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The Works of Alexander Pope, Volume 1, Poetry - Volume 1

WINDSOR FOREST.

Reading edition

TO THE RIGHT HONOURABLE

GEORGE LORD LANSDOWN.[1]

Thy forest, Windsor! and thy green retreats, At once the monarch's and the muse's seats,[2] Invite my lays. Be present, sylvan maids! Unlock your springs, and open all your shades.[3] Granville commands; your aid, O muses, bring!5 What muse for Granville can refuse to sing?[4] The groves of Eden, vanished now so long, Live in description,[5] and look green in song: These, were my breast inspired with equal flame,[6] Like them in beauty, should be like in fame.[7]10 Here hills and vales, the woodland and the plain, Here earth and water, seem to strive again; Not chaos-like together crushed and bruised, But, as the world, harmoniously confused:[8] Where order in variety we see,15 And where, though all things differ, all agree.[9] Here waving groves a chequered scene display, And part admit, and part exclude the day; As some coy nymph her lover's warm address Nor quite indulges, nor can quite repress.[10]20 There, interspersed in lawns and opening glades, Thin trees arise that shun each other's shades. Here in full light the russet plains extend: There wrapt in clouds the blueish hills ascend. Ev'n the wild heath displays her purple dyes,[11]25 And 'midst the desert fruitful fields arise, That crowned with tufted trees[12] and springing corn, Like verdant isles the sable waste adorn. Let India boast her plants, nor envy we The weeping amber, or the balmy tree,[13]30 While by our oaks the precious loads are borne, And realms commanded which those trees adorn. Not proud Olympus yields a nobler sight, Though gods assembled grace his tow'ring height,[14] Than what more humble mountains offer here,35 Where, in their blessings, all those gods appear.[15] See Pan with flocks, with fruits Pomona crowned,[16] Here blushing Flora paints th' enamelled ground, Here Ceres' gifts in waving prospect stand, And nodding tempt the joyful reaper's hand;40 Rich Industry sits smiling on the plains, And peace and plenty tell, a Stuart reigns. Not thus the land appeared in ages past, A dreary desert and a gloomy waste,[17] To savage beasts and savage laws a prey,[18]45 And kings more furious and severe than they;[19] Who claimed the skies, dispeopled air and floods, The lonely lords of empty wilds and woods:[20] Cities laid waste, they stormed the dens and caves, (For wiser brutes were backward to be slaves.)[21]50 What could be free, when lawless beasts obeyed,[22] And ev'n the elements[23] a tyrant swayed? In vain kind seasons swelled the teeming grain, Soft show'rs distilled, and suns grew warm in vain; The swain with tears his frustrate labour yields,[24]55 And famished dies amidst his ripened fields.[25] What wonder then, a beast or subject slain[26] Were equal crimes in a despotic reign? Both doomed alike, for sportive tyrants bled, But while the subject starved, the beast was fed.60 Proud Nimrod first the bloody chace began, A mighty hunter, and his prey was man: Our haughty Norman boasts that barb'rous name, And makes his trembling slaves the royal game. The fields are ravished from th' industrious swains,65 From men their cities, and from gods their fanes:[27] The levelled towns[28] with weeds lie covered o'er;[29] The hollow winds through naked temples roar;[30] Round broken columns clasping ivy twined; O'er heaps of ruin stalked the stately hind;[31]70 The fox obscene to gaping tombs retires, And savage howlings[32] fill the sacred choirs.[33] Awed by his nobles, by his commons curst, Th' oppressor ruled tyrannic where he durst,[34] Stretched o'er the poor and church his iron rod,75 And served alike his vassals and his God.[35] Whom ev'n the Saxon spared, and bloody Dane, The wanton victims of his sport remain. But see, the man, who spacious regions gave A waste for beasts, himself denied a grave![36]80 Stretched on the lawn[37] his second hope survey,[38] At once the chaser, and at once the prey:[39] Lo Rufus, tugging at the deadly dart, Bleeds in the forest like a wounded hart.[40] Succeeding monarchs heard the subject's cries,85 Nor saw displeased the peaceful cottage rise.[41] Then gath'ring flocks on unknown[42] mountains fed, O'er sandy wilds were yellow harvests spread, The forest wondered at th' unusual grain,[43] And secret transport touched the conscious swain.[44]90 Fair Liberty, Britannia's goddess, rears Her cheerful head, and leads the golden years.[45] Ye vig'rous swains! while youth ferments your blood, And purer spirits swell the sprightly flood,[46]95 Now range the hills, the gameful[47] woods beset, Wind the shrill horn, or spread the waving net. When milder autumn summer's heat succeeds,[48] And in the new-shorn field the partridge feeds, Before his lord the ready spaniel bounds, Panting with hope, he tries the furrowed grounds;100 But when the tainted gales the game betray, Couched close he lies, and meditates the prey;[49] Secure they trust th' unfaithful field beset, Till hov'ring o'er them sweeps the swelling net. Thus (if small things we may with great compare)[50]105 When Albion sends her eager sons to war, Some thoughtless town, with ease and plenty blest,[51] Near, and more near, the closing lines invest; Sudden they seize th' amazed, defenceless prize, And high in air Britannia's standard flies.110 See! from the brake the whirring pheasant springs, And mounts exulting on triumphant wings:[52] Short is his joy; he feels the fiery wound, Flutters in blood, and panting beats the ground. Ah! what avail his glossy, varying dyes,[53]115 His purple crest, and scarlet-circled eyes, The vivid green his shining plumes unfold, His painted wings,[54] and breast that flames with gold? Nor yet, when moist Arcturus clouds the sky, The woods and fields their pleasing toils deny.[55]120 To plains with well-breathed beagles we repair, And trace the mazes of the circling hare: Beasts, urged by us, their fellow-beasts pursue, And learn of man each other to undo.[56] With slaught'ring guns th' unwearied fowler roves,125 When frosts have whitened all the naked groves;[57] Where doves in flocks the leafless trees o'ershade,[58] And lonely woodcocks haunt the wat'ry glade. He lifts the tube, and levels with his eye;[59] Straight a short thunder breaks the frozen sky:130 Oft, as in airy rings they skim the heath, The clam'rous lapwings feel the leaden death: Oft, as the mounting larks their notes prepare, They fall, and leave their little lives in air.[60] In genial spring, beneath the quiv'ring shade,135 Where cooling vapours breathe along the mead, The patient fisher takes his silent stand, Intent, his angle trembling in his hand:[61] With looks unmoved, he hopes[62] the scaly breed, And eyes the dancing cork, and bending reed.140 Our plenteous streams a various race supply, The bright-eyed perch with fins of Tyrian dye, The silver eel, in shining volumes[63] rolled, The yellow carp, in scales bedropped with gold,[64] Swift trouts, diversified with crimson stains,145 And pikes, the tyrants of the wat'ry plains.[65] Now Cancer glows with Phœbus' fiery car:[66] The youth rush eager to the sylvan war,[67] Swarm o'er the lawns, the forest walks surround, Rouse the fleet hart, and cheer the opening hound.150 Th' impatient courser pants in ev'ry vein, And pawing, seems to beat the distant plain. Hills, vales, and floods appear already crossed, And ere he starts, a thousand steps are lost.[68] See the bold youth strain up the threat'ning[69] steep,155 Rush through the thickets, down the valleys sweep, Hang o'er their coursers' heads with eager speed, And earth rolls back beneath the flying steed.[70] Let old Arcadia boast her ample plain, Th' immortal huntress, and her virgin-train;160 Nor envy, Windsor! since thy shades have seen As bright a goddess, and as chaste a queen;[71] Whose care, like hers, protects the sylvan reign,[72] The earth's fair light, and empress of the main.[73] Here too, 'tis sung, of old Diana strayed,165 And Cynthus' top forsook for Windsor shade: Here was she seen o'er airy wastes to rove, Seek the clear spring, or haunt the pathless grove;[74] Here armed with silver bows, in early dawn, Her buskined virgins traced the dewy lawn.170 Above the rest a rural nymph was famed,[75] Thy offspring, Thames! the fair Lodona named; (Lodona's fate, in long oblivion cast, The muse shall sing, and what she sings shall last.) Scarce could the goddess from her nymph be known,175 But by the crescent and the golden zone.[76] She scorned the praise of beauty, and the care; A belt her waist, a fillet binds her hair;[77] A painted quiver on her shoulder sounds,[78] And with her dart the flying deer she wounds.180 It chanced, as eager of the chace, the maid Beyond the forest's verdant limits strayed, Pan saw and loved, and burning with desire[79] Pursued her flight, her flight increased his fire. Not half so swift the trembling doves can fly,185 When the fierce eagle cleaves the liquid sky; Not half so swiftly the fierce eagle moves, When through the clouds he drives the trembling doves,[80] As from the god she flew with furious pace, Or as the god, more furious urged the chace.[81]190 Now fainting, sinking, pale, the nymph appears; Now close behind, his sounding steps she hears; And now his shadow reached her as she run,[82] His shadow lengthened by the setting sun; And now his shorter breath, with sultry air,195 Pants on her neck, and fans her parting hair.[83] In vain on father Thames she calls for aid, Nor could Diana help her injured maid. Faint, breathless, thus she prayed, nor prayed in vain; "Ah Cynthia! ah—though banished from thy train,200 Let me, O let me, to the shades repair, My natives shades—there weep, and murmur there." She said, and melting as in tears she lay, In a soft, silver stream dissolved away. The silver stream her virgin coldness keeps,205 For ever murmurs, and for ever weeps; Still bears the name the hapless virgin bore,[84] And bathes the forest where she ranged before. In her chaste current oft the goddess laves, And with celestial tears augments the waves.[85]210 Oft in her glass the musing shepherd spies[86] The headlong mountains and the downward skies,[87] The wat'ry landscape of the pendant woods, And absent[88] trees that tremble in the floods; In the clear azure gleam the flocks are seen,215 And floating forests paint the waves with green, Through the fair scene roll slow the ling'ring streams, Then foaming pour along, and rush into the Thames. Thou too, great father of the British floods! With joyful pride survey'st our lofty woods;220 Where tow'ring oaks their growing[89] honours rear, And future navies on thy shores appear. Not Neptune's self from all his[90] streams receives A wealthier tribute than to thine he gives. No seas so rich, so gay no banks appear,[91]225 No lake so gentle, and no spring so clear. Nor Po[92] so swells the fabling poet's lays,[93] While led along the skies his current strays,[94] As thine,[95] which visits Windsor's famed abodes, To grace the mansion of our earthly gods:230 Nor all his stars above a lustre show, Like the bright beauties on thy banks below;[96] Where Jove, subdued by mortal passion still, Might change Olympus for a nobler hill. Happy the man whom this bright court approves,[97]235 His sov'reign favours, and his country loves:[98] Happy next him, who to these shades retires, Whom nature charms, and whom the muse inspires: Whom humbler joys of home-felt quiet please, Successive study, exercise, and ease.240 He gathers health from herbs the forest yields, And of their fragrant physic spoils the fields: With chemic art exalts the min'ral pow'rs, And draws the aromatic souls of flow'rs: Now marks the course of rolling orbs on high;245 O'er figured worlds now travels with his eye; Of ancient writ unlocks the learned store, Consults the dead, and lives past ages o'er: Or wand'ring thoughtful in the silent wood, Attends the duties of the wise and good,[99]250 T' observe a mean, be to himself a friend, To follow nature, and regard his end;[100] Or looks on heav'n with more than mortal eyes, Bids his free soul expatiate in the skies, Amid her kindred stars familiar roam,255 Survey the region, and confess her home! Such was the life great Scipio once admired, Thus Atticus, and Trumbull thus retired. Ye sacred Nine! that all my soul possess, Whose raptures fire me, and whose visions bless,[101]260 Bear me, oh bear me to sequestered scenes, The bow'ry mazes, and surrounding greens;[102] To Thames's banks which fragrant breezes fill, Or where ye Muses sport on Cooper's Hill. On Cooper's Hill eternal wreaths shall grow265 While lasts the mountain,[103] or while Thames shall flow. I seem through consecrated walks to rove,[104] I hear soft music die along the grove: Led by the sound, I roam from shade to shade, By god-like poets venerable made:[105]270 Here his first lays[106] majestic[107] Denham sung; There the last numbers flowed from Cowley's tongue.[108] O early lost![109] what tears the river shed,[110] When the sad pomp along his banks was led![111] His drooping swans on ev'ry note expire,[112]275 And on his willows hung each muse's lyre.[113] Since fate relentless stopped their heav'nly voice, No more the forests ring, or groves rejoice; Who now shall charm the shades, where Cowley strung His living[114] harp, and lofty Denham sung?280 But hark! the groves rejoice, the forest rings! Are these reviv'd? or is it Granville sings![115] 'Tis yours, my lord, to bless our soft retreats, And call the muses to their ancient seats; To paint anew the flow'ry sylvan scenes,285 To crown the forests with immortal greens, Make Windsor-hills in lofty numbers rise, And lift her turrets nearer to the skies; To sing those honours you deserve to wear,[116] And add new lustre to her silver star.[117]290 Here[118] noble Surrey[119] felt the sacred rage, Surrey, the Granville of a former age: Matchless his pen, victorious was his lance, Bold in the lists, and graceful in the dance: In the same shades the Cupids tuned his lyre295 To the same notes of love, and soft desire: Fair Geraldine,[120] bright object of his vow, Then filled the groves, as heavenly Mira now.[121] Oh would'st thou sing what heroes Windsor bore, What kings first breathed upon her winding shore,300 Or raise old warriors, whose adored remains In weeping vaults her hallowed earth contains![122] With Edward's acts adorn the shining page,[123] Stretch his long triumphs down through ev'ry age, Draw monarchs chained,[124] and Crecy's glorious field,305 The lilies[125] blazing on the regal shield:[126] Then, from her roofs when Verrio's[127] colours fall, And leave inanimate the naked wall, Still in thy song should vanquished France appear, And bleed for ever under Britain's spear.[128]310 Let softer strains ill-fated Henry[129] mourn, And palms eternal flourish round his urn. Here o'er the martyr-king the marble weeps, And, fast beside him, once-feared Edward[130] sleeps: Whom not th' extended Albion could contain,315 From old Belerium[131] to the northern main,[132] The grave unites; where ev'n the great find rest, And blended lie th' oppressor and th' oppressed! Make sacred Charles's tomb for ever known,[133] (Obscure the place, and uninscribed the stone)[134]320 Oh fact accurst! what tears has Albion shed,[135] Heav'ns, what new wounds! and how her old have bled! She saw her sons with purple death expire, Her sacred domes involved in rolling fire,[136] A dreadful series of intestine wars,325 Inglorious triumphs and dishonest scars.[137] At length great Anna said—"Let discord cease!"[138] She said, the world obeyed, and all was peace! In that blest moment, from his oozy bed Old father Thames advanced his rev'rend head;[139]330 His tresses dropped with dews,[140] and o'er the stream[141] His shining horns[142] diffused a golden gleam; Graved on his urn, appeared the moon that guides His swelling waters, and alternate tides; The figured streams in waves of silver rolled,335 And on their banks Augusta[143] rose in gold. Around his throne the sea-born brothers[144] stood, Who swell with tributary urns his flood: First the famed authors of his ancient name,[145] The winding Isis and the fruitful Thame;[146]340 The Kennet swift, for silver eels renowned;[147] The Loddon slow, with verdant alders crowned;[148] Cole, whose dark streams his flow'ry islands lave; And chalky Wey,[149] that rolls a milky wave: The blue, transparent Vandalis[150] appears;345 The gulphy Lee his sedgy tresses rears;[151] And sullen Mole, that hides his diving flood;[152] And silent Darent, stained with Danish blood.[153] High in the midst, upon his urn reclined, (His sea-green mantle waving with the wind)[154]350 The god appeared: he turned his azure eyes Where Windsor-domes and pompous turrets rise; Then bowed and spoke;[155] the winds forget to roar, And the hushed waves glide softly to the shore.[156] "Hail, sacred Peace! hail, long-expected days,355 That Thames's glory to the stars shall raise! Though Tiber's streams immortal Rome behold, Though foaming Hermus swells with tides of gold,[157] From heav'n itself though sevenfold Nilus flows, And harvests on a hundred realms bestows,[158]360 These now no more shall be the muse's themes, Lost in my fame, as in the sea their streams. Let Volga's banks with iron squadrons shine,[159] And groves of lances glitter on the Rhine; Let barb'rous Ganges arm a servile train;365 Be mine the blessings of a peaceful reign. No more my sons shall dye with British blood Red Iber's sands, or Ister's foaming flood:[160] Safe on my shore each unmolested swain Shall tend the flocks, or reap the bearded grain;370 The shady empire shall retain no trace[161] Of war or blood, but in the sylvan chace; The trumpet sleep while cheerful horns are blown, And arms employed on birds and beasts alone.[162] Behold! th' ascending villas on my side,375 Project long shadows o'er the crystal tide; Behold! Augusta's glitt'ring spires increase, And temples rise,[163] the beauteous works of peace. I see, I see, where two fair cities bend Their ample bow, a new Whitehall ascend![164]380 There mighty nations shall inquire their doom, The world's great oracle in times to come;[165] There kings shall sue, and suppliant states be seen Once more to bend before a British Queen.[166] Thy trees, fair Windsor![167] now shall leave their woods,[168] And half thy forests rush into thy floods,[169]386 Bear Britain's thunder, and her cross[170] display, To the bright regions of the rising day;[171] Tempt icy seas,[172] where scarce the waters roll, Where clearer flames glow round the frozen pole;390 Or under southern skies exalt[173] their sails, Led by new stars, and borne by spicy gales![174] For me the balm shall bleed, and amber flow, The coral redden, and the ruby glow, The pearly shell its lucid globe infold,395 And Phœbus warm the ripening ore to gold.[175] The time shall come, when, free as seas or wind,[176] Unbounded Thames shall flow for all mankind,[177] Whole nations enter with each swelling tide, And seas but join the regions they divide;[178]400 Earth's distant ends our glory shall behold, And the new world launch forth to seek the old. Then ships of uncouth form shall stem the tide, And feathered people crowd my wealthy side, And naked youths[179] and painted chiefs admire[180]405 Our speech, our colour, and our strange attire. Oh stretch thy reign, fair Peace! from shore to shore, Till conquest cease, and slav'ry be no more; Till the freed Indians in their native groves Reap their own fruits, and woo their sable loves,410 Peru once more a race of kings behold, And other Mexicos be roofed with gold.[181] Exiled by thee from earth to deepest hell, In brazen bonds,[182] shall barb'rous Discord dwell: Gigantic Pride, pale Terror, gloomy Care,415 And mad Ambition shall attend her there: There purple Vengeance bathed in gore retires, Her weapons blunted, and extinct her fires: There hateful Envy her own snakes shall feel, And Persecution mourn her broken wheel:420 There Faction roar, Rebellion bite her chain,[183] And gasping Furies thirst for blood in vain." Here cease thy flight, nor with unhallowed lays Touch the fair fame of Albion's golden days: The thoughts of gods let Granville's verse recite,425 And bring the scenes of opening fate to light.[184] My humble muse, in unambitious strains, Paints the green forests and the flow'ry plains,[185] Where Peace descending bids her olive spring, And scatters blessings from her dove-like wing.430 Ev'n I more sweetly pass my careless days, Pleased in the silent shade with empty praise; Enough for me, that to the list'ning swains First in these fields I sung the sylvan strains.[186]

FOOTNOTES:

END OF VOL. I.

BRADBURY, EVANS, AND CO., PRINTERS, WHITEFRIARS.

Notes in this chapter

Note 1 · Notwithstanding the many praises lavished on this celebrated nobleman as a poet, by Dryden, by Addison, by Bolingbroke, by our Author, and oNote 2 · Thus Hopkins, in his History of Love: Ye woods and wilds, serene and blest retreats, At once the lovers' and the Muses' seats To you I fly.—Note 3 · Originally thus: Chaste goddess of the woods, Nymphs of the vales, and Naïads of the flood, Lead me through arching bow'rs, and glimin'ring Note 4 · Neget quis carmina Gallo? Virg.—Warburton.Note 5 · Evidently suggested by Waller: Of the first Paradise there's nothing found, Yet the description lasts.—Holt White. Addison's Letter from ItaNote 6 · There is an inaccuracy in making the flame equal to a grove. It might have been Milton's flame.—Warton. Addison's Letter from Italy: O, coulNote 7 · This is borrowed from the lines, quoted by Bowles, in which Denham alludes to the founder of Windsor Castle being as doubtful as was the birNote 8 · From Waller: As in old chaos heav'n with earth confused, And stars with rocks together crushed and bruised.—Wakefield.Note 9 · Evidently from Cooper's Hill: Here Nature, whether more intent to please Us, or herself, with strange varieties, Wisely she knew the harmonyNote 10 · There is a levity in this comparison which appears to me unseasonable, and but ill according with the serene dignity of the subject.—WakefieNote 11 · Originally thus: Why should I sing our better suns or air, Whose vital draughts prevent the leech's care, While through fresh fields th' enlNote 12 · Milton's Allegro, ver. 78: Bosomed high in tufted trees.—Wakefield.Note 13 · Milton, Par. Lost, iv. 248: Groves whose rich trees wept odorous gums and balms. This fancy was borrowed from the ancients. According to OviNote 14 · This fabulous mixture of stale images, Olympus and the Gods, is, in my opinion, extremely puerile, especially in a description of real sceneNote 15 · The making the hills nobler than Olympus with all its gods, because the gods appeared "in their blessings" on the humbler mountains of WindsNote 16 · The word "crowned" is exceptionable; it makes Pan crowned with flocks.—Warton. Pope, in his manuscript, has underscored "Pan with flocks," aNote 17 · Dryden's Translations from Ovid: A dismal desert, and a silent waste. Pope weakened the line in varying it. "Dreary desert" and "gloomy wastNote 18 · The Forest Laws.—Pope. The killing a deer, boar, or hare, was punished with the loss of the delinquent's eyes.—Warton. Thierry believes thatNote 19 · This is in imitation of Waller: Prove all a desert! and none there make stay But savage beasts, or men as wild as they.—Wakefield. Sir WilliNote 20 · The representation is erroneous. The "air, floods, and wilds" were not "dispeopled." The forest laws occasioned an increase in the quantity Note 21 · Originally thus in the MS.: From towns laid waste, to dens and caves they ran (For who first stooped to be a slave was man).—Warburton. The Note 22 · According to this doctrine no nation can lie free in which lawless beasts are subjugated by man.Note 23 · Pope puts "the elements" for the creatures which inhabited them.Note 24 · In the first edition it was, The swain with tears to beasts his labour yields, which defined the poet's idea more clearly. He changed the exNote 25 · Addison's Letter from Italy: The poor inhabitant beholds in vain The reddening orange, and the swelling grain: Joyless he sees the growing oNote 26 · No wonder savages or subjects slain— But subjects starved, while savages were fed. It was originally thus, but the word "savages" is not prNote 27 · Translated from Templa adimit divis, fora civibus, arva colonis, an old monkish writer, I forget who.—Pope.Note 28 · Alluding to the destruction made in the New Forest, and the tyrannies exercised there by William I.—Pope. I have the authority of three or fNote 29 · Addison's Campaign: O'er prostrate towns and palaces they pass, Now covered o'er with weeds, and hid in grass.Note 30 · Donne, in his second Satire, When winds in our ruined abbeys roar.—Wakefield.Note 31 · It is a blemish in this fine passage that a couplet in the past tense should be interposed for the sake of the rhyme, in the midst of a descNote 32 · Originally: And wolves with howling fill, &c. The author thought this an error, wolves not being common in England at the time of the ConqueNote 33 · "The temples," "broken columns," and "choirs," of the poet, suppose a much statelier architecture than belonged to the rude village churchesNote 34 · William did not confine his oppression to the weak and succumb to the strong. The statement that he was "awed by his nobles" is opposed to tNote 35 · The language is too strong. "When his power or interest was concerned," says Lingard, "William listened to no suggestions but those of ambitNote 36 · It is incorrect to say that William was denied a grave. As his body was about to be lowered into the vault in the church of St. Stephen, whiNote 37 · "An open space between woods," is Johnson's definition of "lawn," which is the meaning here, and at ver. 21 and 149. The term has since beenNote 38 · Richard, second son of William the Conqueror.—Pope. Richard is said by some to have been killed by a stag in the New Forest, by others to haNote 39 · This verse is taken from one of Denham's in his translation of the Second Æneis: At once the taker, and at once the prey.—Wakefield.Note 40 · The oak under which Rufus was shot, was standing till within these few years.—Bowles. A stone pillar now marks the spot.—Croker.Note 41 · In the New Forest, where the cottages had been swept away by William. "Succeeding monarchs" did not, as Pope implies, suffer encroachments oNote 42 · Mountains hitherto unknown to the flocks, who were now for the first time permitted to feed there.Note 43 · Miraturque novas frondes et non sua poma. Virg.—Warburton. Virgil is treating of grafts, and says that the parent stock, when the slips groNote 44 · He doubtless had in his eye, Vir. Æn. i. 506: Latonæ tacitum pertentant gaudia pectus.—Wakefield. Dryden's translation: And feeds with secreNote 45 · Originally: O may no more a foreign master's rage, With wrongs yet legal, curse a future age! Still spread, fair liberty! thy heav'nly wingsNote 46 · Addison's Campaign: Their courage dwells not in a troubled flood Of mounting spirits, and fermenting blood.Note 47 · "Thickest woods" till Warburton's edition. The epithet "gameful," to express that the woods were full of game, seems to be peculiar to Pope.Note 48 · Originally: When yellow autumn summer's heat succeeds, And into wine the purple harvest bleeds, The partridge feeding in the new-shorn fieldNote 49 · Dryden's Sigismonda and Guiscardo: Watchful to betray With inward rage he meditates his prey.—Holt White.Note 50 · From Virgil, Geo. iv. 176: si parra licet componere magnis. If little things with great we may compare. Dryden.—Wakefield.Note 51 · It stood thus in the first editions: Pleased in the general's sight, the host lie down Sudden before some unsuspecting town; The young, the Note 52 · Richardson gives a more descriptive line from the manuscript: Exults in air and plies his whistling wings. The poet doubtless substituted thNote 53 · This fine apostrophe was probably suggested by that of Virgil on the ox dying of the plague: Now what avails his well-deserving toil. DrydenNote 54 · Steevens quotes Pictæque volucres. Virg. Painted birds. Dryden.—Bowles. Pope probably took the phrase from Paradise Lost, where the birds arNote 55 · Originally thus: When hoary-winter clothes the years in white, The woods and fields to pleasing toils invite.—Pope.Note 56 · The reflection is misplaced; for dogs by nature chase hares, and man avails himself of their instinctive propensities.Note 57 · Originally: O'er rustling leaves around the naked groves.—Warburton. This is a better line.—Warton.Note 58 · Wakefield understood Pope to mean that the trees shaded the doves, and he objected that leafless trees could not properly be said to overshaNote 59 · The fowler lifts his levelled tube on high.—Pope. He owed the line in the text to Dryden's Virgil, Geor. ii. 774. And bends his bow, and leNote 60 · Præcipites altá vitam sub nube relinquunt. Virg.—Warburton. So before Pope, Philips in his Cider: ——they leave their little lives above theNote 61 · It is singular, that in a poem on a forest, the majestic oak, the deer, and many other interesting and characteristic circumstances, should Note 62 · The active use of the word hope, though authorised by Dryden, appears to my taste intolerably harsh and affected.—Wakefield.Note 63 · "Volume," except in its application to books, now carries with it an idea of magnitude. In Pope's day it was still used in its strictly etymNote 64 · Wakefield points out that Pope borrowed the language from Lauderdale's translation of the fourth Georgic, where he says of the bees that theNote 65 · "The wat'ry plain" from the campi liquentes of Virgil, is an expression of Dryden's in his translation of Ovid, Met. i., and elsewhere. DrayNote 66 · Originally thus: But when bright Phœbus from the twins invites Our active genius to more free delights, With springing day we range the lawnNote 67 · "Sylvan war," is an expression borrowed from writers who described the chase of ferocious beasts,—the lion, tiger, and boar. The language isNote 68 · Translated from Statius. Stare adeo miserum est, pereunt vestigia mille Ante fugam, absentemque ferit gravis ungula campum. These lines Mr. Note 69 · "Threatening" is an inappropriate epithet for the sloping hills up which the hunters rode in the neighbourhood of Windsor.Note 70 · Instead of this couplet, Pope had written in his early manuscript, They stretch, they sweat, they glow, they shout around; Heav'n trembles, Note 71 · Queen Anne.—Warburton. Congreve's Prologue to the Queen: For never was in Rome nor Athens seen So fair a circle, and so bright a queen.Note 72 · This use of the word "reign" for the territory ruled over, instead of for the sway of the ruler, was always uncommon, and is now obsolete. QNote 73 · Better in the manuscript: And rules the boundless empire of the main. By the alteration Pope increased the compliment to Anne by making her Note 74 · In the last edition published in Pope's lifetime, the four previous lines, with the variation of "sunny heaths" for "airy wastes," were prinNote 75 · Dr. Warton says, "that Johnson seems to have passed too severe a censure on this episode of Lodona; and that a tale in a descriptive poem haNote 76 · Dryden's Translations from Ovid: The nicest eye did no distinction know, But that the goddess bore a golden bow.Note 77 · Nec positu variare comas; uni fibula vestem, Vitta coercuerat neglectos alba capillos. Ovid.—Warburton.Note 78 · This thought of the quiver sounding is found both in Homer and Virgil.—Wakefield. Pope remembered Dryden's translation of Virgil, Æneis, xi.Note 79 · Dryden's Æneis, xii. 108: The lover gazed, and burning with desire, The more he looked the more he fed the fire.Note 80 · Ut fugere accipitrem penna trepidante columbæ, Ut solet accipiter trepidas agitare columbas. Ovid, Met. lib. v.—Warburton. Sandys' translatNote 81 · In the first edition: As from the god with fearful speed she flew, As did the god with equal speed pursue.Note 82 · Wakefield remarks that Pope, yielding to the exigencies of rhyme, has put "run" for "ran."Note 83 · Sol erat a tergo: vidi præcedere longam Ante pedes umbram; nisi timor illa videbat. Sed certe sonituque pedum terrebar; et ingens Crinales Note 84 · The river Loddon.—Pope.Note 85 · The idea of "augmenting the waves with tears" was very common among the earliest English poets, but perhaps the most ridiculous use ever madNote 86 · These six lines were added after the first writing of this poem.—Pope. And in truth they are but puerile and redundant.—Warton.Note 87 · Eve, looking into the fountain, in Dryden's State of Innocence, Act ii.: What's here? another firmament below Spread wide, and other trees tNote 88 · The epithet "absent," employed to denote that the trees were only a reflection in the water, is more perplexing than descriptive, particularNote 89 · In every edition before Warburton's it was "spreading honours." Pope probably considered that "rear," which denoted an upward direction, couNote 90 · "Her" appears for the first time in the edition of Warburton in the place of "his," and is now the accepted reading, but it is manifestly a Note 91 · In the first edition: No seas so rich, so full no streams appear. The epithets "clear," "gentle," "full," which Pope applies to the Thames, Note 92 · The ancients gave the name of the terrestrial Eridanus or Po, to a constellation which has somewhat the form of a winding river. Pope copiedNote 93 · Very ill expressed, especially the rivers swelling the lays.—Warton.Note 94 · The original readings were beyond all competition preferable both in strength and beauty: Not fabled Po more swells the poet's lays While thNote 95 · In saying that the Po did not swell the lays of the poet in the same degree as the Thames, Pope more especially alluded to the celebrated deNote 96 · In the earlier editions, Nor all his stars a brighter lustre show, Than the fair nymphs that gild thy shore below. The MS. goes on thus: WhoNote 97 · Originally: Happy the man, who to these shades retires, But doubly happy, if the muse inspires! Blest whom the sweets of home-felt quiet pleNote 98 · Lord Lansdowne.—Croker.Note 99 · This is taken from Horace's epistle to Tibullus: An tacitum silvas inter reptare salubres, Curantem quidquid dignum sapiente bonoque est?—WaNote 100 · ——servare modum, finemque tenere, Naturamque sequi. Lucan.—Warburton.Note 101 · Dryden's Virgil, Geor. ii. 673: Ye sacred muses! with whose beauty fired, My soul is ravished, and my brain inspired.—Wakefield. Addison in Note 102 · O, qui me gelidis in vallibus Hæmi Sistat, et ingenti ramorum protegat umbra! Virg.—Warburton.Note 103 · Cooper's Hill is the elevation, not deserving the name of mountain, just over Egham and Runnymede.—Croker.Note 104 · It stood thus in the MS. Methinks around your hold scenes I rove, And hear your music echoing through the grove: With transport visit each iNote 105 · From Philips's Cider, ii. 6: or what Unrivalled authors by their presence made For ever venerable.—Steevens.Note 106 · By "first lays," Pope means Cooper's Hill, but Denham had previously written the Sophy, a tragedy, and translated the second book of the ÆneNote 107 · Dryden says of the Cooper's Hill, "it is a poem which for majesty of style is, and ever will be, the standard of good writing." From hence, Note 108 · Mr. Cowley died at Chertsey, on the borders of the Forest, and was from thence conveyed to Westminster.—Pope. Pope told Spence that Cowley wNote 109 · Cowley died July 28, 1667, in the 49th year of his age. Pope's "O early lost!" is copied from the "O early ripe!" of Dryden in his lines to Note 110 · Oldham's Imitation of Moschus: This, Thames, ah! this, is now thy second loss For which in tears thy weeping current flows.Note 111 · On the margin of his manuscript Pope wrote the passage of Virgil which he imitated: quæ, Tiberine, videbis Funera, cum tumulum præterlabere Note 112 · Originally: What sighs, what murmurs, filled the vocal shore! His tuneful swans were heard to sing no more.—Pope.Note 113 · We hanged our harps upon the willows in the midst thereof. Psalm cxxxvii. 2.—Wakefield. Pope says that "each muse" hung up her lyre because Note 114 · Warton mentions, that "living lyre" is used by Cowley.Note 115 · This couplet was a triplet in the manuscript with the following middle line: What bard, what angel, tunes the warbling strings? It is surpriNote 116 · Philips: And paint those honours thou art sure to wear.—Steevens.Note 117 · Meaning, I apprehend, the star of the knights of the Garter installed at Windsor.—Wakefield. The order was founded by Edward III., the buildNote 118 · All the lines that follow were not added to the poem till the year 1710 [1712]. What immediately followed this, and made the conclusion, werNote 119 · Henry Howard, Earl of Surrey, one of the first refiners of the English poetry; famous in the time of Henry VIII. for his sonnets, the scene Note 120 · The Fair Geraldine, the general object of Lord Surrey's passionate sonnets, was one of the daughters of Gerald Fitzgerald, Earl of Kildare. Note 121 · The Mira of Granville was the Countess of Newburgh. Towards the end of her life Dr. King, of Oxford, wrote a very severe satire against her,Note 122 · Not to recount those several kings, to whom It gave a cradle, and to whom a tomb. Denham.—Bowles.Note 123 · Edward III. born here.—Pope.Note 124 · David Bruce, king of Scotland, taken prisoner at the battle of Nevil's Cross, 1346, and John, king of France, captured at the battle of PoitNote 125 · Denham's Cooper's Hill: ——Great Edward, and thy greater son, The lilies which his father wore, he won. Edward III. claimed the crown of FranNote 126 · Originally thus in the MS. When brass decays, when trophies lie o'er-thrown, And mould'ring into dust drops the proud stone, From Windsor's Note 127 · He was a Neapolitan. Without much invention, and with less taste, his exuberant pencil was ready at pouring out gods, goddesses, kings, empeNote 128 · Pope had in his head this couplet of Halifax: The wounded arm would furnish all their rooms, And bleed for ever scarlet in the looms.—Holt WNote 129 · Henry VI.—Pope.Note 130 · Edward IV.—Pope.Note 131 · The Land's End in Cornwall is called by Diodorus Siculus, Belerium promentorium, perhaps from Bellerus, one of the Cornish giants with whichNote 132 · Dryden's translation of the tenth Satire of Juvenal, ver. 236: Whom Afric was not able to contain Whose length runs level with th' Atlantic Note 133 · Dr. Chetwood's verses to Roscommon: Make warlike James's peaceful virtues known.—Wakefield.Note 134 · Charles I. was buried in St. George's Chapel, Windsor. The precise spot was a matter of doubt till an accidental aperture was made in 1813 iNote 135 · Originally thus in the MS. Oh fact accurst! oh sacrilegious brood, Sworn to rebellion, principled in blood! Since that dire morn what tears Note 136 · To say that the plague in London, and its consumption by fire, were judgments inflicted by heaven for the murder of Charles I., is a very exNote 137 · This couplet is directed at the Revolution, considered by Pope, in common with all jacobites, to be a like public calamity with the plague aNote 138 · Thus in the MS. Till Anna rose, and bade the Furies cease; Let there be peace—she said, and all was peace.—Warburton. It may be presumed thaNote 139 · Dryden's Annus Mirabilis: Old Father Thames raised up his rev'rend head. And again, at the conclusion of his Threnodia Augustalis: While, stNote 140 · Spenser of Father Thames: his beard all gray Dewed with silver drops that trickled down alway.—Wakefield.Note 141 · Between verse 330 and 331, originally stood these lines; From shore to shore exulting shouts he heard, O'er all his banks a lambent light apNote 142 · Horns were a classical attribute of rivers,—not I think, according to the common view, as a mark of dignity, but as a symbolical expression Note 143 · Augusta was the name which the Romans at one period gave to London. The representation of the god attended by All little rivers, which owe vNote 144 · The river-gods were said to be the children of Oceanus and Tethys, but in the earlier mythology, Oceanus was himself a river (not a sea), suNote 145 · The Tamesis. It was a common but erroneous notion, that the appellation was formed from appending the name Isis to Thame.Note 146 · Warton observes that Pope has here copied and equalled the description of rivers in Spenser, Drayton, and Milton. The description is beautifNote 147 · Drayton: The crystal Trent for fords and fish renowned.—Bowles. The Kennet is not linked by Pope to any poetical association when he simply Note 148 · Addison: Where silver lakes with verdant shadows crowned.Note 149 · Several of Pope's epithets are borrowed, although he has not always coupled them with the same streams to which they are applied in his origNote 150 · The Wandle.—Croker.Note 151 · Milton has "gulphy Dun" and "sedgy Lee," and Pope combined the characteristics. The remainder of the couplet is from Addison's translation oNote 152 · Milton's Vacation Exercise: Or sullen Mole, that runneth underneath.—Wakefield. The Mole at particular spots, called the swallows, sinks thrNote 153 · Drayton: And the old Lee brags of the Danish blood.—Bowles. Pope's epithet "silent" was suggested by "the still Darent" of Spenser, and the Note 154 · Addison's translation of an extract from Ovid: While thus she rested on her arm reclined, The hoary willows waving with the wind.Note 155 · The river god bowing respectfully to his human audience, before he commenced his speech, is a ludicrous idea, into which Pope was seduced byNote 156 · So Dryden, Æneis, x. 156: The winds their breath restrain, And the hushed waves lie flatted on the main.—Wakefield. Pope's lines are compileNote 157 · The Hermus is characterised by Virgil as "turbid with gold." The property was more usually ascribed to its tributary, the Pactolus, but therNote 158 · An undoubted imitation, I think, of Dr. Bathurst's verses on Selden: As when old Nilus, who with bounteous flows Waters a hundred nations asNote 159 · Originally thus in the MS. Let Venice boast her tow'rs amidst the main, Where the rough Adrian swells and roars in vain; Here not a town, buNote 160 · This alludes to General Stanhope's campaigns on the Ebro, and the Duke of Marlborough's on the Danube.—Croker. In saying that British blood Note 161 · In the manuscript: O'er all the Forests shall appear no trace.Note 162 · And certainly sufficient ferocity is displayed even in these amusements. Cowley says, And all his malice, all his craft is shown In innocentNote 163 · The fifty new churches.—Pope.Note 164 · This seems imitated from Hopkins' Court Prospect: As far as fair Augusta's buildings reach, Bent, like a bow, along a peaceful beach.—WakefiNote 165 · Addison's translation of a passage in Claudian on the imperial palace at Rome: Thither the kingdoms and the nations come, In supplicating crNote 166 · "Once more," as in the renowned reign of Elizabeth.—Holt White. After holding out a prospect of perpetual peace, Pope conjures up a future vNote 167 · This return to the trees of Windsor Forest, his original subject, is masterly and judicious; and the whole speech of Thames is highly animatNote 168 · Originally thus: Now shall our fleets the bloody cross display To the rich regions of the rising day, Or those green isles, where headlong TNote 169 · Pope has written "if obscure?" against this line in the manuscript. It is plain he meant that the trees were converted into ships, but the lNote 170 · The red cross upon the Union Jack.Note 171 · Waller's verses on Tea: To the fair region where the sun does rise.Note 172 · "To tempt the sea" is a classical expression, significant of hazard and resolution. Dryden's Iliad: What now remains But that once more we tNote 173 · "Exalt" is an inefficient and prosaic word.—Wakefield. The word is certainly not "prosaic," for no one in prose would talk of exalting a saiNote 174 · The whole passage seems a grand improvement from Philips' Cider, book ii.: uncontroll'd The British navy, through the ocean vast, Shall waveNote 175 · In poetical philosophy the crude material from which jewels and the precious metals were formed, was supposed to be ripened into maturity byNote 176 · This was suggested by a couplet of Denham's on the same subject in his Cooper's Hill: Nor are his blessings to his banks confined, But free Note 177 · A wish that London may be made a free Port.—Pope.Note 178 · This resembles Waller in his panegyric on Cromwell: While by your valour and your bounteous mind, Nations, divided by the sea, are joined.—WNote 179 · Better in the first edition, "Whose naked youth," and in the Miscellanies better still, "While naked youth."—Wakefield.Note 180 · "Admire" was formerly applied to anything which excited surprise, whether the surprise was coupled with commendation or censure, or was simpNote 181 · As Peru was particularly famous for its long succession of Incas, and Mexico for many magnificent works of massy gold, there is great propriNote 182 · Rage in Virgil is bound in "brazen bonds," and Envy is tormented by "the snakes of Ixion." These coincidences are specified by Wakefield.Note 183 · Sir J. Beaumont's Bosworth Field: Beneath her feet pale envy bites her chain, And snaky discord whets her sting in vain.Note 184 · Hor., Ode iii. lib. 3: Quo, Musa, tendis? desine pervicax Referre sermones Deorum et Magna modis tenuare parvis.—Warburton. Addison's translNote 185 · He adopted one or two hints, and especially the turn of the compliment to Lord Lansdowne, from the conclusion of Addison's Letter to Lord HaNote 186 · It is observable that our author finishes this poem with the first line of his Pastorals, as Virgil closed his Georgics with the first line
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