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The Works of Alexander Pope, Volume 1, Poetry - Volume 1

HYLAS AND ÆGON.

Reading edition

TO MR. WYCHERLEY.[2]

Beneath the shade a spreading beech displays,[3] Hylas and Ægon sung their rural lays; This mourned a faithless, that an absent love,[4] And Delia's name and Doris' filled the grove.[5] Ye Mantuan nymphs, your sacred succour bring;5 Hylas and Ægon's rural lays I sing. Thou,[6] whom the nine, with Plautus' wit inspire, The art of Terence, and Menander's fire; Whose sense instructs us,[7] and whose humour charms, Whose judgment sways us, and whose spirit[8] warms!10 Oh, skilled in nature![9] see the hearts of swains, Their artless passions, and their tender pains.[10] Now setting Phœbus shone serenely bright, And fleecy clouds were streaked with purple light; When tuneful Hylas with melodious moan,15 Taught rocks to weep, and made the mountains groan.[11] Go, gentle gales, and bear my sighs away![12] To Delia's ear the tender notes convey. As some sad turtle[13] his lost love deplores And with deep murmurs fills the sounding shores;20 Thus, far from Delia, to the winds I mourn, Alike unheard, unpitied, and forlorn. Go, gentle gales, and bear my sighs along! For her, the feathered quires neglect their song: For her, the limes their pleasing shades deny;25 For her, the lilies hang their heads and die. Ye flow'rs that droop, forsaken by the spring, Ye birds that, left by summer, cease to sing, Ye trees that fade when autumn-heats remove, Say, is not absence death to those who love?[14]30 Go, gentle gales, and bear my sighs away! Cursed be the fields that cause my Delia's stay; Fade ev'ry blossom, wither ev'ry tree,[15] Die ev'ry flower, and perish all but she. What have I said? where'er my Delia flies,35 Let spring attend, and sudden flow'rs arise; Let op'ning roses knotted oaks adorn,[16] And liquid amber drop from ev'ry thorn. Go, gentle gales, and bear my sighs along! The birds shall cease to tune their ev'ning song,40 The winds to breathe, the waving woods to move, And streams to murmur, ere I cease to love.[17] Not bubbling fountains to the thirsty swain,[18] Not balmy sleep to lab'rers faint with pain,[19] Not show'rs to larks, or sunshine to the bee,45 Are half so charming as thy sight to me.[20] Go, gentle gales, and bear my sighs away! Come, Delia, come; ah, why this long delay? Through rocks and caves the name of Delia sounds, Delia, each cave and echoing rock rebounds.50 Ye pow'rs, what pleasing frenzy soothes my mind! Do lovers dream, or is my Delia kind?[21] She comes, my Delia comes!—Now cease my lay,[22] And cease, ye gales, to bear my sighs away! Next Ægon sung, while Windsor groves admired;55 Rehearse, ye muses, what yourselves inspired. Resound, ye hills, resound my mournful strain! Of perjured Doris, dying I complain:[23] Here, where the mountains, less'ning as they rise, Lose the low vales, and steal into the skies:60 While lab'ring oxen, spent with toil and heat, In their loose traces from the field retreat:[24] While curling smokes from village tops are seen, And the fleet shades glide o'er the dusky green.[25] Resound, ye hills, resound my mournful lay!65 Beneath yon poplar oft we passed the day: Oft on the rind I carved her am'rous vows,[26] While she with garlands hung the bending boughs: The garlands fade, the vows are worn away; So dies her love, and so my hopes decay.70 Resound, ye hills, resound my mournful strain! Now bright Arcturus[27] glads the teeming grain, Now golden fruits on loaded branches shine, And grateful clusters swell with floods of wine;[28] Now blushing berries paint the yellow grove;75 Just Gods! shall all things yield returns but love? Resound, ye hills, resound my mournful lay! The shepherds cry, "Thy flocks are left a prey"— Ah! what avails it me, the flocks to keep, Who lost my heart while I preserved my sheep?80 Pan came, and asked, what magic caused my smart,[29] Or what ill eyes[30] malignant glances dart?[31] What eyes but hers, alas, have pow'r to move![32] And is there magic but what dwells in love! Resound, ye hills, resound my mournful strains;85 I'll fly from shepherds, flocks, and flow'ry plains, From shepherds, flocks, and plains, I may remove, Forsake mankind, and all the world—but love! I know thee, Love! on foreign mountains bred,[33] Wolves gave thee suck, and savage tigers fed.[34]90 Thou wert from Ætna's burning entrails torn, Got by fierce whirlwinds, and in thunder born![35] Resound, ye hills, resound my mournful lay! Farewell, ye woods, adieu the light of day! One leap from yonder cliff shall end my pains,[36]95 No more, ye hills, no more resound my strains! Thus sung the shepherds till th' approach of night, The skies yet blushing with departing light,[37] When falling dews with spangles decked the glade, And the low sun had lengthened ev'ry shade.[38]100

FOOTNOTES:

Notes in this chapter

Note 1 · Mr. Wycherley, a famous author of comedies; of which the most celebrated were the Plain-Dealer and Country-Wife. He was a writer of infiniteNote 2 · Formed on Dryden's version of Ecl. i. 1: Beneath the shade which beechen boughs diffuse.—Wakefield.Note 3 · Before the edition of 1736 the couplet ran thus: To whose complaints the list'ning forests bend, While one his mistress mourns, and one his Note 4 · From Dryden's version of Ecl. i. 5: While stretched at ease you sing your happy loves, And Amaryllis fills the shady groves.—Wakefield.Note 5 · Wycherley.Note 6 · He was always very careful in his encomiums not to fall into ridicule, the trap which weak and prostitute flatterers rarely escape. For "senNote 7 · The reading was "rapture" in all editions till that of 1736.Note 8 · Few writers have less nature in them than Wycherley.—Warton.Note 9 · Till the edition of 1736 the following lines stood in place of the couplet in the text: Attend the muse, though low her numbers be, She singNote 10 · Pope had Waller's Thyrsis and Galatea in his memory: Made the wide country echo to your moan, The list'ning trees, and savage mountains groaNote 11 · The lines from verse 17 to 30 are very beautiful, tender, and melodious.—Bowles.Note 12 · It was a time-honoured fancy that the "moan" of the turtle-dove was a lament for the loss of its mate. Turtur, the Latin name for the bird, Note 13 · This whole passage is imitated from Sir Philip Sidney's Arcadia, Book iii. p. 712, 8vo ed.: Earth, brook, flow'rs, pipe, lamb, dove, Say allNote 14 · Congreve's Mourning Muse of Alexis: Fade all ye flow'rs, and wither all ye woods.Note 15 · Virg. Ecl. viii. 52: aurea duræ Mala ferant quercus, narcisso floreat alnus; Pinguia corticibus sudent electra myricæ.—Pope. His obligationsNote 16 · These four lines followed in the MS.: With him through Libyia's burning plains I'll go, On Alpine mountains tread th' eternal snow; Yet feelNote 17 · Virg. Ecl. v. 46: Quale sopor fessis in gramine, quale per æstum Dulcis aquæ saliente sitim restinguere rivo.—Pope.Note 18 · "Faint with pain" is both flat and improper. It is fatigue, and not pain that makes them faint.—Wakefield.Note 19 · The turn of the last four lines is evidently borrowed from Drummond of Hawthornden, a charming but neglected poet. To virgins flow'rs, to suNote 20 · Virg. Ecl. viii. 108: an, qui amant, ipsi sibi somnia fingunt?—Pope. In the first edition, conformably to the original plan of the Pastoral,Note 21 · From Virg. Ecl. viii. 110: Parcite, ab urbe venit, jam parcite carmina, Daphnis. Stafford's translation in Dryden's Miscellany: Cease, ceaseNote 22 · Dryden's Virg. Ecl. viii. 26, 29: While I my Nisa's perjured faith deplore. Yet shall my dying breath to heav'n complain.Note 23 · This imagery is borrowed from Milton's Comus, ver. 290: Two such I saw, what time the laboured ox In his loose traces from the furrow came.—Note 24 · Variation: And the fleet shades fly gliding o'er the green.—Pope. These two verses are obviously adumbrated from the conclusion of Virgil's Note 25 · This fancy he derived from Virgil, Ecl. x. 53: tenerisque meos incidere amores Arboribus. The rind of ev'ry plant her name shall know. DrydeNote 26 · According to the ancients, the weather was stormy for a few days when Arcturus rose with the sun, which took place in September, and Pope apNote 27 · The scene is in Windsor Forest; so this image is not so exact.—Warburton.Note 28 · This is taken from Virg. Ecl. x. 26, 21: Pan deus Arcadiæ venit . . . . Omnes, unde amor iste, rogant tibi.—Wakefield.Note 29 · Virg. Ecl. iii. 103: Nescio quis teneros oculus mihi fascinat agnos.—Pope. Dryden's version of the original: What magic has bewitched the woNote 30 · It should be "darted;" the present tense is used for the sake of the rhyme.—Warton.Note 31 · Variation: What eyes but hers, alas! have pow'r on me; Oh mighty Love! what magic is like thee?—Pope.Note 32 · Virg. Ecl. viii. 43: Nunc scio quid sit amor. Duris in cotibus illum, etc.—Pope. Stafford's version of the original in Dryden's MiscellaniesNote 33 · Till the edition of Warburton, this couplet was as follows: I know thee, Love! wild as the raging main, More fell than tigers on the Lybian Note 34 · Were a man to meet with such a nondescript monster as the following, viz.: "Love out of Mount Ætna by a Whirlwind," he would suppose himselfNote 35 · Virg. Ecl. viii. 59: Præceps aërii specula de montis in undas Deferar. From yon high cliff I plunge into the main. Dryden.—Wakefield. This pNote 36 · Ver. 98, 100. There is a little inaccuracy here; the first line makes the time after sunset; the second before.—Warburton. Pope had at firstNote 37 · Virg. Ecl. ii. 67: Et sol decedens crescentes duplicat umbras. The shadows lengthen as the sun grows low. Dryden.—Wakefield. "Objection," Po
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