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The Works of Alexander Pope, Volume 1, Poetry - Volume 1

SUMMER:

Reading edition

THE SECOND PASTORAL,

OR

ALEXIS.[1]

TO DR. GARTH.[2]

A shepherd's boy (he seeks no better name)[3] Led forth his flocks[4] along the silver Thame,[5] Where dancing sun-beams on the waters played,[6] And verdant alders formed a quiv'ring[7] shade;[8] Soft as he mourned, the streams forgot to flow,[9]5 The flocks around a dumb compassion show,[10] The Naïads wept in ev'ry wat'ry bow'r, And Jove consented in a silent show'r.[11] Accept, O Garth! the muse's early lays, That adds this wreath of ivy to thy bays;[12]10 Hear what from love unpractised hearts endure, From love, the sole disease thou canst not cure. Ye shady beeches, and ye cooling streams, Defence from Phœbus', not from Cupid's beams,[13] To you I mourn; nor to the deaf I sing,[14]15 "The woods shall answer, and their echo ring."[15] The hills and rocks attend my doleful lay, Why art thou prouder and more hard than they?[16] The bleating sheep with my complaints agree, They parched with heat, and I inflamed by thee.[17]20 The sultry Sirius burns the thirsty plains,[18] While in thy heart eternal winter reigns.[19] Where stray ye, muses, in what lawn or grove,[20] While your Alexis pines in hopeless love? In those fair fields where sacred Isis glides,25 Or else where Cam his winding vales divides?[21] As in the crystal stream I view my face,[22] Fresh rising blushes paint the wat'ry glass; But since those graces please thy eyes no more, I shun the fountains which I sought before.30 Once I was skilled in ev'ry herb that grew, And ev'ry plant that drinks the morning dew;[23] Ah wretched shepherd, what avails thy art, To cure thy lambs, but not to heal thy heart![24] Let other swains attend the rural care,35 Feed fairer flocks, or richer fleeces shear:[25] But nigh yon' mountain[26] let me tune my lays, Embrace my love, and bind my brows with bays.[27] That flute is mine which Colin's[28] tuneful breath Inspired when living, and bequeathed in death:[29]40 He said; Alexis, take this pipe,[30] the same That taught the groves my Rosalinda's name:[31] But now the reeds shall hang on yonder tree,[32] For ever silent, since despised by thee. Oh! were I made by some transforming pow'r45 The captive bird that sings within thy bow'r![33] Then might my voice thy list'ning ears employ, And I those kisses he receives enjoy. And yet my numbers please the rural throng,[34] Rough satyrs dance, and Pan applauds the song:[35]50 The nymphs, forsaking ev'ry cave and spring,[36] Their early fruit, and milk-white turtles bring![37] Each am'rous nymph prefers her gifts in vain, On you their gifts are all bestowed again.[38] For you the swains their fairest flow'rs design,55 And in one garland all their beauties join; Accept the wreath which you deserve alone, In whom all beauties are comprised in one. See what delights in sylvan scenes appear! Descending gods have found Elysium here.[39]60 In woods bright Venus with Adonis strayed; And chaste Diana haunts the forest-shade. Come, lovely nymph, and bless the silent hours, When swains from shearing seek their nightly bow'rs; When weary reapers quit the sultry field,[40]65 And crowned with corn their thanks to Ceres yield. This harmless grove no lurking viper hides,[41] But in my breast the serpent love abides.[42] Here bees from blossoms sip the rosy dew, But your Alexis knows no sweets but you.70 O deign to visit our forsaken seats, The mossy fountains, and the green retreats![43] Where'er you walk, cool gales shall fan the glade; Trees, where you sit, shall crowd into a shade; Where'er you tread, the blushing flow'rs shall rise,[44]75 And all things flourish where you turn your eyes.[45] O! how I long with you to pass my days,[46] Invoke the muses, and resound your praise! Your praise the birds shall chant in ev'ry grove,[47] And winds shall waft it to the pow'rs above.[48]80 But would you sing, and rival Orpheus' strain,[49] The wond'ring forests soon should dance[50] again, The moving mountains hear the pow'rful call, And headlong streams hang list'ning in their fall.[51] But see, the shepherds shun the noon-day heat,85 The lowing herds to murm'ring brooks retreat,[52] To closer shades the panting flocks remove; Ye gods! and is there no relief for love?[53] But soon the sun with milder rays descends To the cool ocean, where his journey ends:[54]90 On me love's fiercer flames for ever prey,[55] By night he scorches, as he burns by day.[56]

FOOTNOTES:

Notes in this chapter

Note 1 · The scene of this Pastoral by the river side, suitable to the heat of the season: the time noon.—Pope.Note 2 · Dr. Samuel Garth, author of the Dispensary, was one of the first friends of the author, whose acquaintance with him began at fourteen or fifNote 3 · This was one of the passages submitted to Walsh. "Objection," remarks Pope, "against the parenthesis, he seeks no better name. Quære. Would Note 4 · Spenser's Shepherd's Calendar: A shepherd boy (no better do him call) Led forth his flock.—Bowles. Pope's second Pastoral is an ostensible iNote 5 · "An inaccurate word," says Warton, "instead of Thames;" and rendered confusing by the fact that there is a real river Thame, which is a tribNote 6 · Originally thus in the MS.: There to the winds Headrigg plained his hapless love, And Amaryllis filled the vocal grove.—Warburton.Note 7 · Dryden's Theodore and Honoria: The winds within the quiv'ring branches played, And dancing trees a mournful music made.—Wakefield.Note 8 · Ver. 1, 2, 3, 4, were thus printed in the first edition: A faithful swain, whom Love had taught to sing, Bewailed his fate beside a silver sNote 9 · Dryden's Virg. Ecl. viii. 3: To which the savage lynxes list'ning stood; The rivers stood on heaps, and stopped the running flood. Milton, CNote 10 · Milton, Comus: That dumb things shall be moved to sympathise.—Steevens. In the tears of Amaryllis for Amyntas, Congreve says of the tigers aNote 11 · Virg. Ecl. vii. 60: Jupiter et læto descendet plurimus imbri.—Pope. In the original manuscript the couplet was slightly different: RelentingNote 12 · This is taken from Virg. Ecl. viii. 12.—Wakefield. Dryden's translation, ver. 17: Amidst thy laurels let this ivy twine, Thine was my earlieNote 13 · A harsh line, and a false and affected thought.—Bowles.Note 14 · Virg. Ecl. x. 8. Non canimus surdis: respondent omnia sylvæ.—Pope. Ogilby's translation of the verse in Virgil: Nor to the deaf do we our nuNote 15 · A line out of Spenser's Epithalamion.—Pope.Note 16 · A line unworthy our author, containing a false and trivial thought; as is also the 22nd line.—Warton.Note 17 · Pope says his merit in these Pastorals is his copying from the ancients. Can anything like this, and other conceits, be found in the naturalNote 18 · So Virgil says of Sirius, or the dog-star, Geor. ii. 353: hiulca siti findit Canis æstifer arva. "Gassendi has well remarked," says Arnauld Note 19 · The Shepherd's Calendar of Spenser: Such rage as winter's reigneth in my heart.Note 20 · Virg. Ecl. x. 9, out of Theocritus: Quæ nemora, aut qui vos saltus habuere, puellæ Naïades, indigno cum Gallus amore periret? Nam neque ParnNote 21 · Addison's Campaign: Or where the Seine her flow'ry fields divides, Or where the Loire through winding vineyards glides.—Wakefield. Pope wrotNote 22 · Oft in the crystal spring I cast a view, And equalled Hylas, if the glass be true; But since those graces meet my eyes no more, shun, etc. Note 23 · Milton, Penseroso, ver. 172: And every herb that sips the dew.—Wakefield.Note 24 · This is an obvious imitation of those trite lines in Ovid, Met. i. 522: herbarum subjecta potentia nobis. Hei mihi, quod nullis amor est medNote 25 · The only faulty rhymes, care and shear, perhaps in these poems, where the versification is in general so exact and correct.—Warton.Note 26 · The scene is laid upon the banks of the Thames, and "mountain" is a term inapplicable to any of the neighbouring hills. Pope was too intent Note 27 · It is not easy to conceive a more harsh and clashing line than this. There is the same imagery in Theocritus (Idyll viii. 55), but it is madNote 28 · The name taken by Spenser in his Eclogues, where his mistress is celebrated under that of Rosalinda.—Pope.Note 29 · Virg. Ecl. ii. 36: Est mihi disparibus septem compacta cicutis Fistula, Damœtas dono mihi quam dedit olim, Et dixit moriens, Te nunc habet iNote 30 · Dr. Johnson says, "that every intelligent reader sickens at the mention of the crook and the pipe, the sheep and the kids." This appears to Note 31 · Virg. Ecl. i. 5: Formosam resonare doces Amaryllida silvas.—Wakefield.Note 32 · Imitated from Virg. Ecl. vii. 24: Hic arguta sacra pendebit fistula pinu.—Wakefield. Dryden's translation: The praise of artful numbers I reNote 33 · This thought is formed on one in Theocritus iii. 12, and our poet had before him Dryden's translation of that Idyllium: Some god transform mNote 34 · Virg. Ecl. ix. 33: me quoque dicunt Vatem pastores.—Wakefield.Note 35 · Milton's Lycidas, ver. 34: Rough satyrs danced. Dryden's Virgil, Ecl. vi. 42: He raised his voice, and soon a num'rous throng Of tripping saNote 36 · Spenser's Elegy on the death of Sir P. Sidney: Come forth, ye nymphs, forsake your wat'ry bowers, Forsake your mossy caves.Note 37 · Spenser's Astrophel: And many a nymph both of the wood and brook, Soon as his oaten pipe began to shrill, Both chrystal wells, and shady groNote 38 · From the Shepherd's Calendar of Spenser: His clownish gifts and courtsies I disdain, His kids, his cracknels, and his early fruit; Ah, fooliNote 39 · Virg. Ecl. ii. 60: habitarunt dii quoque sylvas. Ecl. x. 18: Et formosus oves ad flumina pavit Adonis.—Pope. Dryden's translation of the firNote 40 · This is formed from Virg. Ecl. ii. 10: rapido fessis messoribus æstu. The reapers tired with sultry heats.—Ogilby.—Wakefield.Note 41 · He had in his mind Virg. Ecl. iii. 93: Frigidus, O pueri, fugite hinc! latet anguis in herba.—Wakefield.Note 42 · I think these two lines would not have passed without animadversion in any of our great schools.—Warton. Another couplet followed in the manNote 43 · Virg. Ecl. vii. 45: Muscosi fontes—mossy fountains.—Wakefield.Note 44 · This thought occurs in several authors. Persius, Sat. ii. 39, Quicquid calcaverit hic, rosa fiat. Butler finely ridicules this trite fancy oNote 45 · The six lines from ver. 71 to ver. 76 stood thus in the original manuscript: Oh, deign to grace our happy rural seats, Our mossy fountains, Note 46 · He had in view Virg. Ecl. x. 43: hic ipso tecum consumerer ævo.—Wakefield.Note 47 · Your praise the tuneful birds to heav'n shall bear, And list'ning wolves grow milder as they hear. So the verses were originally written. BNote 48 · Virg. Ecl. iii. 73: Partem aliquam, venti, Divum referatis ad aures.—Pope.Note 49 · In place of this couplet and the next, the original MS. had these lines: Such magic music dwells within your name, The voice of Orpheus no sNote 50 · This verse is debased by the word dance. But he followed Dryden in Ecl. iii. 69: Where Orpheus on his lyre laments his love, With beasts encNote 51 · Lucan vi. 473: de rupe pependit Abscissa fixus torrens; amnisque cucurrit Non qua pronus erat. Streams have run back at murmurs of her tonguNote 52 · In the MS.: But see the southing sun displays his beams, See Tityrus leads his herd to silver streams.Note 53 · Virg. Ecl. ii. 68: Me tamen urit amor, quis enim modus adsit amori?—Pope. He had Dryden's translation of the passage in Virgil before him: CNote 54 · The phrase "where his journey ends" is mean and prosaic, nor by any means adequately conveys the sentiment required, which is this,—The sun Note 55 · Variation: Me love inflames, nor will his fires allay.—Pope.Note 56 · This is certainly the poorest of Pope's pastorals, and it has many false thoughts and conceits. But the ingenuous and candid critic will alw
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