Poetry

The Works of Lord Byron. Vol. 4

George Gordon Byron Byron

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LiteraturePoetryClassics of LiteratureBritish Literature

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1. THE WORKS OF LORD BYRON2. Poetry. Vol. IV.3. TRANSCRIBER'S NOTES4. PREFACE TO THE FOURTH VOLUME.5. Introductory material6. THE PRISONER OF CHILLON7. POEMS OF JULY-SEPTEMBER, 1816. THE DREAM.8. MONODY ON THE DEATH OF THE RIGHT HON. R. B. SHERIDAN.9. MANFRED: A DRAMATIC POEM.10. Scene 1.—Manfred alone.—Scene, a Gothic Gallery.[107]—Time, Midnight.11. Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs.12. Scene I.—A Cottage among the Bernese Alps.—Manfred and the Chamois Hunter.13. Scene II.—A lower Valley in the Alps.—A Cataract.14. Scene III.—The summit of the Jungfrau Mountain.15. Scene IV.—The Hall ofArimanes.[144]—Arimanes on his Throne, a Globe of Fire,[145] surrounded by the Spirits.16. Scene I.—A Hall in the Castle of Manfred.[150]17. Scene II.—Another Chamber.18. Scene III.—The Mountains—The Castle of Manfred at some distance—A Terrace before a Tower.—Time, Twilight.19. Scene IV.—Interior of the Tower.20. THE LAMENT OF TASSO.21. BEPPO: A VENETIAN STORY.22. BEPPO.[194]23. ODE ON VENICE24. MAZEPPA.25. THE PROPHECY OF DANTE.26. THE MORGANTE MAGGIORE OF PULCI.27. FRANCESCA OF RIMINI.28. MARINO FALIERO, DOGE OF VENICE; AN HISTORICAL TRAGEDY, IN FIVE ACTS.29. Scene I.—An Antechamber in the Ducal Palace.30. Scene II.—The Ducal Chamber.31. Scene I.—An Apartment in the Ducal Palace.32. Scene II.—A retired spot near the Arsenal.33. Scene I.—Scene, the Space between the Canal and the Church of San Giovanni e San Paolo. An equestrian Statue before it.—A Gondola lies in the Canal at some distance.34. Scene II.—The House where the Conspirators meet.35. Scene I.—Palazzo of the Patrician Lioni.[431] Lioni laying aside the mask and cloak which the Venetian Nobles wore in public, attended by a Domestic.36. Scene II.—The Ducal Palace—The Doge's Apartment.37. Scene 1.—The Hall of the Council of Ten assembled with the additional Senators, who, on the Trials of the Conspirators for the Treason of Marino Faliero, composed what was called the Giunta,—Guards, Officers, etc., etc. Israel Bertuccio and Philip Calendaro as Prisoners. Bertram, Lioni, and Witnesses, etc.38. Scene II.—The Doge's Apartment.39. Scene III.—The Court of the Ducal Palace; the outer gates are shut against the people.—The Doge enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards, till they arrive at the top of the "Giants' Staircase"[469] (where the Doges took the oaths); the Executioner is stationed there with his sword.—On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head.40. Scene IV.—The Piazza and Piazzetta of St. Mark's.—The people in crowds gathered round the grated gates of the Ducal Palace, which are shut.41. THE VISION OF JUDGMENT. BY QUEVEDO REDIVIVUS.42. POEMS 1816-1823.43. THE BLUES: A LITERARY ECLOGUE.44. THE BLUES:[609] A LITERARY ECLOGUE.
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