Note 11 — THE PRISONER OF CHILLON

{18} [Ruskin (Modern Painters, Part IV. chap. i. sect. 9, "Touching the Grand Style," 1888, iii. 8, 9) criticizes these five lines 107-111, and points out that, alike in respect of accuracy and inaccuracy of detail, they fulfil the conditions of poetry in contradistinction to history. "Instead," he concludes, "of finding, as we expected, the poetry distinguished from the history by the omission of details, we find it consisting entirely in the addition of details; and instead of it being characterized by regard only of the invariable, we find its whole power to consist in the clear expression of what is singular and particular!"]