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The Works of Alexander Pope, Volume 1, Poetry - Volume 1

THE TEMPLE OF FAME.

Reading edition

In that soft season,[1] when descending show'rs[2] Call forth the greens, and wake the rising flow'rs;[3] When opening buds salute the welcome day,[4] And earth relenting[5] feels the genial ray; As balmy sleep had charmed my cares to rest,5 And love itself was banished from my breast,[6] (What time the morn mysterious visions brings,[7] While purer slumbers spread their golden wings) A train of phantoms in wild order rose, And joined, this intellectual scene[8] compose.10 I stood, methought, betwixt earth, seas, and skies;[9] The whole creation open to my eyes: In air self-balanced hung the globe below,[10] Where mountains rise, and circling oceans flow; Here naked rocks, and empty wastes were seen,15 There tow'ry cities, and the forests green; Here sailing ships delight the wand'ring eyes; There trees, and intermingled temples rise:[11] Now a clear sun the shining scene displays;[12] The transient landscape now in clouds decays.20 O'er the wide prospect as I gazed around, Sudden I heard a wild promiscuous sound, Like broken thunders that at distance roar, Or billows murm'ring on the hollow shore:[13] Then, gazing up, a glorious pile beheld,25 Whose tow'ring summit ambient clouds concealed. High on a rock of ice the structure lay,[14] Steep its ascent, and slipp'ry was the way;[15] The wondrous rock like Parian marble shone, And seemed, to distant sight, of solid stone.30 Inscriptions here of various names I viewed,[16] The greater part by hostile time subdued; Yet wide was spread their fame in ages past, And poets once had promised they should last. Some fresh engraved appeared of wits renowned;35 I looked again, nor could their trace be found. Critics I saw, that other names deface, And fix their own, with labour, in their place: Their own, like others, soon their place resigned, Or disappeared, and left the first behind.40 Nor was the work impaired by storms alone,[17] But felt th' approaches of too warm a sun; For Fame, impatient of extremes, decays Not more by envy than excess of praise.[18] Yet part no injuries of heav'n could feel,[19]45 Like crystal faithful to the graving steel: The rock's high summit, in the temple's shade, Nor heat could melt, nor beating storm invade. Their names inscribed unnumbered ages past From time's first birth, with time itself shall last;50 These ever new, nor subject to decays, Spread, and grow brighter with the length of days. So Zembla's rocks (the beauteous work of frost)[20] Rise white in air, and glitter o'er the coast; Pale suns, unfelt, at distance roll away,55 And on th' impassive ice the lightnings play; Eternal snows the growing mass supply, Till the bright mountains prop th' incumbent sky[21]: As Atlas fixed, each hoary pile appears,[22] The gathered winter of a thousand years.[23]60 On this foundation Fame's high temple stands; Stupendous pile! not reared by mortal hands.[24] Whate'er proud Rome or artful Greece beheld, Or elder Babylon, its frame excelled. Four faces had the dome,[25] and ev'ry face65 Of various structure, but of equal grace: Four brazen gates, on columns lifted high,[26] Salute the diff'rent quarters of the sky.[27] Here fabled chiefs in darker ages born, Or worthies old, whom arms or arts adorn,[28]70 Who cities raised, or tamed a monstrous race, The walls in venerable order grace.[29] Heroes in animated marble frown,[30] And legislators seem to think in stone. Westward, a sumptuous frontispiece appeared,75 On Doric pillars of white marble reared,[31] Crowned with an architrave of antique mold, And sculpture rising on the roughened gold,[32] In shaggy spoils here Theseus was beheld,[33] And Perseus dreadful with Minerva's shield:[34]80 There great Alcides stooping with his toil, Rests on his club, and holds th' Hesperian spoil.[35] Here Orpheus sings; trees moving to the sound Start from their roots, and form a shade around: Amphion there the loud-creating lyre85 Strikes,[36] and beholds a sudden Thebes aspire! Cithæron's echoes answer to his call, And half the mountain rolls into a wall: There might you see the length'ning spires ascend, The domes swell up, the widening arches bend,90 The growing tow'rs like exhalations rise,[37] And the huge columns heave into the skies.[38] The Eastern front was glorious to behold, With di'mond flaming and barbaric gold.[39] There Ninus shone, who spread th' Assyrian fame,95 And the great founder of the Persian name:[40] There in long robes the royal Magi stand, Grave Zoroaster waves the circling wand, The sage Chaldæans, robed in white, appeared,[41] And Brachmans, deep in desert woods revered.[42]100 These stopped the moon, and called th' unbodied shades To midnight banquets in the glimm'ring glades; Made visionary fabrics round them rise, And airy spectres skim before their eyes;[43] Of talismans and sigils knew the pow'r,105 And careful watched the planetary hour.[44] Superior, and alone, Confucius stood,[45] Who taught that useful science, to be good. But on the South, a long majestic race Of Egypt's priests the gilded niches grace,110 Who measured earth, described the starry spheres, And traced the long records of lunar years.[46] High on his car, Sesostris struck my view, Whom sceptered slaves in golden harness drew: His hands a bow and pointed jav'lin hold;[47]115 His giant limbs are armed in scales of gold.[48] Between the statues obelisks were placed, And the learn'd walls with hieroglyphics graced.[49] Of Gothic structure was the Northern side,[50] O'erwrought with ornaments of barb'rous pride:120 There huge Colosses rose, with trophies crowned, And Runic characters were graved around. There sat Zamolxis with erected eyes,[51] And Odin here in mimic trances dies.[52] There on rude iron columns, smeared with blood,[53]125 The horrid forms of Scythian heroes stood, Druids and bards[54] (their once loud harps unstrung), And youths that died to be by poets sung. These, and a thousand more, of doubtful fame, To whom old fables gave a lasting name,130 In ranks adorned the temple's outward face; The wall in lustre and effect like glass, Which o'er each object casting various dyes, Enlarges some, and others multiplies:[55] Nor void of emblem was the mystic wall,135 For thus romantic Fame increases all. The temple shakes, the sounding gates unfold,[56] Wide vaults appear, and roofs of fretted gold:[57] Raised on a thousand pillars, wreathed around With laurel-foliage, and with eagles crowned:140 Of bright transparent beryl were the walls,[58] The friezes gold, and gold the capitals: As heav'n with stars, the roof with jewels glows, And ever-living lamps depend in rows.[59] Full in the passage of each spacious gate,145 The sage historians in white garments wait;[60] Graved o'er their seats the form of Time was found, His scythe reversed, and both his pinions bound. Within stood heroes, who through loud alarms In bloody fields pursued renown in arms.150 High on a throne with trophies charged, I viewed The youth that all things but himself subdued;[61] His feet on sceptres and tiaras trod, And his horned head belied the Libyan god.[62] There Cæsar, graced with both Minervas,[63] shone;155 Cæsar, the world's great master, and his own;[64] Unmoved, superior still in ev'ry state, And scarce detested in his country's fate.[65] But chief were those, who not for empire fought, But with their toils their people's safety bought:160 High o'er the rest Epaminondas stood;[66] Timoleon, glorious in his brother's blood;[67] Bold Scipio, saviour of the Roman state; Great in his triumphs, in retirement great; And wise Aurelius, in whose well-taught mind, }165 With boundless pow'r, unbounded virtue joined, } His own strict judge, and patron of mankind,[68] } Much-suff'ring heroes next their honours claim, Those of less noisy, and less guilty fame,[69] Fair Virtue's silent train:[70] supreme of these170 Here ever shines the godlike Socrates: He whom ungrateful Athens could expel, At all times just, but when he signed the shell:[71] Here his abode the martyred Phocion claims,[72] With Agis, not the last of Spartan names:[73]175 Unconquered Cato shows the wound he tore,[74] And Brutus his ill Genius meets no more.[75] But in the centre of the hallowed choir,[76] Six pompous columns o'er the rest aspire;[77] Around the shrine itself of Fame they stand,180 Hold the chief honours, and the fane command. High on the first, the mighty Homer shone;[78] Eternal adamant composed his throne; Father of verse! in holy fillets drest, His silver beard waved gently o'er his breast;185 Though blind, a boldness in his looks appears; In years he seemed, but not impaired by years. The wars of Troy were round the pillar seen: Here fierce Tydides wounds the Cyprian queen; Here Hector, glorious from Patroclus' fall,190 Here dragged in triumph round the Trojan wall:[79] Motion and life did ev'ry part inspire, Bold was the work, and proved the master's fire; A strong expression most he seemed t' affect, And here and there disclosed a brave neglect.195 A golden column next in rank appear'd, On which a shrine of purest gold was rear'd; Finished the whole, and laboured ev'ry part, With patient touches of unwearied art: The Mantuan there in sober triumph sate,200 Composed his posture, and his looks sedate;[80] On Homer still he fixed a rev'rent eye, Great without pride, in modest majesty.[81] In living sculpture[82] on the sides were spread The Latian wars, and haughty Turnus dead;205 Eliza stretched upon the fun'ral pyre, Æneas bending with his aged sire: Troy flamed in burning gold, and o'er the throne "Arms and the man" in golden ciphers shone. Four swans sustain a car of silver bright,[83]210 With heads advanced, and pinions stretched for flight:[84] Here, like some furious prophet, Pindar rode, And seem'd to labour with th' inspiring god. Across the harp a careless hand he flings, And boldly sinks into the sounding strings.[85]215 The figured games of Greece the column grace, Neptune and Jove survey the rapid race. The youths hang o'er the chariots as they run; The fiery steeds seem starting from the stone; The champions in distorted postures threat,[86]220 And all appeared irregularly great. Here happy Horace tuned th' Ausonian lyre To sweeter sounds, and tempered Pindar's fire: Pleased with Aleæus' manly rage t'infuse The softer spirit of the Sapphic muse.[87]225 The polished pillar diff'rent sculptures grace; A work outlasting monumental brass. Here smiling loves and bacchanals appear, The Julian star,[88] and great Augustus here. The doves that round the infant poet spread230 Myrtles and bays, hung hov'ring o'er his head. Here in a shrine that cast a dazzling light, Sat fixed in thought the mighty Stagirite; His sacred head a radiant zodiac crowned,[89] And various animals his sides surround;[90]235 His piercing eyes, erect, appear to view Superior worlds,[91] and look all nature through. With equal rays immortal Tully shone, The Roman rostra decked the consul's throne: Gath'ring his flowing robe, he seemed to stand240 In act to speak, and graceful stretched his hand.[92] Behind, Rome's genius waits with civic crowns, And the great father of his country owns. These massy columns in a circle rise, O'er which a pompous dome invades the skies:[93]245 Scarce to the top I stretched my aching sight, So large it spread, and swelled to such a height. Full in the midst proud Fame's imperial seat[94] With jewels blazed, magnificently great; The vivid em'ralds there revive the eye,250 The flaming rubies show their sanguine dye, Bright azure rays from lively sapphires stream, And lucid amber casts a golden gleam. With various-coloured light the pavement shone, And all on fire appeared the glowing throne;255 The dome's high arch reflects the mingled blaze, And forms a rainbow of alternate rays. When on the goddess first I cast my sight, Scarce seemed her stature of a cubit's height;[95] But swelled to larger size, the more I gazed,260 Till to the roof her tow'ring front she raised. With her, the temple ev'ry moment grew, And ampler vistas opened to my view: Upward the columns shoot, the roofs ascend, And arches widen, and long aisles extend.[96]265 Such was her form, as ancient bards have told, Wings raise her arms, and wings her feet infold; A thousand busy tongues the goddess bears, And thousand open eyes, and thousand list'ning ears.[97] Beneath, in order ranged, the tuneful Nine270 (Her virgin handmaids) still attend the shrine.[98] With eyes on Fame for ever fixed, they sing; For Fame they raise the voice, and tune the string; With time's first birth began the heav'nly lays, And last, eternal, through the length of days.275 Around these wonders as I cast a look, The trumpet sounded, and the temple shook, And all the nations, summoned at the call, From diff'rent quarters fill the crowded hall: Of various tongues the mingled sounds were heard;280 In various garbs promiscuous throngs appeared;[99] Thick as the bees that with the spring renew Their flow'ry toils, and sip the fragrant dew, When the winged colonies first tempt the sky, O'er dusky fields and shaded waters fly,285 Or settling, seize the sweets the blossoms yield, And a low murmur runs along the field.[100] Millions of suppliant crowds the shrine attend, And all degrees before the goddess bend;[101] The poor, the rich, the valiant, and the sage,290 And boasting youth, and narrative old age.[102] Their pleas were diff'rent, their request the same: For good and bad alike are fond of fame. Some she disgraced, and some with honours crowned;[103] Unlike successes equal merits found.[104]295 Thus her blind sister, fickle Fortune, reigns, And, undiscerning, scatters crowns and chains. First at the shrine the learned world appear, And to the goddess thus prefer their prayer. Long have we sought t' instruct and please mankind,300 With studies pale, with midnight vigils blind; But thanked by few, rewarded yet by none, We here appeal to thy superior throne: On wit and learning the just prize bestow, For fame is all we must expect below.305 The goddess heard, and bade the muses raise The golden trumpet of eternal praise:[105] From pole to pole the winds diffuse the sound, That fills the circuit of the world around; Not all at once, as thunder breaks the cloud;310 The notes at first were rather sweet than loud: By just degrees they ev'ry moment rise, Fill the wide earth, and gain upon the skies, At ev'ry breath were balmy odours shed, Which still grew sweeter as they wider spread;[106]315 Less fragrant scents th' unfolding rose exhales, Or spices breathing in Arabian gales. Next these the good and just, an awful train, Thus on their knees address the sacred fane. Since living virtue is with envy cursed,320 And the best men are treated like the worst, Do thou, just goddess, call our merits forth, And give each deed th' exact intrinsic worth.[107] Not with bare justice shall your act be crowned, (Said Fame,) but high above desert renowned:[108]325 Let fuller notes th' applauding world amaze, And the loud clarion labour in your praise. This band dismissed, behold another crowd Preferred the same request, and lowly bowed; The constant tenour of whose well spent days330 No less deserved a just return of praise. But straight the direful trump of slander sounds; Through the big dome the doubling thunder bounds; Loud as the burst of cannon rends the skies, The dire report through ev'ry region flies,335 In ev'ry ear incessant rumours rung, And gath'ring scandals grew on ev'ry tongue. From the black trumpet's rusty concave broke Sulphureous flames, and clouds of rolling smoke:[109] The pois'nous vapour blots the purple skies,340 And withers all before it as it flies. A troop came next, who crowns and armour wore, And proud defiance in their looks they bore: For thee, (they cried,) amidst alarms and strife, We sailed in tempests down the stream of life;345 For thee whole nations filled with flames and blood, And swam to empire through the purple flood. Those ills we dared, thy inspiration own, What virtue seemed, was done for thee alone. Ambitious fools! (the queen replied, and frowned)350 Be all your acts in dark oblivion drowned; There sleep forgot, with mighty tyrants gone, Your statues mouldered, and your names unknown![110] A sudden cloud straight snatched them from my sight, And each majestic phantom sunk in night.355 Then came the smallest tribe I yet had seen; Plain was their dress, and modest was their mien. Great idol of mankind! we neither claim The praise of merit, nor aspire to fame! But safe in deserts from th' applause of men,360 Would die unheard of, as we lived unseen; 'Tis all we beg thee, to conceal from sight Those acts of goodness, which themselves requite. O let us still the secret joy partake, To follow virtue ev'n for virtue's sake.[111]365 And live there men, who slight immortal fame? Who then with incense shall adore our name? But, mortals! know, 'tis still our greatest pride To blaze those virtues, which the good would hide. Rise! muses, rise! add all your tuneful breath,370 These must not sleep in darkness and in death. She said: in air the trembling music floats, And on the winds triumphant swell the notes:[112] So soft, though high, so loud, and yet so clear,[113] Ev'n list'ning angels leaned from heav'n to hear:375 To farthest shores th' ambrosial spirit flies, Sweet to the world, and grateful to the skies. Next these, a youthful train their vows expressed,[114] With feathers crowned, with gay embroid'ry dress'd, Hither, they cried, direct your eyes, and see380 The men of pleasure, dress, and gallantry; Ours is the place at banquets, balls, and plays, Sprightly our nights, polite are all our days; Courts we frequent, where 'tis our pleasing care To pay due visits, and address the fair:385 In fact, 'tis true, no nymph we could persuade, But still in fancy vanquished ev'ry maid; Of unknown duchesses lewd tales we tell, Yet, would the world believe us, all were well. The joy let others have, and we the name,390 And what we want in pleasure, grant in fame.[115] The queen assents, the trumpet rends the skies, And at each blast a lady's honour dies.[116] Pleased with the strange success, vast numbers pressed Around the shrine, and made the same request:395 What! you (she cried) unlearn'd in arts to please, Slaves to yourselves, and ev'n fatigued with ease,[117] Who lose a length of undeserving days, Would you usurp the lover's dear-bought praise? To just contempt, ye vain pretenders, fall,400 The people's fable, and the scorn of all. Straight the black clarion sends a horrid sound, Loud laughs burst out, and bitter scoffs fly round, Whispers are heard, with taunts reviling loud, And scornful hisses run through all the crowd.405 Last, those who boast of mighty mischiefs done, Enslave their country, or usurp a throne;[118] Or who their glory's dire foundation laid On sov'reigns ruined, or on friends betrayed;[119] Calm, thinking villains, whom no faith could fix,410 Of crooked counsels and dark politics; Of these a gloomy tribe surround the throne, And beg to make th' immortal treasons known. The trumpet roars, long flaky flames expire, With sparks, that seemed to set the world on fire.415 At the dread sound, pale mortals stood aghast, And startled nature trembled with the blast. This having heard and seen, some pow'r unknown Straight changed the scene, and snatched me from the throne.[120] Before my view appeared a structure fair,420 Its site uncertain, if in earth or air; With rapid motion turned the mansion round; With ceaseless noise the ringing walls resound; Not less in number were the spacious doors, Than leaves on trees, or sands upon the shores;425 Which still unfolded stand, by night, by day, Pervious to winds, and open ev'ry way. As flames by nature to the skies ascend,[121] As weighty bodies to the centre tend, As to the sea returning rivers roll,430 And the touched needle trembles to the pole; Hither, as to their proper place, arise All various sounds from earth, and seas, and skies, Or spoke aloud, or whispered in the ear; Nor ever silence, rest, or peace is here.435 As on the smooth expanse of crystal lakes The sinking stone at first a circle makes; The trembling surface, by the motion stirred, Spreads in a second circle, then a third; Wide, and more wide, the floating rings advance,440 Fill all the wat'ry plain, and to the margin dance: Thus ev'ry voice and sound, when first they break, On neighb'ring air a soft impression make; Another ambient circle then they move; That, in its turn, impels the next above;[122]445 Through undulating[123] air the sounds are sent, And spread o'er all the fluid element. There, various news I heard of love and strife, Of peace and war, health, sickness, death, and life, Of loss and gain, of famine, and of store,450 Of storms at sea, and travels on the shore, Of prodigies, and portents seen in air, Of fires and plagues, and stars with blazing hair, Of turns of fortune, changes in the state, The falls of fav'rites, projects of the great,455 Of old mismanagements, taxations new:[124] All neither wholly false, nor wholly true. Above, below, without, within, around, Confused, unnumbered, multitudes are found, Who pass, repass, advance, and glide away;460 Hosts raised by fear, and phantoms of a day: Astrologers, that future fates foreshew, Projectors, quacks, and lawyers not a few; And priests, and party-zealots, num'rous bands With home-born lies, or tales from foreign lands;465 Each talked aloud, or in some secret place, And wild impatience stared in ev'ry face.[125] The flying rumours gathered as they rolled, Scarce any tale was sooner heard than told; And all who told it added something new, }470 And all who heard it, made enlargements too; } In ev'ry ear it spread, on ev'ry tongue it grew. } Thus flying east and west, and north and south, News travelled with increase from mouth to mouth. So from a spark, that kindled first by chance,475 With gath'ring force the quick'ning flames advance;[126] Till to the clouds their curling heads aspire, And tow'rs and temples sink in floods of fire. When thus ripe lies are to perfection sprung, Full grown, and fit to grace a mortal tongue,480 Through thousand vents, impatient, forth they flow, And rush in millions on the world below. Fame sits aloft,[127] and points them out their course, Their date determines, and prescribes their force; Some to remain, and some to perish soon;485 Or wane and wax, alternate, like the moon. Around, a thousand winged wonders fly, Borne by the trumpet's blast, and scattered through the sky. There, at one passage, oft you might survey, A lie and truth contending for the way;490 And long 'twas doubtful, both so closely pent, Which first should issue through the narrow vent: At last agreed, together out they fly, Inseparable now, the truth and lie;[128] The strict companions are for ever joined,495 And this or that unmixed, no mortal e'er shall find. While thus I stood, intent to see and hear, One came, methought, and whisper'd in my ear:[129] What could thus high thy rash ambition raise? Art thou, fond youth, a candidate for praise?500 'Tis true, said I, not void of hopes I came, For who so fond as youthful bards of fame? But few, alas! the casual blessing boast, So hard to gain, so easy to be lost.[130] How vain that second life in others' breath,505 Th' estate which wits inherit after death![131] Ease, health, and life, for this they must resign; Unsure the tenure, but how vast the fine! The great man's curse, without the gains, endure, Be envied, wretched, and be flattered, poor;510 All luckless wits their enemies professed, And all successful, jealous friends at best. Nor fame I slight, nor for her favours call; She comes unlooked for, if she comes at all. But if the purchase cost so dear a price,515 As soothing folly, or exalting vice; Oh! if the muse must flatter lawless sway, And follow still where fortune leads the way;[132] Or if no basis bear my rising name, But the fall'n ruins of another's fame;520 Then teach me, heav'n! to scorn the guilty bays; Drive from my breast that wretched lust of praise; Unblemished let me live, or die unknown; Oh! grant an honest fame, or grant me none!

FOOTNOTES:

Notes in this chapter

Note 1 · This poem is introduced in the manner of the Provençal poets, whose works were for the most part visions, or pieces of imagination, and consNote 2 · Dryden, Virg. Geor. ii. 456: And boldly trust their buds in open air. In this soft season.—Wakefield. Dryden's Flower and Leaf: Where Venus Note 3 · Dryden, Geor. iii. 500: But when the western winds with vital pow'r Call forth the tender grass, and budding flow'r.—Wakefield.Note 4 · Dryden's Flower and Leaf: Salute the welcome sun and entertain the day.Note 5 · That admirable term "relenting" might probably be furnished by Ogilby at the beginning of the first Georgic: And harder glebe relents with vNote 6 · Dryden's Flower and Leaf: Cares I had none to keep me from my rest, For love had never entered in my breast.Note 7 · Morning dreams were thought the most significant. Thus Dryden, in his version of the Tale of the Nun's Priest: Believe me, madam, morning drNote 8 · Cowley, in his Complaint: In a deep vision's intellectual scene; and Mrs. Singer's Vision: No wild uncouth chimeras intervene To break the pNote 9 · Dryden, Ovid, Met. xii.: Full in the midst of this created space, Betwixt heav'n, earth, and skies, there stands a place Confining on all thNote 10 · This verse was formed from a very fine one in Paradise Lost, vii. 242: And earth self-balanced on her center hung.—Wakefield.Note 11 · Addison's translation of a passage from Ausonius: And intermingled temples rise between.Note 12 · These verses are hinted from the following of Chaucer, book ii.: Tho beheld I fields and plains, And now hills, and now mountains, Now valeyNote 13 · Dryden's translation of Ovid's Met. book xii.: Confused and chiding, like the hollow roar Of tides, receding from th' insulted shore; Or likNote 14 · Chaucer's third book of Fame: It stood upon so high a rock, Higher standeth none in Spayne— What manner stone this rock was, For it was likeNote 15 · Dryden, Æneis, vi. 193: Smooth the descent, and easy is the way.Note 16 · Tho saw I all the hill y-grave With famous folkes names fele. That had been in muchel wele And her fames wide y-blow; But well unneth mightNote 17 · Tho gan I in myne harte cast, That they were molte away for heate, And not away with stormes beate.—Pope.Note 18 · Does not this use of the heat of the sun appear to be a puerile and far-fetched conceit? What connection is there betwixt the two sorts of eNote 19 · For on that other side I sey Of that hill which northward ley, How it was written full of names Of folke, that had afore great fames, Of olNote 20 · Though a strict verisimilitude be not required in the descriptions of this visionary and allegorical kind of poetry, which admits of every wNote 21 · "Mountains propping the sky" was one of those vicious common-places of poetry which falsify natural appearances.Note 22 · A real lover of painting will not be contented with a single view and examination of this beautiful winter-piece; but will return to it agaiNote 23 · This excellent line was perhaps suggested by a fine couplet in Addison's translation of an extract from Silius Italicus: Stiff with eternal Note 24 · Dryden's Hind and Panther: Eternal house not built with mortal hands.Note 25 · The temple is described to be square, the four fronts with open gates facing the different quarters of the world, as an intimation that all Note 26 · The expression literally interpreted would signify that the gates were placed on the top of columns. Pope could not have had such a preposteNote 27 · Addison's Vision of the Table of Fame, in the Tatler: "In the midst there stood a palace of a very glorious structure; it had four great folNote 28 · Dryden, Juvenal, Sat. iii. 142: No Thracian born, But in that town which arms and arts adorn.Note 29 · In the early editions: The fourfold walls in breathing statues grace. Addison in his Letter from Italy had called the Roman statues "breathiNote 30 · Addison's Letter from Italy: Or teach their animated rocks to live. And emperors in Parian marble frown.Note 31 · Milton, Par. Lost, i. 714: Doric pillars overlaid With golden architrave, nor did there want Cornice or frieze, with bossy sculptures gravenNote 32 · Dryden, Ovid's Met. book xii.: An ample goblet stood of antique mould And rough with figures of the rising gold. Dryden, Æn. viii. 830: And Note 33 · This legendary hero was an Athenian knight-errant who, in imitation of Hercules, went about doing battle with the scourges of mankind, both Note 34 · Minerva presented Perseus with her shield when he undertook to kill the Gorgon, Medusa.Note 35 · This figure of Hercules is drawn with an eye to the position of the famous statue of Farnese.—Pope. It were to be wished that our author, whNote 36 · The pause at the word "strikes" renders the verse finely descriptive of the circumstance. Milton, in Par. Lost, xi. 491, has attempted this Note 37 · Milton, Par. Lost, i. 710: a fabric huge Rose like an exhalation.—Bowles.Note 38 · "Trees," says Dennis, "starting from their roots, a mountain rolling into a wall, and a town rising like an exhalation are things that are nNote 39 · Wakefield quotes from Milton (Par. Lost, ii. 4), the expression, "barbaric pearl and gold," and from Addison's translation of the second booNote 40 · Cyrus was the beginning of the Persian, as Ninus was of the Assyrian monarchy.—Pope.Note 41 · The Magi and Chaldæans (the chief of whom was Zoroaster) employed their studies upon magic and astrology, which was, in a manner, almost allNote 42 · It was often erroneously stated that the Brahmins dwelt always in groves. By the laws of Menu the life of a Brahmin was divided into four poNote 43 · Addison's translation of a passage in Claudian: Thin airy shapes, that o'er the furrows rise, A dreadful scene! and skim before his eyes.Note 44 · Dryden's Palamon and Arcite: And sigils framed in planetary hours. Dryden's Virgil, Æn. vii. 25: That watched the moon and planetary hour.Note 45 · Confucius flourished about two thousand three hundred years ago, just before Pythagoras. He taught justice, obedience to parents, humility, Note 46 · The learning of the old Egyptian priests consisted for the most part in geometry and astronomy: they also preserved the history of their natNote 47 · The colossal statue of the celebrated Eastern tyrant is not very strongly imagined. The word "hold" is particularly feeble.—Warton.Note 48 · Virgil's giant Bitias, Æn. ix. 958, has in Dryden's translation, quoted by Wakefield, "a coat of double mail with scales of gold."Note 49 · Two flatter lines upon such a subject cannot well be imagined.—Bowles.Note 50 · The architecture is agreeable to that part of the world.—Pope.Note 51 · The learning of the northern nations lay more obscure than that of the rest. Zamolxis was the disciple of Pythagoras, who taught the immortaNote 52 · Odin, or Woden, was the great legislator and hero of the Goths. They tell us of him, that, being subject to fits, he persuaded his followersNote 53 · Pope borrowed this idea from the passage he quotes at ver. 179, where Chaucer describes Statius as standing Upon an iron pillar strong That Note 54 · These were the priests and poets of those people, so celebrated for their savage virtue. Those heroic barbarians accounted it a dishonour toNote 55 · It shone lighter than a glass, And made well more than it was, To semen every thing, ywis, As kind of thinge Fames is.—Pope.Note 56 · Addison's Vision: "On a sudden the trumpet sounded; the whole fabric shook, and the doors flew open."Note 57 · Milton, Par. Lost, i. 717: The roof was fretted gold.—Wakefield.Note 58 · The exterior of Chaucer's House of Fame, Both the castle, and the tower And eke the hall, and every bower was of beryl, which Pope transfersNote 59 · Milton, Par. Lost, i. 726: From the arched roof Pendent by subtle magic many a row Of starry lamps and blazing cressets, fed With Naptha andNote 60 · Addison's Vision: "A band of historians took their station at each door."Note 61 · Alexander the Great. The tiara was the crown peculiar to the Asian princes. His desire to be thought the son of Jupiter Ammon, caused him toNote 62 · Dryden, Ode to St. Cecilia: A dragon's fiery form belied the god.—Bowles.Note 63 · As a warrior and a man of letters; for skill in both capacities was supposed to be due to Minerva.Note 64 · Prior, in his Carmen Seculare, says of William III., How o'er himself as o'er the world he reigns.Note 65 · A concise and masterly stroke, which at once sets before us the mixture of character, which appears in that extraordinary man, Julius Cæsar.Note 66 · "In other illustrious men you will observe that each possessed some one shining quality, which was the foundation of his fame: in EpaminondaNote 67 · Timoleon had saved the life of his brother Timophanes in the battle between the Argives and Corinthians; but afterwards killed him when he aNote 68 · This triplet was not in the first edition.Note 69 · In the first edition, Here too the wise and good their honours claim, Much-suff'ring heroes of less noisy fame. Pope did not perceive that iNote 70 · The names which follow are inappropriate examples of "fair virtue's silent train." The first on the list spent his days in promulgating his Note 71 · Aristides, who for his great integrity was distinguished by the appellation of the Just. When his countrymen would have banished him by the Note 72 · Who, when he was about to drink the hemlock, charged his son to forgive his enemies, and not to revenge his death on those Athenians who hadNote 73 · Very unpoetically designated. Agis might as well have been left out, if all that could be said of him was that he was "not the last of SpartNote 74 · In the civil war between Cæsar and Pompey, Cato sided with Pompey, and when the cause was lost, he stabbed himself in the bowels to avoid beNote 75 · A horrible spectre appeared to Brutus while he sat meditating in his tent at night. "What art thou?" said Brutus, "and what is thy business Note 76 · In the midst of the Temple, nearest the throne of Fame, are placed the greatest names in learning of all antiquity. These are described in sNote 77 · From the dees many a pillere, Of metal that shone not full clere, &c. Upon a pillere saw I stonde That was of lede and iron fine, Him of thNote 78 · Full wonder hye on a pillere Of iron, he the great Omer, And with him Dares and Titus, &c.—Pope.Note 79 · Pope has selected from Homer only three subjects as the most interesting: Diomed wounding Venus, Hector slaying Patroclus, and the same HectNote 80 · There saw I stand on a pillere That was of tinned iron cleere, The Latin poete Virgyle, That hath bore up of a great while The fame of piouNote 81 · Wakefield supposes that "modest majesty" was suggested by Milton's phrase, "modest pride," in Par. Lost, iv. 310.Note 82 · For this expression Wakefield quotes Dryden, Æn. vi. 33. There too in living sculpture might be seen The mad affection of the Cretan queen.Note 83 · The rhyme is dearly purchased by such an inexcusable inversion as "silver blight."Note 84 · Pindar being seated in a chariot, alludes to the chariot races he celebrated in the Grecian games. The swans are emblems of poetry, their soNote 85 · A. Philips, Past. v. 95. He sinks into the cords with solemn pace, To give the swelling tones a bolder grace.—Wakefield.Note 86 · "Distorted," which is always used in an unfavourable sense, is a disparaging epithet by which to characterise the vehement eagerness of the Note 87 · This expresses the mixed character of the odes of Horace: the second of these verses alludes to that line of his, Spiritum Graiæ tenuem camœNote 88 · Horace speaking, in his ode to Augustus, of the relative glory of different families, says that the Julian star shone among all the rest as Note 89 · Surely he might have selected for the basso rilievos about the statue of Horace ornaments more manly and characteristical of his genius.—WarNote 90 · A very tame and lifeless verse indeed, alluding to the treatise of Aristotle "concerning animals."—Wakefield.Note 91 · Pope here refers to Aristotle's treatise on the Heavens.Note 92 · This beautiful attitude is copied from a statue in the collection which Lady Pomfret presented to the University of Oxford.—Warton.Note 93 · Addison's translation of some lines from Sannazarius: And thou whose rival tow'rs invade the skies.Note 94 · Chaucer in a passage, not quoted by Pope, represents Fame as enthroned upon "a seat imperial," which was formed of rubies.Note 95 · Methoughte that she was so lite That the length of a cubite Was longer than she seemed to be; But thus soon in a while she, Herself tho wonNote 96 · This notion of the enlargement of the temple is also from Chaucer, who says that it became in length, breadth, and height, a thousand times Note 97 · The corresponding passage in Chaucer is not quoted by Pope, who translated from their common original, Virg. Æn. iv. 181: Cui quot sunt corpNote 98 · I heard about her throne y-sung That all the palays walles rung; So sung the mighty Muse, she That cleped is Calliope, And her eighte sisteNote 99 · I heard a noise approchen blive, That fared as bees done in a hive, Against their time of out flying; Right such a manere murmering, For alNote 100 · This description is varied with improvements from Dryden, Æneis, vi. 958. About the boughs an airy nation flew Thick as the humming bees thaNote 101 · So in Chaucer all degrees, "poor and rich" fall down on their knees before Fame and beg her to grant them their petition.Note 102 · "The tattling quality of age which, as Sir William Davenant says, is always narrative." Dryden's Dedication of Juvenal.—Wakefield.Note 103 · And some of them she granted sone, And some she warned well and fair, And some she granted the contrair— Right as her sister dame Fortune INote 104 · The idea is from Chaucer: They hadde good fame each deserved Although they were diversely served. Besides the passage in Chaucer, Pope evideNote 105 · In Chaucer, Fame sends for Eolus, who comes with two trumpets, a golden trumpet, from which he gives forth praises, and a black trumpet of bNote 106 · Tho came the thirde companye, And gan up to the dees to hye, And down on knees they fell anone, And saiden: We ben everichone Folke that haNote 107 · Prior, Carmen Seculare: In comely rank call ev'ry merit forth, Imprint on ev'ry act its standard worth.Note 108 · The whole tribe of the "good and just," who obtain any fame at all, are said by Pope to get more than they deserve. For this notion there isNote 109 · Therewithal there came anone Another huge companye, Of good folke— What did this Eolus, but he Took out his black trump of brass, That foulNote 110 · In his account of the reception given by Fame to her various suppliants, Pope is detailing the manner in which praise and blame are dispenseNote 111 · I saw anone the fifth route, That to this lady gan loute, And down on knees anone to fall, And to her they besoughten all, To hiden their gNote 112 · What, quoth she, and be ye wood? And wene ye for to do good, And for to have of it no fame? Have ye despite to have my name? Nay, ye shall Note 113 · An obvious imitation of a well-known verse in Denham: Though deep yet clear, though gentle yet not dull.—Wakefield.Note 114 · The reader might compare these twenty-eight lines following, which contain the same matter, with eighty-four of Chaucer, beginning thus: ThoNote 115 · "A pretty fame," says Dennis, "when the very smartest of these coxcombs is sure to have his name rotten before his carcase. When the author Note 116 · Strokes of pleasantry and humour, and satirical reflections on the foibles of common life, are unsuited to so grave and majestic a poem. TheNote 117 · Pope places the temple of Fame on a precipitous rock of ice, and Dennis charges him with departing from his allegory when he describes the sNote 118 · Tho come another companye That Lad ydone the treachery, &c.—Pope. Pope in this paragraph had not only Chaucer in view, but the passage of VNote 119 · A glance at the Revolution of 1688.—Croker.Note 120 · The scene here changes from the Temple of Fame to that of Rumour, which is almost entirely Chaucer's. The particulars follow: Tho saw I stonNote 121 · This thought is transferred thither out of the second book of Fame, where it takes up no less than one hundred and twenty verses, beginning Note 122 · From Chaucer: If that thou Throw on water now a stone, Well wost thou it will make anon A little roundel as a circle, Paraunture broad as a Note 123 · Dryden's version of Ovid, Met. xii.: Whence all things, though remote, are viewed around And hither bring their undulating sound.—Wakefield.Note 124 · Of werres, of peace, of marriages, Of rest, of labour, of voyages, Of abode, of dethe, of life, Of love and hate, accord and strife, Of losNote 125 · But such a grete congregation Of folke as I saw roame about, Some within, and some without. Was never seen, ne shall be eft— And every wighNote 126 · Thus north and south Went every tiding fro mouth to mouth, And that encreasing evermo, As fire is wont to quicken and go From a sparkle sprNote 127 · Dryden, Ovid, Met. xii.: Fame sits aloft. In Ovid the scene is laid in the house of Fame. Pope lays it in the house of Rumour, and having leNote 128 · And sometime I saw there at once, A lesing and a sad sooth saw That gonnen at adventure draw Out of a window forth to pace— And no man be hNote 129 · The hint is taken from a passage in another part of the third book, but here more naturally made the conclusion, with the addition of a moraNote 130 · Garth, in the preface to his Dispensary: "Reputation of this sort is very hard to be got, and very easy to be lost."—Wakefield.Note 131 · Cowley's Complaint: Thou who rewardest but with popular breath And that too after death.—Wakefield. Pope's moral is inconsistent with the prNote 132 · Dryden, in Palamon and Arcite, says of women that they Still follow fortune where she leads the way.
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