · Note 33POEMS 1816-1823. · Note 34POEMS 1816-1823. · Note 35POEMS 1816-1823. · Note 36POEMS 1816-1823. · Note 37POEMS 1816-1823. · Note 38POEMS 1816-1823. · Note 39POEMS 1816-1823. · Note 40POEMS 1816-1823. · Note 41POEMS 1816-1823. · Note 42POEMS 1816-1823. · Note 43POEMS 1816-1823. · Note 44POEMS 1816-1823. · Note 45POEMS 1816-1823. · Note 46POEMS 1816-1823. · Note 47POEMS 1816-1823. · Note 48POEMS 1816-1823. · Note 49POEMS 1816-1823. · Note 50POEMS 1816-1823. · Note 51POEMS 1816-1823. · Note 52POEMS 1816-1823. · Note 53POEMS 1816-1823. · Note 54POEMS 1816-1823. · Note 55POEMS 1816-1823. · Note 56POEMS 1816-1823. · Note 57POEMS 1816-1823. · Note 58POEMS 1816-1823. · Note 59POEMS 1816-1823. · Note 60POEMS 1816-1823. · Note 61POEMS 1816-1823. · Note 62POEMS 1816-1823. · Note 63POEMS 1816-1823. · Note 64POEMS 1816-1823. · Note 65POEMS 1816-1823. · Note 66POEMS 1816-1823. · Note 67POEMS 1816-1823. · Note 68POEMS 1816-1823. · Note 69POEMS 1816-1823. · Note 70POEMS 1816-1823. · Note 71POEMS 1816-1823. · Note 72POEMS 1816-1823. · Note 73POEMS 1816-1823. · Note 74POEMS 1816-1823. · Note 75POEMS 1816-1823. · Note 76POEMS 1816-1823. · Note 77POEMS 1816-1823. · Note 78POEMS 1816-1823. · Note 79POEMS 1816-1823. · Note 80THE BLUES:[609] A LITERARY ECLOGUE. · Note 1THE BLUES:[609] A LITERARY ECLOGUE. · Note 2THE BLUES:[609] A LITERARY ECLOGUE. · Note 3THE BLUES:[609] A LITERARY ECLOGUE. · Note 4THE BLUES:[609] A LITERARY ECLOGUE. · Note 5THE BLUES:[609] A LITERARY ECLOGUE. · Note 6THE BLUES:[609] A LITERARY ECLOGUE. · Note 7THE BLUES:[609] A LITERARY ECLOGUE. · Note 8THE BLUES:[609] A LITERARY ECLOGUE. · Note 9THE BLUES:[609] A LITERARY ECLOGUE. · Note 10THE BLUES:[609] A LITERARY ECLOGUE. · Note 11THE BLUES:[609] A LITERARY ECLOGUE. · Note 12THE BLUES:[609] A LITERARY ECLOGUE. · Note 13THE BLUES:[609] A LITERARY ECLOGUE. · Note 14THE BLUES:[609] A LITERARY ECLOGUE. · Note 15THE BLUES:[609] A LITERARY ECLOGUE. · Note 16THE BLUES:[609] A LITERARY ECLOGUE. · Note 17THE BLUES:[609] A LITERARY ECLOGUE. · Note 18THE BLUES:[609] A LITERARY ECLOGUE. · Note 19THE BLUES:[609] A LITERARY ECLOGUE. · Note 20THE BLUES:[609] A LITERARY ECLOGUE. · Note 21THE BLUES:[609] A LITERARY ECLOGUE. · Note 22THE BLUES:[609] A LITERARY ECLOGUE. · Note 23THE BLUES:[609] A LITERARY ECLOGUE. · Note 24THE BLUES:[609] A LITERARY ECLOGUE. · Note 25THE BLUES:[609] A LITERARY ECLOGUE. · Note 26THE BLUES:[609] A LITERARY ECLOGUE. · Note 27